Podcasts about On a Clear Day You Can See Forever

Today, I'm thrilled to announce my interview with Tony-winning director Michael Mayer, whose musical SWEPT AWAY is playing on Broadway through December 15th. Tune in to hear some of the stories of his legendary career, including the process of bringing SWEPT AWAY to Broadway, how Howard Ashman inspired his revival of LITTLE SHOP OF HORRORS, working with new faces on SPRING AWAKENING and AMERICAN IDIOT, how Giulietta Massina inspired his take on FUNNY GIRL, working with Charles Schulz on YOU'RE A GOOD MAN, CHARLIE BROWN, directing MARNIE and GROUNDED at the Metropolitan Opera, the process of reviving ON A CLEAR DAY YOU CAN SEE FOREVER, a last-minute switch with UNCLE VANYA, working with Arthur Miller on AFTER THE FALL and A VIEW FROM THE BRIDGE, his current work on GALILEO, and so much more. You won't want to miss this in-depth conversation with one of Broadway's best directors. 

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    The Films of Agnes Varda Susan Oxtoby and Agnes Varda in Berkeley, November 2013. Photo: Mariana Lopez courtesy BAMPFA. Susan Oxtoby, Director of Film and Senior Film Curator at Berkeley Art Museum and Pacific Film Archive (BAMPFA), discusses the current retrospective of the films of the great Belgian-French film maker Agnes Varda (1928-2019) with host Richard Wolinsky. Agnes Varda began her career as a stills photographer and became a director with La Point Courte (1954), having seen very few films in her life. She went on to international fame with Cleo from 5 to 7 and Vagabond, but her late life films The Beaches of Agnes and Faces, Places established her as one of the most important directors of the modern era. All the films discussed in this interview (except the new documentary Viva Varda!) are available to stream on the Criterion app, save for Faces, Places, which can be streamed on Kanopy. Cleo from 5 to 7 can also be streamed on Max.   ​​​​​Burton Lane, Broadway and Hollywood composer and sometime lyricist, in conversation with Richard Wolinsky, April 1992 in New York, second of two parts. Burton Lane, who died at the age of 84 in 1997, was best known for composing the scores for the hit Broadway shows Finian's Rainbow (with E.Y. (Yip) Harburg) and On A Clear Day You Can See Forever (with Alan J. Lerner). As a teenager, he was considered a protégé of George Gershwin, and was close to the Gershwin family until he moved to Los Angeles to compose songs for a variety of different musicals, including the Fred Astaire film, Royal Wedding . His other Broadway show, Carmelina, was produced in 1979. The Gershwin Project Interview I: English Strunsky, Ira Gershwin's brother-in-law and George's wingman in the 1920s. Interview II: Musicologist Deena Rosenberg and Michael Strunsky, Ira Gershwin's nephew. Interview III: Kitty Carlisle. Interview IV: Michael Feinstein. Interview V: Burton Lane   Review of “The 39 Steps” at San Francisco Playhouse through April 20, 2024.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  The Last Days of Judas Iscariot by Steven Adly Guirgis, May 4, 7 pm, Marin Shakespeare Company, San Rafael. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  Kristina Wong Sweatshop Overlord, March 30 – May 5, 2024, Strand Theater. A Strange Loop, April 18 – May 12, Toni Rembe Theater. Aurora Theatre  Blue Door by Tanya Barfield, April 19 – May 19. Streaming:  March 14-19. Awesome Theatre Company. Awesome High: A Sketch Comedy Play, directed by Nikki Menez,  April 12-27, Eclectic Box, 446 Valencia, SF. Berkeley Rep The Far Country by Lloyd Suh, March 8 – April 14, Peets Theatre. Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, May 5 – June 10, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming schedule. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Haispray, April 16-21, Orpheum. See website for special events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). Terrapin Roadshow, June 1-2; As You Like it, September 12 – 29. Center Rep: The Great Leap by Lauren Yee. March 16 – April 7. Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Boss McGreedy, written and directed by Gary Graves, extended to April 7. Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. Shipwrecked! April 12 – 28. Club Fugazi. Dear San Francisco ongoing. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: See website for upcoming one-night only live events, including the Unscripted series with various celebrities. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming productions. 42nd Street Moon. Forever Plaid, April 18 – May 5, 2024. Golden Thread  VOD: What Do Women Say? March 12 – 29. Returning to Haifa by Ghassan Kanafani, April 12 – May 4, Potrero Stage. Hillbarn Theatre: once,  March 21 – April 7. Something Rotten, April 25 – May 12. Lorraine Hansberry Theatre. (NO MORE) adjustments: A Black Queer Woman Evolves in Real Time, written and performed by Champagne Hughes, May 1-5, 2024. Fort Mason. Magic Theatre. Riding the Currents of the Wilding Wind by Martha Gonzalez and Virginia Grise, April 18-21. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Torch Song by Harvey Fierstein, May 9 – June 2, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Unpacking in P'Town by Jewelle Gomez, March 1 – 31. The Tutor by Torange Yeghiazarian, April 5 – May 12. Oakland Theater Project.  Cost of Living by Martyna Majek, March 1-30, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. In Repertory: The Chinese Lady by Lloyd Suh; Love Letters by A.R. Gurney. April 19 – May 20. Presidio Theatre. SFArtsED Players' The Little Mermaid April 5-7. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The 39 Steps, March 7 – April 20. SFBATCO See website for upcoming streaming and in- theater shows. Sign My Name to Freedom: The Unheard Songs of Betty Reid Soskin, March 29 – April 13. San Jose Stage Company: Hangmen by Martin McDonagh. Regional premiere. April 3 – 28. Shotgun Players.  A Midsummer Night's Dream by William Shakespeare. March 15 – April 14. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Pride of Lions, by Roger Q. Mason, March 28 – April 21. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Queen by Madhuri Shekar, March 8 -31, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – March 28, 2024: The Films of Agnes Varda – Burton Lane Part Two appeared first on KPFA.

Peter and Nathan watched this movie so you don't have to! It's time for a deep cut... We're talking about the 1970 film version of Alan Jay Lerner and Burton Lane's very strange musical, On A Clear Day You Can See Forever – a show about a psychiatrist with terrible boundaries.   We talk about: ESP: Is there a meaningful distinction between extrasensory perception and Christian conceptions of spirituality and prayer? Reincarnation: We talk about the case of Bridey Murphy, the 19th-century Irishwoman who was purportedly reincarnated as a 20th century American housewife. What are we supposed to believe about the afterlife? Grief: So many conversations about the afterlife happen in the context of death & grief. Does profound grief open us up to alternate conceptions of the universe in a way that can be helpful – or is that simply our emotions talking? Clothes: Always the clothes. The Cecil Beaton gowns! The turbans! Be still, our hearts! You'll hear: Yves Montand, Barbra Streisand and the cast of the film singing "Come Back To Me," "Love With All The Trimmings" and "On A Clear Day You Can See Forever" as well as the Peddlers' version of the film's title song.   Continue the conversation with us on Instagram and The Platform Formerly Known as Twitter (@gospelofmt).

