Podcast appearances and mentions of Jan Hammer

In dieser Folge geht es um Betriebskonzeption und Fabrikplanung. Im Interview sprechen Benedikt Sticht und Jan Hammer von der IE Group mit uns über schlüsselfertige Fabriken, komplexe Projekte, Standortwahl aber auch über Themen wie Maschinenpark und Verrohrung. Mehr zur IE Group: https://ie-group.com/

Start Artist Song Time Album 2. Here to Stay 1982 0:01:19 Neal Schon & Jan Hammer No More Lies 3:21 Here To Stay 0:04:46 Neal Schon & Jan Hammer Don't Stay Away 3:26 Here To Stay 0:08:17 Neal Schon & Jan Hammer Time Again 4:45 Here To Stay 0:13:06 Neal Schon & Jan Hammer Long […]

Mange her på østkysten kender Hirsholmene. Er vi ved stranden eller kører en tur op i bakkerne kan vi se “Holmene”, somRead More

This week on The Metro, Rev Jeff Ivins brings songs from TV shows and movies to your ears. Featuring the following people/bands: Jan Hammer, Glenn Frey, Bill Medley /w Jennifer Warnes, Bob Seger & The Silver Bullet Band, Joe Cocker /w Jennifer Warnes, El DeBarge, Steve Miller Band, Joey Scarbury, Lionel Richie /w Diana Ross, Mike + The Mechanics, Peter Cetera /w Amy Grant, Phil Collins, Will To Power, and finishing off with Bette Midler.

**VJ Gary & The Pac To The 80's Replay On traxfm.org. This Week Gary Featured The Mighty Pop Year Of 1985 With Jennifer Rush, Red Box, John Parr, Jan Hammer, Bonnie Tyler, Cameo, Maria Vidal, Huey Lewis & The News, Rebe & Angela, Matt Binco, Style Council, Oran Juice Jones, TraceyChapman, Neneh Cherry, Redead Kingpin & The FBI, Flock Of Seaguls & More. #originalpirates #80smusic #popclassics #80sclassics #remixes #danceclassics #80charts #80sdancemusic #topofthepops Catch VJ Gary's Pac To The 80's Show Every Sunday From 3PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Which of Cher's Husbands Did it Better?** Cher had two iconic marriages, both with famous musicians. In this segment, we debate: - - Which husband was the better singer? - - Who had more style? - - Who lived more of the rock 'n' roll lifestyle? - Prepare for a lively discussion about Cher's unforgettable relationships! **Big Wheel: The Ultimate Ride** - Why was the Big Wheel toy cooler than a regular tricycle? - We explore what made this iconic childhood toy feel like the ultimate freedom machine. - Was it the design, the speed, or the "Easy Rider" sensation it evoked? **Mike's Miami Vice Minute** - Mike loves Miami Vice, but there's a twist: he only has one minute to talk about it! - Will he manage to fit his thoughts before the boat horn sounds during the Jan Hammer theme? - A fast-paced challenge full of '80s nostalgia! Please...please..please send us a voicemail at: https://www.speakpipe.com/The70sVsThe80s

Jimi Needles goes for a late night joyride with UK flavor by Meduulla and Nightmares on Wax, handy reworks by Krafty Kuts and Duncan Gerow, and hazy gems from Thundercat and Astrological. Plus a raw rap cipher helmed by Ciphurphace, Jan Hammer's hallucinogenic "Don't You Know" and a call from the motherland on Afrocali's "The Beautiful Ones". View the full playlist for this show at https://www.wefunkradio.com/show/1211 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

[originally published on Patreon January 25, 2024] Today I'm rejoined by Dr. Pig Bodine aka CJ (@pussy___teeth) to continue our discussion on the 1972 film State of Siege by Costa-Gavras. We open with a discussion on the death squad as a general concept and in its specific applications in Uruguay.  Then, we discuss exactly why the Tupamaros were so effective and, despite that, why they were brought down so quickly. As it turns out, they were brought down due to the same factors that made them so effective: espionage and infiltration. We discuss both Cuban, Uruguayan, and CIA intelligence. I introduce Manuel Hevia Cosculluela, the double (or triple) agent embedded within this story.  Then I tell the story of the Mormon Tupamaro within the story of the incredible jailbreak from the Punta Carreras prison of 1971. After, we discuss the infiltration against the Tupamaros by fascist drug and weapons smugglers. We talk about the JCR, the Junta Coordinadora Revolutionaria, and place the Tupamaros within the continental revolutionary context. Finally, we cover the downright cocaine cowboy shenanigans of Mitrione's son. Believe it or not, however, we are not done with the MLN-T. artwork by @DEEP_RED_BELLS Songs: Death Squad by Sacred Reich Por una Cabeza by Carlos Gardel Falling From Sleeves by Calexico Abre los Ojos by Los Muertos de Cristo Sprawl by Calexico Miami Vice Intro by Jan Hammer

In 1995, moviegoers and Godfather geeks were lining up to see Al Pacino and Robert De Niro share the screen for the first time ever in the crime epic Heat.   They might not have realized that in the 3 hour running time, they're together for maybe 3 minutes!  But OMG... those 3 minutes were riveting!   Even the other 2 hours and 57 minutes of it were pretty intense.  Crazy shootouts, double-crosses and heists, dysfunctional relationships, and a hopped-up live wire Al Pacino shouting at everyone he meets.  But when he finally gets face-to-face with De Niro, they chat over coffee.  Really.  That's the big hoo-ha: a quiet conversation.  What do they say?  "Say hello to my little friend!"  "You talkin' to me?" "You're out of order!" "Little bit...".  Well, thankfully it's a lot better than that!  This is probably Michael Mann's greatest work.  Crockett & Tubbs wish they were this cool.  Colorful clothing and Jan Hammer keytar solos ain't gonna cut it.  Get ready to feel some heat!   

Welcome to the Instant Trivia podcast episode 1133, where we ask the best trivia on the Internet. Round 1. Category: Da, You Speak Russian 1: Also called the great sturgeon, this species lends its name to a type of caviar. beluga. 2: A Russian monarch, or an American policy expert appointed by the government to tackle a particular problem. a czar. 3: These thin pancakes are similar to crepes and traditionally made with buckwheat flour and served with sour cream. blinis. 4: Meaning "set of three", it's also a wagon or sleigh pulled by 3 horses. a troika. 5: This word borrowed from Russian refers to the influential educated social and political classes. intelligentsia. Round 2. Category: European Museums 1: A U.K. museum dedicated to this author has a ball made of chocolate bar foil wrappers. Roald Dahl. 2: The Richelieu wing of this Paris art museum houses the apartments of Napoleon III. the Louvre. 3: Opened in 1993, this Danish capital's Tivoli Museum documents the history of Tivoli Amusement Park. Copenhagen. 4: This city boasts a Byzantine museum and an Acropolis museum. Athens. 5: This Swiss city's Palais des Nations houses a stamp museum and the League of Nations Museum. Geneva. Round 3. Category: Songs Of The '80s 1: She was the Dionne of Dionne and Friends who recorded "That's What Friends Are For". Dionne Warwick. 2: With "Ev'ry breath you take, every move you make...," Sting said he'd be doing this. "I'll Be Watching You". 3: Written by Jan Hammer the them of this TV cop show hit No. 1 in 1985. Miami Vice. 4: Though "Fame" won the 1980 Oscar, this song beat it on the pop charts:. "9 To 5". 5: In a 1984 Cyndi Lauper hit, it follows "If you're lost, you can look and you will find me...". "Time After Time". Round 4. Category: Leann Rhymes? 1: In a Beatles hit, the title words preceding "Work It Out". We Can. 2: Though the characters never mention it, the film "mash" takes place during this war. the Korean War. 3: The Enbridge Stairclimb goes up this Toronto tower. the CN Tower. 4: "By the power of Grayskull!" Prince Adam becomes this hero. He-Man. 5: "Borstal Boy" is the autobiography of this Irish author named Brendan. Behan. Round 5. Category: Hispanic-American Firsts 1: He's the first labor leader and the first Hispanic American to be honored with a public legal holiday. (César) Chávez. 2: In 1982 Richard Cavazos became the first Hispanic American with this many stars as a full general in the Army. 4 stars. 3: In 1973 this late Pittsburgh Pirate became the first Hispanic American inducted into the Baseball Hall of Fame. (Roberto) Clemente. 4: This onetime husband of Rosemary Clooney was the first Hispanic American to win the Oscar for Best Actor. José Ferrer. 5: In the 1990s he was the first Hispanic Secretary of Transportation and Secretary of Energy. Federico Peña. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Thrilled and honoured to be joined by Grammy award winning musician, composer and producer, Jan Hammer.  Jan started his career as the keyboardist with the fusion group, The Mahavishnu Orchestra. He went on to release several critically acclaimed solo albums and has collaborated with renowned musicians like the late and great, Jeff Beck, Carlos Santana, Neil Schon of Journey and Mick Jagger. In 1984, Jan began composing the score for Miami Vice, one of the most iconic TV shows of the 1980s.  Jan discusses the making of this much loved TV theme and also talks about the recording of ‘Crockets Theme', which is one of my all-time favourite songs of the 80s.  We also talk about some of Jan's more recent work including ‘Seasons Pt. 2' released in 2022.  A follow up to 2018's ‘Seasons Pt. 1' Both worth checking out  For more information visit: https://janhammer.com/home Jan Hammer - 'Miami Vice Theme' Jan Hammer - 'Crockett's Theme' on TOTP Synthetic Dreams is presented and produced by Scott Zverblis Synthetic Dreams on ⁠Instagram⁠ Synthetic Dreams title music by Chris Ibbott

