Podcast appearances and mentions of Michael Nyman

Michael Nyman has made a career by being on the leading edge of marketing trends. With this latest venture he has created another new go to market strategy. Nyman, the former long time PMK*BNC Co-Chairman & CEO, has now launched Acceleration, a new investment vehicle & advisory firm. With Acceleration, Nyman will be developing a new go-to market business approach with a series of strategic and complementary acquisitions and build outs aimed at providing a unique collective of specialized agencies, designed to help clients move quickly and efficiently with their branding, marketing and media decisions.Nyman, a 30-year veteran, started his own firm, Bragman Nyman Cafarelli (along with founder Howard Bragman and co-founder Brad Cafarelli) in 1991, before selling it to Interpublic Group of Companies (IPG:NYSE) in the fall of 2000, and leading the firm through its transition to a public company and subsequent expansion. In the fall of 2009, Nyman was asked to lead the merger combining the talent powerhouse of PMK with BNC's established leadership in not only communications, but also marketing services and expertise in merging brands with entertainment. Within five years PMK*BNC had doubled its revenue and built up to 300 employees representing nearly 1,000 entertainment and Fortune 500 clients.For more than two decades of work with BNC and PMK*BNC, Nyman has architected and contributed to numerous award-winning campaigns and/or counseled clients, including Samsung, Pepsi, American Express, Avon and BeatsbyDre to Product(Red), Jordan Brand (Nike), The Television Academy (Emmys), Shonda Rhimes, JC Penny, The Academy of Country Music (ACM's), Warner Bros, Digital Networks Group and Condé Nast.Nyman has served on multiple boards over the past two decades. Currently he is the Chairman of the California Film Commission, serves on the Board of Governors at Cedars-Sinai and the Board of Councilors for USC's Annenberg School of Communications and Journalism.

Descubre la fascinante historia de la Sinfónica de Portsmouth, una orquesta formada por músicos que jamás habían tocado sus instrumentos antes de unirse al grupo. En 1974 lograron lo imposible: agotar entradas en el prestigioso Royal Albert Hall de Londres con una interpretación musicalmente catastrófica pero conceptualmente revolucionaria. De la mano de figuras como Brian Eno y Michael Nyman, este experimento contracultural desafió todos los cánones del elitismo musical y se convirtió en un fenómeno cultural que duró una década, hasta que irónicamente, aprendieron a tocar bien. Una historia real de rebeldía artística que te hará replantearte qué significa realmente hacer música. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The Agents learn much about Esinpiel and its history.Cover of 'Colquhoun's Story' by Michael Nyman & Damon Albarn performed by Chris HamjeWant to read along? Transcript available here: https://sorryhoney.captivate.fm/Support The Work at: https://ko-fi.com/sorryhoneyWant to advertise with us? See our Sponsor Kit and Rate Card.Visit Us At: https://sorryhoney.captivate.fm/Join our Discord to tell us all the things we did wrong: https://discord.gg/xuQdfzJMfaFollow us on Twitter for additional content: https://twitter.com/SorryHoneyCastLikewise, Instagram: https://www.instagram.com/sorryhoneypodcast/Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is a trademark and copyright owned by the Delta Green Partnership, who has licensed its use here. Illustrations by Dennis Detwiller are reproduced by permission. The contents of this podcast are © GiggleDome Productions, LLC, excepting those elements that are components of Delta Green intellectual property.

Despite a grisly signpost, the Agents continue their journey to the isolated village of Esinpiel.Cover of 'Colquhoun's Story' by Michael Nyman & Damon Albarn performed by Chris HamjeWant to read along? Transcript available here: https://sorryhoney.captivate.fm/Support The Work at: https://ko-fi.com/sorryhoneyWant to advertise with us? See our Sponsor Kit and Rate Card.Visit Us At: https://sorryhoney.captivate.fm/Join our Discord to tell us all the things we did wrong: https://discord.gg/xuQdfzJMfaFollow us on Twitter for additional content: https://twitter.com/SorryHoneyCastLikewise, Instagram: https://www.instagram.com/sorryhoneypodcast/Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is a trademark and copyright owned by the Delta Green Partnership, who has licensed its use here. Illustrations by Dennis Detwiller are reproduced by permission. The contents of this podcast are © GiggleDome Productions, LLC, excepting those elements that are components of Delta Green intellectual property.

Aunque empezamos con escritos de Santa Teresa de Jesús, la protagonista principal del programa es la poesía de San Juan de la Cruz, fundamentalmente en la discografía de Enrique Morente. El disco de Enrique titulado "Cruz y Luna" es la principal huella del Santo en la obra de Enrique, pero el cantaor no abandonó a San Juan a lo largo de su discografía posterior. También escuchamos a José de los Camarones, a Estrella con Michael Nyman, a Silvio y Sacramento y a Bujío Fresh Sound con letras místicas.Escuchar audio

In this episode, The Stinas dive deep into the life and work of legendary composer Alan Silvestri, with a special focus on his enchanting Practical Magic film score. They discuss the behind-the-scenes drama of Silvestri stepping in to replace Michael Nyman's lost score—was it just a business decision, or does some lingering resentment still haunt the halls of Hollywood?As a follow-up to Season 2, Episode 57 on Michael Nyman, this episode explores the twist of fate that led Silvestri to film scoring—despite having no prior experience—and the phone call that changed his career forever. The Stinas also take a detour into the unexpected: Silvestri's winery! Who knew the man behind some of cinema's most iconic themes also had such a passion for fine wine?But that's not all—expect some fun surprises, including an AI-generated fan fiction segment and another epic rap battle showdown. Plus, The Stinas open up about their own imposter syndrome and why Silvestri's journey is proof that sometimes, the magic finds you.Grab your margaritas (or a glass of Silvestri's best vino), and let's get into it!

