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John 14:23-26; Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe
Comentamos el disco 'Debut' de Björk con Joan S. Luna (crítico musical y jefe de redacción de la revista ‘MondoSonoro') como invitado. En esta quinta parte hablamos de: Las cuatro siguientes canciones del disco: «Like Someone in Love», «Big Time Sensuality», «One Day» y «Aeroplane». El videoclip de «Big Time Sensuality» (dirigido por Stéphane Sednaoui). El magnetismo de Björk en sus videoclips. La riqueza musical de ‘Debut'. Más ‘samples' que se utilizaron en el disco. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com
1 Peter 1:17-21; Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe
Acts 3:12-19; Music: "Our Memories" by AEROPLANES, licensed by Soundstripe
John 20:19-23 (NRSV); Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe
Psalm 31:9-16; Music:"Our Memories" by AEROPLANES, licensed by Soundstripe.
We do a deep dive on all the code words that flight staff use during a flight to keep things running smoothly. We then opened up the lines to our listeners to find out the code words you use and find out why Wippa gets called a "BFG"...See omnystudio.com/listener for privacy information.
Psalm 126; Music:"Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Why do we have different blood groups? What drives the libido? Do you get drunk faster on an aeroplane? How long does an artificial heart valve last? Does food taste different on an aeroplane? Should you take multivitamins? Is there an actual physical end to space? Are there any benefits to copper or brass bangles? Do older people sleep less than younger people? Dr Chris Smith and Clarence Ford have all the answers... Like this podcast? Please help us by supporting the Naked Scientists
Why do we have different blood groups? What drives the libido? Do you get drunk faster on an aeroplane? How long does an artificial heart valve last? Does food taste different on an aeroplane? Should you take multivitamins? Is there an actual physical end to space? Are there any benefits to copper or brass bangles? Do older people sleep less than younger people? Dr Chris Smith and Clarence Ford have all the answers... Like this podcast? Please help us by supporting the Naked Scientists
My First Podcast - Sound adventures for tiny kids and parents
In this episode, our magic bag of sounds takes us to the airport with Tara and her family! It's very busy and filled with new sounds to listen out for! Can you spot them? We link each sound Brought to you by Small Wardour, makers of award-winning podcasts for kids with words to help develop your little one's vocabulary and engagement with the world around them. Sing along with Lucy at the end! Verse 1 Every day we're learning new sounds Listen out to hear what we've found Long ones and shorter ones, beeps and blurps High ones and lower ones, taps and chirps Inside or outside we hear them all We love to hear sounds big and small Verse 2 Listen close to what we have heard For every sound we learn a new word Quiet ones, noisy ones, whistles and clangs Booming and whispering, crashes and bangs Our sound adventure has just begun Let's listen and learn everyone. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Psalm 99:5-9; Music:"Our Memories" by AEROPLANES, licensed by Soundstripe.
