Podcasts about Pop art

Edmonton, Jasper et la route des glaciers : Elisa et Max poursuivent leur voyage avec leur fille Lily, entre art contemporain, nature brute et panoramas spectaculaires.Une pause urbaine à Edmonton et une expo pop artLeur logement préféré : au bord du lac, face aux montagnesDes cerfs rencontrés en forêtL'Icefield Parkway, arrêt tous les 5 km pour admirer le décorUn pique-nique au sommet, au coucher du soleil, avec Jasper Food Tour

Amidst the profound social change and political turmoil of post-war Japan, a bold generation of avant-garde artists and photographers emerged in the 1960s, forever transforming the global art landscape. Japanese Avant-Garde Pioneers' director Amélie Ravalec attended the Dutch premiere at De Balie in Amsterdam to talk about the film with our cinema curator Stefan Malešević. Watch the film screening of Japanese Avant-Garde Pioneers until June 23, exclusively at De Balie.The 1960s era in Japan was a time of profound social change, political unrest and student protests. The turbulent times of the postwar era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, “Angura” theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design.A new aesthetic of photography was born: “Are, Bure, Boke” (rough, dark and out of focus), pioneered by Moriyama Daidō and the Provoke magazine photographers. Araki beautified bondage and Hosoe Eikoh sublimated the male body. Ishiuchi Miyako captured her experience of American military bases. Kawada Kikuji's era-defining photobook The Map captured the poignancy of Hiroshima's trauma.Master of underground theatre Terayama Shūji produced countless magical, surreal and vividly colourful films, plays and photobooks, Yokoo Tadanori and Awazu Kiyoshi revolutionised graphic design with their incandescent theatre posters, Tanaami Keiichi, Japan's answer to Andy Warhol, developed his unique kaleidoscopic vision of Pop-Art, and Butoh founders Hijikata Tatsumi and Ohno Kazuo impacted modern dance forever with their dance of darkness and light.Watch the official trailer here.Get your tickets for the film screening at De Balie here.Intro music: Andrii Poradovskyi---Want to know more about Forum on European Culture? Here you can find more information.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

In this episode of Jo's Art History Podcast, Jo McLaughlin is joined by Dan Quill to discuss the artist Richard Hamilton.Whether you're an art enthusiast, a history buff, or just curious about the stories behind the masterpieces of the past, this episode is packed with fascinating discussions and fresh perspectives.Guest Details:Dan Quill is an internationally-exhibited ‘Garage Artist', Talking Head, ‘Vibe-Writer', PHREAK Music Hacker & occasional alt-Jazz DJ .  He is the creative force behind Zeitwarp - the cultural hack node, multidisciplinary studio and creative support program based near Cambridge (UK). Specialising in the intersection of culture, technology and humanity, Dan synchronises his artistic practice with his broadcast, public-speaking and mentoring platform.If you would like to know more about some of the discussion points in this episode, then Dan has published a companion article to this episode, “Re-Make/Re-Model: Richard Hamilton, Pop-Art & Generative AI” that you can access for free on his Substack using the link below:https://open.substack.com/pub/zeitwarp/p/re-makere-model-richard-hamiltonFind Dan online:Website: https://zeitwarp.com/Substack: https://substack.com/@zeitwarpInstagram: https://www.instagram.com/zeitwarp/Host Details:Jo McLaughlin is the creator and host of Jo's Art History Podcast, an art historian, writer, and passionate storyteller dedicated to making art history accessible and engaging for all.Find Jo online:Website: www.josarthistory.comInstagram: @josarthistoryLinkedIn: Jo McLaughlinResources & References:Incredible Interview with Richard Hamiltonhttps://www.youtube.com/watch?v=wf9SRy2NhfkJust what is it that makes today's homes so different, so appealing?https://en.wikipedia.org/wiki/Just_what_is_it_that_makes_today%27s_homes_so_different,_so_appealing%3Fhttps://en.wikipedia.org/wiki/This_Is_TomorrowIncredible Interview with Richard Hamiltonhttps://www.youtube.com/watch?v=wf9SRy2Nhfk, which looks into the second in the Just what is it, series. All done digitally.Dan mentioned the link to this work and the Barbie movie in the episode. It inspired Ken's house. Read more on that here:https://www.yahoo.com/news/real-life-inspiration-ken-mojo-003043462.htmlhttps://www.thedailybeast.com/obsessed/barbie-the-real-life-inspiration-for-kens-mojo-dojo-casa-househttps://www.gq-magazine.co.uk/article/barbie-film-set-designInterior IIhttps://www.tate.org.uk/art/artworks/hamilton-interior-ii-t00912The Bride Being Striped Bare https://philamuseum.org/calendar/exhibition/museum-studies-6-richard-hamilton?utm_source=chatgpt.comIncredible paper on the work: https://www.tate.org.uk/research/tate-papers/26/through-the-large-glassMore on the Artist:https://smarthistory.org/richard-hamilton-just-what-is-it/?utm_source=chatgpt.comhttps://www.theartstory.org/artist/hamilton-richard/https://en.wikipedia.org/wiki/Richard_Hamilton_(artist)https://www.youtube.com/watch?v=4imgF1Y-P0khttps://www.youtube.com/watch?v=wf9SRy2NhfkSupport the Podcast:If you enjoyed this episode, please consider leaving a review and rating on whatever platform you are listening on. Your support helps us reach more art lovers!Follow Jo's Art History Podcast for more episodes on Itunes, Spotify or wherever you listen to podcasts.Let's keep the conversation going! Share your thoughts on social media using #JoArtHistoryPod and tag us @josarthistory.If you would like to purchase a book from my Amazon wish list as a gift to say thank you and support a future episode, please do so here:https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_shareThanks for listening!

There was a lot to love in today's crossword, but it had us at 25A, Ref. work with definitions for "colour" and "aluminium", OED (our favorite reference work of all time). We became even more smitten thanks to 27A, Andy Warhol's "Campbell's Soup Cans," e.g.,  POPART; and the kicker had to be the shoutout to one of our favorite foodstuffs, 30D, Vegan protein source, TOFU (yum!).Since it is Tuesday, we have another one of our patented, trademarked and copyrighted Triplet Tuesday™️ segments, so to see how Mike (in the hotseat tonight) fared, have a listen to today's episode.Show note imagery: The OED, further proof that the Brits don't know how to do anything by halves

L'arte del secondo Novecento: storia, protagonisti, opere e le correnti artistiche più importanti dal secondo dopoguerra al nuovo millennio.

