Podcast appearances and mentions of David Gilmour

In this episode, Ernie C, guitarist and co-founder of Body Count, joins the show to talk about the band's fierce new album Merciless, his 50-year friendship with Ice-T, the legacy of “Cop Killer,” and working with legends like Tony Iommi, David Gilmour, and Brian May. We explore how Ernie and Ice-T formed Body Count in South Central LA, shook the music industry with their raw, political style, and how Ernie's career as a producer led him to work with Black Sabbath on Forbidden. This episode is packed with stories from decades of metal history, from Lollapalooza to Pink Floyd reinterpretations. Listen now and subscribe on your favorite podcast platform. Connect with Metal Mayhem ROC: Website: ⁠https://metalmayhemroc.com⁠ YouTube: ⁠https://www.youtube.com/@metalmayhemroc1851⁠ Facebook Group: ⁠https://www.facebook.com/groups/metalmayhemroc⁠ Instagram: ⁠https://www.instagram.com/metalmayhemroc⁠ Twitter: ⁠https://twitter.com/MetalmayhemROC⁠ Merch Store: ⁠https://metalmayhemroc.etsy.com⁠ Metal Devastation Radio: ⁠https://metaldevastationradio.com⁠ Pantheon Podcasts Network: ⁠http://pantheonpodcasts.com⁠ Follow Ernie C: Instagram: ⁠https://www.instagram.com/ernie4321⁠ Email/Direct Contact: ⁠ernie4321@yahoo.com⁠ (as mentioned in the interview) Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Ernie C, guitarist and co-founder of Body Count, joins the show to talk about the band's fierce new album Merciless, his 50-year friendship with Ice-T, the legacy of “Cop Killer,” and working with legends like Tony Iommi, David Gilmour, and Brian May. We explore how Ernie and Ice-T formed Body Count in South Central LA, shook the music industry with their raw, political style, and how Ernie's career as a producer led him to work with Black Sabbath on Forbidden. This episode is packed with stories from decades of metal history, from Lollapalooza to Pink Floyd reinterpretations. Listen now and subscribe on your favorite podcast platform. Connect with Metal Mayhem ROC: Website: https://metalmayhemroc.com YouTube: https://www.youtube.com/@metalmayhemroc1851 Facebook Group: https://www.facebook.com/groups/metalmayhemroc Instagram: https://www.instagram.com/metalmayhemroc Twitter: https://twitter.com/MetalmayhemROC Merch Store: https://metalmayhemroc.etsy.com Metal Devastation Radio: https://metaldevastationradio.com Pantheon Podcasts Network: http://pantheonpodcasts.com Follow Ernie C: Instagram: https://www.instagram.com/ernie4321 Email/Direct Contact: ernie4321@yahoo.com (as mentioned in the interview)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Lee Harris, the founder and guitarist of the successful band ‘Nick Mason's Saucerful of Secret' was our first interview guest almost two years ago. We had an exciting conversation back then and we knew we wanted to invite him back to our podcast.Now, 25 episodes later, the time has finally come, Lee Harris is back!Together with Phil Salathé, in this episode we talk about Lee's youth, his own career as co-manager and guitarist of the band ‘Ian Dury and the Blockheads' and the musical development of Pink Floyd between the years 1967 and 1972, an era they cover with the 'Saucers'.Lee also gives us a fascinating behind-the-scenes look at the band, describing the conditions under which the songs were chosen and why Echoes came so late in the setlist.Look forward to a lively conversation between two full-blooded musicians and some great and nerdy insights...(On a personal note, to our knowledge Pink Floyd performed 'The Alan's Psychedelic Breakfast' four times during the UK leg of their British Winter Tour in 1970.)

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Lets be straight here, not every show needs to play crummy Christmas themed music as Christmas nears! As a prime example, this edition of the Coast Highway Shuffle has NO Christmas music. None. Nada. It DOES, however, feature awesome tracks by artists like Sunsquabi, The Cure, ZZ Top, Free, Sunchild, David Gilmour, Kurt Vile, Marc Scibilia, Cass Elliott, Moon Taxi, The Beatles and MANY MORE!   Enjoy!  {and Merry Christmas!!}

On n'a parlé que de ça en 2022, Kate Bush, 63 ans, était N°1 dans le monde entier avec une chanson qu'elle avait pourtant sortie en 1985. Et ce n'est pas tellement le fait que cette chanson ait connu un succès prodigieux à cause de Stranger Things qui étonne, c'est plutôt que l'une des héroïnes de la série l'écoute sur son baladeur et que ça lui sauve la vie. Alors Ca a beau se passer il y a 45 ans, tous les ados d'aujourd'hui se sont identifiés à elle car non seulement ils font tous pareil sauf que c'est du streaming, plus une cassette, mais surtout la musique des années 80 est une évidence pour eux, elle fait partie de leur présent au même titre que les nouveautés. On ne s'étonne donc pas que les jeunes Américains et leurs parents aient découvert un titre qui à l'époque avait échappé à leur pays tout entier. Il faut dire que Kate Bush est une artiste authentiquement et profondément anglaise, un pays dont elle n'aime pas sortir. Comme autrefois le professeur d'Oxford Tolkien dont elle a donné vie à l'univers avec ses Elfes et ses magiciens, dans le monde de la pop et du rock. Avec son visage d'ange, la grâce d'un corps qui semble plus voler que marcher, un talent de compositeur qu'on n'a plus entendu depuis Purcel, une voix de fée haut perchée, Kate Bush nous emmène dans la pénombre des greniers des manoirs britanniques à la recherche d'une adolescence égarée.Plus de quarante ans après ses premiers succès, il ne s'est trouvé personne pour prendre sa place. Comment un tel génie, de la première touche de piano au dernier pas de danse d'un de ses vidéoclips, a-t-il pu éclore dans l'esprit et le corps d'une jeune fille de 19 ans, quand elle a commis son premier tube ? Plus fort, elle n'avait que 16 ans lorsqu'elle a enregistré cette perle sous la direction d'un certain David Gilmour, un des deux leaders de Pink Floyd, totalement subjugué par la musique et la poésie de ce petit prodige qui a déjà écrit une cinquantaine de chansons et dont pourtant, aucun label de disques ne s'était dit intéressé. Après avoir prêté une oreille aux enregistrements recommandés par Gilmour, le patron d'EMI se dit qu'en cette époque où la musique change, cette fille pourrait être « The next big thing », le prochain gros truc. De fait, en 1978, son premier disque allait déchirer les charts de toute l'Europe de haut en bas. On y avait mis les moyens : Geoff Emerick, l'ingénieur du son des Beatles, et une partie de l'entourage de son copain Alan Parsons, un ancien collaborateur de Pink Floyd qui lui aussi s'était mis à vendre des camions de disques. Quatre albums plus tard, en 1985, Kate Bush n'a que 26 ans et pourtant, elle joue jeu égal avec un Peter Gabriel en proposant des disques ambitieux au son révolutionnaire mais authentique, ce qui lui permet d'accomplir le miracle d'en faire des hits. Les Américains ont attendu 2022 pour l'adopter mais au vu des compteurs de streaming de l'ensemble de son répertoire, ils ne sont pas limités à cet unique titre découvert grâce à la série. Avec une voix et une musique surgie d'un passé lointain, Kate Bush séduit les ados d'aujourd'hui mais est-ce si étonnant, quand on sait que le temps n'a pas de prise sur les fées.

