Podcasts about playwrights

Every summer, something extraordinary happens in Ojai.Nearly 1,000 new plays arrive from writers across the country. After months of rigorous evaluation by dramaturgs, directors, and theater professionals, only six or seven are chosen for the Ojai Playwrights Conference — one of America's premier incubators for new theater.Those playwrights spend two intensive weeks rewriting, collaborating with acclaimed directors and dramaturgs, and hearing their words brought to life by professional actors before live audiences. It's where promising scripts become exceptional plays.Readings of these fresh works with professional actors takes place July 30 to August 2 this year on the Thacher School campus.In this episode of Ojai: Talk of the Town, host Bret Bradigan sits down with Jeremy B. Cohen, Producing Artistic Director of the Ojai Playwrights Conference, for a fascinating conversation about what separates good theater from great theater, why live performance remains unlike any other art form, and how the Conference discovers bold new voices whose stories may one day appear on stages across the country.They explore the creative workshop process, the elusive qualities of compelling dramatic writing, the importance of artistic risk, and why Ojai has become one of the nation's most important destinations for playwrights.Whether you're a theater lover, a writer, or simply someone fascinated by the creative process, this conversation offers a rare look inside the making of new American theater — before the curtain ever rises.We talked about the OPC's integral Youth Workshop run by Kim Maxwell and her daughter Lily Brown, Jeremy finding his people in the theater world in western Massachusetts, running the venerable Playwrights' Center in St. Paul, Mn. and Broadway legend George Abbott. We did talk about Marie Kondo, Komodo dragons, or looksmaxxing.Check out OjaiPlays.org for schedule and much more.

"Make Your Own Content" Is Incomplete Advice. Here Is What It Actually Means. I was scrolling TikTok, as one does, and I came across an actor who was fired up. She said the advice to make your own content is terrible. Her take was basically, I'm an actor, not a writer, not a producer, not a director. I don't have a crew or a budget. So what are you actually asking me to do here? Pull a short film out of thin air between my day job and my auditions? And I watched that video and thought, you know what, there's a point there that's fair. But I also think the advice is incomplete. Not wrong. Incomplete. And incomplete advice is dangerous because it sounds reasonable enough that people try it, fail, and then blame themselves. So today I want to unpack what make your own content actually means, who it's for, and how it means something completely different if you're a voice actor. The Advice Is Missing a Map As it's typically delivered, in workshops, masterclasses, panels, the advice sounds like this. Don't wait to be cast. Create your own opportunities. Write something. Film something. Put it out there. For a certain type of actor with a certain set of skills and resources, that advice is genuinely transformative. I've seen it work. But here is what it quietly assumes. It assumes you can write, or that writing is easy to pick up on top of everything else you're already doing. It assumes you have access to equipment and someone who knows how to use it. It assumes you have time. Not just time, but the kind of uninterrupted, energized creative time that doesn't happen at 10pm after a full day of survival jobbing and self-taping. It assumes you have money for space, editing, sound, and the seventeen other things that go into putting something on screen. And it assumes that the part of you that loves acting also loves producing. Those are not the same skill set. They are often not even the same personality type. So yes. As a blanket statement handed to every actor in every room, make your own content is incomplete at best and demoralizing at worst. What Nobody Tells You Recently I got together with some creative friends and we all said the same thing. We want to make something. We have ideas and we're tired of waiting. And here is what happened next, and this is the part that never gets said. We divided it up. I like to write, so I wrote some scenes. I don't want to be on camera, so I'm not going to be. A friend wants to film, so she's behind the camera. She needs reel content, so we're building it so she gets that. Other people are acting in it. The only money we're spending is on the space to film. That's it. Nobody is doing everything. Nobody is wearing every hat. Nobody is burned out before we even start. We collaborated. I know that sounds obvious when I say it out loud. But I don't think it's what people picture when someone says make your own content. They picture one exhausted person alone in their apartment trying to write, film, light, direct, act, edit, and distribute a short film by themselves. And that version is a nightmare. The collaboration version is actually fun. It's sustainable. It gets finished. So if you've been sitting on this advice and feeling like you can't do it because you're not a filmmaker, I want you to recalibrate the question. The question isn't can I make this content alone. The question is who do I know who wants to make something. Those are very different questions, and the second one is a lot more answerable. For Voice Actors, This Conversation Is Better Here is what making your own content looks like in voiceover. You need something to read. Then you record yourself reading it. You don't need a location, a camera, lighting rigs. You need your booth, your mic, your interface, and something worth recording. That something still needs to be good. You can't grab any text off the internet and call it content. It needs to be written well and serve a purpose. But here's what the on-camera version of this advice doesn't have access to that you do. There are artists everywhere who want their work heard. Poets who have never had their work read aloud by a professional voice actor. Playwrights with monologues sitting in a drawer. Short story writers who would lose their minds if they found someone with a real studio setup who wanted to record their work. Indie game developers who need narration. Indie comic writers who want audio versions of their stories. People are writing things right now who don't know you exist. And you can be the person who brings their words to life. In exchange, you get professional material to record, a real sample, and a collaboration that means something. That's not just making content. That's building a creative network. That's two artists making each other's work better. What to Actually Do This Week If you're an on-camera actor, stop trying to do this alone. Make a list of five creative people in your life. Actors, writers, directors, photographers. Send them a voice memo. Say something like, hey, I've been wanting to make something. Are you in? You will be surprised how fast a team assembles when someone actually initiates. Start smaller than you think. A two-person scene. A monologue filmed in a living room. A table read on Zoom. Something you can actually finish is worth infinitely more than a grand vision that never gets started. If you're a voice actor, find a writer this week. Go to an open mic. Post in a local Facebook group or Discord. Reach out to someone whose Substack you love and tell them you'd love to record something they've written as a creative project. Most writers have never been asked this. Most of them will say yes. The Bottom Line Make your own content is not wrong. It's just been delivered without a map. Figure out what you actually bring. Find people who bring the rest. Start smaller than your ego wants you to. And do not try to be a one-person production company unless that is genuinely who you are. If you're a voice actor, your version of this is more accessible than almost anyone's. You have the setup. You have the skill. And there are artists out there right now who want exactly what you can offer. Go find them. Want to Keep the Conversation Going? If something landed for you today, share it with an actor friend who needs to hear it. And reach out to Mandy at mandy@actingbusinessbootcamp.com for questions, content, whatever it is. Find her Substack, The Actor's Index, for more.