Pop art: caratteristiche e stile della corrente artistica che nacque in Inghilterra. Tra i suoi più noti esponenti ebbe Warhol, Roy Lichtenstein e Keith Haring.

Roy Lichtenstein, vita e opere di uno degli artisti più innovativi della seconda metà del XXI secolo e protagonista della Pop Art americana. Caratteristiche dello stile e analisi delle opere.

En este episodio de PopArt! nos acompañó Manuela Valencia, vocalista de Munna Sound System - Dúo de afrobeat colombiano. Propuesta que fusiona elementos de afrobeat, champeta, dancehall, dub y currulao. Recorrimos su historia, sonidos, letras, baile, lo urbano, sagrado, caribe, geométrico y sensual. La esencia pura de Munna Sound System.

Mitte der 1950er-Jahre entstand in Großbritannien und den USA eine neue Kunstrichtung: die Pop Art. Pop Art reflektiert die Konsumgesellschaft nach dem zweiten Weltkrieg. Die Bildsprache der Werbung wird von den Kunstschaffenden übernommen, alltägliche Gegenstände und Figuren überdimensional dargestellt und durch comichafte Darstellung überhöht. Bald wird die Pop Art zur einer der bekanntesten künstlerischen Strömungen. In dieser Sendung aus dem Jahr 1965 betrachtet Udo Kultermann die Kunstrichtung und versucht vorauszusagen, welche Rolle die Pop Art für die Kunstgeschichte spielen wird. Von Udo Kultermann SWR 1965

En este episodio de PopArt! se sumó Luis Picazo - Cantautor, productor y multinstrumentista mexicano. Recorrimos sus inicios artísticos, trayectoria, influencias y sonidos exquisitos aunando el indie rock e indie folk.

Today on the show, a new survey shows the vast majority of Wyomingites believe climate change is happening. We'll spend a day with the Albany County Outdoor School – a program that brings local fourth graders into their public lands. And we hear a tribute to a Northern Arapaho elder who was fluent in the language. Those stories and more.

En este PopArt! nos acompañó Alejandro Roemmers - Poeta y escritor argentino. Hablamos del Festival internacional de poesía en Granada España, de su poesía, libros, su reciente obra El misterio del último Stradivarius y su pensamiento literario.

Episode #743: Bryan and Krissy are back to discuss the wild Pop Art craze feeding the Labubu craze! As usual, once TCB knows about it...it's too late! Plus, they break down the chaos behind Hollywood's labor disputes and the wild world of nostalgic collectibles. First, they take a jab at union drama in the entertainment biz—why some actors are barely scraping by while execs are jetting off to Istanbul to save a buck. Then, they dig into the rise of Labubu (no, seriously), the vinyl toy that's got adults throwing elbows at Pop Mart's around the globe. From behind-the-scenes rental companies of Hollywood to Beanie Baby flashbacks, Bryan misses every opportunity to cash in! Show Notes: [04:15] Union Struggles in Hollywood – Why productions are fleeing L.A. faster than a Netflix cancelation [05:18] Real Estate and Production Trends – Istanbul: now with more actors [06:21] Podcast Shenanigans & Celebrity Interview Teases [09:20] Will Ferrell vs. Adam Sandler – Who wins in the existential comedy showdown? [12:20] Pop-Up Stores and Nostalgia Drops – Yes, adults are still buying toys [15:20] Meet La Boo Boo – The collectible you never knew you needed [19:17] Collectibles & Culture – What your Funko Pop says about you [21:28] The Parental Guilt of Consumerism – Because kids need therapy and matching plushies [26:24] Sean's Weird Job Reveal – It's as strange as it sounds [35:16] The Economics of Labubu– Capitalism in a cute little box [43:44] Nostalgia, Beanie Babies, and the Cyclical Nature of Dumb Trends [47:00] Farewell Rant – Bryan declares Beanie Babies are back (again) TCB Intro Clips: Ferris is a righteous dude! Watch EP #743 on YouTube! Text us or leave us a voicemail: +1 (212) 433-3TCB FOLLOW US: Instagram:  ⁠⁠@thecommercialbreak⁠⁠ Youtube: ⁠⁠youtube.com/thecommercialbreak⁠⁠ TikTok: ⁠⁠@tcbpodcast⁠⁠ Website: ⁠⁠www.tcbpodcast.com⁠⁠ CREDITS: Hosts: ⁠⁠Bryan Green⁠⁠ &⁠⁠ Krissy Hoadley⁠⁠ Executive Producer: Bryan Green Producer: Astrid B. Green Voice Over: Rachel McGrath TCBits Written, Voiced and Produced by Bryan Green To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

En este PopArt! hablamos con la escritora colombiana - Wendy Angee. Puntualizamos en su reciente obra, Destiempo. Una colección de relatos intensos y profundamente humanos. El libro recorre líneas profundas como el destino, el recuerdo y las decisiones.

No podcast ‘Notícia No Seu Tempo’, confira em áudio as principais notícias da edição impressa do jornal ‘O Estado de S.Paulo’ desta sexta-feira (02/05/2025): O temor de que o tarifaço do presidente Donald Trump leve a maior economia do mundo à recessão está fazendo com que investidores estrangeiros se desfaçam de papéis americanos. O movimento, que afetou Bolsas, títulos do Tesouro e dívidas corporativas americanas, além de enfraquecer o dólar, deu uma trégua nos últimos dias, mas, desde março, estrangeiros venderam US$ 63 bilhões em ações, de acordo com o Goldman Sachs. A Europa tem sido o principal destino dos investimentos. O capital de fora dos EUA detém US$ 19 trilhões em ações, US$ 7 trilhões em títulos do Tesouro (Treasuries) e US$ 5 trilhões em títulos de dívida de empresas, estima a gestora Apollo. E mais: Política: Moraes autoriza Collor em prisão domiciliar com uso de tornozeleira Metrópole: Governo manda sites tirarem do ar conteúdo que promove vape Economia: Programa para fornecer luz a comunidades isoladas não atinge a meta Caderno 2: 600 vezes Andy Warhol em SPSee omnystudio.com/listener for privacy information.