In a rare intersection of time and space, Ben and David sit down on the same couch in the same living room at the same time to not only watch "Lux", a new episode of Doctor Who, but also to record a podcast on the very same story together. Wow! We talk about animation, RTD's storytelling and handling of 1952 America, Belinda's yellow dress, and breaking the fourth wall and who Davies depicted to represent fandom (replete with good-natured Moffat ribbing). Opening music is from "Make 'em Laugh" by Nacio Herb Brown and Arthur Freed from the 1952 MGM musical Singin' in the Rain and performed by Donald O'Connor. Closing music is "The Girl In The Yellow Dress" by David Gilmour and Polly Sampson off of the 2015 album, Rattle That Lock. We recorded this podcast on 23 April 2025.

In this episode, Somewhere in Time Podcast is joined by friends and previous guests of the podcast, Justin and Landon, to discuss the 1994 album by Pink Floyd, "The Division Bell". There are several clips played throughout the episode, which were pulled from a 1994 interview with David Gilmour, discussing topics such as the meaning of the album, some of the common themes, the writing process, and more. The episode also features a track-by-track breakdown of the album.  Visit Somewhere in Time Podcast's website -https://somewhereintimepodcast.com Follow Somewhere in Time Podcast on Social Media: www.facebook.com/somewhereintimepodcast Instagram - @somewhereintimepodcast TikTok – Somewhere in Time Podcast

In sala"The Accountant II" diretto da Gavin O'Connor, con Ben Affleck e Jon Bernthal"In viaggio con mio figlio" diretto da Tony Gldwyn, con Bobby Cannavale e Robert De NiroLe intervisteIl critico musicale Enzo Gentile racconta "Pink Floyd Live in Pompei" diretto da Adrian Maben, con David Gilmour e Nick MasonIl regista Ivano De Matteo presenta il suo "Una figlia" con Stefano Accorsi e Ginevra FrancesconiLe celebrazioni Il giornalista Alessandro De Simone ha partecipato, in Giappone, alla Star Wars Celebration 2025

On this edition of KVC-Arts it's David Fleming in conversation with guitarist Lee Ritenour. You'll find him MAINLY in the world of jazz, with around 35 or so albums under his own name, also as part of the GRP All-Star Big Band, the group Fourplay, and other projects. We'll hear about Ritenour's latest, along with Dave Grusin, called BRASIL. Also, helping Pink Floyd, or rather specifically, David Gilmour – at a point when he was absolutely STUCK trying to figure out what to do at a point in one of Pink Floyd's MOST well-known tunes.

Pink Floyd's 'Animals', a lyrically dark, musically dense concept album loosely based on George Orwell's 'Animal Farm', is as eerily precient today as it was when first released in 1977. Rob and this week's guest, Portland, Oregon songwriter and
multi-instrumentalist James Cook (Trashcan Joe, Captain's Audio Project), take a deep dive into this sweepingly nihilistic classic. Songs discussed in this episode: Pigs On The Wing (Pink Floyd Cover) - Chrome; Waiting For The Moon, Really Hard To Find - Captain's Audio Project; Breathe (In The Air) - Pink Floyd; Rise Above - Black Flag; Pigs On The Wing (Part One), Astronomy Domine, Dogs, Shine On You Crazy Diamond, Dogs, Pigs (Three Different Ones), Sheep, Pigs On The Wing (Part Two) - Pink Floyd; A Little Bit Here - Trashcan Joe; Satan Wrote This Song - Captain's Audio Project

Send us a textGuitar prodigy Zack Quintana takes us through his remarkable musical journey, from picking up the guitar at age four to fronting bands by eight years old. With footage showing him shredding Hendrix solos as a child, it's no wonder the podcast host introduces him as "one of the best guitarists I ever met."During this intimate conversation, Quintana reveals the profound impact of Pink Floyd's Dark Side of the Moon on his approach to guitar playing. Rather than focusing on technical prowess, he learned to appreciate David Gilmour's "simple but powerful and tasteful" style where "every note is perfectly placed." This watershed moment coincided with his discovery of synesthesia – a condition that allows him to "hear colors" – making the album particularly significant in his development.The spiritual dimension of Quintana's artistry emerges through his discussion of Ram Dass's "Be Here Now," which helped him navigate the tension between artistic expression and ego-driven validation. "Creating for me is now almost meditative than trying to get a hit record," he explains, offering valuable perspective on maintaining authenticity in an industry often focused on external metrics of success.Live performance holds special significance for Quintana, inspired by the Grateful Dead's legendary Europe '72 recordings. He champions the idea that each performance should be unique, a philosophy that extends to his recording approach – prioritizing live energy even in studio settings. With influences ranging from Hendrix's revolutionary guitar techniques to Prince's commanding stage presence, Quintana continues crafting his distinctive musical identity with new releases on the horizon. Follow Zack on Instagram @ZackQuintanaOfficial and don't miss his upcoming projects – a Valentine's Day single and two albums dropping this spring!Follow My Pop Five: @mypopfive on all platforms We'll see you next time. But until then, what's your Pop Five?

To celebrate the 50th anniversary of the start of the North America tour in 1975, we present a new and exciting episode of the Fingal's Cave podcast.In more than 2 hours we discuss Pink Floyd's so-called transition period between 1974 and 1975, often derided as the band's creative low point.But even though there were many late decisions, sound problems, mishaps and - to be frank - a certain amount of laziness, these three tours, which started in Colmar (France) on 22nd June and ended in Knebworth (UK) on 5th July, offered plenty to talk about. From one of the finest Dark Side of the Moon shows in Bristol to a total disaster in Knebworth, Pink Floyd went through a rollercoaster ride in these 380 days, defining their own future by road-testing new material and setting the stage (no pun intended) with stunning new visuals, including the birth of Mr. Screen.After several weeks of preparation, we are proud to bring you an in-depth chat that even the dedicated Pink Floyd fan will learn something from, we promise!Our yt-channel: https://www.youtube.com/@Fingals_Cave_PodcastMost important shows:1974-06-22 Colmar (tour start)https://www.youtube.com/watch?v=8AFkERLrJQU1974-11-19 Stoke on Trent (British Winter Tour 74 bootleg)https://www.youtube.com/watch?v=7F2-bSdNHTY1974-12-14 Bristol (Best Dark Side Set)https://www.youtube.com/watch?v=nlFm7s-Gypc1975-04-26 Los Angeles (Millard recording)https://www.youtube.com/watch?v=4clpGEnZz0o1975-06-09 Landover (Best ‘75 Dark Side Set)https://www.youtube.com/watch?v=e8iLvc72N1w1975-06-17 Uniondale (Great show)https://www.youtube.com/watch?v=qPzaR1PcUDI1975-06-28 Hamilton (Superb recording)https://www.youtube.com/watch?v=jAR5x2LGHO0Videos:1975-04-27 Los Angeles (8mm)https://www.youtube.com/watch?v=0NYLy9NqlAY1975-06-09 Landover (8mm)https://www.youtube.com/watch?v=pH1mGiSmbRk1975-06-26 Montreal (8mm)https://www.youtube.com/watch?v=Nb7lxh_9eOk1975-06-28 Hamilton (8mm)https://www.youtube.com/watch?v=fSXZMFq_Msk1975-07-05 Knebworth (video)https://www.youtube.com/watch?v=0Oi5BCXeV4A

