Podcasts about Arp

The All Blacks squad posed as many questions as answers, with just five loosies and a colossal six midfield backs. Will Ardie be at 7? Will Rieko be on the wing?ARP breaks down the squad and talks to All Blacks assistant coach Jason Ryan about why the likes of Crusaders stars David Havili and Ethan Blackadder didn't make the cut. Jippa, Bryn and Ross also look into the French squad and why the Lions were so poor in their opening clash. Hosted on Acast. See acast.com/privacy for more information.

Dr. Neil Stewart has served churches in the ARP and PCA for the last 22 years and is currently the pastor of the historic Frist Presbyterian Church in Columbia, SC. He has contributed to a handful of theological magazines and books including A Pastor's Heart, the Life and Ministry of Harry Reeder. You can access his excellent sermons here.  If you like this show, you'll love Greenville Seminary's new podcast, the Dead Presbyterians Society. This podcast is built on a very simple conviction: in order to be faithful in the present, we must be rooted in the past. The old paths of Presbyterianism in the 18th and 19th century have much to teach us about the path we walk today. Each weekly, 30-minute episode highlights the life and work of mighty men of faith used of God like Archibald Alexander, B.M. Palmer, and Charles Hodge and explores enduring themes of their lives and ministries. Listen here; gpts.edu/dead-presbyterians-society. Special thanks to Nathan Clark George for our opening and closing instrumental. Nathan serves as the Pastor of Worship alongside Kevin DeYoung at Christ Covenant Church in Matthews, NC. You can access Nathan's fantastic catalog here.    

Title: What to Do When the Walls are Closing InSpeaker: Nate CeskyScripture: Psalm 57Date: Jun 15, 2025

Episode 179 Chapter 38, Eurorack. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 38, Eurorack from my book Electronic and Experimental music.   Playlist: EURORACK SYNTHESIS   Time Track Time Start Introduction –Thom Holmes 01:26 00:00 1.     Kaitlyn Aurelia Smith, “Abstractions” (2018) from Electronic Series: Vol. 1 – Abstractions. Written, recorded and mixed by Kaitlyn Aurelia Smith. Inspired by Harry Everett Smith's "Early Abstractions" films. 21:49 01:36 2.     Alessandro Cortini & Lawrence English, “Immediate Horizon, Part 1 (2018) from Immediate Horizon. Recorded live at Berlin Atonal, Kraftwerk 2015. 04:59 23:24 3.     Lukas Hermann, “Amphibious” (2022). Improvisation for a Eurorack modular synthesizer. From Tone Science Module No. 6 (Protons And Neutrons). 05:51 28:24 4.     James Bernard, “Prisms” (2022) from Tone Science Module No. 6 (Protons And Neutrons). Composed by James Bernard. Live performance recorded in one take using a small Eurorack modular system. 08:10 34:12 5.     Elin Piel, “Vänta” (2022) Tone Science Module No. 6 (Protons And Neutrons).  Composed by Elin Piel. Recorded live with Lyra 8, a small Eurorack system and Analog Heat. 06:59 42:18 6.     Field Lines Cartographer, “Eddy Currents” (2022). Tone Science Module No. 6 (Protons And Neutrons). Composed by Field Lines Cartographer. Realised on ARP 2600 and Eurorack modular synths. 08:54 49:12 7.     Elinch, “Upward” (2022). Tone Science Module No. 6 (Protons And Neutrons). Composed by Elinch. A live composition with a small modular system (Strega, TTMC, Disting Ex for Loops) and Buchla Easel Command. 07:28 57:58 8.     Steve Roach, “Random Possibilities” (2022). Composed by Steve Roach. Performed and recorded in real time on Large Format Analog and Eurorack Modulars. 06:29 01:05:22 9.     Ewa Justka, “for the gatekeepers” (2023) from don't you want followers? For “handmade synthesisers and contingent rabbit holes.” 07:22 01:11:44 10.   Tunegirl, “Push the Button” (2023) from Eurorack Ruhr: Compilation # 2. Trance music with a Eurorack system. 06:19 01:19:04   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Title: About as Relatable as it GetsSpeaker: Ransom KentScripture: Psalm 73Date: Jun 08, 2025