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    ​​​​​Burton Lane, Broadway and Hollywood composer and sometime lyricist, in conversation with Richard Wolinsky, April 1992 in New York. Burton Lane, who died at the age of 84 in 1997, was best known for composing the scores for the hit Broadway shows Finian's Rainbow (with E.Y. (Yip) Harburg) and On A Clear Day You Can See Forever (with Alan J. Lerner). As a teenager, he was considered a protégé of George Gershwin, and was close to the Gershwin family until he moved to Los Angeles to compose songs for a variety of different musicals, including the Fred Astaire film, Royal Wedding . His other Broadway show, Carmelina, was produced in 1979. In 1992, after creating a radio documentary about Leonard Bernstein, Richard Wolinsky embarked on another documentary on the life and music of George Gershwin, which started with a Morning Concert program featuring Ira Gershwin's nephew Michael Strunsky and Gershwin expert Deena Rosenberg. That was followed followed with interviews with Michael's father English Strunsky, with Ira Gershwin's archivist, later a noted cabaret performer, Michael Feinstein, and New York Grande Dame Kitty Carlisle, who dated George Gershwin in the 1930s. This interview as the fifth of seven interviews, after which for personal reasons, the project was abandoned. Special thanks to Ernie Harburg, son of Burton Lane's lyricist E.Y. Yip Harburg, and to Gershwin historian Deena Rosenberg Harburg for their assistance in setting up this, and the other interviews in the Gershwin Project. George Gershwin was born in 1898 and his brother Ira two years earlier. At the age of 15 he took a job as a song-plugger, playing other people's songs on a piano for Remick Music Publisher for the sale of their sheet music. His first composed song was published when he was 17, and at 21 he scored his first big hit, Swanee. But it wasn't until 1924 when he teamed up with his brother Ira as lyricist that George Gershwin became, what we might call a superstar, which he remained until his untimely death from a brain tumor in 1937. Ira Gershwin, who went on to work with other composers until he retired in the early 1960s, died in 1983. The Gershwin Project Interview I: English Strunsky, Ira Gershwin's brother-in-law and George's wingman in the 1920s. Interview II: Musicologist Deena Rosenberg and Michael Strunsky, Ira Gershwin's nephew. Interview III: Kitty Carlisle. Interview IV: Michael Feinstein.   Review of “The Far Country” at Berkeley Rep Peets Theatre through April 14, 2024.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  The Last Days of Judas Iscariot by Steven Adly Guirgis, May 4, 7 pm, Marin Shakespeare Company, San Rafael. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  Kristina Wong Sweatshop Overlord, March 30 – May 5, 2024, Strand Theater. A Strange Loop, April 18 – May 12, Toni Rembe Theater. Aurora Theatre  Blue Door by Tanya Barfield, April 19 – May 19. Streaming:  March 14-19. Awesome Theatre Company. Awesome High: A Sketch Comedy Play, directed by Nikki Menez,  April 12-27, Eclectic Box, 446 Valencia, SF. Berkeley Rep The Far Country by Lloyd Suh, March 8 – April 14, Peets Theatre. Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, May 5 – June 10, Roda Theatre. Berkeley Shakespeare Company. Cymbeline, adapted and directed by Stuart Bousel, May 10 – 26, Live Oak Theatre. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Haispray, April 16-21, Orpheum. See website for special events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Mean Girls, March 19-24. California Shakespeare Theatre (Cal Shakes). Terrapin Roadshow, June 1-2; As You Like it, September 12 – 29. Center Rep: The Great Leap by Lauren Yee. March 16 – April 7. Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Boss McGreedy, written and directed by Gary Graves, extended to April 7. Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. Shipwrecked! April 12 – 28. Club Fugazi. Dear San Francisco ongoing. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: See website for upcoming one-night only live events, including the Unscripted series with various celebrities. Custom Made Theatre. In hibernation. Cutting Ball Theatre. The Soul Never Dwells in a Dry Place by Rotimi Agbabiaka, March 22 – 24. 42nd Street Moon. Forever Plaid, April 18 – May 5, 2024. Golden Thread  VOD: What Do Women Say? March 12 – 29. Returning to Haifa by Ghassan Kanafani, April 12 – May 4, Potrero Stage. Hillbarn Theatre: once,  March 21 – April 7. Something Rotten, April 25 – May 12. Lorraine Hansberry Theatre. (NO MORE) adjustments: A Black Queer Woman Evolves in Real Time, written and performed by Champagne Hughes, May 1-5, 2024. Fort Mason. Magic Theatre. Dirty White Teslas Make Me Sad by Ashley Smiley, February 28 – March 24 (extended three performances). Marin Theatre Company Torch Song by Harvey Fierstein, May 9 – June 2, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Unpacking in P'Town by Jewelle Gomez, March 1 – 31. The Tutor by Torange Yeghiazarian, April 5 – May 12. Oakland Theater Project.  Cost of Living by Martyna Majek, March 1-30, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. In Repertory: The Chinese Lady by Lloyd Suh; Love Letters by A.R. Gurney. April 19 – May 20. Presidio Theatre. See website for schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The 39 Steps, March 7 – April 20.. SFBATCO See website for upcoming streaming and in- theater shows. Sign My Name to Freedom: The Unheard Songs of Betty Reid Soskin, March 29 – April 13. San Jose Stage Company: Hangmen by Martin McDonagh. Regional premiere. April 3 – 28. Shotgun Players.  A Midsummer Night's Dream by William Shakespeare. March 15 – April 14. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Pride of Lions, by Roger Q. Mason, March 28 – April 21. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Queen by Madhuri Shekar, March 8 -31, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – March 21, 2024: Burton Lane (1912-1997) appeared first on KPFA.

​​​​​Burton Lane, Broadway and Hollywood composer and sometime lyricist, in conversation with Richard Wolinsky, April 1992 in New York. Burton Lane, who died at the age of 84 in 1997, was best known for composing the scores for the hit Broadway shows Finian's Rainbow (with E.Y. (Yip) Harburg) and On A Clear Day You Can See Forever (with Alan J. Lerner). As a teenager, he was considered a protégé of George Gershwin, and was close to the Gershwin family until he moved to Los Angeles to compose songs for a variety of different musicals, including the Fred Astaire film, Royal Wedding . His other Broadway show, Carmelina, was produced in 1979. In 1992, after creating a radio documentary about Leonard Bernstein,Richard Wolinsky embarked on another documentary on the life and music of George Gershwin, which started with a Morning Concert program featuring Ira Gershwin's nephew Michael Strunsky and Gershwin expert Deena Rosenberg. That was followed followed with interviews with Michael's father English Strunsky, with Ira Gershwin's archivist, later a noted cabaret performer, Michael Feinstein, and New York Grande Dame Kitty Carlisle, who dated George Gershwin in the 1930s. This interview as the fifth of seven interviews, after which for personal reasons, the project was abandoned. Burton Lane's dreams of a new Broadway show never reached fruition, and he died at the age of 84 five years after the interview. However, three songs he wrote for the film version of On A Clear Day that were cut for the original Broadway production found their way into a revival in 2011, which had a very short run but which is performed in regional theaters from time to time. Special thanks to Ernie Harburg, son of Burton Lane's lyricist E.Y. Yip Harburg, and to Gershwin historian Deena Rosenberg Harburg for their assistance in setting up this, and the other interviews in the Gershwin Project. George Gershwin was born in 1898 and his brother Ira two years earlier. At the age of 15 he took a job as a song-plugger, playing other people's songs on a piano for Remick Music Publisher for the sale of their sheet music. His first composed song was published when he was 17, and at 21 he scored his first big hit, Swanee. But it wasn't until 1924 when he teamed up with his brother Ira as lyricist that George Gershwin became, what we might call a superstar, which he remained until his untimely death from a brain tumor in 1937. Ira Gershwin, who went on to work with other composers until he retired in the early 1960s, died in 1983. The Gershwin Project Interview I: English Strunsky, Ira Gershwin's brother-in-law and George's wingman in the 1920s. Interview II: Musicologist Deena Rosenberg and Michael Strunsky, Ira Gershwin's nephew. Interview III: Kitty Carlisle. Interview IV: Michael Feinstein. The post The Gershwin Project V: Burton Lane, 1992 appeared first on KPFA.

