Podcasts about another one bites

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

A song about Marvin Harrison to the tune of Queen's "Another One Bites the Dust"

This week's mixtape rewind takes us back to 2023 when Matt and Sam put together a mix for the Women's World Cup.The whistle blew, the bracket shifted, and the story changed—so we built a soundtrack that changes with it. Our U‑S‑A chant mix isn't about pretending the loss didn't happen; it's about finding the spark that keeps fans singing and players pushing. We start with Haim's “Up From A Dream,” that hazy snap from comfort to clarity, and bolt into Metric's “Stadium Love,” where the guitars do what three thousand supporters do best: raise the pulse. Christina Aguilera's “Accelerate” adds a gear shift, proof that sometimes a team wins by changing rhythm, not volume.From there, the narrative widens. ABBA's “Under Attack” becomes an uncanny match diary—defense breaking, composure tested—while Rihanna's “SOS” turns pressure into propulsion with an infectious, Tainted Love‑tinted bassline. Lady Gaga's “A‑Yo” brings a confetti‑ready burst for the winners' circle, even as Drake, Santigold, and Lil Wayne lay down “Unstoppable,” a mantra for imperfect excellence and work that shows. Adele's “Set Fire to the Rain” gives the heartbreak an edge, the chip on the shoulder you carry into training, and Queen's “Another One Bites the Dust” delivers the ruthless truth of knockout play with a bassline built for swagger.We close on perspective and poise. Regina Spektor's “Up to the Mountain” models match management—hurry when it's on, slow when it isn't—before Gang Starr's “She Knows What She Wants” salutes the women who set the standard and chase the crown. Heavy Heavy's “All My Dreams” sends us out in a warm, retro glow, reminding us that every champion started as a dreamer. If your team fell short, hit play and regroup; if your team advanced, turn it up and celebrate. Subscribe, share with a fellow fan, and leave a review to help more listeners find their next match‑day anthem.Up From A Dream by HAIMStadium Love by MetricAccelerate (feat. Ty Dolla $ign & 2 Chainz) by Christina AguileraUnder Attack by ABBASOS by RihannaA-YO by Lady GagaUnstoppable (feat. Santigold & Lil Wayne) by DrakeSet Fire to the Rain by AdeleAnother One Bites the Dust by QueenUp The Mountain by Regina SpektorShe Knows What She Wants by Gang StarrAll My Dreams by The Heavy Heavy Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Whiny Bitches, Keek Shit Herself, Let Them Judge and Another One Bites the Dust

Long before he became the U.S. Attorney for the Southern District of New York, Preet Bharara was a first-generation Indian immigrant, listening to Bollywood music in his childhood home outside of Asbury Park, New Jersey. It's no surprise that Bruce Springsteen became one of Preet's heroes – though it was a surprise when ‘The Boss' gave Preet a personal shoutout at a 2012 concert. In this episode, Preet talks about his work fighting Wall Street corruption and organized crime, how his family's American dream unfolded across decades, and his unashamed patriotism in an era when expressing love for America can feel complicated. Plus, Sophie (almost) gets the former prosecutor to sing along to one of their shared seven songs. Here are his songs. Bruce Springsteen, “Thunder Road” Kishore Kumar, Mahendra Kapoor, and Shailendra Singh, “Amar Akbar Anthony” Queen, “Another One Bites the Dust” U2, “I Still Haven't Found What I'm Looking For” Daniel Rodriguez, “God Bless America” Darius Rucker, “Wagon Wheel” Zeshan B, “O Say, Can You See”

Another cop in Michael Proctors orbit was suspended, Sean Goode was suspended and Howie thinks it may have something to do with Proctors text messages.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

