Podcasts about Design history

  EPISODE 25 - ORNAMENT Ornament has always had an important meta function within the human psyche. It has been "outlawed" for the past 100 years.   RESOURCE LINKS https://www.gadarchitecture.com/en/ornament-in-architecture https://www.artforum.com/features/louis-sullivans-ornament-209337/ https://journals.sagepub.com/doi/abs/10.1177/1354067x13515937?journalCode=capa https://medium.com/the-thinking-of-design/ornament-as-an-abstraction-of-society-853bb29cdf08 https://www.youtube.com/watch?v=5PmydPmwrKA https://dreamswork.co.uk/portfolio/how-ornament-is-functional/ https://designmanifestos.org/adolf-loos-ornament-and-crime/   AK links: Four D Design - Organic Architecture, Geometry of Nature www.fourddesign.com Star Tile - Multidimensional Ceramics www.star-tile.com Star Tile Studio - Joshua Tree, CA https://g.co/kgs/DUMmCLh   Contact: ak@fourddesign.com     WHY DO WE USE ORNAMENT? - SIGNIFIER Social signaling - and this changes over time!  Example tattoos - British nobility 1900-1920 Historically it was the demarcation of class and status - governments had rules about what colors and types of clothing could be worn, so that people could never be socially mobile- Ornament on clothing has always been important for the military and in battle, people wore family crests / telling others who they were The same went for houses - all ornament had meaning that could be learned (this is western) Heraldry   WHY DO WE USE ORNAMENT? - SOCIAL & PSYCHOLOGICAL Belonging is so important that people will go into debt to buy clothing that lets them fit into a social group, or a car, or jewelry etc - people are wildly craving belonging, and ornament is a way to show your tribe.   OTHER REASONS: Repetition causes peace - relaxation of the nervous system By creating the ornament, the maker can embody the energy of the thing that might be feared  Establish historic continuity - memory, legacy. Spiritual Side of Ornament - Adornment, Defense, Totems, Enhancing Consciousness. META FUNCTION, embodied practice Adorning parts of us that are vulnerable - defensive and actively stating who we are / calling in our guides.   HISTORY OF ORNAMENT Industrial Revolution - 1851 - now possible to make cheap ornament / mass production Attempt at standardizing the language - Owen Jones “Grammar of Ornament” - huge interest in revival of styles / what we would now call Cultural Appropriation.. started with Archaeology around 1750, people discovering ruins, Marie Antoinette wearing toile / chinoiserie In victorian era, people started ascribing a moral judgment to the ornament - Augustis Pugin:  ornament should be flat if the floor is flat, not 3d etc.. can't be inappropriate.  He was a CATHOLIC in England - super religious, championed gothic revival because it was faith-based John Ruskin  - wrote on architecture but also on geology, botany, ornithology etc - polymath Said that the moral condition of a society could be determined by the ornament - ornament was being incorrectly applied- Shows what is leading up to the birth of modernism, nothing happens in a vacuum.   What Happened - Loos, Modernism and the 1920s As both Sullivan and Lévi-Strauss indicate, ornament (as well as other factors) becomes a language of social structures, social experience and even social contradictions. It signifies the status and position of the building, which is itself a representation of the importance of its “owners” and users. Here the manipulation of the image, or in architecture the adding of ornamental beauty to a structure, may increase its relative desirability and value. For buildings are models of ourselves and our society, communicating through form and organizational system the character of that society.   BUILDINGS REFLECT THE VALUES AND VALUE OF THE OWNER.   MODERNISM - WHAT HAPPENED? Adolf Loos Ornament and Crime The evolution of culture marches with the elimination of ornament from useful objects", Loos proclaimed, thus linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying evolution to cultural contexts.[2]  "The child is amoral. To us the Papuan is also amoral. The Papuan slaughters his enemies and devours them. He is no criminal. If, however, the modern man slaughters and devours somebody, he is a criminal or a degenerate. The Papuan tattoos his skin, his boat, his oar, in short, everything that is within his reach. He is no criminal. The modern man who tattoos himself is a criminal or a degenerate. There are prisons where eighty percent of the inmates bear tattoos. Those who are tattooed but are not imprisoned are latent criminals or degenerate aristocrats. if a tattooed person dies at liberty, it is only that he died a few years before he committed a murder."   Where do we go from here - how do we start?   (HUMANS ALWAYS START OVER WITH FORMS FROM NATURE) Architectural adornment or ornament, like cooking—that most basic transformation of nature—is a way of being in and representing the world simultaneously, a world that in Sullivan's words “procreates man's own personality, that fits him, that he might feel at home with himself,” a world of natural objects transformed by the hand of man. This is why Sullivan defined the architect's task in a manner that reveals his belief in man's transforming power: the architect as the agent who brings nature into community.   James Trilling - The Language of Ornament Harvard-trained art historian, former Textile Museum associate curator, and independent scholar James Trilling expands here on many of the highly original themes that appeared in his The Language of Ornament (2001). He offers intriguing new views of the modernist movement in art and architecture, its puritanical hostility to ornament, and its manifold relationships to the history of technology, science, and industry in the phenomenon known as modernization. Trilling is a passionate advocate of ornament, and he makes a fervent plea for its revival, largely on the grounds that it gives pleasure and "makes people happy" (p. 227). Ranging widely across cultures, time periods, disciplines, and topics, Ornament: A Modern Perspective is a densely layered book of formidable learning, imagination, and complexity. The argument is deceptively simple and difficult to summarize; as Trilling writes of Comte (p. 177), "it is rarely possible to give the bare bones of a utopian vision without making it sound naive." Ornament for Trilling is a specific, intricate concept. He spends part 1 of his two-part book explicating this concept, by which he means the use of motifs and patterns by skilled artists/craftsmen, "the art we add to art" (p. xiii), in the creation of one-of-a-kind objects laden with cultural meaning and symbol, esteemed as art by collectors, connoisseurs, and knowledgeable art historians. In part 2 Trilling traces the links between modernism and the rejection of ornament. Though the focus is on the period since the pivotal Crystal Palace exhibition of 1851, his book includes an impressive intellectual history [End Page 418] of the many ways in which ornament was repudiated as idolatry and artifice in numerous societies long before modernism. But after the triumph of mechanization and the ascendancy of efficiency, materialism, and positivism, the leading theorists of modernism thoroughly devalued and assaulted ornament. The most famous instance was Viennese architect and critic Adolf Loos's 1908 essay that seemingly equated ornament with crime. Modernism's visionaries instead exalted functionalism and simplicity in architecture and design. They saw ornament as wasteful, inefficient, and, after the Industrial Revolution, as the product of dehumanized, debased workers far removed from the ideal of the skilled artisan/craftsman of the prefactory era. Modernism's subsequent long reign among intellectual and cultural elites (despite the thin, pale revolt of the postmodern movement), Trilling argues, has now all but blinded us to ornament, erased it from our collective memory and from art. Early modernist theorists sought to jettison the wealth of inherited patterns and motifs rather than welcoming their incorporation and reworking, as traditional crafts had done. (Ironically, one of Trilling's most original arguments is that modernism in fact had its own ornamental style, employing materials that had pattern and texture and creating art rooted in indeterminacy, "labile, ambiguous, unpredictable" [p. 217].) Trilling's mission is to restore understanding and appreciation of the rich, lost world of artisanal ornament. His book addresses artists, architects, designers, their clients and collectors, art historians—tastemakers and all who care about taste.                