Psalm 1; Music:"Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Fantastisk litteratur (også kalt undringslitteratur) fra Afrika har i mange tiår vevd sammen fortid og nåtid. Forfattere har kombinert afrikanske myter og legender med samfunnskritikk og reiser i verdensrommet, i en type fiksjon som utvider rammene for både fantastisk litteratur og litteratur fra det afrikanske kontinentet.I dette nyskrevne foredraget, bestilt av Litteraturhuset og fremført digitalt, presenterer den nigerianske forfatteren Wole Talabi en tidslinje for afrikansk fantastisk litteratur, fra spede begynnelser og frem til vår samtid. Her reflekterer han over sjangerens innflytelse og betydning og forteller om rekken sentrale verk som har definert sjangeren gjennom tiårene.Wole Talabi er en nigeriansk ingeniør og forfatter av fantastisk litteratur, bosatt i Perth, Australia. Han har blant annet utgitt novellesamlingene Incomplete Solutions (2019) og Convergence Problems (2024), samt romanen Shigidi and the Brass Head of Obalufon (2023), som vant den gjeve Nommo-prisen for beste roman innen fantastisk litteratur i 2024. Novellene hans har vært nominert til og vunnet en rekke priser, blant annet Sidewise-, Nommo- og Locus-prisen. Han har også mottatt Caine-prisen for afrikanske forfattere.Talabi har også satt sammen en database med utgitte verk innen afrikansk spekulativ fiksjon, som han var redaktør for fra 2015 til 2021. Han er også redaktør for flere antologier med afrikansk fantastisk litteratur, inkludert den sentrale utgivelsen Africanfuturism. An Anthology (2020), og er i dag en av sjangerens sentrale tenkere og pådrivere.Verk nevnt:Tidlige verk (1930-tallet – 1960-tallet):Jean-Louis Njemba Medou – Nnanga Kon (1932)Muhammadu Bello Kagara – Gandoki (1934)D.O. Fagunwa – Forest of a Thousand Daemons (1938)Amos Tutuola – The Palm-Wine Drinkard (1952) Uavhengighetsblomstringen (1960-tallet – 2000-tallet):Sony Labou Tansi – Life and A Half (1979)Buchi Emecheta – The Rape of Shavi (1983)Kojo Laing – Woman of the Aeroplanes (1988)Ben Okri – The Famished Road (1991)Kojo Laing – Major Gentl and Achimota Wars (1992)Ngũgĩ wa Thiong'o – The Wizard of the Crow (2004/2006) Internett-alderen og sjangerens anerkjennelse (tidlig 2000-tallet – tidlig 2010-tallet)Nnedi Okorafor – Zahrah the Windseeker (2005)Ahmed Khaled Towfik – Utopia (2008) Lauren Beukes – Moxyland (2008)Lauren Beukes – Zoo City (2010)Nnedi Okorafor – Who Fears Death (2010)Ivor Hartmann (ed.) – Afro SF (2012) Økene internaskonal anerkjennelse (2010-tallet – I dag):Deji Bryce Olukotun – Nigerians in Space (2014)Jennifer Nansubuga Makumbi – Kintu (2014) Tade Thompson – Rosewater (2016)Tochi Onyebuchi – Beasts Made of Night (2017)Akwaeke Emezi – Freshwater (2018)Namwali Serpell – The Old Drift (2019)Oghenechovwe Donald Ekpeki – Ife-Iyoku, the Tale of Imadeyunuagbon (2020) Andre nevnte verk: Chinua Achebe – Things Fall Apart (1958)Helen Oyeyemi – The Icarus Girl (2005)Wole Talabi – Shigidi and the Brass Head of Obalufon (2023)Black Panther (dir. Ryan Coogler, 2018)«Afro-mythology and African futurism», essay av Pamela Phatsimo SunstrumNnedi Okorafor – «Spider the Artist»Chikodili Emelumadu – Dazzling (2023)Yvette Lisa Ndlovu – Drinking from Graveyard Wells (2023)Pemi Aguda – Ghostroots (2024)Tlotlo Tsamaase – Womb City (2024)Suyi Davies Okungbowa – Warrior of The Wind (2023)T. L. Huchu – The Library of The Dead (2021) Hosted on Acast. See acast.com/privacy for more information.