Send us Fan MailJulie loves Evan and wants to be his wife and have his children. Evan loves Jilie, but won't give her that kind of future. There's a reason for that.Bernadette Armstrong directs a cast that includes Sue Gisser as Julie and Matthew Scott Montgomery as Evan.Author Martin Fogarty is an Asian-American playwright and acting coach based in Oregon. He received his Master's Degree at the University of Washington.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

This month Brian talks to the author of 'Light Switch' and 'Berrywild' about autism, mentorship, and learning to live alongside cringe.

Send us Fan MailErik Patterson dropped into Playwright's Spotlight before the opening of his upcoming play - Fucking Strangers. In this discussion, Erik shares his start into playwriting, what makes a bad play, the definition of "spectacle", achieving reversal, and pushing forward as a playwright. We also unpack developing ideas, using prompts, expectations from feedback, the disdain for "The Play That Goes Bad" series, what can be learned from student playwrights, the remedy for never-ending dialogue, and when it's time for a monologue. We wrap our talk up with trying new things, how to bring humor into serious situations, his steps after graduating, the benefits of volunteering and networking, avoiding coming off desperate, waiting for permission, and finessing one's work during rehearsals. Erik offers a lot of insightful information that playwrights from every level can take something from. Enjoy!For tickets to Fucking Strangers at The Echo Theater Company July 18th through August 24th, visit - https://echotheatercompany.ludus.com/show_page.php?show_id=200519152For tickets to Faggots in Love at Theater of Note, visit - https://theatreofnote.ludus.com/show_page.php?show_id=200534559Erik Patterson is an award-winning playwright and screenwriter whose plays One of the Nice Ones (Los Angeles Drama Critics Circle Award for Best Playwriting) and Handjob were previously produced by The Echo Theater Company. Patterson's work has been produced/developed by such theaters as Playwrights' Arena, the LATC, The Actors' Gang, Naked Angels, Mark Taper Forum, Provincetown Theater Company, and New Group, and have been nominated for Ovation, Stage Raw, LA Weekly, and GLAAD Media awards. To watch the video format of this episode, visit - https://youtu.be/7-XRfC0tuz8Links to sites and resources mentioned in this episode - Echo Theater Company - https://www.echotheatercompany.comTheatre of Note - https://www.theatreofnote.comActors' Gang - https://theactorsgang.com/Socials for Erik Patterson -IG - @erikrosspattersonTikTok - @yourdailywritingprompt  YouTube -  @YourDailyWritingPrompt Patreon - https://www.patreon.com/erikpatterson?utm_source=search          Amazon -https://www.amazon.com/stores/Erik-Patterson/author/B09H561S9X?ref=sr_ntt_srch_lnk_1&qid=1783401980&sr=8-1&shoppingPortalEnabled=true&ccs_id=45cc4248-c6e8-4f99-8415-9a8e48f0fd4eWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Send us Fan MailOne night during the early years of the American Revolution, John Adams and Benjamin Franklin are compelled to share a room at a crowded inn. While the men have different temperaments, they are dedicated to the cause for the revolution. Bernadette Armstrong directs a cast that includes Daamen Krall as John Adams,  David Trice as Benjamin Franklin, Hessel Evelear as the Innkeeper, and Justice Davis as the Handyman.Terrence Owen Sherry is the playwright. A former Presbyterian pastor, Hospice counselor, and Seminary instructor, he received his doctorate from the Claremont Graduate University.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

