Podcasts about playwrights

Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAndLaurence Publicover Associate Professor in the Department of English at the University of BristolProducer: Simon TillotsonReading list:Hailey Bachrach, Staging Female Characters in Shakespeare's English History Plays (Cambridge University Press, 2023)Warren Chernaik, The Cambridge Introduction to Shakespeare's History Plays (Cambridge University Press, 2007) Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018) Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999)Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997)William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024) William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003) In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

In the new one-man show written by David Cale, Sean Hayes stars as Elliott, a playwright and lyricist suffering from writer's block. But as he searches for something to write about, he begins to realize that he might be being stalked. Cale, Hayes, and director Leigh Silverman discuss "The Unknown," running at Studio Seaview through April 12. Image courtesy of the production

Send a textAlycia and Tyler meet on a flight from Houston to Los Angeles. As they experience extensive turbulence along the way, they distract themselves by sharing intimate secrets with each other.Bernadette Armstrong directs Christine Uhebe as Alycia and David Phurdham as Tyler.Linda Shayne is the playwright. She graduated from UC Berkeley, worked in mental hospitals and published articles about San Quentin State Prison ex-offenders, before she became a writer/director in film and TV. Shayne has written movies for Disney, Showtime, Imagine Entertainment, and directed for Nickelodeon,  Warner Bros, and Paramount. Shayne created a dramedy TV series for Quincy Jones, two animated series for Warner Bros, and a dramedy TV series to film in Thailand. She directed an award-winning documentary playing festivals and adapted a WW2 spy book for a Swiss producer. Recently, Shayne was hired to write/direct a rom-com movie.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Send a textI stumbled upon Patrick Gabridge on the World Wide Web, and he was kind enough to come on to the Playwright's Spotlight after reaching out to him. If there was a playwright who has been in the spotlight who might have a pathway to success, it would be Patrick Gabridge. With a non-traditional approach to writing, Patrick focuses on site-specific plays that are staged in non-traditional stages. Before we delve into this, we speak about marketing and his networking group - Playwright Submission Binge - and how the market has dwindled and changed over the years and how it has affected non-equity theatre. We discuss his development of Plays in Places and its historical accuracy and use of creative license, how it's opened doors to success, the Secret Sauce, and pitching to non-traditional venues. We also breakdown approaching Youth Plays as an older playwright, writing competition plays, what constitutes high drama and whether or not there is a formula. We wrap things up with achieving exposition in a 10-minute play, experiencing poor productions of one's work, advice for finding/developing a writers group, and networking with playwrights. This is a fascinating conversation that should present any playwright with phenomenal opportunities. I'd love to how things transpire if anyone listening takes this path. Enjoy!Patrick Gabridge is a playwright whose work includes Blood on the Snow, Chore Monkeys, Lab Rats, Distant Neighbors, Fire on Earth, Flight, Constant State of Panic, Pieces of Whitey, Blinders, and Reading the Mind of God, which have been staged in theaters across the country. His plays can found in  Playscripts, Brooklyn Publishers, Heuer, Smith & Kraus and various“Best of” anthologies.He assisted is creating Boston's Rhombus Playwrights writers' group, the Chameleon Stage theatre company in Denver, the Bare Bones Theatre company in New York, the publication Market InSight… for Playwrights, and the on-line Playwrights' Submission Binge. He's also a member of the Dramatists Guild,  StageSource, and a board member of the Theatre Community Benevolent Fund.  In 2013, he co-founded the New England New Play Alliance and still serves as its coordinator.To view the video format of this episode, visit the link below - https://youtu.be/wkpI3jR_Or0Links to sites and resources mentioned in this episode -Playwright Marketing Binge - https://groups.io/g/playwrightbingeSeven Devils New Play Foundry - https://www.sevendevils.orgMid America Theatre Conference - https://matc.usThe O'Neill - https://www.theoneill.orgPlays in Place - http://playsinplace.comBrooklyn Publishers - https://www.brookpub.comHeuer Publishing - https://www.hitplays.comSocials for Patrick Gabridge and Plays in Place - FB - https://www.facebook.com/patrickgabridgeIG/Threads - @patrickgabridge YouTube -  ⁨@pgabridge⁩  FB - https://www.facebook.com/profile.php?id=61558727695681IG/Threads - @plays_in_placeWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's SpoSupport the show

The playwright, screenwriter, and musician talks about juggling various projects, how to manage the emotional ups and downs in an unpredictable career path, and the value of teaching.