Musique au Générique a enfilé son costume de fêtes. Philippe Briot nous propose sa sélection de musiques de film, de comédies cultes à regarder au coin du feu. Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Santa Teresa de Jesús y San Juan de la Cruz escribieron para que cantasen José de los Camarones, Estrella Morente y sobre todo, en el caso de San Juan, Enrique Morente. Escuchamos esa poesía divina en sus voces. "Aventuremos la vida" es el título de la malagueña que acaba de grabar José de los Camarones sobre conocidos textos de Teresa de Ávila. Estrella con Michael Nyman dieron a la caza alcance. En el repertorio de Morente aparece San Juan de la Cruz en diferentes grabaciones, como "Cristalina fuente o "Aunque es de noche". También Rosalía le dio su aire. Siguiendo con Rosalía, y lejos de esos poetas del Carrmelo, también recordó en sus principios los tangos de la Catalina cuya melodía emparenta con la Macorina que hizo popular Chabela Vargas. Ahora la voz de la cantante aparece renovada en el nuevo trabajo discográfico del guitarrista Paco Soto que ha recuperado su voz para la ocasión. Alba Molina con Silvia Pérez Cruz dan paso a Lole Montoya. Para terminar Kerem, el guitarrista turco, con la voz de Guillermo Manzano y Raimundo Amador con Cristian de Moret.Escuchar audio

Esta semana tenemos varias joyas en nuestro programa, como “The Complete Obscure Records Collection” una colección única que contiene los lanzamientos de debut de Gavin Bryars, Michael Nyman, John Adams, David Toop, Max Eastley, Harold Budd, Christopher Hobbs, Jan Steele y Simon Jeffes / The Penguin Café Orchestra, además de importantes obras de John Cage, Tom Phillips y John White, sin mencionar el seminal "Discreet Music" de Brian Eno, que escucharemos en Atmósfera. Además sonarán los trabajos de Gianmaria Aprile, J. WLSN, Kin Leonn, Zöj, Manongo Mujica, Jay Cluss o Darth Athena.Escuchar audio

The latest guest on The PR Week podcast is Michael Nyman, who split from PMK-BNC in 2018 to found the Acceleration Community of Companies. He's since built the network by acquiring agencies, including a majority stake in New York-based PR firm DKC.  Nyman talks about why he calls Acceleration a “doing company” rather than a holding company, and about the top marketing and communications news of the week, including the closing pitches by Vice President Kamala Harris and former President Donald Trump. Plus, it's Halloween — and PRWeek has an especially frightening poll of the scariest things that send a shiver up the spines of PR pros. Also on the agenda: the biggest marketing and communications news of the week, such as people moves at PwC,  Taylor  and Wells Fargo.  Follow us: @PRWeekUSReceive the latest industry news, insights, and special reports. Start Your Free 1-Month Trial Subscription To PRWeek

Eat to live, don't live to eat! Jack and Corey are joined by the cult movie loving, animated duo Harvey and Stiltskin aka SHRUGBUDS (twitch.tv/shrugbuds) to talk Antonia Bird's quirky cannibal cult classic RAVENOUS (1999)! The four talk cannibal movies, our first mailed Netflix DVDs, Rumpelstiltskin, good stew, licking in horror movies, urban legends, virility, Damon Albarn and Michael Nyman's incredible score, Jeremy Davies' most normal role, Guy Pearce snack daddy, manifest destiny, Jeffrey Jones commentaries, Saving Private Ryan paranoia, Wings Hauser, and Randy Quaid's sex tape.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Desde la Peña La Platería hablamos con Carlos Jiménez, director del Festival de cine flamenco de Granada, y escuchamos a algunos de los protagonistas de esta cita. Empezamos con Diego Guerrero, Estrella Morente con Michael Nyman, Juan Habichuela Nieto y Sergio el Colorao. No faltan ni el cante de Pedro el Granaíno ni la guitarra de Antón Jiménez.Escuchar audio

In this first part of an occasional series exploring modular synthesis and live performance. William Stokes talks to experimental electronic musician Scanner about his career, the choice of his favourite modules he'll showcase in his closing performance and the friendliness of the modular community. Chapters00:00 - Introduction01:13 - The Tate Modern Installation02:52 - Working With Laurie Anderson06:40 - The Origin Of The Name Scanner10:47 - Module 1: Morphagene14:30 - Module 2: Mimeophon18:52 - Module 3: Equation Composer24:08 - Module 4: QU-Bit Prism26:51 - Finding Your Sound With Modular29:22 - Module 5: QU-Bit Nano Rand31:16 - Module 6: Instruō øchd DivKid 33:12 - Modular Social Community 35:31 - Modular Aesthetics38:38 - Module 7: Bela Gliss42:37 - The PerformanceMorphagene - https://www.makenoisemusic.com/modules/morphagene/Mimeophon - https://www.makenoisemusic.com/modules/mimeophon/Equation Composer (discontinued) QU-Bit Prism - https://www.qubitelectronix.com/shop/p/prismQU-Bit Nano Rand - https://www.qubitelectronix.com/shop/p/nano-rand Instruō øchd - https://www.instruomodular.com/product/ochd/Bela Gliss - https://uk.shop.bela.io/products/glissRobin Rimbaud BiogScanner (British artist Robin Rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 dance productions, including the hit musical comedy Kirikou & Karaba Narnia, Qualia for the London Royal Ballet, and the world's first Virtual Reality ballet, Nightfall, for Dutch National Ballet.More unusual projects have included designing sound for the Philips Wake-Up Light (2009), the re-opening of the Stedelijk Museum, Amsterdam in 2012 and the new Cisco telephone system used in many offices around the world. His work Salles des Departs is permanently installed in a working morgue in Paris whilst Vex, the residential house by Chance de Silva architects, featuring his permanent soundtrack, won the RIBA London Award 2018.Committed to working with cutting edge practitioners he collaborated with Bryan Ferry, Wayne MacGregor, Mike Kelley, Torres, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others.http://www.scannerdot.comWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is writer Justin Lewis, who's hanging a sign on the back of his car to confirm that he remembers I Hate J.R. by The Wurzels, The Uncyclopedia Of Rock, Friends by The Police, Philip Glass' Sesame Street composition Geometry Of Circles, Walk Right Through by Raissa, Nicholas And The Gang by Rene Goscinny and Jean-Jacques Sempé and Very Hard Questions. Along the way we'll be celebrating Michael Nyman's Pac-Man High Score, debunking the Great Andy Summers Video Nasty Hoax, remaking the Bitter Sweet Symphony video with the bloke out of The Wurzels, soliciting The Jesus And Mary Chain's theories on Who Shot J.R.? and finally revealing just how many biscuits Elon Musk is actually entitled to.You can find more editions of Looks Unfamiliar at http://timworthington.org/. You can also find Justin on Looks Unfamiliar talking about Neither Fish Nor Flesh by Terence Trent D'Arby, In One Ear, The London Symphony Orchestra version of Tommy, Orbit, Pop Score and the Welsh Language dubbed version of Trumpton here and the original Only Fools And Horses theme tune, Anglo American by Golden, The Rock Year Book, Joy by Isaac Hayes, Thomas, Stand In Line by Impelliteri, Selwyn and the Glamorgan Tiles advert here.If you enjoy Looks Unfamiliar, why not buy us a coffee here? We are unclear on whether Andy Summers likes to drinks it.

