Podcasts about Goff

Free Agency Day, Real Moves The NFL's free agency window finally turns official at 4:00. The market already feels volatile after a reported Max Crosby deal fell apart on medical review. That backdrop matters for the Detroit Lions. Big names tempt. Medicals and money complicate. The Detroit Lions Podcast zeroed in on what actually changed in Detroit today. Cap Reset: What Goff's Move Signals Jared Goff restructured his contract, converting $40 million of base salary into a signing bonus and adding another void year. The move frees up $32 million in 2026. Detroit was not pinned against the cap, but the team needed room to do anything meaningful. This creates it. The Lions did not max out their options. They could have cleared up to $40 million this year by converting almost the entire salary to bonus. They chose restraint. The contract now runs with a void through 2029, with that final year voided. Cap figures spike in 2028 and 2029, but another adjustment then is expected. The point today is flexibility. Expect measured signings at the same tier we have seen, plus the breathing room to stage extensions for Gibbs, Jack Campbell, Branch, and maybe Sam LaPorta. You need upfront space to absorb signing bonuses without creating a bigger balloon later. Detroit will not do restructures just to admire cap space. There is a purpose coming. No Crosby Splash for Detroit The Crosby situation underlines why. A reported Raiders-Ravens deal is off after Baltimore reviewed his medicals. The Cowboys are said to be out, too. Crosby is a good player. The health flags are real in this market. Given Detroit's recent injury frustrations, passing on that kind of swing makes sense. The hypothetical of sending two first-round picks and then backing out on medicals is a cautionary tale. You lose time. You lose leverage. You invite chaos. Detroit's approach reads like discipline, not hesitation. Depth Chart: Rodriguez and Bridgewater Back While driving home last night, the news hit: the Lions brought back Malcolm Rodriguez and Teddy Bridgewater. Rodriguez's return locks in the top reserve linebacker role. He drew interest from the Houston Texans and some from the Seahawks, but he stays in Detroit. Contract terms were not disclosed. The team still needs another linebacker. Coverage has been a known limitation for Rodriguez, so competition and roles will matter. Bridgewater's return stabilizes the quarterback room behind Goff. Continuity counts in March. It keeps the offense aligned while the front office works the margins on defense and special teams. As free agency formalizes this afternoon, expect the Lions to keep pressing the same smart, steady pace. Cap clarity. Targeted adds. No forced splashes. #detroitlions #lions #detroitlionspodcast #jaredgoffrestructure #nflfreeagency #malcolmrodriguez #teddybridgewater #cademays #isiahpacheco #lionsdraft Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Goff, aka The Historical Gal, brings the Tudors to life, with 100 tales of gowns, gossip, and gory ends!Show NotesElizabeth Goff @TheHistoryGal  @thehistoricalgal@the_historical_gal on InstagramBloody, Brilliant TudorsCarol Ann Lloyd@shakeuphistoryhttps://carolannlloyd.com/ https://patreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin QueenHistory reveals what's possible.Support the showHistory reveals what's possible.

3/11/26 - The Lions finally re-work Goff's contract, Is the collapse on for the Red Wings? Names you always butcher, Did the Ravens pull a fast one?

It's the eve of the new league year, and Goff's contract is still slated to eat up nearly $70-million of the Lions' salary cap

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Are we still living in the same country that told America what to do with its nuclear-powered and nuclear-armed ships? Are we still living in the same country that declared itself a nuclear-free zone? Which had Washington throwing its toys and telling us that it wouldn't be sharing intelligence with us if its ships weren't welcome. But that didn't put us off and the no nukes policy has been in place ever since. That was back in 1984. Fast-forward to 2026 and it is a completely different story. Which is why we've got former foreign affairs minister Phil Goff saying today that Christopher Luxon and Winston Peters are scared of US president Donald Trump. He says the Government's response to US and Israel attacking Iran has been “weak and uncertain”. Which it has. Not only that. Phil Goff is also saying today that New Zealand no longer has the courage to speak freely on international matters. He says the Government knows full well that Donald Trump's claim he was just responding to an imminent threat from Iran is nonsense. Fake news. Phil Goff says the Government also knows full well that the attacks on Iran are illegal. But it's too scared to say so because it's worried about what reaction it might get from, as Goff puts it, a president who is “volatile, unpredictable and vindictive”. He's not getting any argument on the volatile and unpredictable bit from former defence minister Wayne Mapp, who says that's exactly why the Government should be careful what it says. Because Trump is contrary and you never know what he's going to do. Wayne Mapp says: “You do something that really upsets President Trump, you're likely to be slapped with a 10 percent, 20 percent, 30 percent tariff.” And he says the way the Government is handling things protects New Zealand's interests. I disagree. Because, if we want to be an independent, confident country, we have to take a stand on things - just like we did back in the 1980s with the nuclear thing. Christopher Luxon's background as a CEO is his undoing in situations like this. Because chief executives are terrified of chaos. They like to have all their ducks lined-up before they make a decision or before they take a position on something. They are the people who run everything past HR and the legal team because uncertainty is no friend of your chief executive. So, of course, Christopher Luxon is going to say wishy-washy things like New Zealand “acknowledges” the attacks on Iran. Of course, he's going to say it's up to the US and Israel to determine whether the attacks are legal or not, because they're the ones with all the information in front of them. Anyone expecting anything different is dreaming. And, because of that, Phil Goff is right. We are running scared and we have lost the courage to speak freely on international matters. Courage we used to have in spades. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Former CIA Chiefs of Station Ralph Goff and Glenn Corn have spent a lot of time on the ground in Ukraine.  In this State Secrets podcast episode, they share details on what they're seeing there now that isn't making the headlines. Get the raw reporting with Goff and Corn in this special edition of the State Secrets Podcast.