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

In Folge 98 hat Mario ein Haar übrig, wird Dominique von der Polizei gestoppt und berichtet Thailand-Korrespondent Benjamin aus Leipzig von seiner Softeis-Experience in Bangkok! (Und verrät Mike Krüger, wie spät es ist!) Unser offizieller Music-Act, den wir in dieser Folge NICHT spielen durften: Jan Hammer mit "Theme from Miami Vice" (⁠⁠https://www.youtube.com/watch?v=dEjXPY9jOx8) Kritik, Lob, Anregungen, Lob, Glückwünsche und Lob bitte an: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠post@tohuwapodcast.de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Entschuldigungen an: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠entschuldigung@tohuwapodcast.de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram & Threads: softeismann ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ In diesem Podcast wurden keine Tiere gequält. Sondern ausschließlich Hörer. - TOHUWAPODCAST - Ein Audiocast von RG 28 Productions im Auftrag von TELESIBIRSK - #bangkok #pumuckl #millivanilli #mittagsmagazin #mikekrüger #mikekrueger #janhammer #diamantfeder #otz #unterwellenborn #yetiketchup #parkerlewis #ddrsofteis #softeis #podcast #Tohuwapodcast #Berlin #Humorpodcast #Talkpodcast #Laberpodcast #Gesprächspodcast #Talk #softeisliebe #softeiswiefrüher #eiskombinat --- Send in a voice message: https://podcasters.spotify.com/pod/show/tohuwapodcast/message

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Hello Hello! Billy Amendola in my “Bubble” with today's guest, who is not only one of the most respected musicians/producers on the planet, but he's also been a mentor, an inspiration, and a dear friend to me for decades. He appeared on the scene in NYC from Michigan as a drummer and teacher. A few of his students include Omar Hakim, the late Tony Thompson, and many others who launched successful careers. At 21, he joined the Mahavishnu Orchestra on the recommendation of their previous drummer (who was at the top of his game with the title “greatest drummer”), the one and only Billy Cobham. Now a band-member, he goes from the road into the studio to work on the next Mahavishnu album with John McLaughlin, Jan Hammer, and legendary Beatles producer George Martin.    A few years later, he took the world by storm on the dance floor by releasing his solo album; singing, writing, producing, and playing, and he became a star in his own right.   If that wasn't enough, a few years later, he became one of the world's Top Ten producers of all time, crafting number-one hits for Whitney Houston, Aretha Franklin, George Michael, Mariah Carey, Cindy Blackman, the list goes on and on.   With Multiple hit records, Grammy after Grammy, as a band leader, solo artist, producer, singer/songwriter, spiritual leader, and drummer, touring with Jeff Beck, Journey, and his band, there's nothing the man can't do.   We catch up to discuss his latest album “Euphoria” and more. Please welcome Narada Michael Walden back to Drum Channel. Enjoy! 

Brace yourselves to be transported back to the sun-soaked streets of Miami in the 80s. Your host, Journey Joe Mitchell, promises an immersive trip into the culture-shaping TV phenomenon that was Miami Vice, as we delve into the pastel fusion of high-speed boat chases, impactful storylines, and unforgettable characters that made the series the icon of 80s pop culture. We'll dissect the show's most memorable episodes, each a thrilling adventure into the city's criminal underworld, interleaved with intense action, captivating narratives, and unexpected moments of humor. But our reverie doesn't end there.The latter half of our escapade is a sonic exploration of how Miami Vice used music as a pivotal character. We'll dissect how Michael Mann, the show's creator, meticulously selected artists and songs, how Jan Hammer's unique sound became intrinsic to the series, and how the integration of electronic music impeccably captured the show's aesthetic. We'll also discuss the series' profound impact on the music video industry and its lasting impression on the fashion world. Tune in as we relive the Miami Vice era from the comfort of our favorite TV spot - the basement. So, get ready to fasten your seatbelts for this blast from the past!

THE MAHAVISHNU PROJECT (Neil Alexander/Brian Mooney/Robbie Mangano/GB) is on tour playing the complete BIRDS OF FIRE by the Mahavishnu Orchestra, and in this episode of The ProgCast we meet up to discuss our history with the incredible music of John McLaughlin, Jan Hammer, Billy Cobham, Jerry Goodman, and Rick Laird. We talk about the joys and challenges of interpreting this classic jazz-rock unit's richly rhythmic, melodic and harmonic material and what it means for us as a jazz-rock fusion repertory ensemble. https://www.bendianmusic.com BONUS EPISODES AVAILABLE ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... https://www.bendianmusic.comhttps://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/... https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...

Welcome to Live From Progzilla Towers Edition 487. In this Cover Versions special edition we heard music by Arjen Lucassen's Supersonic Revolution, Cary Grace, Paul Heaton & Jacqui Abbott, Anubis Gate, Conqueror, Clive Mitten, 3, Erik Norlander, Infected Mushroom, Jan Hammer, Fleesh, Blondie Vs The Doors, Katzenjammer, Kevin Gilbert, Associates, Mother Black Cap, Docker's Guild, Ki:Theory, Queensryche, Morse Portnoy George, Nektar, The Lover Speaks, Annie Lennox, PostModern Jukebox, Stanley Jordan, Steven Wilson, The D/A Method, Turisas, Vanilla Fudge & Yngwie Malmsteen.

NEW FOR SEPTEMBER 1, 2023 Knee deep in music you need to hear . . . Storm Surge - The Best Radio You Have Never Heard Vol. 467 1. Blowing In The Wind (live) - Neil Young 2. Mad World - Jesse Maclaine and The Scotch feat. Seth Girton 3. Something In The Air - Thunderclap Newman 4. Crystal River (live) - Mudcrutch 5. Drown (unplugged) - Smashing Pumpkins 6. Firth Of Fifth (live) - Genesis 7. Beware Of Darkness - George Harrison 8. It's Raining (live) - Irma Thomas 9. Purple Rain (live) - Jeff Beck feat. Jan Hammer, Beth Hart, and Rosie Bones 10. Killing Moon - Echo and The Bunnymen 11. This Is The Place (Naïve Melody) (live) - Talking Heads 12. Another World / Chinatown / Breaking Us In Two / Can't Get What You Want (Till You Know What You Want) (live) - Joe Jackson 13. Sunday Bloody Sunday (live) - U2 14. 1000 Dollar Car (live) - The Bottle Rockets 15. See How We Are (live unplugged) - X 16. Gasoline Alley (live unplugged) - Rod Stewart 17. Diamonds On The Soles Of Her Shoes (alt) - Paul Simon 18. Wake Me Up When September Ends - Green Day The Best Radio You Have Never Heard. Fixing a hole . . . Accept No Substitute Click to leave comments on the Facebook page.