EPISODE 16 - “Beginner's Luck” - 01/01/2024 To win an Oscar sometimes takes decades of hard work and dedication to your craft — just ask PAUL NEWMAN, GERALDINE PAGE, and JESSICA TANDY. In fact, when Newman finally won the Oscar in 1987 for “The Color of Money,” after being nominated six times previously, he didn't even bother to show up to the ceremony. “It's like chasing a beautiful woman for 80 years,” he told the Associated Press. “Finally, she relents and you say, ‘I'm terribly sorry. I'm tired.'” However, there is a small group of actors who didn't have to chase that beautiful Oscar for 80 years. They won for their very first film. This week we take a look at this rarified group. SHOW NOTES:  Sources: Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin's Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars/Movies Mentioned:    GALE SONDERGAARD — The Wizard of Oz (1939), Anthony Adverse (1936), The Mark Of Zorro (1940), The Letter (1940), Sherlock Holmes and the Spider Woman (1943), The King of Siam (1946); KATINA PAXINOU — For Whom The Bell Tolls (1943), Mourning Becomes Electra (1947); HAROLD RUSSELL — The Best Years of Our Lives (1946), Inside Moves (1980); MERCEDES McCAMBRIDGE — All The King's Men (1949), Lightning Strikes Twice (1951), Johnny Guitar (1954), Giant (1956), Touch Of Evil (1958), The Exorcist (1973); SHIRLEY BOOTH — Come Back Little Sheet (1952), About Mrs. Leslie (1954); EVA MARIE SAINT — On The Waterfront (1955), A Hatful of Rain (1957), Raintree County (1957), North By Northwest (1959); JO VAN FLEET — East of Eden (1955), The Rose Tattoo (1955), I'll Cry Tomorrow (1955), Four Queens and a King (1956), Gunfight At The Okay Corral (1957), Wild River (1960), Cool Hand Luke (1967); JULIE ANDREWS — Mary Poppins (1964), The Sound Of Music (1965), Thoroughly Modern Millie (1967), Darling Lil (1970), The Pink Panther (1967), The Pink Panther Strikes Again (1976), 10 (1979), Victor/Victoria (1982);   BARBRA STREISAND — Funny Girl (1968), Hello Dolly (1969), On A Clear Day You Can See Forever (1970), The Owl and the Pussycat (1970); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

From December 9th-17th, North Carolina Theatre will be presenting ELF THE MUSICAL at A.J. Fletcher Opera Theatre, which is located inside the Martin Marietta Center for the Performing Arts. I had the great pleasure of interviewing actor Sean Allan Krill, who will be taking on the role of Walter Hobbs. He has appeared on Broadway in MAMMA MIA!, ON A CLEAR DAY YOU CAN SEE FOREVER, HONEYMOON IN VEGAS, JAGGED LITTLE PILL, and PARADE. Some of his TV credits include episodes of MR. ROBOT, THE BLACKLIST, GODFATHER OF HARLEM, BLUE BLOODS, and DOPESICK. Be sure to catch North Carolina Theatre's production of ELF THE MUSICAL from December 9th-17th. For more information, please visit: www.nctheatre.com/event/elf-the-musical/ Follow Sean Allan Krill at www.seanallankrill.com and on Instagram: @seanallankrill If you love this show, please leave us a review. Go to ⁠⁠⁠⁠RateThisPodcast.com/karereviewspodcast⁠⁠⁠⁠ and follow the simple instructions. Follow Kare Reviews at ⁠⁠⁠⁠www.karereviews.net⁠⁠⁠⁠ and on Twitter:⁠⁠⁠⁠ @KareReviews⁠⁠⁠⁠ Follow Jeffrey Kare on Twitter:⁠⁠⁠⁠ @JeffreyKare⁠⁠⁠⁠ If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. ⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Google⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Pocket Casts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠RadioPublic --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support

Jessie Mueller has starred on Broadway in WAITRESS, THE MYSTERY OF EDWIN DROOD, CAROUSEL, ON A CLEAR DAY YOU CAN SEE FOREVER and won a Tony Award for her work in BEAUTIFUL:THE CAROLE KING MUSICAL. In this episode, Jessie discusses her venture into songwriting and how it makes her feel more vulnerable than acting. She shares her experience growing up in a family of professional actors and the importance of empathy in storytelling.   LINKS: VOTE FOR STAGES PODCAST The Four Agreements Neuro Gum Stages Listeners Strip Make for Stages ListenersSupport the show: http://www.stagespodcast.netSee omnystudio.com/listener for privacy information.

With her many awards and nominations, it's safe to say that Jessie Mueller is one of the most talented actors of today. She gets real as she shares what it's like getting a Tony nomination for her Broadway debut and dealing with imposter syndrome. Moving to New York for “On A Clear Day You Can See Forever” was a big move for Jessie and when the show closed, she was faced with the dilemma of staying or moving back to Chicago. Ultimately, with the support of her family and partner, Jessie decided to stay and continue to pursue a career in acting. Originating the role of someone as iconic as Carole King, Jessie recalls her audition process and how she got the role, her experience doing the show, and the pros and cons of doing press appearances. Co-starring in a brand new concept album, “My Heart Says Go”, she looks back on how it all started and why Matt Hawkins chose to make an album. She also opens up about growing up in a family of actors, using her privilege to help other people, and always performing little acts of kindness (because they do matter!).    Jessie Mueller is an actress and singer who won a Tony award for her lead role as Carole King in the 2014 production of “Beautiful: The Carole King Musical”. She has three additional Tony Award nominations for her roles in “Waitress”, the 2018 Revival of “Carousel”, and “On A Clear Day You Can See Forever”. She's a Grammy Award Winner, Drama Desk Award winner, Theatre World Award honoree, and made her feature film debut in Stephen Spielberg's movie, “The Post”. She has appeared in many TV shows, including “Blue Bloods”, “Madam Secretary”, “Candy”, and is a series regular on the Netflix Children's “Centaurworld”. She's now co-starring in a brand new concept album, “My Heart Says Go” alongside Javier Munoz. Connect with Jessie: Listen to “My Heart Says Go” Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Created and hosted by Cavan Hendron, The Bradshaw Effect breaks down and discusses how the ideal Carrie Bradshaw lifestyle from Sex and the City isn't always the reality of living in the concrete jungle of New York City. In this episode, Cavan sits down with the incredible Patrick O'Neill to discuss his journey and career in the Broadway/theatre industry, the power of reaching out, and his advice for those continuing to brave the business. About Patrick: Patrick was last represented on Broadway as the Associate Choreographer of Andrew Lloyd Webber's hit musical School of Rock, which he also staged in Sydney, Melbourne, and Seoul. He currently serves as the Associate Choreographer on the Broadway-bound musical The Heart of Rock and Roll, celebrating the music of Huey Lewis, and on Ever After, a musical adaptation of the 1998 film. As a director, he is currently developing and co-writing Vacancy, a story that sheds light on the life of Norman Bates from Alfred Hitchcock's ‘Psycho' and the new American play ‘Life, Liberty' starring Anupam Kher. He serves as the choreographer of Radio 930, a new musical centered around a group of young rebels in East Germany who used banned western rock music to bring about the fall of the Berlin Wall. In 2022, he will direct the London premiere of On The Edge, a new musical from composer Sam Hall. As an Assistant Choreographer, he developed Barry Manilow's Harmony for Center Theatre Group in Los Angeles and The Alliance Theatre in Atlanta, The Nutty Professor with Jerry Lewis and Marvin Hamlisch, and the Broadway revival of On A Clear Day You Can See Forever starring Harry Connick, Jr and Jessie Mueller. He has staged concerts for Tony Award winner Kelli O'Hara with the Boston Pops and for Mario Cantone on ABC's “The View” celebrating Barbara Walters and opening the show's 14th Season. As a teacher, he has served on staff for Britney Spears' and Usher's performing arts intensives. Keep Up With Patrick! Website:⁠ https://patrickoneill.me/

