Podcasts about corita

The first thing I said to Nellie Scott, Executive Director of the Corita Art Center in downtown Los Angeles that preserves and promotes Corita Kent's art, teaching, and passion for social justice, was that I wish we didn't need to do this. I wish Corita Kent's work had already done its work, that the world was free of oppression, racism, inequality, chaos and fear. Maybe Nellie and I could just talk about love and a butterfly, the upcoming showing of Kent's work at Andrew Kreps and kaufmann repetto in NYC this month. But the times they are a'changing and oh how they stay the same. The new Corita Art Center opened in March and since, Pope Francis has passed, the structure of democracy in America has been bent to a near breaking point and art has an act of protest and social awareness is struggling to find its footing. So, it's time for Corita Kent once again. In this conversation on the Radio Juxtapoz podcast produced by the Unibrow, Nellie Scott speaks of the founding of the Center in 1997 and its association with the Immaculate Heart Community, how Corita Kent went from entering the religious order Immaculate Heart of Mary at age 18, to championing civil rights, anti-war activism, and peace, through her unique aesthetic of printmaking. She left the order in 1968 and moved to Boston, where she continued to make work. Her art, and her life, was devoted to finding a deep understanding of the human experience, through teaching and creating. Corita left behind a great legacy that continues to reverberate - at the time of her death in 1986, Corita had created almost 800 serigraph editions and thousands of watercolours, alongside public and private commissions. From Boston to Los Angeles, Corita's life is a truly inspired story. The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 163 was recorded at the Corita Art Center in Los Angeles in late April 2025. Original music by Aesop Rock for Radio Juxtapoz

Early in my research career, I was fascinated by the (then) frontier area of palliative care in the emergency department.  I asked emergency medicine clinicians what they thought when a patient who is seriously ill and DNR comes to the ED, and some responded, (paraphrasing), what are they doing here? This is not why I went into emergency medicine. I went into emergency medicine to act. I can't do the primary thing I've been trained to do: ABC, ABC, ABCs.  Most emergency providers wanted to do the right thing for seriously ill patients, but they didn't have the knowledge, skills, or experience to do it. Today we focus on an intervention, published in JAMA, that gave emergency clinicians basic palliative care knowledge, training, and skills.  We talk with Corita Grudzen and Fernanda Bellolio about their cluster stepped wedge randomized trial of a palliative care intervention directed at emergency clinicians.  They got training in Vital Talk and ELNEC.  They got a decision support tool that identified hospice patients or those who might benefit from a goals of care discussion.  They got feedback. So did it matter?  Hmmm….it depends.  We are fortunate to have Tammie Quest, emergency and palliative trained and long a leader in this space, to help us unpack and contextualize these findings. Today we discuss: Why the study was negative for the primary (hospitalization) and all secondary outcome (e.g. hospice use). Why to emergency clinicians, this study was a wild success because they had the skills they wanted/needed to feel like they could do the right thing (during the onset of Covid no less). Why this study was a success due to the sheer size (nearly 100,000 patients in about 30 EDs) of the study, and the fact that, as far as the investigators know, all study sites continue to employ the clinical decision support tool. What is a cluster stepped wedge randomized trial?  Were they surprised by the negative findings? How do we situate this study in the context of other negative primary palliative care interventions, outside the ED?  E.g. Yael Shenker's negative study of primary palliative care for cancer, Randy Curtis's negative study of a Vital Talk-ish intervention, Lieve Van den Block's negative study of primary PC in nursing homes. Why do so many (most, all??) primary palliative care interventions seem to fail, whereas specialized palliative care interventions have a relatively robust track record of success. Should we give up on primary palliative care?  What's next for primary palliative care interventions in the ED? And if your Basic Life Support training certification is due, you can practice the correct chest compression rate of 110 beats per minute to Another One Bites the Dust. -Alex Smith

Las Mañanas de Onda Aragonesa, inauguración de la calle Corita Viamonte.

