Podcast appearances and mentions of David Gilmour

EPYSODE 56: "The New Hovering Dog" by B.J. Cole. Guest: B.J. Cole. Additional commentary by my twin brother Maurice. This week we explore the adventurous 1972 solo album from legendary pedal steel guitarist BJ Cole. Known for his groundbreaking work with artists like Elton John, David Gilmour, and John Cale, BJ Cole fused progressive rock, country, and experimental textures into one of the most unique records of the early '70s. With exclusive commentary from BJ Cole himself, we uncover the inspirations, studio sessions, and collaborations that brought this cult classic to life. From its dazzling pedal steel work to its eclectic songwriting, this album remains a hidden gem for vinyl collectors and prog-country enthusiasts alike. I hope you dig "The New Hovering Dog" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check out BJ's website here: https://bjcole.co.uk Brother Shaw's YouTube video discussing lap steel vs. pedal steel guitars: ⁠https://www.youtube.com/watch?v=wgp2TfSU6_k⁠ I used a portion of this clip from the “Read To Me” series. This installment is for Franz Kafka's “Investigations Of A Dog” ⁠https://www.youtube.com/watch?v=GoSWBkb0tjc⁠ I used a portion of Rick Beato's video discussing “Tiny Dancer” from his “What Makes This Song Great” series: ⁠https://www.youtube.com/watch?v=dijrGXvSS-g&list=RDdijrGXvSS-g&start_radio=1⁠ ===THE MUSIC=== Songs used in this Epysode, in order of appearance. There is no Spotify playlist for this Epysode as the featured album is not available. WISHBONE ASH "The King Will Come" BUCK OWENS "Together Again" THE SHADOWS "Man Of Mystery" THE SHADOWS "Apache" BARNEY KESSEL "Heat Wave" MERLE TRAVIS "Guitar Rag" SANTO & JOHNNY "Sleep Walk" PETE DRAKE "Forever" MESSIAEN "Quartet For The End Of Time" ALBERT LEE "Lay Lady Lay" WILLIE NELSON "Night Life" THE YARDBIRDS "Heart Full Of Soul" THE FLYING BURRITO BROTHERS "Sin City" COCHISE "Moment And The End" COCHISE "Axiom Of Maria" MICK GRABHAM "Let It All Down" NICK DRAKE "Way To Blue" BJ COLE "The Regal Progression" BJ COLE "The Cold Mountain Mariner" BJ COLE "Now You See Them, Now You Don't" BJ COLE "Up On The Hill Where They Do Do The Boogie" BJ COLE "You're Probably Lost" BJ COLE "Five Pieces For Steel Guitar & Percussion" BJ COLE "I Know Now" BJ COLE "The East Winchley Tango" ELTON JOHN "Tiny Dancer" NAZARETH "Country Girl" TRAPEZE "Coast To Coast" JOAN ARMATRADING "Down To Zero" THE VERVE "The Drugs Don't Work" JERRY DAVID DeCICCA "Morning Locket" BJ COLE "Window On The Deep" TERRY REID "Faith To Arise" ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "If Wishes Were Horses" ^ That's my band, this is shameless self-promotion! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Pink Floyd guitarist and singer talks about the 50th anniversary of Wish You Were Here, a new live album and concert film for his latest solo release Luck And Strange, and more.Weekly Reset: Rowing on an autumn lake.Enjoy the show? Share it with a friend and leave us a review on Apple, Spotify, or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

EPISODE 136: Phil Manzanera is one of the UK's best-known musicians and record producers, having shot to prominence in the early ‘70's as the lead guitarist with Roxy Music. He is acknowledged as one of the world's leading guitarists and is in much demand both as a performer and record producer. Now in his fifth decade as a professional musician, in addition to his work with Roxy Music, he has worked with many music luminaries, including Steve Winwood, David Gilmour, John Cale, Godley and Creme, Nico (Velvet Underground) and John Wetton (King Crimson, Asia). He has co-written material with many artists, including Brian Eno, Tim Finn, Robert Wyatt and David Gilmour. Manzanera co-wrote Pink Floyd's single “One Slip,” from their 1988 MOMENTARY LAPSE OF REASON album. Manzanera has also produced seminal albums for Spanish-speaking artists Draco Rosa, Enrique Bunbury, Héoes del Silencio Aterciopelados, Paralamas and Fito Paez.  manzanera.com Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Dan Loges delivers the latest entertainment news on:- Glen Powell speaks on the importance of his perception of people around him.- David Gilmour addresses his time in Pink Floyd and the future of the band.- Tim Allen forgives the man who killed his father, after Erika Kirk's statement towards the man who killed Charlie Kirk.

In this episode, Nate Gilmore has a conversation with Carl McCann, District Superintendent of British Isles South District for the Church of the Nazarene.    To purchase Hope of All the Earth by David Gilmour, click here.   Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning.

In this episode, Jim Ritchie, Global Missions director, has a conversation with Joyce Tempel, Global Missions Mobilization Coordinator.    To purchase Hope of All the Earth by David Gilmour, click here.   Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning    

"Live Circus Maximus, Rome" y la decepcionante asistencia a la única función en Medellín. No obstante, una experiencia inmersiva musical exquisita, de alta factura y muy familiar. La película del regreso de David Gilmour al histórico recinto romano en 2024 como parte de la gira "Luck and Strange" es la primera en casi una década. El show, filmado con las antiguas ruinas de Roma como telón de fondo, combina temas solistas del álbum más reciente de David, así como himnos clásicos de Pink Floyd.

In today's episode, I'm going to talk about David Gilmour and a very interesting quote of his. A lot of people think they might have anything in common with David Gilmour, but there's a reason it's worth learning about your guitar heroes.    You don't need to be as famous as David Gilmour to express yourself on the guitar. There's so much you can do! I'll show you a couple of examples of what you can jam. It's a great way to have fun and express yourself. Take a listen and enjoy!   If you enjoyed this podcast, you can get my free “guitar secrets” video course, which will help all beginners or those who are “stuck”. Get the course for free, exclusively at - https://fingerstyle101.com/secrets/   Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum! 

L'info du matin - Ce matin, Grégory Ascher et Justine Salmon ont parlé du binge-watching. Une étude américaine publiée dans "Acta Psychologica" affirme que cette manière de regarder des séries pourrait en réalité... réduire le stress et stimuler l'imagination ! Le winner du jour - Il oublie 4 000 € en liquide dans un taxi. Le chauffeur lui rend le portefeuille... et reçoit 100 € en remerciement. - Au volant d'une Smart, il avait un boulevard pour se garer... mais il a perdu les pédales. Littéralement. Le flashback du jour - 19 décembre 2001 : sortie en France du tout premier volet de la trilogie *Le Seigneur des Anneaux- : "La Communauté de l'Anneau". Un monument du cinéma. Les savoirs inutiles - Non, Michael Jackson n'a pas inventé le moonwalk. Ce pas de danse existe depuis l'entre-deux-guerres. Il s'appelait à l'origine "la marche sur place", imaginée par Étienne Decroux, mime et chorégraphe français. La chanson du jour - Yael Naim "New Soul" Les 3 choses à savoir sur Robert Redford Qu'est-ce qu'on regarde ? - Le lancement de la saison 4 de "The Morning Show" sur Apple TV+ - La saison 3 de "Tulsa King" avec Sylvester Stallone, dès dimanche sur Paramount+ - Le film-concert de David Gilmour tourné en 2024 à Rome, "Luck and Strange", actuellement au cinéma Le Jeu surprise : - Sophie de Goussonville repart avec un bon d'achat de 100 € sur le site Le Vent à la Française. Les coffres à jouets RTL2 : - Maiwen, 12 ans, d'Asnelles, gagne un séjour pour 4 personnes au Futuroscope. La banque RTL2 : - Fabien de Cavaillon remporte un séjour pour 4 au Zoo de Beauval. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a message, so we know what you're thinking!In this episode, we look at The Pretenders – where they started (& before they started!), the tragedies, and what's happening these days. From the Kent State shootings to mid-70's punk, it's a fascinating ride! In Rock News, we look at David Gilmour's new live concert film, Jimmy Page in court (again!), the latest on Oasis, Zak Starkey's in The Who (or is it Oasis?), and Panama's new album features collaborations with French music producer and artist Massane. Our Album You Must Hear before You Die is Machine Gun Etiquette by The Damned. A startlingly good album from one of the most musically skilled bands of the punk era.  Rumour has it that Stewart Copeland (The Police) once took Sting to a Damned gig to learn what rock was all about! As usual, it's an episode full of facts and fun.  Enjoy! References:  Chrissie Hynde, James Honeyman-Scott, Pete Farndon, Martin Chambers, Akron Ohio, Kent State University shootings, Ohio National Guard, “Back on the Chain Gang”, Sam Cooke, Malcolm McLaren, Vivienne Westwood, “Sex”, Clash, Pistols, Slits, New York Dolls, Johnny Thunders, Chris Spedding, The Damned, Lemmy, New wave, Ray Davies, The Kinks, “You Really Got Me”, Jim Kerr, Simple Minds, Linda McCartney, "Here, There and Everywhere – A Concert for Linda" at the Royal Albert Hall, “I'll Stand by You”, “Stop Your Sobbin'”, NICK LOWE, “Brass in Pocket”, Chris Thomas, “Pretenders II”, “Learning to Crawl”, “Talk of the Town”, “Message of Love”, Oscar Wilde, “2000 Miles”, Rock and Roll Hall of Fame, The Smiths, Andy Rourke, Johnny Marr, Globite, David Gilmour, Live at the Circus Maximus, Dazed and Confused, Jake Holmes, Becoming Led Zeppelin, Oasis, Zak Starkey, The Who, Gallagher brothers, Panama, "Everything Begins Again”, Massane, Bag Raiders, 1001 Albums You Must Hear before You Die, Robert Dimery, The Damned, Machine Gun Etiquette Playlist - music we talked about in this episode