This dual feature episode explores the legacy of Susan Kare, the designer behind the original Mac icons, with guests Amy and Jennifer Hood, the twin creatives behind Hoodzpah, known for their bold branding and empowering creative business strategies._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources / Links:Susan Kare's Prints: kareprints.comSmithsonian ArticleAmy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodAbout SusanSusan Kare is a graphic designer and pioneering iconographer best known for her work on the original Apple Macintosh in the early 1980s. With a background in fine arts, she had no prior experience in computer graphics when she was hired to design the first digital icons and typefaces for the Mac. Using graph paper and pixel constraints, she created some of the most enduring symbols in tech history, including the Happy Mac, the Command key symbol, and the original Mac fonts like Chicago and Geneva. Her designs humanized technology, making computers intuitive and accessible to non-technical users. After Apple, she continued shaping digital interfaces at NeXT, Microsoft, Facebook, and Pinterest, and today, she serves as a Design Architect at Niantic Labs while selling limited-edition prints of her iconic designs.About Amy & Jen HoodAmy and Jen Hood are the twin sister duo behind Hoodzpah, a Southern California-based branding agency known for its bold, strategic, and personality-driven design work. Since founding Hoodzpah in 2011, they have worked with major brands like Disney, Nike, and 20th Century Fox, creating memorable identities and custom typefaces. Beyond client work, they are passionate about helping creatives build successful careers—they wrote Freelance, and Business, and Stuff, a practical and empowering guide to running a creative business, and have launched resources for designers, including brand identity courses and custom fonts. With a fearless approach to branding and a deep understanding of creative entrepreneurship, Amy and Jen have carved out a distinctive place in the design world while uplifting the next generation of creatives.Amy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodFollow Amy & Jen:Amy's Instagram: @amyhoodlumJen's Instagram: @thegoodhoodStudio Instagram: @hoodzpahdesignWebsite: hoodzpahdesign.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Hear the extraordinary life of Elsa Schiaparelli. From her rebellious youth and surrealist collaborations to her iconic designs like the lobster dress and shocking pink, discover how Schiaparelli redefined fashion as art and left a legacy of daring innovation, with guest and fashion enthusiast, Darrian Wright._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Shocking: The Surreal World of Elsa Schiaparelli by Marie-Sophie Carron de la Carrierehttps://www.schiaparelli.comPodcast —  Dressed: The History of Fashion on SchiaparelliAbout ElsaElsa Schiaparelli was the ultimate rebel of fashion, a designer who turned shocking ideas into art. Born in 1890 to an aristocratic family in Rome, Elsa's life was anything but conventional. As a child, she released a box of fleas under her parents' dinner table and later staged a hunger strike to escape a Swiss convent. After a whirlwind marriage to a charming con man, she found herself as a single mother in New York, scraping by while mingling with avant-garde artists like Marcel Duchamp and Man Ray. It wasn't until she moved to Paris and met legendary designer Paul Poiret that she discovered her true calling: inventing fashion. From surrealist collaborations with Salvador Dalí to creating her signature shocking pink, Schiaparelli defied norms, blending wit, art, and bold femininity. She gave us iconic designs like the lobster dress, the shoe hat, and the first wrap dress. A pioneer who refused to play by the rules, Elsa didn't just make clothes—she made statements.Follow Darrian@iamdarrian ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Explore the life and legacy of Mary Colter, a groundbreaking architect and interior designer who crafted iconic buildings at the Grand Canyon and beyond, blending Native American traditions with innovative architectural design, who also lost a home in a 1968 Eaton Canyon fire, which felt oddly topical._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Cowgirl MagazinePioneering WomenLegends of AmericaAbout MaryMary Colter (1869–1958) was a pioneering American architect and designer known for her work with the Fred Harvey Company, where she designed several notable landmarks, including the Hopi House and Desert View Watchtower at the Grand Canyon. Colter was one of the few women in her profession during the early 20th century, and she gained a reputation for her ability to merge architecture with the natural landscape and Native American culture. Her designs were not only functional but also deeply respectful of the local environment and history. Colter's commitment to integrating local materials and employing indigenous builders reflected her dedication to authenticity. She was a visionary who shaped the aesthetic of the American Southwest and remains a defining figure in the architectural landscape. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

From the velocipede in the early 1800s to its more modern incarnation, featuring tubular metal frames, wire-spoked wheels, pneumatic tyres, and gears, design writer and critic Colin Bisset gives us a potted history of the development of the bicycle.This interview first aired in March 2024.

Explore the extraordinary life and career of Mary Blair, the visionary artist behind Disney classics like Cinderella and It's a Small World, whose bold use of color and modernist style transformed animation and design history, with special guest, Mike Asay._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Book: Magic Color Flair: The World of Mary Blair by John CanemakerLittle Golden Book Compilation: A Mary Blair Treasury of Golden BooksLittle Golden Book: I Can Fly by Ruth Krauss (Illustrated by Mary Blair) About MaryMary Blair wasn't just an artist—she was a design visionary who transformed Disney's visual language during its golden age. With her bold use of color, clean lines, and modernist sensibilities, Mary brought a fresh, imaginative approach to classics like Cinderella, Peter Pan, and Alice in Wonderland. Her work challenged the traditional realism of animation, introducing a playful, graphic style that still resonates today.Beyond the big screen, Mary was the creative force behind the iconic It's a Small World attraction, where her vibrant, harmonious designs celebrated global unity and joy. She also applied her design genius to murals, advertising campaigns, and book illustrations, always pushing the boundaries of what design could achieve.In a male-dominated industry, Mary often faced challenges, but her influence was undeniable. She has even been said to be Walt Disney's favorite artist, with him entrusting her with some of the studio's most visionary projects. Mary Blair didn't just design beautiful things—she pioneered a new visual language that shaped animation and continues to inspire designers worldwide.If you're ready to uncover the story behind one of Disney's most groundbreaking designers, listen to this episode now and step into the colorful world of Mary Blair. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

This dual feature episode highlights Corita Kent's journey from nun to Pop Art pioneer, using screen printing to champion love and justice, and Britt Rohr's modern take on printmaking as the founder of Swell Press, blending craftsmanship and storytelling in her designs._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Book: Learning by Heart: Teaching to Free the Creative Spirit by Corita Kent and Jan StewardAbout CoritaCorita Kent (1918–1986), also known as Sister Mary Corita, was a nun, artist, and educator whose screen prints and serigraphs fused Pop Art with powerful messages of love, justice, and activism. As chair of the art department at Immaculate Heart College, she inspired a generation of students with her innovative teaching methods and bold use of everyday imagery. Her works, including the iconic Love stamp and Rainbow Swash mural, continue to resonate globally as symbols of creativity and compassion. Today, Corita is celebrated for her unique ability to elevate the ordinary into the extraordinary. About BrittBritt Rohr is the founder of Swell Press, a California-based letterpress studio known for its meticulous craftsmanship and timeless designs. With a passion for tactile art forms, Britt has carved out a niche in creating bespoke print pieces that marry modern aesthetics with the classic charm of letterpress. Her work has been featured in numerous publications and admired for its ability to tell meaningful stories through design. Follow Britt:Instagram: @swellpressWebsite: SwellPress.com  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Explore the life and legacy of graphic design pioneer Jacqueline Casey, whose bold, modernist posters defined MIT's visual identity for decades — with insights from designer Michael Bierut, we uncover how Casey infused Swiss design principles with American ingenuity, led campus-wide design efforts, and created work that remains timeless and influential._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Article: Eye Magazine Feature "Jacqueline Casey. Science and design"Article on Thérèse MollAbout Jacqueline (Jackie)Jacqueline Casey was a pioneering graphic designer whose work defined the visual identity of MIT for over three decades. Born in 1927 in Quincy, Massachusetts, she studied fashion design and illustration at MassArt before finding her way into graphic design. In 1955, her lifelong friend Muriel Cooper recruited her to the MIT Office of Publications, where Casey absorbed the principles of Swiss modernism and gave them her own twist—infusing wit, visual metaphors, and bold typography into her work.As Director of MIT's Design Services Office, she led campus-wide design efforts, creating posters and materials for scientific conferences, exhibitions, and cultural events. Her ability to simplify complex ideas with elegance and playfulness made her work timeless and celebrated globally. Today, her posters are held in the collections of MoMA, the Cooper Hewitt, and the MIT Museum, solidifying her as a quiet yet powerful force in modernist design history. About MichaelMichael Bierut is one of the most influential graphic designers of our time. A partner at Pentagram since 1990, his work spans iconic logos, brand identities, and campaigns for clients like The New York Times, Mastercard, and Saks Fifth Avenue. Bierut has been a longtime educator at Yale, co-founded Design Observer, and authored celebrated books, including How to Use Graphic Design to Sell Things. His work is held in the permanent collections of MoMA and the Cooper Hewitt, and his thought leadership continues to shape the design world.Follow Michael:Instagram: @mbierutWebsite: Pentragram.comThreads: @mbierut ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Discover the story of Marget Larsen, a trailblazing designer whose iconic Christmas boxes, bold typography, and fearless creativity shaped mid-century advertising and design in San Francisco right as the psychedelic / counterculture era was budding, with industry insights from guest Sean Adams, previous AIGA President, and Dean at Art Center._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Book — Baseline ShiftDesign Observer Article by Sean AdamsCommunication Arts FeatureBook — Earthquakes, Mudslides, Fires & Riots: California and Graphic Design by Louise SandhausAbout MargetMarget Larsen was a trailblazing designer and art director who transformed mid-20th-century advertising with her bold, unconventional approach. Born in San Francisco in 1922, Larsen began her career at I. Magnin, where she discovered her passion for typography and lettering while taking night classes at the California School of Fine Arts. She rose to prominence as the art director at Joseph Magnin, a trendsetting department store, where her iconic Christmas boxes turned gift packaging into collectible works of art. Larsen later joined the boutique agency Weiner & Gossage, where her groundbreaking ads combined witty copy with daring typography, earning national acclaim. From designing bread wrappers to creating fundraising sweatshirts for Beethoven enthusiasts, Larsen's fearless creativity knew no bounds. Despite her immense contributions, Larsen's name remains largely forgotten in design history, though her work continues to inspire with its playful wit and timeless innovation. She passed away in 1984, leaving behind a legacy that shaped advertising, packaging, and graphic design as we know it. About SeanSean Adams is a celebrated designer, author, and educator whose work has shaped the design industry for decades. As the Dean of the Visual Art and Communication Design Department at ArtCenter College of Design, Sean has mentored countless designers while championing the importance of design history and storytelling. He is the only two-term national president in AIGA's 100-year history and a recipient of the prestigious AIGA Medal, the organization's highest honor. Sean co-founded the renowned design firm AdamsMorioka, working with iconic clients like Disney, The Academy of Motion Picture Arts and Sciences, and The Metropolitan Opera. He has authored several influential books, including The Designer's Dictionary of Color and How Design Makes Us Think. As a passionate advocate for elevating overlooked figures in design history, Sean brings his expertise and insight to today's conversation about Marget Larsen's remarkable contributions to the field.Follow Sean:Instagram: @seanaadamsWebsite: AdamsMorioka.comLinkedIn: Sean Adams ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