After releasing one of the most influential albums in history Pink Floyd found itself without its guiding light, Syd Barrett. With new guitarist David Gilmour, the band was tasked with recording a follow-up to The Piper at the Gates of Dawn. In 1968 they released A Saucerful of Secrets which, though it was largely made without Barrett's involvement, so continued in the spirit of what he had started. 

Pas mal de nouveautés dans ce numéro et parfois pour les puristes du genre, un peu en marge du rock progressif, je vous l'accorde, notamment en ce qui concerne VOLTAIR...Mais le titre issu de leur dernier EP "Des Fantômes Et Des Anges" (tout juste sorti des fourneaux) est complètement à sa place ici et de toute façon tout l'EP est hautement recommandé par votre serviteur qui n'écoute pas que de la musique alambiquée

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

The legendary sounds of Pink Floyd's "Another Brick in the Wall (Part 2)" come alive as we explore this revolutionary anthem that dominated airwaves and captivated a generation in 1980. This cultural phenomenon wasn't just a song – it was everywhere, playing in homes, game rooms, and wherever young people gathered to shout "We don't need no education!"Delving into the innovative construction of the track, we unpack how Pink Floyd boldly incorporated a disco beat at a time when the genre was fading, creating something utterly transcendent with David Gilmour's guitar work and that unforgettable children's choir. The conceptual origins of "The Wall" reveal Roger Waters' growing alienation from audiences, which sparked his radical idea to build an actual wall between band and crowd during performances.Our musical journey through March 1980 continues with explorations of Pat Benatar's "Heartbreaker," Van Halen's "Women and Children First" album, The Cure's "A Forest," and Rush's "Spirit of Radio." Each track represents the incredible boundary-pushing innovation happening across music as a new decade dawned.Whether you're rediscovering these classics or hearing these stories for the first time, this episode connects personal memories with musical milestones in ways that will have you reaching for your air guitar – or perhaps practicing your air drums with the proper technique! Join us for this nostalgic yet fresh look at some of rock's most transformative moments.Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

(S4 Ep15) Pink Floyd-Pipers at The Gates of Dawn with guest Mark BlakeReleased August 4, 1967, Recorded February 21-May 2, 1967 (EMI)  Piper at the Gates of Dawn (1967) is Pink Floyd's debut album, largely shaped by Syd Barrett's visionary, whimsical songwriting and experimental approach to psychedelia. Combining surreal lyrics with complex musical arrangements, the album became a defining work of the British psychedelic scene. Tracks like "Astronomy Domine" and "Interstellar Overdrive" showcase the band's innovative use of studio effects and improvisation. At the same time, songs such as "Lucifer Sam" and "Matilda Mother" blend folk influences with dreamy, eccentric storytelling. The album's experimental nature and Barrett's increasing mental instability, worsened by heavy drug use, marked the band's transition from a psychedelic force to something more expansive. Despite its initial mixed reception, Piper is now a cornerstone of rock history. It reveals the early creativity of a band destined for greatness but also foreshadows the tragic unraveling of Barrett's role, paving the way for Pink Floyd's future with David Gilmour. Signature Tracks: "Astronomy Domine," "Lucifer Sam,"  "Flaming"Full Album: YouTube, Spotify Playlist  YouTube, Spotify 

Broadcasting veteran Matt Everitt chats to Headliner about the upcoming 6 Music Festival 2025 and its phenomenal lineup, and his show The First Time, which has seen him interview Noel Gallagher, Yoko Ono, David Gilmour, and more.

Non vorrei essere un sottofondo, vorrei che la mia musica fosse l'unica cosa importante, almeno nel tempo in cui la si ascolta.(David Gilmour)

Folks, we're stretching a bit on this one.  Lynch noticed that Roger Waters performed "The Wall" at the Berlin wall in this month, and used that as an excuse to feature A Momentary Lapse of Reason, which was the latest studio album by Pink Floyd. Since that originally came out in 1987, we're asking you to squint a bit to see it's relevance to the summer of 1990.  That being said...A Momentary Lapse of Reason is the first Pink Floyd album released after bassist and primary songwriter Roger Waters left the band.  Waters had expected that Pink Floyd would simply disband, and was surprised when David Gilmour and Nick Mason decided to continue without him.  Acrimony and lawsuits appeared, but in the end a Water-less Pink Floyd continued on.Unlike many prior Pink Floyd albums, this one is not playing off a single concept.  Instead, it is a more traditional collection of songs.  Gilmour presented the album as a return to earlier Pink Floyd material, which was perhaps a reaction to common critiques of their previous album "The Final Cut" as a Roger Waters solo effort masquerading as a Pink Floyd album.  There are a number of well-known session musicians that participated in the making of this album.The album was a commercial success, debuting at number 3 on both the US and UK albums charts.  The US tour was the most successful of the year, selling out almost every venue it played in the States.  Roger Water's lawsuits would be overcome, and a settlement was reached between Waters and the band by the end of 1987.Lynch brings us this Pink Floyd reboot album for today's podcast and we're joined by guest host Julie Doran joins us on this episode. On the Turning AwayThis power ballad was co-written by Gilmour and British experimental composer Anthony Moore.  It is an anti-war song, one of the more political Pink Floyd songs written since the departure of Waters. It begins with a solemn Gilmour vocal supported by understated keyboards, then builds to an almost orchestral conclusion.  Learning to FlyA surprisingly upbeat song for the group, the inspiration for this first single is David Gilmour's experience learning to fly airplanes.  At the time he would do practice flights in the mornings and work in the studio in the afternoons.  It is also a metaphor for the band coming back together after splitting with Roger Waters.One SlipThe fourth US single discusses the long-term consequences of a one-night stand, and contains the lyrics that would become the title to the album as a whole.  Gilmour co-wrote this song with Roxy Music guitarist Phil Manzanera.  Fans of bassist Tony Levin may recognize his work on a Chapman Stick in the instrumentation for this track.  ENTERTAINMENT TRACK:Real Wild Child by Iggy Pop (from the motion picture “Problem Child”)This dark comedy starring John Ritter follows the trials of Ben Healy Jr. as he adopts a less-than-model child from a questionable adoption agency.   STAFF PICKS:Stop by Jane's AddictionWayne leads off the staff picks with a college radio hit off the "Ritual De Lo Habitual" album.  Lead singer Perry Farrell warns about apathy towards environmental disaster, telling people to turn off the smokestacks.  "And the water will run, come a day, the water will run, no man will stand for things he had done."Brave New World by Michael PennRob brings us a jangly deeper cut with a song with rapid fire lyrics off Penn's "March" album.  The song reflects confusion in where the singer is going, perhaps making a commentary on society as it heads into a "brave new world."  "This may not be my best day, but this ain't no golden age.  You looked pretty on the freeway.  Let's drive into the brave new world."Give It Up by Hothouse FlowersBruce features a s song from an Irish group off their second album, "Home."  This song that went to number 2 on the US Modern Rock chart is summed up in the lyrics, "Well, this song's inspired by a good man and his tune doing good for others, sing 'Amazing Grace' for you." Rub You the Right Way by Johnny GillJulie's staff pick is an upbeat hip hop song, and Gill's first single after he left New Edition earlier in the year.  Despite the lyrics, Gill was the son of a minister and got his start in gospel music.  He signed with Motown as a teenager.  Gill had become very accustomed to performing live, and had a difficult time switching to studio work.  Blue Sky Mine by Midnight OilLynch closes out the staff picks with the first single off Midnight Oil's seventh studio album.  The inspiration for the song was the experience of workers in the Wittenoom asbestos mines in western Australia, where they contracted a variety of asbestos-related diseases.  The "blue" in the title refers to "blue asbestos," a form of the mineral considered most hazardous. INSTRUMENTAL TRACK:Erotic Nightmares by Steve VaiGuitar virtuoso Steve Vai carries us out of this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