Episode SummaryIn this episode, Paul Andrews rounds out his two-part guide to the "10 Albums Every Guitar Player Should Listen To." Picking up from last week's list, Paul dives into the final five influential records that have shaped the world of guitar—breaking down their impact, sharing some backstory, and extracting key lessons for guitarists of all levels. Plus, there's a quick update about the Beginner Guitar Academy community and what's new this month inside the Academy.Episode Highlights:Beginner Guitar Academy NewsPaul reminds listeners to check out the latest Academy Show where he gives member shout-outs, highlights level assessment passers, celebrates anniversary milestones, and shares new content and upcoming Academy features.Album #6: Back in Black – AC/DC (1980)Tribute to late singer Bon Scott and one of the best-selling albums ever.Angus Young's powerful, rhythmic riffs are simple but enormous.Key lesson: Guitar riffs don't have to be complex—focus on rhythm, groove, and confidence.Album #7: The Dark Side of the Moon – Pink Floyd (1973)Features some of David Gilmour's most emotive, melodic solos.Gilmour redefines lead guitar: slow, melodic, and expressive rather than shredding.Key lesson: Every note matters. Don't rush—let your bends, vibrato, and phrasing do the talking.Album #8: Abbey Road – The Beatles (1969)Beatles push boundaries with innovative, song-serving guitar parts.George Harrison's lyrical solo in "Something" and dueling guitar lines stand out.Key lesson: Think like a songwriter—use guitar to enhance the song, not just showcase skills.Album #9: Paranoid – Black Sabbath (1970)Tony Iommi's dark, heavy riffs define heavy metal despite physical setbacks.Pioneers low tuning and new techniques, creating an iconic sound.Key lesson: Limitations inspire innovation; embrace unique challenges to find your sound.Album #10: Hotel California – The Eagles (1976)Blends rock, country, and folk with lush electric and acoustic guitar layers.Legendary dual guitar harmonies on the title track.Key lesson: Collaboration elevates your playing—try harmonised leads or layering with a loop pedal.Featured Tracks (Live Performances Referenced):AC/DC – “Back in Black” (1981, Capitol Center, Landover, Maryland)Pink Floyd – “Money” (2005, Live 8, London)The Beatles (George Harrison) – “Here Comes the Sun” (1971, Concert for Bangladesh)Black Sabbath – “Paranoid” (1985, Live Aid)Eagles – “Life in the Fast Lane” (1994, MTV Live)Listener Challenge:Paul invites you to share your pick for an essential guitar album. Reach out with your suggestions for a chance to be featured in a future episode or on the blog!Academy Resource Reminder:Beginner Guitar Academy members can access loads of resources to help apply these album-inspired lessons to their own playing. Not a member yet? Try for just $1 with a two-week trial

38 years ago this week, Pink Floyd embarked on their first tour in 6 years, but now without Roger Waters. And they launched their world tour, first with a show in Ottawa, and then the official launch with 3 concerts at the Montreal Forum. Press from all over the world flew into town to witness whether or not they could do it without Waters. And despite the band members being very nervous, the shows were a triumph. Randy Renaud takes you back to those monumental shows on this week's edition of the Chronicles of Rock.

"Wish You Were Here" von Pink Floyd erschien im Jahr 1975. Es ist ein Konzeptalbum, das noch heute mit seinen großartigen Klangwelten, dem aufwändigen Produktionsprozess und einer spannenden Entstehungsgeschichte beeindruckt. Thematisch geht es um Verlust, Entfremdung, Wiederannäherung und um die Kritik am seelenlosen Musikbusiness. Obwohl die Urteile zum Album erstmal nicht so positiv waren, führte es nach seiner Veröffentlichung europaweit die Charts an und wurde in den USA und Großbritannien mit Gold ausgezeichnet. "Wish You Were Here" ist der Nachfolger des Erfolgsalbums "The Dark Side Of The Moon". Kein Wunder, dass sie während der Aufnahmen in den berühmten Abbey Road Studios unter sehr großem Druck standen. Meilensteine Redakteur Stephan Fahrig erklärt dazu, dass Pink Floyd zu Beginn erst mal gar nichts hinbekommen haben. Sie waren noch ziemlich müde, uninspiriert und haben sich oft gestritten. Sänger Roger Waters hatte schließlich die Idee, ein weiteres Konzeptalbum zu erschaffen. Einige Songs wurden dem ehemaligen Mitbegründer Syd Barrett gewidmet, der Pink Floyd 1968 wegen psychischer Probleme verlassen musste. Apropos Syd Barrett: Der erste und letzte Song des Albums, "Shine On You Crazy Diamond", ist eine Hommage an den 2006 verstorbenen Sänger und Gitarristen. Während der Aufnahme spielte sich eine ziemlich tragische Begebenheit ab. Barrett erschien eines Tages im Studio, doch die Band erkannte ihn zunächst nicht. Er hatte sich den Kopf und die Augenbrauen abrasiert und wirkte völlig verändert. Der Moment war zutiefst emotional; Roger Waters und David Gilmour brachen sogar in Tränen aus. Zu dieser Zeit kämpfte Barrett bereits stark mit seinen psychischen Problemen, die durch seinen LSD-Konsum noch verschärft wurden. "Wish You Were Here" hat Pink Floyd auf eine ganz neue Entwicklungsebene gebracht. Die Band entfernte sich ein Stück weit von den Synthesizerflächen und näherte sich dem rockigeren Sound an, den wir später auf "The Wall" hören sollten. Gleichzeitig besitzt das Album eine zeitlose Klangästhetik, was es bis heute so faszinierend und beliebt macht. __________ Über diese Songs vom Album "Wish You Were Here" wird im Podcast gesprochen (19:30) – "Shine On You Crazy Diamond"(46:50) – "Welcome To The Machine"(53:00) – "Have A Cigar"(01:04:33) – "Wish You Were Here" __________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/pink-floyd-wish-you-were-here __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Brian, Blake, and Richard are back for Episode 581 of the Chasing Tone Podcast - Brian's video with Rick Beato, Exploding tubes, and the BOSS PX-1Richard is feverish with excitement about the new Rick Beato interview with David Gilmour whereas Brian and Blake are almost completely nonplussed. This somehow becomes a discussion about pork chops before the guys look at some controversial comments from another ex-member of Pink Floyd. Boss have released a new pedal, the PX-1, which is a 'plugin loader' pedal and the guys look into it and have some interesting views about why the Internet shouldn't be as mad as they are. Brian thinks it looks a bit like a LEGO pedal - but that may not be such a bad thing. Do you still use a Wah pedal? Brian sets forth the motion that nobody does any more. Brian also managed to nearly set fire to his barn when one of his amps went supernova and he tell us all about it. Richard has a new pedal day with a vintage classic and the guys nerd out about op-amps. Finally Blake is allowed to talk about his new amp day and there is much rejoicing.Celtic mixups, Wampler hyperbole, AARP, Bob and the Cohorts, Voltage lies, Josh based correction...it's all in this week's Chasing Tone!Awesome TrueFire Offer for listeners! 14-day FREE All Access trial – Full access. No limits. No strings attached.  https://truefire.com/chasing-toneWe are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Courses and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Youtube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

Rev. David Gilmour is the lead pastor at Llay Church of the Nazarene in Llay, Wales. Along with his role as a lead pastor, Rev. Gilmour also serves the British Isles South District as their district secretary and content creator.   *Michelle Lynam did make Nate aware of the global advent materials, but he forgot!*  To access these materials, click here    Book recommendations from Rev. Gilmour for 2025: Sacred: Wholeness in Christ- William Greathouse Bullies and Saints- John Dickson The God Plot: Living with holy imagination- Timothy Green The Missional Leader- Alan Roxburgh and Fred Romanuk The Pastor as Theological Steward- ed Al Truesdale Non-Fiction One day, everyone will always have been against this- Omar El Akkad How Much is Enough? - Edward Skidelsky and Robert Skidelsky The Science of Storytelling- Will Storr The World in 2050- Laurence Smith The Rise of Christianity- Rodney Stark Fiction The Rise and Fall of the Galactic Empire- Chris Kempshall Men at Arms- Terry Pratchett A Practical Guide to Conquering the World- KJ Parker Cypher- John French Wool- Hugh Howey Below are social media accounts to follow Llay Church of the Nazarene and connect with Rev. Gilmour https://www.facebook.com/LlayCommunityChurch https://www.instagram.com/llaynazarene/ https://www.youtube.com/@llaynazarene https://www.facebook.com/dgilmour325    Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning  

In this episode of Fingal's Cave, host Ian Priston talks with Steve Anderson - creator of the iconic Floydboots website, visited over a million times by collectors, and author of the 2024 book Wizardo: Stories of a Bootlegger.Steve reflects on five decades of Pink Floyd: from being a 12-year-old at Wembley Empire Pool in November 1974 and the heartbreak of his prized Stoke bootleg being broken - to the challenge of hunting down and thrill of listening to rare titles. He recalls leaving home at 3am from Knebworth 1975, the ferocity and spectacle of the Animals tour, the monumental experience of The Wall shows, and meeting the band at the premiere of The Wall film.Steve also shares two extraordinary encounters with Syd Barrett in the 1990s - fleeting but unforgettable glimpses of the band's elusive founding genius. Along the way, he discusses Barrett superfan the late Bernard White, the legacy of John Wizardo, his adventures as a record dealer, and the time he was offered Roger Waters' Live at Pompeii bass. It is a fascinating story of how a lifetime can be shaped by music, soundtracked by Pink Floyd. This episode is in stereo - because, well, it just had to be. And if you think you hear a fly buzzing, dogs wanting attention, or even church bells chiming in the distance… you are not imagining things. Consider them accidental Pink Floyd–style sound effects.Subscribe to Fingal's Cave for more journeys to the edges of Pink Floyd music history.

For 33 1/3 years, Paul Rappaport made history as a rock promotions kingpin at Columbia Records, shaping pathways for the biggest artists of the '70s, 80s and '90s to find their audience. Paul has penned 'Gliders Over Hollywood: Airships, Airplay, and the Art of Rock Promotion', a memoir that captures the creative fun and the rich, human connection at the heart of the record business in its golden era.Paul shares stories of big-budget, wildly innovative stunts, like painting a radio station pink for Pink Floyd, sending a terrifying “alien invasion like” laser beam across Los Angeles skies for Blue Oyster Cult and jumping through every station relationship hoop to land Mick Jagger, out of the box, at number one on the charts! Paul reports  that in the records and radio world, it was friendships and reciprocity that made the  engines hum.Paul shares stories of his heart-to-hearts with Bob Dylan, Billy Joel, Bruce Springsteen, and Mick Jagger and of his one-of-a-king thank you gift from Pink Floyd… an opportunity to join them on stage in London to shred and trade guitar licks with David Gilmour on Run Like Hell!With a deep reverence for music and the artists who shaped his world view, Paul reflects on the chance he was given to be a part of the effort alongside his boyhood heroes and to help them share their work with the world.Music is ever-evolving and to get radio stations on board with new sounds, Paul would often grab everyone from neighborhood radio stations and record stores and personally initiate them to the glory that is Billy Joel or Bruce Springsteen live and in concert. It worked! He arranged one-on-one interviews, including the time Philadelphia radio personality Helen Leicht looked into the eyes of Paul McCartney and broke into tears.  Sir Paul jumped up and pulled her into a hug. Beatles up close are sob inducing. He gets it.Co-host Weezy, also a radio/records veteran, talks shop with Paul, remembering warmly the kooky and collaborative crusade to celebrate and share the music. They also discuss the future of terrestrial radio. Is there one?In our current media segment, Fritz and Weezy discuss The Law According To Lidia Poet and Titans: The Rise of Hollywood, both on Netflix.Path Points of Interest:Gliders Over HollywoodPaul Rappaport on FacebookThe Law According To Lidia Poet on NetflixTitans: The Rise of Hollywood on NetflixMedia PathMedia Path on FacebookMedia Path on InstagramMedia Path on XMedia Path on BlueskyHelen Leicht Interviews Sir Paul McCartney On WXPN - 8/29/13

Send us a textCrispian Mills was born into a family of actors, film producers and directors. He was exposed to a wide variety of music, but when he heard “You Really Got Me“ by The Kinks, it was an epiphany – he knew he wanted to play guitar. Through determination and practice, he became a great guitarist. He loved Deep Purple. He loved The Ramones. He played in bands including X-Ray Spex before forming Kula Shaker in 1996. Their debut album K was the fastest-selling debut since the self-titled first record by Elastica. Noel Gallagher, a fan of the band, invited them to open for Oasis at Knebworth. Their album, Peasants, Pigs & Astronauts, was recorded at David Gilmour's Astoria houseboat studio in London with production help from Bob Ezrin, Rick Rubin and George Drakoulias. Kula Shaker have continued to produce great psychedelic Brit-pop over the last couple decades. They released Natural Magick in 2024 as well as two recent singles, “Charge of the Light Brigade” and “Broke as Folk”. A tour with The Dandy Warhols kicks off this fall. He's a talented, spiritual, dynamic singer songwriter with a great guitar sound. It was fascinating to talk with Kula Shaker frontman… Crispian Mills.Photo by Alice Teeple. You can view more of her great work here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

Gosh, the LA fires {Altadena and Malibu} have really impacted folks in So Cal, and I guess this edition of the CHS reflects that a bit. Songs by Death Cab for Cutie, Karl Denson, Mama's Gun and David Gilmour and others all reflect the sense of impact and helplessness. My thoughts are with you all. 