Inflacja w maju obniżyła się co może sugerować przyspieszenie cięć stóp. ARP ma się uaktywnić na rynku kapitałowym. CPK rozważa oferty 5-ciu doradców finansowych. Maspex przejmuje czołowego producenta wina i brandy w Europie Środkowo-Wschodniej. Banki i BIK nie mogą przetwarzać danych osób, które nie zawarły umowy.Zasubskrybuj prasówkę na ⁠⁠⁠www.businessupdate.pl⁠⁠⁠.Podcast powstał przy pomocy ElevenLabs.

Title: It's Very ExcitingSpeaker: Ransom KentScripture: Psalm 47Date: Jun 01, 2025

The ARP crew get into the proposed World Club Championship. What might hold it back from happening? Who would dominate if it happened this year?We also get into what led to the Chiefs tearing up Moana Pasifika and who will top the table. Should Leroy Carter be an All Black, is Fabian Holland a shoo-in at lock and why is Jorja Miller a game changer for the Black Ferns?Aotearoa Rugby Pod is brought to you by Ashley and Martin Medical Hair Centres.Super Rugby Finals permutationsChiefs top· Chiefs win with bonus· Chiefs win without bonus but Crusaders don't get bonus point win.· Chiefs draw with Highlanders and Crusaders lose/draw with Brumbies Crusaders top· Chiefs lose and Crusaders beat Brumbies· Chiefs win but Crusaders win with bonus and make up 116 point differential· Chiefs draw with Highlanders and Crusaders beat Brumbies Brumbies top· Brumbies beat Crusaders and Chiefs lose without bonus· Brumbies beat Crusaders without bonus and Chiefs lose with bonus. But, Brumbies make up 125 point differential.· Chiefs draw with Highlanders and Brumbies get bonus point win over Crusaders. But, have to make up 125 point different Moana Pasifika top six· Moana beat Hurricanes and Blues lose/draw to Tahs· Moana beat Hurricanes with bonus point and Blues beat Tah without bonus· Moana and Blues get bonus wins and Reds lose to Drua without bonus. All end on 33 points and Blues drop out with less wins. Blues top 6· Beat Tahs and MP lose/draw with Canes· Beats Tahs with bonus and MP beat Hurricanes without bonus Tahs Top 6· Beat Blues and MP lose to Hurricanes· Beat Blues with bonus and MP draw with Canes Games· Highlanders v Chiefs· Brumbies v Crusaders· Blues v Waratahs· Hurricanes v MP· Reds v Drua Crusaders· What is going on with the Crusaders?· Time to start O'Connor? Is Rivez the man for the finals?· Havili in form? Teams worked out that if you shut him down then you're in.· Can they actually beat the Brumbies?· Brumbies can go through and around? Highlanders – · 22 entries – what do they do to fix that?· Holland form – 95 year old's question Hosted on Acast. See acast.com/privacy for more information.