For decades, African speculative fiction has weaved together past and future, combining myths and legends with space exploration and social criticism and broadening the scope of both African and speculative literatures.In this original lecture, invited by The House of Literature and recorded digitally, Nigerian author Wole Talabi presents a timeline of African speculative fiction from its early beginnings and until the present day. Here, he reflects on the influence and importance of the genre, citing its central works and defining its distinguishing features.Wole Talabi is a Nigerian engineer and author of speculative fiction currently living in Perth, Australia. His published works include the short story collections Incomplete Solutions (2019) and Convergence Problems (2024), as well as the novel Shigidi and the Brass Head of Obalufon (2023), which won the Nommo award for best novel in 2024. His short stories have been nominated for and won several awards, including the Sidewise, Nommo and Locus awards, as well as being awarded the Caine Prize for African Writing.Talabi also compiled a database of published works of African speculative fiction, which he edited from 2015 to 2021. He is also the editor of several anthologies of African speculative fiction, including the landmark publication Africanfuturism. An Anthology (2020) and remains one of the field's chief advocates and central thinkers.Works mentioned:Early Works (1930s – 1960s):Jean-Louis Njemba Medou – Nnanga Kon (1932)Muhammadu Bello Kagara – Gandoki (1934)D.O. Fagunwa – Forest of a Thousand Daemons (1938)Amos Tutuola – The Palm-Wine Drinkard (1952)Post-Independence Flourish (1960s – early 2000s):Sony Labou Tansi – Life and A Half (1979)Buchi Emecheta – The Rape of Shavi (1983)Kojo Laing – Woman of the Aeroplanes (1988)Ben Okri – The Famished Road (1991)Kojo Laing – Major Gentl and Achimota Wars (1992)Ngũgĩ wa Thiong'o – The Wizard of the Crow (2004/2006)The Internet Age and Genre Recognition (early 2000s – early 2010's)Nnedi Okorafor – Zahrah the Windseeker (2005)Ahmed Khaled Towfik – Utopia (2008) Lauren Beukes – Moxyland (2008)Lauren Beukes – Zoo City (2010)Nnedi Okorafor – Who Fears Death (2010)Ivor Hartmann (ed.) – Afro SF (2012)Increasing Global Recognition (2010s – present):Deji Bryce Olukotun – Nigerians in Space (2014)Jennifer Nansubuga Makumbi – Kintu (2014) Tade Thompson – Rosewater (2016)Tochi Onyebuchi – Beasts Made of Night (2017)Akwaeke Emezi – Freshwater (2018)Namwali Serpell – The Old Drift (2019)Oghenechovwe Donald Ekpeki – Ife-Iyoku, the Tale of Imadeyunuagbon (2020)Other works mentioned:Chinua Achebe – Things Fall Apart (1958)Helen Oyeyemi – The Icarus Girl (2005)Wole Talabi – Shigidi and the Brass Head of Obalufon (2023)Weird Tales, fantasy and horror magazineJungle Jim, bi-monthly African pulp fiction magazineOmenana Speculative fiction magazineBlack Panther (dir. Ryan Coogler, 2018)“Afro-mythology and African futurism”, essay by Pamela Phatsimo SunstrumNnedi Okorafor – “Spider the Artist”Phoenix, publishing imprint at Ouida BooksMother, publishing imprint by Jacana MediaChikodili Emelumadu – Dazzling (2023)Yvette Lisa Ndlovu – Drinking from Graveyard Wells (2023)Pemi Aguda – Ghostroots (2024)Tlotlo Tsamaase – Womb City (2024)Suyi Davies Okungbowa – Warrior of The Wind (2023)T. L. Huchu – The Library of The Dead (2021)The Sauúti collective Hosted on Acast. See acast.com/privacy for more information.