Send us a message, so we know what you're thinking!Is a double album a record label cash grab, or a way to deliver great music that can't be contained within the usual confines of a single LP? The double album has been both. This episode, we look at how the double album came to be, and some of the greatest double albums from the 70's.  Most of these albums show career-best work from legendary artists such as The Beatles, The Clash, Bob Dylan, Hendrix, The Rolling Stones, Genesis, Elton John, The Who (twice!) - and more! And soon, we'll do an episode on the Greatest Double Albums of the 80's - and there's a stack of those, too!!Our “Album you must hear Before You Die” is the 1973 live album “It's too Late to Stop Now” by Van Morrison.  Neither of us is much of a Morrison fan, despite his passionate, improvisational vocals. Regarded as an energetic, spontaneous live experience, Morrison's vocal mannerisms illustrate why we don't think much of it.  We also found a great documentary on-line called “Keep me in your Heart” about – surprise! - Warren Zevon.  It captured Zevon in the last days before his death & showed why his fans loved him. We think you'll really love this episode!  References: Hot August Night, Neil Diamond, Greek Theatre in LA, Derek and the Dominos, 'Layla and Other Assorted Love Songs', Duane Allman, Gregg Allman, Fleetwood Mac, 'Tusk', Lindsey Buckingham, “Lindsay's Folly”, Chilean profanities, "Puta la cagó", Pink Floyd, 'The Wall', Roger Waters, David Gilmour, Bob Ezrin, “One of my Turns”, "In The Flesh”, Elton John, 'Goodbye Yellow Brick Road', Warren Zevon, “Keep me in your Heart”, “The Wind”, The Beatles, “The White Album”, The Who, “Tommy”, Dylan, “Blonde on Blonde”, Deep Purple, “Made in Japan”, “Pinball Wizard”, Elton John, Keith Moon, Tommy Australian cast - Myer Music Bowl in Melbourne, 'Quadrophenia', The Band, 'Rock of Ages', “The Last Waltz”, Bee Gees, 'Saturday Night Fever', Dexter Resurrection, Kiss, 'Alive!', "Rock and Roll All Nite", The Simpsons, “I Wanna rock'n'roll all Nite”, Genesis, 'The Lamb Lies Down on Broadway', Peter Frampton, 'Frampton Comes Alive!', Jeff Beck, Hordern Pavilion, Led Zeppelin, 'Physical Graffiti', “Kashmir”, Robert Plant, Hipgnosis Record Covers, The Clash, 'London Calling', The Rolling Stones, 'Exile on Main St.', “Happy”, Rolling Stone's List of 500 Greatest Albums of all Time, "While My Guitar Gently Weeps", "Helter Skelter" Links  Playlist      “Keep me in your Heart” - A great documentary about Warren Zevon 

It's hard to imagine being in Pink Floyd in 1975. 1973's Dark Side of the Moon had not only achieved high praise from the critics but had sold better than most any album ever recorded. Nick Mason, Rick Wright, Roger Waters and David Gilmour had soared to extraordinary heights thanks to their balance of technological experimentation, their examination of modern capitalistic life and Waters' biting lyrics. They had plenty of money and adoring fans. The only worry was what to do next. For months they noodled around Abbey Road Studios (EMI Studio at the time) trying to find new inspiration; apparently while they drank each other under the table. Engineers and producers were sacked in an attempt to capture their greatness and harness all the capabilities of the latest available technology. Out of that came Wish You Were Here - an album that may not receive the praise (or sales) of Dark Side or The Wall but is perhaps their most listenable effort of the 1970s and a favorite among Gilmour and Wright. The very progressive and Floydian suite Shine On You Crazy Diamond Parts 1-5 start the album by creating an atmosphere of awe and wonder. Waters lyrics describe their former bandmate Syd Barrett; their former leader who had lost a battle with his own schizophrenia which led to the boys not encountering him for 7 years. However, in an odd twist of fate Syd made it to EMI during the mixing of the album with a shaved head, shaved eyebrows and weighing more than double than when they'd last seen him. It all adds to the mystery and legacy of Syd and Pink Floyd. Before the 6-9 suite of Crazy Diamond, we are treated to some wonderful Pink Floyd classics. Welcome to the Machine offers mechanical noises and dismal lyrics to not only warn of but welcome the new entries into the military industrial complex. The acoustic Wish You Were Here is a sweet yet remorseful song about lost friendship and the unfortunate changes that come with growing up and growing old. Have A Cigar is a very cheeky view of the music business but as neither Waters or Gilmour could quite pull off the right tone, they employed old friend Roy Harper to provide the vocals. All three are classic rock staples and songs the band would perform together and as solo artists throughout their careers. Often overlooked compared to the other Floyd output of the 1970s, we find this has aged well, is still very listenable and is as poignant as ever 50 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

It's hard to imagine being in Pink Floyd in 1975. 1973's Dark Side of the Moon had not only achieved high praise from the critics but had sold better than most any album ever recorded. Nick Mason, Rick Wright, Roger Waters and David Gilmour had soared to extraordinary heights thanks to their balance of technological experimentation, their examination of modern capitalistic life and Waters' biting lyrics. They had plenty of money and adoring fans. The only worry was what to do next. For months they noodled around Abbey Road Studios (EMI Studio at the time) trying to find new inspiration; apparently while they drank each other under the table. Engineers and producers were sacked in an attempt to capture their greatness and harness all the capabilities of the latest available technology. Out of that came Wish You Were Here - an album that may not receive the praise (or sales) of Dark Side or The Wall but is perhaps their most listenable effort of the 1970s and a favorite among Gilmour and Wright. The very progressive and Floydian suite Shine On You Crazy Diamond Parts 1-5 start the album by creating an atmosphere of awe and wonder. Waters lyrics describe their former bandmate Syd Barrett; their former leader who had lost a battle with his own schizophrenia which led to the boys not encountering him for 7 years. However, in an odd twist of fate Syd made it to EMI during the mixing of the album with a shaved head, shaved eyebrows and weighing more than double than when they'd last seen him. It all adds to the mystery and legacy of Syd and Pink Floyd. Before the 6-9 suite of Crazy Diamond, we are treated to some wonderful Pink Floyd classics. Welcome to the Machine offers mechanical noises and dismal lyrics to not only warn of but welcome the new entries into the military industrial complex. The acoustic Wish You Were Here is a sweet yet remorseful song about lost friendship and the unfortunate changes that come with growing up and growing old. Have A Cigar is a very cheeky view of the music business but as neither Waters or Gilmour could quite pull off the right tone, they employed old friend Roy Harper to provide the vocals. All three are classic rock staples and songs the band would perform together and as solo artists throughout their careers. Often overlooked compared to the other Floyd output of the 1970s, we find this has aged well, is still very listenable and is as poignant as ever 50 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThe legendary David Gilmour has delivered an unforgettable live version of "Sorrow," and we're here to talk about every glorious second of it. Recorded at the historic Circus Maximus in Rome, this performance is a profound reminder of why Gilmour is one of the greatest guitarists to ever live.In this Shit Talk Reviews Quickie we're celebrating this new single from Gilmour's upcoming live album, The Luck and Strange Concerts.This is a chat for anyone who has ever been moved by a single guitar note. What's your favorite part of this new live version of "Sorrow"? Let us know in the comments!www.shittalkreviews.comSpotify - https://tinyurl.com/STR-SpotifyApple Podcasts - https://tinyurl.com/STR-Apple-Podcasts#DavidGilmour, #Sorrow, #PinkFloyd #GilmourGuitar, #GuitarSolo, #GuitarRiff  #ProgressiveRock #luckandstrange #circusmaximus #guitar #stratocaster

Original air date: August 1, 2025   First off, we highly reccomend that you listen to part one before you listen to this half of the interview. If you've ever wondered what it's like to work in the rock and roll business at the highest level, this guest has the answers to all of your questions.  Paul Rappaport started out as just a regular guy from Southern California - someone who loved ledgendary concerts and played guitar in his own band. But as fate would have it, a recommendation led him to apply for a college rep position at Columbia Records, and he only moved up from there.  In the episode, Paul tells incredible stories about the Rolling Stones (Ron Wood & Keith Richards), Pink Floyd's David Gilmour, Elvis Costello and more.  Paul just released his critically acclaimed book, "Gliders Over Hollywood" and he is happy to share many of those stories on this episode of our podcast.  For more information and to view the show notes, visit: www.rockandrollconfessional.rocks  

Brian, Blake, and Richard are back for Episode 576 of the Chasing Tone Podcast - Brian likes the taste of beer and has no idea who Tom Jones is! Brian reminisces about the olden days as he shows a worrying proclivity for certain medical procedures. Richard is older and has eaten his weight in Indian dishes and has a new guitar shaped toy. He reopens the guitar Youtube debate with an observation and the guys discuss it.Does pedal order ever confuse you? Richard is bemused by this issue and the guys weigh in with some knowledge. And some stupidity. Brian ponders whether he should start wearing nail varnish and get your beverages ready because there is David Gilmour news. Metallica are rumored to  be about to announce something bug and Richard is astounded to discover a hole in Blake and Brian's musical knowledge pertaining to the king of Welsh crooners. JB Backscratchers, K-pop loving TikTok watchers, Speedos, Herman Petrucci rides again, Queen...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Courses, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Youtube:https://www.youtube.com/@chasingtonepodcastAwesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

Send us a textWe dive into music news and controversy, examining the recent Steve Miller Band tour cancellation that blamed "extreme weather" while evidence suggests poor ticket sales were the real reason.• Exploring Ozzy Osbourne's musical legacy through a zodiac sign-matching exercise that pairs his songs with astrological personalities• Debating the best opening tracks from debut albums, challenging conventional picks with our own selections like The Doors' iconic opener• Reviewing Rick Derringer's claim that working with Weird Al Yankovic "single-handedly ruined" his production career despite their commercial success• Uncovering Roger Waters' revelation that David Gilmour's famous "Comfortably Numb" solo was actually compiled from multiple takes• Discussing Hulk Hogan's surprising attempts to become a bassist for Metallica and The Rolling Stones• Sharing personal music preferences and nostalgic connections to classic rock tracks