Der er smuk musik fra alle tider og alle verdenshjørner i aftenens udgave af Natsværmeren, hvor vært Peter Albrechtsen spiller alt fra klassiske legender til moderne filmmusik. Haydn, Morricone, Vaughn Williams, Arvo Pärt, Michael Nyman og George Gershwin. Plus det løse. Og kirkeklokker.

You knew this day would come. It was inevitable. We're covering Jane Campion's THE PIANO. How does Ryan feel about this one? This was the one film of the filmography that he remembered quite fondly but now, decades later and now a co-host of an alternative film review podcast, with an active dislike for the other films we have covered of this particular filmmaker, how will it fare? I guess you're going to have to find out if this classic and most revered film of the time passes that gauntlet. (Don't worry about Laura, she loves everything.)

Hej och varmt välkomna till OptikerPodden med mig, Jonas Upphagen. Den 19 mars 2024 hade Optikerförbundet sitt digitala årsmöte. Hela styrelsen förutom Lovisa Bergström sitter kvar och består idag av: Ordförande Rune Brautaset Vice ordförande Jeanette Brandt Ledamöter Gabriella Rosén, Stina Lönn, Anna-Maria Lingvall, Jenny Sandh, Michael Nyman samt suppleanter Jonas Upphagen och Katarina Ek. I månadens avsnitt som har jag bjudit in Katarina Ek som nyligen valdes in i Optikerförbundets styrelse.

En aquest episodi, un especial de Michael Nyman, el mestre de la m

Der Komponist Michael Nyman ist vielen vor allem wegen seiner Filmmusiken ein Begriff. Dabei hat er noch viel mehr geschrieben, und was kaum jemand weiß: Er ist ein Komponist, der sich lange geweigert hat, zu komponieren. Antonia Goldhammer blickt auf sein Leben und Werk zurück.

In deze aflevering van Kalm met Klassiek hoor je een 'klassieker' in de wereld van de filmmuziek. De filmscore van 'The piano', een film uit 1993, heeft steevast een plaats in de Filmmuziek Top 100-lijsten de afgelopen jaren. Een intens verhaal over hartstocht, vrijheid en onafhankelijk. Maar hier bij Kalm met Klassiek een rustig stukje piano uit die film, getiteld 'The scent of love'. Tegen het einde van het stuk breekt als het ware het zonlicht door de wolken, en neemt een strijkorkest het van de piano over. Luister maar. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Neil Hannon is a singer, songwriter and the driving force behind the band The Divine Comedy, which he founded in 1989. Along with hit singles such as National Express, and 12 albums with the band, his music appears in an impressively varied range of settings – including original songs for the recent film Wonka, a chamber opera inspired by Tolstoy for Covent Garden, and the theme tune for the sitcom Father Ted. Neil talks to Michael Berkeley about growing up in Enniskillen, Northern Ireland with a bishop for a father, writing his first pop song when he was 14, and how, as a self-described "pathetic twerp", he managed to make it in the pop world. His typically wide-ranging musical passions include works by Puccini, Stravinsky, Chopin and Ravel, alongside tracks by Michael Nyman, Kate Bush and Scott Walker. Producer: Graham Rogers

For more than a year now, I've been obsessed with TÁR, the 2022 Todd Field film starring Cate Blanchett as an orchestral conductor whose power plays lead to her devastating downfall. Yes, the story is gripping and suspenseful, but it's the music interlaced throughout the film that keeps me coming back. Aside from the two works performed in the film — Mahler's Fifth Symphony and Elgar's Cello Concerto — which were baked into Field's script, the music you hear throughout TÁR is the result of months of work by the film's music supervisor, Lucy Bright. A specialist in the arenas of film and television scoring, Bright has worked with some of today's biggest composers — including Nico Muhly, Michael Nyman, and Volker Bertelmann — on projects ranging from Assassin's Creed to Aftersun and The Iron Claw. But what exactly does a music supervisor do on a film of this scale? Turns out, it's a lot.  From working with a team of on-set sound engineers who specialize in recording symphony orchestras to developing the film's Deutsche Grammophon concept album and recreating Urbie Green's 1967 recording of "Twenty-one Trombones," Bright was kept busy managing countless aspects of the film's musical atmosphere across three countries. In this episode of the Classical Post podcast, I speak with Bright about the expert levels of coordination and collaboration vital to her work, working with the Icelandic composer Hildur Guðnadóttir to realize Lydia Tár's compositions, and what it was like seeing Cate Blanchett raise a baton to conduct Mahler. Plus, she shares her fascinating history with modern architecture, her go-to burger place in New York City, and the therapeutic benefits of swimming in the natural springs of London's Hampstead Heath. Stream TÁR (Music from and Inspired by the Motion Picture) on Spotify, Apple Music, Amazon Music, or wherever you stream music. - Classical Post® is created and produced by Gold Sound Media® LLC, a New York-based marketing agency for the performing arts industry. Explore how we can grow your audience to make a lasting impact in your community.