Recorded at the Currency Press Festival of Playwrights 2025   ADAPTING FOR THE STAGE: What makes the classics so tempting to reimagine? And how do playwrights manage the balancing act of putting their own stamp on it while remaining faithful to the spirit of the original? Join the brave playwrights who take on the classics as they explore why these centuries-old plays are still relevant.   FEATURING: Wesley Enoch, Virginia Gay, and Damien Ryan   CHAIR: Eamon Flack   ***   currency.com.au

Recorded at the Currency Press Festival of Playwrights 2025   SHARING CULTURE VIA THE STAGE: Following on from Jordan Shea's Keynote asking 'What is an Australian play?', this panel examines what it means to share culture on stage. How generous should we be when it comes to sharing our culture, particularly when it's not just our own stories at stake, but our community's? What are the considerations and responsibilities when we represent our community on the stage? And why do we do it?   FEATURING: Chenturan Aran, Joanne Kee, and Tracey Rigney   CHAIR: Courtney Stewart   ***   currency.com.au

Recorded at the Currency Press Festival of Playwrights 2025   PLAYWRIGHT CRUSH 2: Jules Orcullo and Michelle Law   ***   currency.com.au

Recorded at the Currency Press Festival of Playwrights 2025   FEMINIST VOICES: More women and non-binary artists are now in key creatives roles where they are not just participating, but leading, innovating, and redefining what theatre can be. As playwrights, directors, dramaturgs and producers, their perspectives and contributions are transforming the Australian cultural landscape. But what has it taken to get here? And how do we continue opening up new doors for future generations?   FEATURING: Amy Sole, Courtney Stewart, and Laneikka Denne   CHAIR: Mary Rachel Brown   ***   currency.com.au

Recorded at the Currency Press Festival of Playwrights 2025   WRITERS VS AI: What is the point of having a humanities degree if AI can do the job? But what about creatives with budget restrictions who are using AI to support their work? The rise of AI and how it affects our work and lives is an urgent conversation. This panel explores the ethical and legal challenges of AI.    FEATURING: Lucy Hayward, Matthew Ngamurarri Heffernan, and Claire Pullen   CHAIR: Alana Valentine   ***   currency.com.au

Recorded at the Currency Press Festival of Playwrights 2025   WHEN THINGS GO WRONG: A series of anecdotes about mishaps large and small, and the necessity of fixing things on the run. It may sound superficial, but it speaks to theatre's intrinsic need for adaptability, resilience, and energy.    FEATURING: Virginia Gay and Paul Capsis   CHAIR: Wesley Enoch   ***   currency.com.au    

Recorded at the Currency Press Festival of Playwrights 2025   IN CONVERSATION WITH JOANNA MURRAY-SMITH facilitated by Melanie Tait. Includes excerpts from Murray-Smith's 'Julia' read by Katrina Foster.   ***   currency.com.au

Recorded at the Currency Press Festival of Playwrights 2025   PLAYWRIGHT CRUSH 1: Ryan Enniss and Joanna Erskine   ***   currency.com.au

Recorded at the Currency Press Festival of Playwrights 2025   AUSTRALIAN PLAYWRIGHTS ON THE INTERNATIONAL STAGE: Not only are Australian plays being lauded on international stages, but Australian playwrights are also finding a place at leading theatre companies around the world 'on attachment', where they can hone their skills while making important connections for future possibilities. This panel discusses what it means for Australian plays and playwrights to be part of the international scene, the rewards and challenges of it, and the practicalities of making it happen.   FEATURING: Anthony Blair, Jane Harrison, and Tom Wright   CHAIR: Tommy Murphy   ***   currency.com.au    

Recorded at the Currency Press Festival of Playwrights 2025   Welcome to Country followed by Jordan Shea's Keynote Address - What is an Australian Play?   *** currency.com.au  