It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning. Ozzy is survived by his wife Sharon, his daughter Kelly and his son Jack. There is information about the drowning death of Malcolm-Jamal Warner. Sources said Warner died on Sunday at Costa Rica's Playa Grande Beach while on a family vacation. The beach has been called "challenging," and there were signs in English and Spanish warning about the risk of drowning. There were no lifeguards present due to a lack of resources. The Caribbean Guard stated, "Although there were people on the beach who entered the water to rescue him, they did not arrive in time. He was pulled from underwater without vital signs, and despite CPR maneuvers being performed on the beach, resuscitation was unsuccessful."Warner was 54. Slipknot Fans Frustrated After Countdown Timer Ends In Disappointment Slipknot fans are in revolt after the band's mysterious countdown timer ended in disappointment. The timer was set to expire at 3pm ET on Monday - but once it reached zero, fans encountered server issue errors and requests to try again later. Eventually, it was revealed that the countdown was announcing a 25th-anniversary vinyl box set for Slipknot's 1999 self-titled album. But that news only angered fans even more, as the box set was limited to 100 total units and sold out almost immediately. New Book Tells The Story Of Pearl Jam A new book will tell the story of Pearl Jam in a way it's never been told before. Pearl Jam Live! 35 Years Of Legendary Music And Revolutionary Shows is structured like a live concert - with an 'opening act' covering the band's origins, the 'headliner' covering their rise to fame in the '90s, and an 'encore' about the band's continued success in the 2000s and beyond. It will look at each of the band's studio albums and cover Pearl Jam's greater cultural impact and unique fan community. Written by Selena Fragassi, Pearl Jam Live! will be out Oct. 14th from Epic Ink. South Park Strikes Massive $1.5 Billion Streaming Deal with Paramount+Tom Jones Postpones Show in Germany Due to Health ComplicationsSir Tom Jones has been forced to cancel a gig in Germany.On Tuesday, just hours before taking the stage in Bremen, he postponed his show due to health reasons.“Hello to all the fans in Bremen,” he wrote on Instagram.“Unfortunately, I must postpone my show this evening, as I've contracted an upper respiratory infection that needs treatment and rest. I know this is really disappointing and will cause inconvenience to you all, and I'm very sorry about that.”Jones is traveling through Europe on a summer-long tour that will wrap in late August. In June, the legendary singer celebrated his 85th birthday on the set of The Voice U.K., where he's been a coach for 14 seasons. Tom is currently filming the next installment with fellow judges Kelly Rowland, Will.i.Am and McFly.Dead & Company 60th Anniversary Show To Stream In IMAX TheatersDead & Company will celebrate the Grateful Dead's 60th anniversary next month - and fans can see it all in IMAX. The band's August 3rd show at Golden Gate Park in San Francisco will livestream in 30 IMAX theaters across the U.S. Tickets are available now, each including a commemorative poster and lanyard. Dead & Company recently completed a residency at the Las Vegas Sphere and will play a total of three anniversary shows in San Francisco, on August 1-3. Paul McCartney Nearly Appeared On 'The Dark Side Of The Moon' Pink Floyd's The Dark Side Of The Moon is considered one of the greatest albums in rock history - and it almost featured a guest appearance from a Beatle. Paul McCartney, who at the time was fronting Wings following the Beatles' breakup, actually recorded some vocals for the record - but Roger Waters ultimately decided to cut it. Waters later said McCartney's performance didn't fit with the rest of the record: "He was trying to be funny, which wasn't what we wanted at all." Pink Floyd's David Gilmour would later play on McCartney's solo album Give My Regards To Broad Street. Stevie Nicks, Lindsey Buckingham Appear On Cryptic Billboard Yet another cryptic clue has appeared teasing a possible reunion of Stevie Nicks and Lindsey Buckingham. It's a billboard on L.A.'s Sunset Strip featuring the cover of their 1973 pre-Fleetwood Mac-album Buckingham Nicks, along with the date Sept. 19th. Last week, Nicks and Buckingham each posted a lyric from "Frozen Love", a song from the album. Most fans are convinced it will be a long-awaited album reissue - it's been out of print for decades and not currently available digitally.Nicks and Buckingham appeared to be on the outs after Buckingham was fired from Fleetwood Mac in 2018. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Fingal's Cave Podcast, host Nils Zehnpfennig and guests Mike McCartney, Joe Krist and special guest Bjorn Riis from Gilmourish.com celebrate 40 years of David Gilmour's live performances.We begin by exploring Bjorn's musical background and the influence of Gilmour, Pink Floyd, and other bands on his sound. We then trace the evolution of Gilmour's tone, gear and style throughout his solo career and his time with Pink Floyd from 1968 to 1994.We start the discussion with Gilmour's 1978 debut and his decision not to tour. We then take an in-depth look at the About Face tour in 1984 and reflect on the chaotic Ecomundo show in Colombia in 1992.We also revisit the acclaimed On an Island tour of 2006, discussing the stellar band, the wonderful set list, and the unforgettable performance of 'Echoes'.A decade later, Gilmour returned with Rattle That Lock. We explore the differences between that tour and the one in 2006, including the surprise mid-tour line-up changes, and we discuss the somewhat underwhelming Pompeii shows in 2016.Finally, we talk about his latest album, Luck and Strange, and the short tour that followed. We also reflect on his four decades of live music and celebrate a legendary career that continues to inspire many of us.

AC/DC is celebrated from both sides of its legendary legacy in this special episode. John Jackson of the Bon Scott Estate joins us to preview the 2025 Bon Scott Birthday Bash in NYC—honoring what would've been Bon's 79th birthday with a full-throttle tribute event. Then, legendary drummer Chris Slade opens up about his time in AC/DC—from auditioning and joining the band, recording Thunderstruck, and touring globally on the Razor's Edge and Rock or Bust tours, to playing with both Brian Johnson and Axl Rose. He also reflects on his six-decade career performing with rock's biggest artists, including Tom Jones, Manfred Mann's Earth Band, David Gilmour, The Firm and more. Metal Mayhem ROC: https://metalmayhemroc.com/ Bon Scott Official Website https://bonscottofficial.com Chris Slade Official Website https://chrisslade.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AC/DC is celebrated from both sides of its legendary legacy in this special episode. John Jackson of the Bon Scott Estate joins us to preview the 2025 Bon Scott Birthday Bash in NYC—honoring what would've been Bon's 79th birthday with a full-throttle tribute event. Then, legendary drummer Chris Slade opens up about his time in AC/DC—from auditioning and joining the band, recording Thunderstruck, and touring globally on the Razor's Edge and Rock or Bust tours, to playing with both Brian Johnson and Axl Rose. He also reflects on his six-decade career performing with rock's biggest artists, including Tom Jones, Manfred Mann's Earth Band, David Gilmour, The Firm and more. Metal Mayhem ROC: https://metalmayhemroc.com/ Bon Scott Official Website https://bonscottofficial.com Chris Slade Official Website https://chrisslade.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Un viaje en el tiempo en la historia del Rock. Semana entre el 16 y 22 de Junio.

In this fascinating episode of Fingal's Cave, host Ian Priston sits down with a legendary figure from Pink Floyd's early days - an underground taper known as The Masked Marauder. One of just a few people who recorded the band live in the 1960s, he shares candid memories of the counterculture, classic gigs at UFO and Middle Earth, and capturing historic BBC radio sessions from his living room.Hear personal reflections on:• Syd Barrett and David Gilmour-era Pink Floyd shows• Legendary venues like the Roundhouse and Eel Pie Island• Taping the The Man and The Journey premiere and other bands such as Soft Machine• His bohemian lifestyle, radical activism, and outsider spirit.Now 82 and sharp as ever, the Masked Marauder brings the psychedelic era to life with wit, warmth, and authenticity. A must-listen for Pink Floyd fans, music historians, and anyone interested in the London 1960s underground scene.Recorded at his home on a busy London street, the conversation is rich with atmosphere, quiet pauses, and thoughtful insights. As always, Fingal's Cave favours authentic conversations over formal interviews.Please find here a subtitled version: https://www.youtube.com/watch?v=UjUAxlTTvAgSubscribe to Fingal's Cave for more journeys to the edges of Pink Floyd music history.