This dual feature episode highlights Corita Kent's journey from nun to Pop Art pioneer, using screen printing to champion love and justice, and Britt Rohr's modern take on printmaking as the founder of Swell Press, blending craftsmanship and storytelling in her designs._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Book: Learning by Heart: Teaching to Free the Creative Spirit by Corita Kent and Jan StewardAbout CoritaCorita Kent (1918–1986), also known as Sister Mary Corita, was a nun, artist, and educator whose screen prints and serigraphs fused Pop Art with powerful messages of love, justice, and activism. As chair of the art department at Immaculate Heart College, she inspired a generation of students with her innovative teaching methods and bold use of everyday imagery. Her works, including the iconic Love stamp and Rainbow Swash mural, continue to resonate globally as symbols of creativity and compassion. Today, Corita is celebrated for her unique ability to elevate the ordinary into the extraordinary. About BrittBritt Rohr is the founder of Swell Press, a California-based letterpress studio known for its meticulous craftsmanship and timeless designs. With a passion for tactile art forms, Britt has carved out a niche in creating bespoke print pieces that marry modern aesthetics with the classic charm of letterpress. Her work has been featured in numerous publications and admired for its ability to tell meaningful stories through design. Follow Britt:Instagram: @swellpressWebsite: SwellPress.com  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

El Ayuntamiento de Zaragoza estrena concurso de Música Española Corita Viamonte, que tendrá lugar en el Centro Musical Artístico Las Armas los días 10, 11 y 12 de junio, donde actuarán todos los participantes. El domingo 16 de junio tendrá lugar la gran final. Hablamos con la artista que da nombre a este nuevo certamen: Corita Viamonte.

One marker of the distance we've traveled in palliative care is the blossoming evidence base for the field. Ten years ago we would have been hard pressed to find 3 clinical trial abstracts submitted to the annual meeting, much less high quality randomized trials with robust measures, sample sizes, and analytics plans.  Well, as a kick off to this year's first in-person State of the Science plenary, held in conjunction with the closing Saturday session of the AAHPM/HPNA Annual Assembly, 3 randomized clinical trials were presented. Today we interview the authors of these 3 abstracts about their findings: Tom LeBlanc about a multisite trial of palliative care for patients undergoing Stem Cell Transplant for blood cancers (outcomes = quality of life, depression, anxiety) Kate Courtright about a pragmatic trial of electronic nudges to prognosticate and/or offer comfort-focused treatment to mechanically ventilated ICU patients/surrogates (outcomes = lengths of stay, hospice, time to discontinuation of life-support) Corita Grudzen on a pragmatic trial of two palliative care approaches for patients with advanced cancer or organ failure discharged from the ED: a nurse-led telephone intervention or outpatient specialty palliative care clinic (outcomes = quality of life, symptom burden, loneliness, healthcare utilization) Wow! I'm just stunned even writing that! We've come so far as a field. This isn't to say we've “made it” - more to say that we've reached a new stage of maturation of the field - in which the evidence we are discussing is frequently high quality randomized trial level data.  We recorded this on Friday during the annual assembly, and Eric and I were a littttttle off our game due to the residual effects of the GeriPal pub crawl the night before, which were only compounded by technical difficulties.  I believe these issues were more than made up for by our guests' forced accompaniment to the song “Feel Like Making Science.” (Credit to the Beeson singing crew for coming up with that one). Enjoy! -@AlexSmithMD  

Jordan Weitzman gets together with archivist Olivian Cha to talk about her work with Corita's photographic archive at the Corita Art Centre in LA. Hosted on Acast. See acast.com/privacy for more information.

Nesse episódio, a designer Tereza Bettinardi, editora e fundadora do Clube do Livro do Design, conta a história de Corita Kent, uma freira, artista pop e educadora estadunidense. Corita é a autora do próximo lançamento do Clube, o livro Aprender de coração — práticas para libertar o espírito criativo, escrito em parceria com sua ex-aluna Jan Steward. O livro está em pré-venda e chega nas livrarias parceiras em dezembro de 2023. Essa é a primeira parte dos dois episódios em que vamos explorar a vida e a obra da freira que revolucionou o ensino da arte nos Estados Unidos, nos anos 1960. Com a participação da cantora e compositora Tulipa Ruiz e dos designers Eduardo Souza, João Dória de Souza e Rejane Dal Bello. Para adquirir o livro, acesse o nosso site: http://bit.ly/3QJxT8R  