(**Trigger Warning: This episode discusses Suicide) This dual feature episode celebrates Ellen Raskin's transformation from a prolific book designer to an award-winning author, seamlessly blending design and storytelling in works like The Westing Game. Briar Levit shares her own journey as a designer and author, using mediums like film, exhibitions, and publications to champion stories that inspire._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay Important Links:Graphic Means DocumentaryNew Book — Briar Levit: On Design, Feminism, and Friendship_______Sources:Book — Baseline Shift by Briar LevitArticle — Cooperative Children's Book CenterAbout EllenEllen Raskin (1928–1984) was a trailblazing designer and author who seamlessly blended her expertise in graphic design with her passion for storytelling. Born in Milwaukee during the Great Depression, Raskin pursued a fine arts degree at the University of Wisconsin before launching a prolific career in New York City, where she designed over 1,000 book covers, including the original cover for A Wrinkle in Time. Later, she transitioned to writing, creating critically acclaimed children's books known for their intricate plots and visual clues. Her most famous work, The Westing Game, won the Newbery Medal in 1979 and remains a beloved classic. Ellen's books, including The Mysterious Disappearance of Leon (I Mean Noel) and Figgs & Phantoms, exemplify her unique ability to combine puzzles, humor, and thoughtful storytelling, leaving an enduring legacy in children's literature. About BriarBriar Levit is a graphic designer, educator, and filmmaker whose work brings underrepresented voices in design history to light. With nearly two decades of teaching at Portland State University, Briar encourages her students to explore design's role in shaping culture and amplifying diverse perspectives. She gained widespread acclaim for her documentary Graphic Means: A History of Graphic Design Production, which chronicles the evolution of design tools and highlights women's significant contributions during the shift from manual to digital production. Briar's feminist advocacy is further reflected in her book Baseline Shift, which celebrates the pivotal yet often overlooked roles of women in design. A former art director at Bitch magazine, she's dedicated her career to showing how design can be a tool for activism, history, and cultural critique.Follow Briar:Instagram:  @briarlevitWebsite:  briarlevit.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

A cosy cottage with warming fireplaces, comfort food, crime dramas on tv: Matthew Sweet and guests discuss art, literature and drama that are comfortable to engage with and how difficulty, a dedication to campaigning or the reading of Nietzsche might disrupt this. Does a theatre critic tell audiences they are in for a thought provoking show? And what role does it play in social and politial thinking today? Our guests include: Deborah Sugg Ryan, writer and broadcaster and Professor Emerita of Design History at the University of Portsmouth. Sir Alexander McCall Smith prolific author of the best selling Number 1 Ladies Detective Agency series. Bioethicist and Fellow of the British Academy Tom Shakespeare Theatre Critic Susannah Clapp. Philosopher and Nietzsche expert Hugo Drochon.Producer: Lisa Jenkinson

Explore the genius of Ray Eames, from her key role in shaping mid-century modernism to the iconic Eames Lounge Chair, with insights from guest Amanda Jane Jones, designer and author of Mother / Founder._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Documentary — Eames: The Architect and the Painter (2011)Podcast — New Angle: Voice — Ray Eames: Beauty in the EverydayWebsite — Pioneering Women of Architecture: Ray Kaiser EamesBook — Eames: Beautiful DetailsWebsite — Eames Office Official WebsiteAbout RayRay Eames was more than a design partner—she was the quiet force behind every iconic creation that bears the Eames name. From the revolutionary Lounge Chair to the vibrant, Mondrian-inspired glass walls of their Case Study House, Ray's vision and meticulous artistry shaped modernism as we know it.But behind the sleek lines and bold colors was a woman often mistaken for a man—'Ray,' they assumed, must surely be Charles's male counterpart. This misconception gave her an unexpected advantage, opening doors that might have otherwise stayed closed.Yet, Ray's journey was anything but easy. She endured a lifetime of her contributions being overshadowed, her name eclipsed by Charles's fame, and even the painful betrayal of his infidelity. Still, she poured everything into their work, her impact far deeper than most people know. About AmandaNEW BOOK! Mother / FounderAmanda Jane Jones is a graphic designer, author, and illustrator whose minimalist aesthetic has redefined modern editorial and product design. Amanda's talent became widely recognized through her role as the founding designer of Kinfolk, where she crafted the magazine's iconic, minimalist style, inspiring countless designers and publications.Her creative influence extends beyond editorial design; she has collaborated with major brands such as Opinel, Revival Rugs, Solly Baby, and Schoolhouse Electric, blending her clean and thoughtful aesthetic across diverse projects. In addition to brand collaborations, Amanda has illustrated children's books, including Yum Yummy Yuck and The Hair Book, inspired by her own children and designed to engage young readers with playful simplicity.Amanda's latest project, Mother / Founder, celebrates the journeys of 68 women balancing the challenges of entrepreneurship and motherhood. Her work has been featured by Architectural Digest, The New York Times, Martha Stewart Living, and online platforms such as Mother Mag, Cup of Jo, and Domino. Now based in the Wasatch Mountains of Utah, Amanda continues to shape the design world with her distinctive vision, seamlessly blending elegance, versatility, and purpose into each project​Follow Amanda:InstagramWebsite: amandajanejones.com  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Learn the untold story of architect and furniture designer, Charlotte Perriand, whose innovative designs and fearless independence reshaped modern interiors, with insights from special guest Adi Goodrich, spatial designer, who reflects on how Charlotte's legacy continues to inspire today's designers._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:The Guardian ArticleCharlotte Perriand Autobiography “A Life of Creation”Book: Living with Charlotte Perriand by Francois Laffanour and Cynthia FleuryBook: Charlotte Perriand: The Modern Life by Justin McGuirkBook: Charlotte Perriand: Inventing a New World (Published by the Foundation of Louis Vuitton)About CharlotteCharlotte Perriand was a visionary French designer and architect whose contributions to modernist design reshaped how we think about furniture and interior spaces. In 1927, after famously being dismissed by Le Corbusier with the remark, "We don't embroider cushions here," she eventually joined his studio and co-designed iconic pieces like the LC4 Chaise Longue and LC2 armchair.Though these collaborations are what she is most known for, Perriand's career extended far beyond them. She designed the modular Nuage Bookshelf and minimalist Tokyo Bench, blending functionality with clean, modernist aesthetics. Perriand was also integral to larger architectural projects like the Unité d'Habitation, where she introduced multifunctional interiors, and the Les Arcs Ski Resort, where her modular furniture designs embraced the natural environment. About AdiAdi Goodrich is a Los Angeles-based multidisciplinary designer known for her vibrant and imaginative approach to Environmental design, Interiors, and furniture. Growing up in Chicago, she was heavily influenced by her father's work in architectural and furniture restoration, which fostered her love for craftsmanship from a young age. Adi studied at the School of the Art Institute of Chicago and La Sorbonne in Paris, where she explored various disciplines including painting and art history.Goodrich first gained attention working on window displays for Barneys New York and Anthropologie, which led to a flourishing career in set design for films, commercials, and photoshoots. Adi is Co-founder of Sing-Sing Studio, a creative practice she shares with her partner, filmmaker, Sean Pecknold where they have worked with major brands such as Apple, Google, Nike, Target, and more, bringing a unique blend of storytelling and design to each project. Adi also launched her own furniture line, in 2022 called "Sing-Thing." Her work is characterized by a bold use of color, materials, and a focus on creating spaces that are narratively driven. Learn more about Adi's design approach and career on Episode 22 of the podcast. Follow Adiadigoodrich.com@adigoodrichsing-sing.co@singsingstudio   ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Hear how Susan Skarsgard built her career from calligraphy to founding the GM Design Archive, blending art, design, and education to leave her mark on both the art and automotive worlds._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay About SusanSusan Skarsgard (b. 1954) is a designer, artist, and author whose career bridges the worlds of fine art and industrial design. With roots in Detroit, Susan's passion for calligraphy led her to study under Austrian master calligrapher Friedrich Neugebauer and to apprentice with legendary Detroit lettering master Jerry Campbell. Under Campbells' tutelage, she designed logos and lettering for advertising and automotive clients before ultimately joining General Motors Design in 1995. She earned her MFA from the University of Michigan in 2004. At GM, she initially applied her skills to emblem and nameplate design for cars and trucks, but her most lasting legacy was founding the department GM Design Archive & Special Collections, which is the official repository for the history of design at General Motors. Susan is also the author of Where Today Meets Tomorrow, the definitive book on the history of the iconic GM Technical Center designed by Eero Saarinen.Her journey as a woman navigating a male-dominated industry, along with her stunning work in calligraphy and book arts, is truly inspiring.    ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Discover how self-taught designer Elaine Lustig Cohen became a defining force in modernist graphic design and fine art, with insights from design author and historian, Steven Heller, on her legacy and the importance of re-writing design history to include more women._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay Sources:elainelustigcohen.comThe Daily Heller: Elaine Lustig Cohen's New Website by Steven HellerThe New York Times Article by Anita Gates About ElaineElaine Lustig Cohen (1927–2016) was a pioneering modernist designer and artist, known for her bold, abstract book covers and museum catalogs that helped shape mid-century American graphic design.After the sudden passing of her husband, renowned designer Alvin Lustig, Elaine—without any formal training—took over his studio in the 1950s, working with high-profile clients like Philip Johnson, Richard Meier, General Motors, and the Jewish Museum.What set her design style apart was her ability to merge avant-garde European influences, like Constructivism and Bauhaus principles, with the clean, functionalist aesthetics of American modernism. She brought typography to the forefront, often treating it as a visual and emotional narrative element, while incorporating geometric abstraction to create a sense of movement and rhythm. Her work is now part of the permanent collections at MoMA, LACMA, and Cooper Hewitt. About StevenSteven Heller is one of the most prolific design historians and writers in the field, having authored, co-authored, or edited over 200 books on design, illustration, and popular culture. He is best known for his long-running column, The Daily Heller, published by Print magazine, which offers daily insights on visual culture, design history, and current events. In addition to his writing, Heller is the co-chair of the School of Visual Arts MFA Design/Designer as Author + Entrepreneur program, where he continues to shape future generations of designers.Throughout his career, Heller has been a steadfast advocate for women in design. His work has consistently featured and celebrated the contributions of women who have been overlooked in design history. He has worked to bring attention to underrepresented figures in the industry, often calling for a rewriting of design history to include more women. As early as the 1990s, Heller began amplifying the work of female designers, championing their influence on design movements across modernism, typography, and visual communication. He has been vocal about the importance of gender equality in the design industry and has pushed for more inclusive recognition of the women whose innovations have shaped the field.In 2011, Heller was awarded the AIGA Medal for his outstanding contributions to design journalism, education, and history. His ongoing commitment to uncovering the stories of women in design has made him not only a key figure in documenting design history but also an advocate for equity in the industry. Through his work, he has inspired a more inclusive and accurate portrayal of the design world, one that reflects the achievements of all its contributors. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Uncover the fascinating story of Zelda Wynn Valdes, whose mastery of the mermaid silhouette led to her creation of the iconic Playboy Bunny costume, with insights from special guest Tobi Ashiru._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayCheck out the original reel / video this podcast was based on: https://www.instagram.com/p/C6EDEMrLDsn/Sources:Dazzling Zelda (Children's Book by Farai Simoyi and Aura Lewis)About Zelda Wynn Valdes:Zelda Wynn Valdes (1901 – 2001) is often overlooked in design history even though she was one of the most influential fashion designers known for her hourglass silhouette dresses, and helping popularize the mermaid dress.In fact, the femininity of her work caught the eye of Hugh Hefner who commissioned her to design the iconic and patented playboy bunny costume in 1960.But before that, In 1948, Valdes became the first black person to open her own boutique on Broadway in Manhattan.Zelda's alluring yet sophisticated dresses were embraced by prominent figures such as Joyce Bryant, Ella Fitzgerald, Aretha Franklin, Eartha Kitt, Josephine Baker, Diahann Carroll, Dorothy Dandridge, and Mae West. She even designed Maria Cole's gown for her wedding to Nat King Cole in 1948.Zelda continued her impactful career until her passing in 2001, contributing to over 80 ballet productions at the Dance Theatre of Harlem.She made it her mission to leave the door wide open for all the black women designers following in her footsteps. She led a fashion coalition that was founded with the sole purpose of promoting black designers. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