School of RockA 7-part series by Member389. Listen to the Podcast at Explicit Stories. I made it back with plenty of time. I set up an online music account on Emily's laptop, and we sat at the table downloading songs by Chuck Berry, Stevie Ray Vaughn, BB King, some David Gilmour and Eric Clapton."Are you turning my kid into a rock star?" Summer asked leaning on my shoulder, watching us select songs.I laughed. "Why not?" Emily hopped up out of her chair and started playing air guitar as I hit play on Johnny B. Goode. As it wound down she dropped to the floor kicking her feet. I laughed even harder. "I think I've seen that move before."Em got up breathing hard. "What about you, this is all guitars. Do you have any piano music?""That I do." I popped open the browser and found a video of one of my favorites. The song started and a rap sounded on the door, Summer answered it. A shuffle of people and chattering was going on and a pretty girl shot out from around Summer and came over to the table where we were."Hey Jessie, this is Pete," in an exaggerated whisper she followed up with, "he's my mom's boyfriend." I grinned at that."How are you Jessie?" I asked. "Think you can help with Emily's studying tonight?" Her expression froze on the word study."Relax, we're just going to listen to some music, not do algebra." Emily said, calming her friend.I stood up as the ladies approached, a woman a few years older than Summer walked beside her with a big smile on her face. Summer made the introductions and hands got shaken the big grin remained."Alright girls, are you ready? Let's get a move on we need to stop at the store and pick up some food on the way back to the house." Diane announced. "It's good to meet you Pete, hopefully we'll get to see more of you around here in the future." She winked playfully."I'll be glad to oblige." I replied with an equal grin. Jesse helped Emmy gather up her gear and they headed for the door.Summer stepped back in the kitchen rolling her eyes. She stopped and looked into my eyes, and bit her lip. "Now what?"I grinned and shrugged. "What do you normally do on Saturdays?""Clean, do laundry, run errands, the usual." She chuckled."Where's the vacuum?" I asked. "Four hands are better than two."We cleaned the place up pretty quickly, with a hand reaching out to give a gentle back rub, or an occasional kiss in passing."I might keep you around, you look damn sexy pushing a vacuum." She smiled as we sat and polished off the left-overs from breakfast for lunch. "You cook, you clean, you rescue damsels in distress, and you're amazing in the sack. Is there anything you can't do?""Well when your mother is Martha Stewart and your father was Superman, no." I laughed.Summer smiled. "I almost wish we were staying in tonight, Clark junior.""With the depleted state of your fridge, we'll likely be eating bread and water." I replied."Damn that's another thing we need to do.""Was that the towels in the dryer? They should be fine, let's go do it now. Do you have a list?"Summer shook her head and peeked into the freezer for a minute, then opened the pantry cupboard. "Was that all the eggs?""Yup, and don't forget the OJ."We wandered through the store and I watched as Summer filled in the cart I had."Do you do anything special on Sundays? You know, family dinner or anything like that?" I asked."No not really. Sometimes I'll make something big that we can eat for a few days in left-overs. Why?"I just shrugged and smiled. As we picked out the groceries I picked out a few things, made an occasional inquiry as to what Emily and her liked to eat. A few more things got added to the cart and she gave me a shrewd look."What are you planning?" She asked with a sly smile.I shrugged and smiled again. "Something going along with the theme. When do you think Emily will be home."We finished the shopping, and after a little head butting I slid my card and paid for the groceries."You're saving me a hotel and eating out, it's the least I can do." I argued and gave her back her little scowl. "Besides, you're so cute when you're angry." I prepared to duck but all I got was a raised eyebrow. We got everything into the house and unpacked, Summer turned and leaned on the counter, blowing a loose strand of hair out of her face."I hope I can keep awake during our date. What are we doing tonight?""Dinner for one, but that's a given, I need you to build up your strength." I winked, the rest is a closely guarded secret."I got it, no jeans or sneakers." She looked up at the clock. "Where are we going?" She sounded piqued. I just chuckled."Well we do have about an hour drive to get there, so we should be ready before 6."She just looked at me wide-eyed for a moment and swiveled her head to look at the clock. "Crap, I'd better get a move on. It's not as easy for us girls to get ready as you guys. It takes time for us to be presentable."I smiled. "The only thing you need to do is change.""No jeans." She parroted with me, making us both laugh. She leaned in for a kiss. "I get the shower first." She got up and sashayed into the other room."Damn, the only thing sexier than you in jeans, is you out of jeans." I called out.She came back in a long pink fuzzy robe a few moments later. "The same could be said for you." She leaned down and kissed me again. I took the liberty of slipping a hand up her leg, noting she was shower ready."You sure you don't want to conserve water and shower together?" I said smiling."If you join me, you may want to cancel the reservations now." She winked."I guess I'll just have to restrain myself then." I sighed, then frowned."Aww! You look like you lost your puppy." She said with a laugh.I gave her a light pat on the rump. "You'd better get in there before I lose my mind and take you right here.""Promises, promises." She said with a wink.I had been relegated to using Emily's room to get ready, Summer didn't want me to see her getting ready, she wanted to make an entrance. She made her way from bath to bedroom, singing a song under her breath, pausing to smile at me as she passed, and continuing her song. "So let's get it over and just get naked, With sweat dripping' down your little back." I recognized the song, she sang it when we were in Maine at the beach house, the lyrics were definitely not something you'd hear on the radio.I got my chance at the shower, the floral and fruity smell of soap and shampoo hung heavily in the humid air. I took a deep breath of it and closed my eyes a fleeting thought of kissing her neck, the scent of her intoxicating like a tropical flower. I finished and went across the hall and began dressing, keeping an eye to each detail as I donned the dark gray suit. The tailor at the shop that helped measure me told something I had no idea of, "a well-tailored suit is to women what lingerie is to a man." I had to trust her, she was a woman after all. I finished up getting the tie dimpled properly and setting the pocket square how she'd shown me. I remember something she said when she was kitting me out. "She must be a very special lady." I responded that, "she is a very special lady," with a smirk. I made my way out to the kitchen laying my overcoat across the back of one of the chairs and checked to make sure I had everything I needed. Spinning my wrist to check my watch, we had a few minutes before we needed to leave."Do you need a hand in there? I could call in the Army or something." I hollered."Oh hush! I'll be right out!" She answered through the door. A few more minutes passed before I heard the door open, only darkness beyond. "Prepare yourself, I hope you're not disappointed.""Oh stop..." I began as she walked into the kitchen light. She stopped tilting a hip, bringing one knee in front of the other like a runway model. She glowed in the dim light, her hair long, tucked back on one side with a silver barrette. Her eyes boring into me watching my every movement as I took her in. She wore a short sweater dress in wide gray and black stripes with knee high gray suede boots. Naturally tall, she was tall or taller than I was as my eyes slowly climbed back up to her face. The hint of a smile appeared as I took her all in."Speechless, huh, that bad?"I cleared my throat quickly. "No, no! You look stunning." I said with complete honesty."You look pretty handsome yourself." She responded, her voice husky as she looked me up and down."The tailor was right." I thought with a smirk. The twinkle in Summer's eye was causing my heart to melt a bit."Do you have a coat?" I asked, and she took one from the hall closet. I held my hand out for it and she smiled as I opened it for her to slip on."Such a gentleman.""I'll do my best." I replied grinning as I took my coat and we left.We made our way north to the city. I ignored her gentle prods to find out where we were going. She reached over and took my free hand while I drove. She didn't grip it tightly, but ran her fingertips along the seams of my palm, her thumb rubbing lazy circles across the back. She was quiet, but I could feel the hum of anticipation. I only hoped things didn't fall short of her expectations.I pulled up in front of the restaurant and a valet came around opened Summer's door as mine opened at the hand of another. He walked her around the front of the Jeep and handed her over to me with a big smile. We walked towards the door slowly."Are you nuts?" She said under her voice. "This is going to cost a fortune.""Don't worry," I replied, "haven't you ever heard of dine and ditch?" I said chuckling. "I'm not saying we're going to do this every Saturday, but you only live once. So let's relax and enjoy tonight." We stepped inside the lavish foyer where the host welcomed us. I gave him my name and he smiled checking off a list and asked if we'd like to check our coats before we were seated. I took Summer's before removing mine and handed them over to the coat room attendant. I turned to find Summer looking around with wide eyes, her lower lip held tightly in her teeth as she fondled her little heart pendant nervously."This way please." He said turning towards the dining room. Without thought Summer's hand slipped around my arm. I smiled and led her to the table. She got more than one look of admiration as we passed other tables. The host held her chair for her as she sat with a little smile thanking him. I sat down as he told us who our server would be and left.Summer watched as he stepped away and ducked her head slightly whispering. "I feel like such a grown up." I had to stifle my laugh.We ordered cocktails and then dinner. Summer indulging her love of seafood, I sat watching her eyes roll back with every bite of her scampi. The food was delicious, the wine as well. We finished with dessert and cappuccinos. She noticed I peeked at my watch."Already tired of me?" She said with a pout."Just making sure we're on time for our next stop." I smiled.Her eyes opened wider. "There's more?"I nodded with a smirk. "Not to worry, we're doing good on time." I said sipping my coffee.She gave me a shrewd look, then shook her head with a smile. "I honestly don't know what I've done to deserve this kind of treatment, but I like it." I chuckled at that. I paid the check, we collected our coats and got the car headed towards our next stop. The club was in a converted warehouse, the brickwork old and worn as we entered and I picked up the tickets I'd ordered earlier in the week. Taking care of that, we were led to a small table a few rows back from the stage. I held Summer's chair for her as she sat. I sat beside her, the table set so we were practically side by side. She reached under the table squeezing my thigh as she smiled. She had seen the posters as we entered for the show and beamed at me knowing her love of music. We ordered drinks and the show started. We listened, she sang along under her breath to a few of the songs. At some point our chairs got much closer and my arm was wrapped around her shoulder and she leaned into me putting her head on my shoulder during one song. When it finished she looked up at me, our faces close. She just tilted her head slightly her lips parting as mine met hers in a deep kiss. The applause for the song was our backdrop for a moment. She pulled back slightly, a smile spread across her face, her skin aglow in the dim light. She excused herself and went off to the ladies room.She returned a few minutes later set her clutch on the table as she sat, slipped her hand out of it and slipped it into my jacket pocket and withdrew it as she leaned in for another kiss. I smiled at her but the curiosity got the better of me and slipped my hand into my pocket. I felt a warm damp lacy bit of cloth. When the realization hit me I looked sidelong at Summer wide eyed. She just looked up at the stage biting her lip again and slipping her gaze sideways to me with a knowing smirk. She was lucky the club was crowded or I would have double checked. I removed my hand from my pocket and rubbed my nose smelling the musky scent of her. It inflamed the feeling that had been smoldering in me since I'd seen her emerge from her bedroom earlier. I politely declined another round from the waitress, and wondered how we could make a hasty exit without it being obvious. As the set ended Summer leaned over and whispered in my ear."There's a nice little park with a walk along the river not far from here.""That sounds nice." I said softly. I wasn't in the mood for an encore. I stood carefully buttoning my coat hoping my arousal didn't show. Summer stood gathering her things and we made our way out to the entrance to collect our coats.Once in the car she directed me through the streets down to the riverfront where found a place to park. We started down the walk to the waterfront, at one end of the park was a large brightly lit fountain, there were paths leading away down both river banks. She turned us toward the right which led us northward, lamp posts lighting the way, benches lay covered in autumn leaves, they lifted gently in the breeze off the water."Tonight has been amazing." She said wrapping her arm around my waist pulling herself tightly under my arm. I smiled."I couldn't agree more." I said.She stopped looking over her shoulder to make sure we weren't being followed. The city had the feeling of people huddling inside in this cold late hour. We were the only people around. She took my hand and led me away from the walk way up the lawn under the trees, leaves rustling under our feet. She stopped a few yards away and turned leaning against the trunk of a large maple tree. She laid her hands behind her against the trunk as she inhaled the scent of the dead leaves and smiled up at me in the dim light. I took her face in my hands and kissed her deeply. Her tongue slipped along mine as her hand gripped my neck pulling me down into her. I felt dizzy like the world had begun spinning around us and she was the only solid point which I could hold onto. I broke away gasping for breath."How's a girl to keep from falling for you?" She asked breathing heavily."I don't know, but don't let me stop you." I smiled and kissed her again. Her hand slid up the front of slacks stroking me firmly."I want you, right now." She said as she reached for the zipper."Here?" I asked chuckling as I looked around noting we were in darkness afforded by the leaves still clinging to the trees above us. My zipper was down and her chilly hand found what it was looking for and pulled me none to gently free of my clothing."Here, and now." She said stroking me firmly.I slipped my hands under her coat pulling her dress up over her hips. She spread her legs for me as she slid me into her damp heat. I groaned deeply as she wrapped her long leather clad leg around my hip urging me deeper. I reached around her grasping her exposed ass in my hands lifting her slightly as I leaned into her and pulled her down as I thrust forward. We both grunted as our mouths locked together. Her back arched away from the tree as I plunged into her in short hard strokes. I had her other leg around me as I drove forward with an urgency that scared me. She leaned her head back and gasped letting out high pitched whispers urging me on. "Yes, yes!" Being on edge all night it didn't take me long before I pitched forward pinning her against the tree as I climaxed, all of the tension built up finally releasing.I gasped for breath, and opened my eyes realizing I was staring at her little silver heart pendant. I was still holding her hard against the tree, my fingers buried hard into her flesh. I relaxed slightly, her legs jerked as she tightened her grip around my hips. "Don't worry I won't let you fall.""Too late." She said. I felt her tug the hair on my head as she lifted my face up to hers and kissed me deeply. "I'm already too far gone." She said smiling. "You're stuck with me.""I wouldn't say stuck." I chuckled, my heart settling back down to a normal rhythm. My arms were burning from holding her up, but I had no intention of letting her go. It was a moment before she set first one foot down, then the other, the feeling she could still fall over kept her arms locked firmly around my neck. As our bodies separated a cool breeze shot between us causing a shiver to run through Summer. She snatched the cloth out of my breast pocket and tidied up as quickly as she could before yanking her dress down to keep out the cold. She tidied me up as well before tucking me back in. She grinned tucking it into the same pocket as her panties."I'll pay for the dry cleaning." She grinned."No need, I'm never cleaning this suit ever." I laughed.She leaned forward laying her head on my chest nuzzling up under my chin. "I don't know what cologne you're wearing but it's a real panty dropper."I couldn't help myself and busted out laughing at that. Laughter fizzed up from Summer as well."Well that was the selling point, I'm glad it lived up to the advertising." I said. "It's getting cold, let's go home.""Tell me about it, you don't have an icy breeze blowing up your skirt." She said giggling.We made it home and stumbled into the house still chuckling about how the evening turned out. It wasn't long before we laid naked in bed, surrounded by the darkness and warmth."Thank you." She said and kissed me."For what?" I asked."For what?" She said surprised. "For everything you do. You're so sweet to me, and you spoil me rotten. Tonight being proof of that."I shrugged. "It's how I envision being in love is supposed to be." I swallowed hard. "You matter to me, more than anything. There's nothing in the world I wouldn't do for you."There was an uneasy pause. "Just don't forget who you are. No matter how much you love someone, you can't stop being true to yourself." She whispered, then kissed me. I felt dampness on my face."Hey, what's wrong?" I asked concern filling my voice as I pulled her closer."Nothing is wrong, that's what scares me." She said. "Try to understand what I said. I've been there before.""That's what made you leave when you did, isn't it. You were afraid."She laughed and a inhaled with a sniffle. "You could say that. I debauched a local teen, I probably would have been stoned out of town if anybody had found out.""Don't worry, we haven't used that whole scarlet letter thing in at least five years. You're safe now, and everything seems to be turning out alright."She kissed me softly and rolled over in my grip leaning back against me and tucked my hand up beneath her chin with a deep sigh. I kissed her behind the ear, eliciting a soft purr, before nodding off myself.Good things come to those who wait.We both jolted awake at the sound of a phone ringing. Summer bolted out of bed to answer it."Hello?" She said anxiously, after a moment she sighed. "Okay sweety, have fun, we'll see you this afternoon. Love you, bye."I looked over at the bedside clock