Nos asomamos entre bambalinas al espectáculo musical que nos tiene preparado Mario Gas. Una selección de melodías que abre con el tema “Secrets” del musical Addams Family en la voz de Gracie Parker y en la que no faltarán el emotivo “Send in the Clowns” interpretado por Glynis Johns o esa obra maestra de la banda sonora de El piano que firma Michael Nyman. Escuchar audio

Episode 112 Merry Moog 2023 Holiday Music Performed on the Moog and other Synthesizers Playlist   Sounds Of Broadcasting 1, “Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Emerson, Lake & Palmer, “Nutrocker” from Nutrocker / The Great Gates Of Kiev (1972 Cotillion). Arranged by, Emerson, Lake & Palmer. Written by Kim Fowley. Emerson, Lake & Palmer, “Troika” from I Believe In Father Christmas (1995 Rhino Records). Arranged by, Emerson, Lake & Palmer. Moog and effects by Keith Emerson. Sounds Of Broadcasting 2, “Night Of The Kings” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. Armen Ra, “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). USA. Moog Etherwave Pro Theremin. Sounds Of Broadcasting 3, “Electronic Tinsel” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. Unknown artist, “God Rest Ye Merry Gentlemen” from Electronic Computer Christmas Music (1990 Silver Bells Music). As the name suggests, this was a label dedication mostly to producing broadcast music for the holidays. They also release several albums of nature sounds. The studio musicians go unnamed. John Baker, “Christmas Commercial” from BBC Radiophonic Music (1968 BBC Radio Enterprises). A short piece used for broadcasting that was created by tape manipulation of the sounds of a mechanical cash register. It was part of collection of short works by BBC Radiophonic composers. “This record has been produced with the intention of entertaining rather than informing: the items chosen do not necessarily represent a survey of the music created at the BBC Radiophonic Workshop. The Workshop at the BBC Music Studios in Maida Vale, London, is equipped with tape recording machines and other electronic equipment for generating and manipulating sound. The composition and realization of this music and sound is done by a small number of specialized creative staff.” Christmas Baubles, “Orch” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track. Sounds Of Broadcasting 4, “Cutesy Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Michael Nyman, “Cream or Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. From Nyman's minimalist era before he became famous for soundtracks. Cabaret Voltaire, “Invocation” from Eight Crepuscule Tracks (1987 Interior Music). This track was originally included on the holiday album Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule), which suggested to me that it should be in this holiday podcast. Any excuse for a CV track. Paul Haig, “Scottish Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. Scottish songwriter, musician and singer. Les Cousins Dangereux, “What Child Is This” from Gotta Groove Records 2012 (2012 Gotta Groove Records). Holiday album with various artists. Les Cousins Dangereux is Mr. Tim Thornton. Joy Electric, “Angels We Have Heard on High” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Among his many releases is this crafty Christmas album. Sounds Of Broadcasting 5, “Christmas Moog Choir” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Edhels, “Oriental Christmas” from Oriental Christmas (1985 Cabana Music). Recorded in France. Drums, Percussion, Keyboards, Jacky Rosati; Guitar, Jean Louis Suzzoni; Guitar, Bass, Keyboards, Composed by, Marc Ceccotti; Keyboards, Noël Damon. I was sent this as a promotional album back in 1985 with a kind little note from the artists. Sorry it took me so long to put the Christmas-related track in my podcast. This is great example of synth-pop from France in the 1980s. Pac-Man, “Snowflakes And Frozen Lakes” from Pac-Man Christmas Album (1982 Kid Stuff Records). Produced, Written by, Dana Walden, Patrick McBride. “A collection of Pac-Man's favorite Christmas songs.” Need I say more? Swinging Buildings, “Praying For A Cheaper Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. This group was once rumored to be New Order in disguise. But no, they were in fact The Bowling Balls in disguise. Old Man Gloom, “Valhalla and Christmas Eve Parts I and II from Christmas (2004 Tortuga Recordings). Ambient/Noise band formed in New Mexico by guitarist/vocalist Aaron Turner and drummer Santos Montano. Guitar, Drum Programming, Drums, captured and organized sound, Kurt Ballou; Performed by Aaron Turner, Caleb Scofield, Luke Scarola, Nate Newton, Santos Montano. Sounds Of Broadcasting 6, “The Joyous Moment” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 John & Yoko and The Plastic Ono Band With The Harlem Community Choir (remixed by Thom Holmes in 2001), “Happy Christmas (War is Over)” (1971 Apple Records). I had a CD player that was in disrepair and decided to “perform” this remix using it. I ended up calling this the Lennon and Ono Sliding Moment remix. Opening background music: Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Joy Electric, “Let it Snow” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Christmas Baubles, “Noisy Organ” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track.     Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Michael Nyman is an English "Minimalist" composer who was hired to compose the score for the film Practical Magic. However, just before the film's release in theaters his score was ultimately scrapped and replaced by the score as we now know it by Alan Silvestri. The original pressings of the Warner's soundtrack CD featured two cues from Nyman's rejected score. When he was replaced by Alan Silvestri, the soundtrack was re-pressed and Nyman's cues were replaced by two (shorter) Silvestri cues. In today's episode, The Stinas not only discuss this composition kerfuffle, they also deep dive on the successes and failures of the veteran composer, whose work has seemingly gone severely under-appreciated in the American film market. In an amazing twist of fate, one of Nyman's rejected cues from the Practical Magic film resulted in a magical collaboration with an indie artist, that gave new life & meaning to the once disregarded composition! With this episode, we hope to shine a spotlight on the life and career of Michael Nyman. So join us as we marvel at his amazing accomplishments and accolades, reinforcing the notion that our failures do not define us! WARNING: SPOILERS ABOUND! SOCIALS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kristina's Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Justina's Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Voice Message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERO SOURCES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WHERE TO FIND THE BOOKS AND MOVIE DISCLAIMER The Magnolia Street Podcast intends to discuss the movie, “Practical Magic” in its entirety. This will evidently result in spoilers and it is recommended that you watch and or read the following. Alice Hoffman's: Practical Magic, Rules of Magic, Magic Lessons, Book of Magic. The Magnolia Street Podcast is for entertainment and informational purposes and should not be used as a substitute for professional or medical advice. Do not attempt any of the discussed actions, solutions, or remedies without first consulting a qualified professional. It should be noted that we are not medical professionals and therefore we are not responsible or liable for any injuries or illnesses resulting from the use of any information on our website or in our media. The Magnolia Street Podcast presenters, Kristina Babich and Justina Carubia are passionate fans of Alice Hoffman's work and the Practical Magic word she has created. There is no copyright infringement intended, all characters and story lines are that of Alice Hoffman. We do not own any of that material as well as any of the move score music shared within the podcast. All intellectual property rights concerning personally written music and or shared art are vested in Magnolia Street Podcast. Copying, distributing and any other use of these materials is not permitted without the written permission from Kristina Babich and Justina Carubia. --- Send in a voice message: https://podcasters.spotify.com/pod/show/magnoliastreetpodcast/message

