Podcasts about another one bites

After nine years as commissioner of the state Department of Developmental Services, Jordan Scheff is resigning this month for a new job. It's a tale as old as time it seems in Connecticut and puts Governor Lamont in the hot seat about leadership in major state departments. We spoke with Senator Jason Perillo about the news; he is the Ranking Member on the Human Services and Children's Committees.Image Credit: Dee Ortiz

And just like that Brett Michaels, the frontman to “Poison” has announced he will not be performing in the Great American State Fair this summer. Michaels joins Martina McBride, Morris Day and the Time, The Commodores, Young MC, and C and C Music Factory in dropping out of the lineup just two days after it was announced. See omnystudio.com/listener for privacy information.

And just like that Brett Michaels, the frontman to “Poison” has announced he will not be performing in the Great American State Fair this summer. Michaels joins Martina McBride, Morris Day and the Time, The Commodores, Young MC, and C and C Music Factory in dropping out of the lineup just two days after it was announced. See omnystudio.com/listener for privacy information.

And just like that Brett Michaels, the frontman to “Poison” has announced he will not be performing in the Great American State Fair this summer. Michaels joins Martina McBride, Morris Day and the Time, The Commodores, Young MC, and C and C Music Factory in dropping out of the lineup just two days after it was announced. See omnystudio.com/listener for privacy information.

And just like that Brett Michaels, the frontman to “Poison” has announced he will not be performing in the Great American State Fair this summer. Michaels joins Martina McBride, Morris Day and the Time, The Commodores, Young MC, and C and C Music Factory in dropping out of the lineup just two days after it was announced. See omnystudio.com/listener for privacy information.

The Astros Lose Correa for the REMAINDER of the 2026 SEASON on Wednesday as the number of injuries for the 'Stros CONTINUES to grow, Producer Milner's HEATER is STILL ALIVE! T-Mil's Best Bets gives ya THREE Wednesday Wagers for NBA Action; AND-The Houston Texans OFFENSE, Re-Tooling, & a Need for SIMPLICITY within Caley's offense for 2026..

We're covering a lot of ground this week. On the entertainment side, we're breaking down Chris Brown's new song and visual, reacting to Drake's Iceman album, and talking about Druski getting the BET Awards hosting gig. We'll also weigh in on the heavier music headlines — the underage allegations swirling around Boston Richey and the latest developments in the D4VD case — and what they say about accountability in the industry right now. In business and news, we're digging into the Spirit Airlines shutdown and what it signals for the broader travel industry. Then we're shifting into the conversation everyone's having privately but nobody's solving: the new wave of layoffs, hiring freezes, and the quiet firing trend (pulling from a great article we'll reference on the show), plus a real talk segment on hustle culture and whether the grind is actually getting us anywhere. We're closing with two cultural debates. First: why is media — especially social media — so obsessed with women and breakups, and what's driving that engagement machine? And finally, a sports question worth chewing on: are NBA players actually known outside the U.S., or is the league's global reach more hype than reality?

We're covering a lot of ground this week. On the entertainment side, we're breaking down Chris Brown's new song and visual, reacting to Drake's Iceman album, and talking about Druski getting the BET Awards hosting gig. We'll also weigh in on the heavier music headlines — the underage allegations swirling around Boston Richey and the latest developments in the D4VD case — and what they say about accountability in the industry right now.In business and news, we're digging into the Spirit Airlines shutdown and what it signals for the broader travel industry. Then we're shifting into the conversation everyone's having privately but nobody's solving: the new wave of layoffs, hiring freezes, and the quiet firing trend (pulling from a great article we'll reference on the show), plus a real talk segment on hustle culture and whether the grind is actually getting us anywhere.We're closing with two cultural debates. First: why is media — especially social media — so obsessed with women and breakups, and what's driving that engagement machine? And finally, a sports question worth chewing on: are NBA players actually known outside the U.S., or is the league's global reach more hype than reality?