and realized we'd slept late, it was after 9."They're going to a matinee in town then Diane is going to drop her off around 3 o'clock.""What will we do until then?" I said sarcastically.She looked me up and down with the blankets thrown back. "Oh I'm sure we'll think of something." She wiggled her eyebrows at me, and I busted out laughing.She climbed back into the bed, we were instantly kissing and touching, there was no urgency, just the acknowledgment that we were both where we most wanted to be, and with whom we wanted to be. Lips teased, fingers caressed, and time floated pleasantly by without either of us noticing. Summer rolled me onto my back and threw a leg over me sliding down my legs, and began licking my cock. She looked me in the eye as she did it, the hunger I saw there was intense. My breathing was getting shallow as I watched her get me harder and wetter. I lifted my hips hoping she would take me in her mouth but she only smiled, and licked again, and again. The sweet torture nearing a fever pitch, and she only continued, long slow wet licks."If you see something you want, take it." She said, her voice low and husky. She licked the length of me, then swirled her tongue around the tip. I gathered what little wits I had, and slid out from under her got up and walked to the foot of the bed seeing her beautiful ass pointing up in the air, moisture glinting off pink lips, I knew what I wanted. I placed my cock at her entrance and pushed slightly, eliciting a moan from each of us."I want it, and I'll take it." I said as I pushed forward burying my hard cock deep inside her. Summer let out a sharp moan, as she threw her head back. I began long hard strokes, the moans synchronized quickly."Pull my hair." She gasped. I reached up and gathered her hair and pulled her head back gently. Her moans increased and my tempo picked up, my hips driving her forward with every stroke. She began chanting, "yes, yes, yes, oh fuck" and I soon lost all control and took her hips in both hands driving forward a few last hard strokes exploding deep inside her. I could feel the walls of her cunt clamp down on me hard as spent myself in her. Summer collapsed face first into the sheets gasping for air. I still had her hips in a vice like grip as the spasms subsided."I didn't think it was possible, but I think you're getting better at this." Summer gasped from the folds of the sheets. "Which is impressive considering you were damn good at it in the first place."I smiled, gasping for air. "I have a good teacher." I released my grip on her hips and pulled free of her, she let out a sad little moan and rolled onto her side. Her hair was a complete mess, covering her face I could see her peeking out from between the locks. "Nice hair." I laughed."It has that freshly fucked look I was going for." She giggled. We cuddled for a while before she groaned. "We'd better get up, it's lunch time, and we'll need to be presentable when Emily gets home."I stripped the bed and got the sheets into the wash. Summer made coffee and whipped us up some brunch. A not so quick shower for the both of us and we were parked on the couch watching TV when Emily burst into the house, her friend Jesse hot on her heels."Hi Mom! Pete we listened to all those guitar players you gave me to listen to, they were awesome. They all play electric guitar though. I'm not sure mom's going to let me get one.""Well let's look at some great acoustics then. No need to dive head long into your rock & roll career just yet, you've got a couple years." I said laughing."We'd better get going Jesse." Her mother said.Em just sat next to me and I gave her a nudge. "Don't you think you should say thank you?" I murmured. She looked at me, smiled and jumped up and ran after Jesse and her mother. Summer and I hot on her heels to join in with thanks.She spent the afternoon apprising us of everything they did, and the movie they saw. At her insistence I gave her a short list of acoustic guitarists to research online. We ended up finishing our Italian food weekend with baked ziti for dinner. Bed time was a bit tougher, I had to promise to be there tomorrow when she got home from school before I got a hug.Summer poured the dregs of the wine off into our glasses and handed me mine. "You're doing it again.""Doing what?""Thinking, the question is, what about."I just shook my head. "Nothing really... it's just that..." I let out a heavy sigh.Summer's eyebrows raised as she waited for me to spill my guts."Promise me you won't laugh?" I said.She smiled. "Not a chance.""I was just thinking that I wondered what kind of step-dad I'd make."Summer's eyes popped open at that. A few expressions raced across her face, before quickly returning to a thoughtful look of her own. "Listen," she said, "don't get ahead of yourself. I don't want you to feel like you have to fill any role in that regard. Let's take it one day at a time. Besides, you have a lot on your plate to start with, a new job, a new city, a new life. The only thing she needs is a friend, and I think you've already proven that you can do that with little effort." She smiled at me, but there was worry in her eyes."That's not going to be a problem." I smiled back at her and drew her closer. "I'm turning into a worry-wart like you." I got a quick poke in the ribs for that.We were up at the crack of dawn, well actually before it cracked. Summer kept telling me that I didn't need to be up so early and I just turned her towards the bathroom to get ready for work. While the girls did their thing, I did mine, and had lunches ready to go for both of them, and breakfast laid out before they even popped back into the kitchen."Don't get used to this." Summer turned to lecture Em. "As soon as he's gone it's back to corn flakes and bananas." I laughed, as they dug into breakfast with a single minded urgency. Emily was soon bundled up and out the door with her book bag, Summer wasn't far behind her a deep kiss and a wish to play hooky from work. I patted her gently on the backside."Your patients are waiting for that bright smile to make them feel better." I said."Well if Mr. Brown makes a grab for my ass while I'm checking his vitals again, he may ended up for an extended stay with a few extra bruises." She said smartly. "I might just have to put him in restraints.""Sounds fun." I said wiggling my eyebrows."Maybe I'll bring some home for you." She grinned. She bolted out the door, as I shouted for her to drive safe.The next days lent themselves to relative domesticity. I played house mate, making meals, keeping things organized and assisting with homework.It soon came time for me to head home. That morning I woke before the alarm staring at the glow of the clock. Our lovemaking the night before had been frantic as if we were never going to see each other again. I could feel the slight sting of scratches on my back which left me with a feeling of contentment. As I wallowed in bliss at the feelings flowing through me I was surprised when I felt her lips brush the knuckles of my hand."You're awake." I whispered softly enough not to wake her if I was wrong. She responded with a gentle hum. I leaned forward and kissed behind the ear, a tremble flowed through her as she arched her neck gracefully inviting more of the same. I obliged her, a contented sigh was how she responded."I don't know how I'm going to keep from going crazy for the next two months." She said, another sigh escaping her lips."How so?"Laughter bubbled up from deep in her chest. "Despite what you may think, you're not the only horny one of this duo. I've kind of gotten used to this guy being ready and willing with little notice." She said as she snaked her hand over her hip grasping my cock."I hope he's not all your after." I teased.She rolled over quickly, her hand slipping around my neck bringing us forehead to forehead. "You don't think that, do you?" She asked, concern evident in her voice.It was my turn to laugh. "If I were at all worried, I wouldn't be here. Remember, I'm the one who came looking for you." I said as I kissed her. She took control and rolled me onto my back and straddled me. I wasn't sure if it was her hips pinning me to the mattress, or me pinning her hips to mine as she kissed my chest, she worked her way up neck. Quickly our lips crashed together, bodies gripped tightly not wanting to let go. She slid forward slightly and settled herself on me as she took my face in her hands, willing herself to slow down. I wrapped my arms around her waist holding her in place as I lifted my hips plunging into her in long deep strokes."Take me like you did the other night." She gasped into my mouth. "Take me like you want nothing else.""I want nothing else." I growled as I rolled her off me, she scooted onto all fours and snatched my pillow from the head of the bed hugging it tightly, her ass pointing straight up. I slid my hand down her ass and up between her legs, she was so wet and hot I thought she was melting. She pressed back against my hand and made a small yearning moan."Please." She whispered urgently wiggling her ass in the air. I felt my cock throb at the sight of her, in the gray light. I couldn't take my eyes off her, but my body moved without conscious control as I slipped behind her, took her hips in my hands and slid into her. She whimpered into the pillow, she tried to pull away from me and I only pulled her back onto me. I held her like that for a long moment, her cunt gripping down on me, trying hard to get me moving. I closed my eyes and tried to keep my breathing steady as I began rolling my hips back and forth. She let out a long moan as I picked up the pace driving forward. I don't know when I did it but I had my hand on her neck, holding her in place while I filled her with deep hard strokes. I was barely aware of her fingers stroking her clit lighting fast , as she began to jerk and moan loudly into the pillow. Her cunt clenched hard, the spasms were more than I could take as I erupted in her one last time.I reached up beneath her cupping her breasts and lifted her up toward me, she shifted her head to one side, reached back, and pulled my face down to hers and kissed me deeply."I don't deserve you." She said."Shush, you deserve everything I can give you and more.""I don't think I can take much more and still be able to walk." She laughed. Just then the alarm clock went off."Time to get up." I said softly into her mussed hair."I'd say you already did a fine job of that." She leaned forward crawling on all fours to turn the alarm off. She turned back towards me and flipped her hair back out of her face. The light was brighter, and shone in her eyes, the look she gave me was nothing short of feral. My stomach did a little flip and I suddenly knew how the gazelle feels when the lioness has made her decision. Summer crawled back towards me and leaned down taking my half hard cock in her mouth bringing it fully to attention quickly. She wasn't stopping, she hungrily sucked and licked bringing me near the edge and stopped. She turned quickly and laid back with her legs spread wide. "If I have to wait two months for more then I plan on filling up now." She held up her finger beckoning me towards her. I reached down and circled her clit with my thumb, her sharp intake of breath was all I needed to hear as I pushed deep into her again. She waved her hand at me in an effort to speed me up as she covered her mouth with the other. Soon the waving stopped and she was pulling and massaging her nipple. I began to flick her faster with my thumb causing her to yelp into the back of her hand as her hips arched up and I exploded again, with less force, but no less desire.We collapsed into a heap on the bed panting like we'd just sprinted a mile, the alarm went off again."I hate that thing already." I gasped. Summer chuckled before she rolled over and got up slowly, limping to her closet and pulled on her robe."Shit. You're hard on a girl's anatomy. I'm going to have to come up with a cover story for limping today. I guess I could say I twisted my ankle again. C'mon sleepy head, time to face the music.""I... I don't think I can walk." I chuckled. A few minutes later we were sitting around the kitchen table."Are you all right Mom?""Yes hon, I just stubbed my toe." She said sitting gently with her cup of coffee. I buried my face in my cup so as not to be caught grinning. "I'm going in a little late this morning, so when you get off the bus, head over to Beth's and I'll pick you up there. Okay?"Em just nodded, and continued eating her cereal. It wasn't long before she was giving me a big bear hug imploring me to drive safe so I'd be back in a couple months to stay. I had her promise to work hard on her schoolwork, and if she needed any help with her to call me.Summer made her phone calls and turned to me, her robe falling open slightly. "I feel like a hot bath." She didn't move but looked at me sweetly, the invitation was clearly implied."That sounds nice." I said pulling my shirt off. I looked up and her smile had gotten wider. I held out my hand and she stepped forward taking it in hers as I led her to the bath.She laid back against my chest, the warm water lapping around us, fingers glided down slippery skin. We didn't need to speak, our bodies were carrying on a conversation of their own."You know." I started softly. Summer quickly shook her head shushing me. She took my hand in hers running her fingers up and down the lines in my palm the turned it over rubbing the knuckles and surprisingly brought it up and kissed them. She relaxed even more and melted against me and laid my hand over her heart holding it there. I wrapped my other arm slowly around her and pulled her tighter against me."This is what love feels like." She whispered. I sighed and drew a wet heart between her breasts. She giggled as the water droplets slid down her chest. Time was moving far too quickly though and she stood up to rinse off, in the process she sprayed me in the face with a laugh. I reached up and gave her ass a wet smack which made her yelp. We dried off, Summer began applying lotion to her arms, and placed one foot on the edge of the tub and did one leg then the other. I don't think I'd ever seen anything more beautiful in my life. She took a bottle of baby oil and poured some into my hand. She looked me deep in the eye as she placed it between her legs. I took her cue and massaged it gently into her warm wet skin. She gasped, lifting gently away for a moment. Her hands were on my shoulders, holding herself steady as I massaged slowly, my middle finger slipped inside her. Her mouth fell open, her breath shallow and fast as I began pulling back and pushing forward in that little come hither motion she'd taught me years before. Her body tensed, her nails digging into my shoulders as she began to shudder. She was up on her toes now, as she moaned loudly. My fingers suddenly more slippery as I kept up my assault on her. She fell forward clutching me, her face buried in my neck."Stop!" She gasped, drawing in air deeply. "Stop, please." She pleaded. I let my finger slip out of her and gently patted her lips."You're not going to forget me in two months are you?" I said smiling."Forget you? I'm going to need two months to rest." She said. "Besides, it's a long dark winter here in the mountains. We don't want to wear ourselves out too fast now do we?" She reached for another towel and handed it to me, pushing me out so that she could 'put her face on' and get to work.I walked to the bedroom and toweled off along the way. That little moment we had aroused me incredibly, my hard cock bounced in front of me. I stripped the bed, not for the first time since I'd been there and made my way to the washer with the rumpled damp sheets. When I walked into the bedroom again Summer was wearing the palest pink lace panties and was bent over a drawer rummaging around. My arousal, which had begun to subside, was back in spades. She turned and peeked at me from under her hair. "Brute, I look like I've been the main course at a vampire buffet. Now I have to find a turtleneck or face a lot of embarrassing questions all day.""Like why you're wearing a turtleneck, a silly grin, and walking funny?" I laughed. I ducked as she threw a balled up t-shirt at me, but started laughing too."I get your point. Sandy and Sam will catch on quick, they've seen you, and won't be surprised." She found the shirt she was looking for tossed it on the bed. Pulled a bra out and whipped that on with practiced efficiency, she turned and noticed me standing there leaning against the doorway watching her, she just looked me up and down and sighed. "I'm sorry hon." Her eyes tilted and her mouth pulled down in a frown."What?" I asked, my eyes opening wider.She looked down at my bobbing cock. I just chuckled. "Don't worry about me, you don't want to be any later."She stepped over took a pillow off the bed and knelt down on it in front of me. "Sweets, you're going to be late." I said with a lot less conviction now that my cock was slipping over her tongue."Have faith in me." She said before swallowing me as far as she could drawing back with incredible suction, her cheeks hollowing as she drew me out. She began bobbing in earnest. I laid my hand gently on her head and began pumping furiously. She pulled back with just the tip in her mouth just before reaching up and massaging my balls. I couldn't take any more and filled her mouth, her throat bob as she swallowed. She cleaned me up quickly, and licked her lips clean, all the while giving me a look that said, "if I didn't have to get to work I could have kept you on edge all morning." I knew she could too. She stood up tossed the pillow back on the bed and grabbed the shirt pulling it on. She fluffed her hair out from the collar and smiled at me. She pulled on her scrubs, donned socks and her work shoes. She pinned on her badge and gave a little twirl, the smile still on her face."Will you put some clothes on so I can get out of here." She said laughing. "I can't tear myself away with you standing there like that.""Sorry." I said, not feeling one bit sorry as I grabbed my jeans. She went out and filled her travel mug with the rest of the coffee."Listen, if you feel tired you pull over. I don't want a call that they found you in a ditch. Drive safe okay?" She said in her best motherly voice."I'm already tired. I didn't get much sleep last night." I said kissing her."Make some more coffee, take a nap before you leave, stay until tomorrow, whatever you need to do. I'm serious." She said pausing to look at me. A moment passed and a tear rolled down her cheek."Hey, hey." I said gently brushing the tear away and kissing her. "I will be careful, don't worry.""I wish you didn't have to go." She said wrapping her arms around me and hugging me tight."It's only two months, and you'll be busy with Em, the holidays and work that it will be behind us before you know it.""Don't stand under any mistletoe before you get back here." She smiled though another tear followed the first.I smiled. "Consider yourself off the market. Your prince will return after the ball.""Don't you dare steal one of my shoes before you go." We both laughed at that."Come on." I led her to the Jeep, opened the door for her and got her settled in. "Drive safe, go on about your daily routine. Call me, text me, send up smoke signals, any time." I leaned in and kissed her softly. We lingered for a moment and I stepped out closing the door. She lowered the window."Smoke signals huh? Do you always run towards a fire?""It's what I do." I said smiling.Her face turned serious. "I love you." Her eyes welled up again."I love you more." I leaned in and kissed her again. "Now get going before you get fired."To be continued in part 7, by Member389 for Literotica