A brutal massacre at Frank Lloyd Wright's Taliesin estate, where love, scandal, racism, paranoia, and murder intersect in a story that few have heard, involving the murder of his mistress, Martha Borthwick Cheney, at his beloved home he designed for their love._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:PBS.org — Wright at the Time History.com — The Massacre at Frank Lloyd Wright's ‘Love Cottage' by Christopher KleinAll That's Interesting — The Life and Death of Mamah Borthwick, Frank Lloyd Wright's Controversial Lover by Jessica OConnorSolved Murders Podcast Part 1 & Part 2 (2021)  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Lella Vignelli's impactful contributions to product and interior design take center stage in this episode, with guest Giorgia Lupi, data visualization pioneer and Pentagram partner, and returning guest Rachel Gogel._______This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay Sources:Designed by: Lella Vignelli by Massimo Vignelli (Rochester Institute of Technology) About LellaYou've likely heard of Massimo Vignelli, the renowned designer behind iconic works like the New York City Subway map, but did you know that behind many of those projects was an equally brilliant mind? Lella Vignelli—Massimo's wife and design partner—was a powerhouse in her own right. With a background in architecture, she seamlessly blended elegance and functionality in everything from interior spaces to product design. Her meticulous attention to detail was the driving force behind many of their best-known works, including the timeless Handkerchief Chair and the stunning interiors of Saint Peter's Church in New York.Lella was more than just Massimo's collaborator—she was a visionary who believed in creating design that was truly timeless, free of trends and fads. Yet, despite her immense contributions, Lella's name often remained in the background. So, why is her story so often overshadowed? And how did she quietly reshape modern design?Tune in to this episode to hear the incredible legacy of Lella Vignelli—a designer whose work deserves to be front and center. About GiorgiaGiorgia's Books:This is Me and Only MeObserve Collect Draw!: A Visual JournalDear Data: A Friendship in 52 Weeks of PostcardsGiorgia Lupi is an Italian information designer, a partner at design firm Pentagram, and co-founder of research and design firm Accurat. She is a co-author of Dear Data, a collection of hand drawn data visualizations, along with information designer Stefanie Posavec. Her work is also part of the permanent collection at the Museum of Modern Art.In 2011, Lupi co-founded research and design firm Accurat, that combines design and data to create data visualizations, interfaces, and tools. Among their clients are Google, IBM, Bill & Melinda Gates Foundation, Starbucks, United Nations, the World Economic Forum and the Museum of Modern Art. Lupi's influences for her work come from fascinations by geometrical feel and balance of abstract art compositions.Follow Giorgia Lupi on Instagram: @giorgialupiGiorgia Lupi's Website: giorgialupi.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Host, Amber Asay, explores the male designers who have either championed or dismissed the contributions of women in the design world. From Le Corbusier's undermining of female collaborators to Paul Rand's advocacy for Lella Vignelli, we dive into the varying dynamics of support—or lack thereof—among iconic male figures in design. Tune in to hear who lifted women up and who left them in the shadows._______This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Anni Albers' pioneering journey in elevating textiles to fine art is discussed with guest Marian Bantjes, renowned for her intricate, ornamental designs that blend typography, art, and personal storytelling._______This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay Sources:1968 Interview with Anni Albers — conducted 1968 July 5, by Sevim Fesci, for the Archives of American ArtBook — On Weaving by Anni Albers – A seminal work where Anni reflects on her life, her craft, and the philosophies behind her approach to weaving.Book — Anni and Josef Albers: Equal and Unequal by Nicholas Fox Weber – A comprehensive biography that delves deep into Albers' life and work, offering insights into her creative process and legacy.Book — Anni and Josef Albers: Art and Life by Julia Garimorth, Vincent Broqua, and Brenda DanilowitzVideo — "Bauhaus: The Face of the 20th Century" (1994) – A BBC documentary that covers the history of the Bauhaus, including interviews and insights into Anni Albers' role within the movement.Video — "Black Mountain College” Visionaries Episode – This documentary explores the experimental college where Anni and Josef Albers taught, emphasizing its influence on modern art and design.The Josef & Anni Albers Foundation – https://albersfoundation.org/ – The official website of the Albers Foundation, featuring extensive information on her life, work, and exhibitions.MoMA Learning: Anni Albers – https://www.moma.org/learn/moma_learning/anni-albers/  – A resource that provides an educational overview of Anni Albers' work within the context of modern art. About Anni AlbersAnni Albers is widely considered to be the foremost textile designer of the 20th century. She made major innovations in the field of functional materials and at the same time she expanded the possibilities of single weavings and individual artworks. She was also an adventurous graphic artist who took printmaking technique into previously uncharted territory.Not only was she a pioneering textile artist, and printmaker, but she was an educator whose work redefined the boundaries between craft and fine art. She may arguably be THE person responsible for helping the masses see textile as art, not just craft. She studied at the Bauhaus, taught at Black Mountain College in North Carolina, where she continued to push the limits of weaving, experimenting with unconventional materials and techniques. Her book On Weaving (1965) remains a seminal text in textile design. About Marian BantjesMarian's Books:I WonderPretty PicturesMarian Bantjes (b. 1963) @bantjes is a Canadian graphic artist who is known for her signature maximalist style. Her intricate ornamentation creates texture and illusion, and challenges the minimalist boundaries of traditional graphic design.Her clients include Pentagram, Saks Fifth Avenue, Print Magazine, Wallpaper* , WIRED, Creative Review, The Guardian (UK), The New York Times, AIGA, TypeCon, and more.Her career spans 3 stages: she started in the 80s as a book typesetter for a publishing company and then from there she became partner at a small design firm in Canada, working on brand identity and communication designs.In 2003 Marian decided to embark on the work that has brought her international recognition and fame as a world-class visual designerHer work has an underlying structure that frames its fluid nature and she has an impressive way of interweaving word and image.She says "throwing your individuality into a project is heresy" but she has built a career doing just that, as her signature style is unmistakable. In 2007 she released Restraint, a typeface that integrates her style of ornamentation to be used as shapes and borders.Marian has been honored with several awards over the years and her work is now part of the permanent collection at the Cooper-Hewitt National Design Museum. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Phyllis Madonna's fearless design vision at the Madonna Inn is the focus of this episode, where branding expert Emily Heyward from Red Antler joins us to discuss the branding strategies behind this beloved cultural landmark._______This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayLinks: madonnainn.comTheir signature goblet (inspired by Alice Turney Williams wallpaper and rug designs)Obsessed: Building a Brand People Love From Day One by Emily Heyward About Phyllis:Phyllis Madonna is a visionary designer, philanthropist, and co-founder of the iconic Madonna Inn in San Luis Obispo, California. Born in 1928 in Orange County, she moved to the Central Coast in 1948 after marrying Alex Madonna. Although she had no formal design training, Phyllis's creative instincts played a crucial role in shaping the Inn's distinctive style, famous for its eclectic themed rooms and lavish use of pink. Encouraged by her husband to take the lead in designing the rooms, Phyllis's designs became the heart of the Inn, transforming it from a roadside motel into a world-renowned destination.Beyond her work at the Inn, Phyllis has made significant contributions to her community, supporting local arts organizations and spearheading the Phyllis Madonna Musical Revue and Fashion Show, which raised millions for women's shelters over three decades. Her blend of creativity, community spirit, and entrepreneurial drive has made her a beloved figure on California's Central Coast​ About Emily Heyward:Emily Heyward is a co-founder and Chief Brand Officer of Red Antler, a leading brand agency known for launching some of today's most successful startups, including Casper, Allbirds, and Hinge. With a background in advertising and a degree in postmodern theory from Harvard, Emily pivoted from working with big brands to helping emerging companies create purposeful, consumer-driven identities. She has been recognized as one of the Most Important Entrepreneurs of the Decade by Inc. Magazine and is the author of Obsessed: Building a Brand People Love from Day One, which explores how brands can inspire deep loyalty from their very beginnings. With a reputation for building “cult brands,” Emily is frequently featured in media outlets like Forbes and Fast Company, and she continues to be a prominent voice in brand strategyBuy Her Book: OBSESSEDEmily Heyward WebsiteFollow Emily on Instagram ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Host Amber Asay dives into the untold stories of design power couples where the husbands received most of the credit, exploring how history has often overlooked the equally brilliant contributions of their wives.(This new bonus series, called "Extra Sketches" will be where we explore common themes and trends within women designer stories.)_______This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Learn about the minimalist jewelry designer, Betty Cooke, from another legend, Ellen Lupton, graphic designer, educator, and author of dozens of books including "Thinking With Type"This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayLinks:Thinking with Type, book by Ellen LuptonExtra Bold, book co-authored by Ellen LuptonBetty Cooke's Store_________About Betty Cooke:We recently lost another design legend, Betty Cooke, whose passing marks the end of an era in modernist jewelry design. Born in 1924 in Baltimore, Maryland, Betty Cooke was a trailblazing designer celebrated for her minimalist and sculptural jewelry. Her work is defined by clean lines, geometric forms, and a timeless elegance that resonated across generations. After studying at the Maryland Institute College of Art (MICA), where she later became a beloved faculty member, Betty opened her own studio and eventually co-founded The Store Ltd., a Baltimore institution that showcased her work for over five decades. Her jewelry, often handcrafted in silver and gold with touches of wood or acrylic, is iconic for its simplicity and boldness—pieces that remain instantly recognizable as “Betty Cooke.” Cooke's influence is immortalized in museums, galleries, and in the collections of those fortunate enough to own her designs. Her legacy is one of innovation, elegance, and unwavering dedication to her craft.About Ellen Lupton:Ellen Lupton is one of the most influential voices in contemporary graphic design. Born in 1963, she is a celebrated designer, writer, curator, and educator whose work has profoundly shaped design education and practice. After graduating from Cooper Union in 1985, she became a curator at the Cooper Hewitt, Smithsonian Design Museum, where she curated groundbreaking exhibitions that connected design to culture and society. Ellen is perhaps best known for her book Thinking with Type, first published in 2004, which has become an essential guide for designers and is used in classrooms worldwide. Beyond her writing, she has played a pivotal role in shaping the Graphic Design MFA program at MICA, inspiring generations of designers with her innovative teaching methods. Her body of work extends to over 20 books, exploring topics from typography to storytelling in design. Ellen's contributions continue to influence how designers think, create, and communicate in today's visual world.Keep up with what Ellen Lupton's up to:Instagram  |  Website ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Uncover the incredible journey of Iris Apfel, whose design career spans textiles and fashion, from transforming the White House interiors to becoming a global style icon, joined by special guest designer Adam Vicarel._______Join the Patreon community for bonus features and video versions: patreon.com/womendesignersyoushouldknow Sources:The CEO Magazine “How Iris Apfel, 100, defies her age in the business world”South China Morning Post “Meet Iris Apfel”2014 Documentary “IRIS” by Albert Maysles About Iris Apfel:Iris Apfel, born on August 29, 1921, in Queens, New York, is a renowned American businesswoman, interior designer, and fashion icon. Alongside her husband Carl, she founded Old World Weavers in 1950, a textile firm celebrated for its reproduction of antique fabrics. Their work included notable projects like the restoration of the White House under nine presidents, enhancing its historical elegance.Iris's distinctive personal style, characterized by bold accessories and eclectic fashion choices, made her a fashion muse and a beloved figure in the industry. Her influence was further cemented by the 2005 Costume Institute exhibition at the Metropolitan Museum of Art titled "Rara Avis: The Irreverent Iris Apfel."In addition to her work in design, Iris has collaborated with brands like MAC Cosmetics and H&M, bringing her unique aesthetic to a broader audience. She continues to inspire with her memoir "Iris Apfel: Accidental Icon" and a modeling contract with IMG signed at age 97, showcasing her enduring appeal and influence.For more information, explore her memoir or the New York Times article.About Adam Vicarel:Adam Vicarel is a brand designer, lettering artist and mural painter who is obsessed with merging the worlds of fine art and strategic design. In his personal work Adam infuses his love for travel and the outdoors into his typography, illustration and storytelling to create visceral experiences for his audience. That's visceral, not Vicarel.His graph design studio, Vicarel Studios works on visual identity systems, packaging art installations, and more, and they've created for brands like NBC, Twitter, Lululemon, United Airlines and Sharpie. Their unique process of combining fine art with design allows them to craft provocative brands and artful experiences unbound by industry or medium. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Discover the captivating and untold story of Ann Lowe, the brilliant designer behind Jackie Kennedy's wedding dress, as we delve into her legacy with fashion historian and author, Elizabeth Way.________Join the Patreon community for bonus features and video versions: patreon.com/womendesignersyoushouldknowCheck out the original reel / video this podcast was based on: https://www.instagram.com/p/C6EDEMrLDsn/Sources:Ann Lowe: American Couturier by Elizabeth WayMargaret Powell's master's thesis, The Life and Work of Ann Lowe, published in 2012 by the Corcoran School of the Arts & Design (Included in the book above)By Her Own Design by Piper Huguley (Fictional Novel based on her life)The Mike Douglas Show InterviewAbout Ann Lowe:Ann Lowe (1898-1981) was an influential African American fashion designer whose exquisite gowns were sought after by America's social elite. Born in Clayton, Alabama, she learned the art of dressmaking from her mother and grandmother, both skilled seamstresses. Despite facing significant racial barriers, Lowe's talent led her to design dresses for prominent families, including the Rockefellers, the du Ponts, and the Kennedys.Her most famous creation was Jacqueline Kennedy's wedding dress in 1953, a masterpiece completed under extraordinary circumstances. Lowe's work was known for its meticulous craftsmanship, hand-sewn details, and elegant designs, yet she received little recognition during her lifetime. Financial struggles and the racial discrimination she faced often overshadowed her achievements. Today, Ann Lowe is celebrated as a trailblazer in the fashion industry, whose contributions continue to inspire and influence designers around the world.About Elizabeth Way:Elizabeth Way is a curator who specializes in fashion history, particularly focusing on the intersection of fashion and African American culture. Elizabeth has curated several exhibitions, including "Black Fashion Designers" and "Fabric In Fashion," which highlight the contributions of Black designers and the significance of textiles in fashion. She also co-edited the book "Black Designers in American Fashion," contributing to scholarship and public understanding of the impact of Black designers in the fashion industry. AND authored a book that just came out in 2023 about Ann Lowe  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