Title: The Big PictureSpeaker: Ransom KentScripture: Psalm 2Date: May 25, 2025

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

This is a rebroadcast. The episode originally ran in June 2021. Mike Houghtaling was raised in Bellevue, Washington, and Raleigh, North Carolina, and served in the Argentina Cordoba Mission. He and his family have lived in Georgia for over 30 years. Since entering recovery, he served as a bishop's counselor, a high councilor, and at the time of this recording was serving as the bishop of the Fayetteville Georgia YSA Ward. He worked for the Federal Aviation Administration for 37 years, most of those as an air traffic controller, retiring in 2019. Mike and his wife Andrea have five children and seven grandchildren. Mike tries to work his recovery just one day at a time. Links ODAAT coins Warrior Heart retreat Heart of a Woman retreat Is Elders Quorum Working? Wild at Heart in Church Leadership | An Interview with Doug Nielsen Heart of a Woman in Relief Society Church resources Share your thoughts in the Leading Saints community Get 14-day access to the Core Leader Library Read the transcript of this podcast Highlights Times are approximate, due to differences between the original and rebroadcast audio. 5:10 About Mike's ward and his personal family history 10:30 Discovered pornography at age 10 and immediately fell into addiction and shame 12:30 Sought help from his bishop but the guidance didn't help 15:15 Considered his mission a failure and returned home believing himself the worst of people 17:30 The misunderstanding that marriage and sex would eliminate the problem 19:10 “Porn has no more to do with sex than alcohol has to do with thirst” 20:45 Misunderstanding the difference between sobriety and the healing of recovery, never addressing the shame and wounding 23:00 Hitting rock bottom and finally realizing that he could not hide anymore 26:30 The hopeless concept that everyone protected by the Atonement was under a big umbrella, but he was not under that umbrella 28:30 A tiny thread of hope touched his heart and he began to take the 12 steps seriously and began seeking recovery and healing, not simply sobriety 31:10 Recognition that his wife needed attention for her wounds 33:00 You have to pick up every tool along the way because they can all be helpful 34:00 One helpful tool: Face it, replace it, connect; the power of connection 35:50 Called as a bishop's counselor 36:30 Explanation of PASG: Pornography Addiction Support Group and the spouse support group 41:15 Telling his story to his YSA ward to show that he is relatable and unafraid of their struggles 44:45 Advice for bishops: invite those struggling with addiction to go to an ARP meeting, go with them, study and seek to understand 47:00 “You are not beyond His help, you are not beyond His reach.” 49:00 Advice for stake presidents: take a chance on different candidates for positions of leadership in the Church 50:50 Metaphor of a quilt with one inky square in the shadows 53:00 Still working steps 10, 11, and 12, the maintenance steps 54:30 Advice for those in the circle of a recovering addict: love them, show grace for and connect with them, and continue to point them towards the Savior 56:30 Supporting the addict's family members: connect, encourage, listen, point them toward therapy 58:45 Learning to be a true follower and finding healing in understanding the Savior is what has helped him to be a better leader The award-winning Leading Saints Podcast is one of the top independent Latter-day Saints podcasts as part of nonprofit Leading Saints' mission to help Latter-day Saints be better prepared to lead. Learn more and listen to any of the past episodes for free at LeadingSaints.org. Past guests include Emily Belle Freeman, David Butler, Hank Smith, John Bytheway, Reyna and Elena Aburto, Liz Wiseman, Stephen M. R. Covey, Julie Beck, Brad Wilcox, Jody Moore, Tony Overbay, John H. Groberg, Elaine Dalton, Tad R. Callister, Lynn G. Robbins, J. Devn Cornish, Bonnie Oscarson,

Everything Ardie Savea touches turns to gold! So how has he gone from great to out of this world?With Sevu Reece equaling TJ Perenara's competition record of 65 tries, and doing it in just 83 games, ARP looks into the best strike rates in Super Rugby history.The Aotearoa Rugby crew break down the permutations for the Brumbies, Chiefs and Crusaders, while also looking into why the Highlanders are the best bottom placed team in Super Rugby history. After failing to beat Canada for the second straight year, what must the Black Ferns do to have a chance of defending their World Cup crown?WIN RUGBY READY TRAINING PACKAGES WITH ALL BLACKS GURU DR NIC GILLFor every remaining show of ARP's 2025 season, we'll give away either …• 1 free four-week training programme membership, including physical and mental skills coaching.• Or 1 free training e-book collection.Just follow @rugbyready on Instagram and direct message “ARP,” this week's unique entry word revealed in the show, as well as the reason you're the right person for the prize.Even if you don't win, you win, because we'll provide a special ARP link for 75% off your first four weeks of the Perform membership or a discount on the e-book training collection.”www.rugbyready.ca/rugbypod Hosted on Acast. See acast.com/privacy for more information.

Title: The Antidote for AnxietySpeaker: Will JordanScripture: Philippians 4:4-9Date: May 18, 2025

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4.     Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5.     Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6.     Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7.     John Keating, “Starcluster” (1975) from Space Experience 2.  Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8.     Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9.     Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10.   Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11.   Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12.   Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13.   Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Title: Heaven's JoySpeaker: Nate CeskyScripture: Luke 15:1-10Date: May 11, 2025

The ARP crew break down why Ardie is so good right now, whether the Crusaders or Chiefs are in the box seat in Super Rugby, how Ruben Love and look into why old-fashioned tap-kicks are having a renaissance.Plus, Black Ferns co-captain Ruahei Demant goes in depth on speeches, leadership and what must improve to defend their RWC title.Aotearoa Rugby Pod is brought to you by Ashley and Martin Medical Hair Centres Hosted on Acast. See acast.com/privacy for more information.