Access this entire 90 minute episode (and additional monthly bonus episodes, including the entire Miami Vice sidebar series) by becoming a Junk Filter patron! Over 30% of episodes are exclusively available to patrons of the show. https://www.patreon.com/posts/146-miami-vice-88370980⁠ Success breeds imitators, and on this seventh instalment of the pod's Miami Vice series, the writer Jessica Ritchey returns to discuss the cultural peak of the series at the start of Season 2 and some now-forgotten Vice clones that were quickly put into production by the competition to try and cash in on this trend. We discuss the two ripoffs of Miami Vice served up by ABC in the 1985 fall season, Hollywood Beat and The Insiders, as well as NBC's own Vice clone, Stingray, produced by Stephen J. Cannell, which lasted 2 seasons. While all this was happening Miami Vice was at the top of its game, with high ratings, Emmy wins, and a soundtrack album that was #1 on Billboard for 11 weeks. The Season 2 premiere, The Prodigal Son, was a 2 hour epic with 14 pop songs and a full roster of guest stars including Gene Simmons, Pam Grier and Penn Jillette. Crockett and Tubbs travel to Colombia and New York City in pursuit of a cocaine cartel and discover the hard way that powerful interests beyond their reach are determined to perpetuate the drug war forever. We also discuss how even a flawed episode of the series at its peak could still be appointment television with Season 2's French Twist, where the Vice Squad has to work with a French INTERPOL agent to catch a Montreal criminal in Miami who has stolen a drug shipment and is targeting witnesses. This one features one of Jan Hammer's most gorgeous scores for the series, and improbably a brief appearance by Leonard Cohen as the French crimelord Francois Zolan. Episodes discussed on the show: The Prodigal Son - Season 2, Ep 1 & 2 French Twist - Season 2, Ep 18 Follow Jessica Ritchey on Twitter, and support her work on Patreon. Jessica's YouTube mixtape “Miami Vice-A-Rama” Opening titles for Hollywood Beat (ABC, 1985) Opening titles for The Insiders (ABC, 1985) Opening titles for Stingray (NBC, 1985) Music video for “Tubbs and Valerie”, Jan Hammer, 1987

Jan Hammer Larsens historie om Krudttårnet i Frederikshavn Det er faktisk et stykke bestillingsarbejde, der i dag spiller hovedrollen i ugens lokaleRead More

RICHARD SINCLAIR, bassist, guitarist, vocalist, is one of the founding fathers of Canterbury prog. What a pleasure to speak with him on The ProgCast about his time with Caravan, Hatfield & The North, Camel and of course, his solo music as well. https://richardsinclairsongs.bandcamp.comhttps://www.bendianmusic.comhttps://www.timmotzer.com BONUS EPISODES AVAILABLE ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... www.greggbendian.com https://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/... https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...

Bob Christianson joined me to talk about being the next Billy Joel; what it means to be a working composer; having Sgt. Pepper be his influence; going to SUNY Potsdam quitting student teaching; joining the Magic Show on Broadway; meeting and replacing Paul Shaffer in The Magic Show and Godspell; doing Gilda Live; performing "I Live to be Unhappy" with Gilda on Broadway; being in The Candy Slice Group; Doug Henning and Gilda Raner being private people; performing in the Broadway play Truckload; arrangeing the Disco version of Babes in Toyland recorded at MSG; touring with Jan Hammer; performing on Aretha Franklin's "Can't Turn You Loose"; being a session musician in the late 70's / eafrly 80's; subbing for Leon Pendarvis in the SNL band beginning in 1983; Jerry Lewis and Don Rickles ad-libs cause producers havoc; accompanying Jim Belushi as Boy George Burns and Rappin Jimmy B and saying "LFNY"; playing piano for Irving Caesar, Mr. Robinson, Michael Douglas; the bandstand being off camera from 1983 - 1986; being inNewsbar with Edwin Newman; backing up Danitra Vance; composing and arranging for The Late Show with David Letterman's 60 Piece Band; his 1982 recording session available on Youtube; writing the theme song to Gimme A Break; people making viral videos out of his music for Sex and the City and the NHL; winning an Emmy and having a documentary made about the NHL theme; losing an Emmy to A Christmas Carol to Lin Manuel Miranda; composing for the films Marvin's Room and Miracle; how he writes his sports themes; inspiration comes at odd times; how Lin Manuel Miranda wrote Hamilton; not being "too precious" with your songwriting; writing and playing on jingles solidifies your craft; deadlines make creativity; Sex and the City needed a lot of music weekly; todays movies need epic scores with no time to write them; why he still admires Billy Joel

A classic episode! The return of the honey gatherers! Jan Hammer, toxic ice sculptor. Can Do Cold Brew - for a day in the park™. Drink cold brew and paint the sh*t outta some watercolors. ALSO: Artificial intelligence has barely left the gate, and has already gone mad. Meet our new overlord - the Bing chatbot. PLUS: An amazing song of the week from Warren Zevon!!!Warren Zevon - "The French Inhaler": https://www.youtube.com/watch?v=OaA70iCSDJsPatreon: Patreon.com/chriscroftonCan Do Cold Brew: Candocoldbrew.com

This week we discuss the new M2 Max, M2 Pro and Mac mini, MacBook Pros 14 & 16. We follow up on Stable Diffusion, ChatGPT and updated Apple Design Resources. We also cover augmenting accessibility with localized image names and the 2nd generation HomePod. In our Picks; Improving Console Output, SwiftUI Views Life Cycle, SwiftUI 4 adds tap location, DIY iOS Static Analysis, Gitignore.io, Getting Started with Xcode Cloud, and How to professionally say...

F U DEATHTRUTH by Jeff Beck (Epic, 1968)Ok, I'm fuckin' sick of this parade of loss, Death. We just started 2023, and you take Jeff Beck without warning, while on tour with Johnny Depp - (as if he needs any more grief)?! Bacterial Meningitis…? I mean, WTF?!  Of the three guitar gods that descended from Mt. Yardbird - (Clapton, Page, Beck) - for my money, the best that ever bestrode the earth was Jeff Beck. Every lick was original, surprising, mind-blowing. And his growth towards mastery through the decades was breathtaking to hear. I had some trouble with the Jan Hammer jazz fusion stuff, but even those cuts had me on the edge of my seat. He kept expanding and growing his repertoire.  Eventually he hit upon this fluid, lyricism that brings tears to my eyes. Check out his versions of A Day In the Life, and People Get Ready. He arrived at that terra firma where every artist yearns to land: home. He found his truest voice… so relaxed and expressive, and was able to make his instrument sing with an iridescent humanity…. Becoming one with it. This 4-track (that's right, kids… predating the 8 track) is his first solo effort. And, what a legendary debut it is! Aided by Jimmy Page, Keith Moon, Ronnie Wood, and Rod Stewart on vocals, every cut (Shapes of Things, Morning Dew, You Shook Me, Beck's (fucking) BOLERO!!!) Is a game changer. This is one of those recordings by which I created my musical calendar; there was B.Truth, and A.Truth, and nothing was the same for me after experiencing this album. RIP Jeff.  Track listing: Shapes Of Things |  Let Me Love You | Morning Dew | You Shook Me |  Ol' Man River | Greensleeves | Rock My Plimsoul | Beck's Bolero | Blues De Luxe |  I Ain't Superstitious