Another One Bites the Dust; Isaiah 47; Bennie Tomberlin. Scripture read by Ralph Barbre

Rep. Sheila Cherfilus-McCormick resigned from office after she was caught stealing $5 million in taxpayer money. Plus, Howie discusses Zorhan Mamdani visiting the Mets and sending them on a crazy losing streak.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

Moana no more, The Wallaroos star in Twister 3 & Aussie Schoolboy rugby prowess See omnystudio.com/listener for privacy information.

Oh and next on the chopping block - Bribe Me Barbie Ms. Pamela Jo Bondi. John discusses Trump firing her as Attorney General and elevating Todd Blanche to interim head of the Department of Justice. He also talks about Trump's less than rousing and far from reassuring Wednesday night address from the Oval Office which did nothing to calm markets – quite the opposite in fact. The DOW dropped 500 points on opening and oil prices shot up AGAIN. Next, John speaks with journalist, author, and producer Emily Yellin. They talk about her latest book, "Nonviolent — A Memoir of Resistance, Agitation, and Love", which is a collaboration with Civil Rights Movement leader Rev. James Lawson Jr. They worked together for five years to write his story, before he passed away in 2024 at the age of 95. And then, John welcomes back award-winning investigative reporter, writer, producer, veteran, bestselling true crime author, and former correspondent for America's Most Wanted - Brian Karem. They joke about the ever increasing cognitive decline of Trump's withering brain and the overwhelming difficulties of being in the White House press pool.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen to Cofield & Company with Steve Cofield and Jeff Parles Guests include: Adam Kimelman and Steve Kim in the first hour Jesse Merrick and Nick Bogdanovich in the second hour Cameron Salerno and Caleb Herring in the third hour Plus, VGK is making big changes again!See omnystudio.com/listener for privacy information.

In episode 86 of the Sleepers and Keepers fantasy hockey podcast, fantasy experts Jason Chen and Jan Levine along with producer Connor Somerville discuss the impact of the Oilers losing Leon Draisaitl for the rest of the regular season, the impending returns of Mikko Rantanen, Dylan Larkin and Jake Sanderson, and top Blackhawks prospect Anton Frondell's highly anticipated NHL debut. Learn more about your ad choices. Visit megaphone.fm/adchoices

The state of Washington becomes the latest to succumb to government tyranny as politicians pass the first ever state income tax. But don't worry! It's only for the rich and totally won't eventually apply to everyone. They promise.Support The Show:https://peddlingfiction.substack.com/Donations For Sean:In lieu of flowers or gifts, we're asking that you donate to these Fire Departments instead. Send checks or cash or whatever to the below addresses. The Fire Chief for this territory is Ross Elmore (812-582-2628) if you have any questions about making donations.For Petersburg, Petersburg Fire Territory 604 East Main Street Petersburg, IN 47567For Patoka, Patoka Township Fire 104 East Sycamore Street Petersburg, IN 47567Please mark in memo line on checks, “For Donation.”

Vont hosts Name That Tune, Jenny gives us a list of deceitful states, and more!

Vont hosts Name That Tune, Jenny gives us a list of deceitful states, and more!See omnystudio.com/listener for privacy information.

Vont hosts Name That Tune, Jenny gives us a list of deceitful states, and more!

In this episode, Scott Becker examines the latest fallout tied to Jeffrey Epstein.

In this episode, Scott Becker examines the latest fallout tied to Jeffrey Epstein.

It's traitor vs. traitor in the castle. Who will win? Find out on this week's episode!