QUE SERA, SERA, What will be, will be, is what they say. However, what I say is that finally, Episode 122 of Pop Art is now up. Yes, Pop Art, the podcast where we find the pop culture in art and the art in pop culture.  So get out those second amendment rights, as Jason Soto of the Rabbit Hole Podcasts and I discuss Goldie Hawn and Chevy Chase in Foul Play and Jimmy Stewart and Doris Day in Hitchcock's remake of his own film The Man Who Knew Too Much, two movies about ordinary people woh get swept up in an assassination plot.  As a side note, I could use a lot more followers and reviews. So give a guy a break and rhapsodize poetic while talking about how much you love what I have to say.  Jason and I especially had a great discussion on paranoia and conspiracy in films, comparing the two versions of the Hitchcock film, and praising Dudley Moore's breakout performance.  Also check out the Rabbit Hole Podcast at https://rabbitholepodcasts.com/author/whateverjasonsoto/ It is a virtual treasure trove of goodies to listen to when it comes to pop culture.  Check out my blog at https://howardcasner.wordpress.com/  My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes.

Vanessa Sinclair, PsyD is a psychoanalyst in private practice, who works remotely online with people all over the world. She hosts the internationally-renowned podcast Rendering Unconscious, which was awarded the Gradiva Award for Digital Media by the National Association for the Advancement of Psychoanalysis (NAAP).Dr. Sinclair is the author of Things Happen (2024), Scansion in Psychoanalysis and Art: The Cut in Creation (2021), The Pathways of the Heart (2021), and Switching Mirrors (2016).She is the editor of Psychoanalytic Perspectives on the Films of Ingmar Bergman: From Freud to Lacan and Beyond(2023), as well as the Rendering Unconscious: Psychoanalytic Perspectives book series.Dr. Sinclair co-edited The Queerness of Psychoanalysis: From Freud and Lacan to Laplanche and Beyond (2025) with Elisabeth Punzi and Myriam Sauer, as well as Outsider Inpatient: Reflections on Art as Therapy (2021) with Elisabeth Punzi, On Psychoanalysis and Violence: Contemporary Lacanian Perspectives (2019) with Manya Steinkoler, and The Fenris Wolf vol 9 (2017) and The Fenris Wolf vol 11 (2022) with Carl Abrahamsson. She is a founding member of Das Unbehagen: A Free Association for Psychoanalysis, sits on the International Advisory Board for the journal Psychoanalysis, Culture & Society, and is Editorial Advisor for Parapraxis Magazine.Vanessa and I talk about her upcoming course with Morbid Anatomy, “The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens.” This course will be taking place on Sundays, from May 25- June 15, and all classes will be recorded for those who can't make it to the live class for whatever reason.As the Morbid Anatomy website states: Drawing on the theories of a variety of psychoanalysts, including Freud, Lacan and Laplanche, the course will explore the long and rich relationship between psychoanalysis and the fine arts – from painting and music to poetry, collage, photography, film, and performance art, including the use of technology and body modification to explore aspects of identity, gender and sexuality. Through immersion in the work of these artists and psychoanalytic ideas, participants will walk away with a better understanding of the transformative process inherent of the act of creation itself, especially when used as a powerful disruption of narrative, and hopefully feel inspired themselves to create! In this discussion, Vanessa gives a sneak peek into each of the four parts of the course. Some highlights are: talking about the inspiration for the course;outlining the events that led to the creation of psychoanalysis as well as the avant-garde movement;expanding on the historical backdrop – what was happening during these years that created this paradigm shift;looking at the years leading up to WW1, and what was taking place then, focusing on psychoanalysis and the avant-garde art scenes;focusing on surrealism and later developments in experimental film, followed by some discussion on the Beat Poets, and outlining how these three are interconnected;focusing on the birth of pop art, and art as it moved from the galleries to the streets, as well as performance art that included the body as an important vehicle/tool of expression. PROGRAM NOTES:Vanessa's website (with all links): Dr Vanessa SinclairMorbid Anatomy Course:The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens, Led by Vanessa Sinclair, PsyD, Begins May 25 — Morbid AnatomySelected Works:Amazon.com: Scansion in Psychoanalysis and Art (Art, Creativity, and Psychoanalysis Book Series): 9780367567262: Sinclair, Vanessa: BooksAmazon.com: The Queerness of Psychoanalysis: 9781032603827: Sinclair, Vanessa, Punzi, Elisabeth, Sauer, Myriam: BooksPodcast Rendering Unconscious:Podcast – Dr Vanessa SinclairInstagram:InstagramRobert Frank, Me and My Brother (1968)Me and My Brother (1968) - IMDbMusic, Editing and Video Production: Stephanie Shea

durée : 00:01:20 - Les 80'' - par : Nicolas Demorand - Gallimard lance une nouvelle collection de petits livres, de courtes monographies vendues dans une pochette : haque volume est consacré à l'œuvre d'un grand artiste.

En vivo desde el Quilmes Rock.(0:00) Dia histórico(4:13) Mikki Lusardi(6:51) Bunker Popart x Circulo(10:45) Expectativas(13:41) Modo duende(15:09) Charlas con artistas(17:22) Mati Loizaga de Popart(18:34) La vuelta del Quilmes Rock(23:51) El armado del festival(32:11) 55 mil personas(35:10) Pruebas de sonido(36:07) Precompras y Enigma(38:33) Público argentino(46:55) Walas de Massacre(49:39) Producir eventos(52:38) Parte 2(55:20) Fidel Nadal y música graciosa(56:53) Magaiba (57:36) El set up(1:01:01) Circulo Vicioso Club(1:10:10) Vecino martillador(1:11:20) Tecnología, mecánica y electrónica(1:14:15) Trump y los aranceles(1:23:03) Mota y Cypress Hill(1:25:10) Cierre y final