Offscript is American Theatre's flagship podcast, available wherever you get your podcasts (including Spotify and Apple Podcasts). Our first episode of 2026 features an interview with Dallas Theater Center’s recently named new artistic director, Jaime Castañeda, who tells about his background not only in Texas but all across the country (and in London) and about what he in store for Dallas theatregoers. We also chat with Kara Cutruzzula and Colin McDonald, founding co-editors of a new online publication about Off-Broadway theatre, readthehat.com, about how they choose their stories and what…

The playwright behind ‘Committed' and ‘Apologies to Lorraine Hansberry (You Too August Wilson)' shares their journey from aspiring corporate defense attorney to playwright.

As a special offering in our Offscript feed, we offer this monologue by Gethsemane Herron, performed by Candace Boahene, about Harlem Renaissance writer, artist, and journalist Gwendolyn Bennett.

Send us a textIn this moving Christmas drama, a man endeavoring to visit his aunt in a retirement home is mistaken for a priest. He finds himself providing soothing, spiritual comfort to a woman in hospice care.Bernadette Armstrong directs a cast that includes Goreti da Silva as Mary, Gary B. Lamb as Evan, Gloria Tsai as Millie, and Noelle Evangelisti as Nurse June Allen.Glen Sharpe is the playwright. Glen was born in Toronto, and he has been an educator since 1989. For the past twenty years, Glen has been an Education Professor with Nipissing University in North Bay, Ontario. Glen's many interests include volunteerism, promoting Indigenous initiatives, and athletics. Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.

As a special offering in our Offscript feed, we share this monologue by Kevin Renn about the legendary fashion designer who gave the world the Playboy Bunny costume.

The Smart 7 is an award winning daily podcast that gives you everything you need to know in 7 minutes, at 7am, 7 days a week…With over 19 million downloads and consistently charting, including as No. 1 News Podcast on Spotify, we're a trusted source for people every day and we've won Gold at the Signal International Podcast awardsIf you're enjoying it, please follow, share, or even post a review, it all helps... Today's episode includes the following:https://x.com/i/status/1995223641840300042 https://x.com/i/status/1995524654258430053 https://x.com/i/status/1995886694562693154 https://x.com/i/status/1995862453809263042 https://x.com/i/status/1996187228163412298 https://x.com/i/status/1996614943622283749 https://x.com/i/status/1995101130150277125 https://x.com/i/status/1995453701192863811 https://x.com/i/status/1996193280988463333 https://x.com/i/status/1994721656187605026 https://x.com/i/status/1995474064782045273 https://x.com/i/status/1995792125468754043https://x.com/i/status/1995849413600673805 https://x.com/i/status/1996562378989699201 https://x.com/i/status/1995457851398189059 https://x.com/i/status/1996547396134731795 https://x.com/i/status/1995777585876210173 https://x.com/i/status/1996124844597920250Contact us over @TheSmart7pod or visit www.thesmart7.comVoiced by Ciara Revins, written by Liam Thompson, researched by Lucie Lewis and produced by Daft Doris. Hosted on Acast. See acast.com/privacy for more information.

Our 2025 holiday stocking is stuffed: We chat with the writer/star of 'Ain't No Mo' and 'Oh Happy Day!,' with the director and star of the Alley's 'Night Shift Before Christmas,' and with award-winning critic-producer Citlali Pizarro.