There's no half-way on Prog-Watch this week, as we get ALL OR NOTHING! With tons of tasty, themed tunes from Starcastle, UK, Traffic, Gentle Giant, David Gilmour, Jethro Tull, George Harrison, Unitopia, Steve Howe, Lobate Scarp, The Cars, Rush, Blind Faith, Kevin Gilbert, Arc Of Life, Peter Banks, Mott The Hoople, and The Alan Parsons Project!  

We're headed to the Garden State for this episode and talking with Michelle McCarthy, Founder & CEO of MCC Marketing Group. Michelle, who is based in Jersey City in the New York City market, tells us about her experience with launching her business and the excitement and challenges that come along with it. She emphasizes the importance of a strong network and tells us about some of her recent clients, including David Gilmour's sold out US tour, the Rock The Country festival series, and a sold-out reunion performance featuring the original Broadway cast of Anastasia, The Musical at Lincoln Center. She talks about her love of music and other passions which drive her and her focus of optimizing results and maximizing campaigns for her clients. We talk with Michelle about her career journey, which began in County Cork, Ireland, where she did marketing and promotions for arts festivals before moving to Dublin to work with Hot Press magazine and the Dublin Theatre Festival, eventually overseeing marketing for the RTÉ Concert Orchestra. Her work there led her to New York City, where she promoted shows at Lincoln Center and Carnegie Hall before going on to spearhead marketing strategy for live entertainment at Prudential Center and Madison Square Garden Entertainment. You'll love all the great tips and conversations in this episode such as advice for those considering starting their own agency, the value of time off in recentering your path, and plenty of fun stories speckled throughout.Michelle McCarthy: LinkedIn | EmailMCC Marketing Group: Facebook | Instagram | LinkedIn ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

https://www.virginradio.it/audio/long-playing-stories/1382716/long-playing-stories-david-gilmour-luck-and-strange.htmlhttps://www.virginradio.it/audio/long-playing-stories/1382716/long-playing-stories-david-gilmour-luck-and-strange.htmlWed, 26 Feb 2025 11:45:12 +0100Virgin RadioVirgin Radiono0

Episode 97 of Moments That Rock features singer, songwriter and record producer David Courtney who shares his stories from over 50 years spent working in the music industry with artists such as Adam Faith, Leo Sayer, Jimmy Page, Eric Clapton and David Gilmour. Learn more about your ad choices. Visit megaphone.fm/adchoices

For almost 30 years Paul Rappaport worked at Columbia records in the promotion department. That job led him to crossing paths with Bob Dylan, Bruce Springsteen, Pink Floyd and many others. His new book (out April 1st) is called "Gliders Over Hollywood" and is available for pre-order.

Kseniya Zhornokley, journaliste à la rédaction ukrainienne raconte le rôle de la musique depuis le début de l'invasion russe (24 février 2022). La scène musicale ukrainienne joue un rôle essentiel depuis le début du conflit en février 2022. Elle reflète la résilience, la douleur et l'espoir d'un peuple face à l'agression. Que ce soit sur le front ou en exil, les artistes utilisent leur musique pour soutenir leurs compatriotes et attirer l'attention internationale sur la situation en Ukraine.Pour cette émission spéciale, Kseniya Zhornokley, journaliste et coordinatrice à la rédaction ukrainienne, vous propose une sélection de morceaux, de témoignages et d'histoires issus de cette nouvelle vague musicale qui incarne la résistance, l'unité et l'espoir.Avec des interventions de Marko Halanevych, compositeur, multi-instrumentiste du quartet DakhaBrakha, Yulia Franz, pianiste et chanteuse qui se produit sur le front pour remonter le moral des troupes et Bogdan Yermokhin, un enfant mineur de Marioupol, emmené en Russie après l'occupation de sa ville, placé dans un camp de rééducation patriotique avant d'être envoyé dans des familles d'accueil, étant orphelin. Il a pu s'échapper et utilise le rap, pas simplement comme une échappatoire mais comme une évidence qui s'est imposé à lui comme un moyen de résister et de se reconstruire. Playlist de Kseniya Zhornokley- Oy u luzi chervona kalyna (Une viorne rouge dans la prairie) par Andriy Khlyvnyuk (BoomBox) Chanson traditionnelle des tirailleurs ukrainiens du Sich qui remonte à 1914, chanté a cappella par Andriy Khlyvnyuk et qui est devenue emblématique de la lutte actuelle et qu'on entend partout à la télé, à la radio, pendant les matchs de football.- Hey Hey Rise Up (Feat. Andriy Khlyvnyuk) Pink Floyd.Le 24 décembre, David Gilmour, membre de Pink Floyd a annoncé sur Facebook que la sortie de la chanson avait permis de récolter plus de 600 000 dollars.Clip.- Sho z pod duba (Donne et prends) extrait du concert de DakhaBrakha au Cabaret Sauvage 2025Clip KEXP. - Good Evening, we are from Ukraine (Where are you from ?) par Probass & Hardi.Duo électro de Kremenchuk qui reprend la phrase culte de Marko Halanevych « Dobriy vechir, my z Ukraini » (Bonsoir, nous venons d'Ukraine).Clip.- Dopomoje ZSU (Ce sont les Forces armées qui vont aider) par Chico & Qatoshi.Ce morceau est né en 3 jours pour soutenir les forces armées ukrainiennes. Gros succès sur TikTok puis sur YouTube.Clip.- U Mene Nemaie Domu (Je n'ai plus de maison) par Odyn v Kanoe (Seul dans un canoë).Composée avant la Grande Guerre, cette chanson a pris un tout nouveau sens en 2022, avec l'exil de millions d'Ukrainiens à travers l'Europe. Hymne de ceux qui ont tout quitté.Clip avec sous-titres en anglais.- Doumy (Pensées, mots) par Artem & DorofeevaSelon des psychologues travaillant en Ukraine, les chansons mélancoliques aident les gens à traverser leur deuil.Clip.- Les Titans par Kozak SystemFacebook. - Namalyuvala (J'ai dessiné) par Yulia Franz Clip.- Bogdan YermokhinDeezer - Amnesty International - Association pour les enfants déportés. - Welcome to Ukraine par JKLNClip - YouTube.- Peremoga (La Victoire) par OnukaSite. Les contenus en ukrainien de RFI sont publiés sur le site rfi.fr/uk/ et sur les réseaux sociaux : Telegram, Facebook et Twitter.