THIS WEEK on the GWA Podcast, to end this season, we interview Nellie Scott, Director of the Corita Art Center in California, on SISTER MARY CORITA! Sister Mary Corita Kent is the legendary Los Angeles icon, pop artist, activist, nun, and educator, known for her prints and posters filled with luminous block colours and text that reflected her concerns about poverty, racism, and war, and which are filled with messages of peace and social justice. Born in 1918 to a working class Catholic family in Iowa, when the Corita was five she moved with her family to Hollywood. In 1936, aged 18, Corita graduated from the Los Angeles Catholic Girls' High School and entered the religious order of the Immaculate Heart of Mary where she took the name Sister Mary Corita (where she went on to head up the art dept!)  Corita's work ranges from figurative and religious to incorporating advertising images and slogans, popular song lyrics and passages from the Bible. In the ‘60s, her work became increasingly political, urging viewers to consider poverty, racism, and injustice. She was a groundbreaker and considered by many to be at the front of the Pop Art movement ~ whilst also teaching (and being a nun!) full time.  Reappropriating symbols for a spiritual message, such as Aeroplanes for guardian angels; Wonder Bread as the eucharist; Corita's art gained attention for its ability to find joy in the everyday. She infused pop elements into her work, and throughout the ‘60s, her work became increasingly political, urging viewers to consider the social injustices of the time. -- LINKS: Ten Rules Audio Project with Dublab Radio here: https://www.corita.org/tenrules Ten Rules Chronicle Book (April 2023) here: https://www.chroniclebooks.com/products/new-rules-next-week Baylis Glascock film here: https://drive.google.com/file/d/1hRjih1uLmampB8DI2s2n4Nup7i3Pmacc/view Thomas Conrad film here: https://drive.google.com/file/d/1vBcaCDRMLRAINXBYVDP3TyJmt2IL5fOD/view Rebel hearts doc on IHC here: https://www.rebelheartsfilm.com/ ENJOY! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com

Wendy introduces us to one of her art she-roes: Sister Corita. Yes, she was a radical nun. Yes, she was a teacher and an artist. Yes, she was an absolute icon. Join Wendy for a Corita-inspired project that will help you look closely and see the world in a whole new way. Get full access to DrawTogether with WendyMac at club.drawtogether.studio/subscribe

I'm very excited to have Nellie Scott, Director of Corita Art Center in LA as my guest for this episode! My very first introduction to Corita's art was in December 2019 when I was working on a project based on my series of influential women for a local charity auction. Corita's story, dedication to art and art education, and freedom of her spirit blew my mind! She spent most of her creative years as a Catholic religious sister of the order of Immaculate Heart of Mary in Los Angeles, CA. A woman artist (in the 1960s mind you!), an educator, an activist, and a leader - she embodied everything we praise today but unfortunately was almost forgotten by the art community in the last 3 decades. This is why Nellie Scott, an art historian, and Director of Corita Art Center is so passionate about saving Corita's legacy and introducing it to as many people out there as possible! Visit corita.org Follow on IG instagram.com/coritaartcenter Facebook facebook.com/coritaartcenter Twitter twitter.com/coritaartcenter Sign up for the mailing list corita.org/subscribe --- Send in a voice message: https://anchor.fm/in-the-art-scene/message Support this podcast: https://anchor.fm/in-the-art-scene/support

November 20th is Corita Day, a celebration of the art and life of Corita Kent, also known as SisterMary Corita. As part of this celebration, Tim welcomes on Nellie Scott, director of the Corita Art Center in Los Angeles. Listen as they discuss Corita's art and life, how Nellie works to preserve Corita's legacy and amplify her message, and how teachers can introduce Corita to their students. Resources and Links See Corita Art Center's resources for teachers and videos Corita's 10 Rules for Learning and Life Read Austin Kleon's post on Corita Day The Life and Art of Corita Kent Find the Corita Art Center on Twitter, Instagram, and Facebook

Para finalizar esta mañana hemos contado en el estudio con Corita Viamonte, artista zaragozana que lleva nuestra tierra por bandera. ondaaragonesa.com

