Podcast appearances and mentions of Keith Emerson

Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

È il 1973. Al Velodromo Vigorelli di Milano si esibiscono gli Emerson, Lake & Palmer. Lui ha solo 16 anni e quello è il suo primo concerto. Mentre guarda Keith Emerson suonare sul palco, capisce che da grande anche lui deve fare l'artista. In questa intervista a Malcom Pagani, Enrico Ruggeri racconta che cos'è successo da quando, appena adolescente, ha deciso di fare della musica la sua vita fino al suo ultimo disco “La caverna di Platone”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeg sætter fokus på en række pianister gennem tiden, lige fra Fats Domino og Jerry Lee Lewis som nogle af de tidlige rock ‘n' rollere, videre til nogle af de fremmeste i 70'erne, nævnes skal Leon Russell, Tom Waits, Billy Joel, Keith Emerson, Stevie Wonder med flere.

Keith Emerson, do trio de rock progressivo Emerson, Lake and Palmer (ELP) fez seu emocinante e dramático Concerto para Piano No. 1 em meio de uma crise absurda, com depressão e tudo. Vale ouvir? Claro! Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata e Gustavo Holtzhausen.

NEW FOR DECEMBER 1, 2024 A pot of musical magic . . . Witchy Brew - The Best Radio You Have Never Heard Vol. 497 1. Waking The Witch - Kate Bush 2. Still - Peter Sinfield feat. Greg Lake 3. I Talk To The Wind (live) - Keith Emerson and Greg Lake 4. In The Court Of The Crimson King - Doc Severinsen & The Now Generation 5. Rhayader / Rhayader Goes To Town (2013) - Camel 6. King Of Pain (live unplugged) - Alanis Morissette 7. A Day In The Life (live) - Sting 8. Tempted (live) - Nick Lowe's Cowboy Outfit feat. Paul Carrack 9. Country Honk (early) - The Rolling Stones 10. Love In Vain - Faces 11. Street Fighting Man (live) - John Mellencamp 12. Mayor Of Simpleton (live unplugged) - XTC 13. Josh Tillman and the Accidental Dose - Father John Misty 14. Dead Girls Of London - L. Shankar 15. Call Me The Breeze - Lynyrd Skynyrd 16. Looking Glass (live) - Shimmer 17. This Is Why We Fight - The Decemberists 18. Light My Fire (live) - The Doors w/ Eddie Vedder 19. The Cry / The Electric Co (live) - U2 20. Into The Lens (live) - Yes 21. Stormy Monday (live) - Gregg Allman, Warren Haynes & Allen Woody w/ The Dreyer Brothers Band The Best Radio You Have Never Heard. Sweeping away musical doldrums. Accept No Substitute Click to leave comments on the Facebook page.

Für den finalen Teil unserer Feierlichkeiten zu Godzillas 70sten Geburtstag befassen wir uns mit "GODZILLA FINAL WARS" - den Jubiläumsfilm aus dem Jahr 2004. Um den Film zu sehen fuhren wir ins Nürnberger KOMMKINO, wo der Streifen als Teil eines Marathons ausgestrahlt wurde. An Final Wars scheiden sich die Geister, was hält also die DDD-Crew von dem ausgeflippten Monster Mash? #Godzilla #Godzilla70 #70JahrNukular Besucht uns auf unseren Socials https://linktr.ee/dinosdaemonendoktoren und vergesst nicht unsere Community-Frage zu beantworten: "Welche Kaiju sollten das nächste mal in einem Final Wars-mäßigen Monster Mash nicht fehlen?" Godzilla Final Wars OST by Keith Emerson, Nobuhiko Morino, Daisuke Yano, Akira Ifukube

On 2 November, the great Keith Emerson would have turned 80. To honor this anniversary I have remastered the Keith Emerson Tribute program I did in the aftermath of his tragic death. The program has lots of great Emerson music (with The Nice, ELP, and ELPowell) and also features commentary from some great contemporary keyboard players, including Erik Norlander, Aaron Clift, Dave Kerzner, and Luca Zabbini. I hope you will join me in remembering a legend of the Prog Rock genre, who we lost too soon.  

National deviled eggs day. Entertainment from 1960. North & South Dakota became states, 1st cheerleader, 1st US soldiers killed in WW1. Todays birthdays - James K. Polk, Warren G. Harding, Burt Lancaster, Jay Black, Ray Walston, Stephanie Powers, Keith Emerson, K.D. Lang, David Schwimmer, Nelly. George Bernard Shaw died.Intro - Pour some sugar on me - Def Leppard      http://defleppard.com/Deviled egg song - YouTube videoSave the last dance for me - The DriftersAlabam - Cowboy CopasBirthdays - In da club - 50 Cent      http://50cent.com/Come a little bit closer - Jay & the AmericansLucky man - Emerson Lake & PalmerConstant craving - K.D. LangFriends TV themeHot in Herre - NellyExit - It's not love - Dokken     http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

Brandon and I continue our October Halloween Extravaganza! The Church is a film written and produced by Dario Argento the director of Deep Red and the original 1977 Suspiria! Michele Soavi directs the film. Soavi also directed Cemetery Man starring Rupert Everett! The score was composed by Keith Emerson, Philip Glass, Goblin, and Fabio Pignatelli! The all star cast is led by Thomas Arana who has been in such films as Gladiator, and The Bourne Supremacy! Hugh Quarshie also stars as Father Gus. You may remember him from Clive Barker's Masterpiece Nightbreed or Star Wars Episode 1: The Phantom Menace. Asia Argento is present as Lotte the scamp who would rather go clubbing than restore ancient frescos! This is a gorgeous example of 80's Italian Horror in the same vein as Lucio Fulci! Plot: An old Gothic cathedral built over a mass grave develops strange powers that trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth. Taglines: You Haven't Got A Prayer. It will make you squirm. In this unholy sanctuary you haven't got a prayer ...

If you are exploring the rise of prog rock, it doesn't take long until you encounter the power trio of Emerson, Lake & Palmer.  This progressive rock band is actually a supergroup.  Keyboardist Keith Emerson came from The Nice, vocalist and guitarist Greg Lake was in King Crimson, and percussionist Carl Palmer was from Atomic Rooster.  Emerson, Lake & Palmer formed in 1970 and would make their mark as a prog rock band which adapted classic and symphonic music into the rock genre, with elements of jazz, acoustic, and art rock coming into play.  Most ELP songs are long and complicated, not making any attempt to stay within the confines of the “hit single” pop track.Trilogy is the trio's third studio album, following their eponymously named debut, their second studio album entitled “Tarkus,” and their live album, Pictures at an Exhibition.  Trilogy continues a tradition of combining original material with adaptations of classical music.  It was also a challenging album for the group to make, utilizing more overdubs than previous albums.  The upside is a great sounding, polished album.  The downside is that the music was difficult to duplicate live, causing a number of the songs from Trilogy to be minimally used in set lists.The album was considered both a critical and commercial success, reaching number 2 on the UK albums chart, and number 5 on the US Billboard 200 chart.ELP would continue as a force in the 70's, breaking up in 1979.  Both partial and full reunions would continue through the 1980's and 1990's, with their final performance being held in 2010.  Both Keith Emerson and Greg Lake died in 2016.Wayne takes us through this prog rock masterpiece for this week's podcast. FugueWe open with an instrumental featuring Keith Emerson on keyboards.  A fugue is a style of music involving counterpoint, popular in the Baroque musical era of the 1600's.  You will get exposure to a lot of serious musical compositions and style listening to this group.From the BeginningThis is the "hit" from the album, if you think of Emerson, Lake & Palmer in terms of popularity.  It went to number 29 on the US charts, and is the highest charting US single.  Greg Lake wrote the music and lyrics, and plays the acoustic guitar for this ballad.  The lyrics take on a philosophical sone, emphasizing the importance of the present moment, while not missing past mistakes and missed opportunities.  The SheriffKeith Emerson wrote the music and Greg Lake wrote the lyrics to this western-themed track.  It tells the story of an innocent man fleeing the law, encountering the law in the form of the Sheriff, then taking the Sheriff's place after shooting him.  It ends with a great honkytonk piano solo.HoedownImmediately following “The Sheriff” on the album, the group creates an adaptation of Aaron Copeland's iconic “Hoe-Down,” written for his classic ballet entitled “Rodeo” in 1942.  This tune became well known after being used in advertisements by America's Beef Producers.   ENTERTAINMENT TRACK:Main theme from the motion picture “Super Fly”Curtis Mayfield created this song for the black-oriented crime drama film of the same name. STAFF PICKS:Best Thing by StyxBruce leads off the staff picks with the first single from Styx's first album.  Dennis DeYoung and James Young wrote the song and trade off on lead vocals.  It peaked at number 82 on the Billboard Hot 100.  This is a great tune to hear and grasp what the early days of Styx sounded like.  Rock and Roll, part 2 by Gary GlitterRob brings us a glam rock anthem made famous today by its use in sports stadiums nation wide.  This single off “Glitter,” the debut album by Gary Glitter, is the only one of his singles to crack the U.S. top 10.  Both “Rock and Roll” part 1 and part 2 peaked at number 2 on the UK singles chart.Brandy (You're A Fine Girl) by Looking GlassIt is a mystery how Lynch was able to pick up this well-known classic of yacht rock this late in the podcasts.  This track tells the story of a waitress who gives her love to a sailor, knowing that he would never be on shore for long.  Will It Go Round in Circles by Billy PrestonWayne's staff pick is a funky tune from the man often known as the fifth Beatle.  Preston played with a number of musicians, including Ray Charles, Little Richard, Sam Cook, Eric Clapton, Aretha Franklin, Joe Cocker, and of course the Beatles.  This soulful tune sold over a million copies and topped the Billboard Hot 100 chart. INSTRUMENTAL TRACK:Walk In the Night by Junior Walker & the All StarsThis jazz-infused (largely) instrumental track closes out the podcast for the week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