Our guest today is the “Beautiful” actor, and we mean that literally and figuratively, Jessie Mueller! Jessie starred in Beautiful, the Carole King musical and won the Tony Award for her performance. Jessie also has been nominated for a Tony for the leading roles in Waitress, Carousel and On A Clear Day You Can See Forever. Her body of work is breathtaking and inspiring. As impressive as her acting career is, her social activism is equally as impressive. Jessie supports art education, LGBTQ+ rights, anti-gun violence, women's rights, Broadway Cares and the Entertainment Community Fund.  In this episode, Jesse joins the podcast along with Anika Larsen, a Tony Award Nominee and a climate devotee, to talk about the environment during Earth Month. This is part of the series, called The United Nations Global Goals where we talk about tackling the world's “to do” list to make our planet a better place.  Learn more about about the worthy causes discussed in this episode and how you can donate and/or help: GlobalGoals.org BroadwayGreen.com/ BPN.fm/SaveThePlanet Learn more about composting: EPA: epa.gov/recycle/composting-home NYC.gov: nyc.gov/assets/dsny/site/services/food-scraps-and-yard-waste-page/composting-residents-organics Wirecutter: nytimes.com/wirecutter/guides/how-to-start-composting/ Connect with Jessie Mueller: Instagram: @jessiermueller Connect with The Broadway Gives Back Podcast: Facebook: @broadwaygivesbackpodcast Instagram: @broadwaygivesbackpodcast Twitter: @broadwaygives Hosted & Executive Produced by Jan Svendsen. A proud member of the Broadway Podcast Network. Special thanks to Dori Berinstein, Alan Seales, and Kimberlee Garris from BPN; Julian Hills from The Bulldog Agency; and Eric Becker from Broderick Street Music. Learn more about your ad choices. Visit megaphone.fm/adchoices

A long, long time ago, there was this Barbara Streisand musical about past lives, psychic powers and runaway plant growth. It had the clunky title ON A CLEAR DAY YOU CAN SEE FOREVER, and we (and no one else for the last four decades) watched it! This week's recommendations: Kahmeela is all in on VIOLENT NIGHT. Sean saw AVA2AR again, also likes TILL. Robin loved THE WOMAN KING and has a story about DUAL.

The conclusion of a four-part program featuring Broadway composer Burton Lane, known for such celebrated shows as FINIAN'S RAINBOW and ON A CLEAR DAY YOU CAN SEE FOREVER, along with songs for over thirty films including ROYAL WEDDING and BABES IN ARMS. Lane recounts his early songwriting efforts in Hollywood with Frank Loesser and Harold Adamson, Broadway collaborations with E.Y. “Yip” Harburg and Alan Jay Lerner, writing songs for Fred Astaire, and discovering a young Judy Garland.   Featured songs: “Give A Girl A Break,” “It Happens Every Time,” “On A Clear Day You Can See Forever,” “Come Back To Me,” “Hurry! It's Lovely Up Here!” “One More Walk Around The Garden,” and “How Are Things In Glocca Morra?”   Originally produced and broadcast in 1981. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

The third of a four-part program featuring Broadway composer Burton Lane, known for such celebrated shows as FINIAN'S RAINBOW and ON A CLEAR DAY YOU CAN SEE FOREVER, along with songs for over thirty films including ROYAL WEDDING and BABES IN ARMS. Lane recounts his early songwriting efforts in Hollywood with Frank Loesser and Harold Adamson, Broadway collaborations with E.Y. “Yip” Harburg and Alan Jay Lerner, writing songs for Fred Astaire, and discovering a young Judy Garland.   Featured songs: “Overture from ON A CLEAR DAY YOU CAN SEE FOREVER,” “Look To The Rainbow,” “When The Idle Poor Become The Idle Rich,” “Old Devil Moon,” “Where Have I Seen Your Face Before?” “Too Late Now,” “You're All The World To Me,” and “How Could You Believe Me When I Said I Loved You When You Know I've Been A Liar All My Life?”   Originally produced and broadcast in 1981. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

The second of a four-part program featuring Broadway composer Burton Lane, known for such celebrated shows as FINIAN'S RAINBOW and ON A CLEAR DAY YOU CAN SEE FOREVER, along with songs for over thirty films including ROYAL WEDDING and BABES IN ARMS. Lane recounts his early songwriting efforts in Hollywood with Frank Loesser and Harold Adamson, Broadway collaborations with E.Y. “Yip” Harburg and Alan Jay Lerner, writing songs for Fred Astaire, and discovering a young Judy Garland.   Featured songs: “Says My Heart,” “How About You?” “Anything Can Happen In New York,” “Chin Up, Cheerio, Carry On,” “Poor You,” “Don't Let It Get You Down,” “The World Is In My Arms,” and “How Are Things In Glocca Morra?”   Originally produced and broadcast in 1981. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first of a four-part program featuring Broadway composer Burton Lane, known for such celebrated shows as FINIAN'S RAINBOW and ON A CLEAR DAY YOU CAN SEE FOREVER, along with songs for over thirty films including ROYAL WEDDING and BABES IN ARMS. Lane recounts his early songwriting efforts in Hollywood with Frank Loesser and Harold Adamson, Broadway collaborations with E.Y. “Yip” Harburg and Alan Jay Lerner, writing songs for Fred Astaire, and discovering a young Judy Garland. Featured songs: “Overture from FINIAN'S RAINBOW,” “Something Sort Of Grandish,” “Out In The Open Air,” “Forget All Your Books,” “Everything I Have Is Yours,” “How'dya Like To Love Me,” “The Lady's In Love With You,” “I Hear Music,” and “Dancing On A Dime.” Originally produced and broadcast in 1981. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kitty Carlisle Hart (1910-2007), in conversation with Richard Wolinsky, recorded by phone. This interview has never been heard via radio or podcast. Created for an unfinished radio documentary on the life of George Gershwin, this interview was the final of seven interviews recorded for the program before it was abandoned, recorded in 2001 or 2002. Best known for a long stint as panelist on a popular television quiz show, To Tell the Truth, from 1956 to 1978, with cameos in a handful of films late in life, Kitty Carlisle was born in 1910 and died in 2007.  She came of age as an opera singer and Broadway performer, moving to Hollywood for a handful of  films, including the Marx Brothers A Night at the Opera. She dated George Gershwin from 1933 until he moved to Hollywood six months before his death. After that, she married playwright Moss Hart, a marriage that lasted until his early death in 1961. She was a leading advocate for the arts and arts funding, serving on the New York State Arts Council for twenty years. In the interview, she mentions going out with George, accompanied by a friend, a “piano player.” Most likely, that person was composer Burton Lane (Finian's Rainbow, On A Clear Day You Can See Forever). George Gershwin was born in 1898 and his brother Ira two years earlier. At the age of 15 he took a job as a song-plugger, playing other people's songs on a piano for Remick Music Publisher for the sale of their sheet music. His first composed song was published when he was 17, and at 21 he scored his first big hit, Swanee. But it wasn't until 1924 when he teamed up with his brother Ira as lyricist that George Gershwin became, what we might call a superstar, which he remained until his untimely death from a brain tumor in 1937. Ira Gershwin, who went on to work with other composers until he retired in the early 1960s, died in 1983. Previous Gershwin Project podcasts: Interview I: English Strunsky, Ira Gershwin's brother-in-law and George's wingman in the 1920s. Interview II: Musicologist Deena Rosenberg and Michael Strunsky, Ira Gershwin's nephew. Image from “A Night At The Opera,” Alamy stock photo available for non-profit use.     The post The Gershwin Project III: Kitty Carlisle appeared first on KPFA.

A Safe Place is Henry Jaglom's directorial debut. As a BBS Production, and with Jack Nicholson a key player in the BBS world, this little known indie feature would naturally offer Jack a supporting role. This week, Sarah is back with our "lost" episode!