Learn more about your ad choices. Visit podcastchoices.com/adchoices

(0:00-22:18) What is going on with the Eagle OC job?(22:18-33:25) 155 Million reasons Andrew shouldn't be so down(33:25-42:08) A new OC candidate and it is underwhelming Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.For the latest updates, visit the show page Kincade & Salciunas on 975thefanatic.com. Follow 97.5 The Fanatic on Twitter, Facebook, and Instagram. Watch our shows on YouTube, and subscribe to stay up-to-date with all the best moments from Philly's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ben Maller talks about Mike Tomlin stepping down as head coach of the Pittsburgh Steelers, why he decided to walk away and what made him special, where the Steelers job ranks among open NFL gigs, what we'll miss most about him, and more!See omnystudio.com/listener for privacy information.

Ben Maller talks about the idea that Lamar Jackson played the role of coach killer for John Harbaugh in Baltimore, where Harbaugh should go next, what the Ravens might go for their next head coach, and much more! See omnystudio.com/listener for privacy information.

Tout commence en 1980 lors d'un concert du groupe Queen à Los Angeles. Après le show, un fan absolu insiste pour voir dans leur loge Freddie Mercury et ses amis. Son nom : Michael Jackson. Il a alors 22 ans, il a adoré le show des Britanniques et flashé sur la chanson "Another One Bites the Dust". La star américaine est convaincue que c'est une énorme tube et qu'il faut absolument le sortir en single, le balancer aux radios, ce qui n'est pourtant pas prévu par la maison de disque... Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A few years ago, my wife and I went to see the movie Bohemian Rhapsody. When I was a kid, I remember hearing Another One Bites the Dust and We Are the Champions, but I was by no means a Queen fan. I was surprised, though, how many songs from the movie I knew every word to.But, I have to admit, the most surprising thing to me was that Freddie Mercury was a Persian Indian man who lived in England. When I listened to the songs, there was no Persian accent. No Indian accent. And there was no British accent. It reminded me of a conversation I had with one of my instructors who specialized in accent reduction.She told me that, “Music is the secret weapon for accent reduction. When people sing, everyone sounds like they speak American English with no accent.”English is a musical language. If it were a band, it wouldn't be a quiet little string quartet. It would be a jazz ensemble — bold, abrasive, and filled to the brim with rhythm and melody changes. And to speak American English fluently, you have to master those rhythmic and melodic changes.There are three main components that influence your accent:-- Vowel Sounds (consonant and vowel pronunciation)-- Rhythm (stress patterns between words and syllables)--Intonation (the rise and fall of pitch in a sentence)Music mimics all three of these elements, and trains your ears and mouth at the same time. So, on this episode, I'm going to break each of these three items down and look at how real language learners have used music and speech techniques to achieve clearer communication.By the way, although this episode is focusing on the non-native English speaker, the tips can help anyone who wants to become a better presenter. If you think of great speakers like MLK, one of the reasons why he was so popular was that he spoke with a rhythm.You can do something similar to captivate your audiences as well.Show Notes: Music 101: A Musical Guide to Accent Reduction(https://www.fearlesspresentations.com/music-101-the-key-to-accent-reduction/)