Gary Husband is one of a rare breed of musicians in that his expression is divided equally in his capacity as a drummer and a pianist and keyboardist of international repute. His classical roots, his quest and development in the improvisational, jazz and jazz/fusion areas – not to mention his tenure in the pop, rock, funk and blues circuits – are all evident inside Gary's distinct and far-reaching musical personality. His solo album and DVD output has also reinforced his status as a critically acclaimed writer and arranger in the contemporary music world. For close to four decades Gary has worked alongside a vast and eclectic range of celebrated musicians including John McLaughlin, Allan Holdsworth, Jeff Beck, Jack Bruce (Cream), Gary Moore (Thin Lizzy), British pop/funk band Level 42, Billy Cobham, Al Jarreau, Mike Stern (Miles Davis), John Wetton (King Crimson), Chris Squire (Yes), Andy Summers (The Police), Steve Hackett (Genesis), Robin Trower (Procol Harum), and with producers Sir George Martin (Beatles), Trevor Horn (Grace Jones & Art of Noise), Quincy Jones (Michael Jackson), Jerry Hey and James Guthrie (Pink Floyd). Further associations and performing/recording credits include his work with Randy Brecker, Jan Hammer, Jerry Goodman, fusion/jam band Gongzilla, Germany's NDR Bigband, Soft Machine, Maria Schneider, Christian McBride, Eddie Van Halen, Dean Brown, Bob Berg, Nguyên Lê, Joe Lovano, Charles Tolliver, Bireli Lagrène, Peter Erskine, Ron Sexsmith, drum n' bass protagonists Lemon ‘D' and Dillinja. As an internationally established drum clinician he has performed alongside Dennis Chambers, Vinnie Colaiuta, Terry Bozzio, Billy Cobham, Simon Phillips, Omar Hakim, Ricky Lawson, Todd Sucherman, Paul Wertico, Denny Seiwell and Bernard Purdie, and most recently has been developing a series of motivational videocasts in drumming. In this episode, Gary talks about:    An early influence: John Von Ohlen    Knowing how to relax and slow down to benefit the performance    Videocast lessons on Gary's website    The early days of working with Allan Holdsworth    His newest recording with The Trackers: Vaudeville 8:45

https://janhammer.com/home --- Support this podcast: https://anchor.fm/shawn-ratches/support

It's time for another dose of Retrospection, and in this episode, we are sort of travelling back to our roots as we did the original Knight Rider series back in our first episode. This time we are tackling one of the many reboots, by watching Knight Rider 2000 from 1991. Along the way Paul talks turtlenecks...again, Colin accuses Kitt of inappropriate behaviour, and we discover writing that contains less research than ours. Remember, one man can make a difference, but here's two that won't.  Music is from the opening theme by Jan Hammer.  Find more episodes at Retrospection (podbean.com)  

Die Adventures aus dem Hause Sierra brachten etliche langlebige Serien hervor: King's Quest, Space Quest, Larry, allesamt begannen als parserbasierte Spiele, die im Verlauf auch Point n Click Ableger hervorbrachten. Die vielleicht ambitionierteste ihrer Reihen war aber vielleicht die Police Quest Serie, die dank Designer und Ex-Polizist Jim Walls den Anspruch besaß "echte" Polizeiarbeit abbilden zu wollen. Nur...macht das auch Spaß? Hardy und Dan sind bekanntermaßen große Adventure Fans und stürzen sich gemeinsam auf die Straßen von des von Kriminalität gebeutelten Städtchens Lytton, um einen Überblick über die Polizeiserie mit Schwerpunkt auf den dritten Teil zu geben. Links und Bilder findet ihr auf unserer Hoempage www.nerdweltenpodcast.com Sprecher: Dan Cloutier und Hardy Heßdörfer Lust direkt über diese Folge zu diskutieren? Schau doch mal im Nerdwelten Discord Kanal oder auf unserer Facebook Seite vorbei! Auf Twitter sind wir ebenfalls zu finden und freuen uns über dein Feedback! Für Unterstützung via Patreon und Steady sind wir sehr dankbar! Dort erhalten Unterstützer Zugang zu monatlichen Bonus-Folgen. Lust auf Nerdwelten Merchandise (Shirts, Tassen, Caps...)? HIER ENTLANG Nerdwelten Musik: Ben Dibbert (Nordischssound) Introstimme: Claudia Urbschat-Mingues Schnitt: Hardy Heßdörfer Produktion: Hardy Heßdörfer Musik und Screens aus Police Quest 3, Theme von Jan Hammer

I have said two things all season long. The first is that we're going to be exploring a single topic for ten episodes, and that topic is fusion. But the second thing I've been saying is that what I'm talking about when I say the word fusion isn't a style or a genre, but a state of mind. It's not what you play, it's how you approach music-making.In previous episodes, we've talked about what people typically think of as fusion, which drummer Lenny White, who appeared in episode two of this series, prefers to call jazz-rock. That's the version that more or less starts with Miles Davis's Bitches Brew and Tony Williams' Lifetime and branches out to include Mahavishnu Orchestra and Return To Forever and Weather Report. But my version of that continuum also includes early Seventies Santana, it includes the Fania All Stars collaborating with Jan Hammer and Billy Cobham, it includes adventurous funk and R&B fusion, like P-Funk and Earth, Wind & Fire and the Ohio Players and Slave, and it includes jazz-funk acts like Donald Byrd and Freddie Hubbard and George Duke.Vernon Reid is a guitarist who was born in England but grew up in New York. He's best known as the leader of Living Colour, and one of the co-founders of the Black Rock Coalition along with the late writer Greg Tate, but he's got a long and varied discography that encompasses solo material, duo and trio work with other guitarists like Bill Frisell, David Torn and Elliot Sharp, and guest appearances with a ton of groups from Public Enemy to the Rollins Band, Mick Jagger, Janet Jackson, Mariah Carey, Santana, and many, many more. His solo album Mistaken Identity from 1996 is the only album to carry co-producer credits from Prince Paul and Teo Macero. Back in 2012, he made an album with a group called Spectrum Road which featured John Medeski on keyboards, Jack Bruce on bass, and Cindy Blackman Santana on drums — it was conceptually a tribute to Tony Williams Lifetime, but it's very much its own thing as well, so definitely check that out.Reid got his start, though, with drummer Ronald Shannon Jackson's band the Decoding Society. He played guitar, banjo, and guitar synth with that group, which had two bassists: Melvin Gibbs, who was on this podcast a couple of years ago, and Reverend Bruce Johnson, and then some horn players, mostly Zane Massey on saxophones and Henry Scott on trumpet. It's high-energy music that's also really melodic in a kind of post-Prime Time way — jazz, funk, rock, Texas blues and West African music all swirled together and thrown straight at your face at a hundred miles an hour. Their albums Nasty, Street Priest, Mandance, Barbeque Dog, Montreux Jazz Festival and Earned Dreams are all incredible. They're all out of print right now, too, but some of them are on streaming services, so dig up whatever you can. Reid has a new record out with the group Free Form Funky Freqs, a trio with bassist Jamaaladeen Tacuma, who's also been on this podcast before, and drummer Calvin Weston, and as he explains in this conversation, it's full-on improv, starting from zero every time they play together, and because it's so limited – no rehearsals, no soundchecks with all three members – they know exactly how many times they've played together. The album represents their 73rd encounter. It's called Hymn Of The 3rd Galaxy, sort of a tribute to Return To Forever there, who had an album called Hymn Of The Seventh Galaxy, and you'll hear a little bit of the music late in the podcast. I think you'll really enjoy this episode. I've been a fan of Vernon Reid's music for about 35 years. The first Living Colour album came out when I was in high school, and I saw them play on the first Lollapalooza festival in the summer of 1991. And I interviewed him once before, about 10 years ago, when he was doing a multimedia presentation called Artificial Africa. So in this conversation, we talk about his work with the Decoding Society, about the Free Form Funky Freqs, about the whole wave of guitarists who came up at the same time he did, including Michael Gregory Jackson and Kelvyn Bell and Jean-Paul Bourelly and Brandon Ross, as well as older players like James "Blood" Ulmer and Pete Cosey and Sonny Sharrock… we talk about a lot of things, and I'm just gonna end this introduction here, so you can dive in.MUSIC IN THIS EPISODE:Living Colour, “WTFF” (from Stain)Ronald Shannon Jackson and the Decoding Society, “Iola” (from Mandance)Vernon Reid & Bill Frisell, “Size 10 1/2 Sneaks” (from Smash & Scatteration)Free Form Funky Freqs, “Outer Arm” (from Hymn of the 3rd Galaxy)