Welcome to the Instant Trivia podcast episode 132, where we ask the best trivia on the Internet. Round 1. Category: "The Onion" 1: "The Onion" reported that 450,000 unsold copies of "TIME"'s special issue on this April "day" went to a landfill. Earth Day. 2: In a headline from history, "War Rationing Boards Restricts Nylon Use to Armed Forces" and this FBI director. J. Edgar Hoover. 3: In entertainment news, Anatoly Ivaskevich hosts this country's hit game show "Who Wants to Eat a Meal?". Russia. 4: Most coverage of this territory's return to China left out its desperate plea to Jackie Chan for help. Hong Kong. 5: It was a sad day when an employee of this computer company was fired for "thinking a little too different". Apple. Round 2. Category: It Don't Mean A "Thing" 1: Zip, nada, el zilcho. nothing. 2: A ring for a baby's incisors. teething. 3: Giving a portion of one's income, typically 10%, to one's church. tithing. 4: Raiment or apparel. clothing. 5: "In olden days a glimpse of stocking was looked on as something shocking", now heaven knows, this. "Anything Goes". Round 3. Category: Crossword Clues "R" 1: Sidewinder or diamondback(11). rattlesnake. 2: Movie boxer Balboa(5). Rocky. 3: A Mackintosh(8). raincoat. 4: Enrollment record keeper at a university(9). Registrar. 5: Approve an amendment(6). ratify. Round 4. Category: Elevator Ride 1: First floor.Cordless phones, answering machines and this hit. "I Just Called to Say I Love You". 2: Second floor.Whips, chains and this oft-recorded song. "Hurts So Bad". 3: Third floor.Pharmacy and this golden oldie. "Love Potion No. 9". 4: Fourth floor.Women's attire and this Chris de Burgh number. "Lady In Red". 5: Top level.Observation deck and of course, this song. "On A Clear Day You Can See Forever". Round 5. Category: The Cabinet 1: On September 15, 1789 the Department of Foreign Affairs changed its name to this. Department of State. 2: The Comptroller of the Currency operates under the auspices of this cabinet department. Treasury. 3: When founded on May 15, 1862, it had only a commissioner, 4 clerks, 1 gardener and his aides. Department of Agriculture. 4: It's been described as "The custodian of the nation's natural resources". Department of the Interior. 5: In 1979 Health, Education and Welfare was split into the Dept. of Education and this department. Health and Human Services. Thanks for listening! Come back tomorrow for more exciting trivia!

Burton Lane, composer of such celebrated Broadway shows as FINIAN'S RAINBOW and ON A CLEAR DAY YOU CAN SEE FOREVER, along with songs for over thirty films including ROYAL WEDDING and BABES IN ARMS, discusses his career. He recounts his early songwriting efforts in Hollywood with Frank Loesser and Harold Adamson, Broadway collaborations with E.Y. “Yip” Harburg and Alan Jay Lerner, writing songs for Fred Astaire, and discovering a young Judy Garland when she was performing as part of The Gumm Sisters. Featured songs: “Overture from FINIAN'S RAINBOW,” “Everything I Have Is Yours,” “How D'ya Like to Love Me?” “I Hear Music,” “The Lady's In Love With You,” “How About You?” “Don't Let It Get You Down,” “The World Is In My Arms,” “Old Devil Moon,” “Look to the Rainbow,” “When the Idle Poor Become the Idle Rich,” “How Could You Believe Me When I Said I Love You When You Know I've Been A Liar All My Life,” “Too Late Now,” “On A Clear Day (You Can See Forever,” “Come Back To Me,” and “Where Have I Seen Your Face Before.” Originally produced and broadcast in 1986. For more information go to AnythingGoesPL.com or BPN.FM/AnythingGoes. Theme music arranged by Bruce Coughlin. Sound mixing by David Rapkin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Nicholson's third feature of 1975 would take a light-hearted turn with The Fortune, co-starring Warren Beatty and Stockard Channing.

Jack Nicholson's next feature of 1975 would be a departure for him, as he takes on a starring role in Michelangelo Antonioni's neo-noir art film, The Passenger.

1975 brings on a huge year for Jack Nicholson! And it all starts with a cameo appearance in beloved rock opera.

In Part Twelve of The Visceral Voice's new limited series, Christine and Kimberly listen to "The Voice Of: The Music Director & Orchestrator."John Bell (Music Director) On Broadway, John has conducted My Fair Lady, Fiddler on the Roof, On the Town, and An American in Paris. He is also the music director of the First National Tour of Lincoln Center Theater's My Fair Lady.  John has been the music director/supervisor at Irish Rep for their innovative digital streaming production of Meet Me in St Louis, as well as On A Clear Day You Can See Forever, Finian's Rainbow, Donnybrook, and their gala concerts since 2014. For City Center Encores: Brigadoon, Me and My Girl, The New Yorkers, Cabin in the Sky, Do I Hear A Waltz, Lady Be Good, and more (Associate Music Director). Other New York credits: Sondheim's Marry Me A Little(New Cast Recording) and Adam Gwon's Ordinary Days(Keen Company); Radio City Christmas Spectacular; Candideat Carnegie Hall.  He holds a BFA in Musical Theatre from Ithaca College, a Masters in Music from CUNY, and has studied at the Manhattan School of Music.Josh Clayton (Orchestrator) Josh's orchestrations have been heard across the country in the National Tour of Lincoln Center's Tony-winning revival of My Fair Lady. Other recent orchestration credits include; The King and I (National Tour), Titanic (Signature Theatre and South Korean productions) and A Funny Thing…Forum (Two River Theatre). He has provided arrangements for many shows at the Irish Repertory Theatre in NYC including productions of Meet Me In St. Louis, On A Clear Day, Finian's Rainbow, Donnybrook! Recently,  On Broadway, Josh provided additional orchestrations for Gypsy (with Patti LuPone), On The Town (Revival), and was the assistant conductor of the 2009 revival of Finian's Rainbow. He has provided orchestrations for such stars as Patti LuPone, Kristin Chenoweth, Nathan Lane, Cheyenne Jackson, and Denyce Graves. He is currently the assistant musical director of the New York City Center Encores! series.Be sure to check out my Self-Care Membership, courses, and events at www.thevisceralvoice.com! And follow us on Instagram!Are you willing and able to becoming a Supporter of The Visceral Voice Podcast to help keep this podcast running? Please click here.

Entering into 1974, Jack Nicholson would become a three-time Academy Award nominee. That would also be the year when he would star in one of his most memorable roles of all time, in one of the most highly respected films of all time.

We're back and we're entering the year 1973! It's a new world for Jack Nicholson, and it includes another lead role in another cult classic.

In 1972, Jack Nicholson would collaborate again with some old friends, director Bob Rafelson and co-star Bruce Dern, as well as his first collaboration with Scatman Crothers.

Following Jack's first feature as a director, now it's another starring role. This time, in one of the most controversial films of the decade.

After the success of Five Easy Pieces, Jack Nicholson would work on a new project with BBS Productions - this time in the director's chair.

Jack Nicholson has officially become a star, and a two-time Academy Award nominee.

With a young Jack Nicholson's success growing, time to take things into a much different direction with light-hearted fantasy musical.

It's a new decade, and 1970 brings with it another outlaw biker movie for rising star Jack Nicholson.

It's been a long 11 years of low budget films for Jack Nicholson. Now he gets to see his big break with 1969's Easy Rider.

Jack Nicholson and The Monkees? Yes, it's true! 1968's Head would also mark Jack's first collaboration with director Bob Rafelson.

1967 through 1968 not only were busy years for Jack Nicholson, but Jack would have a number of projects to contribute to the late '60s counterculture.

1967 would usher in a new era of movie making, not only for Jack Nicholson, but for all of cinema.

By 1965, Jack Nicholson was a producer, writer and leading man, but still four years away from his big break. 1966 saw the release of two westerns back to back.

On this installment of Hypnosis in Film, Dan and Jessica discuss the 1970 American musical comedy-drama fantasy film ‘On A Clear Day You Can See Forever' starring Barbra Streisand and directed by Vincente Minnelli. Visit us at mindspaceminimal.com and follow us on Instagram @mindspaceminimal. Original track “Feeling Through” by Daniel Ryan.

Three more acting gigs and another screenwriting credit would come for Jack Nicholson in 1964, and that would include his first projects overseas.

The work kept on coming for Jack Nicholson in 1963, with two more acting roles and his first screenwriting gig.

After a busy year in 1960, Jack Nicholson lands a role as a fugitive cowboy in 1962's The Broken Land.

A young Jack Nicholson hit the ground running after Cry Baby Killer. This week, a review of his four features from 1960.

The first of Jack Nicholson's film credits, Cry Baby Killer (1958), a teen suspense B-movie which would mark Jack's first of many collaborations with famed low-budget king Roger Corman.