Timestamps: Yappin' about ‘being silenced by the flu and secondary infections' (0:08)Brooks Ann faked an illness? (2:09)Our first car trip out West (3:48)What music we're listening to- POP is back! (6:39)Selena Gomez drops new album (8:31)Working on our summer bodies (11:30)What we've been watching: White Lotus and our king Mike White (14:55)Baylen Out Loud (19:00)Bravo's RHOBH (21:51)News: George Foreman passes on a legacy (25:15)The Pyramids of Giza (29:16)Emma Chamberlain OG creator (30:34)The Dolan Twins we miss you (32:09)Spring has Sprung -and so has the cleaning (34:16)Alway in yappin in Art class (38:52)Fashion takes on Vogue's April cover starlet Gigi Hadid (40:46) THANK U FOR FOLLOWING/RATING & REVIEWING!!Make sure to follow us on Instagram & Tik TokKB's personal IG: Cunningham_gram & don't forget to follow our youtube channel  _________________________________________________

Si vous avez déjà vu des statues d'hommes peu vêtus, voire complètement nus, vous vous êtes sans doute demandé : pourquoi ce corps musculeux et idéalisé est-il aussi modestement pourvu au niveau des parties génitales ? Si les bourses échappent à ce riquiquisme, on doit bien admettre que pour le reste de l'attirail, c'est une quasi-constante dans les représentations de l'Antiquité, qu'ils soient celles d'un Dieu ou d'un simple mortel. Grecs et Romains de l'époque avaient-ils simplement un plus petit penis que les autres ? Quel lien peut-on faire avec notre conception contemporaine de la virilité ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. A écouter aussi : Quelle a été la première séance de cinéma de l'histoire ? Comment le Pop Art a bouleversé le monde de l'art ? Quelles sont les 5 tombes de célébrités les plus surprenantes ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Première diffusion le 10 aout 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Artist Brenan Sharp tackles Pop Art and Fauvism with the whim of his brush, throwing in the occasional statement for good measure. He feels re-invention is the key to staying fresh, and tries to do so with every new show. Brenan's artistic pursuit has been described as a “delicate assault on popular culture” by the Nashville Scene, where he won Nashville's Best Local Visual Artist three times. After living in Chicago and being part of the art scene there, he has returned to Nashville where he is grateful to once again be showing his art.https://artbybrenan.com/https://www.instagram.com/artbybrenan/https://www.facebook.com/BrenanSharp/https://www.threads.net/@artbybrenan@thevillagerpeople.com (podcast)"Still on the Run" - https://www.fbrmusic.com/Host - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information/Guest Suggestions  -  ftsunashville@gmail.com

He is known as the most important American artist of the second half of the 20th century. A Pop icon par excellence, rumor has it that he once declared: “It would be glamorous to be reincarnated as a great big ring on Liz Taylor's finger.” In a sense, that is exactly what he did. When he died, a veritable treasure trove was discovered, hidden in his apartment, including a small diamond heart containing plenty of secrets. Proof perhaps that fame often conceals even greater gifts...Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts;Bei HE, Art Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

On le présente comme l'artiste américain le plus important de la seconde moitiée du XXe siècle. Icône pop' par excellence, il aurait déclaré un jour : « Ce serait très glamour de se réincarner en une grosse bague au doigt d'Elizabeth Taylor. » En un sens, c'est bien ce qu'il a fait. À sa mort, caché dans son appartement, on découvre un véritable trésor. Dont un petit cœur en diamant qui renferme plus d'un secret… La gloire cache des trésors plus brillants encore… La Voix des Bijoux est un podcast de L'École des Arts Joailliers, avec le soutien de Van Cleef & Arpels.Avec la participation de Léonard Pouy, Docteur en Histoire de l'Art et Responsable Contenus et Transmission à L'École des Arts Joailliers.Écrit par Martin Quenehen et Aram Kebabdjian, interprété par Pierre-François Garel et produit par Bababam. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

It's been awhile since we've done a pre-code film on the show, but this week we remedy that problem. Howard Casner from Pop Art returns to the show to discuss 1932's Forbidden, from director Frank Capra. It stars Barbara Stanwyck, Adolphe Menjou, and Ralph Bellamy. Beyond the main discussion, we've also got our movie recommendations and the trivia game. So join us for some scandalous pre-code fun. 

I was late for Christmas, but I made it just in time for this holiday. So, without further ado…  I HEAR MUSIC WHEN THERE'S NO ONE THERE: Episode 122, Music and Lyrics/Once  “You seem angry - click your pen!” For these two films, Richard Kirkham (of the Lambcast and A Movie a Day blog) has agreed to be my annual Valentine's Day guest. We have chosen the two films above, both love stories revolving around songwriters.   Richard and I especially had a great discussion on such topics as why we like rom coms; which do we prefer, rom coms or rom drams; what are some of the familiar tropes that we like; the career of Drew Barrymore and Hugh Grant; and which songs do we prefer. Check it out.  Also check out Richard Kirkham The Lambcast https://largeassmovieblogs.com/ on which I am a frequent guest  And Richard's blog A Movie A Day https://kirkhamclass.blogspot.com/    Check out my blog at https://howardcasner.wordpress.com/  My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss  Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes.

For the art students and pop-culture aficionados lined up, the once-in-a-lifetime chance to see and meet the “Peter Pan of Pop Art” turned out to be merely a chance to be the butt of one of his irreverent pranks. (Lane and Yamhill County; 1960s) (For text and pictures, see https://offbeatoregon.com/1610c.andy-warhol-punks-oregon-413.html)

durée : 00:27:52 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, des expositions : "Pop Forever. Tom Wesselmann &..." à la Fondation Louis Vuitton et "Du Cœur à la Main : Dolce&Gabbana" au Grand Palais. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Céline du Chéné Productrice à France Culture

A DISH BEST SERVED COLD: “One God, that I can understand; but one wife? That is not civilized” For these two films, I and a newcomer to Pop Art, Sammy Juliano (author of Paradise Atop the Hudson, Irish Jesus of Fairview, and other novels), discuss two films revolving around revenge.     Sammy and I especially had a great discussion on such topics as why revenge fascinates us. How satisfying is revenge. The directors William Wyler and Marlon Brando. And, oh, that chariot race. Check it out.     Also check out Sammy's books on Amazon, including his most recent one, Mikey's Absolution https://www.amazon.com/stores/Sammy-Juliano/author/B09NCN9JQW?ref=dbs_a_mng_rwt_scns_share&isDramIntegrated=true&shoppingPortalEnabled=true     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes.

Hello, listeners! It's time for a new Brave Story.