For over thirty-five years PANGAEA has been creating music that intrigues the mind and inspires the soul. Since their formation in 1989 they have garnered interest in over fifty nations across the globe.  The band's tight, melodic ensemble playing, highly proficient level of musicianship and excellent songwriting and singing, is reminiscent of prog rock's classic era while also showcasing the band's modern era sensibilities. The band was formed initially as Artica in 1989 in Tulsa, Oklahoma by Corey and Andi Schenck, Ron Poulsen, Darrell Masingale (guitar/vocals) and Keith Tinker.  Lead vocalist Steve Osborn joined the band in 1991, establishing the lineup that would become Pangaea.   The concept for the band was to create a sound based on the classic rock and progressive rock of the past while utilizing modern sounds and styles. The idea was simple: amalgamate memorable melodies; rich harmonies; powerful rhythms, and other musical elements into compact song structures.     Their first release was a ten-song album entitled Le Collage D'Exoticolours in 1991.  Tinker left the band in 1992 although he still performs and records with the band on occasion.     From 1992 to '94, they recorded and released three more albums – Rotating Oceans, Grey, and The Guild…with each release helping them to garner increased national exposure.   1995 saw the release of the EP, Liquid Placidity, which caught the attention of producer/musician Robert Berry (whose credits include 3, GTR, Greg Kihn and Keith Emerson).   The band went into Berry's studio in 1996 and recorded The Rite of Passage album, which sold well, received radio airplay on numerous radio stations both domestically and overseas and put the band on the musical map internationally.     Berry produced the band's albums Welcome to the Theatre (1999) and A Time & a Place(2002), both of which continued to garner the band critical praise and increase their fan base.  Berry also produced the band's The Reckoning album in 2003, but as-of-yet, it remains unreleased.   In 2005, Pangaea recorded acoustic arrangements of several songs at the home of actor/comedian Dan Aykroyd and his brother Peter Aykroyd.  This led to an unplugged tour of Borders Books stores, Hard Rock Cafes, and other venues.     The band performed in 2008 at a Houston Dynamo soccer match before 12,000 people but after that show, the band went on an extended hiatus that lasted 15 years.   Eventually deciding to reform in 2023, the band added multi-instrumentalist Scott Draughon to its classic lineup and recorded the new album, Beowulf, with Robert Berry back on board as producer.  The first single from the album, Tomorrow Will Come, was released in April.  The second single, Necromancer, was released in May.   https://pangaea.band   Link to Pangaea FB page:  https://www.facebook.com/pangaearock/photos/coming-may-23-2024beowulfthe-new-album-from-pangaeafeaturing-the-singletomorrow-/1079841843049963/?paipv=0&eav=Afad3fHO8UsHkm2m8meIxRV6ZTT3bERpInfhzREW6D9nQGt8a0gZ5D5VC-nXG6W1gnI&_rdr Learn more about your ad choices. Visit megaphone.fm/adchoices

For over thirty-five years PANGAEA has been creating music that intrigues the mind and inspires the soul. Since their formation in 1989 they have garnered interest in over fifty nations across the globe.  The band's tight, melodic ensemble playing, highly proficient level of musicianship and excellent songwriting and singing, is reminiscent of prog rock's classic era while also showcasing the band's modern era sensibilities. The band was formed initially as Artica in 1989 in Tulsa, Oklahoma by Corey and Andi Schenck, Ron Poulsen, Darrell Masingale (guitar/vocals) and Keith Tinker.  Lead vocalist Steve Osborn joined the band in 1991, establishing the lineup that would become Pangaea.   The concept for the band was to create a sound based on the classic rock and progressive rock of the past while utilizing modern sounds and styles. The idea was simple: amalgamate memorable melodies; rich harmonies; powerful rhythms, and other musical elements into compact song structures.     Their first release was a ten-song album entitled Le Collage D'Exoticolours in 1991.  Tinker left the band in 1992 although he still performs and records with the band on occasion.     From 1992 to '94, they recorded and released three more albums – Rotating Oceans, Grey, and The Guild…with each release helping them to garner increased national exposure.   1995 saw the release of the EP, Liquid Placidity, which caught the attention of producer/musician Robert Berry (whose credits include 3, GTR, Greg Kihn and Keith Emerson).   The band went into Berry's studio in 1996 and recorded The Rite of Passage album, which sold well, received radio airplay on numerous radio stations both domestically and overseas and put the band on the musical map internationally.     Berry produced the band's albums Welcome to the Theatre (1999) and A Time & a Place(2002), both of which continued to garner the band critical praise and increase their fan base.  Berry also produced the band's The Reckoning album in 2003, but as-of-yet, it remains unreleased.   In 2005, Pangaea recorded acoustic arrangements of several songs at the home of actor/comedian Dan Aykroyd and his brother Peter Aykroyd.  This led to an unplugged tour of Borders Books stores, Hard Rock Cafes, and other venues.     The band performed in 2008 at a Houston Dynamo soccer match before 12,000 people but after that show, the band went on an extended hiatus that lasted 15 years.   Eventually deciding to reform in 2023, the band added multi-instrumentalist Scott Draughon to its classic lineup and recorded the new album, Beowulf, with Robert Berry back on board as producer.  The first single from the album, Tomorrow Will Come, was released in April.  The second single, Necromancer, was released in May.   https://pangaea.band   Link to Pangaea FB page:  https://www.facebook.com/pangaearock/photos/coming-may-23-2024beowulfthe-new-album-from-pangaeafeaturing-the-singletomorrow-/1079841843049963/?paipv=0&eav=Afad3fHO8UsHkm2m8meIxRV6ZTT3bERpInfhzREW6D9nQGt8a0gZ5D5VC-nXG6W1gnI&_rdr Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Capt. Content reminds us that something unique happened in the 90s with “Classic Rock” radio where they completely omitted any new contributions musically from the bands. In the 90's, the “Legacy Act” tag hadn't hit yet and bands were still trying to be true to themselves, but still be relevant. We're playing the Lost and Forgotten songs released during the Alternative Rock era from bands that we all know and love.What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Many of the classic 60s-70s bands were still writing and delivering new musical content into the 90s. Go and check out these songs and the albums that they come from! Songs this week include:The Doobie Brothers – “Showdown” from Brotherhood (1991)Nazareth – “Steamroller” from Move Me (1994)Blue Öyster Cult – “Cool Grey Light Of Dawn” from Heaven Forbid (1998)Electric Light Orchestra Part II  – “Whiskey Girls” from Moment Of Truth (1994)Foghat – “Motel Shaker” from Return Of The Boogie Men (1994)38 Special – “Deja Voodoo” from Resolution (1997)Emerson, Lake & Palmer – “Black Moon” from Black Moon (1992)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

What was that Frankenstein music machine with all the dials, sliders, patch cords etc., that made other-worldly sounds that were supposed to resemble “real” instruments, like strings, horns and flutes, but didn't? It was the mighty Moog, invented by Cornell doctoral student and Theremin salesman, Robert Moog. He hooked up with musician-educator Herb Deutsch, developed the voltage regulation for oscillators and modulators, and the thing caught on.The first time most of us heard it was on Wendy Carlos' SWITCHED ON BACH record, which, by aligning itself to one of the world's most beloved composers, became a sensation in 1968, and was a defining feature of Stanley Kubrick's A Clockwork Orange.  Not long after that it became an absolute must have for the Prog matadors like Keith Emerson of ELP.  The Beatles also used it extensively on Abby Road, etc. The list goes on and on. Speaking for myself, I've always found the Moog and the electronic sounds it made cold and clinical (though fascinating). However, on this record its positively cuddly, and it makes me smile when I recall that it was used by the Muppets for the Swedish Chef routine.  Composed by Gershon Kingsley, this hit version of Popcorn was recorded by Stan Free of Hot Butter, and its lighter than air. 

SCORED TO DEATH RADIO is back in 2024 with a brand-new episode exhibiting and celebrating the film score work of composers who are primarily known for their work in rock music. Host J. Blake Fichera guides listeners through a curated playlist of music highlighting cinematic genres that range from Italian horror and epic sci-fi adventure to anime and gritty crime thrillers—featuring music from Keith Emerson and Eric Clapton, as well as the bands Queen and Toto. I hope you enjoy the show. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This show combines both Psychedelic music and Progressive Rock. Keyboardist Keith Emerson had a musical vision of incorporating classical music within a rock context and he distinguished is style from other keyboardist and other bands. He first gained public notice back in the 1960s with his popular Psychedelic band The Nice. He then expanded his musical vision and formed Emerson, Lake & Palmer. Please have a look at these special interest sites.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/For booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at sonictyme@yahoo.com

A year ago, I began what will unfortunately be a regular series of these programs from now on…it's an annual look back on the musicians we lost in the previous year… Rock star deaths have been on our mind since late 2015 when Scott Weiland of the Stone Temple Pilots died, followed a few weeks later by Lemmy of Motorhead…then the floodgates opened in 2016: Bowie, Prince, Leonard Cohen, Glenn Frey of the eagles, both Keith Emerson and Greg Lake from Emerson Lake and Palmer, and George Michael—just to name a few… And since then, it seems we hear about a rock star death every couple of weeks…Tom Petty, Chris Cornell, Chester Bennington, Gregg Allman, Walter Becker of Steely Dan, Chuck Mosley of Faith No More, Andy Fletcher of Depeche Mode, Mark E. Smith of The Fall, Charlie Watts The Rolling Stones…it's been a lot to take in… Some of these deaths have been of natural causes, disease, and old age…others have involved drugs, alcohol, years of hard living, misadventure, and suicide… Here's the hard truth: rock has been around for about seventy years…many of the people who have provided us with our favourite music and some of the greatest songs of all time are reaching the end of their lives… No one is getting any younger...and over the next decade, we're going to lose some of the personalities who have always been with there for us over the last 30, 40, 50, or even 60 years... With that grim reality in mind, I think we need to continue with an annual retrospective at those whom we've lost in the last 12 months…they may be gone, but we need to recognize and celebrate their contributions to the world of music...this is 2023 in memoriam... Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Instant Trivia podcast episode 1029, where we ask the best trivia on the Internet. Round 1. Category: Fair Fare 1: This carnival treat is threads of spun sugar, often pink. cotton candy. 2: This fried treat is named for the cone-shaped utensil through which the batter is poured. a funnel cake. 3: These cheese semi-solids are supposed to squeak when you bite into them. curds. 4: Dusted with sugar and cinnamon, these slender pastries have a Spanish name that may refer to their place of origin. churros. 5: Roll a caramel apple in marshmallows, nuts and chocolate and you have this variation, also an ice cream flavor. rocky road. Round 2. Category: Transportation In Song 1: In "The Christmas Song, "They know that Santa's on his way, he's loaded lots of toys and goodies on" this. his sleigh. 2: A hotel party inspired Steven Tyler to write, "Love In" one of these, "livin' it up when I'm goin' down". an elevator. 3: Day-o! This Harry Belafonte calypso favorite was featured in a raucous dinner scene in the film "Beetlejuice". the "Banana Boat" (song). 4: Macklemore and Ryan Lewis buy these vehicles that can be pedaled or driven with a gas engine and head "Downtown". mopeds. 5: On this, "You leave the Pennsylvania station 'bout a quarter to four, read a magazine and then you're in Baltimore". the "Chattanooga Choo Choo". Round 3. Category: Rock E. With E in quotes 1: Earth joined Wind and Fire and he joined Lake and Palmer. Keith Emerson. 2: In titles it preceded Eddie Money's "Nights" and Richard Marx's "Summer Nights". Endless. 3: This botanical tune grew up to No. 1 in 1988. "Every Rose Has Its Thorn" (by Poison). 4: Though this Art Alexakis band was formed in Portland, its first hit was about Santa Monica. Everclear. 5: The Eurythmics were on the bill in 2000 at the grand opening celebration of this Seattle rock museum. Experience Music Project. Round 4. Category: Great Expectations. With Great in quotation marks 1: In the newspaper, Marmaduke is a funny one. Great Dane. 2: Clingmans Dome is the highest peak in this Appalachian range. Great Smoky Mountains. 3: As it's the nickname of Greg Norman, you're gonna need a bigger -- golf cart. "Great White Shark". 4: A Montana city is named for these on the Missouri, which Meriwether Lewis called the grandest sight he'd ever beheld. Great Falls. 5: Now extinct, we know what these look like from ones mounted in museums and drawings like this by Audubon. great auk. Round 5. Category: Words Containing Silent Letters 1: A land mass surrounded on all sides by water. an island. 2: It follows "Ash" in the name of the first day of Lent. Wednesday. 3: From the Greek for "soul", it's someone who can foresee the future or read minds. a psychic. 4: February 2013 has 672 of these units. hours. 5: A Bowie one is long and dangerous. a knife. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Episode 112 Merry Moog 2023 Holiday Music Performed on the Moog and other Synthesizers Playlist   Sounds Of Broadcasting 1, “Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Emerson, Lake & Palmer, “Nutrocker” from Nutrocker / The Great Gates Of Kiev (1972 Cotillion). Arranged by, Emerson, Lake & Palmer. Written by Kim Fowley. Emerson, Lake & Palmer, “Troika” from I Believe In Father Christmas (1995 Rhino Records). Arranged by, Emerson, Lake & Palmer. Moog and effects by Keith Emerson. Sounds Of Broadcasting 2, “Night Of The Kings” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. Armen Ra, “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). USA. Moog Etherwave Pro Theremin. Sounds Of Broadcasting 3, “Electronic Tinsel” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. Unknown artist, “God Rest Ye Merry Gentlemen” from Electronic Computer Christmas Music (1990 Silver Bells Music). As the name suggests, this was a label dedication mostly to producing broadcast music for the holidays. They also release several albums of nature sounds. The studio musicians go unnamed. John Baker, “Christmas Commercial” from BBC Radiophonic Music (1968 BBC Radio Enterprises). A short piece used for broadcasting that was created by tape manipulation of the sounds of a mechanical cash register. It was part of collection of short works by BBC Radiophonic composers. “This record has been produced with the intention of entertaining rather than informing: the items chosen do not necessarily represent a survey of the music created at the BBC Radiophonic Workshop. The Workshop at the BBC Music Studios in Maida Vale, London, is equipped with tape recording machines and other electronic equipment for generating and manipulating sound. The composition and realization of this music and sound is done by a small number of specialized creative staff.” Christmas Baubles, “Orch” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track. Sounds Of Broadcasting 4, “Cutesy Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Michael Nyman, “Cream or Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. From Nyman's minimalist era before he became famous for soundtracks. Cabaret Voltaire, “Invocation” from Eight Crepuscule Tracks (1987 Interior Music). This track was originally included on the holiday album Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule), which suggested to me that it should be in this holiday podcast. Any excuse for a CV track. Paul Haig, “Scottish Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. Scottish songwriter, musician and singer. Les Cousins Dangereux, “What Child Is This” from Gotta Groove Records 2012 (2012 Gotta Groove Records). Holiday album with various artists. Les Cousins Dangereux is Mr. Tim Thornton. Joy Electric, “Angels We Have Heard on High” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Among his many releases is this crafty Christmas album. Sounds Of Broadcasting 5, “Christmas Moog Choir” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Edhels, “Oriental Christmas” from Oriental Christmas (1985 Cabana Music). Recorded in France. Drums, Percussion, Keyboards, Jacky Rosati; Guitar, Jean Louis Suzzoni; Guitar, Bass, Keyboards, Composed by, Marc Ceccotti; Keyboards, Noël Damon. I was sent this as a promotional album back in 1985 with a kind little note from the artists. Sorry it took me so long to put the Christmas-related track in my podcast. This is great example of synth-pop from France in the 1980s. Pac-Man, “Snowflakes And Frozen Lakes” from Pac-Man Christmas Album (1982 Kid Stuff Records). Produced, Written by, Dana Walden, Patrick McBride. “A collection of Pac-Man's favorite Christmas songs.” Need I say more? Swinging Buildings, “Praying For A Cheaper Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. This group was once rumored to be New Order in disguise. But no, they were in fact The Bowling Balls in disguise. Old Man Gloom, “Valhalla and Christmas Eve Parts I and II from Christmas (2004 Tortuga Recordings). Ambient/Noise band formed in New Mexico by guitarist/vocalist Aaron Turner and drummer Santos Montano. Guitar, Drum Programming, Drums, captured and organized sound, Kurt Ballou; Performed by Aaron Turner, Caleb Scofield, Luke Scarola, Nate Newton, Santos Montano. Sounds Of Broadcasting 6, “The Joyous Moment” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 John & Yoko and The Plastic Ono Band With The Harlem Community Choir (remixed by Thom Holmes in 2001), “Happy Christmas (War is Over)” (1971 Apple Records). I had a CD player that was in disrepair and decided to “perform” this remix using it. I ended up calling this the Lennon and Ono Sliding Moment remix. Opening background music: Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Joy Electric, “Let it Snow” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Christmas Baubles, “Noisy Organ” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track.     Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