Kseniya Zhornokley, journaliste à la rédaction ukrainienne raconte le rôle de la musique depuis le début de l'invasion russe (24 février 2022). La scène musicale ukrainienne joue un rôle essentiel depuis le début du conflit en février 2022. Elle reflète la résilience, la douleur et l'espoir d'un peuple face à l'agression. Que ce soit sur le front ou en exil, les artistes utilisent leur musique pour soutenir leurs compatriotes et attirer l'attention internationale sur la situation en Ukraine.Pour cette émission spéciale, Kseniya Zhornokley, journaliste et coordinatrice à la rédaction ukrainienne, vous propose une sélection de morceaux, de témoignages et d'histoires issus de cette nouvelle vague musicale qui incarne la résistance, l'unité et l'espoir.Avec des interventions de Marko Halanevych, compositeur, multi-instrumentiste du quartet DakhaBrakha, Yulia Franz, pianiste et chanteuse qui se produit sur le front pour remonter le moral des troupes et Bogdan Yermokhin, un enfant mineur de Marioupol, emmené en Russie après l'occupation de sa ville, placé dans un camp de rééducation patriotique avant d'être envoyé dans des familles d'accueil, étant orphelin. Il a pu s'échapper et utilise le rap, pas simplement comme une échappatoire mais comme une évidence qui s'est imposé à lui comme un moyen de résister et de se reconstruire. Playlist de Kseniya Zhornokley- Oy u luzi chervona kalyna (Une viorne rouge dans la prairie) par Andriy Khlyvnyuk (BoomBox) Chanson traditionnelle des tirailleurs ukrainiens du Sich qui remonte à 1914, chanté a cappella par Andriy Khlyvnyuk et qui est devenue emblématique de la lutte actuelle et qu'on entend partout à la télé, à la radio, pendant les matchs de football.- Hey Hey Rise Up (Feat. Andriy Khlyvnyuk) Pink Floyd.Le 24 décembre, David Gilmour, membre de Pink Floyd a annoncé sur Facebook que la sortie de la chanson avait permis de récolter plus de 600 000 dollars.Clip.- Sho z pod duba (Donne et prends) extrait du concert de DakhaBrakha au Cabaret Sauvage 2025Clip KEXP. - Good Evening, we are from Ukraine (Where are you from ?) par Probass & Hardi.Duo électro de Kremenchuk qui reprend la phrase culte de Marko Halanevych « Dobriy vechir, my z Ukraini » (Bonsoir, nous venons d'Ukraine).Clip.- Dopomoje ZSU (Ce sont les Forces armées qui vont aider) par Chico & Qatoshi.Ce morceau est né en 3 jours pour soutenir les forces armées ukrainiennes. Gros succès sur TikTok puis sur YouTube.Clip.- U Mene Nemaie Domu (Je n'ai plus de maison) par Odyn v Kanoe (Seul dans un canoë).Composée avant la Grande Guerre, cette chanson a pris un tout nouveau sens en 2022, avec l'exil de millions d'Ukrainiens à travers l'Europe. Hymne de ceux qui ont tout quitté.Clip avec sous-titres en anglais.- Doumy (Pensées, mots) par Artem & DorofeevaSelon des psychologues travaillant en Ukraine, les chansons mélancoliques aident les gens à traverser leur deuil.Clip.- Les Titans par Kozak SystemFacebook. - Namalyuvala (J'ai dessiné) par Yulia Franz Clip.- Bogdan YermokhinDeezer - Amnesty International - Association pour les enfants déportés. - Welcome to Ukraine par JKLNClip - YouTube.- Peremoga (La Victoire) par OnukaSite. Les contenus en ukrainien de RFI sont publiés sur le site rfi.fr/uk/ et sur les réseaux sociaux : Telegram, Facebook et Twitter.

This week, a real cross section of artists, which speaks to the depth and diversity of our interview archive. First up is Pink Floyd. We have a short but interesting chat with David Gilmour from 1984 and he promotes his solo work, but also wrestles with the past and future of Pink Floyd. Then we have an awesome 1979 chat with legendary Canadian producer Bob Ezrin as he talks about Pink Floyd’s The Wall – and as many fans know, Bob was instrumental in the creation of that album – and he has lots to say about it – from the development of the theme, to Roger Waters’ LACK of musical imagination (at least at the outset) to the planning of the ambitious tour that was to follow. Fascinating stuff from a guy who’s NOT afraid to share his opinions. Then we have a chat with Chad Kroeger and the guys from Nickelback from 2014. This was around the time that the whole backlash against them was just starting to heat up. They address it head on – and do a very good job too! Then we travel back to 2004 with Gwen Stefani, upon the release of her first solo album. Gwen is a bundle of energy who cannot be contained – and you can hear the passion, emotion and even insecurity that drives her. We also have a short but fun segment with the Black Eyed Peas from 2005 – a boy did THEY ever own the charts in that decade. We also remember the classic ‘60s Girl Groups, with cool facts from the amazing book “Will You Love Me Tomorrow?” Our favourite story is about the vocal group that you’ve likely heard thousands of times over the years, but never knew by name. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