Deacy wrote some absolute bangers for Queen. Another One Bites the Dust, Spread Your Wings, Your My Best Friend. But he also wrote a few more mellow tracks like In Only Seven Days and this week's track, "One Year of Love", which was his only sole-writing credit on A Kind of Magic. His two co-writes with Freddie from the same record, well... we weren't fans. Mainly because they're absolutely terrible! So what will Randy think of Queen heading into sax territory? He does like it when bands get the horn... We also discuss Record Store Day and we dive into a question about who exactly it is who is shaping modern popular music!If Randy were to title this podcast, he'd probably call it “Didn't do it this week Kev” or possibly, “I'm a podcast mould breaker, no regular formats can hold me!!!”...NOTE: Skip forward to 22:32 if wanna get straight into the manifestations and wheel spin.The music at the end of the episode is Hijack the Show, by Absofunkinlutely. Put your guitar on, turn your amp up to ten, and rock out with the Cardinal. If you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialKo-Fi: https://ko-fi.com/seasidepodreviewBoneless Podcasting Network: https://boneless-catalogue-player.lovable.appAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://shows.acast.com/uccAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What's the greatest bassline on record? … what you notice watching the new Beatles' Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what's “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper's Delight … whalebone corsets, butchers' knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder's isolated bass on the Jackson 5's' I Want You Back': https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What's the greatest bassline on record? … what you notice watching the new Beatles' Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what's “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper's Delight … whalebone corsets, butchers' knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder's isolated bass on the Jackson 5's' I Want You Back': https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What's the greatest bassline on record? … what you notice watching the new Beatles' Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what's “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper's Delight … whalebone corsets, butchers' knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder's isolated bass on the Jackson 5's' I Want You Back': https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Send us a textJoin the Bengals Pulse as we discuss another heartbreaking loss to the Patriots. SUBSCRIBE to the Wincinnati YouTube channel: https://rb.gy/yz5l4y FIND & FOLLOW the Wincinnati podcast on your favorite platforms:LISTEN on Buzzsprout: https://rb.gy/4d3xksLISTEN on Apple Podcasts: https://rb.gy/bwwbsiLISTEN on Spotify: https://rb.gy/daasvlLISTEN on Stitcher: https://rb.gy/0rc4rwLISTEN on Google: https://rb.gy/xgvsmpLISTEN on iHeartRadio: https://rb.gy/t03chpLISTEN on Amazon: https://rb.gy/vbumtvFOLLOW Ace & Zim on Twitter, where they'll share the latest news about the Cincinnati Bengals and interact with Bengals fans, and host Twitter spaces.Ace: https://rb.gy/gmx9fnZim:https://rb.gy/pb7nvwWincinnati podcast: https://rb.gy/wegjep

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

A song about Marvin Harrison to the tune of Queen's "Another One Bites the Dust"

This week's mixtape rewind takes us back to 2023 when Matt and Sam put together a mix for the Women's World Cup.The whistle blew, the bracket shifted, and the story changed—so we built a soundtrack that changes with it. Our U‑S‑A chant mix isn't about pretending the loss didn't happen; it's about finding the spark that keeps fans singing and players pushing. We start with Haim's “Up From A Dream,” that hazy snap from comfort to clarity, and bolt into Metric's “Stadium Love,” where the guitars do what three thousand supporters do best: raise the pulse. Christina Aguilera's “Accelerate” adds a gear shift, proof that sometimes a team wins by changing rhythm, not volume.From there, the narrative widens. ABBA's “Under Attack” becomes an uncanny match diary—defense breaking, composure tested—while Rihanna's “SOS” turns pressure into propulsion with an infectious, Tainted Love‑tinted bassline. Lady Gaga's “A‑Yo” brings a confetti‑ready burst for the winners' circle, even as Drake, Santigold, and Lil Wayne lay down “Unstoppable,” a mantra for imperfect excellence and work that shows. Adele's “Set Fire to the Rain” gives the heartbreak an edge, the chip on the shoulder you carry into training, and Queen's “Another One Bites the Dust” delivers the ruthless truth of knockout play with a bassline built for swagger.We close on perspective and poise. Regina Spektor's “Up to the Mountain” models match management—hurry when it's on, slow when it isn't—before Gang Starr's “She Knows What She Wants” salutes the women who set the standard and chase the crown. Heavy Heavy's “All My Dreams” sends us out in a warm, retro glow, reminding us that every champion started as a dreamer. If your team fell short, hit play and regroup; if your team advanced, turn it up and celebrate. Subscribe, share with a fellow fan, and leave a review to help more listeners find their next match‑day anthem.Up From A Dream by HAIMStadium Love by MetricAccelerate (feat. Ty Dolla $ign & 2 Chainz) by Christina AguileraUnder Attack by ABBASOS by RihannaA-YO by Lady GagaUnstoppable (feat. Santigold & Lil Wayne) by DrakeSet Fire to the Rain by AdeleAnother One Bites the Dust by QueenUp The Mountain by Regina SpektorShe Knows What She Wants by Gang StarrAll My Dreams by The Heavy Heavy Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Whiny Bitches, Keek Shit Herself, Let Them Judge and Another One Bites the Dust

Long before he became the U.S. Attorney for the Southern District of New York, Preet Bharara was a first-generation Indian immigrant, listening to Bollywood music in his childhood home outside of Asbury Park, New Jersey. It's no surprise that Bruce Springsteen became one of Preet's heroes – though it was a surprise when ‘The Boss' gave Preet a personal shoutout at a 2012 concert. In this episode, Preet talks about his work fighting Wall Street corruption and organized crime, how his family's American dream unfolded across decades, and his unashamed patriotism in an era when expressing love for America can feel complicated. Plus, Sophie (almost) gets the former prosecutor to sing along to one of their shared seven songs. Here are his songs. Bruce Springsteen, “Thunder Road” Kishore Kumar, Mahendra Kapoor, and Shailendra Singh, “Amar Akbar Anthony” Queen, “Another One Bites the Dust” U2, “I Still Haven't Found What I'm Looking For” Daniel Rodriguez, “God Bless America” Darius Rucker, “Wagon Wheel” Zeshan B, “O Say, Can You See”

Another cop in Michael Proctors orbit was suspended, Sean Goode was suspended and Howie thinks it may have something to do with Proctors text messages.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

After a little maternity leave (and a lot of life), Shana and Kris are finally back! This week, we catch up on new babies, new businesses, and the queer chaos we missed. From honoring Miss Major Griffin-Gracy to Snoop Dogg's unexpected LGBTQ+ pivot, Trump's latest shutdown mess, and why the WNBA deserves better — we're jumping right back in. Plus: new Queer Urban Dictionary terms and some soft stud appreciation to top it off.Shoutouts:Shana: Lesbian Land - A queer media brand created for women and nonbinary people who love women. They tell stories through video, digital series and playful online content - that reflect the joy, awkwardness, flirtation and fullness of sapphic connection. Follow and check out their events @welcometolesbianland on IG Kris: D'Vaughn and Kris Plan a Wedding by Chencia C. Higgins - Two women, one fake wedding, six weeks to fool everyone — and maybe fall in love for real. D'Vaughn and Kris Plan a Wedding by Chencia C. Higgins is a hilarious, heartfelt Black queer rom-com about coming out, showing up, and finding love on reality TV. Follow Chencia on IG: @chenciachiggins Episode Notes:1:26 - Queer Urban Dictionary 5:43- Our last 2 months19:29 - Category is: Rest in Peace Miss Major Griffin-Gracy22:12 - Category is: Politics27:49 - Category is: A Post Ch@rlie Kirk World.34:07 - Category is: Another One Bites the Dust - Netflix's Queer Ultimatum is Cancelled38:10 - Category is: Love is Love ft. Snoop41:52 - Category is: WNBA, NWSL57:30 - Category is: Pop Culture, What We're Watching1:13:32 - Bad Queer Opinions1:19:14 - ShoutoutsShare your Am I A Bad Queer? hereSupport the showPATREON: patreon.com/BadQueersPodcast Subscribe to our Youtubehttps://www.youtube.com/@BadQueersPodcast The opinions expressed during this podcast are conversational in nature and expressed only for comedic purposes. Not all of the facts will be correct but we attempt to be as accurate as possible. BQ Media LLC, the hosts, nor any guest host(s) hold no liability over the conversations on this podcast and by using this podcast you understand that it is solely for entertainment purposes. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, parody, scholarship and research.