1 Corinthians 13:1-3; Music:"Our Memories" by AEROPLANES, licensed by Soundstripe.
“The 2024 Singles Release Retrospective!” will be running into NEXT week! Today we travel in with artists whose names begin with the letter “C”! Wow! There's a great many of them! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/ AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!January 25, 2025, Saturday, set one…@Orbis 2.0 - TMA SHOW OPEN THEME@Cousin George - You Outta Know {Single 3.18.24}@Count Zero - Overthinking {Single 10.14.24}@Couchboy - Between The Lines {Single 7.15.24} [Singles And What Nots]@Cory Donnahee - Still Having Fun {Single 4.2.24}@Nick Frater - Mother Knows Best [Nick Frater Presents The Rebutles 1967-1970]@Cory Ackers - Sometimes {Single 11.25.24}@Coley Kennedy - (We Are)Born To Lose {Single 12.16.24} [Neptune Blue]@The Cocktail Slippers - I Still Dream You {Single 3.18.24} [Talking About Love] (@Wicked Cool Records)@Cobbled Moth & @The Happy Somethings - What I've Found {Single 1.15.24}@It's Karma It's Cool - Hipsters and Aeroplanes [Hipsters and Aeroplanes] (koolkatmusik.com)@Club Paradise - Runaways {Single 10.14.24}@Club Of Problems - Walking The Road {Single 3.18.24}@Clay And Fran - Butterflies {Single 12.23.24}@Pseudonym - Someone Like You [Pack of Lies]@CJ Wildheart - The Baddest Girl In The World {Single 12.16.24}@Cindy Louise - Burn and Fall {Single 4.15.24} [Whispers Of A Kingdom]@Cindy Lawson - Go Find Another Heart to Break {Single 3.18.24} [Don't Come Crying To Me] (@Rum Bar Records)@Christopher Thomas – To Be A Star {Single 7.29.24}
John 2:1-5; Music:"Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Hebrews 1:1-4; Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
Psalm 126; Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Philippians 1:8-11; Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices
Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/fantasy
Ephesians 1:15-19; Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
This week the guys discuss pre-paper top of the line mega hills, Ryan's brother's bachelor party, update on Mel's scans, TMNT Splintered Fate, Balatro, and so much more! – http://linktree.com/thegmgpod – All of our links can be found on the LinkTree link including our audio podcast (Apple, Spotify, etc.), YouTube, Twitch streaming channels, Discord, Patreon, GMG Merchandise, Twitter, Facebook, Instagram, and E-Mail. – Listen as Lucas, Patrick, and Ryan also talk about video games, TV, movies, sports, Jesus, but most importantly, life...the greatest and most difficult game of all. And you shouldn't go at it alone, so we are gonna do it with you on this fine morning.
1 Thessalonians 5:1-5; Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
"The Good Listening To" Podcast with me Chris Grimes! (aka a "GLT with me CG!")
Send us a textPodcast on a Plane with innovative Antipodean Entrepreneur Johnny Palmer, the mastermind behind Pitch Air, an extraordinary airplane-turned-Airbnb nestled in Bristol. Discover how Johnny transformed a former Japan Airlines 727-100 series once used for dubious cargo runs in Africa, into a creative hub that marries art and sustainable engineering. Hear about the unique challenges of acquiring and installing such a massive structure, as well as the vibrant role played by acclaimed Graffiti artists in turning the plane into a colourful landmark. Johnny's passion for upcycling and inspiring the next generation of engineers shines through in this episode, offering a fresh perspective on creativity and resourcefulness.Amidst our aviation-themed exploration, we unravel the mystery of DB Cooper, the infamous plane hijacker whose legend inspired a Johnny Palmer new Whisky Brand. Johnny shares personal anecdotes about from early life in Tasmania, a love of music and with running and swimming providing solace and clarity. We chat about the importance of personal sanctuaries, such as the calming environment of an airoplane, and delve into his entrepreneurial journey from humble beginnings to an adventurous career in DJing. Family values are at the heart of our discussion, with heartfelt stories of cherished moments with Johnny's children, Max and Will, and the joy that such experiences bring.Looking ahead, Johnny reveals ambitious plans for future entrepreneurial ventures, including a second aircraft transformation and initiatives to nurture young entrepreneurs in Bristol. We discuss his dedication to creating community spaces that foster innovation and environmental stewardship, such as his river island nature reserve project. The conversation underscores the importance of supporting small businesses and cultivating a culture of sustainability and creativity. Join us for this captivating episode filled with inspiration, innovation, and the adventurous spirit of entrepreneurship.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!