In today's episode we talk about a very special time for Pink Floyd between 1978 -1981 and the staging of THE WALL live shows. This would be the last time until 2005 where the main four members played live as a band, so it is an important, if melancholic period.Together with Kyle and Phil (Salathé) we discuss the circumstances surrounding the album THE WALL, the so-called ‘Performance Manuscript' and of course many shows from the tour itself. In particular we discuss the tour rehearsals, the start of the tour in Los Angeles on February 7th 1980, the video recordings of the concert in New York at the Nassau Coliseum, in London at Earl's Court, and of course about the great shows in Dortmund, a typical German city in the middle of the Ruhr area. We also take a brief look at the last run of wall shows in June of 1981.In a little more than 2 hours you will learn many insights, mishaps, surprises and hopefully yet unknown things about the Wall live!Credit goes to RarePinkFloyd for providing research materials for this episode. You can view his wonderful website here; http://www.rarepinkfloyd.fr/Credit also goes to Vernon Fitch and Richard Mahon's incredible book, “Comfortably Numb: A History of The Wall 1978-1981”, which you can purchase here;http://www.pfapublishing.com/

David Gilmour is one of those masterful songwriters and musicians who seemingly can do no wrong. His latest release, Luck And Strange is another fantastic album that seems to fit David's current station in life and includes many of his family members who all bring their own great flavors to the record. Sit down with the Shit Talk malcontents as they wax philosophic about this great album. (And then listen to the album in its entirety!)You already know where to go to check out all the other album reviews and interviews with awesome people, but in the event you've recently been smashed in the head with a rock and have lost all your memories, the site is www.shittalkreviews.com#davidgilmour #luckandstrange #pinkfloyd #rogerwaters #nickmason #sydbarrett #pinkfloydfans #pinkfloydmusic #pinkfloydfan #richardwright #pinkfloydlove #davidgilmourtour #rickwright #pinkfloydthewall #pinkfloydtribute #pinkfloydcover #guitar #music #pinkfloydforever #rock #pinkfloydart #pinkfloydshirt #davidgilmourfans #pinkfloydanimals #pinkfloydtattoo #pinkfloydexhibition #ledzeppelin #darksideofthemoon #progressiverock #fender

Episode 175: Way Down Low, Playing The Bass. Leland Sklar Live Tribute January 29, 2025 Here we go with another Tales Vinyl Tells! It's our plunge into some of that great album rock especially from the 60s and 70s. The vinyl albums are classic, they're vintage, and today the upsurge in album sales is really wonderful to see and read about. A lot of artists today are putting out LPs and record pressing has become an art. Welcome along with me. These are the Tales Vinyl Tells. We're going to play a cut from a newer collection from David Gilmour and his daughter Romany. We're also going to salute Leland Sklar. He's still alive and this is a living tribute to him. He played bass on so many big albums of the 60s. And he hung around with some really outanding studio musicians like himself. And I'm gonna turn you onto a documentary if you haven't seen it yet. More on The Immediate Family here on tales Vinyl Tells. First up is Pete Townshend. If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Send us a message, so we know what you're thinking!Every band/artist has to have a first album.  Sometimes those albums are good, sometimes they're not, and sometimes they just show potential.  This episode, we look at some first albums over the gamut of the rock era that we regard as great, including some Australian albums. You've probably heard of most, but not all. In rock news, we look at Neil Young, The Wiggles (yes!), Joe Bonamassa, Jethro Tull and Billboard's new list – The Top 200 Albums of the 21st Century.  Our Album You Must Hear before You Die is Paris 1919 by John Cale. Mick regards this elegant 1973 album from the Velvet Underground co-founder as a stunning listen, and a great intro to John Cale.  Chris Thomas' production is, as usual, precise, while Cale presents some wonderful imagery in the lyrics.   References:  John Cale, Paris 1919, “A Child's Christmas in Wales”, Fragments of a Rainy Season, Brian Wilson, UCLA Symphony Orchestra, Words for the Dying, Dylan Thomas, Chris Thomas, Roxy Music, Eno, Sex Pistols, Pretenders, INXS, Bowie, Lou Reed, Queen, The Police, Outlandos d'Amour, “Can't Stand Losing You”, “Roxanne”, Stewart Copeland, Sting, Rod Stewart, The Tubes, “White Punks on Dope”, “What do you want from life?”, “a baby's arm holding an apple”, Kate Bush, The Kick Inside, David Gilmour, “Wuthering Heights”, Wuthering Heights Day, Roxy Music, Kari-Ann Moller, Chris Jagger, Andy Mackay, saxophone, “Re-make / Re-model", Bryan Ferry, Steely Dan, Can't Buy a Thrill, Jeff (Skunk) Baxter, “Do it Again”, “Reelin' in the Years”, “Only a fool would say that”, John Lennon, Imagine, Robert Dimery, 1001 Albums You Must Hear Before You Die, Peter Gabriel, The Cure, Three Imaginary Boys, Boys Don't Cry, "10:15 Saturday Night", Robert Smith, Television, Marquee Moon, Devo, Q: Are We Not Men? A: We Are Devo!, Rolling Stones, "Satisfaction", Mark Mothersbaugh, Violent Femmes, "Kiss Off", "Add It Up", “Glister in the sun”, "Blister in the Sun", Sex Pistols, Never Mind the Bollocks Here's the Sex Pistols, Marlon Brando, The Wild One, Malcolm McLaren, The Great Rock'n'Roll Swindle, “Ever get the feeling you've been cheated?”, Ramones, Mi-Sex, Graffiti Crimes, Midnight Oil, “Run by Night”, 2JJ, Cold Chisel, Khe Sanh, Skyhooks, Living in the 70's, “You just like me ‘cos I'm good in bed”, Neil Young, Oceanside Countryside, Joe Bonamassa, Adele, Taylor Swift, Jethro Tull, Donald Trump  Playlist – Everything we talked about in this episode The Wiggles' new album (snippet) Donald Trump strikes again! 

David Gilmour : Luck and Strange : Album Review 'Why it's his best album in years - and I'm including Pink Floyd Thank you for your continued support and for being part of this incredible community. Don't forget to like, subscribe, and hit the notification bell so you never miss a new video. Phil Aston | Now Spinning Magazine

In this episode, Tim and Eric review some of their favorite albums from 2024. Some of the bands highlighted include David Gilmour, Unto Others, The Pineapple Thief, Devin Townsend, Alkaline Trio, Corey Taylor, Kerry King, Category 7, and Flotsam and Jetsam.  Visit Somewhere in Time Podcast's website https://somewhereintimepodcast.com Follow Somewhere in Time Podcast on Social Media: Facebook Instagram YouTube TikTok – Somewhere in Time Podcast

Happy New Year! Join us and start the year off right with some of the best progressive rock produced last year, as we begin our Prog-Watch and The Progressive Aspect collaboration on the Best of 2024! This year's contributors include Anthony Colvill, Alex Driessen, David Edwards, Rob Fisher, John Giordano, Peter Hilton, Jane Lee, Magnus Moar, Rick Peuser, Pete Rogers, Graham Thomas, Roger Trenwith, and Leo Trimming! In this episode we will hear fabulous music from Oddleaf, David Gilmour, Jon Anderson and the Band Geeks, Fleesh, Circuline, Big Big Train, Tim Bowness, Stuckfish, and Neal Morse and the Resonance! Part 2 will follow next week!  