„Je to národní strategie přežití – zbabělý oportunismus. Lidé se bojí, že přijdou Rusové, a nechtějí dopadnout jako Ukrajinci v Buči. Tak se s nimi radši chtějí kamarádit,“ říká na adresu Slováků slovenský spisovatel a novinář Arpád Soltész v pořadu Osobnost Plus Českého rozhlasu Plus. Sám se ze Slovenska odstěhoval po volebním vítězství Roberta Fica do Prahy. Všechny díly podcastu Osobnost Plus můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Title: Holiness is HappinessSpeaker: Ransom KentScripture: Psalm 1Date: May 04, 2025

Some great yarns this week, from the strategic punch that floored Vermuelen to which All Blacks are the biggest athletic freaks.Legendary All Blacks strength and conditioning coach Nic Gill joins Ross and Jippa. We announce a new partnership with Nic's Rugby Ready program, where you can win Nic's online fitness programs every week on the show, whether you're a player or just looking to get healthy.We ask who the greatest ever Super Rugby loose forward trio in Super Rugby is and whether Kini Naholo will replace Mark Tele'a in the All Blacks.WIN RUGBY READY TRAINING PACKAGES WITH ALL BLACKS GURU DR NIC GILLFor every remaining show of ARP's 2025 season, we'll give away either …• 1 free four-week training programme membership, including physical and mental skills coaching.• Or 1 free training e-book collection.Just follow @rugbyready on Instagram and direct message “ARP,” this week's unique entry word revealed in the show, as well as the reason you're the right person for the prize.Even if you don't win, you win, because we'll provide a special ARP link for 75% off your first four weeks of the Perform membership or a discount on the e-book training collection.”www.rugbyready.ca/rugbypod Hosted on Acast. See acast.com/privacy for more information.

Title: What Now?Speaker: Ransom KentScripture: 1 Timothy 1:12-17Date: Apr 27, 2025

Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Title: The In BetweenSpeaker: Ransom KentScripture: Acts 28:23-31Date: Apr 20, 2025

Does it get any better than that ARP bass line on “Chameleon”? That's right, it's Herbie time! Join Peter and Adam as we explore Herbie Hancock's explosive breakout from Blue Note jazz man to platinum-selling Headhunter. Transport your ears to an afro-futuristic daydream as we dissect Herbie's funk-jazz era – and the cast of characters that helped push jazz records back onto the Pop charts. You'll hear stem breakdowns of Paul Jackson's brilliant bass grooves, the magic of Mike Clark's “Oakland sound” drums, and, of course, much geeking out over Herbie's mind-bending synth and electric keyboard experiments (excuse our stank-faces). From Fat Albert Rotunda (1969) through the slept-on Sunlight (1978), we ask: is this Herbie at his greatest?

Discover the cutting-edge science shaping the future of motorsports in this eye-opening episode of Race Industry Now featuring Robert Wang from Bruker Nano Surfaces and Metrology Division.In Episode #536, titled "Metrology and Tribology – Understanding Behavior at the Surface Level," we explore how nanometer-level precision in surface science impacts performance, reliability, and innovation in racing components.

Join Frederic Lequien, CEO of the FIA World Endurance Championship (WEC), and Marius Louvet, Director of Marketing and Communications, for an exclusive deep dive into WEC's unparalleled 2024 season and its exciting roadmap for the future. Recorded during EPARTRADE's 5th Annual Race Industry Week, this discussion highlights WEC's innovation, fan engagement, and competitive excellence.