This week we're talking the development of weapons, tactics and armour over the millennia. This is a fun little overview of everything from ancient stone weapons, to bronze, to iron, steel, guns, tanks, and jet-fighters and all the interesting stuff in between. Comic stories often involve literal conflict whether set in the past, the present, future, or fantasy and Scifi, so overviews are always good. There are a LOT of misconceptions when it comes to this stuff, we tried to address a few and correct them in the cast. Like people didn't go from bronze to iron because iron was a better material. People had to move to using iron because bronze is made of tin and copper and those two materials are not found in the same place, changes in empires and wars disrupted trade routes so badly that supplies of the raw materials were no longer viable. Iron was a substitute because it's common and doesn't need any other components, though it's inferior because it's more difficult to work, not as hard so it doesn't make as good blades or armour, and it rusts easily. It wasn't till people finally discovered steel that iron became better than bronze. Some other misconceptions: -The idea that major military development only happened in Europe is false, all societies had it all over the planet but in different ways according to their needs and the materials available to them. -Full plate armour was available to the ancient Greeks, it's not just a mediaeval thing. -Gunpowder did not spell the end of the fully armoured knight, no, fully plate armoured “knights” fought it out with hand guns on horseback and people still wore armour and fought with swords as well as guns even in WW1! -The German army still mainly used horses for transport even in WW2. -Aeroplanes did not spell the end of the battleship, rather it was the torpedo that eventually took the toll (anything can deliver one, boats, planes, subs, even other battleships). -The nuclear weapons dropped on Japan were not horrifying because of the people they killed or the damage they did (far more death and destruction had been committed in many other bombing raids), they were so scary because the death and destruction they did cause was only with single bombs from single planes rather than fleets with tons of ordinance. -Rotary “gatling” guns have extremely limited use and only have something like less than a minute of total fire time, they're only meant to be used in very quick bursts. -Lasers are not a “unlimited amo” weapons and they don't make visible beams of light usually or make zapping noises, the shots are very limited by power output, chemical lasers might only have 3 or four shots, and electrical lasers need to wait on capacitor charges after each shot, a battery power weapon grade laser would be out of charge in about 5 to 10 shots… -Drones and autonomous weapons systems don't spell the end for modern warships and tanks, newer weapons systems will evolve to counter and exceed them. There has never ever been an “ultimate weapon”, rather it's always a balancing game. As one thing starts to help people dominate in a particular field other things develop to counter them and so on forever into the future. Do you know any misconceptions? How do you think weaponry will evolve to counter drones? This week Gunwallace wasn't able to give us a them so we're doing another best of! So I picked Kitty Kitty Bang Bang - Multilayered Chinese video-game war anthem with a modern twist! That's how I'd describe this complex little piece. It's the final boss battle, you've got no spare lives, you're down to your last powerup and time is running out! Topics and shownotes Links Featured comic: Alfie's World - https://www.theduckwebcomics.com/news/2024/oct/29/featured-comic-alfies-world/ Featured music: Kitty Kitty Bang Bang - http://www.theduckwebcomics.com/Kitty_Kitty_Bang_Bang/ - by MoeAlmighty, rated T. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS Futurecast - Post Apocalyptic stuff. Next Week - Interview with Gunwallace!
Revelation 21:1-4; Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
Psalm 126; Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Hebrews 1:1-4 (NRSV); Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
Jeremiah 11:18-20 (NRSV); Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
James 3:6-12 (NRSV); Music: "Near You" by AEROPLANES, licensed by Soundstripe.
James 3:1-5 (NRSV); Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
Have you ever been on an aeroplane and wondered how on earth a vehicle weighing tens of thousands of kilograms can even take off, let alone stay in the air for hours on end? Well, whatever the type of plane is, the basic principle is pretty much the same. It has to overcome the pull of gravity, the force that draws everything towards Earth's centre. What does an aeroplane need to fly then? How so? How does speed create lift then? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: Can you really lose weight by walking? How can you save money on your food bill? Could mate poaching be a threat to your relationship? A Bababam Originals podcast written and realised by Joseph Chance. Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever had a run in with a little shit? Listen Live on the Nova Player App Follow us on Instagram - TikTok - FacebookSee omnystudio.com/listener for privacy information.
In this episode of the Karma Stories Podcast, Rob shares four entertaining tales from the Malicious Compliance subreddit. Stories include a tech professional's petty win over a phone carrier, a humorous sibling clash involving a stomach bug, a meticulous airplane inspector's revenge, and a bilingual employee outsmarting manipulative employers. Tune in for a mix of cleverness, humor, and satisfying comeuppance.Submit your own stories to KarmaStoriesPod@gmail.com.Karma Stories is available on all major Podcasting Platforms and on YouTube under the @KarmaStoriesPodcast handle. We cover stories from popular Reddit Subreddits like Entitled Parents, Tales From Tech Support, Pro Revenge and Malicious Compliance. You can find new uploads here every single day of the week!Rob's 3D Printing Site: https://Dangly3D.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/karma-stories--5098578/support.