We delve into the impactful career of Venezuelan graphic designer Karmele Leizaola with guests, Oriana Nuzzi and Faride Mereb, Venezuelan designers now based in Brooklyn, share their research and insights into Karmele's legacy and discuss how her pioneering work continues to influence contemporary design. Join us for a captivating exploration of Karmele Leizaola's creative vision and enduring impact._____About Karmele Leizaola:First documented woman to work as a graphic designer in Venezuela. She is considered a pioneer of editorial design in Venezuela, working at several independent and her work has been influential for many generations of editorial designers.Karmele was born in 1929 in Basque Country in Spain and starting at the age of 7, she was uprooted twice, first fleeing from the Spanish Civil War, and settling in France, and then fleeing France because of WWII, finally landing in Venezuela.Her father was a printer and photojournalist which led to her connections and interest to becoming a publication graphic designer for various magazines and newspapers.Her 55+ year career spanned from early layout design to hiring and consulting for countless publications.Learn More at karmeleleizaola.com _____About Faride Mereb & Oriana NuzziFaride  and Oriana, both talented designers from Venezuela are now based in Brooklyn, where they co-direct Letra Muerta, a studio that specializes in art books.Their dedication to preserving and celebrating Karmele's contributions to graphic design is nothing short of remarkable. In this interview they explain how they first came across her work, and how they've pushed through hours of research in Venezuela's National Library. They took this research and created newspapers and zines of her work, and even Karmele's wikipedia page is thanks to them.Faride is an award-winning book designer, researcher, editor, and art director. Her love of books has deeply influenced her work. She's worked for Penguin Random House, Kenning Editions, and is a member of the American Printing History Association.Her friend and colleague Oriana, is an editorial designer and book designer. She has an artistic approach to her work, after first studying to be an artist. Along with Faride, she works on preserving and showcasing archival materials, while also exhibiting the work of Venezuelan artists and writers, and their cultural contributions.Learn more about Faride and Oriana's studio Letra Muerta: https://letramuerta.nyc/Follow their studio on IG: @letramuertaincFollow Faride Mereb: @fmerebFollow Oriana Nuzzi: @orianamrgarita  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