Should you ever be ashamed of liking something? Does the concept of a "guilty pleasure" even apply in the anything-goes 21st century? Can you like something that you also think is bad? Is it simple nostalgia, or a deep appreciation of craft?We attempt to answer these questions as we share some of our self-defined guiltiest pleasures, and explain why we feel bad for liking them.This episode is made with REAL CHEESE!--References:Styx "Too Much Time On My Hands": https://youtu.be/5XcKBmdfpWsStyx "Come Sail Away": https://youtu.be/e5MAg_yWsq8Styx "Blue Collar Man": https://youtu.be/CDM6v1XhWEgStyx "Babe": https://youtu.be/yaVyQS1T7TYStyx "Renegade": https://youtu.be/E9eLz4DrwF8Fleetwood Mac "Tusk": https://youtu.be/ATMR5ettHz8Sly Fox "Let's Go All The Way": https://youtu.be/X-tYprm1WRoRihanna "Diamonds" (written by Sia): https://youtu.be/lWA2pjMjpBsSia gets in trouble for "Music": https://nypost.com/2021/02/17/more-than-55000-critics-cancel-sias-music-amid-backlash/Kenny Loggins "Easy Driver": https://youtu.be/rOFanKyFSUEKenny Loggins "I'm Alright": https://youtu.be/PVjU7g6zWcwKenny Loggins "This Is It": https://youtu.be/VS52sEUqxMoBee Gees "Tragedy": https://youtu.be/WJcozEOWgxIBee Gees "I Started A Joke": https://youtu.be/4ZWKR2zJESkBee Gees "To Love Somebody": https://youtu.be/DWJWWHCFPbEMiley Cyrus "Wrecking Ball": https://youtu.be/My2FRPA3Gf8Harry Styles "Watermelon Sugar": https://youtu.be/E07s5ZYygMgKaty Perry "Teenage Dream": https://youtu.be/98WtmW-lfeEAllan Holdsworth "Tokyo Dream" (Live 1984): https://youtu.be/txSs03ET-jsPat Metheny "Last Train Home": https://youtu.be/Sq5oqY3-vhgAl Dimeola (with Jan Hammer) "Sequencer": https://youtu.be/JS9hlHg9jXoAndy Summers & Robert Fripp "I Advance Masked": https://youtu.be/8vEM0GZWFJ0Lady Gaga "Bad Romance": https://youtu.be/qrO4YZeyl0IBlondie "Heart of Glass": https://youtu.be/WGU_4-5RaxUBlondie "Hanging on the Telephone": https://youtu.be/uWhkbDMISl8Michael Penn "No Myth": https://youtu.be/IxkJHX7ukKEPatrick Warren: https://en.wikipedia.org/wiki/Patrick_WarrenChamberlin (instrument): https://en.wikipedia.org/wiki/ChamberlinCombos stuffed snacks: https://www.combos.com/https://en.wikipedia.org/wiki/CombosRaven "Hellraiser/Action": https://youtu.be/LIkeHK8nwss--Michael Hateley:Lotus Mastering   http://lotusmastering.com/       Extra Fancy "You Look Like a Movie Star":https://youtu.be/0pE1TqlWHCkBaldyloks (Michael Hateley & John Napier):https://soundcloud.com/baldyloks-1Dee Madden:https://www.deemadden.com/Penal Colony “Blue 9” video:https://youtu.be/Fes9E3ea8FYDee Madden on Spotify:https://open.spotify.com/artist/4jsYxJ4QxzoGn9t0HRllPk Anu Kirk:https://www.anukirk.comAnu on BandcampSid Luscious and The Pants on BandcampLuscious-235 on BandcampRêvenir on Bandcamp