Director Kirk Jameson joins us to co-host The West End Frame Show! In this episode, Andrew & Kirk discuss Intermissions and this week's Government update as well as the latest news about Six's Drive-In Tour, Jesus Christ Superstar, Frozen, The New Normal Festival and The Theatre Café. Kirk is currently directing Intermissions, an online musical theatre show which is hosted by Alice Fearn (Elphaba in Wicked & Beverley Bass in Come From Away) live from her garden! Kirk's directing credits include: Dreamworks' Madagascar (UK & international tour), Stiles & Drewe's Just So (Barn Theatre), Sleeping Beauty (Newark Palace Theatre ), the German premiere of The Last Five Years (Frankfurt), Seussical & I Love You, You're Perfect, Now Change (both Arts Theatre) and Privates On Parade, Annie Get Your Gun, The World Goes Round, Once Upon a Mattress, Dames at Sea & On A Clear Day You Can See Forever (all Union Theatre).  He has also worked extensively at the UK's leading drama schools. For tickets for Intermissions, visit www.intermissionslive.com Follow Kirk on Twitter: @JamesonTweets Hosted by Andrew Tomlins @Andrew_Tomlins Thanks for listening! Visit www.westendframe.co.uk to stay up-to-date with our podcasting adventures. 

A brand new #podcast from the host of Faded Out, Sarah DiMeo, who wants to turn you into a fellow Jack Nicholson Super Fan! A #CMGPodcast

Reporting live from our own little cubicles of sound, we have a phenomenal episode this week. We discuss our very first documentary on the show, Netflix’s heartwarming and inspiring Crip Camp. We’re joined by IndieWire’s TV editor Kristen Lopez. Kristen writes a great deal about disability visibility in the media and her insight into this film is nothing short of revelatory. Plus, we introduce a new segment – “This Is Your Movie Life!” Every week we will discuss the films that had the greatest impact on our hosts at specific times in their lives. This week we are covering “The Grade School Years.”Staff Picks:Ify – Gurren LagannDrea – WavesAlonso – How to Survive a PlagueKristen – The Great Mouse DetectiveWith Ify Nwadiwe, Drea Clark, Alonso Duralde, and Kristen Lopez.

How did the invention of time-lapse photography revolutionize our understanding of plants? Leah checks in with Charles Darwin and Barbara Streisand on this subject. Colleen explains how to get certified as an arborist through the International Society of Arboriculture, and brings us up to speed on some Facebook drama. But first, garden updates: it's been a bad year for the roses. Watch the time-lapse videos from the episode at ww.horticulturati.com. Email us at info@horticulturati.com. Our theme song is “Plants” by The Horticulturati House Band.  Mentioned in this episode: Tree Folks Urban Forest Stewards Program; "The Secret Life of Plants: Visualizing Vegetative Movement 1880-1903" by Oliver Gaycken in Early Popular Visual Culture (Feb 2012);  Charles Percy's The Birth of a Flower (1910); The Revolutionary Genius of Plants by Stefano Mancuso; Science in Action: Time Lapse Photography (1964); On A Clear Day You Can See Forever (1970)

Sean Allan Krill can be found belting out some of Alanis Morissette's biggest hits in JAGGED LITTLE PILL at the Broadhurst Theatre, which marks his fourth Broadway show. Krill's previous credits include turns in MAMMA MIA, ON A CLEAR DAY YOU CAN SEE FOREVER and HONEYMOON IN VEGAS. Follow him at @seanallankrill.Hosted by Paul Wontorek, Ryan Lee Gilbert and Caitlin Moynihan

Melissa (IG: @melissa_errico_fairymom) is best known for her starring roles on Broadway, but her career is characterized by diverse interests in many creative corners of show business. She has had a steady career in television, appeared in feature films, and performed in non-musical roles in Off-Broadway plays by Shaw, Wilde, and others. She has also explored music as both a recording artist and concert singer, releasing several music albums and working with some of the world’s best symphonies and jazz and cabaret spaces. More recently, she established herself as a writer, publishing essays in The New York Times and beyond. As a musical theater actress, she starred in the Broadway musicals Anna Karenina, My Fair Lady, High Society, Dracula, White Christmas, and Amour which won her a Tony Award nomination for Best Performance by a Leading Actress in a Musical and began a longtime association with its composer Michel Legrand. Melissa was recently honored with a caricature at Sardi’s in celebration of her Broadway starring theatrical performances, her concerts as well as her engaging essays for The New York Times on the actor’s art.   Her latest album Sondheim Sublime was released to critical acclaim, with The Wall Street Journal calling it, “The best all-Sondheim album ever recorded.” And throughout 2017, 2018, and 2019, Melissa performed successful and extended runs at Feinstein’s/54 Below of her solo concert “Melissa Sings Sondheim” celebrating the music of Stephen Sondheim and won raves when she brought it to London’s Live at Zédel for her sold-out UK concert debut co-written with Adam Gopnik in 2018. She also brought her Sondheim program to The Ravinia Festival in the fall of 2018 and appeared again at Feinstein’s/54 Below in for the new Sondheim CD release in November 2018. Her 2019 Sondheim performances include playing The Baker’s Wife in three concert performances of Into the Woods with Tony Award-winner Alice Ripley in March, the run of “Wordplay” at Lyrics & Lyricists produced by Ted Chapin for the 92nd Street Y in April, and being a featured performer on the forthcoming PBS Poetry in America portrait of Stephen Sondheim. Melissa also returned to London in May 2019 to Live at Zédel with her Sondheim concert after her sold-out run in 2018. Melissa’s professional debut at age 18 was as Cosette in the premiere national tour of Les Misérables. Her Broadway credits include Anna Karenina, the revival of My Fair Lady in which she played Eliza Doolittle (The New York Times called her “beguiling”). She went on to star on Broadway in High Society, Amour (Tony Award nomination for Best Leading Actress in a Musical), Dracula the Musical, and Irving Berlin’s White Christmas. At The Hollywood Bowl in Los Angeles, she starred in The Sound of Music, My Fair Lady (with John Lithgow), and Camelot (with Jeremy Irons). She has worked with Stephen Sondheim on the revival of Sunday In the Park with George (Dot/Marie at The Kennedy Center), followed by John Doyle’s production of Passion (Clara) for which she was nominated for a sixth Drama Desk Award, and most recently as Leona in the 2016 Encores! production of Do I Hear A Waltz? at City Center. In 2016 she also reprised the role of Sharon in the smash hit Off-Broadway revival of Finian’s Rainbow at Irish Repertory Theatre, which was extended three times, received rave reviews and was filmed in January 2017 for The Lincoln Center Library. She has also starred in plays by Shaw, Oscar Wilde and Wally Shawn and last year starred in another acclaimed Irish Repertory production of On A Clear Day You Can See Forever. Her solo CDs include Blue Like That (EMI/Capitol Records), Lullabies & Wildflowers (Universal), Legrand Affair (Ghostlight/Sony), and What About Today? Melissa Errico Live at 54 Below (Broadway Records; CD & DVD). In December 2017, Melissa had a new single release (Ghostlight/Warner Music Group) “Hurry Home” written by multiple Oscar-winner Michel Legrand, made an accompanying music video with filmmaker Gary Gardner, and proudly sings it on the title credits of the film Max Rose. Television roles include the series Central Park West by Darren Star, recurring roles on Steven Soderbergh’s The Knick (Catherine), and Showtime’s Billions (June). Melissa also recently finished shooting a role in The Magnificent Meyersons, an Eric Oppenheimer film with Kate Mulgrew (2019 release). Her other feature films include Frequency with Dennis Quaid and Life or Something Like It as Angelina Jolie’s character’s best friend. Melissa has also served on The National Endowment for the Arts and has published essays for The New York Times and is a contributing essayist in Cristina Cuomo’s The Purist and other magazines. She is married to tennis player and sports commentator Patrick McEnroe and they have three young daughters and a Yorkie named Pepper.