It’s nearly Easter. And I want to talk about someone today on the podcast who inspires me with her life and art and work. As you know, I have been revisiting my favorite spiritual classics … books written by authors who have fought the good fight and remained faithful to the end. There’s just so much we can learn from them. This week I’m introducing you to Corita Kent. Corita lived from 1918 to 1986. She was an artist, educator, and advocate for social justice.  At 18 years old, she entered the religious order Immaculate Heart of Mary, eventually teaching in and then heading up the art department at Immaculate Heart College.  She created hundreds of beautiful serigraphs because she wanted her art to be affordable and widely available. She didn’t number any of her works because she didn’t want any one print to be more valuable than the others. I have been collecting her work via collaborations with author Leslie Brandt. These are charming books with Corita’s art AND Brandt’s paraphrase of sections of the Bible.  My hope is that we stop running from God and follow after Him. I pray you remember that God loves you and is just waiting for you to trust Him … and I pray that you do. SHOW NOTES Get a copy of Jesus Now by Leslie Brandt & Corita Kent. Watch this video about Corita. Visit this website devoted to Corita, her art, and the Corita Art Center. Learn more about Community First! Village, Young Lives, and Heart of Texas Pregnancy Resource Center. Learn more about other ACF Ministry Partners here. Get your ticket to Soul Care Saturday on May 8, 2021! Follow me on Instagram. Download the FREE Soul Care Kit that I created just for you. Get encouragement in your inbox each week: Sign up for my newsletter! Join my home church, Austin Christian Fellowship, online. Listen to more of Sara Davis Regan’s music. Order your copy of The Grace Guide: Live Your One Beautiful Life! My book, Dear Daughters, is a template for those multi-generational conversations and relationships you’re craving. Get a copy of Dear Daughters: Love Letters to the Next Generation

Sup Party Crashers - Let's face it: what happened in Georgia this week represents a defining moment in our nation's history. Gov. Brian Kemp signed SB 202 -- a 900 pages omnibus voter suppression bill -- and the dominos will begin to fall in at least 43 other states looking to pass similar bills that will turn the clock back on democracy and racial justice for people of color and people of conscience. So, we're gonna dig into what it all means in this episode while also waxing poetic on: not-so-great political slogans, Jerry being on the audiobook struggle bus, Queen Stacey Abrams doing her thing in 2022, Beto People and possibly misquoting Danny Ocean. Most importantly, we are paying homage to KC social justice hero, icon and co-founder of Operation Breakthrough Sr. Corita Bussanmas. May she Rest in Power after fighting the good fight for children and families in Kansas City for over six decades. Sr. Corita is survived by her partner in good trouble - Sr. Berta Sailor and their four adopted children. Please keep them in your thoughts and prayers. If you are so inclined, memorial contributions can be made to the Sisters Berta and Corita Irrevocable Trust at Operation Breakthrough at P.O. Box 412482; Kansas City, MO 64141 --- Send in a voice message: https://anchor.fm/jerry-jones5/message

Episode 6 - Sister Corita Kent, Esther Afua Ocloo, Monir Shahroudy Farmanfarmaian and Mahasweta Devi    Sister Corita Kent What was her real name? What does ‘Corita' mean? At what age did she leave home to become a nun? What medium did she mainly use at first? Whose art work later inspired her? What is a serigraph?   Esther Afua Ocloo How much money was Esther given by an aunt? What did she initially need to buy to make her marmalade? What is Nkulenu Industries? In 1976 the WWB was set up – what do the three letters stand for?   Monir Shahroudy Farmanfarmaian How did she initially learn to draw? Where is she Shah Cheragh masque? Why did Monir stay in New York for 20 years Why do you think so much of her art got destroyed? How might this make you feel?   Mahasweta Devi Which jobs did some of the family members have? Why do you think Mahasweta never showed her work to anyone? In the book “The Queen of Jhansi” what/where is ‘Jhansi?” What does the word ‘indigenous' mean?

On November 20th, 2019, the City of Los Angeles will celebrate Corita Day in honor of the most acclaimed artist you've never heard of: Sister Mary Corita / Corita Kent. Corita spent the first part of her life at LA's Immaculate Heart Community, educating students and celebrities alike with spectacular silkscreen and pop art. Eames and Hitchcock and Fuller and Cage were all her contemporaries and she designed one of the top selling US Postage Stamps of all time, yet for some reason, she's not as well known as she should be. This program aims to change that. Please listen, as it's an amazing story. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Connect with Corita’s workJoin The Makers and Mystics Creative CollectiveAaron Strumpel’s Music

Introducing Riot Woman, a podcast which features creative conversations with artists, academics, and activists who identified with or were influenced by the punk and Riot Grrrl subcultures. Meet author Eleanor Callott Whitney and hear about how Riot Grrrl and punk music changed her life and introduced her to feminism in the 1990s. Hear briefly from a selection of season one guests including Taleen Kali, Nicole Georges, Tae Won Yu, Lauren Martin, and Katy Otto. They reflect on how punk and feminism has impacted their adult lives and the work they make. Whether you are an original Riot Grrrl, are just discovering feminism, or simply figuring out how live authentically and creatively as a grown up weirdo, this podcast is for you.Featuring the songs “Half Lie” and “Lost and Bound” by Taleen Kali and “Degrees of Freedom” by Corita.