CHRISTMAS CAN BE CRIMINAL: Episode 120, In Bruges/We're No Angels     “Geez, he swears a lot, doesn't he?” For these two films, I and my annual holiday guest, Jay Cluit of the Deep Blue Sea Podcast, discuss two films revolving around escaped prisoners hiding out during the holidays.     Jay and I especially had a great discussion on such topics as what is it about dark comedy that we love? Who gives the best performance? Has Martin McDonagh gone four for four? Check it out.     Also check out Jay's The Deep Blue Sea Podcast at: https://podcasts.apple.com/us/podcast/deep-blue-sea-the-podcast/id1522738259       Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

This dual feature episode highlights Corita Kent's journey from nun to Pop Art pioneer, using screen printing to champion love and justice, and Britt Rohr's modern take on printmaking as the founder of Swell Press, blending craftsmanship and storytelling in her designs._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Book: Learning by Heart: Teaching to Free the Creative Spirit by Corita Kent and Jan StewardAbout CoritaCorita Kent (1918–1986), also known as Sister Mary Corita, was a nun, artist, and educator whose screen prints and serigraphs fused Pop Art with powerful messages of love, justice, and activism. As chair of the art department at Immaculate Heart College, she inspired a generation of students with her innovative teaching methods and bold use of everyday imagery. Her works, including the iconic Love stamp and Rainbow Swash mural, continue to resonate globally as symbols of creativity and compassion. Today, Corita is celebrated for her unique ability to elevate the ordinary into the extraordinary. About BrittBritt Rohr is the founder of Swell Press, a California-based letterpress studio known for its meticulous craftsmanship and timeless designs. With a passion for tactile art forms, Britt has carved out a niche in creating bespoke print pieces that marry modern aesthetics with the classic charm of letterpress. Her work has been featured in numerous publications and admired for its ability to tell meaningful stories through design. Follow Britt:Instagram: @swellpressWebsite: SwellPress.com  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Plongez dans les origines fascinantes du hip-hop, ce mouvement culturel né dans le Bronx des années 70 et devenu un phénomène mondial. Découvrez comment cette culture a révolutionné la musique, l'art et l'activisme. Un voyage rythmique à ne pas manquer pour tous les passionnés de musique urbaine ! Le hip-hop, c'est la fusion de cinq éléments danse, le djing, graffiti, le graff, le beatbox, et le MCing qui forme une culture révolutionnaire. L'émancipation pacifique d'une jeunesse laissée à l'abandon qui se prend en main dans un contexte économique et social désastreux. Ou comment canaliser la violence de quartiers en proie à la misère et aux guerres de gang par des battles de danse et de musique. Comment peut-on définir le hip-hop ? Qui est à l'origine du mouvement ? Et comment le hip-hop a-t-il explosé ? Ecoutez la suite dans cet épisode de "Maintenant vous savez - Culture". "Maintenant Vous Savez" c'est également deux autres podcasts qui décryptent la culture avec "Maintenant Vous Savez - Culture" et la santé avec "Maintenant Vous Savez - Santé". Quatre fois par semaine, nous vous proposons de découvrir les meilleurs épisodes. Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. Date de première diffusion : 24 février 2022 A écouter aussi : Pourquoi les statues de l'Antiquité ont-elles un si petit penis ? Quelle a été la première séance de cinéma de l'histoire ? Comment le Pop Art a-t-il bouleversé le monde de l'art ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Knallige Farben, starke Kontraste und plakative Motive: Die Pop Art der 1960er und 1970er hat bei Künstlern im Südwesten tiefe Spuren hinterlassen. Gerade Stuttgart mit seiner Kunstakademie und seinen Siebdruck-Werkstätten galt damals als Pop Art-Hotspot der Region. Eine Ausstellung in der Städtischen Galerie Backnang zeigt, wie das Pop Art-Lebensgefühl den Südwesten prägte.

In the third and final live episode of Parola Progetto from New York, we sit on the couch at SalottoNYC with a protagonist of contemporary art: Massimiliano Gioni.A visionary curator, artistic director of the New Museum in New York, and director of the Trussardi Foundation in Milan, Massimiliano takes us on a journey into the profession of contemporary art curation.From his teenage passion for pop art to groundbreaking projects like the 2013 Venice Biennale, we explore the world of a professional who has redefined contemporary curatorial practice. We'll uncover the meaning of “uncomfortable art” and how the museum can become a gymnasium for navigating complexity.---------The links of this episode:- The New Museum in New York https://www.newmuseum.org- The Trussardi Foundation https://www.fondazionenicolatrussardi.com- The 55th International Art Exhibition entitled "Il Palazzo Enciclopedico (The Encyclopedic Palace)", curated by Massimiliano Gioni https://www.labiennale.org/en/il-palazzo-enciclopedico- "Arte di frontiera: New York graffiti" by Francesca Alinovi https://bit.ly/4ifyuuB- Lucy R. Lippard, author of the book "Pop Art" (1966) https://en.wikipedia.org/wiki/Lucy_R._Lippard- “What Do Pictures Want?” by W.J.T. Mitchell https://press.uchicago.edu/ucp/books/book/chicago/W/bo3534152.html- “Solaris” by Stanisław Lem https://en.wikipedia.org/wiki/Solaris_(novel)- “Jules et Jim” by Henri-Pierre Roché https://en.wikipedia.org/wiki/Jules_and_Jim

Jess Bromovsky highlights five iconic Andy Warhol celebrity prints, showcasing how Warhol redefined fame and media culture through his art. His Marilyn Monroe series epitomizes the interplay between glamour and vulnerability, turning Monroe into a symbol of commodified fame. The Queen Elizabeth II prints modernized royal portraiture, blending tradition with Pop Art, emphasizing her role as a global icon. The Mick Jagger portfolio captures the rebellious energy of 1970s rock culture, while Jackie Kennedy's series poignantly explores the intersection of personal tragedy and public spectacle. Lastly, Warhol's Muhammad Ali prints elevate the athlete to cultural icon status, reflecting the growing role of sports in celebrity culture. These works illustrate Warhol's ability to transform individuals into enduring symbols, foreshadowing the media-driven fame of today's influencers and celebrities.