Episode 74 The Polyphonic Synth Journey of Fusion Jazz   Playlist Jan Hammer, “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). I am including two versions of the same track from Jan Hammer, a master synthesist who moved from monophonic to polyphonic synths gradually, making the best used of the expressive qualities of each technologh. This track is from 1975 and uses Oberheim modules, probably the 2-voice or even 4-voice, but along with the Minimoog and what sounds like an uncredited Mellotron. Hammer was insistent in the notes for this solo album that none of the sounds were made with the guitar. This makes the contrast of this track with the next version performed live with Jeff Beck and even more interesting contrast. Producer, Engineer, Piano, Electric Piano, Moog and Oberheim synthesizers, Drums, Percussion, Composer, Jan Hammer. 4:30 Jeff Beck With The Jan Hammer Group, “Darkness/Earth In Search Of A Sun” from Live (1977 Atlantic). Here is the same tune written by Hammer for his solo album, now performed live with Jeff Beck. I think one can assume that all soloing in done on a Minimoog while all other synth sounds, including strings, are provided by the Oberheim modules and Freeman string synth. Bass, Fernando Saunders; Drums, Tony Smith; Guitar, Effects, Jeff Beck; Moog, Oberheim, and Freeman synthesizers, Electric Piano, Timbales, Jan Hammer; violin, string synthesizer, Steve Kindler. 7:55 Billy Cobham, “Leaward Winds” from Magic (1977 CBS). Early days of the Oberheim polyphonic, used again as background comping and fills to back-up the guitar and piano leads. Bass, Randy Jackson; Guitar, Peter Maunu; Piano, Oberheim Synthesizer, Mark Soskin; drums, producer, Billy Cobham. 3:38 Herbie Hancock, “Hang Up Your Hang Ups” from Man-Child (1975 Columbia). Along with Jan Hammer, Herbie Hancock was an early pioneer of using polyphonic synths in his ensemble. While I don't hear the Oberheim module being played until about the 5:30 mark in this track, I wanted to include it because Hancock uses many synths at his disposal to achieve the overall sound. The next two tracks from the Eddie Henderson album Mahal used a similar but updated keyboard ensemble, including the Oberheim 8-voice polyphonic and Prophet 5 synths. Bass, Henry Davis, Louis Johnson, Paul Jackson; Drums, Harvey Mason, James Gadson, Mike Clark; Guitar, David T. Walker, Blackbird McKnight; Guitar, Synthesizer, Melvin "Wah Wah" Watson; Percussion, Bill Summers; Piano, Fender Rhodes, Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic Synthesizer, Hohner D6 Clavinet, Herbie Hancock; Saxophone, Flute, Ernie Watts, Jim Horn; Soprano Saxophone, Wayne Shorter; Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass Flute, Alto Flute, Bennie Maupin; Trombone, Garnett Brown; Trumpet, Bud Brisbois, Jay DaVersa; Tuba, Bass Trombone, Dick Hyde. 7:27 Eddie Henderson, “Cyclops” from Mahal (1978 Capitol). Bass, Paul Jackson (2); Congas, Percussion, Bill Summers; Drums, Howard King; Fender Rhodes, Clavinet, ARP 2600, Oberheim 8 Voice Polyphonic, Prophet-5, ARP Strings Ensemble, Minimoog, Yamaha CS-80 Polyphonic synthesizers, Herbie Hancock; Flute, Hubert Laws; Guitar, Ray Obiedo; Piano [Acoustic], Mtume; Prophet-5 Programming, John Bowen; Tenor Saxophone, Saxophone [Saxello], Bennie Maupin; Trombone, Julian Priester; Trumpet, Flugelhorn, Eddie Henderson. 5:19 Eddie Henderson, “Prance On” from Mahal (1978 Capitol). Bass, Paul Jackson (2); Congas, Percussion, Bill Summers; Drums, Howard King; Fender Rhodes, Clavinet, ARP 2600, Oberheim 8 Voice Polyphonic, Prophet-5, ARP Strings Ensemble, Minimoog, Yamaha CS-80 Polyphonic synthesizers, Herbie Hancock; Flute, Hubert Laws; Guitar, Ray Obiedo; Piano [Acoustic], Mtume; Prophet-5 Programming, John Bowen; Tenor Saxophone, Saxophone [Saxello], Bennie Maupin; Trombone, Julian Priester; Trumpet, Flugelhorn, Eddie Henderson. 5:17 Rolf Kühn. “Cucu Ear” from Cucu Ear (1980 MPS Records). This German disc features keyboardist Rolf Kühn and highlights the Roland Jupiter 4, a 4-voice polyphonic synth. Bass, N.-H. Ø Pedersen; Clarinet, Roland Sting Synthesizer, Roland Jupiter 4 Synthesizer, Roland Amps, Rolf Kühn; Drums, Alphonse Mouzon; Engineer, Walter Quintus; Guitar, Peter Weihe, Philip Catherine; Steinway Acoustic, Fender Rhodes pianos, Roland Amps and Echoes, Joachim Kühn; Reeds, Charlie Mariano, Herb Geller; Trombone, Egon Christmann, Wolfgang Ahlers; Trumpet, Klaus Blodau, Larry Elam, Mannie Moch, Paul Kubatsch. 5:05 Rolf Kühn. “Key-Alliance” from Cucu Ear (1980 MPS Records). On this track the Roland Jupiter 4 is played by Joachim Kühn, brother of Rolf. Bass, N.-H. Ø Pedersen; Clarinet, Roland Sting Synthesizer, Roland Amps, Rolf Kühn; Drums, Alphonse Mouzon; Engineer, Walter Quintus; Guitar, Peter Weihe, Philip Catherine; Steinway Acoustic, Roland Jupiter 4 Synthesizer, Fender Rhodes pianos, Roland Amps and Echoes, Joachim Kühn; Reeds, Charlie Mariano, Herb Geller; Trombone, Egon Christmann, Wolfgang Ahlers; Trumpet, Klaus Blodau, Larry Elam, Mannie Moch, Paul Kubatsch. 5:41 Didier Lockwood, “Ballade Des Fees (Quartet Without Drums)” from Live In Montreux (1980 Disques JMS). Look who's featured on this album by French violinist Dider Lockwood—it's Jan Hammer again. Only this time he's using an unnamed “polyphonic synthesizer.” Your guess is as good as mine on this one, although he was using Oberheim and Yamaha CP70 keyboards around this same time. Bass, Bo Stief; Drums, Gerry Brown; Rhythm Guitar, Marc Perru; Polyphonic Synthesizer, Jan Hammer; Tenor Saxophone, Bob Malach; Violin, Didier Lockwood. 4:50 Didier Lockwood, “Fast Travel” from Live In Montreux (1980 Disques JMS). Another track with Jan Hammer using an unnamed polyphonic synth. There is a really smart Minimoog solo beginning as about 1:21, polyphonic fills are most apparent around beginning around 4:08. Bass, Bo Stief; Drums, Gerry Brown; Rhythm Guitar, Marc Perru; Polyphonic Synthesizer, Jan Hammer; Tenor Saxophone, Bob Malach; Violin, Didier Lockwood. 7:06 Georges Acogny, “Karimagie” from First Steps In (1981 String). This track uses a Polymoog effectively for some nice runs and comping, beginning around 3:40. I do not know what instrument was used to create the the white noise heard in the opening and throughout since I don't believe you could do that with the Polymoog. Bass, Dominique Bertram; Composed By, Khalil Chahine; Drums, Paco Sery; Guitar, Georges Acogny, Kamil Rustam; Percussion, Sydney Thiam; Piano, Patrick Gauthier; Soloist [Acoustic Guitar], Larry Coryell; Soloist [Bass], Nicolas Fizman; Soloist [Electric Guitar], Kamil Rustam; Polymoog synthesizer, Rachid Bahri. 8:30 Georges Acogny, “1st La Rosée” from First Steps In (1981 String). Acogny is a guitar player so the polyphonic synth tends to play a supporting role to the string work on this track. In this case, the Prophet 5 is used, most notably at about 30 seconds into the track. Bass, Nicolas Fizman, Electric Piano [Fender Rhodes], Olivier Hutman, Guitar, Kamil Rustam, Guitar [Ovation], Georges Acogny, Piano, Jean-Pierre Fouquey, Soloist [Trombone], Hamid Belhocine, Prophet 5 Synthesizer, Didier Egea. 4:37 Combo FH, “Zelený Muž (Green Man)” from Věci (Things) (1981 Panton). Here is a short track that uses the Italian-made Farfisa Syntorchestra, a rare keyboard made in 1978 that had a split keyboard, part polyphonic string synthesizer and part monophone synth section. Mostly used on European tracks by German composers including Klaus Schulze, here is an unusual jazz fusion example from a group in the Czechoslovakia. This group was known for its unusual instrumentation, including lead bassoon heard on this track. Bass Guitar, Václav Pátek; Bassoon, Percussion, Milan Sládek; Percussion, Richard Mader; Organ, Farfisa Syntorchestra synthesizers, Percussion, Leader, Daniel Fikejz; Percussion, Bořivoj Suchý. 1:48 String Connection, “Quasi String Waltz” from Workoholic (1982 PolJazz). Recorded in Poland and distributed by the Polish Jazz Society. This album features some strings sounds played on the Polymoog, which was still being used for its unique sounds even by this late date, because the Polymoog had been retired by this time. Listen for fills and chords beginning around 1:08. Bass Guitar [Gitara Basowa], Krzysztof Ścierański; Drums [Perkusja], Zbigniew Lewandowski; Piano [Fortepian Akstyczny], Violin [Skrypce], Polymoog Synthesizer, Krzesimir Dębski; Piano, Hammond Organ , Polymoog Synthesizer, Trombone [Puzon], Janusz Skowron; Tenor Saxophone [Saxoton Tenorowy], Soprano Saxophone [Saxofon Sopranowy], Andrzej Olejniczak. 3:19 Mike Elliott, “For Janny” from Diffusion (1983 Celebration). Another interesting album of guitar-based fusion jazz with synthesizer touches. Seemingly self-produced in Minnesota. Although the Minimoog is also used on this recording, I selected a track that was primarily using the Polymoog, beginning around 50 seconds. Fender Bass, Rick Houle; Drums, Gordy Knudtson; Flugelhorn, Bobby Peterson; Gibson ES-347 guitar, Ryoji Matsuoka Flamenco guitars, solid body kalimba; Mike Elliott; grand piano, Polymoog and Mini-Moog synthesizers, Ricky Peterson; Producer, Mike Elliott. 4:42 Martin Kratochvíl & Jazz Q, “Trhanec (The Muffin)” from Hvězdoň Asteroid (1984 Supraphon). From Czechoslovakia, a brilliant ensemble of musicians led by keyboardst Martin Kratochvíl. Here is another mix of monophonic synths and the polyphonic Oberheim 4-voice, heard in the opening riff that's repeated throughout. Bass Guitar, Přemysl Faukner; Drums [Bicí Nástroje], Pavol Kozma; Electric Guitar [El. Kytara], Twelve-String Guitar, Fender Rhodes, Minimoog, ARP Omni, Oberheim 4-Voice Polyphonic synthesizers, Leader [Vedoucí], Engineer [Recording], Recording Supervisor [Recording Director], Martin Kratochvíl. 4:34 Opening background music: Short piece by Thom Holmes using the Arturia Prophet 5 plug-in. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

DEREK SHULMAN (Part one) DEREK SHULMAN is the powerhouse voice behind the incredible music of Gentle Giant. Derek and I celebrate Giant's unique splendour by marking the 50th Anniversary of their "Three Friends" and "Octopus" albums (both prog masterpieces), plus the reissue of their final album, "Civilian". Gentle Giant are my favorite progressive rock band, and their work has stood the test of time like few others. Lots of ground to cover with this true prince of prog. [Part two is available to patrons of The ProgCast. Please support this special content and join us on Patreon.] SUPPORT US ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... www.greggbendian.com https://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.com https://guides.library.yale.edu/oham/... https://www.mahavishnuproject.com https://www.wpunj.edu/coac/department...