Send us a textAn elderly, grieving widower, with the help of a friend, searches for an image of his late wife in The Cloud so he can sing his beloved a Heavenly Merry Christmas greeting.Bernadette Armstrong directs a cast that includes Christine Uhebe as Sandra and Daamen Krall as Harry.S.J. Roth is the playwright. Based in Santa Monica, he received an MFA from Carnegie Mellon University. His previous plays include Sutton, Ben and Augie, Hell and Back, Losin' It, Blind Kisses, Venice Love, Bonnie's Wanted Man, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Send us a textBe careful what you wish for. You just might get it. After Jack rescues an Old Man in distress, Jack finds he now has the ability to instantly manifest anything he wishes. Sounds great? Well, it's not so simple.Gary B. Lamb directs a cast that includes Michael Fletcher as Jack, Caitlin Bell as Laura, Annette Homewood as Sally, and Dennis Gersten as the Old Man.Gary B. Lamb is the playwright. He trained at L.A. City College Theatre Academy, University of California at Irvine, and Carnegie Mellon University. He wrote the book and lyrics for a musical version of The Hunchback of Notre Dame, the book for the musical Fion the Fair, the lyrics for Chicago Christmas Carol, and an adaptation of I'm Just Wild About Harry. He has acted in and directed many plays for Open-Door Playhouse.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Chess and Oedipus opened this week, and of course we're getting into it. Nick and Gavin saw Practice at Playwrights this week, Liam's in the great north, and Hamilton may be coming to a school near you!?

The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.

As a special offering in our Offscript feed, here's a monologue from playwright Darnell Lamont Walker about the legendary Harlem crime boss, performed by Keith Randolph Smith.

On this episode we speak to the writer and director of the new play 'Mother of Exiles,' and talk arts funding and community engagement with author Donna Walker-Kuhne.