Rob Gentry is a  keyboardist, producer, and multi-instrumentalist with over 20 years of experience. He has performed at iconic venues such as the Sydney Opera House, the Royal Albert Hall, and the Hollywood Bowl, collaborating with musical legends like Quincy Jones, Pete Tong, Giorgio Moroder, and Damian Lazarus.  We chat to Rob on his career... The post Rob Gentry, David Gilmour / Quincy Jones / Giorgio Moroder appeared first on The Keyboard Chronicles.

David Gilmour talks about getting rave reviews for his album Luck and Strange, working with his whole family on the album and the rumor that The Dark Side of the Moon was written to synchronize with The Wizard of Oz movie.

In this special holiday episode, Nils and Ian sit down with Bob and Oakley—two young superfans who weren't even born when Pink Floyd's last tour ended. Together, they unwrap stories of rare recordings, audio engineering wizardry, and the friendships that make the fan community feel like family.Bob and Oakley dive into their passion for finding rare recordings, chasing down rumours, and earning respect from experienced fans in the broader Pink Floyd community.Their love for live recordings has led them to develop impressive audio engineering and mastering skills. Bob and Oakley share their experience working on projects like matrix mixes and quadrophonic remasters, where they combine multiple audience recordings—each captured from different spots in a venue. They break down the techniques, challenges, and how these projects often deliver audio quality far beyond expectations.Our first 2023 episode declared: “Once you're hooked, there's no way back.” Bob and Oakley embody this sentiment, proving how Pink Floyd's music continues to inspire a new generation of researchers, audio specialists, and devoted fans.From all of us at Fingal's Cave, merry Christmas and happy holidays!

This week we're tying up some loose ends by discussing Merciless, the latest album by Body Count. Led by the legendary Ice-T and high school friend Ernie C, Body Count is back with another intensely brutal thrash album. After winning a Grammy for 2020's Carnivore, Merciless shows the band as heavy and charming as ever. Plus we got some guests on here, including Cannibal Corpse's Corpsegrinder, Max Cavalera, and believe or not, David Gilmour. Check out our previous episodes on Carnivore and Body Count's full discography (episode 9).Closing track: “Psychopath”Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTube, AppleSubstackWebsite

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Guy is on his way to LA on tour with David Gilmour and Gary is enjoying a little break this week, so we've compiled a few of our favourite ‘Legendary' guests for a special ‘Best Of' this week.With the new Bruce Springsteen film ‘Road Diary' coming out this week on Disney +, we hear from his right-hand man Steven Van Zandt. Plus, newly inducted into the Rock n Roll Hall of Fame, Peter Frampton talks to Guy and Gary about his incredible live album ‘Frampton Comes Alive'. Also, on the podcast this week, it's Alice Cooper and one of our most popular episodes ever with Mick Fleetwood. You can also watch some of our latest episodes on our Rockonteurs YouTube channel.Instagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions @mrpeterframpton @alicecooper @mickfleetwoodofficial @stevievanzandtYouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

Brian, Blake, and Richard are joined by not one but two very special guests for Episode 536 of the Chasing Tone Podcast - Roundtable of Chief Guitar Officers with Scott Heydt and Judd Silver  Scott and Judd have been friends for many years and after both had spent a lot of time working in the music industry they came together to create a show - the Chief Guitar Officer podcast. What on earth possessed them to do that? Madness I say! They have fantastic stories to tell and a great perspective on the music industry and we think you will absolutely love this episode.The conversation continues into a look at the state of printed and online guitar magazines and the future of music publishing and advertising. This turns into a discussion about Scott's past with Gary Vaynerchuk, and an unusual coincidence that brought all the guys together. This is quite the origin story with at least one common thread - the guitar. David Gilmour may also get a mention.The interviewers become the interviewed as Judd and Scott ask Richard and Blake about how their love of the guitar properly started and we go deep with some psychology that resonates with everyone. Richard turns the tables and we hear about Scott and Judd's early influences before talking about which guitar is the best - Stratocaster or Telecaster...Egon Spengler, VHS, Crushing It, Rockonteurs, Jim Irsay, Alexi Lalas, Fender Custom Shop...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.comSupport the show