Andrés Amorós dedica este programa a músicas de distintas películas que se han convertido con el paso del tiempo en obras de culto.

Alongside Einaudi and Michael Nyman, Glass' music aims to carry the torch of instrumental music into the modern musical world of a steady pulse and coherent harmony. His minimalist style uses repetition of potent musical ideas as a foundational device for setting up hypnotic musical soundscapes. In this video we take a deeper look at the Opening movement of his 1982 album Glassworks, which is a solo piano piece. With pianist Henrik Kilhamn. Video: https://youtu.be/QEadFTZ71aQ

This episode opens the floor to movie soundtracks: the compositions that Michael Nyman wrote for ‘The Piano' in 1992 are today still in the ears and hearts of the public, particularly the pianists. I offer my thoughts on why this music is so powerful and talk about some of the symbolic and technical dimensions emerging from the two most known pieces, ‘The Heart Asks Pleasure First', and ‘Big My Secret'.'The Piano' Soundtrack: https://open.spotify.com/album/2QxIR22Sj9xGc4mOTN550A?si=xddufoQ6Sp6mLsQDKyXHKwWhere is the Music Podcast is the home of musical investigation. It is available on all major platforms:SPOTIFY https://open.spotify.com/show/1kBBFkibFPLXPG7xPT39SdAPPLE https://podcasts.apple.com/us/podcast/where-is-the-music/id1686494630YOUTUBE https://youtube.com/playlist?list=PLqRrwZuZFOqwXI4pJurmVn8NvXFD_Wr52TUNEIN http://tun.in/ptYNhSupport Where is the Music Podcast by donating your preferred amount through Patreon: https://www.patreon.com/user?u=94739340Links to my work:Music, concerts and blog: https://www.albertoferro.com/YouTube: https://www.youtube.com/channel/UCSwjhqixWMo4Fs-qwQM9BPAInstagram: https://www.instagram.com/alberto.l.ferro/Facebook: https://www.facebook.com/alberto.l.ferroSpotify: https://open.spotify.com/artist/2hBpLXGCZigUh0wForJFiU

Min 4: EL FILTRO LUCHINI Semana histórica, gloriosa y casi de resurrección para el Cine. Los grandes estrenos comerciales adelantados al miércoles han dejado una cifra alentadora: más de 500.000 espectadores en las salas de cine de toda España en un solo día. Los grandes culpables -además de los excelentes datos que siguen sumando “John Wick 4” o “Dragones y Mazmorras”- la entrada a lo grande y en el mejor momento de “Super Mario Bross La Película”; la película “Air” sobre el binomio Michael Jordan y Nike que dirige Ben Affleck; la terrorífica “EL Exorcista del Papa”, con Russel Crowe como gran abanderado y la comedia española “De Caperucita a Loba”. Alberto Luchini, Raquel Hernández y Roberto Lancha abren el “Filtro Luchini” y le hacen la autopsia a los títulos que han revitalizado la asistencia a las salas en esta Semana Santa que ha recuperado por fin las grandes sensaciones anteriores a la pandemia. ¿Realmente es Super Mario el taquillazo más recomendable de la semana? Min 43: BSO LA ALEGRÍA DE VIVIR 2023 Y siguiendo una tradición que nos encanta en “Estamos de Cine”, aprovechamos el buen tiempo, la eclosión de la primavera y el remate de la Semana Santa para celebrar de nuevo la Alegría de Vivir a través de la música de Cine. Ángel Luque recurre en la cuarta edición de este especial a grandes como Henry Mancini, Randy Edelman, Michael Nyman o Joe Hisaishi para demostrarnos que, tras los títulos más inesperados, se pueden esconder esas grandes melodías que nos levantan el ánimo incluso en los momentos más bajitos. Gracias por el celebrar de nuevo la vida y el cine con nosotros. Feliz escucha.