Shoot us a Text.Welcome to Wednesday as we talk about the likely EV regulation rollbacks on Trump's Day One. We also talk about a Jaguar rebrand that's unlike anything we've ever seen, as well Delta's new initiative to serve ShakeShack on first class flights. Show Notes with links:Sean Duffy has been nominated to head the U.S. Department of Transportation by President-elect Trump, with a vision to lead America into a "golden age of travel." His nomination brings significant implications for automotive and transportation policies.A former congressman and Fox News host, Duffy is expected to roll back EV-supportive policies, aligning with Trump's “Day One” initiatives.EV advocates have expressed concerns about potential climate change impacts under his leadership.He advocates for right-to-repair laws, citing high repair costs linked to automaker patent restrictions and may spearhead advancements in autonomous vehicle policies, including self-driving trucks.“It is imperative a federal policy framework on AVs be put in place,” said Jeff Farrah, CEO of the Autonomous Vehicle Industry Association.Jaguar is charging into a bold new era as it prepares to go fully electric by 2026. Alongside plans for an all-electric lineup, the automaker has unveiled a reimagined logo and identity that apparently attempts to blend its classic heritage with modern flair.The new logo spaces out the letters and mixes upper and lowercase for a sleek look.Jaguar leans on its founder's motto, “A Jaguar should be a copy of nothing,” now simplified to “Copy Nothing.”Taglines include “delete ordinary” and “live vivid”, with Pop Art-inspired ads featuring very serious, very colorful models.Chief Creative Officer Gerry McGovern says it's about capturing Jaguar's essence for today's world: “This is real,” he told reporters, “not the white stuff.”Their first electric model, a 2026 super-GT, promises exciting new designs.Delta Airlines is taking in-flight dining to the next level with a delicious new partnership with Shake Shack. Starting December 1, passengers in First Class on select flights will be able to enjoy Shake Shack's iconic Cheeseburger while cruising at 30,000 feet.The burger will first be available on Boston flights, with plans to expand nationwide by 2025.The Shake Shack Cheeseburger features 100% Angus beef, a potato bun, and customizable toppings like lettuce, tomato, and their famous ShackSauce and the meal comes with chips, a Caesar salad, and a dark chocolate brownie.Passengers can pre-select their burger up to 24 hours before departure through the Fly Delta app.This collaboration builds on Delta's partnership with Union Square Hospitality Group, founded by Shake Shack creator Danny Meyer.Shake Shack's Michael Kark says, “We're proud to partner with Delta to elevate the in-flight dining experience. It's a great way to bring our iconic cheeseburger to new heights!”Hosts: Paul J Daly and Kyle MountsierGet the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/ Read our most recent email at: https://www.asotu.com/media/push-back-email

(1976-1986) - Elizabeth è molto più a proprio agio nel celebrare il 25° anniversario di regno che non il Mondiale di calcio vinto qualche anno prima. È tempo di festeggiamenti maestosi ma anche di plateali proteste, e il Silver Jubilee segna il passaggio a un decennio di forti tensioni sociali che l'irriverenza punk dei Sex Pistols fotografa chiaramente. Mentre la nuova leader conservatrice, Margaret Thatcher, non guarda in faccia a nessuno e si guadagna l'appellativo di ‘Lady di ferro', la Corona finisce così a far da parafulmine per il malessere e la violenza diffusi nella società. Quello è, così, anche tempo di attentati e di inquietanti intrusioni nella bolla impenetrabile che aveva sempre avvolto Elizabeth: rischi ormai frequenti, come mostrano altri atti di violenza diretti a importanti personaggi - quali Papa Giovanni Paolo II o, ancor più tragicamente, John Lennon - per le icone di quegli anni: ed Elizabeth lo è, nel bene e nel male. Ci pensa Andy Warhol a sancirlo, con un ritratto che diverrà un punto di riferimento imprescindibile della Pop Art.

On this week's episode of The Album Atmosphere, David sits down with Andrea Adams to discuss St. Vincent's most recent release, the 2024 album, "All Born Screaming".This part two of that conversation.

In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022). In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch's book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice. Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History & Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022). In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch's book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice. Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History & Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022). In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch's book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice. Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History & Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022). In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch's book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice. Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History & Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Today, I had a blast from the past on the show – my friend and long-time karaoke bud, Sonya Paz. This woman is a freakin' powerhouse, juggling more businesses than I can count on one hand. She's a professional artist, gallery owner, podcaster, and even has a candied jalapeño business. I swear, if there's a way to turn creativity into cash, Sonya's found it. All my multi-talented, multi-passionate creative folks... this one's for you.Can't-Miss Moments:Mic drop: what do you say when someone has the audacity to crap all over your dreams? Sonya's got a few ideas (use thiswith the naysayers in your life)... Surprise podcast benefits: Sonya and I break down the unexpected side of starting your own show (this is why I say sharing stories is more than just a business bandwagon move)...Detour down memory lane: I share one of my favorite karaoke moments from back in the day. You'll never guess which song she's a total PRO at singing... The mind-blowing story behind Sonya's latest podcast, "Investigated," and why it's more than "just another true crime series"...Why you shouldn't be afraid to reach out to people you admire – Sonya and I both have some strong feelings on this one!Sonya's bio:Artist Sonya Paz has created wild new direction in the Pop Art… movement through her exuberant use of color and playful forms. Sonya's paintings and vivid images are a reflection of her true native California roots and her passion and love for life. Her art has been exhibited at a number of venues; these include wine labels for elSol Vineyards, Effusion Gallery, PoP Gallery at the Walt Disney Resort, Pop Gallery in Santa Fe, New Mexico, HoyPoloi Gallery in Chicago, HayStack Gallery in Cannon Beach, as well as the Chicago O'Hare and San Jose International Airports. You may also see her work amongst several restaurants, wineries, museum shops and wineries around the country.In 2015 Sonya started VinoPaint.com, a social painting company where she teaches people in large groups to paint and create. Sonya has established a solid private and corporate clientele. Her works of art have been acquired by many collectors throughout the United States and can be found in collections worldwide. She owns her own art studio which is accessible by appointment in California.Resources and links:Sonya's art shopSonya on FBSonya on InstaSonya on LinkedInRockstar Mentor SiteInvestigated PodcastVinoPaint SiteSonya's Sweet & Spicy SiteSupport the showLet's collab: Book a chat Work with Angie Get the PTKA book Let's connect: Angie's FB Page Angie on IG Angie on YT If you dig the show and want to help bring more episodes to the world, consider buying a coffee for the production team!