Alan Jay Lerner estudió en Harvard, donde tuvo compañeros de clase como John F. Kennedy o Leonard Bernstein con el que colaboró escribiendo la letra del himno “Lonely men of Harvard” y aunque sus trabajos como letrista más conocidos fueron los que hizo con el músico Frederick Loewe que ya vimos en la anterior playlist, también lo hizo con otros músicos no menos famosos y es esa parte menos conocida la que vamos a tratar en esta playlist. Trabajó con Kurt Weill en el musical LOVE LIFE y probó suerte en el cine escribiendo para Burton Lane las letras de las canciones para la película "Bodas reales" (Royal wedding). Su guión para la película UN AMERICANO EN PARÍS, le daría el Oscar, aunque aquí las canciones llevaban música y letras de los Gershwin. Con Burton Lane trabajó en una adaptación inacabada de “HUCKLEBERRY FINN”, en "ON A CLEAR DAY YOU CAN SEE FOREVER" (1965) y "CARMELINA" (1979). Escribió el musical "COCO" con Andre Previn (1969), "LOLITA, MY LOVE" con John Barry (1971), "1600 PENNSYLVANIA AVENUE" con Leonard Bernstein (1976) y "DANCE A LITTLE CLOSER" con Charles Strouse (1983). Andrew Lloyd Webber le llamó para que escribiera las letras del musical "The Phantom of the Opera", pero tras escribir "Masquerade", avisó que debía abandonar el trabajo ya que le habían diagnosticado un tumor cerebral y tenía pérdidas de memoria. También rechazó hacerse cargo de la adaptación al inglés del musical "Les Miserables" por el mismo motivo. Aquí os dejamos algunas de las letras menos conocidas de Alan Jay Lerner con excelentes intérpretes que van de Julie Andrews o Barbra Streisand a Brent Barrett o Bryn Terfel, incluso el mismo Alan Jay Lerner cantando un tema que se cortó de “My Fair Lady” que con música y letra suyas interpretaba él mismo en algunas ocasiones. Espero disfrutéis de este Alan Jay Lerner menos conocido 00h 00'00" Presentación 00h 02'47" Cabecera LOVE LIFE (Kurt Weill) 1948 00h 03'23" Green up time - Brent Barrett 00h 07'19" Here I'll stay - Julie Andrews 00h 11'37" Economics - Brent Barrett 00h 15'11" This is the life - Bryn Terfel ROYAL WEDDING (Burton Lane) 1951 00h 21'25" Too late now - Brent Barrett & Tami Tapp 00h 25'14" How could you believe me - Jane Powell & Fred Astaire 00h 28'18" I left my hat in Haiti - Brent Barrett MY FAIR LADY (Alan Jay Lerner) 1956 00h 31'26" Oh, come to the ball - Alan Jay Lerner HUCKLEBERRY FINN (Burton Lane) 1960 00h 34'06" Headin' for New Orleans - Brent Barrett COCO (Andre Previn) 1969 00h 37'54" Someone on your side - Julie Andrews ON A CLEAR DAY YOU CAN SEE FOREVER (Burton Lane) 1969 00h 40'47" What did I have that I don't have - Julie Andrews 00h 45'00" Melinda - Yves Montand 00h 47'14" Go to sleep - Barbra Streisand 00h 50'13" Come back to me - Yves Montand 00h 54'34" Hurry, it's lovely up here - Bryn Terfel 00h 57'45" She wasn't you - Brent Barrett 01h 00'42" On a clear day - Yves Montand & Barbra Streisand LOLITA, MY LOVE (John Barry) 1971 01h 05'17" Overture 01h 08'13" In the broken promise land of fifteen - Brent Barrett 01h 12'09" Going going gone - Shirley Bassey 01h 14'23" Tell me, tell me - Brent Barrett 1600 PENNSYLVANIA AVENUE (Leonard Bernstein) 1976 01h 16'54" Take care of this house - Barbra Streisand CARMELINA (Burton Lane) 1979 01h 20'55" One more walk around the garden - Julie Andrews 01h 25'00" Why him - Liz Robertson DANCE A LITTLE CLOSER (Charles Strouse) 1983 01h 27'21" Anyone who loves - Brent Barrett 01h 30'04" There's always one you can't forget - Julie Andrews MY MAN GODFREY (Gerard Kenny & Kristi Kane) 1985 - inacabado 01h 33'43" Garbage isn't what it used to be - Gerard Kenny

Alan Jay Lerner estudió en Harvard, donde tuvo compañeros de clase como John F. Kennedy o Leonard Bernstein con el que colaboró escribiendo la letra del himno “Lonely men of Harvard” y aunque sus trabajos como letrista más conocidos fueron los que hizo con el músico Frederick Loewe que ya vimos en la anterior playlist, también lo hizo con otros músicos no menos famosos y es esa parte menos conocida la que vamos a tratar en esta playlist. Trabajó con Kurt Weill en el musical LOVE LIFE y probó suerte en el cine escribiendo para Burton Lane las letras de las canciones para la película "Bodas reales" (Royal wedding). Su guión para la película UN AMERICANO EN PARÍS, le daría el Oscar, aunque aquí las canciones llevaban música y letras de los Gershwin. Con Burton Lane trabajó en una adaptación inacabada de “HUCKLEBERRY FINN”, en "ON A CLEAR DAY YOU CAN SEE FOREVER" (1965) y "CARMELINA" (1979). Escribió el musical "COCO" con Andre Previn (1969), "LOLITA, MY LOVE" con John Barry (1971), "1600 PENNSYLVANIA AVENUE" con Leonard Bernstein (1976) y "DANCE A LITTLE CLOSER" con Charles Strouse (1983). Andrew Lloyd Webber le llamó para que escribiera las letras del musical "The Phantom of the Opera", pero tras escribir "Masquerade", avisó que debía abandonar el trabajo ya que le habían diagnosticado un tumor cerebral y tenía pérdidas de memoria. También rechazó hacerse cargo de la adaptación al inglés del musical "Les Miserables" por el mismo motivo. Aquí os dejamos algunas de las letras menos conocidas de Alan Jay Lerner con excelentes intérpretes que van de Julie Andrews o Barbra Streisand a Brent Barrett o Bryn Terfel, incluso el mismo Alan Jay Lerner cantando un tema que se cortó de “My Fair Lady” que con música y letra suyas interpretaba él mismo en algunas ocasiones. Espero disfrutéis de este Alan Jay Lerner menos conocido 00h 00'00" Presentación 00h 02'47" Cabecera LOVE LIFE (Kurt Weill) 1948 00h 03'23" Green up time - Brent Barrett 00h 07'19" Here I'll stay - Julie Andrews 00h 11'37" Economics - Brent Barrett 00h 15'11" This is the life - Bryn Terfel ROYAL WEDDING (Burton Lane) 1951 00h 21'25" Too late now - Brent Barrett & Tami Tapp 00h 25'14" How could you believe me - Jane Powell & Fred Astaire 00h 28'18" I left my hat in Haiti - Brent Barrett MY FAIR LADY (Alan Jay Lerner) 1956 00h 31'26" Oh, come to the ball - Alan Jay Lerner HUCKLEBERRY FINN (Burton Lane) 1960 00h 34'06" Headin' for New Orleans - Brent Barrett COCO (Andre Previn) 1969 00h 37'54" Someone on your side - Julie Andrews ON A CLEAR DAY YOU CAN SEE FOREVER (Burton Lane) 1969 00h 40'47" What did I have that I don't have - Julie Andrews 00h 45'00" Melinda - Yves Montand 00h 47'14" Go to sleep - Barbra Streisand 00h 50'13" Come back to me - Yves Montand 00h 54'34" Hurry, it's lovely up here - Bryn Terfel 00h 57'45" She wasn't you - Brent Barrett 01h 00'42" On a clear day - Yves Montand & Barbra Streisand LOLITA, MY LOVE (John Barry) 1971 01h 05'17" Overture 01h 08'13" In the broken promise land of fifteen - Brent Barrett 01h 12'09" Going going gone - Shirley Bassey 01h 14'23" Tell me, tell me - Brent Barrett 1600 PENNSYLVANIA AVENUE (Leonard Bernstein) 1976 01h 16'54" Take care of this house - Barbra Streisand CARMELINA (Burton Lane) 1979 01h 20'55" One more walk around the garden - Julie Andrews 01h 25'00" Why him - Liz Robertson DANCE A LITTLE CLOSER (Charles Strouse) 1983 01h 27'21" Anyone who loves - Brent Barrett 01h 30'04" There's always one you can't forget - Julie Andrews MY MAN GODFREY (Gerard Kenny & Kristi Kane) 1985 - inacabado 01h 33'43" Garbage isn't what it used to be - Gerard Kenny

Melissa Errico recently released her new album, Sondheim Sublime, and she is here to celebrate. Tony-nominated for her turn in Amour, she has also appeared on Broadway in Anna Karenina, My Fair Lady, High Society, White Christmas and Dracula. She most recently starred in On A Clear Day You Can See Forever at the Irish Repertory Theatre. Sondheim Sublime marks Errico's sixth solo recording and features her favorite Sondheim selections. Follow her on social media at @melissa_errico.Hosted by Paul Wontorek, Beth Stevens and Caitlin Moynihan.