Michael Printup, COO of Parella Motorsports Holdings, dives into the Trans Am Series presented by Pirelli's incredible 2024 season and shares exciting plans for 2025 during EPARTRADE's 5th Annual Race Industry Week. From Paul Menard's TA Championship win to the rising stars of TA2, discover how the series continues to evolve as a platform for racing talent and innovation. Highlights include new venues, a Hall of Fame launch, and the enduring partnership with Pirelli.

Join Brett Root, President of the International Motor Contest Association (IMCA), as he shares the incredible achievements and enduring legacy of one of America's oldest motorsports organizations during EPARTRADE's 5th Annual Race Industry Week. From record-breaking champions to the iconic Boone Super Nationals, Root offers an insider's look at how IMCA continues to thrive after more than a century of grassroots racing.

Dive into the thrilling world of American Flat Track (AFT) as Cameron Gray, AFT Director, and Bryan Smith, 2016 Grand National Champion, share their vision for the sport during EPARTRADE's 5th Annual Race Industry Week.

Dive into the high-octane world of Formula 1 Powerboat Racing with Tim Seebold, Managing Director of the Formula 1 Powerboat Championship, as he shares insights at EPARTRADE's 5th Annual Race Industry Week! From carrying on a legendary family legacy to expanding fan engagement and fostering new talent, Seebold discusses the adrenaline, innovation, and inclusivity driving the sport forward.

Davey Hamilton Jr., founder of The Open Wheel Showdown, shares the story behind this growing pavement sprint car event during EPARTRADE's 5th Annual Race Industry Week. Discover his vision for making the Showdown a crown jewel of motorsports and the challenges of balancing promotion with his own racing career.

Discover the adrenaline-fueled world of diesel drag racing in this insightful interview from EPARTRADE's 5th Annual Race Industry Week! Ron Knoch, President of the National Association of Diesel Motorsports (NADM), joins four-time champions Chris Calkins and Vince Neiderhauser to discuss the explosive growth of diesel racing, the shift from street racing to safe tracks, and the incredible community driving the sport forward. Learn how NADM is making diesel racing accessible for everyone, from casual enthusiasts to seasoned competitors, and hear thrilling stories from the champions themselves.

Matt Martelli, the visionary behind the Unlimited Off-Road Racing League, shares the story of off-road motorsport's explosive growth during EPARTRADE's 5th Annual Race Industry Week. Discover how iconic events like the Mint 400, groundbreaking UTV classes, and cutting-edge media innovations are transforming desert racing into a global phenomenon.

Legendary racer and team owner Ken Schrader reflects on his incredible 50+ year career, his passion for grassroots racing, and what keeps him competing over 100 times a year in this exclusive session at EPARTRADE's 5th Annual Race Industry Week.

Get ready to experience demolition derby like never before! Dustin Woods, CEO and Founder of DEMOLITION ENTERTAINMENT MOTORSPORTS ORGANIZATION (DEMO), unveils a bold vision to elevate demolition racing into a premier motorsport during EPARTRADE's 5th Annual Race Industry Week. Discover how DEMO is blending safety, precision engineering, and high-octane action to create the “UFC with Cars.”

Cindy Sisson, Executive Director of Women in Motorsports North America (WIMNA), shares how the organization is driving inclusivity and growth in motorsports in this exclusive session from EPARTRADE's 5th Annual Race Industry Week.

Marty Fiolka, promoter of Crandon International Raceway, takes you behind the scenes of the iconic venue during EPARTRADE's 5th Annual Race Industry Week. Discover how Crandon's rich history, groundbreaking innovations, and unmatched fan culture have made it the pinnacle of short-course off-road racing.

Levi Jones, General Manager of the legendary Eldora Speedway, joins EPARTRADE's 5th Annual Race Industry Week to discuss his leadership at one of the world's most iconic dirt tracks. From his journey as a USAC champion to becoming the driving force behind Eldora's continued success, Jones shares his vision for balancing tradition and innovation at this motorsports landmark.

Adrien Le Pan de Ligny, Development Lead for Motorsports Events at the Dakar Rally, offers an exclusive behind-the-scenes look at the world's most challenging motorsport event during EPARTRADE's 5th Annual Race Industry Week. From the grueling 2025 route to sustainability initiatives like Mission 1,000, discover how Dakar continues to innovate and inspire.