In this episode of The Art Elevator Podcast, Sarah Reeder and Larissa Wild speak with Vanessa and Alexander Wendl of Toad Atelier on their exhibition at Larissa Wild Fine Art: Selections from the Toad Atelier Collection. This show will feature 35 rare artifacts from their collection of over 3,000 objects that highlight the history and impact of mid-century modern design. Through this discussion, Vanessa and Alexander delve into their collecting journey, share their collecting philosophy which centers on three core principles: preservation, sharing, and enjoyment, and highlight how sharing their collection brings joy and fosters connections with like-minded individuals. The episode is rich with anecdotes about specific pieces in the collection, such as the large-scale photograph of a New York scene and the Herman Miller Collections prototype catalogue. Alexander shares his profound connection to Irving Harper's work, explaining that Harper's creative process and the calming nature of his paper sculptures serve as a source of inspiration for Alexander's own artistic pursuits. The Wendls emphasize the therapeutic nature of creation and the importance of engaging with art for personal fulfillment and relaxation. Alexander and Vanessa's story serves as an inspiring example of how passion, preservation, and creativity can come together to create a rich and fulfilling journey in the world of art and design.

We dive into the history of Architect Norma Merrick Sklarek, who broke new ground as the first Black woman licensed in New York and California, with guest Tobi Ashiru reflecting on her own experiences as a Black architectural designer teaching at USC and how Norma's pioneering achievements have inspired her.————About Norma Merrick SklarekNorma Merrick Sklarek (1926-2012) was a pioneering architect who shattered racial and gender barriers in the profession. As the first Black woman licensed as an architect in New York and California, Norma made significant contributions to iconic projects such as the Fox Plaza in San Francisco, the Pacific Design Center in Los Angeles, the US Embassy in Tokyo, and Terminal One at  LAX. But as a black woman, she faced a lot of discrimination throughout her career. In fact, after graduation, she was rejected by 19 firms purely because of her race and gender. But she made an impact at 5 notable firms, including Victor Gruen Associates where she worked with Frank Gehry and Cesar Pelli. She also co-founding a firm with 2 other women, named Siegel-Sklarek-Diamond, which was the first architectural practice led by women in the US. She was also the first Black woman to be part of the AIA in 1959 AND became an AIA fellow later in 1980. Sklarek's legacy extends beyond her architectural achievements; she was a passionate advocate for diversity in the field, mentoring countless young architects and leaving an indelible mark on the architecture community.About Tobi AshiruTobi is a passionate designer and alumna of the USC School of Architecture. With a mission to change the world through design,  she strives to push the boundaries of creativity. Born in Nigeria and raised in South Africa, Tobi seeks to create contextually relevant work that celebrates blackness. She's a interdisciplinary designer with diverse experiences as an architectural designer, installation artist, forever student, educator, and business owner.She stays committed to the advancement of underrepresented voices in many ways and through Poché Design Studio, a black woman owned design agency she co-founded, where the mission is to occupy and amplify the black space in design. Tobi is currently an adjunct professor at USC School of Architecture where she is the lead instructor for the A-Lab program.Instagram: @bypocheWebsite: tobiashiru.com, bypoche.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Today I am joined by Catherine Casalino to talk about the life and work of the incredible graphic designer and artist, Barbara Kruger. From her graphic design background, how that influenced her art, to the meaning and impact of her collaged artwork. We even dive into the ironic cycle of her regurgitated work being regurgitated by the skateboard brand, Supreme, and their head-scratching lawsuit story.____Barbara Kruger was born in 1945 in Newark, New Jersey. Kruger briefly attended Syracuse University, then Parsons School of Design in New York City, where she studied with artists and photographers Marvin Israel and Diane Arbus. Kruger worked in graphic design for Condé Nast Publications at Mademoiselle magazine, and was promoted to head designer within a year, at the age of twenty-two. Kruger has described her time in graphic design as “the biggest influence on my work…[it] became, with a few adjustments, my ‘work' as an artist.”In the early 1970s, Kruger started showing artwork in galleries in New York. At the time, she was mainly working in weaving and painting. However, she felt that her artwork lacked meaning, and in 1976, she quit creating art entirely for a year. She took a series of teaching positions, including at University of California, Berkeley. When she began making art again in 1977, she had moved away from her earlier style into photo and text collages. In 1979, Kruger developed her signature style using large-scale black-and-white images overlaid with text. She repurposed found images, juxtaposing them with short, pithy phrases printed in Futura Bold or Helvetica Extra Bold typeface in black, white, or red text bars. In addition to creating text and photographic works, Kruger has produced video and audio works, written criticism, taught classes, curated exhibitions, designed products, such as T-shirts and mugs, and developed public projects, such as billboards, bus wraps, and architectural interventions.Kruger addresses media and politics in their native tongue: sensational, authoritative, and direct. Personal pronouns like “you” and “I” are staples of Kruger's practice, bringing the viewer into each piece. “Direct address has motored my work from the very beginning,” Kruger said. “I like it because it cuts through the grease.” Kruger's work prompts us to interrogate our own positions; in the artist's words, “to question and change the systems that contain us.” She demands that we consider how our identities are formed within culture, through representation in language and image.______Thank you Catherine for joining me!catherinecasalino.com@cat.casalino Catherine Casalino is the principal and creative director of Casalino Design, an independent design company in New York City, focusing on book design and branding.Prior to founding Casalino Design in 2016, Catherine worked in-house as an art director and designer at Simon & Schuster, Random House, and Hachette Book Group, and she began her career at Rodrigo Corral Design.Over the past two decades, Catherine's work has been recognized by numerous international design organizations and publications. She has served as a competition chair and judge for The Type Directors Club, The One Club, The Art Directors Club, and the Association of American University Presses.She frequently speaks about design at art schools and organizations, is an instructor on Domestika.com, and volunteers as a mentor for Alphabettes—a community that supports women in type. 