MATT STOBER, BEN & QUINN CONIGULIARO are all composer/musicians from the New York/New Jersey area. They make up 3/4ths of the instrumental group In-Dreamview. The members also have a vast web of related and interconnected projects as well, such as Sun Colored Chair, Wyxz, Wippy Bonstack, Eyeless Owl and many many more. The music they make is well informed by the progressive music of the past while also looking to expand as much as they can as the next generation. SUPPORT US ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists.

https://www.patreon.com/theprogcast (Part 2 available for Patrons!) THE SIGN OF 4 remains the most controversial project I've both produced & played on. PAT METHENY, DEREK BAILEY, PAUL WERTICO, and I met up in December of '96 to record some pretty wild improvisations - both live and in the studio - and it's one of the most extreme bits of music-making of my career. My pals at MakeWeridMusic, Andre Cholmondeley and Anthony Garone help me break down the highs and the lows of this triple-disc epic, as we look back over the 25 years since TSo4's release. "The Sign of 4" is also explored in this fun piece at MakeWeirdMusic: https://www.youtube.com/watch?v=dyGH4UZ-sY8&t=283s https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... www.greggbendian.com https://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.com https://guides.library.yale.edu/oham/... https://www.mahavishnuproject.com https://www.wpunj.edu/coac/department...

RALPHE ARMSTRONG is one of the great bassists of jazz. He is beloved for his role in the last two versions of the mighty Mahavishnu Orchestra. We chat about Raphe's beginnings and his amazing career from the early days of jazz-rock to his current jazz outings. Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists.

COLIN HODGKINSON is the quintessential pioneering British blues-jazz-rock bassist. He fronted the bass-driven band Back Door, and worked with a 'who's who' of BritRock, including Alexis Korner, Spencer Davis, Whitesnake, and Ten Years After. Particularly fun to talk about his and my experiences working with the great Jan Hammer. Lots of history to cover with Colin!

"This is the last but one"So reads the cryptic message on the back of PXR5, the final Hawkwind studio release of the 1970's, the final release with Robert Calvert and the final release on the Charisma label. It's also the final release of season 1 of Hawkbinge but not the final Hawkbinge release of year - watch this space...In this episode Matt & Andy explore the music of 1978, the somewhat nebulous status of the band at this point, choose tracks for the Sessions and Master Playlists on Spotify, offer up some track selections of their own with their turntable picks and, above all, attempt to resist the temptation to use that album cover as a guide for wiring their houses,This episode also marks the release of volume 3 of the Hawkbinge Sessions playlist on Spotify, including such bands as Mythic Sunship, Steve Hackett, Killing Joke, Lee 'Scratch Perry, Jan Hammer and The Kilimanjaro Darkjazz Ensemble alongside Matt's favourite Hawkwind picks from Quark, Hawklords and PXR5.Season 2 of Hawkbinge coming in 2022.Happy Christmas to all of our listeners everywhere! Click here for the Hawkbinge Sessions Vol.1 playlist on SpotifyClick here for the Hawkbinge Sessions Vol.2 playlist on SpotifyClick here for the Hawkbinge Sessions Vol.3 playlist on SpotifyClick here for the Hawkbinge Master playlist, also on Spotify. We truly appreciate all the tweets, messages, ratings and comments, and if you'd like to get in touch, you'll find Hawkbinge here: @hawkbinge on Twitter and Insta, and email podcast@hawkbinge.space Check out the Deep Dive Podcast Network @DeepDivePodNet on Twitter.

As broadcast November 2, 2021 with plenty of extra television for your podcast experience.  Tonight we mark the date that Jan Hammer changed the TV soundtrack game with his iconic theme to "Miami Vice," which went to #1 on the Billboard charts on this date in 1985.  The Czech-American producer and multi-instrumentalist is just a titan of tunes, but this is definitely his biggest mark in the public consciousness.  After the opener and the how-do-you-dos, it's two hours of Prince Paolo laying down the freshest indie & underground singles out this week, with highlights from Ann Streichman, HUSBANDS, The Delines & daste., the latter of whom are out with their debut as of just under a week ago!  #feelthegravityTracklisting:Part I (00:00)Jan Hammer Group – Peaceful SundownHotel Décor – SunflowerThe Delines – Little EarlMorning Silk feat Sur Black & Kolezanka – So Fundaste. – light onDad Bod - Tenderness Part II (34:45)Endearments – EmpressLouiza - Kind CoincidencePeaness - Whats The Use?Mediocre - Give InBaile - After All This TimeCrayon - Misplace (ft Tora & Gracy Hopkins) Part III (63:06)Marina - I Love You But I Love Me More (feat Beach Bunny)Anorak Patch – DelilahFoyer Red - BloodComing Up Roses - All Our TimeMike Turpin - Blacked Out LoveJennifer Hall - Why Cut Time Part IV (94:15)Chloe Rodgers – BonesCreature of Doom - Dead RingerAnn Streichman - Smoke & MirrorsNICOLAS - LEFT THE PARTYHUSBANDS - Ancient OneMild Minds - HAUNTED

In today's episode I am going way back to the mid 1980's and the hit TV show Miami Vice and the song 'Crockett's Theme' composed by Jan Hammer. The song refers to one of the main characters James "Sonny" Crockett played by Don Johnson and was aired in the first episode in October 1984. Listening to this song brings back a huge flash of emotions: hope, excitement, flow as well as pondering, reflection. But not only that - it's also about the evolution of music and fashion. So many new things came out of this TV show, especially the music, including this song, have left a huge imprint on me. I share my thoughts around this song and what I am taking away from it, apart from what I have mentioned above, and I suggest a way to use it as a tool to do some soul-digging. If you have a memory or experience to share to this song, please message me, I would love to hear about out. Please don't forget to connect with me on my Social Media channels: Come over and share your take-aways in my FB Group community Follow me on Instagram or Facebook for more snippets and inspiration. Join my mailing list to keep up to date with all new Podcast guest announcement, news and other updates (you will also get 2 FREE Spotify playlists created by the FB Community - these are great!)

When Cecil Taylor, icon of the jazz avant garde asks if you'd like to tag along with him to The Garden to hear an iconic American rock band you say, "Yes!" Grateful Dead aficionado and Sirius/XM DJ Gary Lambert was with us that night (he invited Ornette Coleman), and Gary helps me tell the whole story, on this episode of The ProgCast GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0...​ APPLE PODCASTS: https://podcasts.apple.com/us/podcast...​ www.greggbendian.com https://open.spotify.com/artist/0HBmV2y5G7dXc0xDuY9EAt?si=6m8XTjwoSpy1G-nuJqiTqwwww.bottomlinearchive.com https://guides.library.yale.edu/oham/collectionsguidewww.mahavishnuproject.com https://www.wpunj.edu/coac/departments/music/faculty/faculty-pop.html

How did Adyen achieve spectacular global success while anchored in Amsterdam? Index's Jan Hammer speaks to Adyen's founder Pieter van der Does to discuss what it takes for a European fintech to take on the US market.Adyen is a payments company that allows merchants to accept e-commerce, mobile, and point-of-sale payments. Pieter founded Adyen in 2006 and it listed on Euronext in 2018.Jan and Pieter talk about how being a second time founder nuanced Pieter's approach, the journey from Boston to San Francisco to New York, Adyen's approach to culture and how Pieter thinks about building a company for the long term.

TERRY CHAMBERS is well-known as the drummer of XTC. We chat about his and the band's early years, how he developed his unique style, and the drum sound that changed everything. Plus, lots about his post-XTC musical life and what he's up to currently with Ex-TC. GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists.