Welcome to 2023! In 1997, Andrew Niccol made his directorial debut with Gattaca, a sci-fi dystopia about genetic engineering. Michael Nyman's gorgeous, didactic score portrays the tension between the mathematical precision of the world the characters inhabit, and the aspirations which drive them ever upward. And for Gabriel Urbina (Wolf 359, Unseen), it was the score that first made him realize what film scores could accomplish.   My Big Score was created, hosted, and edited by Christopher Dole. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. Our social media consultant is Ellie Warren. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod.

Michael Nyman has made a career by being on the leading edge of marketing trends. With his latest venture, Acceleration Community of Companies, he has created another new go to market strategy. With Acceleration, Nyman, the former long-time PMK*BNC Co-Chairman & CEO, has developed a new business approach with a series of strategic and complementary acquisitions and build outs aimed at providing a unique collective of specialized agencies, designed to help clients move quickly and efficiently with their branding, marketing and media decisions.

Happy New Year everyone! This week on The Cider Shed Codpiece (it'll make sense later) a fairly delirious Keri and Matthew discuss hot-wiring cars, robot makeovers, Knight Rider with Michael Nyman and ponder what John Grisham is doing hanging round Ambridge View with Neil. Now, how about we awkwardly discuss the following over some minuscule starters:Just say 'yes!' : Chelsea and Brad rock the mic at The Bull but Aunt Susan ain't feeling the beat. We are not amused (bouche) : David and Ruth do a restaurant runner. Whole Lottie/Rosie : Is there something up with Pip's BFF? Inter-Stella : Our favourite farm manager is off to talk to the robots. (not Adam)To help us out with a lovely worded 5 star review hit the link below. Then scroll down to ‘Ratings and Reviews' and a little further below that is ‘Write a Review' (this is so much nicer than just tapping the stars

Whether with his first band Thieves – hugely underrated, I listen to those songs all the time – his Britpop era partnership with Suede exile Bernard Butler – the union of which produced arguably the finest pop song of the mid-1990s - his work with the great Dave Arnold or the English composer Michael Nyman, the voice of David McAlmont has been a fixture of my listening habits for almost three decades. Turns out that's not stopping anytime soon. These days David has paired up with one Sean Dickinson – aka HiFi Sean, aka Sean from baggy boys the Soup Dragons – for a new venture, the spoils of which can be heard on February 3rd, 2023, via Plastique Recordings. The record is called Happy Ending, and it's an eclectic collection of songs that are unmistakably of the modern age – angsty, twitchy, sad, sombre, maybe even a bit paranoid, confused, hopefully, looking for meaning and love. It's not even 2023 yet and I might have found my favourite record of next year already. And so on this episode I speak to David about that record, but also his work with all of the aforementioned, and get into the machinations of one of my lifetime's most unique talents. It's a good episode this and I'm so grateful to David for taking the time to speak to me. And while I have you, I wanted to let you know that the new episode of the ever excellent Trve. Cvlt. Pop! Podcast have published their end of year round up episode, which features yours truly, talking about the highs and lows of 2022. There's three hours and fifty six minutes of chat about music for you over there, and as ever, it's a genre free zone. I can't recommend that podcast enough. It's routinely brilliant. Although I am obliged to say that before you go add that feed to your podcast player, listen to this cracker of an episode, eh?Substack! Substack! Substack!  Twitter - @jamesjammcmahon Substack - https://spoook.substack.com

On episode #34 of Floating Through Film, we start our new series that was picked by Dany, Dziga Vertov! After Dany introduces why he chose Vertov for a new series, the other 2 guys also give their initial thoughts on Vertov and the documentary form in general. We then jump right into reviewing Dany's picks for Week 1, Kino-Eye (7:54), and Stride, Soviet! (29:22), A Sixth Part of the World (43:26). We hope you enjoy! Movies We're Reviewing Next Week: The Eleventh Year (1928) + Man with a Movie Camera (1929) Music: - Intro from Early Summer - Outro from Michael Nyman's score for Vertov's A Sixth Part of the World (https://www.youtube.com/watch?v=9b3DBKdDP_A&ab_channel=Nymanite) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

With the remastered cinematic and digital re-release of The Draughtsman's Contract, marking forty years since it first appeared, Matthew Sweet looks back on the film music career of the man who created its much-loved score, Michael Nyman. He charts his long association with director Peter Greenaway, his foray into the Hollywood, and his work with European and experimental cinema. The programme features music from The Falls, The Ogre, A La Folie, Gattaca, The Piano, Carrington, Ravenous, The Libertine, Wonderland, A Zed and Two Noughts, The Cook The Thief, His Wife and Her Lover, Drowning by Numbers, Prospero's Books, and The Draughtsman's Contract.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. LUCY BRIGHT: Lucy Bright started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown.
 Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer. Most recently, she has worked on Charlotte Wells' directorial debut AFTERSUN and Todd Field's TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra. VOLKER BERTELMANN: Volker Bertelmann is an internationally acclaimed pianist, composer and experimental musician. His score for Garth Davis' Oscar-nominated film Lion, which he composed in collaboration with Dustin O'Halloran, and was nominated for multiple awards, including the 2016 Oscar for Best Original Score, the 2016 Golden Globes for Best Original Score, and Best Film Music at the 2016 British Academy Film Awards, or BAFTAs. He has provided music for several leading films and television series, including the score for Patrick Melrose, Showtime's Emmy-and BAFTA nominated mini-series, and for Gunpowder, the HBO mini-series starring Kit Harrington, and the 2020 film Ammonite, co-composed with O'Halloran, which received a spot on the Academy Awards short list for Best Original Score. In 2022, he scored All Quiet on the Western Front for Netflix, the official Oscar-entry for Germany, and War Sailor, both of which were official selections at the Toronto International Film Festival. A uniquely innovative pianist, who in his solo work goes by the name Hauschka, Bertelmann has worked with, among others. the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, and the Grammy-winning violinist Hilary Hahn. In 2018, he accepted an invitation to join the Academy of Motion Picture Arts and Sciences.

Stew's on! This week, Jay's DEcomPOSERS pick takes us into the Sierra Nevada for culinary lessons with Robert Carlyle and Guy Pearce. It's 1999's Ravenous, with music by Michael Nyman and Damon Albarn!

This week, my guest is music supervisor Lucy Bright.  Lucy started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown. Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer. Most recently, she has worked on two forthcoming films: Charlotte Wells' directorial debut AFTERSUN, which is showing at this year's London Film Festival and then coming to UK cinemas via MUBI on 18th November, and I can testify it has a truly phenomenal soundtrack and Todd Field's TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra.It recently premiered to critical acclaim at the Venice Film Festival and is one of my most hotly anticipated films of the year. We spoke about how Lucy got her start in the music industry and then gradually discovered the role of music supervision, getting her first credit as a music supervisor on Samantha Morton's TV film THE UNLOVED, how she collaborates with directors and other HoDs to build a soundtrack, why certain songs cost more than others, how needle drops happen and what song she is particularly proud of clearing for use in a film…

1990. Well it certainly was time for the guru, but as the first year of the new decade was drawing to a close, it was time - a little time, if you will - for so much more. And as always, our favourite compilation series was there to capture it all.So volume 18 provided us with the NOW albums second numbered album of 1990 in the shape of big ballads, bigger ballads, pop, rock, dance, indie and even Timmy Mallet. Yes, all life forms were present and correct! Elton was BACK and, with Bernie Taupin, scoring his biggest hit in years (and a first solo No1!). Sinead was rewriting the Prince songbook and music video like no one else could, William Orbit was quietly ushering in the rest of the decade with some fascinating rhythms and Kylie was not only sidling nicely alongside her then boyfriend Michael in INXS, she was riding on the love train somewhere back in time.There were remixes and reissues aplenty too; best of albums for PiL and Talk Talk alongside (are we allowed to say indie dance?) excursions from The Cure, Sting and Suzanne vega were reminding us that the 80s were still a force to be remixed with.And so to step back in time to NOW18 in this episode we are joined by film and TV music supervisor Lucy Bright. Lucy started out at Mute Records working with artists such as Nick Cave and Depeche Mode, she then moved to Warner Classics for six years before leaving to manage composer Michael Nyman.In 2020 Lucy launched her own music publishing company, Bright Notion Music, which currently represents and nurtures some of the world's most influential artists and composers working today. And Lucy has music supervised some of the most critically-acclaimed British films and TV series of recent years: Samantha Morton's directorial debut The Unloved, Charlotte Wells' Cannes winning After Sun and both Shane Meadows's This is England ‘90 and The Virtues.So we can think of no one better to navigate us through an album chock filled with film and TV related tracks! Jeans! Pottery Wheels! Julia Roberts! Bridesmaids! Julian Temple in the desert! Tim Pope in a wardrobe! As well as deciphering these conundrums, Lucy also joyfully revisits her first (and only?) NOW album whilst delighting us with some wonderful and personal stories including guest appearances from Youth, James Mason, Prince (and a chocolate milkshake), Michael Hutchence, Shane Meadows and Holly Knight (she wrote some big songs, oh yes) to name but a few! 1990 - who has time for the guru with all of this going on?Jump straight back in to the wonderfully eclectic and memory packed NOW18! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of suicide and depiction of suicide, eugenics, disability. This week we discuss a film that honestly deserves a better status than cult classic. The sheer ingenuity and thoughtfulness baked into a science fiction parable about eugenics from 1997 is remarkable. Andrew Niccol has made some other great films along the way, but this stands apart as a finely crafted piece; not perfect, but not needing to be. And then you have truly great performances from three actors either on the verge or just coming into movie stardom, all with nuance and subtlety that makes this film age like fine wine. Make sure to scrub away any trace of who you are as we discuss Gattaca this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “The Departure” from the motion picture soundtrack to the film Gattaca, written and composed by Michael Nyman. Copyright 1997 Columbia Pictures Industries, Inc. and licensed to Virgin Records America, Inc. Excerpts taken from the film Gattaca are © 1997 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from “Practical Magic” from the motion picture soundtrack to the film Practical Magic, written and composed by Alan Silvestri. Copyright 1998 Reprise Records, a Time Warner Company.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of stalking, neglect, murder, inappropriate behavior, assault, kidnapping.. This week we're touching on a VHS classic that was a staple of one of the hosts' movie-watching days, but not so much for the other. And that's not unexpected, because this movie was branded a failure pretty much from its inception. Yet even massive studio intervention and an astronomically high budget due to its star can't fully tank this movie, because the concept, the directing, and the performances are still too fun to ignore. And as iconic as his previous films had been, Jim Carrey's doing some of his best comedic work in this movie because he gets to also be a little terrifying. Make sure to ask for free cable as we discuss The Cable Guy this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Hey Man Nice Shot,” written by Richard Patrick and performed by Filter. Copyright 1995 Reprise Records. Excerpts taken from the film The Cable Guy are © 1996 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from “The Departure” from the motion picture soundtrack to the film Gattaca, written and composed by Michael Nyman. Copyright 1997 Columbia Pictures Industries, Inc. and licensed to Virgin Records America, Inc.

This week Jeff makes Dave & John re-watch 90s Sci-Fi thriller (?) Gattaca since he had never seen it! Lots of beer drinking, too. We had consumed a bunch before we even started recording. Anyway, it's on Netflix and it gave us both Jude Law and Maya Hawke, plus it's so 90s. What a premise! Ethan Hawke pretends to be Jude Law so that he can maybe go to space some day. There's something about swimming against his brother, I think the line "I never saved anything for the swim back" that, you, didn't quite have the sentimental impact as "They called me Mr. Glass!", or something. Hell of a cast. Andrew Niccol wrote/directed. Cast/Creatives: Ethan Hawke and Uma Thurman, with Jude Law, Loren Dean, Ernest Borgnine, Gore Vidal, Blair Underwood, Tony Shalhoub, Maya Rudolph, and Alan Arkin, Sławomir Idziak, Michael Nyman, Danny DeVito produced through Jersey Films. Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: John Say, Dave Green, Jeff Ostermueller. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast. additional tags: Lasers, whiskey, Black Mirror, futuristic, near future, DNA, blood samples, rock soap, space, space travel, janitors.

Cleopatro Gimeno es responsable de Sueño Contigo empresa dedicad al descanso. Presenta los soníferos, unas pastillas con altavoz que proporcionan un sonido soporífero compuesto por Michael Nyman

Cleopatro Gimeno es responsable de Sueño Contigo empresa dedicad al descanso. Presenta los soníferos, unas pastillas con altavoz que proporcionan un sonido soporífero compuesto por Michael Nyman

Cleopatro Gimeno es responsable de Sueño Contigo empresa dedicad al descanso. Presenta los soníferos, unas pastillas con altavoz que proporcionan un sonido soporífero compuesto por Michael Nyman

**LAZPOD IS BACK** After taking a moments break I am finally back with a brand new extra special LAZPOD show. Hot on the heels of releasing my very first Movie Soundtrack, Beijing Spring, I figured it was a perfect time to create my ultimate movie soundtrack mix. This mix is a collection of some of my all time favorite prices of music from the silver screen, nothing too obvious here but they are all winners.  Expect to hear incredible pieces from Johann Jóhannsson, Michael Nyman, Philip Glass, Marvin Gaye and so much more… having been collecting soundtrack albums all mg life, this is one of those moments when I realized I needed to create something true, honest and beautiful. Welcome to The MoviePod, welcome to Lazpod #39

Max Cooper merges electronic music and visual art with scientific enquiry through installations, live performance, immersive audio-visual experiences, a range of digital media and award-winning music videos.His new album drops March 25, and Unspoken Words is Cooper's 6th studio album and the latest in an impressive back catalogue that dates back to 2007, when he juggled studying Computational Biology with being resident DJ at a local techno club.He recently supplied the music for a powerful video narrated by Greta Thunberg and Pope Francis and played at COP26, urging world leaders to consider climate and environment in Covid recovery plans. Last year, he became the first techno artist to play at the Acropolis in Athens, Greece.  Other work includes commissions from The Barbican, France TV, AND& festival, Waltham Forest Borough Council, and collaborations with Zaha Hadid Architects, The Babraham Institute, and L-Acoustics alongside musical reworks of contemporary classical musicians including Philip Glass, Nils Frahm, Terry Reilly and Michael Nyman and pop artists Hot Chip and Moby.His label, Mesh, is keenly placed to explore the intersection of music, art and science through interdisciplinary creative collaborations that blur lines between art, mathematics, film, choreography, sciences, architecture, psychology and spirituality.https://maxcooper.net/  NEXT JOURNEY - April 11th, with a world premiere of new East Forest Journey music  - SIGN UP TODAY.  Check out the new platform JourneySpace.com - offering online live facilitated journeys.  Join our East Forest COUNCIL on Patreon.  Monthly Zoom Council, podcast exclusives, live-streams, and more. Tour - Catch East Forest live:  Dublin April 9, 2022, Denver April 20, 2022.  More at eastforest.orgListen to East Forest music:  "IN" - the latest full album  release from East Forest - LISTEN NOW: Spotify / AppleListen to East Forest guided meditations on Spotify & AppleOrder a vinyl, dad hats, sheet music, original perfume oils, and more: http://eastforest.orgPlease rate Ten Laws with East Forest in iTunesAnd on Spotify★★★★★Sign up to learn about new retreats, shows in your area, and to join the community.Stay in the flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/FB:  https://www.facebook.com/EastForestMusic/TW:  https://twitter.com/eastforestmusicJOIN THE COUNCIL - PATREON: http://patreon.com/eastforest **Disclaimer: Please act responsibly - East Forest is not offering medical advice or condoning illegal activity.  Blessings.

Hay momentos en la vida en que llueve y hace frío (y hablo metafóricamente). Más a menudo de lo que deseamos, las cosas no vienen bien dadas; pasamos por momentos lóbregos, por ciertas penalidades, por algunas desazones. Y en esos momentos de lluvia y frío, buscamos refugio: en las personas queridas, en los amigos, en quienes nos conocen y nos comprenden. Y —también— en la música. Airyn & JM Mantecon, Patrick Lenk, Miledh, Peter Buffett, Karl Jenkins, Michael Nyman, Robert Schroeder, Lethave Plank.

In the first episode of the new season Sam catches up with Jess Gillam for a JOINT analysis of one of the tracks from her newly-released second album, Time. Meanwhile, Tim reviews concerts from Apartment House and European trio Pavel Kolesnikov, Elina Buksha and Aurélien Pascal.Music Credits: ‘Tim and Sam's Podcast' written and performed by Harry Sever Brahms's Intermezzo Op. 118 No. 2, performed by Timmy Fisher'Where the Bee Dances' by Michael Nyman, performed by Jess Gillam and the Jess Gillam EnsembleFollow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

This man started from nothing and grew his company to one of the largest PR firms in advertising agencies in the world working with top brands such as Pepsi Bentley AT&T Verizon And T-Mobile just to name a few