After a little maternity leave (and a lot of life), Shana and Kris are finally back! This week, we catch up on new babies, new businesses, and the queer chaos we missed. From honoring Miss Major Griffin-Gracy to Snoop Dogg's unexpected LGBTQ+ pivot, Trump's latest shutdown mess, and why the WNBA deserves better — we're jumping right back in. Plus: new Queer Urban Dictionary terms and some soft stud appreciation to top it off.Shoutouts:Shana: Lesbian Land - A queer media brand created for women and nonbinary people who love women. They tell stories through video, digital series and playful online content - that reflect the joy, awkwardness, flirtation and fullness of sapphic connection. Follow and check out their events @welcometolesbianland on IG Kris: D'Vaughn and Kris Plan a Wedding by Chencia C. Higgins - Two women, one fake wedding, six weeks to fool everyone — and maybe fall in love for real. D'Vaughn and Kris Plan a Wedding by Chencia C. Higgins is a hilarious, heartfelt Black queer rom-com about coming out, showing up, and finding love on reality TV. Follow Chencia on IG: @chenciachiggins Episode Notes:1:26 - Queer Urban Dictionary 5:43- Our last 2 months19:29 - Category is: Rest in Peace Miss Major Griffin-Gracy22:12 - Category is: Politics27:49 - Category is: A Post Ch@rlie Kirk World.34:07 - Category is: Another One Bites the Dust - Netflix's Queer Ultimatum is Cancelled38:10 - Category is: Love is Love ft. Snoop41:52 - Category is: WNBA, NWSL57:30 - Category is: Pop Culture, What We're Watching1:13:32 - Bad Queer Opinions1:19:14 - ShoutoutsShare your Am I A Bad Queer? hereSupport the showPATREON: patreon.com/BadQueersPodcast Subscribe to our Youtubehttps://www.youtube.com/@BadQueersPodcast The opinions expressed during this podcast are conversational in nature and expressed only for comedic purposes. Not all of the facts will be correct but we attempt to be as accurate as possible. BQ Media LLC, the hosts, nor any guest host(s) hold no liability over the conversations on this podcast and by using this podcast you understand that it is solely for entertainment purposes. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, parody, scholarship and research.

喜歡張大春主持的「聽說張大春」嗎？歡迎小額贊助我們，讓我們繼續產出優質節目＞https://open.firstory.me/join/thehearsayzhangdachun 主持人：張大春 來賓：陳亮 統一企業獨立董事 主題：亮哥快樂頌｜Disco Rock 播出曲目： 1. Do Ya Think I'm Sexy? / Rod Stewart 2. Miss You / The Rolling Stones 3. Heart of Glass / Blondie 4. I Was Made for Lovin' You / Kiss 5. Shakedown Street / Grateful Dead 6. Another One Bites the Dust / Queen 7. Gotta Have More Love / Climax Blues Band 8. Let's Dance / David Bowie ----- ▍聽更多：https://flow.page/thehearsay ▍粉絲團：https://www.facebook.com/TheHearSayChannel ▍合作贊助：thehearsaytw@gmail.com Powered by Firstory Hosting

En este episodio de El Recuento Musical nos sumergimos en la historia de “Another One Bites the Dust”, el tema compuesto por John Deacon que marcó un antes y un después en Queen. Descubrirás cómo un simple riff de bajo se transformó en el mayor éxito comercial de la banda, cómo Michael Jackson tuvo un papel decisivo para que se publicara como single y las curiosidades que rodean a esta canción: desde su relación con Rocky III hasta su uso en formaciones de reanimación cardiopulmonar. Qué escucharás en este episodio: El origen y evolución del tema, desde su primera versión inspirada en cowboys. El consejo de Michael Jackson que cambió la historia del single. El éxito mundial y los récords que batió. Influencias, polémicas y rumores de mensajes ocultos. Curiosidades sorprendentes: de Rocky a la RCP. Una canción que Queen no veía como single, pero que Michael Jackson reconoció al instante como un hit mundial. Conoce los temas que suenan visitando nuestra web: https://elrecuentomusical.com/another-one-bites-the-dust-jackson-queen

Rev. Clay Wooten

Another awesome week of football and the boys are here to break it all down and make their picks for the next one! Thanks for tuning in for another season and hit us up on social - @hustalking