In today's episode, I'm joined by the incredible designer, Meryl Vedros, as we dive into the remarkable life Gunta Stölzl, a visionary force at the iconic Bauhaus in Germany. We uncover what it truly meant to be a woman navigating the male-dominated world of design during the early 20th century. From her groundbreaking textile designs to her influential role as the only female master at the Bauhaus, we'll explore the enduring legacy of Gunta Stölzl and how her innovative spirit continues to inspire designers around the globe. As the only female master of the Bauhaus, textile artist Gunta Stölzl is arguably the single most influential figure in the modern history of Western woven art. Under her leadership, the school's weaving workshop was transformed from a neglected department to one of its most successful facilities. During her tenure, she updated the focus from pictorial work to more industrial designs, introducing radical ideas from the world of modern art to weaving, and initiated experiments in materials and methods that helped shift weaving into the modern age. Sources2019 Book “Bauhaus Women: A global perspective”2022 Daily Art Magazine article1999 Bauhaus Book by Anja Baumhoff2012 Talk at The Barbican Centre in London by daughter Monika “Bauhaus: Art as Life”Diary entries from Gunta herself. Slit Tapestry Red/Greenhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Wall-Hangings-and-Carpet/i-4h4SxCp Tapestry Paintings / Designshttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-6fRNWJHhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-xJrzrhMhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-tJbfVbHhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-CqVr29m From Sketch to Finalhttps://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Designs-for-Wall-Hanging/i-VxXtPrNhttps://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Wall-Hangings-and-Carpet/i-3ZMsh3B Thank you Meryl Vedros! https://www.vedrosstudio.com https://www.instagram.com/vedrosstudio/

This episode brings you ‘Fashion & Vitality' – the Provocation Dialogue by Otto von Busch & Christina Moon at The Digital Multilogue on Fashion Education 2023: De-Fashioning Education – A Critical Thinking and Making Conference in Berlin.Christina Moon is an Associate Professor of Fashion Studies in the School of Art and Design History and Theory at Parsons School of Design, The New School in New York. Her most recent project on the wardrobe explores the interplay of image, clothing, text and textile through diaspora, exile, and longing. Otto von Busch is Professor of Integrated Design at Parsons School of Design. In his research he explores how the powers of fashion can be bent to achieve a positive personal and social condition with which the Everyperson is free to grow to their full potential.Editors: Franziska Schreiber & Renate Stauss Sound editor: Moritz BaillyMusic by: Johannes von WeizsäckerGraphic by: Studio Regular

Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Get ready to skillfully navigate this posttruth world with so many false realities. We'll find Red Pills in Gnostic comics, books, and television shows that include the Gnostic series Silo. This exploration will cover many alternative movements and philosophies: Dadaism, Postmodernism, Anarchism, and more. And it will summarize the insights of such Gnosis exemplars like Philip K. Dick, Grant Morrison, and Michael Marshall Smith. Ultimately, you'll find that buried treasure that is your higher self under a sea of simulated worlds.Astral Guest – Dr. David Sweeney, author of The OA (Constellations) and lecturer in The Glasgow School of Art's Design History and Theory department.Join the Virtual Alexandria Academy https://thegodabovegod.com/virtual-alexandria-academy/Stream Meet The Archons: https://thegodabovegod.com/access-meet-archons/This is a partial show. For the second half of the interview, please become an AB Prime member: http://thegodabovegod.com/members/subscription-levels/ or patron at Patreon: https://www.patreon.com/aeonbyteGet the simple, effective, and affordable Red Circle Private RSS Feed for all full shows: https://app.redcircle.com/shows/2afbb075-465d-42d2-833b-12fa3bca1c7d/exclusive-contentMore information on David: https://www.gsa.ac.uk/about-gsa/our-people/our-staff/s/sweeney-david/Get the book: https://amzn.to/3QDno58Check our last interview with David: https://thegodabovegod.com/gnostic-themes-in-the-oa-and-other-television/Support this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In the 1930s, a design collective of mostly women produced textiles and wallpaper using their own block printed methods. They called themselves the Folly Cove Designers and became a powerhouse in the Americana design movement. Their commitment to high quality craftsmanship was an antidote to highly mechanized, mass produced goods and their legacy is still alive today.  In this episode I interview the author of a new book about the history of the Folly Cove Designers, Elena Sarni.Show Notes: https://www.slowstylehome.com/episodes/elena-sarniTo learn all about this podcast and the Slow Style Framework, go to:www.slowstylehome.com The Style Matters podcast is now Slow Style Home! Click here for the latest episode.

FOOFO gang! In today's episode we cover the thing that never gets too much love - TRACKS - how they're designed and a little bit of history on them. In our digging around for information on this topic, we become familiar with one man who seems to have his hand on every single track there is - Hermann Tilke. Who is he? What does he like on his sandwiches? Is he a man for the people? We don't discuss the last 2 but we get into the first question and its relevance to F1. Buckle up for a fun one! --- Intro/Outro Song: "2007" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Unknown Instrumentalz Deep Cuts Background Music| Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠https://linktr.ee/f1orfoff⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠https://tinyurl.com/337kz6x5⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

When discussing a historical subject as complex and dense as WWI, it is easy to reduce it to mere numbers or points on a map. Today WWII takes up so much space in historical memory, that we often overlook the equally important and compelling stories of those who experienced the tragedies and triumphs of what was once known as "The Great War." This week, in honor of Women's History Month and in remembrance of those who have been forgotten, we will be exploring the terror of WWI, and the incredibly vital role women played in this "War to End All Wars." The Great War | American Experience | Official Site | PBS The Great War In Numbers | TimelineWorld War I casualties - Centre européen Robert SchumanSeattle General Strike: Where Women Worked During World War I" by Tae H. Kim | Civil Rights and Labor History Consortium / University of WashingtonThe Dangers Of Working In WW1 Munitions Factory | IWMKatherine Feo. “Invisibility: Memory, Masks and Masculinities in the Great War.” Journal of Design History, vol. 20, no. 1, 2007, pp. 17–27. JSTORBespoke Bodies: The Design & Craft of Prosthetics | National WWI Museum and MemorialNational Army Museum | Chelsea, LondonMending the Scars of World War I - Wonders & MarvelsTrench Warfare | National WWI Museum and MemorialWestern Front | World War I, Definition, Battles, & Map | BritannicaWomen in WWI | National WWI Museum and MemorialImperial War Museums"Anna Coleman Ladd: An Artist Who Created Hope for Wounded Soldiers" – Pieces of History, National Archives Blog"Faces of War Amid the horrors of World War I, a corps of artists brought hope to soldiers disfigured in the trenches" Smithsonian Magazine | by Caroline Alexander. February 2007Patreon: patreon.com/themorbidmuseum Instagram: @themorbidmuseum Email: themorbidmuseum@gmail.comArtwork: Brittany Schall Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod

The pandemic has made us all rethink how we work. Where once millions of people used to travel into work in tall glass buildings in big cities every day, now our idea of the office has come to include the kitchen table or maybe even a coffee shop. Yet despite the temptation to shift permanently to remote working, many organisations say the events of the past few years have actually underlined the importance of offices as spaces that connect people. So what are offices for? We are delving back into the history of the modern office to learn how past designs could help us in the future. Presenter Rajan Datar is joined by three guest experts: Nigel Oseland is an environmental psychologist and consultant at Workplace Unlimited in the UK. He's the author of Beyond the Workplace Zoo: Humanising the Office. Jennifer Kaufmann-Buhler is Associate Professor of Design History at Purdue University in West Lafayette, Indiana. She's the author of Open Plan: A Design History of the American Office. And Agustin Chevez is a workplace researcher and architect, and Adjunct Research Fellow at the Centre for Design Innovation at Swinburne University in Melbourne, Australia. He's the author of The Pilgrim's Guide to the Workplace. Producer: Jo Impey (Photo: Modern coworking interior with an open-plan office lounge and plants; Credit: ExperienceInteriors/Getty Images)

In this episode of How I Grew This, Mada is joined by Katherine Kelly, VP of Higher Education Marketing at Handshake, to discuss how Handshake leverages mobile growth opportunities in higher education and the job market. Katherine started her career working in higher education and moved over to tech. She was an associate producer at ESPN, an Instructor of Design History, and a Research Assistant at The Victoria and Albert Museum. Katherine was also an Editor, Writer, and Host of her web series, ‘Just the Tips'.