RJ Till, Vice President of the World Racing League (WRL), reveals how the league has grown into a top-tier destination for endurance racers in this exclusive interview at EPARTRADE's 5th Annual Race Industry Week. Discover how WRL is making motorsports accessible, team-focused, and exciting for racers of all skill levels.

Lauri Eberhart, CEO of Friends of Laguna Seca, shares a bold vision for the future of WeatherTech Raceway Laguna Seca during EPARTRADE's 5th Annual Race Industry Week. Learn how this iconic track is undergoing a stunning transformation under a 55-year revitalization plan to preserve its heritage, enhance fan experiences, and secure its place as a motorsports and recreation destination for generations to come.

Explore the rich history and global impact of Goodwood's iconic motorsport events in this exclusive interview with Will Kinsman, Events Creative Director at Goodwood. Recorded during EPARTRADE's 5th Annual Race Industry Week, this captivating discussion delves into:

Chris Ward, President of Historic Sportscar Racing (HSR), unveils exciting updates for the 2025 season during EPARTRADE's 5th Annual Race Industry Week. From the expanded Classic Endurance Championship to cutting-edge safety innovations and enhanced fan engagement, Ward shares how HSR is evolving as the premier destination for historic motorsport. With events like the Classic 24 Hour at Daytona and the Classic 12 Hour at Sebring, HSR continues to celebrate vintage racing's rich legacy while looking toward a bright future.

Jeremy Croiset, CEO of the National Auto Sport Association (NASA), celebrates 34 years of grassroots motorsports excellence and shares exciting plans for the future in this exclusive interview at EPARTRADE's 5th Annual Race Industry Week.

Mo Murray, CEO of Ligier Automotive North America, dives into the history and innovation behind one of motorsport's most iconic brands during EPARTRADE's 5th Annual Race Industry Week. From Ligier's Formula 1 heritage to its groundbreaking junior racing platforms and sustainable technologies, discover how Ligier Automotive is shaping the future of racing.

Join Tony Parella, President of the Sportscar Vintage Racing Association (SVRA) and founder of Parella Motorsports Holdings, as he shares the inspiring story of SVRA's growth from three regional races to a national powerhouse with 24 events in 2025. Discover how SVRA is blending vintage racing heritage with modern innovations to create unforgettable fan experiences, engage younger audiences, and broaden its appeal. From introducing the SpeedTour Fan Engagement Trailer to expanding diversity and youth programs, Parella is driving a new era for grassroots motorsport.

Jason Dienhart, President of Global Time Attack (GTA) and Super Lap Battle, celebrates two decades of Time Attack racing in the U.S. during this exclusive session at EPARTRADE's 5th Annual Race Industry Week. Discover how Time Attack evolved from its Japanese roots into a global motorsport phenomenon and what's ahead for this thrilling racing discipline.

Discover the latest innovations and future plans for the Sports Car Club of America (SCCA) as President and CEO Michael Cobb shares insights during EPARTRADE's 5th Annual Race Industry Week. From expanding grassroots motorsports programs to introducing exciting new classes like Spec MX-5 and Club Spec, the SCCA is paving the way for the next generation of racing enthusiasts. Learn about initiatives like Track Night in America, the Runoffs' return to Road America, and the launch of SCCA Academy for volunteer training.Join us as we explore how the SCCA balances its rich motorsport legacy with innovative programs to ensure a bright future for all participants—from first-time drivers to seasoned racers.

Join Ryan Sage, President and co-founder of Formula DRIFT, as he dives into the evolution of the series and what's next for drifting during EPARTRADE's 5th Annual Race Industry Week! From saying goodbye to the iconic Irwindale Speedway, known as the “House of Drift,” to introducing new competition formats, this interview is packed with insights into the sport's growth and challenges.

Hey cretins! While we wait for Kingdom Hearts news, Jason and Mike have decided to start a new podcast called ARP!It's like The Ansem Report, but without the Kingdom Hearts! Go check it out please: https://open.spotify.com/show/0oAVN28oL5lfdcXCTU0yAyDon't worry! The Ansem Report will be back precisely when Kingdom Hearts returns!