6:00 HOUR: Are you on board with the Lions restructuring Goff's contract? Heather's serial dog pooper

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A personnel-first plan from Detroit's new play-caller Jeff Risdon laid out the biggest takeaway from the new Detroit Lions offensive coordinator's interview: Drew Petzing will build the offense around the players on hand. He said he does not cling to a single philosophy. He adjusts week to week based on personnel and injuries. That mindset hit home. The Detroit Lions need flexible answers, not rigid slogans, in an NFL that punishes sameness. Petzing also values input from defensive coaches. He coached defense earlier in his career and uses that lens to spot tendencies. What are defenses reading from a formation? Which tells need to be broken? That readiness to self-scout should help the Detroit Lions offense stay one step ahead. Fixing what broke in 2025 Last season exposed a costly flaw. When Sam Laporta and Brock Wright went down, the Lions kept rolling out two tight ends and asked backups to do the same jobs. They could not. The staff did not adjust to Graham Glasgow at center instead of Frank Ragnell either. Glasgow has strengths. They are not identical to Ragnell's. That mismatch hurt the offense and it hurt Goff. Petzing's words made clear he will not treat “next man up” as a plan. He will tailor roles to who is actually available. Influences and evidence of adaptability Petzing cited North Turner and Kevin Stefanski as distinct influences. Turner's lineage favors downfield, long-to-short reads paired with a power run game. Stefanski's tree leans to timing, layered route concepts, and pre snap motion. Petzing blends concepts, not labels. That came through in how he explained his Arizona stint. With injuries everywhere, he leaned into 13 personnel. He said they played seven different tight ends, lost their top two running backs, and started 10 to 12 offensive linemen. He adapted to what he had, not what the playbook once assumed. What it means for David Montgomery and two-back looks Talk that Deemo could be on the way out never held up. After hearing Petzing, it sounds even flimsier. Unless David Montgomery wants out, expect him here and featured. Petzing discussed two back sets in practical terms: get the best personnel on the field to attack the situation. His Cleveland experience with varied backfields showed he is comfortable finding value in pairing runners. That matters for the Detroit Lions as they search for efficient answers in short yardage, red zone, and four-minute situations. This Detroit Lions Podcast episode delivered clarity. The coordinator is aligned with what this roster needs: adaptability, self-scouting, and player-driven plans. If actions match the words, the offense will look smarter, faster, and harder to predict. #detroitlions #lions #detroitlionspodcast #drewpetzing #davidmontgomery #jaredgoff #samlaporta #brockwright #detroitlionsjakeslaughternfldraft Learn more about your ad choices. Visit megaphone.fm/adchoices

We were joined by Courtney Goff from Avelo Airlines. She filled us in on the great non-stop flights they're offering to Lakeland for Spring Training, told us what makes Avelo Airlines different, and more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

The cold offseason is here. The Super Bowl sits in the rearview. The Detroit Lions have work to do. Michael Grey cuts straight to it with fellow DLP'r Jeff Risdon: interior pressure wins. The big game dragged more than it dazzled, but it did spotlight roster building truths. Talent needs a plan. When there isn't one, a player and a team both suffer. Defensive structure set the tone. Playoff blueprint: interior pressure rules January The teams that reached the conference championship games ranked one through four in pressures from the defensive line. Interior rush was the separator. Big-name quarterbacks didn't swing it. Units led by Sam Darnold and Drake May advanced because they could rush, squeeze, and dictate. That's the NFL copycat code for 2026. The Lions have bodies who can do it. They delivered too little of it compared to the top groups. Detroit's front must level up The defense needs its edge star to nudge from excellent to takeover. He's been fantastic, but he isn't at the Parsons, Watt, or Garrett tier yet. Help matters. The interior defensive line was disappointing. Allen had one fantastic game on his return, then went quiet. He has to earn his money. There is optimism about Mills, another year removed from the ACL, but it must show up on Sundays. Tully Williams flashed in the final two weeks. Before that he looked a little too big and unsure. Year two should raise the floor and the ceiling. That's the expectation. It has to be reality. 2026 plan: waves inside, smarter bets Seattle's model is the target: waves of interior rushers who can collapse pockets all game. The Lions tried that approach. It hasn't clicked yet. It needs to in 2026 and beyond. The offensive brain trust keeps growing as Dan Campbell collects coaches like Pokemon. That's good. But the pivot is defense. Interior pressure feeds takeaways, hides coverage warts, and turns third downs into punts. Build the room, trim what doesn't fit, and unleash fresh legs in series. Do that, and the Lions turn January from survival to control. That's the job this Goff season. https://www.youtube.com/watch?v=GNokaUW9eXA #detroitlions #lions #detroitlionspodcast #interiorpressure #interiordefensiveline #insiderush #a-gaps #edgeplay #aidanhutchinson #jelanitavai #dancampbell #goffseason #offensivecoaches Learn more about your ad choices. Visit megaphone.fm/adchoices

Travels With Randy Route 66 Episode 4 is here! The California Desert - San Bernardino To Needles Super Bowl and Weather Insights Randy and Bubba discussed the weather in different regions, with Randy noting mild temperatures during his trip despite concerns about winter weather. They shared thoughts on the recent Super Bowl, with Bubba and Randy agreeing that the game was defensively focused and not particularly exciting, while Randy expressed pride as a Rams fan despite the team's loss. They also commented on Super Bowl commercials, with Bubba praising an ad by Anthropic that humorously depicted potential future AI ads, while both agreed that many commercials seemed less impactful than in years past due to high expectations and expensive production costs. Political Sensitivities in Classic Comedies Bubba and Randy discussed the challenges of making classic comedies like "Blazing Saddles" and "Tropic Thunder" today due to political sensitivities. They reflected on how everything seems to have become political, including events like the Super Bowl halftime show, which they miss from the "good old days." Randy shared his perspective on nostalgia, attributing it to aging and a tendency to look back fondly on childhood. They also discussed Randy's extensive documentation of his Route 66 journey, with over 10,000 pictures taken, though only about 40 are shared per post. Route 66's California Transformation The discussion focused on Route 66 in California, whereRandyshared insights about the route's history and current state. He explained that California decommissioned Route 66 in 1965, converting it to County 66, and noted the varying conditions of the road through different regions. Randy highlighted Rancho Cucamonga's efforts to preserve and commemorate Route 66, contrasting it with areas like Fontana and San Bernardino, which have seen decline and transformation into areas with pawn shops, dispensaries, and vacant lots. He also mentioned visiting a Route 66-themed store called Man Cave Collectibles in Fontana. Route 66 Business Threatened Ruby interviewed Grumpy, the owner of Man Cave Collectibles in Fontana, a Route 66 landmark built in 1940. Grumpy expressed concern about the city's plan to widen the street and create a truck lane, which could threaten his business's survival. Ruby shared Grumpy's story and discussed the broader impact of progress on historical Route 66 businesses, noting the decline of smaller towns along the route. Bubba suggested adding a link to Man Cave Collectibles when posting the podcast. Route 66: California's Historical Challenges The discussion focused on Route 66, particularly in California, where they discussed the challenges faced by San Bernardino County due to its large size and limited tax base. They explored the historical significance of Route 66, including the first McDonald's location in San Bernardino, which has been turned into a museum. The conversation also covered the route's alignment with the Cajon Pass and its transition to Interstate 15, with a focus on driving the original road using frontage roads to avoid modern highways. Route 66: Desert Scenery and Ghost Towns The discussion focused on a road trip along Route 66, from Victorville to Barstow. The speaker described the desolate but scenic route, passing through several small towns including ghost towns and a unique attraction called Elmer's Bottle Tree Ranch. They noted that while the area was once bustling during Route 66's heyday in the 1950s, it is now largely deserted, with only a few businesses remaining open. The speaker emphasized the peaceful driving conditions, with minimal traffic and the ability to stop freely along the road. Route 66's Decline and Revival Randy and Bubba discussed the historical Route 66, focusing on the section between Barstow and Needles, California. They talked about the decline of towns along this route due to the shift from steam to diesel trains and the construction of Interstate 40. Randy shared stories about ghost towns and abandoned gas stations, mentioning the Baghdad Cafe and its connection to a German movie. They also discussed the challenges of revitalizing old gas stations and the presence of a well-maintained house in the midst of a ghost town. Route 66 Ghost Encounter Bubba and Randy discussed a mysterious encounter on Route 66 where Randy saw a woman dressed in period clothing pushing a stroller in the middle of the desert. They debated whether the woman was a ghost, noting that she moved out of the road when she heard Randy's van. Randy planned to ask Beth about any known ghost sightings on Route 66, and they also discussed how to identify the correct route by looking for train tracks and power poles. Amboy Motel's Revival and History Randy and Bubba discussed the desolation of Ludlow, a town near Interstate 40, despite its proximity to the highway. They noted the lack of major chain businesses and the decline of Roy's Motel in Amboy, which was revitalized after changing ownership. Randy shared details about the motel's neon sign and its appearance in a Rose Parade segment. They also mentioned an unexpected encounter with a plane landing on a road near the motel, which turned out to be at a historic airstrip in Amboy. Route 66's Forgotten Towns The discussion focused on the history and significance of Amboy, a town in the Mojave Desert that gained fame as a stop on Route 66 before being bypassed in 1931 when the highway was realigned. The conversation revealed that Goff's, a town that was briefly on the original Route 66 from 1926 to 1931, became a ghost town after being bypassed and is now inaccessible due to road conditions. The speakers noted that while Amboy has maintained its celebrity status as a filming location for music videos and movies, the original Route 66 alignment through Goff's is now a forgotten road that cannot be driven. Route 66 Mojave Desert Adventures Bubba and Randy discussed their Route 66 road trip experiences, focusing on the Mojave Desert and Needles, California. Randy shared details about a non-profit ghost town in the Mojave Desert and highlighted the abandoned sections of Route 66 in Needles, suggesting potential business opportunities for ATV rentals. They also discussed the historical significance of the area and recommended a three-day itinerary for travelers, emphasizing the importance of planning stops in places like Kingman, Arizona. Route 66 Exploration Plans Randy and Bubba discussed their upcoming exploration of Route 66, focusing on the longest contiguous stretch in California, which spans 348 miles and takes about 7 hours to drive. Randy shared his experiences visiting historical sites along the route, including Calico Ghost Town and a desert art museum near Amboy, emphasizing the importance of taking time to appreciate the history and stories behind the abandoned places. They also talked about the growing popularity of their Facebook page, which now has 21,000 followers, and Bubba mentioned their plans to start exploring Arizona next week, which covers a vast 400 miles. Enjoy! Come join the conversation on Facebook! https://www.facebook.com/travelswithrandypodcast Have a great idea for the guys?  Want to sponsor us?  Want us to sell something National Park or Route 66 related? Want to be a guest? Want to pay for both of us to go to Alaska? Want me to stop asking questions?   bubba@travelswithrandypodcast.com !!

Segment 1: Tom Gimbel, job expert and founder of LaSalle Network, joins John to talk about the importance of keeping your employees happy. Tom believes that if you hire great people, train them well, and treat them great, your business will be a success. Tom offers some tips for employers to make the work atmosphere great. Segment […]

Seattle's win reframes the path for Detroit Seattle lifted the Lombardi, and the day after on the Detroit Lions Podcast Jeff Risdon laid it out plainly. The Detroit Lions can follow that model. He even circled February 15 next year as a date this city can chase. Seattle went 10-7 in 2024 and missed the playoffs. They moved on from Pete Carroll. They swapped Geno Smith for Sam Darnold, a quarterback with a lower floor but a higher ceiling. Many mocked that decision. Darnold just won the Super Bowl. That matters for the NFL and for the Lions. Jared Goff can do what Darnold did. Goff is better than Darnold. He does not need to be a lottery-ticket quarterback to win. The league's trend line says a really good team that wins in multiple ways can take it all. That is where Detroit lives. What Seattle did, and how Detroit matches it Seattle won with an exceptional defense. They mixed coverages. Jones and the safeties were disciplined. Devon Witherspoon filled a Brian Branch type of role. The Seahawks generated pressure by committee. No single alpha, but several rushers affected the pocket. It looked more like how the Eagles win than how Detroit typically rushes, but the approach travels in January. On offense, Seattle leaned on a power run game. Kenneth Walker was the MVP. His jump-cut and bounce outside when a linebacker filled the gap flipped downs. Jahmyr Gibbs can do that. He already has. A rookie offensive lineman, Dion Grey Campbell, stepped in and helped. If the Lions are healthy, their line is not behind that group. Taylor Decker's health was a problem last year, but the baseline is strong. Jackson Smith-Njigba took home NFL Offensive Player of the Year. He earned it. Is he that much better than Amon-Ra St. Brown? Different styles, same tier of impact. A healthy Sam LaPorta stacks up better than any tight end Seattle put out there. AJ Barnes, the Michigan man, even snared a touchdown. Detroit has that complementary piece in Brock Wright. The checklist to make it real in Detroit The Lions are close, and the NFL is moving toward how they are built. It still requires boxes checked. Injury luck. A very good Jared Goff season. A strong offseason. Brian Branch getting healthy quickly. More versatility in coverage and sustained pass-rush depth so the pressure never fades, even without one headline star. None of this guarantees a parade. But Seattle proved the window is open for teams like these Lions. The path is not theoretical. It is on film, and Detroit has the personnel to walk it. #detroitlions #lions #detroitlionspodcast #seattleseahawks #samdarnold #genosmith #jaredgoff #jalenhurts #brianbranch #jahmyrgibbs #kennethwalker #devonwitherspoon Learn more about your ad choices. Visit megaphone.fm/adchoices

Lions Flavor in a Point-Flooded Pro Bowl Episode 562 of the Detroit Lions Podcast opened with Detroit Lions talk pointed straight at Super Bowl week, but the NFL Pro Bowl stole the first segment. Jeff Risdon flipped over after basketball and landed on a perfect scene: Jared Goff dropping a pass to Amon-Ra St. Brown. The scoreboard was already wild. More than 100 points lit up the broadcast. It felt like 56 to 50 at one point. The pace never slowed. This was not football as we know it. It was flag football. No tackling. No contact. No one even allowed to touch. Yet the hosts liked the energy. Jeff caught the last 35 to 40 minutes and agreed it beat the old 11-on-11 walk-through. Goff wore his hat and looked relaxed. He was clearly having fun. St. Brown moved like it mattered. For Lions fans, seeing that connection on a national stage was the hook that kept the channel right there. What the Hosts Teed Up Next After the quick Pro Bowl review, the rundown hit Detroit-centered questions. Levi Onwuzurike and Paschal came up under the banner of paying the toll. Is the player paying it, or are the Lions paying it? The conversation promised to sort through that. Salary cap talk is coming, and it sounds crazy. The Vikings got a mention as a punchline. Super Bowl choices were on deck, teased as a segment still to come. The aim is clear. Keep the focus on how Detroit Lions decisions intersect with an NFL offseason that is already moving. Tie the Pro Bowl flashes from Goff and St. Brown back into what matters next. Keep the Detroit Lions Podcast locked on the things fans actually need to think about this week. Behind the Mics The show remains the official Detroit Lions podcast for Reddit. Studio upgrades are on the way. Better lights. A new space. A former Cleveland Browns scout is lined up for Monday to talk prospects. The cadence of content is increasing, and the boys are clearly having fun building it. Detroit is front and center this week. The Lions have stars who just showed out in the NFL's showcase, even with flags at their hips. The next steps on cap, depth, and health are the real story. Episode 562 keeps those steps in focus. #detroitlions #lions #detroitlionspodcast #jaredgoff #amon-rast.brown #probowl #flagfootball #nfl #episode562 #jeffrisdon #levionwuzurike #paschal #salarycap #vikings #superbowl #reddit Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of The Jayhawker, Nate Bukaty is joined by University of Kansas Director of Athletics and Vice Chancellor Travis Goff for an in-depth conversation on the evolving landscape of college athletics. Nate and Travis dive into how Kansas has adapted to the rapidly changing world of college sports, from NIL to facility upgrades and long-term vision. The two also discuss the progress of the new broadcast booth, what’s left to complete it, and how it will enhance the fan and media experience moving forward. Finally, Travis shares insight into Kansas’ broader athletic goals—explaining how the university plans to continue elevating its basketball programs while also investing in and supporting success across all Jayhawk sports. The Jayhawker Podcast is presented by the University of Kansas Health System and by Xfinity, get the smartest WiFi only for Xfinity, imagine that!See omnystudio.com/listener for privacy information.

On today’s episode of The Jayhawker, Nate Bukaty is joined by University of Kansas Director of Athletics and Vice Chancellor Travis Goff for an in-depth conversation on the evolving landscape of college athletics. Nate and Travis dive into how Kansas has adapted to the rapidly changing world of college sports, from NIL to facility upgrades and long-term vision. The two also discuss the progress of the new broadcast booth, what’s left to complete it, and how it will enhance the fan and media experience moving forward. Finally, Travis shares insight into Kansas’ broader athletic goals—explaining how the university plans to continue elevating its basketball programs while also investing in and supporting success across all Jayhawk sports. The Jayhawker Podcast is presented by the University of Kansas Health System and by Xfinity, get the smartest WiFi only for Xfinity, imagine that!See omnystudio.com/listener for privacy information.

On this episode of the Detroit Koolaid Cast we talk all things Detroit Lions. DRINK IT INNNNNNNNNNNNNNNNNN!#DetroitKoolaidCast #Lions #Podcast #OnePride@DerekOkrie & @ChopsInTheD on TwitterPodcast Platforms:Apple PodcastsGoogle PodcastsSpotifyBreakerCastboxGoogle Play MusicAnchorOvercastPocket CastsPodBeanRadioPublicStitcherDetroit Koolaid Cast Listener Line 989-272-3484. Please call or text and leave us a message!!Please SUBSCRIBE and leave us a review on iTunes.GO LIONS!!

And Are You Gonna Eat That?

Is Jared Goff's inability to get the Lions to the Super Bowl more of his problem or Brad Holmes'?

The guys have the people join in on their conversation via your ticket texts and calls.

Stoney and Rico take some more of your calls on today's topics.

Five Years After a Franchise Pivot Five years on, the Detroit Lions trade that sent Matthew Stafford to the Rams and brought Jared Goff and draft capital to Detroit still defines the arc of both franchises. The timing mattered. Dan Campbell and Brad Holmes had just arrived. Candidates for those jobs were warned that Stafford might not be a Detroit Lion for long. Stafford had back concerns at the time and no interest in grooming a successor. Detroit's roster had been stripped by the end of the Quinntricia era. The team needed a reset. Stafford wanted to win right away. The deal marked the end of an era and a clean break. Los Angeles sought a quarterback who could maximize Sean McVay's offense. Goff's run there had crested. Detroit accepted Goff and the picks and turned the page. It was bold. It was necessary. It was an NFL trade that changed two locker rooms overnight. Winners on Both Sides, Different Paths Both sides got what they needed. The Rams won a Super Bowl. In year five after the trade, Stafford just won the MVP. The Rams are still playing, with an NFC championship game ahead and a chance at another Super Bowl. That is validation. The Detroit Lions gained, too. Goff's trajectory in Detroit has risen. The offense stabilized. The team culture grew under Campbell and Holmes. The trade created space to build and compete without clinging to a fading timeline. It was not about declaring a single winner. It was about fit and timing, and both teams found theirs. Goff's Detroit Arc by the Numbers The numbers tell the Detroit Lions story. Goff's overall winning percentage dipped slightly from 60% to 58%, but removing the first seasons in each stop makes the rates nearly identical. His first year in Los Angeles included only seven starts. His first Detroit season ended 3-13-1. Since then, the results track closely. Accuracy improved. His completion rate in Detroit is up 4.4 percentage points, from 63.4 to 67.9. The touchdown-to-interception ratio is better. Average yards per attempt is higher. Yards per completion is slightly lower. Yards per game is almost unchanged. The passer rating jump is stark: 91.5 across five Los Angeles seasons to 101.3 across five in Detroit. Goff has authored 15 game-winning drives and 12 fourth quarter comebacks with the Lions. He has made two Pro Bowls in Detroit. He finished sixth in Comeback Player of the Year voting in 2022. In 2024, he received MVP consideration and finished ninth for Offensive Player of the Year. These are concrete gains, not vibes. Five years later, the Detroit Lions are stronger for the reset, and the Rams achieved the immediate payoff they pursued. That is the lasting impact of a blockbuster that reshaped the NFL and still reverberates on the Detroit Lions Podcast. #detroitlions #lions #detroitlionspodcast #matthewstafford #jaredgoff #losangelesrams #dancampbell #bradholmes #seanmcvay #nfcchampionship #game-winningdrives #fourthquartercomebacks #completionpercentage #qbrating #comebackplayeroftheyear #offensiveplayeroftheyear Learn more about your ad choices. Visit megaphone.fm/adchoices

BIG conversations, breaking news, and Detroit sports intel you won't get anywhere else.The Woodward Heavyweights sit down with legendary Dave Birkett to break down one of the most debated decisions in Detroit: why the Detroit Lions chose Drew Petzing over Mike McDaniel—and what it signals about the franchise's direction heading into the 2026 NFL Draft.The crew also dives deep into what truly defines the NFL's elite defenses, breaking down league-wide trends and asking the hard question: are the Lions actually building the same way the contenders are?And in real time, the show flips when breaking news hits—the Detroit Pistons are reportedly shopping Jaden Ivey as the NBA trade deadline approaches. What does it mean, and where could this be heading?

Join me and my guest Jamie Goff, PhD (drjaimegoff.com), founder of The Empathic Leader, LLC. In a world obsessed with productivity and job performance, Jaime brings a refreshing take: Leadership isn't just about what you do -- it's about who you are. She is the author of a new book, The Secure Leader, that sits at the intersection of emotional intelligence and leadership, offering tools to lead from a more grounded, secure place without hustling harder. Dr. Goff's thought leadership has been featured in journals such as the Journal of Feminist Family Therapy and Early Childhood Development and Care, as well as in TD Magazine, the leading publication for talent development professionals. SHOW NOTES SPONSORED BY: Power of You! https://leader.blainebartlett.com/power-of-you Summary In this conversation, Blaine and Jaime Goff explore the intersection of emotional intelligence and leadership, particularly in the healthcare sector. They discuss the challenges leaders face, the importance of self-awareness, and how attachment theory influences leadership styles. Jaime shares her personal journey into leadership development and the insights gained from her experiences, emphasizing the need for leaders to cultivate emotional intelligence to foster engagement and retention within their teams. The discussion also touches on cultural lessons from popular media, illustrating how these narratives can inform leadership practices.   Takeaways Emotional intelligence is crucial for effective leadership. Leaders often face challenges related to span of control. Retention and engagement are key issues in healthcare. Cultural narratives can provide valuable leadership lessons. Attachment theory influences how leaders manage conflict. Self-awareness is essential for personal and professional growth. Leaders can earn security in their relationships with others. Controlling behavior can hinder team flourishing. Emotional intelligence enhances a leader's influence. Everything in nature serves a purpose, including leadership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Spencer Raxter, and Eazy react to Amon-Ra St. Brown saying Detroit Lions fans DON'T KNOW BALL

A new OC with familiar roots The Detroit Lions hired Drew Petzing as offensive coordinator. The hire ties Detroit to the Kevin Stefanski tree and a system built on timing and detail. Petzing coached tight ends in Cleveland in 2020 and 2021. Those Browns made the playoffs and won a playoff game for the first time in more than thirty years. His Cleveland work stands out. Petzing helped turn David Njoku from a talented but inconsistent former first rounder into a much better pro. The improvement started with focus. Route depths got precise. A nine-yard out was nine yards, not seven or ten. The blocking jumped too. Njoku became a Pro Bowl caliber tight end. Harrison Bryant arrived as a glorified big wideout and improved as a blocker and in the finer points of spacing. The common thread was attention to detail. Scheme overlap that fits Detroit Petzing comes from the Stefanski offense that traces back through Minnesota and the Norv Turner and Shanahan Kubiak family of ideas. It is a timing and precision attack. It aims for yards after the catch and hits weak points. It mixes in deep shots from base looks. That is also the foundation Ben Johnson used in Detroit. The language changes, but the structure aligns. In Cleveland, the core pieces were Nick Chubb at running back, Odell Beckham and Jarvis Landry at wide receiver, and Njoku with Bryant at tight end. Baker Mayfield ran the show. The line was strong aside from a sore spot at left tackle. The results were a middle-of-the-pack offense, about fourteenth, that strung together long drives. It was not an all-or-nothing unit. It generated explosives out of its core formations. Landry was a draft comp for Amon-Ra St. Brown. St. Brown is the better athlete now, but the play style echoes. If you frame J-Mo as the OBJ role from that one good Cleveland year before injuries, the parallels are easy to see. Tight ends and 12 personnel on deck The Lions need more help at tight end. The head coach played tight end in the NFL and is a former tight ends coach. He likes 12 personnel, with one back and two tight ends. Petzing's track record with Njoku and Bryant pairs with that preference. Coincidentally, Njoku is a free agent this offseason. Petzing also served as quarterbacks coach in Cleveland in 2022. That matters for Detroit. Jared Goff is different from Baker Mayfield. Goff is more careful, less mobile, and a better decision maker. That profile fits the Stefanski-style approach. Within a familiar NFL framework, the Detroit Lions can carry over what already works and sharpen the edges under their new offensive coordinator. This is a continuity bet with clear intent. https://www.youtube.com/watch?v=TTkpjtwbT84 #detroitlions #lions #detroitlionspodcast #drewpetzing #detroitlionsoffensivecoordinator #kevinstefanskioffense #tightendscoach #davidnjoku #harrisonbryant #12personnel #benjohnson #shanahankubiakstyle #jarvislandry #odellbeckham #nickchubb #bakermayfield #amon-rast.brown #jaredgoff Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Phillip Ramsey as he unveils the philosophy behind the Uncommon Wealth Podcast's 15-minute free consultation, accentuating its purpose of equipping individuals to live an uncommon life. Inspired by Bob Goff's generous approach, Phillip emphasizes the strategy of offering immense value upfront without expecting immediate returns. He also shares insights from his interaction with Goff, shedding light on the importance of intentionality and presence. Discover how this unconventional approach nurtures meaningful connections while exploring the value of pursuing your unique financial journey.

Costa & Jansen get this week's Best Of The Lions started with a conversation about which of all the QBs that made the NFL Playoffs they'd rather have instead of Jared Goff as the Lions QB. Then, Karsch & Anderson discuss how the Lions can improve this offseason, Valenti & Rico react to Aidan Hutchinson's excuses, and much more!

Stoney and Rico take your calls on the Goff question posed by Rico.

Stoney and Rico take more of your calls on which current NFL Playoff QBs you'd take over Jared Goff.

The guys began the third hour with "The Picks". Then, they took a few more of your Goff calls before finishing out the hour with this week's "Who Said It?"

Robinson's Fit and Play-Calling Proof Detroit moved fast on the offensive coordinator search. The Detroit Lions Podcast focused squarely on two NFL names. Zach Robinson interviewed in Allen Park on Thursday morning. He was the Atlanta Falcons offensive coordinator. Atlanta underachieved, but Robinson's work with Bijan Robinson stood out. Bijan piled up almost 2,400 yards from scrimmage this year. Robinson balanced him with Algier. He understands a two-back system. That matters with David Montgomery and Jahmyr Gibbs. Robinson worked with Jared Goff in Los Angeles as an assistant quarterbacks coach. He comes from the McVay tree. That signals continuity for Detroit's offense rather than a reset. He has called plays. He has coached wide receivers, quarterbacks, and tight ends. Atlanta's interior offensive line was strong and often overlooked. Robinson built around that strength. He navigated a season with Michael Penix and Kirk Cousins. Results were better with Cousins. The Lions need that kind of pragmatic design for Jared Goff, who shares a similar athletic profile. Robinson tailored calls to the quarterback. He used motion, spacing, and run-pass balance to keep structure intact and drives on schedule. Kafka's Creative Case Mike Kafka interviewed Wednesday. He just served as the interim head coach of the New York Giants. One game against Detroit still resonates. With Jameis Winston at quarterback, the Giants pushed the Lions to the edge. Kafka leaned into trick plays and gimmicky blocking. He attacked known weaknesses in Detroit's defense. That creativity landed. Kafka trained in the Andy Reid system. There is crossover with McVay concepts. West Coast principles with an aggressive streak match what Ben Johnson often does. Kafka has worked with different quarterback styles. He developed a run game in New York without a good offensive line. He used a power option in Cam Scataboe and paired it with Tyrone Tracy, a capable receiving back. He darn near beat the Lions without Malik Nabers, Jackson Dart, or Cam Scataboe available. That adaptability fits what Detroit needs from an NFL coordinator: answers when pieces are missing, and a plan that highlights Gibbs and Montgomery while keeping Goff comfortable. What Happens Next at Allen Park The building is closed to media. There will be no access until draft time inside the media room. On-field views return at rookie minicamp in May. The timeline is tight, but the process is clear. Detroit is not changing its identity. The Lions are evolving it. Robinson offers continuity with proven play-calling. Kafka brings creative problem solving and opponent-specific attack plans. Both align with how the Detroit Lions want to score and protect the ball. Now it is about selection, fit, and timing as the Detroit Lions and this NFL search move forward. https://www.youtube.com/watch?v=lBvzESu16-8 #detroitlions #lions #detroitlionspodcast #offensivecoordinatorsearch #allenpark #zachrobinson #mikekafka #two-backsystem #jameergibbs #davidmontgomery #jaredgoff #mcvaytreeconcepts #bijanrobinsonusage Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tudors are perhaps our most famous royal dynasty, everyone knows that Henry VIII had six wives and that he had two of them made a head shorter, we all know Lizzie the first loved fashion and spent loads, or did she, was it in fact another queen for whom the term shopaholic would apply? Today, I am pleased to welcome back historian Elizabeth Goff onto the podcast for a discussion based around her very first book, coming out next month, Bloody Brilliant Tudors, 100 tales of gowns, gossip and gory ends. Sadly we can't cover 100 stories, and so I hand picked 20 to discuss, from the surprising role the groom of the stool performed to two of Jane Seymour's ladies in waiting turning up for work in completely the wrong clothes to Elizabeth I stuffing her cheeks with silk, all will be discussed, so settle in for a thoroughly fun jaunt through some of the more random or overlooked parts of our favourite and often bonkers royal dynasty!

This week, I'm sitting down with Lucy Goff, founder of LYMA, to talk about the science of longevity, beauty, and feeling good from the inside out. We get into her deeply personal journey - from a traumatic pregnancy and serious health challenges to building one of the most innovative wellness brands in the world.We talk cold laser technology, aging without fear, motherhood, boundaries, and why investing in yourself isn't vanity - it's survival. This conversation completely shifted how I think about beauty, healing, and what it really means to look (and feel) your best.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Defense flips the script in Chicago Jake Bates drilled the winner as time expired. The Detroit Lions closed the season by sweeping the division winners and silencing Soldier Field. The defense did the heavy lifting. With four of the top five defensive backs out, Kelvin Shepherd leaned into zone. The Lions played cover 4 and mix-and-match zone looks almost exclusively. Chicago expected man coverage. They did not get it. The results were obvious. The Bears were shut out for most of the game. Caleb Williams looked uncomfortable. Route timing frayed. Aidan Hutchison generated steady pressure. Ty Lake Williams delivered his best game of the season. The linebackers had shaky moments in coverage, and Colson Loveland stacked production, but the structure held. It took about three quarters before Chicago adjusted. By then, the tone was set. Goff, St. Brown, and a patched right side The Bears' radio booth did not expect Jared Goff to move as much as he did. On the tape, the pocket work was efficient, not frantic. The bigger story was protection. Penei was ruled out on Friday. Chris Hubbard stepped in at right tackle and faced Montez Sweat. Hubbard had not played all season. He responded with a clean, composed performance that stabilized the edge. Inside, the much maligned interior offensive line delivered its best pass protection in a long time. It was not perfect. Goff had to flee a couple of snaps and had a few passes batted. But the plan matched the protection. Reads were on time. Matchups were targeted. Amon-Ra St. Brown roasted C.J. Gardner-Johnson throughout. Wherever that matchup appeared, the ball followed. North–south runs and the kick that ended it The run game stayed on schedule with quick hitters. No wasted lateral stretch calls. David Montgomery and Jahmyr Gibbs got north and south with decisiveness. Cutback lanes opened and were used. That rhythm mattered late. It set up the final drive that put Bates on the field with the game on his foot. He delivered. The kick split the uprights as the clock hit zero. The Detroit Lions walked out of Chicago with a victory, a sweep of the division winners, and momentum from a plan that fit the personnel. In an NFL season defined by attrition, the Lions adapted, defended space, and found answers at critical positions. From the rival airwaves Pre-game on Chicago radio centered on the Bears, their playoff paths, and even some delight at the Packers getting blasted by the Vikings. Those same voices were stunned when Detroit never played man coverage. They noted the late Chicago adjustment and also flagged Goff's pocket movement. Next week brings Bears vs. Packers. This week belongs to Detroit. #detroitlions #lions #detroitlionspodcast #jakebates #aidanhutchisonpressure #chrishubbardrighttackle #peneiruledoutfriday #montezsweatmatchup #zonecoveragecover4 #kelvinshepherddefensivecoordinator #calebwilliamsuncomfortable #amon-rast.brownvscjgardner-johnson #jaredgoffmovement #interioroffensivelinepassprotection #north-southrungame #montyandgibbscutbacklanes #nomancoveragesurprise #game-winningfieldgoalastimeexpired Learn more about your ad choices. Visit megaphone.fm/adchoices

Detroit Lions vs Chicago Bears Post Game Show: Closing the 2025 Season at Soldier Field A Familiar Rivalry to End a Frustrating Year The Detroit Lions closed the 2025 NFL season on the road at Soldier Field against the Chicago Bears, a setting that has a way of sharpening emotions regardless of records or standings. This finale came with a different weight. Detroit entered the final week knowing the season had fallen short of expectations, and this game became less about playoff math and more about accountability, pride, and clarity heading into the offseason. On our post game show, we will focus on what this final performance says about the Lions as a whole. Was there urgency from the opening drive, or did the game reflect a team still searching for consistency? Division games against Chicago are never meaningless, and the Bears had plenty of motivation to play spoiler while evaluating their own future pieces. A major lens for this discussion will be Jared Goff. As the quarterback and the face of the offense, Goff's play in this game will spark conversation regardless of the outcome. Did he command the offense cleanly? Was the passing game efficient and decisive? Did Detroit finish drives or settle for missed opportunities that defined much of the season? These questions frame the larger evaluation of where the Lions go next. What We Will Break Down on the Post Game Show Tonight's Detroit Lions post game show will unpack the Detroit Lions vs Chicago Bears matchup through several key themes: Offensive execution: How well did Detroit move the ball and sustain drives? Were the Lions balanced, or did the offense struggle with familiar issues in protection and timing? Quarterback performance: Goff's decision making, accuracy, and leadership will be a central topic. This game offers one last data point before offseason conversations begin. Defensive effort: Did the Lions play with physicality and discipline against a Bears offense that thrives on mistakes? How well did Detroit handle third downs and red zone situations? Coaching and game management: End of season games often reveal philosophy. We will discuss play calling tendencies, in game adjustments, and whether Detroit showed signs of cohesion or fatigue. Young players and evaluation: Late season games are about the future as much as the present. Which players used this opportunity to make a case for bigger roles next year? Listener Calls and Detroit Lions Reaction As always, the most important part of the post game show is hearing from the fans. We will open the phone lines and take listener calls to capture the full Detroit Lions reaction to this season finale. Was this game a positive step toward resetting expectations, or did it reinforce frustrations that have lingered all year? The tone of this show will reflect a fan base processing a season that promised more than it delivered. There will be honest discussion, measured analysis, and space for emotion. That is what the final week is for. Join us for the Detroit Lions vs Chicago Bears Post Game Show as we close out the 2025 season, break down the final performance, and start the conversation about what must change for Detroit to take the next step forward. https://www.youtube.com/watch?v=dKiy24mVwPY Get yourself a Classic Detroit t-shirt here! Don't miss our great merch selection in the Detroit Lions Podcast store. Looking for the relief that CBD products can bring? Click here: https://bit.ly/2XzawlG Get your Lions Gear at: https://bit.ly/2Ooo5Px As an Amazon Associate we earn from qualifying purchases made here: https://amzn.to/36e2ZfD Donate Direct at: https://bit.ly/2qnEtFj Join the Patreon Crew at: https://bit.ly/2bgQgyj #DetroitLions, #Lions, #DetroitLionsPodcast, #OnePride, #LionsBears, #NFLWeek18, #JaredGoff, #SoldierField, #LionsFootball, #DetroitVsEverybody Learn more about your ad choices. Visit megaphone.fm/adchoices

Week 2 Rerun, January Jolt The Detroit Lions Podcast opened with a shot of adrenaline from September. The NFL Network replayed the Week 2 demolition of the Chicago Bears. Detroit 52, Chicago 21. Jared Goff threw for 334 yards and five touchdowns with zero interceptions. Jahmyr Gibbs ripped 94 yards on the ground. David Montgomery added 57. Jameson Williams cleared 100 receiving yards and turned short catches into three touchdowns under 15 yards. The defense took the ball away twice and rang up four sacks. Tyson Bagent mopped up in garbage time. Jack Campbell flashed. Aidan Hutchinson collected a pair. Brian Branch made plays. It felt like a statement. After a flat Week 1 in Green Bay, that win reset the temperature on the season. For a minute, Detroit sat atop NFL power polls and looked like the class of the NFC. That broadcast stung a little. It reminded everyone what this roster looked like at full strength and how quickly it turned. Promise met attrition. Confidence met slippage on both sides of the ball. The Week 2 tape is still proof of concept. It is also a measuring stick for what has been lost. From Firepower to Triage The current injury sheet is brutal. Alex Anzalone is out with a concussion after a failed midweek push. Penei Sewell is out. Alim McNeill is out with an abdominal injury. Kerby Joseph is out. Brian Branch is out. Sam LaPorta is out. S C.J. Moore's replacement depth has thinned, and even “Harper” snaps matter now because the room is down three safeties. Avonte Maddox will play, but the secondary is patched together. Up front, the tackle plan is a guess. Giovanni Manu was not activated. Miles Frazier could be forced into a spot. Dan Skipper likely logs heavy work. Maybe “Yode” slides outside. Taylor Decker is fighting through it and has earned the benefit of the doubt. None of that stabilizes protection. It raises a real question about whether Goff should finish the season finale behind a compromised line. The idea of Kyle Allen getting meaningful snaps has merit. It is evaluation and preservation rolled into one. Season Finale Math The finale arrives tomorrow with little on the line for the Detroit Lions in the NFL standings. The Bears, the team Detroit roasted in September, have since won the division and are chasing the two seed. They get Green Bay next week. That development colors the mood. Detroit once ran away from Chicago. Now the roster is a shell of that September juggernaut. The calculus is simple. Health over hollow pride. Avoid new long-term injuries to Goff, Montgomery, Gibbs, Amon-Ra St. Brown, and anyone already managing pain. Every sprain and strain now steals offseason recovery time. There is value in a winning record. There is much more value in a healthy spring. Use the finale to protect core pieces, test depth, and get out clean. The Week 2 blowout still matters. It shows what the Detroit Lions can be when whole. The job now is to make sure the next chance to look like that arrives with the roster intact. https://www.youtube.com/watch?v=RvnuoB40it8 #detroitlions #lions #detroitlionspodcast #offensiveline #injuries #schedule #draft #quarterback #jaredgoff #taylordecker #offensivelineinjuries #offensivelinedepth #quarterbackplay Learn more about your ad choices. Visit megaphone.fm/adchoices

FOX Sports Radio hosts Rob Parker and Kerry Rhodes are in for Colin, and the guys debate whether Miami (FL)’s upset win over Ohio State was actually bad for college football, discuss how college football can take back Saturdays in December from the NFL, and tell us if the Detroit Lions should explore dumping quarterback Jared Goff. Plus, Big Ten Network analyst Yogi Roth swings by to discuss all the biggest headlines around the College Football Playoff.See omnystudio.com/listener for privacy information.

Valenti kicked off today's show with a conversation about Jared Goff, which stemmed from some supportive comments from Dan Campbell about his QB. He wondered if Goff is good enough to take the Lions to the Super Bowl and if we should be comfortable with him being the QB long-term. Mike pivoted briefly to give his two cents on Michigan's hiring of Kyle Whittingham before returning to the Goff talk to wrap today's show.

Valenti wonders how Jared Goff can become the answer at quarterback for the Lions.

Mike reacts to your ticket texts and takes your calls on Jared Goff and Dan Campbell's comments on him.

Valenti spent the second hour with more thoughts and calls on today's Jared Goff conversation.

Mike opened the show reacting to some comments from Dan Campbell regarding the future of Jared Goff as the QB of the Lions. He shared his thoughts on whether Goff could lead Detroit to a Super Bowl before he and producer Corbin previewed each game of the CFP slate this week.

Should Brad Holmes start considering a new quarterback for Detroit? How many good years does Goff have left in him? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Rob and Kelvin tell us why the Detroit Lions should consider moving on from quarterback Jared Goff, and explain why the Kansas City Chiefs need to nudge Travis Kelce into retirement this offseason. Plus, former NFL quarterback and FOX Sports Radio NFL analyst Shaun King swings by to discuss the Maxx Crosby conundrum in Las Vegas, his dark horse Super Bowl picks coming out of the AFC and the NFC, the ugly truth about Goff, and much more!See omnystudio.com/listener for privacy information.