Je veux vous parler d'une rencontre marquante. Un des avantages de mon métier, c'est qu'on fait de super rencontres. Par exemple, il y a Jean, un élève que j'accompagne depuis deux ans. Récemment, il m'a proposé d'assister ensemble à l'expo sur Tom Wesselmann à la Fondation LVMH. Cela m'a ouvert les yeux sur l'art et l'importance des visites guidées. Une expérience inoubliable ! Tu veux toute l'histoire ? Je te laisse la découvrir dans l'épisode du jour. Et n'oubliez pas de me laisser vos commentaires et de me mettre 5 étoiles sur Apple Podcast/ Spotify (si vous avez aimé bien sûr). Un grand merci pour votre écoute. Charles Ma newsletter : https://frenchteachercarlito.substack.com/

POP ART SAYS: HAPPY HALLOWEEN. THE GIRLNAPPERS: Episode 118, 10 Cloverfield Lane/The Collector     “I'm sorry, but no one's looking for you”. For these two films, I and my annual Halloween guest, Lisa Leahey discuss two films revolving around women being abducted and held prisoner.     We especially had a great discussion on such topics as why do abduction films seem to usually focus on women? What is it about apocalyptic and alien invasion films these days? Who is William Wyler? Where does Beauty and the Beast come in? Check it out.   Also check out Lisa Leahey's sites, both at Rabbit Hole Podcasts:   https://rabbitholepodcasts.com/the-gift-of-horror/   https://rabbitholepodcasts.com/pictures-and-conversations/   Check out my blog at https://howardcasner.wordpress.com/   My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

POP ART SAYS “WE'RE BACK”: I AM SPARTACUS–Episode 116, Total Recall/General della Rovere     “Consider this a divorce”. For these two films, I and Bubbawheat (Nate Winthrow) of the Fight Club Minute, had a great time discussing two films that ask the same question: are you who you are? Are you who you think you are? Or are you who others think you are?     We especially had a great discussion on such topics as modern trends in sci-fi films, the directors Roberto Rossellini and Paul Verhoeven, and the question posed above—who are we?     I highly recommend checking out Bubbawheat's The Fight Club Minute at https://rabbitholepodcasts.com/fight-club-minute/?fbclid=IwY2xjawFhYvZleHRuA2FlbQIxMAABHabC_Oj7cyrjZjbcTmWGipcCMz9rKGJV-A4gQ4plRj-bS9CnakgFvFp9CA_aem_37hJ3PNyt-HGxrWCe0r3MA   And his blog, Flights, Tights and Movie Nights https://flightstightsandmovienights.com/?fbclid=IwY2xjawFhYxZleHRuA2FlbQIxMAABHYbVJhuZr5W_5C7uGeqLyFBbIRkIB9L04wpn5J_gblEnrPPAk9h9qWNXeQ_aem_Ef9c5eMkE6rXbPsgART81Q   And It's Time to Rewind https://podcasters.spotify.com/pod/show/bubbawheat     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