On the late Keith Emerson's birthday, we are talking about the new 20-CD box set titled Keith Emerson: Variations. This career-spanning set has a lot of amazing recordings, including solo albums, soundtracks, and concerts! You can order it via the links below: https://burningshed.com/keith-emerson_variations_boxset https://www.cherryred.co.uk/product/keith-emerson-variations-20cd-box-set/ Drum Talk TV Keith Emerson tribute vlog Dan mentioned: https://youtu.be/EWHfWu13oyg --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

National deviled eggs day. Entertainment from 2008. North & South Dakota became states, 1st cheerleader, 1st US soldiers killed in WW1. Todays birthdays - James K. Polk, Warren G. Harding, Burt Lancaster, Jay Black, Ray Walston, Stephanie Powers, Keith Emerson, K.D. Lang, David Schwimmer, Nelly.George Bernard Shaw died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Deviled egg songWhat you like - T.I.Just a dream - Carrie UnderwoodBirthdays - In da club - 50 Cent http://50cent.com/Come a little bit closer - Jay & the AmericansLucky man - Emerson Lake & PalmerConstant craving - K.D. LangFriends TV themeHot in Herre - NellyExit - It's not love - Dokken http://dokken.net/https://coolcasts.cooolmedia.com/

On this episode, Steven reviews his CD+Blu-ray copy of Trevor Rabin's new solo album Rio, which includes three bonus tracks. Then he reads the recent announcement of Steve Howe's upcoming Motif 2. Followed by mentions of different collections featuring John Wetton, Greg Lake, and Keith Emerson. And at the end, he gives a rundown of what the next couple Yesshift broadcasts will be! -Trevor Rabin: Rio - https://trevorrabin.lnk.to/RioID -Steve Howe: Motif 2 announcement: https://www.loudersound.com/news/steve-howe-to-release-second-motif-collection-in-november -John Wetton: An Extraordinary Life 8CD box set - https://www.cherryred.co.uk/product/john-wetton-an-extraordinary-life-8cd-12x12-box-set/ -Greg Lake: Magical 7 CD box set - https://www.cherryred.co.uk/product/greg-lake-magical-7cd-10x10-box-set/ -Keith Emerson: Variations 20 CD box set - https://www.cherryred.co.uk/product/keith-emerson-variations-20cd-box-set/ --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Steve Porcaro Live on Game Changers with Vicki Abelson I loved every second with 3x Grammy Winner, founding member of Toto, Steve Porcaro. A down-to-earth sweetheart of a guy who just happens to be one arm of the iconic legendary musical Porcaro family. These ain't no lip-sinking, TV frontmen, the Porcaros define chops. World-renowned drummer, Joe, who left sticks and skins around, brother Jeff, who picked them up and banged them to new heights, Mike who segued to bass, and Steve who found his passion and his niche with keyboards, programming, and sythns. Separately, and together they made musical history. We talked beginnings influences, The Beatles, Keith Emerson, from playing school proms to clubs with David Paich, Hungate, and Lukather, to Boz Skaggs to Toto, Bobby Kimball, Hold The Line, Rosanna, Arquette, and the song, success fulfilling all childhood dreams and then some. Sessions and side work for all of them, Bette Midler, Chaka, Earth, Wind & Fire, Quincy Jones, which led to Micheal Jackson and Human Nature on Thriller, thrilling! There was James Newton Howard, playing and scoring for film and TV… Justified. Leaving Toto, rejoining Toto with new appreciation. Drugs, alcohol, and loss took their toll, solo work, Someday/Somehow, collaborations, Allee Willis, writing with his daughters, The Covid Kid, doing what he loves, where he loves. A life well being lived and art continuously created. I really really like this man, and his music. Grateful for this opportunity to get to know. Steve Porcaro Live on Game Changers with Vicki Abelson Wednesday, October 11, 5 PM PT, 8 PM ET Streamed Live on my Facebook Reply here: https://bit.ly/3ZUQBxu

The Wolf and Action Jackson thirst for knowledge about rock n roll. The bands, the musicians, the albums, the songs, the studios, the history - we want to know it all!! But no one knows everything, we all have blind spots. So as a way to further our own knowledge and understanding of rock music, we've developed a new, somewhat regular segment we call On First Listen. Here we take an album that we've never listened to and give it our usual track x track evaluation. Everyone has albums that they've always been curious about or have seen on Top 50 lists or had a friend swear is the best kept secret on the planet but for whatever reason, you've never heard it. We kick off this new series with 1973's Brain Salad Surgery by Emerson, Lake & Palmer. Our heroes were late to the prog landscape and when they first got into music via MTV in the 1980s, Genesis and Yes were pop bands, not prog rock giants. The boys didn't really come to appreciate progressive rock until later in life. However, Carl Palmer (the Palmer in Emerson, Lake & Palmer) they had familiarity with through his work in Asia and he was a guest on UAWIL #80. But the The Wolf & Action had never listened to the album Carl called his favorite in ELP, Brain Salad Surgery. They were familiar with the cover by HR Giger (Alien) but didn't see the hidden pictures from the original work of art. Nor did they know the meaning of Brain Salad Surgery (we get into it). And though they knew their song that started, "Welcome back my friends to the show that never ends" they had no idea what the name of the song was (Karn Evil 9 First Impression Part 2 doesn't exactly roll off the tongue). Despite all that it is considered one of the true prog masterpieces of all time. So the boys set out to explore what Keith Emerson, Greg Lake and Carl Palmer were up to in 1973. Will it become an instant favorite? Or will it be something they appreciate but never listen to again? You'll have to listen to find out what they think about ELP's 1973 classic. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wolf and Action Jackson thirst for knowledge about rock n roll. The bands, the musicians, the albums, the songs, the studios, the history - we want to know it all!! But no one knows everything, we all have blind spots. So as a way to further our own knowledge and understanding of rock music, we've developed a new, somewhat regular segment we call On First Listen. Here we take an album that we've never listened to and give it our usual track x track evaluation. Everyone has albums that they've always been curious about or have seen on Top 50 lists or had a friend swear is the best kept secret on the planet but for whatever reason, you've never heard it. We kick off this new series with 1973's Brain Salad Surgery by Emerson, Lake & Palmer. Our heroes were late to the prog landscape and when they first got into music via MTV in the 1980s, Genesis and Yes were pop bands, not prog rock giants. The boys didn't really come to appreciate progressive rock until later in life. However, Carl Palmer (the Palmer in Emerson, Lake & Palmer) they had familiarity with through his work in Asia and he was a guest on UAWIL #80. But the The Wolf & Action had never listened to the album Carl called his favorite in ELP, Brain Salad Surgery. They were familiar with the cover by HR Giger (Alien) but didn't see the hidden pictures from the original work of art. Nor did they know the meaning of Brain Salad Surgery (we get into it). And though they knew their song that started, "Welcome back my friends to the show that never ends" they had no idea what the name of the song was (Karn Evil 9 First Impression Part 2 doesn't exactly roll off the tongue). Despite all that it is considered one of the true prog masterpieces of all time. So the boys set out to explore what Keith Emerson, Greg Lake and Carl Palmer were up to in 1973. Will it become an instant favorite? Or will it be something they appreciate but never listen to again? You'll have to listen to find out what they think about ELP's 1973 classic. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Thanks to YMP Patron Doug Curran, we were able to speak to Brian Chatton this week. A friend of and collaborator with Jon Anderson since the 1960s, Brian has indeed 'Rolled with Rock Royalty' and our conversation shed light on a variety of eras of Yes and the other bands and artists Brian has been associated with. No single interview with Brian could possibly scratch the surface of his extraordinary life and career so do check out his amazing book: https://brianchatton.com/rolling-with-rock-royalty/ When did Brian meet Jon Anderson? How did a boy from Bolton survive in Germany? What did Brian get up to with Keith Emerson? Let us know if you agree with us! Spot the Yes men with Brian... Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Alan Begg Michael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRome Become a Patron! Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

In Part 2 of our interview with Rachel Flowers, we cover off her love of Keith Emerson's work and her interactions and performances in that space, her love of Stevie Wonder as well as our raft of standard questions including some brilliant desert island disc picks! To listen / watch: Audio-only: click on the play... The post Rachel Flowers, Pianist / Organist / Synthesist (Part 2) appeared first on The Keyboard Chronicles.

Marc has played guitar and toured with Warner Bros. recording artists Toy Matinee along with producer/composer Kevin Gilbert as well as recording two critically-acclaimed guitar instrumental albums for Reprise, “EE Ticket” and “American Matador” and has just released a third highly-anticipated album “Celluloid Debris”.   He has also produced, recorded and performed with several artists including Keith Emerson,  Ronnie Montrose,   Gamma,  Glenn Hughes (Deep Purple),  Eddie Jobson (U.K.),  Slash,  Rob Halford,  David Coverdale,  Peter Frampton,  Sammy Hagar,  Paul Rogers,  Joe Perry,  Edgar Winter,  Ambrosia,  The Manhattans,  The Chi-Lites,  Robbie Kreiger (The Doors), Tesla,  Ricky Martin,  Don Felder,  Harry Shearer (Spinal Tap),  Felix Calvaliere (Rascals),  Mickey Dolenz,  Steve Lukather and Steve Porcaro (Toto),  Jordan Rudess (Dream Theater),  Rick Wakeman ( Yes),  Thomas Lang,  and many others.   Check Marc's website: https://marcbonillamusic.com/ Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

Marc has played guitar and toured with Warner Bros. recording artists Toy Matinee along with producer/composer Kevin Gilbert as well as recording two critically-acclaimed guitar instrumental albums for Reprise, “EE Ticket” and “American Matador” and has just released a third highly-anticipated album “Celluloid Debris”.   He has also produced, recorded and performed with several artists including Keith Emerson,  Ronnie Montrose,   Gamma,  Glenn Hughes (Deep Purple),  Eddie Jobson (U.K.),  Slash,  Rob Halford,  David Coverdale,  Peter Frampton,  Sammy Hagar,  Paul Rogers,  Joe Perry,  Edgar Winter,  Ambrosia,  The Manhattans,  The Chi-Lites,  Robbie Kreiger (The Doors), Tesla,  Ricky Martin,  Don Felder,  Harry Shearer (Spinal Tap),  Felix Calvaliere (Rascals),  Mickey Dolenz,  Steve Lukather and Steve Porcaro (Toto),  Jordan Rudess (Dream Theater),  Rick Wakeman ( Yes),  Thomas Lang,  and many others.   Check Marc's website: https://marcbonillamusic.com/ Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

Album of the year Vi bjuder in Magnus Jäverling, som släppte förra årets bästa album “Bowdark”, för att prata om hans musik, hans och andras syntar, hans och andras skapande och därmed om särskilt välljudande skräckfilmer. Tomas avslöjar i exakt vilken grad han älskar Lamberto Bavas kalkon Demons och Lars myntar ofrivilligt smeknamnet Farbror Frizzi. Vi pratar också om: Scalextric-bilbanor, Arizona, året 1978, Discreet Music, minimalism, Anna Wikars-Rantala, David Lynch, Twin Peaks, Angelo Badalamenti, John Carpenter, Fabio Frizzi, Tangerine Dream, Jean-Michel Jarre, Vangelis, Stranger Things, fattigmansorkestern Mellotron, den italienska elorgeln Elka X30, Yamaha PS-6100, Technics SY-1010, vådan av MIDI och VST, Moog, delay-pedalen Electro Harmonix Memory Boy, Zombi, Akilles-hälen Philip Glass additiva metod, skillnaden mellan syntar och keyboards, Yamaha GX-1, Stevie Wonder, Keith Emerson, Richard David James, Aphex Twin, Led Zeppelin, Benny Andersson, Lucio Fulcis guldålder 1979-1982, Starman, road movies, Jeff Bridges, Karen Allen, Jack Nitzsche, Julie Cruise, Nina Simone, Michael Jackson, Björk, The Babadook, Texas Chainsaw Massacre, Motorsågsmassakern, Låt den rätte komma in, Johan Lindqvist, Björn Isfelt, En kärlekshistoria, Goblin, New York Ripper, Manhattan Baby, City of the Living Dead, The Beyond, Blair-Witch Project, Grave Encounters, Paranormal Activity, Giliap, Roy Andersson, Fåglarna, Alfred Hitchcock, Psycho, Bernhard Hermann, Alien, Skjul 46, “gamla Truckstop Alaska”, Digital Leather, Gavin Bryars, The Sinking of the Titanic, Brian Eno, Rickard Jäverling, Henrik von Euler samt naturligtvis något litet om Sten Eklunds konstverk Kullahusets hemlighet. Patreon-lyssnare avnjuter som vanligt dubbel speltid där Magnus Jäverling DJ:ar stabila syntlåtar från sex, soniskt sett, särskilt sexiga celluloid-stänkare. ”Bowdark” kan köpas på LP där skivor köps. Den som lyssnar online uppgraderar med fördel upplevelsen här: https://bowdark.wixsite.com/bowdark. Sent ska syntarna vakna. Nostalgi, löst tyckande och akademisk analys.

Although neither popular nor long-lived as a band,  the New York Dolls were one of the most influential bands of the punk and glam rock genres.  Their debut album, the eponymously named New York Dolls came out on the strength of their lower Manhattan fan base and received critical acclaim.  However, their appeal outside of New York was limited and the album was considered a commercial failure in the United States.The New York Dolls (also known as “The Dolls”) sported an androgynous look onstage, dressing in satin, high heels, dresses, and lots of makeup.  Much of their wardrobe was acquired at a local Salvation Army thrift store.  The band personnel included David Johansen on vocals, Arthur “Killer” Kane on bass, Jerry Nolan on drums, Sylvain Sylvain on keyboards, rhythm guitar and vocals, and Johnny Thunder on lead guitar and vocals.  Front man David Johansen would later perform under the name Buster Poindexter.Although the band would produce only one other album after their debut, their influence was significant for both punk rock and glam rock genres.Wayne brings us this forerunner of punk that is “too fast to live, too young to die.” FrankensteinThis song is sometimes listed as “Frankenstein (Orig.)” because Edgar Winter's song of the same name had already been released prior to the band recording their own, though it had been used in their live shows previously.  The song was inspired by how repressed kids would gravitate to Manhattan from all over.PillsThe only cover on the album was a 1963 Bo Diddley song.  “While I was laying in a hospital bed, a rock n' roll nurse went through my head.  She says, "hold out your arm, stick out yo' toungue, I got some pills, boy, I'm 'on give you one.”Jet BoyThis track has a more heavy metal sound in the guitar.  The lyrics are simply about a jet boy who stole a baby.  There is little explanation as to what a jet boy is other than to say that he flies around New York City.  “Jet Boy” was a 50's era comic superhero.Bad GirlThe vocal parts on this track hearken back to a 1950's style, and it also features a boogie rhythm.  ENTERTAINMENT TRACK:Oo-De-Lally by Roger Miller (from the animated picture “Robin Hood”)Yes, it is a stark departure from the Dolls.  Disney rolled out their take on the animated Robin Hood tale in this picture featuring Robin Hood as a fox.   STAFF PICKS:Over the Hills and Far Away by Led ZeppelinRob leads out the staff picks with a great acoustic riff from Jimmy Page, layering 6- and 12-string guitars.  The lyrics were inspired by the feelings of the band touring on the road.  This is a single off Led Zeppelin's fifth studio album, Houses of the Holy, and made it to number 51 on the charts.We Can Make It Right by Sherbet Bruce's staff pick is a group that never broke into the US market in a big way, but was one of the biggest pop rock acts in Australia in the 1970's.  This track leads off the second studio album entitled “On With the Show,” which hit number 6 on the Australian charts.  The song was co-written by Sherbs keyboardist Garth Porter and guitarist Clive Shakespeare.Long Train Runnin' by The Doobie Brothers Lynch features a well known riff from the Tom Johnston vocal era of the Doobies.  The group played “Long Train Runnin'” for three years before it was recorded, and it went through a number of names an iterations before its final form was created in the studio.Still...You Turn Me On by Emerson, Lake & Palmer Wayne wraps up the staff picks with a ballad from prog rock power trio Keith Emerson (keyboards) Greg Lake (guitar and vocals) and Carl Palmer (percussion).  This is more acoustic rock with a little psychedelic rock thrown in than prog rock, but it is a hauntingly beautiful song.  The lyrics are inspired by the feeling of playing in front of an audience. COMEDY TRACK:Sister Mary Elephant by Cheech & ChongA number of comedy sketches were released by this duo, including this Catholic school class skit. 