Ephesians 5:15-20 (NRSV); Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
Matthew 16:17-20 (NRSV); Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
Ephesians 4:31-5:2 (NRSV); Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
In this episode we welcome returning guest Emma Jarrett back to The Burn for a second visit. She is a performance coach and writer who was diagnosed at 51 with Stage III, triple positive, invasive lobular breast cancer. Emma reads her essay “Paper Aeroplane” from the 2024 “Family” issue of Wildfire Magazine. Emma's piece is about not being able to parent her young children the way she is accustomed during her cancer treatment. April and Emma will talk about parenting and communicating differently with our children after a cancer diagnosis, the role of writing in parenting, and the minimization of being told your breasts have done their job when losing them. Emma will also share her advice on writing about cancer.Connect with Emma:https://www.instagram.com/emmajarrettwrites/https://www.instagram.com/emmajbreastless/https://emmajarrett.substack.com/https://emmajarrett.ca/Purchase the “Family” issue here: https://www.wildfirecommunity.org/shop/p/family24Listen to another episode featuring Emma: https://player.captivate.fm/episode/ef401f5e-553d-4fac-bb98-a646e3e5c42fBuy the Wildfire book Igniting the Fire Within: Stories of Healing, Hope & Humor, Inside Today's Young Breast Cancer Community: https://www.amazon.com/dp/B0BJVJ629F?ref_=pe_3052080_397514860Get the free Wildfire “Hot Flashes” email newsletter: https://www.wildfirecommunity.org/newsletter?rq=newsletterLearn about Wildfire writing workshops: https://www.wildfirecommunity.org/workshopsShop Wildfire merch & more: https://www.wildfirecommunity.org/shop*Free* Get Wildfire and The Burn freebies here: https://www.wildfirecommunity.org/freeMore about Wildfire Magazine: https://www.wildfirecommunity.orghttps://www.instagram.com/wildfire_bc_magazine/https://www.facebook.com/wildfirecommunityInformation on submitting your story for consideration to be published in Wildfire Magazine: https://www.wildfirecommunity.org/submissions
Psalm 145:10-18 (NRSV); Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
Mark 5:30-34 (NRSV); Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.
It's time for another trip around the solar system on the BIGGER and BETTER Science Weekly! This episode of the Fun Kids Science Weekly we continue our bigger and better podcast where we put YOUR questions to our team of experts, have scientists battle it out for which science is the best & learn all about a brand new archaeology gallery opening in Kent. Dan starts with the latest science news, where we learn about Elon Musk's Starship rocket and its breakthrough landing, how a family Bornean Clouded Leopards were caught on camera for the very first time and Evelyn Palmer from the Maidstone Museum tells us all about their newest galley called 'Lives in our Landscape' all about the archaeology of Kent. Then we delve into your questions where Dan explains what the strongest material in the universe is and we pose Bradley's question on how aeroplanes work to Science Writer Chris Woodford Dangerous Dan continues and we learn all about the Himalayan Black Bear and why it's so fearedThe Battle of the Sciences continues where Dan chats to Professor Sean Goult from the University of Liverpool about why Mechanobiology is the best kind of science? What do we learn about? - Why Elon Musk and other companies entering the space race is so important? - The first ever pictured Bornean Clouded Leopard - How Maidstone Museum is teaching the people of Kent about it's history through a new archaeology gallery - How aeroplanes and rockets work? - Is Mechanobiology the best type of science? All on this week's episode of Science Weekly!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.
2 Corinthians 6:1-3 (NRSV); Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Mark 2:23-28 (NRSV); Music: "Ever and Ever" by AEROPLANES, licensed by Soundstripe.
Romans 8:12-17 (NRSV); Music: "Our Memories" by AEROPLANES, licensed by Soundstripe.