KVMR arts reporters Joyce Miller and Cy Musiker spoke to Kimberly Clouse, founder of the Nevada County Playwrights Collective and actor and director Sky Seals about the festival of new plays the collective is presenting Thursday June 25th through Sunday June 28th at the Miners Foundry in Nevada City. 

Send us Fan MailPat, an isolating, military veteran is asked to put his pain aside to be the father his adult son needs when the young man arrives unannounced… but will he be able to?Gary Lamb directs a cast that includes David Purdham as Pat and David Andrew Calvillo as Zayne.Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

This month, Brian talks to Andrea Stolowitz, a playwright and librettist with dual U.S./German citizenship who talks about her complex relationship with home.

A New Orleans immigration court is set to increase the number of hearings judges oversee each day dramatically. This is due to the Trump administration's push to accelerate deportation decisions. Bobbi Jeanne Misick has been covering this for Verite News. She joins us for more on the so-called “mega” hearings. The André Cailloux Center for Performing Arts and Cultural Justice, located on historic Bayou Road in New Orleans, is gearing up for some exciting summer projects. Named for Civil War hero and freedom fighter André Cailloux, the center serves as a multidisciplinary arts and cultural hub dedicated to promoting justice, community engagement and economic opportunities for Black artists and cultural organizations. Lauren Turner Hines is the founding envisionist and executive lead of the center. She tells us more about the organization's founding and current initiatives. __Today's episode of Louisiana Considered was hosted by Sara Henegan. Our managing producer is Alana Schreiber, and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Send us Fan MailWhen an older woman comes to a hospital to collect her injured grandson, she meets a young man who turns out to be the grandson's boyfriend. As they wait for news, the two of them grapple with the generational differences between them.Bernadette Armstrong directs a cast that includes Anne Cooper as Debra and Larry Coleman as Jace.Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are Holy Hell, FREE, Snow White Who?, Sex in the Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

An unexpected entanglement between Heated Rivalry breakout star Hudson Williams and Playwrights Canada Press' Yaga has led the Canadian independent press to its busiest season since it started operations in 1984. We talked to Annie Gibson about how they've handled the increase in sales, how they reach readers beyond Canadian borders, their plans for the future, and more. Find the transcript here: https://www.booknetcanada.ca/blog/2026/5/26/podcast-the-heated-rivalry-ripple-effect-impacting-playwrights-publishing-in-canada

Send us Fan MailElena (she/her) meets up with her daughter Rox (they/them) a day late, to help Rox pack up their apartment after graduation from college with her Master's degree. As they go through the piles of things to pack or discard the conversation between them delves into unresolved mother-child issues.Bernadette Armstrong directs a cast that includes Julia Sanford as Elena and Christine Uhebe as Roxs.Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles. Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

"The Emporium" was Thornton Wilder's last play, left unfinished at the time of his death. Now, 75 years later, playwright Kirk Lynn has finished the play, which is running at the Classic Stage Company. "The Emporium" stars Joe Tapper as a young man on a journey of discovery. Lynn and Tapper discuss the play, running at the Classic Stage Company through June 7.  Photo by Marc J. Franklin: From left, Candy Buckley (Bernice & others), Patrick Kerr (Mr. Benjamin), Joe Tapper (John),Eva Kaminsky (Miss Coley), and Mahira  Kakkar (Mrs. Frisbee) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The playwright and director from Hawaii and Nevada discusses ‘Death Play,' ‘Sumo,' yearning, loneliness, and the wisdom of accepting loss.