喜歡張大春主持的「聽說張大春」嗎？歡迎小額贊助我們，讓我們繼續產出優質節目＞https://open.firstory.me/join/thehearsayzhangdachun 主持人：張大春 來賓：陳亮 統一企業獨立董事 主題：亮哥快樂頌｜Disco Rock 播出曲目： 1. Do Ya Think I'm Sexy? / Rod Stewart 2. Miss You / The Rolling Stones 3. Heart of Glass / Blondie 4. I Was Made for Lovin' You / Kiss 5. Shakedown Street / Grateful Dead 6. Another One Bites the Dust / Queen 7. Gotta Have More Love / Climax Blues Band 8. Let's Dance / David Bowie ----- ▍聽更多：https://flow.page/thehearsay ▍粉絲團：https://www.facebook.com/TheHearSayChannel ▍合作贊助：thehearsaytw@gmail.com Powered by Firstory Hosting

Rev. Clay Wooten

Matt, Jai, and Ian get funky with John Deacon's monster hit “Another One Bites the Dust” from The Game. We talk about that iconic bassline, the track's disco-funk crossover magic, and how it became Queen's biggest U.S. hit. Then we bring it into the Recovering Queen universe with Matt and Ian's cover version and, of course, we score.Don't forget to check out more Recovering Queen at linktr.ee/queenpodcast where you'll find our Scorecard, karaoke videos on YouTube, and much more.Don't forget to check out more Recovering Queen on linktr.ee/queenpodcast where you will find our Scorecard and our Karaoke videos on Youtube and much more

"That is one of the dances I pull out and show people to say I had to do this on national television when I was 13," according to Chloe; so despite what the actual results of this week's competition say; we're in for a real stinker this week!As the second half of "Another One Bites the Dust" gets underway at DanceKidsUSA, Cathy makes a surprise appearance... ok well the moms knew she would be there, but Abby was none the wiser and is immediately displeased. She attempts to put on a good face and ignore Cathy's barbs, but it's begins to dawn on Abby that production may be up to something with Cathy (Nationals are around the corner after all). Offscreen Abby gets her jabs in by talking over Lucas' solo entree, which rightfully riles up Cathy.Meanwhile Nia stuns with her tribute solo to Maya Angelou, which for many fans is often remembered as one of Nia's best. But despite being equally praised by the judges, the same cannot be said of the group routine: The Seven Dancers. Maybe it's the t-shirts, the awkward black belts or the bizarre headpieces... but anyway you look at it, it's a pretty bad dance. Did you like this dance? Because it's been 11 years and we still don't know how this took 1st!Quotes“Kelly, they know we're normal people if they listen to the podcast... I don't think Kelly has pants on right now you guys. I was hot! We're pretty normal, Kelly doesn't have pants on." (08:27-08:41 | Christi & Kelly)“I was just going to say I've been mad before but I've never tried to injure someone, that's not true!" (14:07-14:12 | Christi)“Tracey thought this dance was atrocious. She struggled all week and wondered why she let her daughter do it on TV. This dance is awful. Yeah, try doing that for four seasons!" (40:08-40:20 | Christi & Kelly)“I told you I agreed with that, but you don't say that! You say that to someone behind the scenes later in the privacy of your own home with a glass of wine. Exactly!" (54:10-54:23 | Christi & Kelly)LinksSubscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarreThank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510Follow Christi on IG: www.instagram.com/christilukasiakFollow Kelly on IG: www.instagram.com/kellylhyland Hosted on Acast. See acast.com/privacy for more information.