Sister Mary Corita, IHM (1918-1986), was a beloved artist and teacher whose role as the rebel nun continues to inspire contemporary audiences. Corita joined the Sisters of the Immaculate Heart of Mary in 1936 when she was just eighteen years old, and soon after became an initially reluctant Art teacher at Immaculate Heart College. Corita remained part of the community on Franklin and Western Avenues in Hollywood until 1968 when Los Angeles archbishop Cardinal James Francis McIntyre, and other conservatives, targeted the orders reformist ways. Corita's Pop Art styled prints celebrating the presence of God in the most ordinary of everyday subjects (Mary is the juiciest tomato of all) drew the ire of McIntyre in particular. At age fifty, she took one of many unconventional steps and left the order to start life anew as an independent woman. In Corita Kent: Art and Soul: The Biography (Angel City Press, 2015), April Dammann traces Corita's path as an artist and religious woman who participated in the heady scene of the Los Angeles art world in the 1960s while engaging her own devout spirituality at the same time. Coritas journey into printmaking took her beyond the confines of the college to the world of the most famous artists and designers in Los Angeles including Charles Eames, John Cage, Edward Kienholz, and Tony Duquette. She interacted with Henry Miller, Anais Nin, and other members of Los Angeles literary avant-garde. Clad in her nuns habit, Corita was more than a picturesque observer of the scene, however. Her highly refined silkscreens combining word and image with meticulously placed colors transformed the medium. She culled subject matter from the ideas of thinkers and social commentators ranging from Goethe to Isaiah, to John Lennon, Paul McCartney, and radical priest and soul mate Daniel Berrigen. Corita's students, many of whose voices color Dammann's carefully researched book, were beneficiaries of Corita's aesthetic and intellectual explorations. As we reconsider the life of Corita Kent, we are confronted, in the quiet yet powerful manner of the artist herself, with a woman whose contributions to the radical forms of the 1960s are immense. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hill. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Mary Corita, IHM (1918-1986), was a beloved artist and teacher whose role as the rebel nun continues to inspire contemporary audiences. Corita joined the Sisters of the Immaculate Heart of Mary in 1936 when she was just eighteen years old, and soon after became an initially reluctant Art teacher at Immaculate Heart College. Corita remained part of the community on Franklin and Western Avenues in Hollywood until 1968 when Los Angeles archbishop Cardinal James Francis McIntyre, and other conservatives, targeted the orders reformist ways. Corita’s Pop Art styled prints celebrating the presence of God in the most ordinary of everyday subjects (Mary is the juiciest tomato of all) drew the ire of McIntyre in particular. At age fifty, she took one of many unconventional steps and left the order to start life anew as an independent woman. In Corita Kent: Art and Soul: The Biography (Angel City Press, 2015), April Dammann traces Corita’s path as an artist and religious woman who participated in the heady scene of the Los Angeles art world in the 1960s while engaging her own devout spirituality at the same time. Coritas journey into printmaking took her beyond the confines of the college to the world of the most famous artists and designers in Los Angeles including Charles Eames, John Cage, Edward Kienholz, and Tony Duquette. She interacted with Henry Miller, Anais Nin, and other members of Los Angeles literary avant-garde. Clad in her nuns habit, Corita was more than a picturesque observer of the scene, however. Her highly refined silkscreens combining word and image with meticulously placed colors transformed the medium. She culled subject matter from the ideas of thinkers and social commentators ranging from Goethe to Isaiah, to John Lennon, Paul McCartney, and radical priest and soul mate Daniel Berrigen. Corita’s students, many of whose voices color Dammann’s carefully researched book, were beneficiaries of Corita’s aesthetic and intellectual explorations. As we reconsider the life of Corita Kent, we are confronted, in the quiet yet powerful manner of the artist herself, with a woman whose contributions to the radical forms of the 1960s are immense. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hill. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Mary Corita, IHM (1918-1986), was a beloved artist and teacher whose role as the rebel nun continues to inspire contemporary audiences. Corita joined the Sisters of the Immaculate Heart of Mary in 1936 when she was just eighteen years old, and soon after became an initially reluctant Art teacher at Immaculate Heart College. Corita remained part of the community on Franklin and Western Avenues in Hollywood until 1968 when Los Angeles archbishop Cardinal James Francis McIntyre, and other conservatives, targeted the orders reformist ways. Corita’s Pop Art styled prints celebrating the presence of God in the most ordinary of everyday subjects (Mary is the juiciest tomato of all) drew the ire of McIntyre in particular. At age fifty, she took one of many unconventional steps