Here's my May 2025 outing for Progzilla Radio's 101 Dimensions program. It features nearly 2 hours of great progressive electronic/ambient music by Hanry, Jean-Michel Jarre, The Orb (featuring David Gilmour), The Fragile Fate, Glass Hammer, and Kitaro!  

Send us a textFormer label executive, guitarist and author Paul Rappaport joins Al to introduce him to Pink Floyd's 1994 album The Division Bell. Paul talks about how he became a part of the Pink Floyd “family” while working with them in his capacity as senior VP of rock promotion for Columbia Records. He shares his initial reactions to The Division Bell, which he had heard in bits and pieces while working on promotions for the album, and he explains why the album is still a favorite of his more than 30 years later. Paul also talks about how he came up with the idea for the Pink Floyd airship, which was a central part of the promotion plan for The Division Bell, and how he wound up playing guitar alongside David Gilmour during a Pink Floyd show in London. Finally, Paul discusses his book Gliders Over Hollywood, which recounts his experiences working with numerous revered rock artists over the course of his career.Gliders Over Hollywood is a highly entertaining read! Learn more about it at glidersoverhollywood.com.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum. You can support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.IMPORTANT UPDATE! You, Me and An Album will soon have additional offerings on Patreon. More information will be coming soon. To sign up, go to patreon.com/youmealbum.1:36 Paul joins the show2:05 When Paul left Columbia Records, his timing couldn't have been more perfect3:00 Paul explains how he made a strong connection with the members of Pink Floyd6:47 Paul talks about why he chose to discuss The Division Bell9:30 Paul views Richard Wright's playing as the most critical part of Pink Floyd's musical identity15:03 Paul cites his four favorite tracks from the album19:09 Al partially agreed with Paul in terms of his favorite tracks27:15 Is it fair to compare a venerable artist's later albums with those that established their reputation?31:25 Al names his four favorite tracks from The Division Bell32:26 Paul discusses the elements that make certain tracks his favorites34:57 It often makes more sense to think about Pink Floyd albums as one cohesive piece instead of as a collection of tracks40:08 Paul talks about the perspective he took when writing about Pink Floyd and other artists in Gliders Over Hollywood42:38 Paul discusses the role Bob Ezrin played as the band's producer44:17 Don Ienner put Paul on the spot over The Division Bell's sales potential45:56 Paul discusses his reaction when he heard the entirety of The Division Bell for the first time46:44 Paul talks about how he got the idea to promote The Division Bell with an airship53:47 Paul recounts the night he played guitar with Pink Floyd for one of their shows1:01:23 Paul talks about the experience of having written Gliders Over Hollywood1:04:15 Are there albums that Paul doesn't know that he wants to get to know?Outro music is from “Let's Roll” by Paul Rappaport.Support the show

This week, we decided to change history by launching into the stratosphere just like Katy Perry and that lady Oprah loves! A new discovery at the pyramids of Giza sends us on a 7-song mission straight to Jupiter. This is another episode guaranteed to be a trippy journey through time and space with our favorite astronauts, Cosmokrauts, and Galactic Jacks! We're talking about space rock people of planet Earth! Join us on another flight to aural galaxies beyond our own! What is it that we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode we explore all things psychedelically spacey. Our hope is that we turn you on to something that was lost on your earthly ears.Songs this week include:Hawkwind – “There Is Still Danger There”from There Is No Space For Us(2025)Cybernetic Witch Cult – “Dark Star” from Spaceous Cretaceous (2016)Galaxy – “Sky Queen” from Day Without The Sun (1976)Silverships – “Nevermore” from Kingdom Of Decay - EP (2024)Astonomie – “Galactic Jack” from Interstellar Nomad (2023)Mos Eisley Spaceport (Mk.I) – “Space Shift” from The Best Of Their Early Year (2020)ZOAHR – “Prisma” from Mosaic (2025)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