Hailing from Chicago, Paulette became the lead singer with Ask Rufus and was solely responsible for introducing the group to her dearest friend, Chaka Khan. Paulette and Chaka shared the lead in Ask Rufus for some time before Paulette left the band.  “I was so upset about leaving my daughter to tour with Rufus for long periods. I decided that the jingles were so lucrative that the best thing for me was to leave the group.”​Moving from gig to gig, Paulette worked feverishly, and then, thanks to a recording produced by Donny Hathaway and Phil Upchurch, she was “introduced” to Quincy Jones. Upchurch, the world-famous jazz guitarist, sent a studio recording to Quincy. Shortly after that, Paulette became solo/lead singer with Quincy during his “Body Heat” tour, and he featured her on his Mellow Madness album – the title song co-written by Paulette. Next, they toured Japan, where one of Paulette's dreams came true: singing a duet live with the legendary Sarah Vaughan while Quincy conducted the orchestra. After moving to New York City, Paulette also toured and sang live with Luther Vandross and recorded with Luther on every album he recorded from Forever For Always For Love. Paulette and Luther met when she was a Harlette with Bette Midler and became fast friends because Luther loved Paulette's voice and said she and he had the most incredible blend. Paulette performed all of the Tammi Terrell duets with Marvin Gaye on his last tour, which was recorded live.  “I felt like I was Marvin Gaye's kid sister. He always made me feel comfortable on stage singing with him." As one of the most in-demand background vocalists in the industry, Paulette worked with some of the best artists, performers, and producers, such as Quincy Jones, Luther Vandross, Bette Midler, Dolly Parton, Diana Ross, Joan Osborne, Billy Idol, David Bowie, Keith Emerson, The Brecker Brothers, Aretha Franklin, Marvin Gaye, Mary J. Blige, Jennifer Lopez, Lauryn Hill, Celine Dion, Whitney Houston, Jennifer Lopez, Patty LaBelle, Deborah Cox, Michael Jackson, Johnny “Guitar” Watson, Herbie Hancock, Anastacia, Teri Lynne Carrington. She also recorded duets with Johnny Mathis and sang a solo on Noel Pointer's last CD, arranged the background vocals, and sang on them for Noel Pointer. Paulette has performed at jazz festivals /clubs, including the International Jazz Festival in The Netherlands and Thailand, Japan, Monterey, Indonesia, China, Trinidad, Milan, Amsterdam, Moscow, and Bern, Switzerland, including Ronnie Scotts in London and the Blue Note in Milan and Tokyo. Recently at the Blue Note in Beijing, China asked back for the second time.It is also essential to note that Paulette has sung solo/ group on numerous TV commercials such as for Folgers Coffee, Kellogg, McDonald's, Coca-Cola, Diet Pepsi (with Britney Spears), Cadillac, Cover Girl, American Express, Celebrex, MasterCard, United Airlines, Budweiser Beer, Coors, eBay, and Mercedes.  “I sang so many national commercials that I can't even name them. I did 600, at least."​Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

Robert Berry is an American singer, bassist and all-around multi-instrumentalist and record producer, best known for his work with Hush, 3 with Keith Emerson and Carl Palmer, Ambrosia, and Alliance. He was previously with The Greg Kihn Band, and as of 2022, he is with progressive band Six By Six, a super group composed of musicians Ian Crichton from Saga and Nigel Glockler of Saxon.Berry came into the spotlight in 1988, when he teamed with Keith Emerson and Carl Palmer (of Emerson, Lake & Palmer fame) and formed the band 3. Their only album, To the Power of Three saw the group gain some commercial success with the 1st single “Talkin' Bout” as it reached #9 on the Billboard rock charts that year. 3 disbanded in 1989 after a successful tour supporting the album. Berry also has contributed songs to a number of film soundtracks, including the Anthony Michael Hall film Out of Bounds. In 1999, Berry produced and performed on The Wheel of Time, an album billed as a soundtrack to the Robert Jordan fantasy series The Wheel of Time. He also works as a record producer and owns a state-of-the-art recording studio in northern CA.In 2015, Berry and Emerson signed with Frontiers Music and began working on a follow-up to To the Power of Three as 3.2. The project was shelved following Emerson's death in March 2016, but Berry would finish the project himself and release it in 2018 under the 3.2 moniker as The Rules Have Changed and then followed that up with “Third Impression” in 2021.Since then, Berry's focus has been on Six By Six as the band had world-wide success with their debut and are currently writing album #2 for release in 2023. Berry is also in the planning stages of a new Alliance album too so while we wait for those new records please enjoy Robert's conversation with The Jersey Guys!

Sometime around 2016, I got the sense that we were entering into a new era of rock history: a period when the musicians we loved and admired began to die... Listen, there had been many deaths before then, but they seemed reasonably few and far between...but 2016 seems to have been the year—for me, anyone—when I realized that many of our most beloved musicians were getting older and starting to die off... That one year alone we lost David Bowie, Glen Frey of The Eagles, Prince, Leonard Cohen, and George Michael....we lost both Keith Emerson and Greg Lake of the prog band Emerson, Lake, and Palmer...Paul Kantner of Jefferson Starship...Maurice white of Earth, Wind, and Fire...Beatles producer George Martin...and that's only a partial list... In 2017, it was Gord Downie, Tom Petty, Gregg Allman, Chris Cornell, ac/dc's Malcolm Young, Walter Becker of Steely Dan, and Chuck Berry, among others.... The following year, we lost Dolores O'Riordan of The Cranberries, Mark E. Smith of the fall, Avicii, Aretha Franklin, and Pete Shelley of The Buzzcocks. Then in 2019, Keith Flint of The Prodigy, Mark Hollis of Talk Talk,  Ranking Roger of The English Beat and General Public, Ric Ocasek of The Cars, drumming legend Ginger Baker...I could go on, but you get the idea... The one thing that binds all humans on this planet together is that some day, we're all gonna shuffle off into the great beyond... No one is getting any younger...and over the next decade, we're going to lose some of the personalities who have always been with there for us over the last 30, 40, 50, or even 60 years... With that grim reality in mind, I think the time has come for an annual look back for those whom we've lost in the last 12 months as a way to recognize their contributions to the world of music...this is 2022 in memoriam... Learn more about your ad choices. Visit megaphone.fm/adchoices

We've just learned the world of Classic Rock has lost Keith Emerson from Emerson Lake and Palmer. In this salute to his legacy he talks about how he wanted Steve Howe to join his new band but was turned down because Steve was had just hooked up with the group YES. The event went full circle. Several years down the road Keith was invited to join YES to which he said no. Not because of the earlier events but because he was fresh off a huge tour and he was already very loyal to his band.

Terry Currier grew up in Seattle and took a liking to music in school, playing the flute-o-phone in 4th Grade. The following summer he took up the violin with the Suzuki method. Three months into the 5th grade his father Lando, noticed a slide in the enthusiasm about the instrument while he did his daily practicing. “Are you not happy with the violin?' Terry said “the sound the other violins make hurt my ears. They screech.” After a serious conversation, his father found out Terry would rather play the clarinet and woke him up a month later and presented him with a new clarinet. To make up for being 4 months behind on the instrument, he took private lessons to catch up. By junior high it was apparent that Terry would go to college after high school and pursue music. Between music and his participation in Boy Scouts, that pretty much took up most of his free time as a youth. When he was 16 he decided to get a motorcycle versus a car and he learned to drive in the yard. At 16 ½, he realized a motorcycle was not the best mode of transportation in the Northwest, where it rained and snowed in the winter, so he bought a ‘66 Mustang. It had a radio in it and he discovered recorded music for the first time. A week after he turned 17, he went to his first concert. He saw Nitzinger opening up for Leon Russell and the Shelter People. 2 weeks later he applied for a job in a record store (DJ's Sound City). He was hired solely on his enthusiasm and not for his musical knowledge, which was close to nil. HISTORIC MOMENTS IN CARRER. - Pioneered live music in a Record Store. In 1989, while deciding what to do for Music Millennium's 20th Anniversary, he turned to his then partner, Don MacLeod and stated “Let's have 20 straight days of live music in the store,” After looking at renting a system, they decided to buy a system and put a permanent stage in the store. Since then Music Millennium has hosted over 4000 live performances including Soundgarden, Steve Earle, Cyndi Lauper with the only ever instore performances of Randy Newman, Joe Strummer and Keith Emerson. - Currier and Music Millennium dubbed “modern day folk heroes” for their role in the brilliantly effective crusade against used CD policies. Discontent with policies instituted by 4 of the 6 major distribution companies, Terry fought to overturn the policies. After Garth Brooks announced his new album would not be available in stores that sold used product, Currier immediately responded with a “West Coast Bar-B-Q For Retail Freedom” tour – actually roasting Brooks CDs, VHS, Posters and cassettes to dramatize the retailer' plight. The tour started in Bellingham, WA and hit 9 stores between there and San Diego, CA. The protest captured the attention of TNN, CNN, Forbes and People magazine, and resulted in a repeal of the restrictive polices. - In the aftermath of the Bar-B-Q For Retail Freedom, Terry realized the common concerns and interests in the 9 stores on the tour as well as stores that reached out about the issue from around the country. He presented a proposal to Mark Cope, Retail Editor of Album Network and arranged for a meeting at the NARM convention in Florida. The idea was to create a group of retailers who could work records together and make a difference as well as act as a support team. This germinated into a meeting in San Francisco at the NAIRD convention in May 1995, with 25 retailers from across the country meeting in a room for a day to see if they could find commonality to work together. CIMS was born. - After a several year germination of an idea to support local unique businesses and talking multiple times to John Kunz of Waterloo Records about a new slogan in his city, “Keep Austin Weird”, Currier created “Keep Portland Weird.' at the suggestion of Kunz. It has organically become the city of Portland's motto and most used phase. All production by Cody Maxwell. Artwork by Cody Maxwell. Opening graphic assets by UlyanaStudio and Grandphic.sharkfyn.com maxwellskitchenpodcast.com