and left the order to start life anew as an independent woman. In Corita Kent: Art and Soul: The Biography (Angel City Press, 2015), April Dammann traces Corita’s path as an artist and religious woman who participated in the heady scene of the Los Angeles art world in the 1960s while engaging her own devout spirituality at the same time. Coritas journey into printmaking took her beyond the confines of the college to the world of the most famous artists and designers in Los Angeles including Charles Eames, John Cage, Edward Kienholz, and Tony Duquette. She interacted with Henry Miller, Anais Nin, and other members of Los Angeles literary avant-garde. Clad in her nuns habit, Corita was more than a picturesque observer of the scene, however. Her highly refined silkscreens combining word and image with meticulously placed colors transformed the medium. She culled subject matter from the ideas of thinkers and social commentators ranging from Goethe to Isaiah, to John Lennon, Paul McCartney, and radical priest and soul mate Daniel Berrigen. Corita’s students, many of whose voices color Dammann’s carefully researched book, were beneficiaries of Corita’s aesthetic and intellectual explorations. As we reconsider the life of Corita Kent, we are confronted, in the quiet yet powerful manner of the artist herself, with a woman whose contributions to the radical forms of the 1960s are immense. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hill. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Mary Corita, IHM (1918-1986), was a beloved artist and teacher whose role as the rebel nun continues to inspire contemporary audiences. Corita joined the Sisters of the Immaculate Heart of Mary in 1936 when she was just eighteen years old, and soon after became an initially reluctant Art teacher at Immaculate Heart College. Corita remained part of the community on Franklin and Western Avenues in Hollywood until 1968 when Los Angeles archbishop Cardinal James Francis McIntyre, and other conservatives, targeted the orders reformist ways. Corita’s Pop Art styled prints celebrating the presence of God in the most ordinary of everyday subjects (Mary is the juiciest tomato of all) drew the ire of McIntyre in particular. At age fifty, she took one of many unconventional steps and left the order to start life anew as an independent woman. In Corita Kent: Art and Soul: The Biography (Angel City Press, 2015), April Dammann traces Corita’s path as an artist and religious woman who participated in the heady scene of the Los Angeles art world in the 1960s while engaging her own devout spirituality at the same time. Coritas journey into printmaking took her beyond the confines of the college to the world of the most famous artists and designers in Los Angeles including Charles Eames, John Cage, Edward Kienholz, and Tony Duquette. She interacted with Henry Miller, Anais Nin, and other members of Los Angeles literary avant-garde. Clad in her nuns habit, Corita was more than a picturesque observer of the scene, however. Her highly refined silkscreens combining word and image with meticulously placed colors transformed the medium. She culled subject matter from the ideas of thinkers and social commentators ranging from Goethe to Isaiah, to John Lennon, Paul McCartney, and radical priest and soul mate Daniel Berrigen. Corita’s students, many of whose voices color Dammann’s carefully researched book, were beneficiaries of Corita’s aesthetic and intellectual explorations. As we reconsider the life of Corita Kent, we are confronted, in the quiet yet powerful manner of the artist herself, with a woman whose contributions to the radical forms of the 1960s are immense. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hill. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Mary Corita, IHM (1918-1986), was a beloved artist and teacher whose role as the rebel nun continues to inspire contemporary audiences. Corita joined the Sisters of the Immaculate Heart of Mary in 1936 when she was just eighteen years old, and soon after became an initially reluctant Art teacher at Immaculate Heart College. Corita remained part of the community on Franklin and Western Avenues in Hollywood until 1968 when Los Angeles archbishop Cardinal James Francis McIntyre, and other conservatives, targeted the orders reformist ways. Corita’s Pop Art styled prints celebrating the presence of God in the most ordinary of everyday subjects (Mary is the juiciest tomato of all) drew the ire of McIntyre in particular. At age fifty, she took one of many unconventional steps and left the order to start life anew as an independent woman. In Corita Kent: Art and Soul: The Biography (Angel City Press, 2015), April Dammann traces Corita’s path as an artist and religious woman who participated in the heady scene of the Los Angeles art world in the 1960s while engaging her own devout spirituality at the same time. Coritas journey into printmaking took her beyond the confines of the college to the world of the most famous artists and designers in Los Angeles including Charles Eames, John Cage, Edward Kienholz, and Tony Duquette. She interacted with Henry Miller, Anais Nin, and other members of Los Angeles literary avant-garde. Clad in her nuns habit, Corita was more than a picturesque observer of the scene, however. Her highly refined silkscreens combining word and image with meticulously placed colors transformed the medium. She culled subject matter from the ideas of thinkers and social commentators ranging from Goethe to Isaiah, to John Lennon, Paul McCartney, and radical priest and soul mate Daniel Berrigen. Corita’s students, many of whose voices color Dammann’s carefully researched book, were beneficiaries of Corita’s aesthetic and intellectual explorations. As we reconsider the life of Corita Kent, we are confronted, in the quiet yet powerful manner of the artist herself, with a woman whose contributions to the radical forms of the 1960s are immense. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hill. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Mary Corita, IHM (1918-1986), was a beloved artist and teacher whose role as the rebel nun continues to inspire contemporary audiences. Corita joined the Sisters of the Immaculate Heart of Mary in 1936 when she was just eighteen years old, and soon after became an initially reluctant Art teacher at Immaculate Heart College. Corita remained part of the community on Franklin and Western Avenues in Hollywood until 1968 when Los Angeles archbishop Cardinal James Francis McIntyre, and other conservatives, targeted the orders reformist ways. Corita’s Pop Art styled prints celebrating the presence of God in the most ordinary of everyday subjects (Mary is the juiciest tomato of all) drew the ire of McIntyre in particular. At age fifty, she took one of many unconventional steps and left the order to start life anew as an independent woman. In Corita Kent: Art and Soul: The Biography (Angel City Press, 2015), April Dammann traces Corita’s path as an artist and religious woman who participated in the heady scene of the Los Angeles art world in the 1960s while engaging her own devout spirituality at the same time. Coritas journey into printmaking took her beyond the confines of the college to the world of the most famous artists and designers in Los Angeles including Charles Eames, John Cage, Edward Kienholz, and Tony Duquette. She interacted with Henry Miller, Anais Nin, and other members of Los Angeles literary avant-garde. Clad in her nuns habit, Corita was more than a picturesque observer of the scene, however. Her highly refined silkscreens combining word and image with meticulously placed colors transformed the medium. She culled subject matter from the ideas of thinkers and social commentators ranging from Goethe to Isaiah, to John Lennon, Paul McCartney, and radical priest and soul mate Daniel Berrigen. Corita’s students, many of whose voices color Dammann’s carefully researched book, were beneficiaries of Corita’s aesthetic and intellectual explorations. As we reconsider the life of Corita Kent, we are confronted, in the quiet yet powerful manner of the artist herself, with a woman whose contributions to the radical forms of the 1960s are immense. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hill. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Mary Corita, IHM (1918-1986), was a beloved artist and teacher whose role as the rebel nun continues to inspire contemporary audiences. Corita joined the Sisters of the Immaculate Heart of Mary in 1936 when she was just eighteen years old, and soon after became an initially reluctant Art teacher at Immaculate Heart College. Corita remained part of the community on Franklin and Western Avenues in Hollywood until 1968 when Los Angeles archbishop Cardinal James Francis McIntyre, and other conservatives, targeted the orders reformist ways. Corita’s Pop Art styled prints celebrating the presence of God in the most ordinary of everyday subjects (Mary is the juiciest tomato of all) drew the ire of McIntyre in particular. At age fifty, she took one of many unconventional steps and left the order to start life anew as an independent woman. In Corita Kent: Art and Soul: The Biography (Angel City Press, 2015), April Dammann traces Corita’s path as an artist and religious woman who participated in the heady scene of the Los Angeles art world in the 1960s while engaging her own devout spirituality at the same time. Coritas journey into printmaking took her beyond the confines of the college to the world of the most famous artists and designers in Los Angeles including Charles Eames, John Cage, Edward Kienholz, and Tony Duquette. She interacted with Henry Miller, Anais Nin, and other members of Los Angeles literary avant-garde. Clad in her nuns habit, Corita was more than a picturesque observer of the scene, however. Her highly refined silkscreens combining word and image with meticulously placed colors transformed the medium. She culled subject matter from the ideas of thinkers and social commentators ranging from Goethe to Isaiah, to John Lennon, Paul McCartney, and radical priest and soul mate Daniel Berrigen. Corita’s students, many of whose voices color Dammann’s carefully researched book, were beneficiaries of Corita’s aesthetic and intellectual explorations. As we reconsider the life of Corita Kent, we are confronted, in the quiet yet powerful manner of the artist herself, with a woman whose contributions to the radical forms of the 1960s are immense. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hill. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Españolenado programa de radio Casa de España en México