When embarking on your mokuhanga journey, whether through making or collecting, one name stands out above the rest: (pause) Yoshida. The Yoshida family of artists have helped create some of the most important and exciting mokuhanga prints of the last 100 years. Their designs, techniques, and marketing transformed the perception of prints in Japan and around the world.   I speak with Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS (the School of Oriental and African Studies) at the University of London and an Academic Member of the Japan Research Centre. Dr. Hinkel is also the curator of the current exhibtion (at the time of recording)  about the Yoshida family of artists, titled Yoshida: Three Generations of Printmaking, being held at the Dulwich Picture Gallery in London, England.   Dr. Hinkel joins me to discuss the Yoshida family, from Hiroshi to Ayomi, the exhibition at the Dulwich Picture Gallery—the first of its kind in the United Kingdom—the Yoshida family's history, and their impact on the global art community.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Dulwich Picture Gallery - located in London, England the Dulwich Picture Gallery is the worlds first public "purpose-built" public art gallery founded in 1811.  Robert Rauschenberg (1925–2008) - was an American artist known for his innovative and boundary-defying work that blurred the lines between painting, sculpture, and everyday life. Emerging in the 1950s, Rauschenberg challenged the conventions of traditional art with his "Combines," a series of works that incorporated found objects, photographs, and non-traditional materials into paintings, creating dynamic, multi-dimensional pieces. Characterized by a spirit of experimentation and a desire to break down the distinctions between art and the real world, Rauschenberg played a crucial role in the transition from Abstract Expressionism to Pop Art. Charlene (1954) mixed media Pop Art - was an art movement from the 1950s and 1960s that incorporated imagery from popular culture, such as advertising, comic books, and consumer goods. It challenged traditional art by blurring the lines between high art and everyday life. Key figures like Andy Warhol and Roy Lichtenstein used bold colors and familiar icons to both celebrate and critique consumer culture, making Pop Art one of the most influential movements in modern art. Yoshida: Three Generations of Japanese Printmakers - is the current exhibition at the Dulwich Picture Gallery from June 19, 2024 -  November 3, 2024.  Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Kumoi Cherry Tree 23" x 29 1/8 " (1926) Yoshida Fujio (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Flower - B (1954) 15 3/4" x 10 5/8" Yoshida Tōshi (1911-1995) - was the second child of Hiroshi Yoshida and Fujio Yoshida, although the first to survive childhood. Beginning with oil paintings and then apprenticing under his father with woodblock cutting. By 1940 Tōshi started to make his mokuhanga. After his father's death in 1950, Tōshi began to experiment with abstract works and travel to the United States. Later travels to Africa evolved his prints, inspiring Tōshi with the world he experienced as his work focused on animals and nature.  American Girl A (1954) 15 7/8" x 11 1/8" Yoshida Chizuko (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Jazz (1953) 15 3/4" x 11" Yoshida Hodaka (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures. Abstract (1958) 11" x 15 7/8" Yoshida Ayomi - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. Ayomi's lecture referred to by Jeannie at PAM can be found here. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) woodblock installation  Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Spring Rain at Sakurada Gate (1952) 10 3/8" x 15 3/8" Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.    Impressionism - was an art movement that emerged in France in the late 19th century, characterized by a focus on capturing the fleeting effects of light and color in everyday scenes. Instead of detailed realism, Impressionist artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas used loose brushwork and vibrant colors to convey the atmosphere and momentary impressions of their subjects. This movement broke from traditional art by often painting en plein air (outdoors) and prioritizing personal perception over exact representation, leading to a revolutionary shift in modern art. Wassily Kandinsky (1866–1944) - was a key figure in the development of abstract art, known for using color and form to express emotions and ideas without representational content. His influential writings and innovative approach helped shape modern art, making him a central figure in movements like Expressionism and the Bauhaus. Stars (1938) 13 7/8" x 10 1/4" colour lithograph  Charles Freer (1854–1919) - was an American industrialist and art collector, best known for his significant contributions to the field of art through the establishment of the Freer Gallery of Art. Freer was a wealthy entrepreneur who made his fortune in the railroad industry. In his later years, he became an avid collector of art, particularly Asian art, including Chinese and Japanese ceramics, paintings, and sculptures. Nakagawa Hachiro (1877-1922) - was a close friend of Yoshida Hiroshi and traveled to the United States together for the first time in 1899. He was a yōga painter and showed primarily in Japan. Landcape in The Inland Sea 13.94" x 20.87" colour on watercolour  The Great Kanto Earthquake - struck Japan on September 1, 1923, with a magnitude of approximately 7.9. It devastated the Kanto region, including Tokyo and Yokohama, causing widespread destruction and fires that led to the deaths of over 100,000 people. The earthquake also resulted in significant infrastructure damage, homelessness, and economic disruption. In the aftermath, the disaster prompted major rebuilding efforts and urban planning changes. Additionally, the earthquake led to social and political unrest, including widespread anti-Korean sentiment, as rumors falsely blamed Korean immigrants for the disaster. Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Thirty Six Views of Mount Fuji No. 21 Lake at Hakone 14" x 9 1/4" Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Selection of Views of the Tokaido (1934) Bishu Seto Kilns 15 3/4"  x 10 3/8" Itō Shinsui (1898-1972) - Nihon-ga, and woodblock print artist and designer who worked for print publisher Watanabe Shōzaburō (1885-1962). Shinsui designed some of our most famous shin hanga, or “new” prints of the early 20th century. One of my favorites is “Fragrance of a Bath” 1930. Kasumi Teshigawara Arranging Chrysanthemums (1966) 21 7/8" x 16 1/2" Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  Tama River in Musashi Province from 36 Views of Mount Fuji (1830-32) 9 7/8" x 14 7/8"  Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections.  Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most important sōsaku hanga artists and promotor of the medium. His works are highly sought after today. More info, here. Nijubashi Bridge to the Imperial Palace from Scenes of Lost Tokyo (1945) 7.8" x 11.1" published by Uemura Masuro Tarō Okamoto (1911–1996) was a prominent Japanese artist known for his avant-garde works and dynamic use of color and form. His art, which includes painting, sculpture, and public installations like the "Tower of the Sun," often explores themes of chaos and modernity. Okamoto was influential in Japanese contemporary art and also made significant contributions as a writer and cultural commentator. More info, here.  Seashore (1976) lithograph 5.55" × 22.05" Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” St. Olaf College - is a private liberal arts college located in Northfield, Minnesota. Founded in 1874 by Norwegian-American settlers, it has a strong emphasis on a comprehensive liberal arts education, integrating rigorous academics with a commitment to fostering critical thinking, leadership, and global citizenship. The college is known for its vibrant community, strong programs in the humanities, social sciences, and natural sciences, and its affiliation with the Evangelical Lutheran Church in America (ELCA). St. Olaf is also recognized for its strong music program, including its acclaimed choir and music ensembles. More info, here. The Detroit Institute of Arts (DIA) -  is an art museum in Detroit, Michigan, founded in 1885. It is known for its extensive collection of artworks from various cultures and periods, including significant American, European, and African art. The DIA is particularly famous for Diego Rivera's Detroit Industry Murals and serves as a major cultural center with diverse exhibitions and educational programs. More info, here.   baren - is a Japanese word to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although baren have many variations.    Jeannie Kenmotsu, PhD - is the Arlene and Harold Schnitzer Curator of Asian Art at the Portland Art Museum in Portland, Oregon. She specializes in early modern Japanese art, with a focus on painting, illustrated books, and prints. Her interview with The Unfinished Print about her work about the Joryū Hanga Kyōkai can be found, here.    © Popular Wheat Productions opening and closing credit - by Gordon Lightfoot - Affair on 8th Avenue from the album Back Here On Earth (1968) on United Artists. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                        

We know that technology has changed art, and that artists have evolved with every new technology — it's a tale as old as humanity, moving from cave paintings to computers. Underlying these movements are endless debates around inventing versus remixing; between commercialism and art; between mainstream canon and fringe art; whether we're living in an artistic monoculture now (the answer may surprise you); and much much more. So in this new episode featuring Berlin-based contemporary artist Simon Denny -- in conversation with a16z crypto editor in chief Sonal Chokshi -- we discuss all of the above debates. We also cover how artists experimented with the emergence of new technology platforms like the web browser, the iPhone, Instagram and social media; to how generative art found its “native” medium on blockchains, why NFTs; and other art movements. Denny also thinks of entrepreneurial ideas -- from Peter Thiel's to Chris Dixon's Read Write Own -- as an "aesthetic"; and thinks of technology artifacts (like NSA sketches!) as art -- reflecting all of these in his works across various mediums and contexts. How has technology changed art, and more importantly, how have artists changed with technology? How does art change our place in the world, or span beyond space? It's about optimism, and seeing things anew... all this and more in this episode. Resources: Find Denny on Twitter: https://x.com/dennnnnnnnnyFind Sonal on Twitter: https://x.com/smc90 Stay Updated: Let us know what you think: https://ratethispodcast.com/a16zFind a16z on Twitter: https://twitter.com/a16zFind a16z on LinkedIn: https://www.linkedin.com/company/a16zSubscribe on your favorite podcast app: https://a16z.simplecast.com/Follow our host: https://twitter.com/stephsmithioPlease note that the content here is for informational purposes only; should NOT be taken as legal, business, tax, or investment advice or be used to evaluate any investment or security; and is not directed at any investors or potential investors in any a16z fund. a16z and its affiliates may maintain investments in the companies discussed. For more details please see a16z.com/disclosures.