AndrewPappi Van Winkle: https://woodencork.com/collections/pappy-van-winkleBalvenine Whiskey: https://us.thebalvenie.com/shop/DM Andrew about the Good & Bad of Freelance on the Holidays: https://www.instagram.com/andr3wsal3/Travel Poster HistoryLaurenMythic Quest: https://www.imdb.com/title/tt8879940/?ref_=fn_al_tt_1Abbot Elementary: https://www.imdb.com/title/tt14218830/?ref_=nv_sr_srsg_0His Dark Materials: https://www.imdb.com/title/tt5607976/?ref_=nv_sr_srsg_0Lego Masters Australia: https://9now.nine.com.au/lego-mastersPatrickSNL: https://www.imdb.com/title/tt17155674/?ref_=nv_sr_srsg_04-Letter TriviaTwitch - Live Every Monday at 7pmhttps://www.twitch.tv/mof1podcast

One of the most wonderful things about Pennsylvania German Studies is its interdisciplinary nature, and its bringing together of scholarly study with artistic and craft practice. In this exciting episode of Cloister Talk, accomplished artist Rachel Yoder discusses the origins of her passion for Pennsylvania German/Pennsylvania Dutch design and how the visual arts connect her to a Pennsylvania Dutch family heritage. We discuss Rachel's new book Pennsylvania Dutch Design: A History of Kitsch, Folk Art, & More, as well as how historical research informs Rachel's work. This conversation will inspire you to pick up a quill and paintbrush and try your hand at Pennsylvania Dutch folk art traditions! ​Learn more about Rachel's artwork at https://www.rachelyoderart.net/.

Our next guest is the acclaimed American graphic designer, author and scholar Louise Sandhaus. A professor at the California Institute of the Arts, she is also the principal of Louise Sandhaus Design, a studio she founded in 1998. Born in Massachusetts, Louise began her career in the 1970s and has since seen new technology disrupt and change the creative industries in ways many of us can't imagine – from the birth of the Apple computer to the software tools we still use today.  Thanks to the Internet, Louise has recently launched the permanent home for The People's Graphic Design Archive to preserve graphic design history for future generations and act as a source of inspiration for creative professionals everywhere. She's one of its four co-founders – an online platform rooted in a passion for celebrating our industry's output and learning from our previous creations. In this episode, we talk about new technology, how it transformed her career and why it's a force for good today. We discuss the rising tide of AI and its potential impact with tools like DALL-E. And we delve into Louise's path to success, the challenges she's faced, and the rewards she's enjoyed along the way.  We really understand why preserving graphic design is a real labour of love for Louise and why it's so important that we somewhat remove the "gatekeepers" to celebrate all kinds of work and champion the unsung creators whose voices are often not heard. As she so beautifully puts it, "everything and everyone is valued" when you have something that anyone can contribute to.

The Gene Keys book opens up as an invitation to begin a new journey in your life. Regardless of outer circumstances, you have something beautiful hidden inside of you. The sole purpose of the Gene Keys is to bring that beauty out—to unveil your eternal spark of genius that sets you apart from everyone else.   Biology points towards an amazing truth—your DNA is actually not in control of your destiny. It's your attitude towards life that tells your DNA the kind of person you want to become. This means that every thought, every feeling, every word, every action that you make in life is imprinted in every single cell of your body. Negative thoughts and emotions actually cause your DNA to contract, whereas positive thoughts and emotions cause it to expand and relax. This process is going on all the time, from the moment you come into the world to the moment you leave.   You are the architect, or as I like to think of it, the choreographer of your evolution. Inside of you lies great potential and beauty, and it's limited only by the way we see ourselves and the world around us.   So what are the GKs? If I had to say in a single line what the Gene Keys are, I would say they are a universal language made up of 64 genetic archetypes which allow you to completely re-envision yourself and recreate your life at a level limited only by your own imagination.    They are made up of 64 codes of consciousness and each code has 3 frequencies: the Shadow, Gift, and Siddhi. These codes are in each one of us. Some of these codes are found in our Human Design chart and when we lean into them, we discover our path to our purpose, to love, and to prosperity.    This living language of light contains three sequences: The Activation Sequence—Discovering your genius through the four Prime Gifts The Venus Sequence—Opening your heart in relationships The Pearl Sequence—Attaining prosperity through service   These sequences are collectively referred to as the Golden Path. As you contemplate the message in the Gene Keys you can pay special attention to the Gene Keys that make up your Golden Path—which are also revealed in your Human Design chart.   You are worthy, powerful, and created for a unique purpose. The world needs your genius—that thing inside of you waiting to be fully realized. Let's discover it, and use it for good, creating a legacy with your one and precious life.   Thank you for listening to the Lightworkers' Guide podcast. You were given a Divine download and it's your purpose to serve the world with it. I guide a select few clients per month to launch and scale their signature program. Coined the Kajabi queen, I take your brand and your vision to a whole new level. Are you ready? Apply today at lucycelebrates.com. And while you're there, check out the show notes and all the discount codes from my favorite guides.   Until next time, Lightworker, keep on shining on. You were created for something extraordinary.    Work with Me   The Intentional Planner   Let's Connect on Instagram   Say Hello hello@lucycelebrates.com   And don't forget to hit the follow button here on The Lightworkers' Guide so you don't miss an episode.   You are seen, you are worthy, you are light.

What is Human Design? What are the Gene Keys? I share some fascinating history of how the Human Design system came to life and an introduction to the Gene Keys.   So what is Human Design? Human Design is a roadmap on how to live your dream life. Being your happiest, most authentic, and most successful self is one that is totally unique to you. Human Design is here to help you recognize your innate gifts so that you can be who you truly were created to be.   The Bible allowed me the space to hear and know that each one of us was created for a purpose. That our story, gifts, talents, and passions are all clues to discovering it. And then what Human Design did for me, particularly the Gene Keys, was confirm the gifts I am meant to serve the world with.   And that's why I call it a tool for remembering.   God has left us clues everywhere in the form of patterns. Once you see them, they're in everything. Patterns and symmetry are woven into the fabric of every living thing.   You are worthy, powerful, and created for a unique purpose. The world needs your genius—that thing inside of you waiting to be fully realized. Let's discover it, and use it for good, creating a legacy with your one and precious life.   Thank you for listening to the Lightworkers' Guide podcast. You were given a Divine download and it's your purpose to serve the world with it. I guide a select few clients per month to launch and scale their signature program. Coined the Kajabi queen, I take your brand and your vision to a whole new level. Are you ready? Apply today at lucycelebrates.com. And while you're there, check out the show notes and all the discount codes from my favorite guides.   Until next time, Lightworker, keep on shining on. You were created for something extraordinary.    Work with Me https://www.lucycelebrates.com/pages/coaching   The Intentional Planner https://www.lucycelebrates.com/collections/shop   Let's Connect https://www.instagram.com/lucycelebrates   Say Hello hello@lucycelebrates.com   And don't forget to hit the follow button here on The Lightworkers' Guide so you don't miss an episode.   You are seen, you are worthy, you are light.

In this episode of How I Grew This, Mada is joined by Katherine Kelly, VP of Higher Education Marketing at Handshake, to discuss how Handshake leverages mobile growth opportunities in higher education and the job market. Katherine started her career working in higher education and moved over to tech. She was an associate producer at ESPN, an Instructor of Design History, and a Research Assistant at The Victoria and Albert Museum. Katherine was also an Editor, Writer, and Host of her web series, ‘Just the Tips'.

We take a deep dive into one of the most paranormal series in modern times. What are the Occult, philosophical, social, and artistic influences on The OA? How does it depend on Classical Gnosticism? The answers to these questions will lead us to explore similar shows like Sense8, Stranger Things, Twin Peaks, Fringe, and more – as well as delve into the minds of Gnostic-friendly artists like David Lynch, The Wachowskis, Grant Morrison, Michael Moorcock, and Alan Moore.Astral Guest – Dr. David Sweeny, author of The OA (Constellations) and lecturer in The Glasgow School of Art's Design History and Theory department.This is a partial show. For the second half of the interview, please become an AB Prime member: http://thegodabovegod.com/members/subscription-levels/  or patron at Patreon: https://www.patreon.com/aeonbyteGet the simple, effective, and affordable Red Circle Private RSS Feed for all full showsMore information on David: https://liverpooluniversitypress.co.uk/books/isbn/9781800859432/Get the book: https://amzn.to/3QDno58Or get it here for a 30% off discount code AUTEUR30: https://www.liverpooluniversitypress.co.uk/contributors/Sweeney%2C+David/?view=bookSupport this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy