Podcast appearances and mentions of Elisabeth Vincentelli

Elisabeth Vincentelli examined the 1992 greatest hits collection ABBA Gold for the music criticism book series 33 1/3. We discuss the book, our respective relationships with ABBA, and marvel at the band's influence on pop music 50 years after their Eurovision win. ABBA Gold Summary What is your relationship with ABBA? (2:53) ABBA Gold (1992) (7:30) 33 1/3: ABBA Gold by Elisabeth Vincentelli (10:04) Subscribe The EuroWhat? Podcast is available wherever you get your podcasts. Find your podcast app to subscribe here (https://www.eurowhat.com/subscribe). Comments, questions, and episode topic suggestions are always welcome. You can shoot us an email (mailto:eurowhatpodcast@gmail.com) or reach out on Bluesky @eurowhat.bsky.social (https://bsky.app/profile/eurowhat.bsky.social). Malmö 2024 Stay up to date on everything happening in the leadup to the Eurovision Song Contest on our page dedicated to Malmö 2024 (https://www.eurowhat.com/2024-malmo). You can keep tabs on the countries, artists, and songs, set your laundry folding schedule with our EuroWhat's On calendar, and futz with your Spotify algorithm with our Selection Season playlist (https://eurowhat.com/selection-season)! Join the EuroWhat AV Club! If you would like to help financially support the show, we are hosting the EuroWhat AV Club over on Patreon! We have a slew of bonus episodes with deep dives on Eurovision-adjacent topics.

Episode 99: It's Only Life After All Hiya gays! Happy Pride! Today Alicia and Sarah talk about the very great 2023 documentary film It's Only Life After All, about none other than musical icons The Indigo Girls. This doc is so full of interesting things! It's the first 2+ hour movie Sarah has enjoyed in years. Enjoy! Further reading: It's Only Life After All Wikipedia page NYT Review by Elisabeth Vincentelli

durée : 00:58:48 - Une saison à Broadway - par : Laurent Valière - A quelques heures de la cérémonie des Tony Awards, les Oscar du Théâtre américain, tour d'horizon des comédies musicales cette saison à l'affiche à Broadway en compagnie de Elisabeth Vincentelli, critique théâtre au New York Times. - réalisé par : Céline Parfenoff

Today on Too Opinionated we talk with Succession's Zoe Winters! Zoë is familiar to New York theatre audiences from her performances in WHITE NOISE at THE PUBLIC, THE LAST MATCH at ROUNDABOUT, THE HARVEST at LCT3/Lincoln Center Theater, Ars Nova's production of SMALL MOUTH SOUNDS at the Signature Theatre about which The New Yorker wrote "...the phenomenal Zoë Winters...plays her anguish from the inside," New York Theatre Workshop's RED SPEEDO, Lincoln Center's SHOWS FOR DAYS, MUCH ADO ABOUT NOTHING at The Public Theater's Shakespeare in the Park, Soho Rep's Obie Award winning AN OCTOROON and NYTW's production of Caryl Churchill's LOVE AND INFORMATION at The Minetta Lane, for which she received rave reviews. Time Out declared "Winters...is one to watch out for - zesty, zany and vibrant, she completely reinvents herself with each new character. Give that gal a romantic comedy or an old-fashioned farce." In the New York Times, Elisabeth Vincentelli wrote: "Give this girl a vehicle already! Zoe is also known for her roles in Hunters, The Good Fight and Madame Secretary! Want to watch: YouTube Meisterkhan Pod Check out the Website: Meisterkhan.com  

April 6 is known as “ABBA Day.” We reflect on the legacy and impact of the Swedish pop sensation known for hits such as, “Lay All Your Love On Me,” “Dancing Queen” and “Mamma Mia” with culture writer and ABBA expert Elisabeth Vincentelli. We also take your calls.

Peter Marks and Elisabeth Vincentelli gather one more time to remember their recently departed co-host, Terry Teachout.

Peter Marks and Elisabeth Vincentelli gather one more time to remember their recently departed co-host, Terry Teachout.

Creativity Will Find a Way with Dan AmboyerActor Dan Amboyer joins us today to talk about being a parent to a toddler (creativity in action!), getting back into work after the pandemic shut down, and the challenges and discoveries during his first time directing. We also talk about how putting boundaries around creative projects can increase the creative problem solving, and support self-care as well. Join us as we discuss:- Dan's background and current projects [00:58]- What it was like directing his first theatre production, Whirlwind [4:37]- A story about scenic challenges with Whirlwind , and what Dan discovered as an artist [6:17]- How adding boundaries to creative projects, especially time constraints, increases creativity and problem solving and helps support self-care [13:07]- Ways to reach Dan and a more about his current work on the Netflix series Uncoupled  [16:22]Guest Bio: Dan was raised just outside Detroit, Michigan. He grew up loving all things animals, art and nature. He spent his high school years attending arts boarding school Interlochen Arts Academy in the majestic woods of Northern Michigan, and then headed to steely Pittsburgh to attend Carnegie Mellon University's renown School of Drama. Dan graduated with honors and dual degrees in Acting & Music Theatre.Dan has performed with esteemed theatre companies both in NYC and around the US, including The Old Globe, The Shakespeare Theater, Utah Shakespeare Festival and many Off-Broadway companies. His film & TV experiences have afforded him the opportunity to experience adventures around the world.Fun career highlights include performing Shakespeare's The Tempest opposite Christopher Walken as his scene partner, living a royal fantasy as HRH Prince William while filming William & Catherine in an actual European palace, and as a young actor, surviving several memorable evenings whilst thrown onstage last minute to perform as an understudy without a lick of rehearsal—and he'll tell you the tales, if you bring the whiskey.Dan just recently made his directorial debut with the new play Whirlwind at The Wild Project, which The New Yorker's Elisabeth Vincentelli called a “quick witted” and “delightful 80 minutes.” He is currently developing several projects as both a writer and director.He resides in Brooklyn, NY along with his menagerie of animals, plants, loving spouse and newborn son, Theodore.Connect with Dan:Website: https://www.danamboyer.com/Linktr.ee: https://linktr.ee/danamboyerInstagram: https://www.instagram.com/danamboyer/Facebook: https://www.facebook.com/damboyerTwitter: https://twitter.com/danamboyerConnect with Story and HorseFacebook: @storyandhorseInstagram: @storyandhorse Support the show (https://www.buymeacoffee.com/storyandhorse)

A conversation about his legacy, his engagements with pop music and whether he has any true inheritors. Guests: Jesse Green and Elisabeth Vincentelli.

E9: Standing in Front of a BoyE9.3: CassandraEmma and Chloe confront the ghosts of pretty boys past, in this episode where they look at white masculinity in the 1990s and its legacy. They explore the careers of Leonardo DiCaprio and Hugh Grant, and how their careers and reputations have survived into the present while others’ didn’t. They also consider the ‘grunge’ movement, and how claims for the dissolution of the boundaries between men and women, despite some success, also left many women behind.LinksJames Hibberd, “Vanilla Ice throwing Fourth of July concert: 'We didn't have coronavirus' in the '90s,” Entertainment Weekly, 1 July 2020, https://ew.com/music/vanilla-ice-4th-of-july-concert-coronavirus/?utm_campaign=entertainmentweekly_entertainmentweekly&utm_content=new&utm_medium=social&utm_source=twitter.com&utm_term=5efd1c86621aa70001d0241aAlan Riding, “Why 'Titanic' Conquered the World,” The New York Times, 26 April 1998, https://www.nytimes.com/1998/04/26/movies/why-titanic-conquered-the-world.htmlTatiana Siegel, “"His Brand Is Excellence": How Leonardo DiCaprio Became Hollywood's Last Movie Star,” Hollywood Reporter, 22 July 2019, https://www.hollywoodreporter.com/features/how-leonardo-dicaprio-became-hollywoods-last-movie-star-1225416Jason Rodrigues, “Hugh Grant arrested with sex worker 20 years ago,” The Guardian, 26 June 2015, https://www.theguardian.com/film/from-the-archive-blog/2015/jun/26/hugh-grant-arrest-prostitute-divine-brown-20-1995#_=_Darragh McManus, “Just 20 years on, grunge seems like ancient history,” The Guardian, 1 November 2008, https://www.theguardian.com/music/musicblog/2008/oct/31/grungeChioma Nnadi, “Why Kurt Cobain Was One of the Most Influential Style Icons of Our Times,” Vouge, 8 April 2014, https://www.vogue.com/article/kurt-cobain-legacy-of-grunge-in-fashionDouble J, “The 50 most important female artists of the 90s,” ABC Online, 16 June 2017, https://www.abc.net.au/doublej/music-reads/features/the-50-most-important-female-artists-of-the-90s/10267896Allison Yarrow, “How the ’90s Tricked Women Into Thinking They’d Gained Gender Equality,” Time, 13 June 2018, https://time.com/5310256/90s-gender-equality-progress/Evelynn McDonnell and Elisabeth Vincentelli, “Riot Grrrl United Feminism and Punk. Here’s an Essential Listening Guide,” The New York Times, 6 May 2019, https://www.nytimes.com/interactive/2019/05/03/arts/music/riot-grrrl-playlist.htmlEl Hunt, “A brief history of Riot Grrrl – the space-reclaiming 90s punk movement,” NME, 27 August 2019, https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166Hugh Grant on The Tonight Show with Jay Leno, 1995, NBC Studios & NBC ProductionsWayne’s World, 1992 Paramount PicturesTitanic, 1997 Paramount Pictures, 20th Century Fox and Lightstorm Entertainment

E9: Standing in Front of a BoyE9.2 Oopsy DaisyEmma and Chloe confront the ghosts of pretty boys past, in this episode where they look at white masculinity in the 1990s and its legacy. They explore the careers of Leonardo DiCaprio and Hugh Grant, and how their careers and reputations have survived into the present while others’ didn’t. They also consider the ‘grunge’ movement, and how claims for the dissolution of the boundaries between men and women, despite some success, also left many women behind.LinksJames Hibberd, “Vanilla Ice throwing Fourth of July concert: 'We didn't have coronavirus' in the '90s,” Entertainment Weekly, 1 July 2020, https://ew.com/music/vanilla-ice-4th-of-july-concert-coronavirus/?utm_campaign=entertainmentweekly_entertainmentweekly&utm_content=new&utm_medium=social&utm_source=twitter.com&utm_term=5efd1c86621aa70001d0241aAlan Riding, “Why 'Titanic' Conquered the World,” The New York Times, 26 April 1998, https://www.nytimes.com/1998/04/26/movies/why-titanic-conquered-the-world.htmlTatiana Siegel, “"His Brand Is Excellence": How Leonardo DiCaprio Became Hollywood's Last Movie Star,” Hollywood Reporter, 22 July 2019, https://www.hollywoodreporter.com/features/how-leonardo-dicaprio-became-hollywoods-last-movie-star-1225416Jason Rodrigues, “Hugh Grant arrested with sex worker 20 years ago,” The Guardian, 26 June 2015, https://www.theguardian.com/film/from-the-archive-blog/2015/jun/26/hugh-grant-arrest-prostitute-divine-brown-20-1995#_=_Darragh McManus, “Just 20 years on, grunge seems like ancient history,” The Guardian, 1 November 2008, https://www.theguardian.com/music/musicblog/2008/oct/31/grungeChioma Nnadi, “Why Kurt Cobain Was One of the Most Influential Style Icons of Our Times,” Vouge, 8 April 2014, https://www.vogue.com/article/kurt-cobain-legacy-of-grunge-in-fashionDouble J, “The 50 most important female artists of the 90s,” ABC Online, 16 June 2017, https://www.abc.net.au/doublej/music-reads/features/the-50-most-important-female-artists-of-the-90s/10267896Allison Yarrow, “How the ’90s Tricked Women Into Thinking They’d Gained Gender Equality,” Time, 13 June 2018, https://time.com/5310256/90s-gender-equality-progress/Evelynn McDonnell and Elisabeth Vincentelli, “Riot Grrrl United Feminism and Punk. Here’s an Essential Listening Guide,” The New York Times, 6 May 2019, https://www.nytimes.com/interactive/2019/05/03/arts/music/riot-grrrl-playlist.htmlEl Hunt, “A brief history of Riot Grrrl – the space-reclaiming 90s punk movement,” NME, 27 August 2019, https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166Hugh Grant on The Tonight Show with Jay Leno, 1995, NBC Studios & NBC ProductionsWayne’s World, 1992 Paramount PicturesTitanic, 1997 Paramount Pictures, 20th Century Fox and Lightstorm Entertainment

E9: Standing in Front of a BoyE9.1 My Heart Will Go OnEmma and Chloe confront the ghosts of pretty boys past, in this episode where they look at white masculinity in the 1990s and its legacy. They explore the careers of Leonardo DiCaprio and Hugh Grant, and how their careers and reputations have survived into the present while others’ didn’t. They also consider the ‘grunge’ movement, and how claims for the dissolution of the boundaries between men and women, despite some success, also left many women behind.LinksJames Hibberd, “Vanilla Ice throwing Fourth of July concert: 'We didn't have coronavirus' in the '90s,” Entertainment Weekly, 1 July 2020, https://ew.com/music/vanilla-ice-4th-of-july-concert-coronavirus/?utm_campaign=entertainmentweekly_entertainmentweekly&utm_content=new&utm_medium=social&utm_source=twitter.com&utm_term=5efd1c86621aa70001d0241aAlan Riding, “Why 'Titanic' Conquered the World,” The New York Times, 26 April 1998, https://www.nytimes.com/1998/04/26/movies/why-titanic-conquered-the-world.htmlTatiana Siegel, “"His Brand Is Excellence": How Leonardo DiCaprio Became Hollywood's Last Movie Star,” Hollywood Reporter, 22 July 2019, https://www.hollywoodreporter.com/features/how-leonardo-dicaprio-became-hollywoods-last-movie-star-1225416Jason Rodrigues, “Hugh Grant arrested with sex worker 20 years ago,” The Guardian, 26 June 2015, https://www.theguardian.com/film/from-the-archive-blog/2015/jun/26/hugh-grant-arrest-prostitute-divine-brown-20-1995#_=_Darragh McManus, “Just 20 years on, grunge seems like ancient history,” The Guardian, 1 November 2008, https://www.theguardian.com/music/musicblog/2008/oct/31/grungeChioma Nnadi, “Why Kurt Cobain Was One of the Most Influential Style Icons of Our Times,” Vouge, 8 April 2014, https://www.vogue.com/article/kurt-cobain-legacy-of-grunge-in-fashionDouble J, “The 50 most important female artists of the 90s,” ABC Online, 16 June 2017, https://www.abc.net.au/doublej/music-reads/features/the-50-most-important-female-artists-of-the-90s/10267896Allison Yarrow, “How the ’90s Tricked Women Into Thinking They’d Gained Gender Equality,” Time, 13 June 2018, https://time.com/5310256/90s-gender-equality-progress/Evelynn McDonnell and Elisabeth Vincentelli, “Riot Grrrl United Feminism and Punk. Here’s an Essential Listening Guide,” The New York Times, 6 May 2019, https://www.nytimes.com/interactive/2019/05/03/arts/music/riot-grrrl-playlist.htmlEl Hunt, “A brief history of Riot Grrrl – the space-reclaiming 90s punk movement,” NME, 27 August 2019, https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166Hugh Grant on The Tonight Show with Jay Leno, 1995, NBC Studios & NBC ProductionsWayne’s World, 1992 Paramount PicturesTitanic, 1997 Paramount Pictures, 20th Century Fox and Lightstorm Entertainment

A movement of punk-powered feminism that began in the early 1990s has a fresh urgency in 2019. Guests: Evelyn McDonnell, Elisabeth Vincentelli and Caryn Ganz

Den 21 januari 2017 samlades hundratusentals kvinnor i och utanför USA för att protestera mot den nye presidenten Donald Trump. I den här tredje delen av "Trumpifierad musik" möter vi några av dem. Lyssna på alla avsnitt i Sveriges Radio Play. Vi möter några av dem som idag driver den konstnärliga aktivismen på scener i Washington och New York: teaterchefen Molly Smith från Arena Stage i Washington, pjäsförfattaren Christina Ham, tonsättaren Mizzy Mazzoli, New York Times kritiker Elisabeth Vincentelli, Broadway-aktriserna Taylor Iman Jones och Jennifer Sanchez samt musikern Jessie Paris Smith. Programmet är en repris från den 21 januari 2018. En P2 Dokumentär av Sofia Nyblom/produktionsbolaget Munck.

Den 21 januari 2017 samlades hundratusentals kvinnor i och utanför USA för att protestera mot den nye presidenten Donald Trump. I den här tredje delen av "Trumpifierad musik" möter vi några av dem. Vi möter några av dem som idag driver den konstnärliga aktivismen på scener i Washington och New York: teaterchefen Molly Smith från Arena Stage i Washington, pjäsförfattaren Christina Ham, tonsättaren Mizzy Mazzoli, New York Times kritiker Elisabeth Vincentelli, Broadway-aktriserna Taylor Iman Jones och Jennifer Sanchez samt musikern Jessie Paris Smith. Programmet är en repris från den 21 januari 2018. En P2 Dokumentär av Sofia Nyblom/produktionsbolaget Munck.

Esteemed Theater Talk regulars Jesse Green, Michael Musto, Patrick Pacheco and Elisabeth Vincentelli gather with co-hosts Adam Feldman and Susan Haskins to predict who will win the coveted 2018 TONY Awards and why.

Adam Feldman, Michael Musto, Elisabeth Vincentelli and Patrick Pacheco plus co-hosts Jesse Green and Susan Haskins discuss the upcoming spring season on Broadway, including "Harry Potter..." “Angels in America” “Mean Girls" "Carousel" and "My Fair Lady."

Den 21 januari 2017 samlades hundratusentals kvinnor i och utanför USA för att protestera mot den nye presidenten Donald Trump. I den här tredje delen av "Trumpifierad musik" möter vi några av dem. Lyssna på alla avsnitt i Sveriges Radio Play. Bland demonstranterna fanns artisten Madonna som uppmanade till revolution, och protesternas svallvågor ledde så småningom till #metoo-uppropet. I den här delen möter vi några av de kvinnor som fortsatt att marschera och som idag driver den konstnärliga aktivismen på scener i Washington och New York: teaterchefen Molly Smith från Arena Stage i Washington, pjäsförfattaren Christina Ham, tonsättaren Mizzy Mazzoli, New York Times kritiker Elisabeth Vincentelli, Broadway-aktriserna Taylor Iman Jones och Jennifer Sanchez samt musikern Jessie Paris Smith. Kulturjournalisten Sofia Nyblom har rest från kust till kust och lyssnat av soundtracket till Trumps oroliga och splittrade USA och studerat hur det nya presidentskapet märks i landets musikliv och vad musiker och kulturarbetare säger om sin nye president. En P2 Dokumentär av Sofia Nyblom/produktionsbolaget Munck.

Den 21 januari 2017 samlades hundratusentals kvinnor i och utanför USA för att protestera mot den nye presidenten Donald Trump. I den här tredje delen av "Trumpifierad musik" möter vi några av dem. Bland demonstranterna fanns artisten Madonna som uppmanade till revolution, och protesternas svallvågor ledde så småningom till #metoo-uppropet. I den här delen möter vi några av de kvinnor som fortsatt att marschera och som idag driver den konstnärliga aktivismen på scener i Washington och New York: teaterchefen Molly Smith från Arena Stage i Washington, pjäsförfattaren Christina Ham, tonsättaren Mizzy Mazzoli, New York Times kritiker Elisabeth Vincentelli, Broadway-aktriserna Taylor Iman Jones och Jennifer Sanchez samt musikern Jessie Paris Smith. Kulturjournalisten Sofia Nyblom har rest från kust till kust och lyssnat av soundtracket till Trumps oroliga och splittrade USA och studerat hur det nya presidentskapet märks i landets musikliv och vad musiker och kulturarbetare säger om sin nye president. En P2 Dokumentär av Sofia Nyblom/produktionsbolaget Munck.