His "trial" interview when joining Melody Maker in 1964 was Joe Morello! Now, legendary music journalist and author Chris Welch joins us to talk about the recently released Keith Emerson biography he wrote! You can get it at http://www.keithemersonbook.com Known for his work with Melody Maker and beyond, Chris has written various books on artists and bands Jimi Hendrix, Yes, Cream, Led Zeppelin, Peter Grant, David Bowie, Adam Ant, Paul McCartney, Peter Gabriel, Vivian Stanshall, Tina Turner, Steve Winwood, Eric Clapton and Iron Maiden. --- Support this podcast: https://anchor.fm/yesshift/support

Welcome to Episode 1222 Stevie Kim moderates Clubhouse's Ambassadors Corner – In this episode Matt Paice Interviews Manfred Ing. These sessions are recorded from Clubhouse and replayed here on the Italian Wine Podcast! Listen in on this series as Italian Wine Ambassadors all over the world chat with Stevie and their chosen wine producer. Which producer would you interview if you had your pick? More about today's Co-Moderator: Matt Paice is Operations Director of Enoteca da Luca, an independent group of three Italian restaurants and wine bars in central London. He is an Italian Wine Ambassador and also has WSET Level 3. To learn more visit: Twitter @matt_paice LinkedIn www.linkedin.com/in/matt-paice-6bb4ba2 About today's guest producer: Born and raised in South Africa, Manfred Ing has spent years travelling, harvesting and studying winemaking alongside some of the best wine producers in the world. Whilst studying at the prestigious Stellenbosch University, Manfred worked alongside the great Francois Naude at L'Avenir Estate. His winemaking journey continued to the Hawkes Bay, working under Gordon Russell at Esk Valley Estate in New Zealand. Then up to Vineyard 29 in Napa Valley, a custom crush winery, learning from some of Napa's most legendary names, including Keith Emerson, Philippe Melka, Andy Erickson and Celia Masyczek. Following his return to South Africa, Manfred had the privilege of interning with famous American winemaking and viticultural couple, Zelma Long and Dr Phil Freese at Vilafonte in Stellenbosch. He then joined the team at Peregrine Wines in Central Otago for vintage before heading up to Ceretto, in Piemonte for his third harvest of the year. Following two years back in New Zealand, as assistant winemaker at Peregrine Wines, Manfred returned to Europe for another harvest in Barolo; this time working with the world famous Luca Currado at Vietti. It was at the tail end of his vendemmia at Vietti where the fateful visit to Querciabella took place. Alongside his friend and now mentor, Luca Currado, Manfred attended a technical tasting at the famous Tuscan winery. A few short days later, the call came from Querciabella, offering Manfred a full-time winemaking position with the team in Greve in Chianti. It is at Querciabella that Manfred has found a home since 2010; responsible for all aspects of the production of Querciabella's wines, from the moment the grapes have ripened in the vineyards until the moment the wines go into bottle. To learn more visit: Facebook Querciabella Instagram @bottleofgrapes Website https://querciabella.com/team/ More about the moderator Stevie Kim: Stevie hosts Clubhouse sessions each week (visit Italian Wine Club & Wine Business on Clubhouse), these recorded sessions are then released on the podcast to immortalize them! She often also joins Professor Scienza in his shows to lend a hand keeping our Professor in check! You can also find her taking a hit for the team when she goes “On the Road”, all over the Italian countryside, visiting wineries and interviewing producers, enjoying their best food and wine – all in the name of bringing us great Pods! To find out more about Stevie Kim visit: Facebook: @steviekim222 Instagram: @steviekim222 Website: https://vinitalyinternational.com/wordpress/ Let's keep in touch! Follow us on our social media channels: Instagram @italianwinepodcast Facebook @ItalianWinePodcast Twitter @itawinepodcast Tiktok @MammaJumboShrimp LinkedIn @ItalianWinePodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/

The new Keith Emerson biography by Chris Welch came out recently, and here we talk about it with Aaron and Jo Emerson, Keith's son and daughter-in-law, respectively! You can order the book via www.keithemersonbook.com Tune in as we talk about what it was like getting everything together, and feel free to chime in with some memories of Keith. (And for the Yes fans, Aaron has an amusing anecdote regarding 90125 and Steve Howe.) And tune in to our interview with Chris Welch on Wednesday, December 7th, 11am PST / 2pm EST / 7pm UK Time via facebook.com/Yesshift --- Support this podcast: https://anchor.fm/yesshift/support

Rock'n'roll is built on the electric guitar...well, mostly...and not really in the beginning...in fact, the electric guitar as we know it, didn't have much to do with the birth of rock at all... The earliest rock evolved out of rhythm & blues combos...by the early 50s, many of them featured some kind of electric guitars...but the honk and rhythm came from saxophones and pianos which were slowly pounded into matchsticks... The piano contributed bits of jazz, boogie-woogie, barrelhouse, and juke-joint energy...and even through the 1950s, the construct known as the “guitar hero” was largely absent from the world of rock'n'roll—outside of chuck berry, of course...  Instead, the early pioneers were piano heroes...Little Richard...Jerry Lee Lewis...Fats Domino...Ray Charles...Huey “piano” Smith...  But when guitars got louder, started sounding dirtier, and began to wail more powerfully, the number of rock'n'roll piano heroes were outgunned and began to recede into the background...not entirely, though... Again, I'm talking just about pianos...none of this fancy synthesizer stuff... Elton John, Billy Joel, and Carole King have had massive careers based largely on piano songs...the Beatles—especially Paul McCartney—served the cause...Freddie Mercury of Queen wrote much of their greatest songs on piano... There are others...Leon Russell, Mike Garson (who played with Bowie for years), Chuck Liddell (a favourite of the Rolling Stones), Dr. John, Billy Preston, Stevie Wonder, Ray Manzarek of The Doors, Rick Wakeman of Yes, Keith Emerson of Emerson Lake and Palmer... But you notice what's missing from that list?...any piano heroes from the world of alt-rock...does even such a thing exist?...actually, yes...they're a bit hard to spot, but they're out there...here—let me show you... Learn more about your ad choices. Visit megaphone.fm/adchoices

On this day in 1993, prog supergroup Emerson Lake and Palmer received a star on the Hollywood Walk of Fame. The group were one of the most commercially successful prog groups of the 70s with hit albums like Tarkus, Trilogy and Brain Salad Surgery. On today's episode you'll hear from Robert Berry who joined Keith Emerson and Carl Palmer to form the band 3, and hear him talk about what it was like to work with his hero's! 