"We're getting into the end of Christi Lukasiak days on Dance Moms, and I'm feeling a type of way about it." reflects Christi as each week it becomes clearer and clearer the series of events that finally broke the camel's back. And on the first half of "Another One Bites the Dust" Abby is just adding fuel to that fire as she takes aim at Chloe's injury. Of course at this time Christi says they didn't even know what was wrong with Chloe's eye, so instead she offered-up the excuse of a foot injury so Chloe could make her hospital appointments. Abby of course is mad, go figure! If it wasn't bad enough that Abby would eventually make fun of Chloe's eye anyways, Chloe is close to actually injuring her foot as well! It's going to be a rough last couple of weeks for the Lukasiaks that's for certain.But if that wasn't bad enough, Abby decides the girls should get a lighter week before Nationals and assigns a Seven Dwarves themed group number. Aside from the fact they'll only have two days to rehearse the number, every girls is also given a cringe inducing character and outfit that's sure to help! However the bigger question on everyone's mind is who is going to make the cut for nationals? As if to stir the pot further Abby brings in Select Team alternate Kaleigh to join the group routine, leading Sarah R's mom Tracey to question if they're being edged out.Quotes“You showed your nipples on social media for your daughter! Just so she didn't! I went to jail for you AND I showed my nipples. Oh my god this is a nipple heavy episode." (08:24-08:40 | Christi & Kelly)“I need you to go back to just being Kelly in the dumpster. Wouldn't that be nice? I want to go back to that to." (17:50-17:56 | Christi & Kelly)“I need somebody with a degree to tell us what all of our mental health issues are." (22:16-22:24 | Christi)“I would say I'd be 'Honest'. Ok, that's not a dwarf name! You have to have a stupid name to be a dwarf." (41:46-41:52 | Christi & Kelly)LinksSubscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarreThank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510Follow Christi on IG: www.instagram.com/christilukasiakFollow Kelly on IG: www.instagram.com/kellylhyland Hosted on Acast. See acast.com/privacy for more information.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Another One Bites the Dust by Queen (1980)Song 1: Dust Bowl Blues by Woody Guthrie (1940)Song 2: Lonely Boy by Andrew Gold (1976)Song 3: The Lady in My Life by Michael Jackson (1982)Song 4: Leroy's Dustbowl Blues by Steve Earle & The Del McCoury Band (1999)Song 5: Hearts on Fire by John Cafferty & the Beaver Brown Band (1985)Song 6: Boss's Life by Snoop Dogg (feat. Nate Dogg) (2006)Song 7: Dust in a Baggie by Billy Strings (2016)Song 8: Indigo by NXCRE & the Villains (2023)Song 9: Been Around the World by Puff Daddy & the Family (1997)Song 10: I Only Want to Be With You by Dusty Springfield (1963)

Jamie and Sam reunite for a classic Party Girls news ep in which they discuss pressing items including the accidental(?) killing of Blackstone CEO Wesley LePatner and the Trump administration's simultaneous beefing up of ICE and admission that they can't actually deport a million people. Also: Ghislaine Maxwell death watch; St. Francis of Assisi reincarnated as Florida baddie. SIGN UP NOW at https://patreon.com/partygirls to get all of our bonus content, Discord access, and a shout out on the pod! Follow us on ALL the Socials: Instagram: @party.girls.pod TikTok: @party.girls.pod Twitter: @partygirlspod BlueSky: @partygirls.bsky.social

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with WWE's Summer Slam happening this weekend, we are once again featuring popular songs used as wrestler's entrance music. On today's episode, Steve Riddle is watching, “Another One Bites The Dust” by Queen (“Junkyard Dog's theme) from 1980.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=rY0WxgSXdEE

Today's word of the day is ‘queen' as in Another One Bites the Dust as in another season bites the dust as in the Steelers as in Mike Tomlin. Another season of Mike Tomlin being .500 or better and being immediately booted from the playoffs. The Ravens ran all over the Steelers. Is it time to move on? (8:55) Mike Vrabel is back with the Patriots. Another former Patriot to be the Patriot Way. (16:00) What else happened in the playoffs this weekend? The Packers stunk. The Chargers stunk. Josh Allen looked great. (30:00) Review: Shrinking Season 2. (32:45) We've got an MLB ban! The two Yankees fans who grabbed Mookie Betts in the World Series have been banned from all MLB stadiums and events. (44:35) NPPOD. (49:00) Wait to see updates Learn more about your ad choices. Visit podcastchoices.com/adchoices