Thème: la fatigue de l'engagement (et aussi: être punk!) Enregistré devant public le 16 août 2025 au café-bar L'Abstracto de Rouyn-Noranda Au programme Ge, tu, elles : Chier en pleine conscience 
 Rayon X : Qu'on se lève! 
De la ben belle visite : Marie-Ève Roy et Guillaume Beauregard de Vulgaires Machins 
Trancher : Qu'est-ce qui est le plus punk? 
 Le plus jeune commence : Ode à la basse 
Quand pensez-vous : La fatigue de l'engagement et la diversité des tactiques 
 Performance live : Alex Pic offre une surprise à Vulgaires Machins 
 Le moment anti-radio : Qui dit punk, dit tattoo 
 Correspondance : De: Paul-Antoine À: Rouyn-Noranda
 Cochonneries : Un costco en région? Crédits Animation : Francis Murphy, Geneviève Béland et Paul-Antoine Martel 
 Réalisation : Francis Murphy 
 Narration : Yolette Lévy 
Image sonore : Bernard Boulanger et Le Carabine 
Technique : Valentin Foch, Benoit St-Pierre et François Lachappelle 
 Régie et logistique : Stéphanie Poitras Extraits musicaux entendus Léo, Alex Pic C'est une belle journée je crois © 2024 117 Records Valse frustrée, Lou-Adriane Cassidy 
 Triste animal © 2025 Lou-Adriane Cassidy (sous licence exclusive Bravo musique) Qu'on se lève, Jonathan Painchaud Qu'on se lève © 2007 Jonathan Painchaud Asile, Vulgaires Machins 
 Disruption © 2022 Indica Records Golden Bay, Marie-Ève Roy 
 Bleu Nelson © 2016 Marie-Ève Roy Pogné fichu coincé foutu, Réal V. Benoit 
 MC Gilles : les grands classiques © 2010 Réal V. Benoit Je rêve à l'envers (feat. Marie-Ève Roy), Bad Bad Bird 
Si brutal © 2025 Bad Bad Bird Compter les corps, Vulgaires Machins 
 Compter les corps © 2006 Vulgaires Machins De pluie et de cendres, Guillaume Beauregard 
 D'étoiles, de pluie et de cendres © 2014 Guillaume Beauregard Toujours les vacances, Les Trois Accords & Cœur de pirate 
 Toujours les vacances – Single © 2025 Les Trois Accords / Cœur de pirate Another One Bites the Dust, Queen Greatest Hits © 1981 Queen La ballade des égoïstes, Vulgaires Machins 
Vingt-quatre quarante © 1998 Vulgaires Machins The Frog Song, Robert Charlebois 
 50 ans – 50 chansons © 2013 Robert Charlebois Juste une p'tite nuite, Les Colocs 
 Les Colocs © 1993 Les Colocs Détruire, Marmottes Applaties 
 Épisode sanglant © 1999 Marmottes Applaties Oxygène, Diane Dufresne 
 Les grands succès © 1982 Diane Dufresne Bamboula, Les Trois Accords J'aime ta grand-mère © 2012 Les Trois Accords Pourquoi, Marie-Pierre Arthur 
 Marie-Pierre Arthur © 2009 Simone Records Le privé, Michel Rivard 
Un trou dans les nuages © 1987 Michel Rivard L'homme 7:00 Up, Les Respectables 
 $=Bonheur © 1999 Les Respectables

La France continue d'animer les marchés, façon théâtre de boulevard. Le Parlement n'a pas accordé sa confiance au gouvernement. Emmanuel Macron va devoir remplacer François Bayrou, dont le coup de poker s'est transformé en désastre politique. Les marchés financiers n'en ont pas grand-chose à faire pour l'instant. Wall Street moins que les autres, puisque les indices y battent régulièrement des records.

Matt, Jai, and Ian get funky with John Deacon's monster hit “Another One Bites the Dust” from The Game. We talk about that iconic bassline, the track's disco-funk crossover magic, and how it became Queen's biggest U.S. hit. Then we bring it into the Recovering Queen universe with Matt and Ian's cover version and, of course, we score.Don't forget to check out more Recovering Queen at linktr.ee/queenpodcast where you'll find our Scorecard, karaoke videos on YouTube, and much more.Don't forget to check out more Recovering Queen on linktr.ee/queenpodcast where you will find our Scorecard and our Karaoke videos on Youtube and much more

"That is one of the dances I pull out and show people to say I had to do this on national television when I was 13," according to Chloe; so despite what the actual results of this week's competition say; we're in for a real stinker this week!As the second half of "Another One Bites the Dust" gets underway at DanceKidsUSA, Cathy makes a surprise appearance... ok well the moms knew she would be there, but Abby was none the wiser and is immediately displeased. She attempts to put on a good face and ignore Cathy's barbs, but it's begins to dawn on Abby that production may be up to something with Cathy (Nationals are around the corner after all). Offscreen Abby gets her jabs in by talking over Lucas' solo entree, which rightfully riles up Cathy.Meanwhile Nia stuns with her tribute solo to Maya Angelou, which for many fans is often remembered as one of Nia's best. But despite being equally praised by the judges, the same cannot be said of the group routine: The Seven Dancers. Maybe it's the t-shirts, the awkward black belts or the bizarre headpieces... but anyway you look at it, it's a pretty bad dance. Did you like this dance? Because it's been 11 years and we still don't know how this took 1st!Quotes“Kelly, they know we're normal people if they listen to the podcast... I don't think Kelly has pants on right now you guys. I was hot! We're pretty normal, Kelly doesn't have pants on." (08:27-08:41 | Christi & Kelly)“I was just going to say I've been mad before but I've never tried to injure someone, that's not true!" (14:07-14:12 | Christi)“Tracey thought this dance was atrocious. She struggled all week and wondered why she let her daughter do it on TV. This dance is awful. Yeah, try doing that for four seasons!" (40:08-40:20 | Christi & Kelly)“I told you I agreed with that, but you don't say that! You say that to someone behind the scenes later in the privacy of your own home with a glass of wine. Exactly!" (54:10-54:23 | Christi & Kelly)LinksSubscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarreThank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510Follow Christi on IG: www.instagram.com/christilukasiakFollow Kelly on IG: www.instagram.com/kellylhyland Hosted on Acast. See acast.com/privacy for more information.