In honor of what would have been Keith Emerson's birthday, here's our general review of Chris Welch's new Keith Emerson book, which you can purchase at www.keithemerson.com Join us in celebrating one of the biggest keyboardists in prog rock history! --- Support this podcast: https://anchor.fm/yesshift/support

Hello Metal heads. Its September and we are ready for the fall. On tonight's show, we welcome back our old friend Nigel Glockler from English heavy metal masters SAXON. Glockler is part of a new project called SIX X SIX and is excited to divulge all the details surrounding this new power three piece. Glockler is joined in this new musical venture by two other hugely accomplished and highly acclaimed, musicians hailing from disparate corners of the globe and each with the pedigree to back up the claim. They are guitarist Ian Crichton from the acclaimed Canadian prog rockers SAGA, recognized as one of the top rock players in North America, and U.S. based Robert Berry, perhaps best known for his association with Keith Emerson and Carl Palmer on bass, keyboards and vocals. A great unique conversation filled with in-depth antidotes and disclosures found only here at Metal Mayhem ROC. Visit the new website www.metalmayhemroc.com and join the Metal Mayhem ROC community.  Thank you for the support and remember to always KEEP IT HEAVY!! https://youtu.be/qbVUONXEXEk https://metalmayhemroc.com/ https://metaldevastationradio.com/ https://twitter.com/MetalmayhemR https://www.facebook.com/groups/metalmayhemroc https://metalmayhemroc.podbean.com/ , 

Patreon: https://www.patreon.com/godzillapodcast Discord: discord.gg/cFFx4N5 *** Godzilla: Final Wars (ゴジラ FINAL WARS, Gojira Fainaru Wōzu) Directed by Ryuhei Kitamura Screenplay by Isao Kiriyama, Wataru Mimura Produced by Shogo Tomiyama Starring Masahiro Matsuoka, Rei Kikukawa, Don Frye, Maki Mizuno, Kazuki Kitamura, Kane Kosugi, Kumi Mizuno, Kenji Sahara, Masami Nagasawa, Chihiro Otsuka, Shigeru Izumiya, Masakatsu Funaki, Masatō Ibu, Jun Kunimura, Akira Takarada Cinematography by Takumi Furuya Edited by Shūichi Kakesu Music by Keith Emerson, Nobuhiko Morino, Daisuke Yano Production companies: Toho Pictures, Inc., CP International, Zazou Productions, Napalm Films Distributed by Toho Release dates: November 29, 2004 (Los Angeles), December 4, 2004 (Japan) Running time 125 minutes Budget: ¥1.9 billion Box office: ¥1.2 billion

Great Rock Stories Vol.3 is a mix of some fascinating tales told by legendary rock stars themselves! You'll hear about the biggest selling album in America of 1982, upsetting Rod Stewart and The Faces, a mix up with Bruce Springsteen and squirrels, moving to the UK to work with two-parts of ELP and much more!You'll enjoy these short snippets of the longer interviews which can all be found from Episodes 18 to 24 of Vintage Rock Pod - check them out!Vintage Rock Pod is part of the Pantheon Podcast Network which is full of brilliant music podcasts covering a wide range of genres, artists and styles!

It is again with heavy hearts that we deliver this week's episode about yet another fallen drummer: the amazing Mr. Alan White. The YES drummer passed away on May 26, 2022, at the age of 72 after dealing with some more recent illnesses. Kevin has a very deep connection to YES and Alan as a lifelong fan and student of their music. While not an obscure band by any means (the Rock & Roll Hall-of-Famers have sold 13.5 million RIAA-certified albums in the US, as well as more than 30 million albums worldwide and in 1985, they won a Grammy award), Alan had a number of side projects and collaborations during his 50-year tenure with YES. Another tough loss for the classic and progressive rock community.New to InObscuria? Typically, what we do is exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In the case of this particular episode, we are leaning towards the LOST. We are paying tribute to another titan of rock drummers! Rest In Peace Alan. Heaven's rhythm section just got mightier!Songs this week include:Adrian Belew / Alan White / Keith Emerson – “In The Flesh?” from Back Against The Wall – A Tribute To Pink Floyd (2005)White – “Fate” from White (2006)Yes – “Make It Easy / Owner Of A Lonely Heart” from Union Live (1991)Alan White – “One Way Rag” from Ramshackled (1976)CIRCA: – “Information Overload” from CIRCA: (2006)Levin-Torn-White – “The Hood Fell” from Levin Torn White (2011)Yes – “The Calling” from Endless Dream: New York 6.19.94 (1994)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Legendary drummer for ELP and Asia, Carl Palmer, makes his Prog Report podcast debut to talk about the newly released ELP book, his history with that band, and some exciting new projects coming up.  ‘Emerson, Lake & Palmer' by Keith Emerson, Greg Lake & Carl Palmer is published by Rocket 88 Books. Order now, only at elpbook.com

Carl Palmer started playing drums at the age of 11 years old. He comes from a long line of musicians in his family going all the way back to his great grandmother who was a classical guitar player. While in school, he left school played in numerous orchestras. He could read music very well & found too easy. He desired a path more exciting and was invited to join a rhythm and blues band called the King Bees, which he did and he never looked back. While playing with the King Bees, he was spotted by Chris Farlowe who had a #1 single in England called “Out of Time” which was written by Keith Richards & Mick Jagger. Chris told Carl that if he ever needed the work, he would have a job with him. When the K.B.'s finished their obligations, it was a week before Carl finished school; which ended on a Friday. He left home that Sunday and auditioned for Chris on Wednesday. He was now in Chris Farlowe and the Thunderbirds. He stayed with them until he was 17. Carl then started playing sessions and met Arthur Brown. He joined the Crazy World of Arthur Brown and before long, had a #1 album and single which brought Carl to America for the first time. He eventually left Arthur Brown to form Atomic Rooster. While recording (a #1 single “Tomorrow Night”) he got a call fromGregg Lake and Keith Emerson, who were looking for a drummer. Carl went to see what Gregg & Keith were doing, at which time they made him an offer that he couldn't refuse. Just like that, we had Emerson, Lake and Palmer. They amazed audiences and sold millions of records until disbanding in 1978. Carl took a few years off. When he reemerged, in 1981, he joined one of the first “super-groups” called Asia. They rocked their way through the 80's until disbanding in 1991. Carl rejoined E.L.P. and played until 1998. Carl then formed a prog. rock power trio which he still plays with until today called Carl Palmer's E.L.P. Legacy.

In 2022, a group of middle-aged podcasters set out to make an exciting episode with some highly anticipated films, but when their reclusive, elderly former co-host catches them in the act, the hosts find themselves fighting for their lives. On Episode 509 of Trick or Treat Radio we welcome back the vulgar guru of horror, MZ and the always knowledgeable and intelligent Arkham Josh to discuss X from director Ti West, and the latest film from Kurando Mitsutake, Maniac Driver! We dig into the extensive shared knowledge of our guest co-hosts to have an in depth discussion about 70s horror and Giallo films. So grab your 16mm camera, slip on your black gloves, and strap on for the world's most dangerous podcast!Stuff we talk about: Reunion, purified in the waters of Lake Minnetonka, summer squatters, don't check the attic, loose wires, Dr. Do-Little, old ladies, peaches and plums, boogie down, Tiger Lily Records, Strawberries Records, Steve Drake Band, Mariah Carey, Dance Singles on Vinyl, record companies as tax scams, ghost apps, “boy class”, May the 4th, X, Ti West, The House of the Devil, Mia Goth, Jenny Ortega, Kid Cudi, Brittany Snow, women's lib in the 70s, criss-crossing trajectories, dual roles for actors, Pearl, 4:3 aspect ratio, Chekhov's Crocodile, In A Valley of Violence, Lars Von Trier, Nymphomaniac, montage of penises, pinky violence, Kurando Mitsutake, Maniac Driver, Japanese Giallo, Zoom In: Sex Apartments, Nikkatsu erotic films, Diabolik DVD, The Sadness, a different take on the giallo tropes, black gloved killers, gel colored lights, Mario Bava, Dario Argento, Tenebre, Lucio Fulci, Cat in the Brain, The Bird With the Crystal Plumage, Strip Nude For Your Killer, Terror at the Opera, Phenomena, Sleepless, Keith Emerson, Stelvio Cipriani, sleazy af films, Taxi Driver, Goblin, indoor plumbing, the pizza discussion in the green room, Patreon Takeover with Linus - The Vegan King of Wales, The Batman, Bizarro Ravenshadow, Heart+Knife, Sex Porn and Cocaine, digging deeper into depravity, the helmeted hero, and a dark sleazy treat.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show (https://www.patreon.com/trickortreatradio)

Lucio Fulci's MURDER ROCK (1984) is not considered the director's finest work but in this episode Troy Guinn, Jeff Nelson and I mount a defense of the film. We take a look at several aspects of the film that are rarely discussed including the excellent cinematography and the script's clever red herrings. It's standard for a murder mystery to throw suspicion on most of the cast but several of the suspects in this case are real nasty pieces of work! How often do you have one character falsely confess to the killing and another try to use the murder method to cover their own desire to be rid of a rival? It certainly keeps things lively even if it makes for a difficult knot to untangle. We discuss the cast while marveling at the number of actors/dancers that don't get screen credit. The central dream sequence comes under scrutiny as part of the mid-80's intrusion of music video style into cinema. We mull over the nearly bloodless nature of the murders as a possible concession to the angry response Fulci received for his previous New York set thriller. We also give our opinions on the often-derided score from the legendary Keith Emerson who seems destined to be insulted for his contributions to this film for eternity. In all, it is a fun ramble through an often-overlooked giallo. If you have any comments, questions or suggestions thebloodypit@gmail.com is the place to write or drop a recording of your thoughts. We love hearing from you so jump in! Thank you for listening.