Send us a textTheater #183: Poetry on the Menu Poetry on the Menu​​​ In January 1967, writer/participatory journalist George Plimpton dreamed up a publicity stunt for heavyweight champion Muhammad Ali. He arranged for him to meet Marianne Moore, decorated American poetess – a showman who creates doggerel rhymes, together with one of the finest true poets in the history of the English language. The pair couldn't be more opposite – He a gigantic, athletic man of color, at his physicalpeak, age 25, not formally educated, a Muslim, loud, charismatic, a showman with the burgeoning edge for social causes and advocacy; She, elderly, age 80, pasty white, doggedly Presbyterian, incredibly well educated, shy, frail and a kind of dowager spinster. Ali's poems, so called, which predicted his fights, were little more than expanded limericks. Moore's balletic verses and images won her the Pulitzer Prize, the National Medal in Literature and almost the Nobel Prize. Theirhost that day, Toots Shor, was a rough New York man of Jewish descent, who rubbed elbows, hosted, drank with, and incurred the wrath of entertainment giants of the first two-thirds of the 20th Century: Frank Sinatra, Charlie Chaplin, Ernest Hemingway, Joe DiMaggio, Marilyn Monroe, etc. The meeting only lasted a few minutes and produced a short poem, “On the annihilation of Ernie Terrell,” Ali's next title foe. The playwright has expanded the meeting in a deeper way, as a one-act play, using snippets ofMoore's poetry to frame the time, Ali's immediate and lasting appeal through his pithy quotes uttered over two decades, and foreshadowing his thoughtful future self.Bernadette Armstrong directs a cast that includes Omari Williams as Muhammad Ali,  Anne Cooper as Marianne Moore, Gary Lamb as Toots Shor, and Justice Davis as Kandu.James Anthony Merolla is the playwright. A journalist with a career spanning four decades, he is also a director. His most recent play is Jane Austen Ruptured My Spleen!Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Send us a textA mysterious witch arrives at a suburban Halloween party with cupcakes and a purpose: collecting human fears. As guests fall under her spell, two friends must uncover her secret and stop her.Bernadette Armstrong directs a cast that includes Camille Ameen as Cyber Witch, Jon Paul Burkhart as Jax, and Goreti da Silva as Lana.Jessica Gale is the playwright.Jessica Gale (pen name) is a web content creator and writer based in Las Vegas, Nevada. She graduated from Fordham University in New York City.Jessica has written over a dozen ten-minute plays, several of which have been produced at festivals across the country, as well as a screenplay. Her work blends humor, suspense, and sharp insights into how people adapt to emerging technologies.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Send us a textThe play centers on a Times Square tarot and palm reading storefront run by a married pair of grifters. Everything changes when a wealthy and mysterious new client appears.Bernadette Armstrong directs a cast that includes Camille Ameen as Mary, Matt Foyer as Dave and as a flyer distributor, Noelle Evangelista as The Mark, and Allen Wasserman as Happ.Cameron Scott is a Connecticut-based playwright who was educated at NYU. A previous play, That Day Is Coming, Every Day Is Coming, was produced by Open-Door Playhouse. His play Uphill was a winning play at ESTAFest (Eastern States Theatre Association). He has also served in administrative capacities on numerous Broadway shows.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Send us a textAnkita Raturi basked under the Playwright's Spotlight for the World Premiere of her play Neha & Neel. In this discussion we break down the concept of applied theatre and being a teaching artist, how it effects character, exercises that extrude character and whether or not the practice makes it into a piece. We unpack earning a monologue, the first steps of playwriting, writing bi-lingually, dramaturgical playwriting, and the audience's experience. We also discuss finding directors for foreign language pieces, writing multiple characters for one actor, discovering "magic" in grad school, self producing, keeping notes, ego, and good ideas, and clear guidelines and the ethics of paying fees to have one's work read. Ankita is a force to be reckoned with that every playwright can learn from. Enjoy!For tickets to Neha and Neel at LATC in Los Angeles through November 16th, visit - https://www.latinotheaterco.org/nehaandneelAnkita Raturi is a currently Queens-based writer and teaching artist. She writes hyper-theatrical works in English, Hindi/Urdu, and sometimes Bahasa Indonesia about living between cultural identities and contending with the ongoing legacies of colonization. She is the 2024 Winner of the Los Angeles New Play Project Award, and 2022 Winner of the Bret Adams and Paul Reisch Foundation's Ollie Award. New play developments include Theater Mu, Playwrights' Center, New York Theatre Workshop, Roundabout, Ma-Yi Theater Company, South Coast Repertory, Ensemble Studio Theatre, Playwrights Realm, and Berkshire Theatre Group, just to name a few. She is currently practicing applied theatre as an actor-teacher with CUNY's Creative Arts Team. B.F.A. in Drama: NYU/Tisch. M.F.A. in Playwriting at UC San Diego.To watch the video format of this episode, visit - https://youtu.be/T19LZUw4vC4Links to sites and resources mentioned in this episode - New Play Project - https://lanpp.orgBret Adams and Paul Reisch Foundation - https://www.bretnpaulfoundation.org/Theater Mu - https://www.theatermu.orgPlaywrights' Center - https://pwcenter.orgNew York Theatre Workshop - https://www.nytw.org/Roundabout Theatre Company - https://www.roundabouttheatre.orgMa-Yi Theater Company - https://ma-yitheatre.org/South Coast Rep - https://www.scr.orgEnsemble Studio Theatre - https://www.ensemblestudiotheatre.org/Playwrights Realm - https://www.playwrightsrealm.org/Berkshire Theatre Group - https://www.berkshiretheatregroup.org/Clubbed Thumb - https://www.clubbedthumb.org/New Play Exchange - https://newplayexchange.orgSocials for Ankita Raturi - IG - @ankitawritesWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Send us a textPat and Robin meet at a dance and then head to Pat's basement apartment. They start watching a televised broadcast of the classic film Dracula. One of them is terrified by the film. The other counsels, “There's no such thing as vampires.” That's right…..Isn't it?Kim Hlavac directs Ann Noble and Rob Nagle. John Cimics, a writer based in Midland, Texas, is the playwright.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

A life-changing course with Paula Vogel, San Francisco, post-grad revelations, The Kilroys, joy, and loss on this episode of “The Subtext.”

As a special offering in our Offscript feed, here's a monologue by Tanya Everett about the legendary blues and jazz singer-songwriter who wrote 'Downhearted Blues.'

Send us a textFor reasons he can't explain, Stephen feels compelled to enter a sketchy-looking tattoo parlor that any reasonable person would avoid altogether. Once inside, he encounters a peculiar old woman, who Stephen enlists to become the artist of his baptismal ink job. At the first prick of the needle, Stephen decides to make a move for the door, but the old woman bars his way with a terrifyingplan in store.Miranda Stewart directs a cast that includes Kevin Carr as Stephen/Storyteller, Anne Cooper as the Parlor Owner, Paul Sohm as the Doctor, and Ashley Law as Mrs. Dudley.Greg Burdick is the playwright. A graduate of Slippery Rock University, his previous plays include Accommodation, Insert Token, Secret's Out, Sign Here for All That Remains, Monessen Falls, and I'll Love You ‘Til the Cows Come Home. Also a director, he's helmed nearly one hundred productions.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

On this episode the editors dive deep into our fall AT issue with dramaturg/journalist Dezi Tibbs, then dig into Latin American representation with playwright-performer John Leguizamo.