This month The Poster Boys look at the life and art of Corita Kent. A nun and teacher at Immaculate Heart College, and beginning in 1964 the chair of its art department, her silkscreens combined religious language with that of American advertising culture and the spirit of 60's modern art. As a teacher, her philosophy and class exercises brought a radical and fresh perspective not just to the spiritual ideas of the church but to the artistic and creative process overall. Brandon and Sam reflect on her teachings and work, then open the Flat File for a look at the posters for Richard Lester's feature-length Beatles film A Hard Day's Night. SHOW NOTES & LINKS Corita Art Center AIGA: The Nun's Story Sister Corita: We Have No Art, a 1967 documentary by Baylis Glascock Become a Microscope: 90 Statements on Sister Corita, a film by Aaron Rose Design Observer AIGA's Gold Metal Recipient NPR - The Nun Inspired by Warhol New York Times - Warho's Kindred Spirit in the Convent Facsimile Magazine Music selections: “Bass on Titles” opening theme; Clips from Sister Corita: We Have No Art; The Beatles, “A Hard Day's Night.” Follow Brandon Schaefer at @seekandspeak, and Sam Smith at @samsmyth. Special thanks to producer Adrian Cobb and to our presenting partner, AIGA's Eye on Design blog.

Learning By Heart (Allworth Press) Witness to Integrity (Liturgical Press) A Place at the Table (Elevated Lab) Come Alive! (Four Corners) Join us for a fascinating panel discussion about artist, educator, and "rebel nun" Sister Corita! Hear from Corita's students and former sisters who defied the Cardinal, renounced their vows, and redefined themselves as an independent ecumenical community – dedicated to those radical ideals of peace and justice! This year marks the fortieth anniversary of the independent Immaculate Heart community. This event is presented in conjunction with Artwalk, which will features Sister Corita's work on display at the Hollywood Lutheran Church (1733 N. New Hampshire Ave.) and other venues throughout Los Feliz.  Four books related to the Sister Corita and the Immaculate Heart community will be available for purchase. Liz Mahoney, IHM, has been a member of the Immaculate Heart Community for 65 years and was present at the chapter that made the decision to update the Community following Vatican II. Helen Kelley, IHM, is the former president of Immaculate Heart College and former president of Immaculate Heart Community. Lenore N. Dowling, IHM, is a former faculty member of the IHC Art Department and current chair of the Immaculate Heart Community Board. Nan Cano is an Immaculate Heart College alumna, former teacher at Immaculate Heart High School, and author of Acts of Light: Martha Graham in the 21st Century. Jan Steward, a distinguished graphic designer and photographer, lives in Los Angeles. She is the co-author of Learning By Heart. Richard Crawford was a friend and student of Sister Corita's. He's only interested in painting, movies, gardening, politics, and Plant Spirit Medicine.  Read that book. Corita chose David Mekelburg to teach all of her classes at Immaculate Heart when she moved to Boston. Donald Jackson, scribe to England's Royal Family, said, "Mekelburg it the finest calligrapher in the States." Aaron Rose will moderate tonight's panel. Aaron is a film director, curator and writer currently living in Los Angeles. He was co-curator of the Beautiful Losers touring exhibition (2003-2009), edited the collected book, and is also the director of the documentary film of the same title (2008). In 2009, he completed the short film Become A Microscope based on the life and art of Sister Corita. His publishing imprint, Alleged Press releases hardcover books by contemporary artists. He is also co-editor (along with Ed Templeton and Brendan Fowler) of ANP Quarterly magazine. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS JUNE 4, 2010.