Michael J. Riha is a professor of theatre and has taught at the University of Arkansas since 1992. Michael’s Broadway credits include, Assistant Designer to Christine Jones on the musical, On A Clear Day You Can See Forever, and the Metropolitan Opera’s 2013 production of Rigoletto. He has worked as an Assistant Designer to John Iacovelli on productions at the Southcoast Rep, The Mark Taper Forum, and the Princess Cruise Line. He’s also worked at the Muny in St. Louis, MO, TheatreSquared, Fayetteville, AR, and on the national tour of Fiddler on the Roof. He is currently on faculty at the University of Arkansas – Fayetteville where he serves as the Chair of the Department of Theatre. He has designed sets and lighting for over one hundred productions, and is the author of “Starting Your Career as a Theatrical Designer: Insights and Advice from Leading Broadway Designers” published by Allworth Press. Michael is a proud member of USA-829.

We are once again joined by Emilia Higgs to make a playlist of our favourite songs that we discovered in the soundtracks of movies or tv shows. Listen to this week's tracks on Spotify: https://open.spotify.com/user/bryce.halliday/playlist/1XFpxlZ7rqm13TyKAalbiJ Or Apple Music: https://itunes.apple.com/au/playlist/watr10-my-life-is-a-movie/idpl.5af37fbe8db24202bbce6623deae1d53 Unfortunately The Peddlers' rendition of On A Clear Day You Can See Forever is not available on Apple Music: https://www.youtube.com/watch?v=yxf1IFgPH5s Also the music of French rap duo Axiom appears to only be available on YouTube: https://www.youtube.com/watch?v=bZZaZ2DILbU We mentioned a lot of other pieces during this episode. Full links to everything we discuss are at https://whatatrainrec.tumblr.com

  Today Laura Theodore, the Jazzy Vegetarian welcomes Kerry O'Malley to talk about her many acting roles on Broadway, film and television.  On Broadway Kerry has appeared as Betty Haynes in Irving Berlin's White Christmas, and as The Baker's Wife in the 2002 revival of Into the Woods (Outer Critics Circle, Drama Desk nominations). She portrayed Sharone Stein in the 2011 revival of On A Clear Day You Can See Forever. On television she  has appeared recurring as Kate the Bartender on Showtime's Shameless, Mary-Kate Martinson on the Showtime drama Brotherhood and she was a series regular on Costello on Fox and The Mike O'Malley Show on NBC. Her many guest star appearances include Boardwalk Empire, The Mentalist, Criminal Minds, Law & Order,  My Name is Earl and many more. On film Kerry has appeared Case 39. NEWSFLASH:Season 2 of Jazzy Vegetarian launches nationally via public television stations starting July 1, 2012 (check your local listings) and features 13 half-hour episodes serving up mouthwatering, vegan menus for anybody looking for delicious, nutritious food. Each show features Dr. Pam Popper of Forks Over Knives! From  “Rockin’ Moroccan Stew” to “Chocolate Mousse Ginger Pie,” this season ROCKS!

Critics Scott Brown, Jacques le Sourd, David Richardson, and Elisabeth Vincentelli evaluate the current Broadway season. Among the shows they discuss are: The Gershwins' Porgy and Bess, On A Clear Day You Can See Forever, The Road to Mecca and Seminar.

Actor John Cullum, currently appearing in the title role of Shakespeare's "Cymbeline" at Lincoln Center Theater, but better known for his musical performances, talks about his experiences in classical theatre -- from his current work with director Mark Lamos to his earliest New York auditions to being directed by John Gielgud in the Richard Burton "Hamlet"; recalls how he landed roles in such classic Broadway musicals as "Camelot", "On A Clear Day You Can See Forever", and "Shenandoah"; reflects on the much discussed quick departure of actress Madeline Kahn from the original production of "On The Twentieth Century"; and tells how he didn't understand "Urinetown" when it first came his way. Original air date - December 28, 2007.

Actor John Cullum, currently appearing in the title role of Shakespeare's "Cymbeline" at Lincoln Center Theater, but better known for his musical performances, talks about his experiences in classical theatre -- from his current work with director Mark Lamos to his earliest New York auditions to being directed by John Gielgud in the Richard Burton "Hamlet"; recalls how he landed roles in such classic Broadway musicals as "Camelot", "On A Clear Day You Can See Forever", and "Shenandoah"; reflects on the much discussed quick departure of actress Madeline Kahn from the original production of "On The Twentieth Century"; and tells how he didn't understand "Urinetown" when it first came his way. Original air date - December 28, 2007.

Actor John Cullum, Tony winner as Best Actor for his roles in Shenandoah and On the Twentieth Century and currently appearing in the title role of Shakespeare's Cymbeline at Lincoln Center Theater, but better known for his musical performances, talks about his experiences in classical theatre -- from his current work with director Mark Lamos to his earliest New York auditions to being directed by John Gielgud in the Richard Burton Hamlet; recalls how he landed roles in such classic Broadway musicals as Camelot, On A Clear Day You Can See Forever, and Shenandoah; reflects on the much discussed quick departure of actress Madeline Kahn from the original production of On The Twentieth Century; and tells how he didn't understand Urinetown when it first came his way.

Movies to watch, Gem State Comic Con, Farmers Market opening dates, beer festival, new bakeries in Garden City and more! Read the newsletter: fromboise.comOut of town tip: visitsouthwestidaho.org/fromboiseSat-Sun Apr 6-7: ​Gem State Comic Con 2024​ at Expo IdahoMovies to watch:TONIGHT: ​Whiplash​ is showing at 7pm at Idaho Film Society (1212 W Bannock Street). It's free!Fri Apr 5: ​The Omen​ is showing at 7pm at Idaho Film Society. It's free!Sat Apr 6: ​Trail Running Film Festival​ is happening at Idaho Film Society. Doors open at 6pm, food & drinks will be available for purchase, tix are $25. The venue is kinda small, so spaces are limited. Get your ticket now before they sell out!Sun Apr 7: ​American Movie​ is showing at 12pm and ​On A Clear Day You Can See Forever​ is showing at Idaho Film Society. Both are free!Also new ​lineup​ of films at The Flicks starting today.Farmers Markets opening: Sat Apr 6: Boise Farmers Market opening weekend Sat Apr 6: Nampa Farmers Market soft opening (grand opening April 20) Fun food & drink things: Sat Apr 6: Idaho Brewers United is hosting ​Beer & Friends​ at the historic Boise Train Depot on the Boise bench. It's featuring all collab beers between Boise breweries and businesses - fun! This event goes from 12-8pm but its broken up into two sessions: 12-3pm or 5-8pm. Tix are $40 for 10 tokens, $21.50 for 5 tokens or $10 for DDs. 21+Sun Apr 7: Join ​Sunday Board Games & Brunch​ at Meriwether Cider in Garden City! Taqueria Güeros will be serving brunch, Phoenix Fire will bring a bunch of games to play for free, and Meriwether will be pouring the good stuff. Goes 10am-1pm.Go visit a Garden City bakery! ​Black Moon​ does amazing pastries & pizza, ​Flourish Bakery​ recently opened & has tons of macarons, jar cakes and naked cakes, and ​Wildflour Bakery​ has lots of cookies, breads & more - they also have GF stuff.