Send us a text​​​Do citizens have the right to judge elected leaders on personal morals? An idealistic voter lost faith in a political candidate and is demanding that he return the contribution she made to his campaign. A man with ties to the candidate appears at her door, offering her money if she will "back off." Can her values stand up to the test?Bernadette Armstrong directs a cast that includes Rosemary Thomas as Agnes and Gilbert Glenn Brown as Evan.Rosemary FrisinoToohey is the playwright. A married mother of four, she resides in Baltimore. Her plays have received over 440 productions, domestically and internationally. Her full-length plays include Gladys in Wonderland, Crazy Quilt Blues, A Very Fowl Thanksgiving, Smoke in the Canyon, The Garbageman, Cornered, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

We can't wait to give our take on the top 10 most-produced plays and top 20 most-produced playwrights in America this season! These annual lists are generated by American Theater Magazine, and we love to dive in and discuss. We talk about what we expected, what surprised us, and how this list reflects some interesting trends for theater in America. Spoiler alert: this season we're producing a rolling world premiere from America's #1 most-produced playwright... Here are the lists so you can follow along! Top 10 most-produced plays in America in 2025-26 Top 20 most-produced playwrights in America in 2025-26

Editors unveil AT's annual Top 10 Most Produced Plays and Top 20 Most Produced Playwrights lists and chat with Irene Sankoff, David Hein, and the ubiquitous Gunderson.

Send us a textAllison and Mark have been best friends since grade school. Now, they're fortyish. Allison is a married suburban mom with three kids. Mark is single and gay. Allison has a lifelong fear of the dark. Just what happens when it's Lights Out?Bernadette Armstrong directs a cast that includes Cynthia Gravinese Brown as Allison, Matthew Scott Montgomery as Mark, and Noelle Evangelisti as The Nurse.Michael A. Buzzelli is the playwright. He's a stand-up comedian who has performed at such famous venues as the Ice House, The Improv, and The Comedy Store. He is the author of two books, All I Want for Christmas and Below Average Genius. Based near Pittsburgh, he is a theatre and arts critic, He is also an actor and Moth Grand Slam Storyteller.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.

Send us a textMatt and Lisa always seem to have plenty of money. Neither one of them has jobs. This perplexes and vexes their friends Erin and Tom.Miranda Stewart directs a cast that includes Michael Fletcher as Matt, Caitlin Bell as Lisa, Brittany Vallely as Erin, and Jaime Pla as Tom.Kevin B is the playwright. His recent play, The Jelly Bean, was a selection at the Pittsburgh New Works Festival. His other plays include The Little Match Girl Isn't Going to Die, American Strippers, Does It Rain on Mars?, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, We Ride at Dawn or Whenever, Beautiful Beautiful Cleopatra, and more. He is also an actor, director and producer.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.

This month we talk to the playwright and director Dexter Bullard, who's helming his new play, and we check in with two contributors to our Summer edition.

Prize winner of our 2025 Young Playwrights Competition, Grace Zanghi introduces an audio reading of their award winning play, Adams Apple. Followed by an interview with past honoree, Brennan Columbia-Walsh.Credits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou and Demien De SandiesReferences:Brennan Columbia-Walshhttps://www.backstage.com/u/brennan-columbia-walsh/A Doll's House by Henrik Ibsenhttps://en.wikipedia.org/wiki/A_Doll%27s_HouseShe Kills Monstershttps://en.wikipedia.org/wiki/She_Kills_MonstersHamlethttps://en.wikipedia.org/wiki/HamletHedda Gablerhttps://en.wikipedia.org/wiki/Hedda_Gabler

For this special edition (also on video), we gathered 4 smart NYC theatre folks to talk about their visions and recommendations for our art form and industry.

A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.

The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.