In this episode, Ernie C, guitarist and co-founder of Body Count, joins the show to talk about the band's fierce new album Merciless, his 50-year friendship with Ice-T, the legacy of “Cop Killer,” and working with legends like Tony Iommi, David Gilmour, and Brian May. We explore how Ernie and Ice-T formed Body Count in South Central LA, shook the music industry with their raw, political style, and how Ernie's career as a producer led him to work with Black Sabbath on Forbidden. This episode is packed with stories from decades of metal history, from Lollapalooza to Pink Floyd reinterpretations. Listen now and subscribe on your favorite podcast platform. Connect with Metal Mayhem ROC: Website: ⁠https://metalmayhemroc.com⁠ YouTube: ⁠https://www.youtube.com/@metalmayhemroc1851⁠ Facebook Group: ⁠https://www.facebook.com/groups/metalmayhemroc⁠ Instagram: ⁠https://www.instagram.com/metalmayhemroc⁠ Twitter: ⁠https://twitter.com/MetalmayhemROC⁠ Merch Store: ⁠https://metalmayhemroc.etsy.com⁠ Metal Devastation Radio: ⁠https://metaldevastationradio.com⁠ Pantheon Podcasts Network: ⁠http://pantheonpodcasts.com⁠ Follow Ernie C: Instagram: ⁠https://www.instagram.com/ernie4321⁠ Email/Direct Contact: ⁠ernie4321@yahoo.com⁠ (as mentioned in the interview) Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Ernie C, guitarist and co-founder of Body Count, joins the show to talk about the band's fierce new album Merciless, his 50-year friendship with Ice-T, the legacy of “Cop Killer,” and working with legends like Tony Iommi, David Gilmour, and Brian May. We explore how Ernie and Ice-T formed Body Count in South Central LA, shook the music industry with their raw, political style, and how Ernie's career as a producer led him to work with Black Sabbath on Forbidden. This episode is packed with stories from decades of metal history, from Lollapalooza to Pink Floyd reinterpretations. Listen now and subscribe on your favorite podcast platform. Connect with Metal Mayhem ROC: Website: https://metalmayhemroc.com YouTube: https://www.youtube.com/@metalmayhemroc1851 Facebook Group: https://www.facebook.com/groups/metalmayhemroc Instagram: https://www.instagram.com/metalmayhemroc Twitter: https://twitter.com/MetalmayhemROC Merch Store: https://metalmayhemroc.etsy.com Metal Devastation Radio: https://metaldevastationradio.com Pantheon Podcasts Network: http://pantheonpodcasts.com Follow Ernie C: Instagram: https://www.instagram.com/ernie4321 Email/Direct Contact: ernie4321@yahoo.com (as mentioned in the interview)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Lee Harris, the founder and guitarist of the successful band ‘Nick Mason's Saucerful of Secret' was our first interview guest almost two years ago. We had an exciting conversation back then and we knew we wanted to invite him back to our podcast.Now, 25 episodes later, the time has finally come, Lee Harris is back!Together with Phil Salathé, in this episode we talk about Lee's youth, his own career as co-manager and guitarist of the band ‘Ian Dury and the Blockheads' and the musical development of Pink Floyd between the years 1967 and 1972, an era they cover with the 'Saucers'.Lee also gives us a fascinating behind-the-scenes look at the band, describing the conditions under which the songs were chosen and why Echoes came so late in the setlist.Look forward to a lively conversation between two full-blooded musicians and some great and nerdy insights...(On a personal note, to our knowledge Pink Floyd performed 'The Alan's Psychedelic Breakfast' four times during the UK leg of their British Winter Tour in 1970.)

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In a rare intersection of time and space, Ben and David sit down on the same couch in the same living room at the same time to not only watch "Lux", a new episode of Doctor Who, but also to record a podcast on the very same story together. Wow! We talk about animation, RTD's storytelling and handling of 1952 America, Belinda's yellow dress, and breaking the fourth wall and who Davies depicted to represent fandom (replete with good-natured Moffat ribbing). Opening music is from "Make 'em Laugh" by Nacio Herb Brown and Arthur Freed from the 1952 MGM musical Singin' in the Rain and performed by Donald O'Connor. Closing music is "The Girl In The Yellow Dress" by David Gilmour and Polly Sampson off of the 2015 album, Rattle That Lock. We recorded this podcast on 23 April 2025.

In this episode, Somewhere in Time Podcast is joined by friends and previous guests of the podcast, Justin and Landon, to discuss the 1994 album by Pink Floyd, "The Division Bell". There are several clips played throughout the episode, which were pulled from a 1994 interview with David Gilmour, discussing topics such as the meaning of the album, some of the common themes, the writing process, and more. The episode also features a track-by-track breakdown of the album.  Visit Somewhere in Time Podcast's website -https://somewhereintimepodcast.com Follow Somewhere in Time Podcast on Social Media: www.facebook.com/somewhereintimepodcast Instagram - @somewhereintimepodcast TikTok – Somewhere in Time Podcast

Pink Floyd's 'Animals', a lyrically dark, musically dense concept album loosely based on George Orwell's 'Animal Farm', is as eerily precient today as it was when first released in 1977. Rob and this week's guest, Portland, Oregon songwriter and
multi-instrumentalist James Cook (Trashcan Joe, Captain's Audio Project), take a deep dive into this sweepingly nihilistic classic. Songs discussed in this episode: Pigs On The Wing (Pink Floyd Cover) - Chrome; Waiting For The Moon, Really Hard To Find - Captain's Audio Project; Breathe (In The Air) - Pink Floyd; Rise Above - Black Flag; Pigs On The Wing (Part One), Astronomy Domine, Dogs, Shine On You Crazy Diamond, Dogs, Pigs (Three Different Ones), Sheep, Pigs On The Wing (Part Two) - Pink Floyd; A Little Bit Here - Trashcan Joe; Satan Wrote This Song - Captain's Audio Project

Send us a textGuitar prodigy Zack Quintana takes us through his remarkable musical journey, from picking up the guitar at age four to fronting bands by eight years old. With footage showing him shredding Hendrix solos as a child, it's no wonder the podcast host introduces him as "one of the best guitarists I ever met."During this intimate conversation, Quintana reveals the profound impact of Pink Floyd's Dark Side of the Moon on his approach to guitar playing. Rather than focusing on technical prowess, he learned to appreciate David Gilmour's "simple but powerful and tasteful" style where "every note is perfectly placed." This watershed moment coincided with his discovery of synesthesia – a condition that allows him to "hear colors" – making the album particularly significant in his development.The spiritual dimension of Quintana's artistry emerges through his discussion of Ram Dass's "Be Here Now," which helped him navigate the tension between artistic expression and ego-driven validation. "Creating for me is now almost meditative than trying to get a hit record," he explains, offering valuable perspective on maintaining authenticity in an industry often focused on external metrics of success.Live performance holds special significance for Quintana, inspired by the Grateful Dead's legendary Europe '72 recordings. He champions the idea that each performance should be unique, a philosophy that extends to his recording approach – prioritizing live energy even in studio settings. With influences ranging from Hendrix's revolutionary guitar techniques to Prince's commanding stage presence, Quintana continues crafting his distinctive musical identity with new releases on the horizon. Follow Zack on Instagram @ZackQuintanaOfficial and don't miss his upcoming projects – a Valentine's Day single and two albums dropping this spring!Follow My Pop Five: @mypopfive on all platforms We'll see you next time. But until then, what's your Pop Five?

To celebrate the 50th anniversary of the start of the North America tour in 1975, we present a new and exciting episode of the Fingal's Cave podcast.In more than 2 hours we discuss Pink Floyd's so-called transition period between 1974 and 1975, often derided as the band's creative low point.But even though there were many late decisions, sound problems, mishaps and - to be frank - a certain amount of laziness, these three tours, which started in Colmar (France) on 22nd June and ended in Knebworth (UK) on 5th July, offered plenty to talk about. From one of the finest Dark Side of the Moon shows in Bristol to a total disaster in Knebworth, Pink Floyd went through a rollercoaster ride in these 380 days, defining their own future by road-testing new material and setting the stage (no pun intended) with stunning new visuals, including the birth of Mr. Screen.After several weeks of preparation, we are proud to bring you an in-depth chat that even the dedicated Pink Floyd fan will learn something from, we promise!Our yt-channel: https://www.youtube.com/@Fingals_Cave_PodcastMost important shows:1974-06-22 Colmar (tour start)https://www.youtube.com/watch?v=8AFkERLrJQU1974-11-19 Stoke on Trent (British Winter Tour 74 bootleg)https://www.youtube.com/watch?v=7F2-bSdNHTY1974-12-14 Bristol (Best Dark Side Set)https://www.youtube.com/watch?v=nlFm7s-Gypc1975-04-26 Los Angeles (Millard recording)https://www.youtube.com/watch?v=4clpGEnZz0o1975-06-09 Landover (Best ‘75 Dark Side Set)https://www.youtube.com/watch?v=e8iLvc72N1w1975-06-17 Uniondale (Great show)https://www.youtube.com/watch?v=qPzaR1PcUDI1975-06-28 Hamilton (Superb recording)https://www.youtube.com/watch?v=jAR5x2LGHO0Videos:1975-04-27 Los Angeles (8mm)https://www.youtube.com/watch?v=0NYLy9NqlAY1975-06-09 Landover (8mm)https://www.youtube.com/watch?v=pH1mGiSmbRk1975-06-26 Montreal (8mm)https://www.youtube.com/watch?v=Nb7lxh_9eOk1975-06-28 Hamilton (8mm)https://www.youtube.com/watch?v=fSXZMFq_Msk1975-07-05 Knebworth (video)https://www.youtube.com/watch?v=0Oi5BCXeV4A

After releasing one of the most influential albums in history Pink Floyd found itself without its guiding light, Syd Barrett. With new guitarist David Gilmour, the band was tasked with recording a follow-up to The Piper at the Gates of Dawn. In 1968 they released A Saucerful of Secrets which, though it was largely made without Barrett's involvement, so continued in the spirit of what he had started. 

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

The legendary sounds of Pink Floyd's "Another Brick in the Wall (Part 2)" come alive as we explore this revolutionary anthem that dominated airwaves and captivated a generation in 1980. This cultural phenomenon wasn't just a song – it was everywhere, playing in homes, game rooms, and wherever young people gathered to shout "We don't need no education!"Delving into the innovative construction of the track, we unpack how Pink Floyd boldly incorporated a disco beat at a time when the genre was fading, creating something utterly transcendent with David Gilmour's guitar work and that unforgettable children's choir. The conceptual origins of "The Wall" reveal Roger Waters' growing alienation from audiences, which sparked his radical idea to build an actual wall between band and crowd during performances.Our musical journey through March 1980 continues with explorations of Pat Benatar's "Heartbreaker," Van Halen's "Women and Children First" album, The Cure's "A Forest," and Rush's "Spirit of Radio." Each track represents the incredible boundary-pushing innovation happening across music as a new decade dawned.Whether you're rediscovering these classics or hearing these stories for the first time, this episode connects personal memories with musical milestones in ways that will have you reaching for your air guitar – or perhaps practicing your air drums with the proper technique! Join us for this nostalgic yet fresh look at some of rock's most transformative moments.Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!