MUSICLinkin Park is backYesterday's countdown finally revealed: A new album called From Zero will be released on November 15th, the first single from the album, "The Emptiness Machine," is out now at all streaming services, Emily Armstrong is now the new vocalist and more...A new Motorhead compilation, We Take No Prisoners, is due out October 25th as a seven-inch single box set and as a two-CD set. It collects the band's A- and B-sides from 1996 to 2006.Hulu and Disney+ have announced that Road Diary: Bruce Springsteen and the E Street Band will start streaming on October 15th. Mastodon and Lamb of God, who did a co-headlining tour this summer, are teasing a new collaboration that will be out on September 12th.David Gilmour wants to sell Pink Floyd's catalog for more than just the money. He told 'Rolling Stone' selling it would be a "dream", because then he could "be rid of the decision-making and the arguments that are involved with keeping it going.” Motley Crue is releasing a 35th anniversary deluxe box set of their 1989 album, 'Dr. Feelgood', on November 22nd.NEW IN RECORD STORES AND STREAMING·         10,000 Maniacs - MTV Unplugged (Expanded Edition) (CD/LP 3 bonus tracks; first time on vinyl)·         Airborne Toxic Event - Glory·         America - Live From The Hollywood Bowl 1975·         Bleachers - A Stranger Desired·         Blink-182 - One More Time Part 2 (digital only)·         David Gilmour - Luck and Strange·         Paris Hilton - Infinite Icon·         George Strait - Cowboys and Dreamers & more...TVPeacock is turning the 1989 Tom Hanks cult classic "The Burbs" into a series starring Keke Palmer. ·          Check out the trailer for "Mr. McMahon", the Netflix docuseries about former WWE boss Vince McMahon.           MOVING ON INTO MOVIE NEWS:IN THEATERS: Beetlejuice Beetlejuice  Michael Keaton returns as Beetlejuice, Winona Ryder and Catherine O'Hara are back as Lydia and Delia Deetz, and Jenna Ortega is Lydia's rebellious daughter Astrid. Justin Theroux and Monica Bellucci also join the cast. "The Thicket" (R)  A western starring Peter Dinklage as a bounty hunter helping Levon Hawke track down the ruthless killer who kidnapped his sister. Juliette Lewis is the killer, Cutthroat Bill, and Esme Creed-Miles from Amazon's "Hanna" is the kidnapped girl. Hugh Jackman still has his Wolverine bod to show off. On Wednesday, the actor posted a shirtless thirst trap picture on Instagram.  MISCFormer New England Patriots head coach, Bill Belichick created an Instagram account. “Hello everyone. Surprised to see me here? Well, I am too. Over the past few months, and not being with a team, I haven't had the opportunity to express my thoughts at a moment's notice. So now I'm changing that. I tried to join SnapFace, but I couldn't find it." Beacon, the golden retriever who provided support during the U.S. Gymnastics Olympic trials this summer, has been hospitalized. AND FINALLY!The daughter of Walmart founder Sam Walton has assumed the title of world's richest woman taking the top spot from L'Oréal cosmetics heiress Françoise Bettencourt Meyers.AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams > Check out King Scott's band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Linkin Park is back Yesterday's countdown finally revealed: A new album called From Zero will be released on November 15th, the first single from the album, "The Emptiness Machine," is out now at all streaming services, Emily Armstrong is now the new vocalist and more... A new Motorhead compilation, We Take No Prisoners, is due out October 25th as a seven-inch single box set and as a two-CD set. It collects the band's A- and B-sides from 1996 to 2006. Hulu and Disney+ have announced that Road Diary: Bruce Springsteen and the E Street Band will start streaming on October 15th.  Mastodon and Lamb of God, who did a co-headlining tour this summer, are teasing a new collaboration that will be out on September 12th. David Gilmour wants to sell Pink Floyd's catalog for more than just the money. He told 'Rolling Stone' selling it would be a "dream", because then he could "be rid of the decision-making and the arguments that are involved with keeping it going.”  Motley Crue is releasing a 35th anniversary deluxe box set of their 1989 album, 'Dr. Feelgood', on November 22nd. NEW IN RECORD STORES AND STREAMING ·         10,000 Maniacs - MTV Unplugged (Expanded Edition) (CD/LP 3 bonus tracks; first time on vinyl) ·         Airborne Toxic Event - Glory ·         America - Live From The Hollywood Bowl 1975 ·         Bleachers - A Stranger Desired ·         Blink-182 - One More Time Part 2 (digital only) ·         David Gilmour - Luck and Strange ·         Paris Hilton - Infinite Icon ·         George Strait - Cowboys and Dreamers & more... TV Peacock is turning the 1989 Tom Hanks cult classic "The Burbs" into a series starring Keke Palmer. ·           Check out the trailer for "Mr. McMahon", the Netflix docuseries about former WWE boss Vince McMahon.            MOVING ON INTO MOVIE NEWS: IN THEATERS: Beetlejuice Beetlejuice  Michael Keaton returns as Beetlejuice, Winona Ryder and Catherine O'Hara are back as Lydia and Delia Deetz, and Jenna Ortega is Lydia's rebellious daughter Astrid. Justin Theroux and Monica Bellucci also join the cast. "The Thicket" (R)  A western starring Peter Dinklage as a bounty hunter helping Levon Hawke track down the ruthless killer who kidnapped his sister. Juliette Lewis is the killer, Cutthroat Bill, and Esme Creed-Miles from Amazon's "Hanna" is the kidnapped girl. Hugh Jackman still has his Wolverine bod to show off. On Wednesday, the actor posted a shirtless thirst trap picture on Instagram.   MISC Former New England Patriots head coach, Bill Belichick created an Instagram account. “Hello everyone. Surprised to see me here? Well, I am too. Over the past few months, and not being with a team, I haven't had the opportunity to express my thoughts at a moment's notice. So now I'm changing that. I tried to join SnapFace, but I couldn't find it."  Beacon, the golden retriever who provided support during the U.S. Gymnastics Olympic trials this summer, has been hospitalized.  AND FINALLY! The daughter of Walmart founder Sam Walton has assumed the title of world's richest woman taking the top spot from L'Oréal cosmetics heiress Françoise Bettencourt Meyers. AND THAT IS YOUR CRAP ON CELEBRITIES! Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams > Check out King Scott's band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - Tuesday September 3, 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Crap On Celebrity Extra -Gojira represented metal at the Paris Games' opening ceremonies when the French band collaborated with opera singer Marina Viotti during the 'Libertie' part of the festivities - LINKSinéad O'Connor's cause of death has been revealed one year after her tragic death. According to reports, the legendary “Nothing Compares 2 U” singer's death certificate listed multiple respiratory issues - LINKPink Floyd drummer, Nick Mason doesn't hold out hope for a Pink Floyd reunion, given that guitarist David Gilmour and former bassist Roger Waters can't stand one another. But he does offer one idea to create new Pink Floyd songs: artificial intelligence - LINKSlash has commented on the July 19th death of his 25-year-old stepdaughter Lucy-Bleu Knight, saying, "My heart is permanently fractured. I will never ever stop missing you & remembering what a beacon of happiness, laughter, creativity & beauty you have always been & still are. The brightest light in the lives of so many that loved you so much. I find solace in the hope that you are at peace now. I will love you eternally." Lucy's mom is Slash's girlfriend, Meegan Hodges.AND FINALLYIMDB ranks the Best Tom Cruise Movies of all time! Mission Impossible – Fallout (2018) Top Gun: Maverick (2022) Magnolia (1999) Minority Report (2002) Rain Man (1988) Edge of Tomorrow (2014) Collateral (2004) Jerry Maguire (1996) Mission Impossible – Rogue Nation (2015) Mission Impossible – Ghost Protocol (2011) - LINK Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Crap On Celebrity Extra - Gojira represented metal at the Paris Games' opening ceremonies when the French band collaborated with opera singer Marina Viotti during the 'Libertie' part of the festivities - LINK Sinéad O'Connor's cause of death has been revealed one year after her tragic death. According to reports, the legendary “Nothing Compares 2 U” singer's death certificate listed multiple respiratory issues - LINK Pink Floyd drummer, Nick Mason doesn't hold out hope for a Pink Floyd reunion, given that guitarist David Gilmour and former bassist Roger Waters can't stand one another. But he does offer one idea to create new Pink Floyd songs: artificial intelligence - LINK Slash has commented on the July 19th death of his 25-year-old stepdaughter Lucy-Bleu Knight, saying, "My heart is permanently fractured. I will never ever stop missing you & remembering what a beacon of happiness, laughter, creativity & beauty you have always been & still are. The brightest light in the lives of so many that loved you so much. I find solace in the hope that you are at peace now. I will love you eternally." Lucy's mom is Slash's girlfriend, Meegan Hodges. AND FINALLY IMDB ranks the Best Tom Cruise Movies of all time! Mission Impossible – Fallout (2018) Top Gun: Maverick (2022) Magnolia (1999) Minority Report (2002) Rain Man (1988) Edge of Tomorrow (2014) Collateral (2004) Jerry Maguire (1996) Mission Impossible – Rogue Nation (2015) Mission Impossible – Ghost Protocol (2011) - LINK Learn more about your ad choices. Visit megaphone.fm/adchoices