Was für ein epochales Vermächtnis Queen hinterlassen haben: 15 Studio-Alben, 10 Live-Alben und 3 Greatest-Hits-Compilations, wo wirklich jeder Hit ein Hit ist. Und wie unterschiedlich diese Hits sind. Die epische Rock-Eskapade „Bohemian Rhapsody“, der perfekter Pop von „A Kind of Magic“, die Stadio-Hymne „We Are the Champions“, Rockabilly like „Crazy Little Thing Called Love“, der Funk in „Another One Bites the Dust“, das Cabaret in „Killer Queen“, der Party-Hit „Don't Stop Me Now“, der perfekte Riff-Rock „Hammer to Fall“ oder ein Requiem wie „The Show Must Go On“. All dies, weil bei Queen vier geniale Musiker – Instrumentalisten, Songschreiber und Arrangeure – am Werk waren, die unterschiedliche Interessen hatten und die Toleranz, die Interessen der anderen zu akzeptieren und in vielen Fällen sogar zu fördern. Und Queen hatten den für viele besten Frontmann aller Zeiten. Freddie Mercury war ein flamboyanter Dandy und sensibler Charakter, ein emotionaler Macho und Held der queeren Szene, ein extrovertierter Opern-Sänger und Rock'n'Roller in schwarzem Leder Outift – und er hatte diese unvergleichliche, kraftvolle und warme Stimme. Man könnte eine ganze Podcast-Reihe über einzelne Alben dieser Band machen, Musik-Journo Kollege Jochen Schliemann und Stereo.Typ Marc Mühlenbrock versuchen das sheer Unmögliche: die Karriere der Band in nur einer Episode, #109Queen, zusammenzufassen. Es geht nicht um Vollständigkeit, sondern um große Momente, Stimmungen und persönliche Erinnerungen – zu denen sich auch Brian May und Roger Taylor äußern.

"We're getting into the end of Christi Lukasiak days on Dance Moms, and I'm feeling a type of way about it." reflects Christi as each week it becomes clearer and clearer the series of events that finally broke the camel's back. And on the first half of "Another One Bites the Dust" Abby is just adding fuel to that fire as she takes aim at Chloe's injury. Of course at this time Christi says they didn't even know what was wrong with Chloe's eye, so instead she offered-up the excuse of a foot injury so Chloe could make her hospital appointments. Abby of course is mad, go figure! If it wasn't bad enough that Abby would eventually make fun of Chloe's eye anyways, Chloe is close to actually injuring her foot as well! It's going to be a rough last couple of weeks for the Lukasiaks that's for certain.But if that wasn't bad enough, Abby decides the girls should get a lighter week before Nationals and assigns a Seven Dwarves themed group number. Aside from the fact they'll only have two days to rehearse the number, every girls is also given a cringe inducing character and outfit that's sure to help! However the bigger question on everyone's mind is who is going to make the cut for nationals? As if to stir the pot further Abby brings in Select Team alternate Kaleigh to join the group routine, leading Sarah R's mom Tracey to question if they're being edged out.Quotes“You showed your nipples on social media for your daughter! Just so she didn't! I went to jail for you AND I showed my nipples. Oh my god this is a nipple heavy episode." (08:24-08:40 | Christi & Kelly)“I need you to go back to just being Kelly in the dumpster. Wouldn't that be nice? I want to go back to that to." (17:50-17:56 | Christi & Kelly)“I need somebody with a degree to tell us what all of our mental health issues are." (22:16-22:24 | Christi)“I would say I'd be 'Honest'. Ok, that's not a dwarf name! You have to have a stupid name to be a dwarf." (41:46-41:52 | Christi & Kelly)LinksSubscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarreThank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510Follow Christi on IG: www.instagram.com/christilukasiakFollow Kelly on IG: www.instagram.com/kellylhyland Hosted on Acast. See acast.com/privacy for more information.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Another One Bites the Dust by Queen (1980)Song 1: Dust Bowl Blues by Woody Guthrie (1940)Song 2: Lonely Boy by Andrew Gold (1976)Song 3: The Lady in My Life by Michael Jackson (1982)Song 4: Leroy's Dustbowl Blues by Steve Earle & The Del McCoury Band (1999)Song 5: Hearts on Fire by John Cafferty & the Beaver Brown Band (1985)Song 6: Boss's Life by Snoop Dogg (feat. Nate Dogg) (2006)Song 7: Dust in a Baggie by Billy Strings (2016)Song 8: Indigo by NXCRE & the Villains (2023)Song 9: Been Around the World by Puff Daddy & the Family (1997)Song 10: I Only Want to Be With You by Dusty Springfield (1963)

Jamie and Sam reunite for a classic Party Girls news ep in which they discuss pressing items including the accidental(?) killing of Blackstone CEO Wesley LePatner and the Trump administration's simultaneous beefing up of ICE and admission that they can't actually deport a million people. Also: Ghislaine Maxwell death watch; St. Francis of Assisi reincarnated as Florida baddie. SIGN UP NOW at https://patreon.com/partygirls to get all of our bonus content, Discord access, and a shout out on the pod! Follow us on ALL the Socials: Instagram: @party.girls.pod TikTok: @party.girls.pod Twitter: @partygirlspod BlueSky: @partygirls.bsky.social

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with WWE's Summer Slam happening this weekend, we are once again featuring popular songs used as wrestler's entrance music. On today's episode, Steve Riddle is watching, “Another One Bites The Dust” by Queen (“Junkyard Dog's theme) from 1980.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=rY0WxgSXdEE

Guest: Dan Fumano, City Columnist for Vancouver Sun and The Province Learn more about your ad choices. Visit megaphone.fm/adchoices

BONUS DROP! Father's Day may be over, but we're not done celebrating our dad — and what better way to honor him than by reading his legendary Yelp reviews out loud? Jack S. has written over 200 passionate, misspelled, and wildly entertaining reviews of just about every place he visits. Whether he's coining phrases like OTFC (Off The Freakin' Charts) or signing off with “another one bites the dust,” his commentary is pure gold. It's pure entertainment, and it's a little glimpse into the man who raised us — one review at a time.Jack S on YELP 

Hey Geeks, this is a bit late ... only nearly a month. HAHAHAaaahh. Anyway, this episode we talk about EA closed another studio. We give our opinion on Elden Ring Nightreign. Randy Pitchford apologized? If you want to call it that. We give our thoughts on the possibility of $80 games that simply won't ever be worth that kind of money. Meanwhile the industry turned on Studio 33 and instead of giving them a pat on the back they decided to point the finger of blame. And a former BioWare dev decided to share a little bit about how the industry apparently sees their gamers as well as his own thoughts on those of us who are critical about the industry as it is now. Finally we also talk about some anime we've been watching and give our recommendations.

Hi friends. We are back with the conclusion of Justin's story.

Few rock bands have had a greater global impact than Queen. The British act, whose core line-up included Brian May, Roger Taylor, John Deacon, and absolutely iconic frontman Freddie Mercury – emerged from scrappy prog-rock band in the early 1970s, to pop-rock superstars in the late 70s, to arena-rock gods in the 1980s, selling out shows on almost every continent. Queen's Greatest Hits album from 1981 remains the best-selling album in United Kingdom history, and as of late 2024, has spent more than 600 weeks on the United States Billboard 200. Queen's set at 1985's Live Aid concert at Wembley Stadium is regarded as one of the greatest rock performances of all time. While Queen's golden age ended with the tragic death of Mercury in 1990, its legacy lives on more than 30 years later, and if there is any justice, will never diminish. So join us as the Great Pop Culture Debate attempts to name the Best Queen Single of all time. Songs discussed: “Bohemian Rhapsody,” “Another One Bites the Dust,” “Don't Stop Me Now,” “Under Pressure,” “Radio Ga Ga,” “We Are the Champions,” “Crazy Little Thing Called Love,” “Somebody to Love,” “Killer Queen,” “Fat-Bottomed Girls,” “I Want to Break Free,” “Bicycle Race,” “You're My Best Friend,” “I Want It All,” “Flash,” “The Show Must Go On.” Join host Eric Rezsnyak, GPCD panelists Derek Mekita and Zack Derby, and special guest John Higgins, archivist and legacy consultant for Sir Elton John, as they discuss and debate 16 of the most revered songs by iconic rock band, Queen. Want to play along at home? Download the Listener Bracket and see if your picks match up with ours! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Higgins, Zack Derby Guest Panelist: John Higgins Producer: Curtis Creekmore Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #queen #queenband #music #rock #rockmusic #1970s #1980s #70srock #80srock #liveaid #freddiemercury #bohemianrhapsody #flashgordon #rockband #podcast #musicpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Well well well, we spun a big 'un Marjorie! Better get the fishin' net there and get ready for some flippin' and a floppin'! We's eatin whale tonight! It's been a fucking long week, lay off me. One more day of meetings and then I can get back to the business of casting pods! For now though, sit back, pour yourself a sherry, slip in your monocle, and give Jeeves the night off, because we're talkin' Queen!If Kev were to title this episode, he'd probably call it “Are you happy, are you satisfied?” or possibly “If not, this is genuinely the best we can do”.The song at the end of the show is the brilliant "Falling Out of Love" by the Cardinal of disco, Mr. Randy -Absofunkinlutely- Woods! It's a stormer and you can find it here: https://youtu.be/04rguueI8-sIf you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialKo-Fi: https://ko-fi.com/seasidepodreviewAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://shows.acast.com/uccAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Chas & Dr Dave discuss Dave Of The Century, A Five Alarm Fire, Humphrey's Executor Wine 0:00 - Introducing: Dr Dave (and ABC set) 4:25 - Grateful (Crusades Through Arab Eyes, Luttig) 8:56 - Trivia #1 10:46 - Punishing Harvard 49:47 - Stats Nugget (Crime) 56:20 - Trivia #2 57:56 - Tariffs (EU and Apple) 1:23:54 - Crypto Dinner 1:36:10 - Big Beautiful Bill 1:57:43 - Trivia #3 1:59:22- South Africans in the White House 2:15:35 - Stats Nugget (China Emissions) 2:18:00 - Trivia #4 2:19:20 - Supreme Court - NLRB Sackings 2:36:07 - Trivia #5 2:37:22 - Unleashed (Trump Pardons. Farewell Elon) HOMEWORK: * J. Michael Luttig's Catalogue of Lawlessness: https://bitly.cx/mvfhD SHOW LINKS: *Chat with the PEPpers on the Discord Server: https://discord.com/invite/WxDD2PPvaW Thank you for you attention to this matter! Hosted on Acast. See acast.com/privacy for more information.

Lynn’s wedding is this weekend—and her DJ just got replaced… with Trevor, who just downloaded DJ software yesterday. From awkward playlists to trained raccoons, this phone prank spirals out of control fast. Can you imagine hearing “Gold Digger” followed by “Another One Bites the Dust” at your wedding? Yeah, neither could Lynn. Turns out, it’s all a joke set up by her fiancé, and the chaos is pure gold.

Sav shares how "Melanoma May" has been treating her and reminds everyone to do regular skin checks. Llary shares her experience going to the Cowboy Carter concert. (And obsesses a little over Blue Ivy.) Sav talks about her trip to Texas to visit Hot Dad, and Llary talks about some of the recent disappointments in her dating life.

Lynn’s wedding is this weekend—and her DJ just got replaced… with Trevor, who just downloaded DJ software yesterday. From awkward playlists to trained raccoons, this phone prank spirals out of control fast. Can you imagine hearing “Gold Digger” followed by “Another One Bites the Dust” at your wedding? Yeah, neither could Lynn. Turns out, it’s all a joke set up by her fiancé, and the chaos is pure gold.

Hi friends. We are back this week with a brand new guest who is sharing his story of growing up as an Apostolic Pentecostal.

Amanda and Eli talk about getting swole and cry about Nia. https://linktr.ee/Thepyramidpod

Add Bahama Breeze to the list of recent businesses packing up their bags and calling it quits in the Bluff City. Malco Summer Drive-In, Houston's, and Cheesecake Factory are among notable ones, who do you think is next?Also on the show, Walmart warns that their prices may increase due to the President's high tariffs. Didn't Walmart use Mike Rowe's voice to pledge to buy & sell American 11 years ago? We also check in with syndicated columnist Ron Hart to discuss the latest political headlines. See omnystudio.com/listener for privacy information.

Steve and Cat discuss the disappearance of Chain Restaurants to the American dining scene. Is your favorite next? Actress and style icon Isabella Rossellini is our One Awesome Lady. HBO's "The Righteous Gemstones" is our What Cat Watchin, and it reflection of Southern culture. The naughty Ankles in the Air is our shot of the week. Band of the Week is Britain's Tmeples.

On episode 120, the Yadda Yadda discusses the big news in the Hip-Hop media world, and that's the news of No Jumper going broke, and what that means for it's legacy and the media landscape. We also discussed:-Fans backlash towards Young Thug-Gunna putting pressure on Thugger?-Drake dropped "Nokia" video-is iShowSpeed at Beyonce levels of fame?And more! Tap in for some Yadda Yadda from your favorite podcast!

Early in my research career, I was fascinated by the (then) frontier area of palliative care in the emergency department.  I asked emergency medicine clinicians what they thought when a patient who is seriously ill and DNR comes to the ED, and some responded, (paraphrasing), what are they doing here? This is not why I went into emergency medicine. I went into emergency medicine to act. I can't do the primary thing I've been trained to do: ABC, ABC, ABCs.  Most emergency providers wanted to do the right thing for seriously ill patients, but they didn't have the knowledge, skills, or experience to do it. Today we focus on an intervention, published in JAMA, that gave emergency clinicians basic palliative care knowledge, training, and skills.  We talk with Corita Grudzen and Fernanda Bellolio about their cluster stepped wedge randomized trial of a palliative care intervention directed at emergency clinicians.  They got training in Vital Talk and ELNEC.  They got a decision support tool that identified hospice patients or those who might benefit from a goals of care discussion.  They got feedback. So did it matter?  Hmmm….it depends.  We are fortunate to have Tammie Quest, emergency and palliative trained and long a leader in this space, to help us unpack and contextualize these findings. Today we discuss: Why the study was negative for the primary (hospitalization) and all secondary outcome (e.g. hospice use). Why to emergency clinicians, this study was a wild success because they had the skills they wanted/needed to feel like they could do the right thing (during the onset of Covid no less). Why this study was a success due to the sheer size (nearly 100,000 patients in about 30 EDs) of the study, and the fact that, as far as the investigators know, all study sites continue to employ the clinical decision support tool. What is a cluster stepped wedge randomized trial?  Were they surprised by the negative findings? How do we situate this study in the context of other negative primary palliative care interventions, outside the ED?  E.g. Yael Shenker's negative study of primary palliative care for cancer, Randy Curtis's negative study of a Vital Talk-ish intervention, Lieve Van den Block's negative study of primary PC in nursing homes. Why do so many (most, all??) primary palliative care interventions seem to fail, whereas specialized palliative care interventions have a relatively robust track record of success. Should we give up on primary palliative care?  What's next for primary palliative care interventions in the ED? And if your Basic Life Support training certification is due, you can practice the correct chest compression rate of 110 beats per minute to Another One Bites the Dust. -Alex Smith

On this episode of Community News we contemplate camping, get ready for karaoke and lament the closing of another storefront.

See omnystudio.com/listener for privacy information.

After the confirmation that Yuki Tsunoda will be replacing Liam Lawson from Japan, we look into what that means for both drivers and Red Bull on the whole. Join our Patreon for exclusive content and access to the Discord Back of the Grid on Patreon Enter the prediction league on our site; BackofTheGrid.com Join our F1 Fantasy League now! Join our F1 fantasy league on Grid Rival F1 today! Join our IndyCar fantasy league on Grid Rival IndyCar today! Follow us on X or Facebook for the latest news; X | Facebook Back of the Grid is a Formula 1 podcast hosted by 3 passionate F1 fans. Tom , Chris & Stu discuss the weekly goings on of the sport, review and preview races and offer their thoughts up on all the talking points. New episodes released each Tuesday during the season! F1 | Formula 1 | F12025 | 2025 | Mercedes | Lewis Hamilton | McLaren | Charles Leclerc | Ferrari | Alfa Romeo | Red Bull | Max Verstappen | Honda | Renault | Motorsport | Alexander Albon | Carlos Sainz | Lando Norris | Williams | George Russell | Alpha Tauri | Pierre Gasly | Yuki Tsunoda | Aston Martin | Alpine | Fernando Alonso | Haas | Nico Hulkenberg | Oscar Piastri | Liam Lawson | Jack Doohan | Esteban Ocon | Oliver Bearman | Gabriel Bortoleto | Kimi Antonelli | Isack Hadjar | Japan | Japanese GP | Suzuka

This week we look at Greenland's election;  Ukraine Ceasefire;  Canada's new Prime Minister;  Cancelling elections in Rumania - Vanis Varoufakis; Nicola Sturgeon leaving; Is Samoa Sinking? Vegan Friendly Films;  Amazonian Hypocrisy; Dolly Parton's husband dies; Dick McTaggart; Country of the Week - Syria; Hamas 'migrant' in the UK; Can a Black Woman play Jesus?  Woke RAF runs out of pilots; Canberra Church buildings; Christian inmate attacks death penalty before being executed; Street Preacher acquitted in UK; Feedback - including Donald Macleod on Gender; the Last Word - Pauls Conversion; with music from Elton John, the Who, Queen, Dolly Parton, Survivor, the Gene Band, Kenny Loggins, and Syrian Orthodox singers. 

We're all back this time to mourn yet another fallen comrade, Oakwood Theme Park in the UK. What type of trend are we seeing worldwide this year? The boys discuss that, Marc's feelings on Ka, Eejanaika's tragedy, Carowinds doing even more adults stuff and much more in this episode.

Alleged Misuse of $2B Funds Linked to Abrams' Group: $2 billion in taxpayer funds were allocated to a nonprofit group linked to Stacey Abrams, named Power Forward Communities. This group, reported to have only $100 in initial revenue, received the funds from the EPA under the Biden administration. Several public figures have called for investigations into this matter, citing potential misuse of federal funds.▶Sign up to our Free Newsletter, so you never miss out: https://bio.site/professornez▶Original, Made in the USA Neznation Patriot Merch: https://professornez.myspreadshop.com/all

Ben Maller talks about Victor Wembanyama getting ruled out for the rest of the season with a blood clot and if we are getting the whole story there, if the Lakers had other motives in voiding the Mark Williams trade, Maller to the Third Degree, and more!See omnystudio.com/listener for privacy information.

Twitter: @whosedice Email: whosedicearetheseanyway@gmail.com

Today's word of the day is ‘queen' as in Another One Bites the Dust as in another season bites the dust as in the Steelers as in Mike Tomlin. Another season of Mike Tomlin being .500 or better and being immediately booted from the playoffs. The Ravens ran all over the Steelers. Is it time to move on? (8:55) Mike Vrabel is back with the Patriots. Another former Patriot to be the Patriot Way. (16:00) What else happened in the playoffs this weekend? The Packers stunk. The Chargers stunk. Josh Allen looked great. (30:00) Review: Shrinking Season 2. (32:45) We've got an MLB ban! The two Yankees fans who grabbed Mookie Betts in the World Series have been banned from all MLB stadiums and events. (44:35) NPPOD. (49:00) Wait to see updates Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's word of the day is ‘queen' as in Another One Bites the Dust as in another season bites the dust as in the Steelers as in Mike Tomlin. Another season of Mike Tomlin being .500 or better and being immediately booted from the playoffs. The Ravens ran all over the Steelers. Is it time to move on? (8:55) Mike Vrabel is back with the Patriots. Another former Patriot to be the Patriot Way. (16:00) What else happened in the playoffs this weekend? The Packers stunk. The Chargers stunk. Josh Allen looked great. (30:00) Review: Shrinking Season 2. (32:45) We've got an MLB ban! The two Yankees fans who grabbed Mookie Betts in the World Series have been banned from all MLB stadiums and events. (44:35) NPPOD. (49:00) Wait to see updates Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kevin Manno who was the live host/emcee of Seasons 1 & 2 of Abby's Ultimate Dance Competition joins Leave It On The Dance Floor to talk all things AUDC; behind the scenes, auditioning for his role in the production and his takeaways from being involved in such a popular show STILL being watched all across the globe. He also catches up with Abby about everything he's doing now including his most important job as a father of two and husband to Bachelor/Bachelorette star, Ali Fedotowsky-Manno! Join us each week as we rewatch and recap your favorite moments/episodes of Dance Moms, Abby's Ultimate Dance Competition and Abby's Studio Rescue spilling behind the scenes secrets, exclusive never-before-seen content and more! Abby Lee Apparel: *Use Code: ALDCELITE* for 15% OFF your first order today! www.abbyleedancecompany.com Learn more about the Dancers Against Cancer movement and make a one-time or even monthly donation at imadanceragainstcancer.org Shop Podcast Merch! https://shop.hurrdatmedia.com/collections/leave-it-on-the-dance-floor FOLLOW KEVIN:  INSTAGRAM: www.instagram.com/kevinmanno Check out his radio show! https://www.iheart.com/live/1075-the-river-2784/?cmp=ios_share&sc=ios_social_share&pr=false&fbclid=PAZXh0bgNhZW0CMTEAAab3sC4RM-ODEhg2W_7l75DNI9jNjzciLbBN8QE24b48GTGxSK5trkDjylw_aem_C3Qv-O9lgIVhNRktU0L4IA CONNECT WITH ABBY LEE:  PATREON: https://www.patreon.com/THEREALABBYLEE  CAMEO: https://www.cameo.com/therealabbylee FANBASIS: https://www.fanbasis.com/therealabbylee  YOUTUBE: https://www.youtube.com/@therealabbyleemiller INSTAGRAM: https://www.instagram.com/therealabbylee  FACEBOOK: https://www.facebook.com/OfficialAbbyLeeMiller/ X(TWITTER): https://twitter.com/abby_lee_miller  TIKTOK: https://www.tiktok.com/@aldctherealabbylee  

The gang is very close to discovering the true identity of Kira, but not before we've had a visit from everyone's favorite renegade Polaroid, Yoshihiro. His arrow is up to no good, and is about to give Kira a new ability. How come he gets three Stand abilities? Déjà vu. [podcast covers anime episodes 35: "Another One Bites the Dust, Part 1" and 36: "Another One Bites the Dust, Part 2"]

In this episode, Scott Becker covers five key business stories, including CVS replacing CEO Karen Lynch, Amazon’s push for employees to return to the office, and Ferrari's new $3.9 million sports car. Also discussed are the latest U.S. presidential poll updates and Lucid Motors’ financial struggles.