Do you tip the delivery robot? What does a delivery robot do with an undeliverable pizza? Too costly to make people Christopher is afraid of maps Christopher thinks the lightbulbs are listening to him (they probably are) "Your eating habits are really not very interesting to me." 'Smart' devices are listening to your confidential corporate info through your remote workers Our kids use their fancy smart devices for: lights music weather alarms reminders math Uber's "Cupertino Mode" Liberals hate Tesla (good for environment) but love Volkswagen (bad for environment) Google and Amazon replace The Stasis "James time is over." Your monitor can see you! Click this link to see what it is seeing right now! Cheerleader mom deep-fakes the cheerleading squad to make room for her daughter Colorado has a "Day Without Meat" and Nebraska looses its shit 70's and 80's TV shows were terrible, but the show intros were fantastic James drew naked people is collage and learned the human body is not always beautiful "Very heterosexual looking." Miami Vice intro (Jan Hammer and bikinis) PSA: Miami Vice pilot was good, the rest of the show was awful MASH intro Modern shows are so much better, but their intros suck Knight Rider intro Knight Rider's intro narration: "Knight Rider: a shadowy flight into the dangerous world of a man who does not exist..." Battle Star Galactica intro extended https://youtu.be/WtUxDbWcVTc Battle Star Galactica intro narration: "There are those who believe that life here began out there, far across the universe, with tribes of humans who may have been the forefathers of the Egyptians, or the Toltecs, or the Mayans. Some believe that there may yet be brothers of man who even now fight to survive somewhere beyond the heavens." Buck Rogers intro extended - https://youtu.be/BINijYepahA CHiPs intro OK, Christopher was right, James watched CHiPs because of Eric Estrada Magnum PI (the only good show of the 80's) Top ten best tv shows from the 1980's by IMBD The A-Team intro The A-Team intro narration: "In 1972, a crack commando unit was sent to prison by a military court for a crime they didn't commit..." Tom Selec makes James feel small The Fall Guy intro Get Smart intro is a work of comedic genius MacGyver intro

The most esoteric sounding subject in the first season may also be the most gut-level. In this episode the brothers discuss the role of art, story, and humor as it relates to ministry and healing. Recommended and Referenced Resources include: Quotations: Mbird glossary definition of Abreaction (https://mbird.com/glossary/abreaction/), Frank Lake's definition (https://mbird.com/2017/02/sit-and-watch-as-tears-go-by/), Josh Retterer's definition (https://mbird.com/2017/02/sit-and-watch-as-tears-go-by/), Adam Phillips on Self-Cures and Frozen Seas (https://mbird.com/2014/03/a-cure-for-our-self-knowledge-why-well-always-want-our-milk-in-the-same-sippy/), W.H. Auden on the Ulterior Purpose of Poetry (https://mbird.com/2012/02/w-h-auden-on-disintoxicating-poetry-new-york-penthouses-and-the-endpoint-of-addiction/) Books: A Mess of Help by David Zahl, The Lord of the Rings by J.R.R. Tolkien, Brideshead Revisited by Evelyn Waugh, Theophilus North by Thornton Wilder, The Cocktail Party by TS Eliot Paintings: Winter Landscape (https://commons.wikimedia.org/wiki/File:Caspar_David_Friedrich_-_Winter_Landscape_with_Church_-_WGA08245.jpg) by Caspar David Friedrich Movies: Miami Vice, The Last Days of Disco, Red Beard, Apocalypto, Hacksaw Ridge, The Darjeeling Limited, Miracle, This Is 40, Terms of Endearment, Pride and Prejudice [BBC] Drama: The Angel That Troubled the Waters (https://mbird.com/2009/03/from-mbird-conference-2009/) by Thornton Wilder TV: Friday Night Lights Songs: "Walls" by Tom Petty, "Should I Laugh or Cry" by ABBA, "Walls Come Tumbling Down" by The Style Council, "Come As You Are" and "Sliver" by Nirvana, "Please Forgive My Heart" by Bobby Womack, "This Is Me Trying" by Taylor Swift, "Wichita Lineman" by Glen Campbell, "Crockett's Theme" by Jan Hammer, "Lamuka" by Zazou, Biyake & CY1, "More More More" by Andrea True Connection Click here (https://open.spotify.com/playlist/1avwpuAHwUIVqM2BaNtMQ4?si=euSMGQIgQhiKb0l8vYXgWA) to listen to a playlist of the available tracks on Spotify.

Jazzvaneio 03, Imersão em quatro atos: Álbuns Década de 70Ato Segundo: Al Di Meola “Elegant Gypsy”Segundo de quatro PodCast que propõem uma desafiadora imersão aos anos 70. Sob os últimos e ainda oblíquos raios de Sol que douram o Mediterrâneo, suas gentes e vilas, Al Di Meola nos impele a conjugar novas fragrâncias, ritmos e sabores. O frescor da brisa neste ocaso ao fechar dos olhos canta Flamenco, a fusão “rockjazzística” e o retumbar latino das américas como um refinado cigano. Ou melhor, um “Elegant Gypsy”... Estamos em 1977, “¡Venga, Arráncate!”Album: Al Di Meola “Elegant Gypsy” 1977 - Columbiawww.aldimeola.comAto gravado no dia 10 de Setembro de 2020Outras Referências Artísticas e “culturais” (por ordem de menção): Electric Lady Studios (Estúdio de Gravação encarregado por Jimi Hendrix), David Palmer (Engenheiro de Som), Chick Corea (Músico), Return to Forever (Banda de Jazz), Where Have I Known you Before (Álbum do Return to Forever), No Mystery (Álbum do Return to Forever), Romantic Warrior ((Álbum do Return to Forever), Land of Midnight Sun (Álbum do Al Di Meola), Jeff Beck (Músico), Wired (Álbum do Jeff Beck), Jeff Beck with the Jan Hammer Group Live (Álbum do Jeff Beck e Jan Hammer), Syncretic (combinação de influências musicais e estilos com a linguagem do Jazz), Contrabass Guitar (Baixo de Seis Cordas), Chet Baker (Músico), Steely Dan (Banda de Rock), Tony Banks (Músico), Bon Jovi (Banda de Rock), Bee Gees (Banda de Rock Pop), Kate Bush (Músico), Eric Clapton (Músico), Joe Cocker (Músico), Paul Desmond (Músico), Paul Simon (Músico), Frank Sinatra (Músico), Carlos Santana (Músico), Carlos Santana & Buddy Miles! Live! (Álbum do Carlos Santa e Bussy Miles), Mainstream (no contexto da música, são trabalhos reconhecidos como “convencionais”, de grande popularidade e sucesso econômico), Billboard (classificação de álbums e músicas baseada em estatísticas de vendas e popularidade), Guitar Player (Revista Especializada em Música e Guitarra), Les Paul (Músico que também deu o nome a marca de Guitarra do fabricante “Gibson”), Atari (Equipamento de Videogame dos anos 80), Ray Conniff (Músico), Looping (técnica de gravação de passagens adicionais por cima de uma frase original), John McLaughlin (Músico), Friday Night in San Francisco (Álbum ao-vivo de Al Di Meola, John McLaughlin, e Paco de Lucía), Weather Report (Banda de Jazz), Yes (banda de Rock), Gentle Giant (Banda de Rock) e Genesis (banda de Rock).Contato: info@jazzvaneio.com

As broadcast on November 4, 2020.  We take a trip to NZ for our Round Trip Wednesdays with Barbora for this week, featuring cuts from Sola Rosa, Fat Freddy's Drop, SIX60, and more.  Then for part 4 we land back at ICN for some Korean indie & b-sides you'll never hear on the radio locally.  First hour lots of new tunes to go over from Arjuna Oakes, Robohands, PREGOBLIN & other very worthy newbies.#feelthegravityTracklisting:Part I (00:00)Jan Hammer – Miami Vice ThemePREGOBLIN – Snakes & OrangesSola Rosa – For The Mighty DollarJordan Rakei – Wind ParadeLord Echo – The Sweetest Meditation Part II (30:03)Fat Freddy's Drop – Hope (Lock-In)Cass McCombs feat Angel Olsen, Bob Weir & Noam Chomsky – Don't (Just) VoteRobohands feat JB Pilon – LeavesSkinshape – Arrogance Is the Death of MenArjuna Oakes – Watch the World BurnPart III (57:35)The Black Seeds - One By OneOMC - How BizzareFat Freddy's Drop - Raleigh TwentySIX60 - SundownSola Rosa feat Thandi Phoenix - Shine Onindi - StayPart IV (88:34)DPR IAN - So BeautifulHojean - Pick Up Your PhoneVince (ft. Zion T) - EmergencyHunjiya & indigoworld - overturnedSAAY - ZGZGSO!YOON! feat Jvcky Wai - Fntsy