Theater critics Joe Dziemianowicz (NY Daily News), Adam Feldman (Time Out New York) and Elisabeth Vincentelli (3 on The Aisle) review new shows of the 2017 fall season with co-hosts Jesse Green (The New York Times) and producer Susan Haskins.

On this week's podcast, Terry Teachout wrote a play! Can Peter Marks and Elisabeth Vincentelli review it? Plus, an interview with director of the moment Lila Neugebauer.

Theater critics Jesse Green, Linda Winer and Elisabeth Vincentelli review the fall season, plus, Bryce Pinkham and Lora Lee Gayer from HOLIDAY INN bring us a "White Christmas," accompanied by Justin Hornback on piano.

Critics Ben Brantley of The New York Times, Peter Marks of The Washington Post and Elisabeth Vincentelli of the New York Post review new Broadway productions, including Shuffle Along, Waitress, Long Day's Journey into Night, The Crucible and Blackbird.

Theater Talk's panel of experts, Jesse Green, “New York” magazine; Michael Musto, “Musto! The Musical!” at Out.com; Patrick Pacheco, ArtInfo.com;” and Elisabeth Vincentelli, “New York Post,” forsee 2015 Tony winners with humor in our clip-laden Special.

Actresses Elizabeth Ashley and Julie Halston drop by to discuss their roles in the hit "You Can't Take It With You." Next, Lydia DesRoche escorts Toby, the rat from "The Incident of the Dog" joined by Elisabeth Vincentelli, a Toby fan.

Charles Isherwood of “The New York Times,” Jesse Green of “New York” Magazine and Elisabeth Vincentelli of the “New York Post” review significant new Broadway productions.

40 years of ABBA! "ABBA Gold" author Elisabeth Vincentelli and Eurovision expert John Kennedy O'Connor speak with Jim and Greg on the 40th anniversary of the sequined Swedes' breakthrough and Eurovision victory.

Theater Talk has critics Jesse Green of "New York Magazine," Charles Isherwood of "The New York Times," and Elisabeth Vincentelli of the "New York Post" reviewing the fall 2013 season productions, on and off Broadway, that have piqued their interest.

From the pages of newspapers to tweets, blogs, chat rooms and twitter, the role of the theatre critic has been changing. Guests Lisa Fung, Charles Isherwood, Peter Marks and Elisabeth Vincentelli, along with moderator Patrick Pacheco, discuss how social media has impacted their work, their influence, and the world of theatre.

Theater Talk welcomes critics Scott Brown of New York Magazine, Elisabeth Vincentelli of the New York Post, and Charles Isherwood of The New York Times to review new shows of the Fall 2012 season.

Critics Scott Brown, Jacques le Sourd, David Richardson, and Elisabeth Vincentelli evaluate the current Broadway season. Among the shows they discuss are: The Gershwins' Porgy and Bess, On A Clear Day You Can See Forever, The Road to Mecca and Seminar.

Our panel of New York drama critics reviews Broadway shows from the spring, 2011 season. It includes: Adam Feldman of Time Out, Jacques le Sourd of WCBS Radio, Terry Teachout of The Wall Street Journal and Elisabeth Vincentelli of the New York Post.

Reviews of recent Broadway productions by critics Joe Dziemianowicz of “The Daily News,” Charles Isherwood of “The NY Times,” John Simon of Bloomberg News and Elisabeth Vincentelli of the “NY Post.” Also, a Tony Awards red carpet report from AndrewAndrew.

Playwright Lynn Nottage and actress Saidah Arrika Ekulona discuss Nottage's critically-acclaimed drama, “Ruined,” about brutality towards women in the war-torn Republic of The Congo. Also, reviews from critic Elisabeth Vincentelli of the “New York Post.”