Send us Fan MailA man and woman separately relate the story of the tragedy that brought them together and the love that redeemed them both.Gary B. Lamb directs a cast that includes himself as The Man and Elaine Mello as The Woman.Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are FREE, Snow White Who?, Sex in The Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 488th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Training for Playwrights!   SAVE SOME BUCKS! 40% off with the Code: OFF40 Playwriting Coaching  -  Book it here:  https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:   https://www.manhattanrep.com/premiere   Check out my BIG Brand New Playwriting Event: HOW TO FIX YOUR PLAY https://www.manhattanrep.com/fix-play Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   Email: How2WritePlays@yahoo.com

Of the estimated 1,500 plays written in ancient Greece, only 33 complete works survive today—the rest were lost because medieval scribes deemed low-brow comedies and mass entertainment unworthy of expensive parchment during the transition from fragile papyrus to durable vellum, prioritizing canonical tragedies and Christian-compatible texts over Menander's seriocomic dramas and experimental works about shapeshifting heroes. The only reason we know anything about hundreds of these vanished plays is Joannes Stobaeus's fifth-century AD Anthologion, a four-volume anthology of excerpts from over 500 Greek authors compiled to educate his son Septimius, preserving bite-sized quotations that warn good people don't always prosper, power favors the shameless, and politics rarely rewards the just. Today's guest is James Romm, author of Since You're Mortal: Life Lessons from the Lost Greek Plays. We discuss how Stobaeus reveals lost works like Sophocles' Achilles' Lovers featured shapeshifting and humanized heroes far more experimental than surviving plays, why some of the lost plays may have deserved to disspear forever (sort of like VHS copies of B-movies like Deathbed: The Bed that Eats that are rotting away on thrift store shelves and haven’t been transferred to HD format) and how Romm became the first scholar to translate many of these fragments as poetry for English-language readers, restoring the rhythmic force that made them memorable on the ancient stage.See omnystudio.com/listener for privacy information.

In the new Broadway play "Becky Shaw," a blind date goes disastrously wrong, spinning out into unexpected consequences for a whole group of interconnected people. Actors Patrick Ball  (still with us from the previous conversation about "The Pitt") and Madeline Brewer discuss starring in the show, running now at the Helen Hayes Theater. Photo by Marc J. Franklin

Send us Fan MailA yearslong battle that involved a notorious baseball manager, a marshmallow salesman and a few swinging punches comes to a resolution at a dive bar in Pennsylvania.Mimi Kmet directs a cast that includes Matt Foyer as Daniel, Goreti da Silva as Barb, Kenajuan Bentley as Pete, and Gary Lamb as the Cop. Judith Isacoff is the playwright. She is the author of the books Adventures in Tuscany and Working Girl's Guide to Hong Kong, as well as several short plays, including Vietnam Wives. She is a graduate of the University of Missouri-Columbia.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

[REBROADCAST FROM March 2, 2026] In the new one-man show written by David Cale, Sean Hayes stars as Elliott, a playwright and lyricist suffering from writer's block. But as he searches for something to write about, he begins to realize that he might be being stalked. Cale, Hayes, and director Leigh Silverman discuss "The Unknown," running at Studio Seaview through April 12. Photo courtesy of the production

The playwright and founding artistic director of a site-specific theatre discusses going from studying computer science at MIT to honing in on his artistry.

The new Broadway adaptation of the classic film "Dog Day Afternoon" stars Jon Bernthal as Sonny, an intense but loveable bank robber, and Jessica Hecht as Colleen, a level-headed bank teller. Bernthal and Hecht discuss the play, running now at the August Wilson Theatre through July 12. Photos by Matthew Murphy and Evan Zimmerman

Send us Fan MailOlivia Dufault took time to sit under the Playwright's Spotlight before the opening of her latest play - "For Want of a Horse." In this discussion, we unpack her introduction and journey into playwriting, learning from past influencers, learning through evolution and gaining focus yet learning from lack of collaboration. We explore her path of starting new work, entering the flow state and giving characters what they want, her impetus of learning structure and the lessons of overwriting, writing in "crazy spaces" and achieving the suspension of disbelief. We delve into the influence and tapping into Greek tragedies, the concept of "Tends to Be" structures vs unconventional approaches, motivation through music as well as keeping outlandish characters real. We wrap things up sharing her experience finding fellowship opportunities and the benefits of them being in-person, the time for being comfortable to share, creating your own group, and building your own community. These are only a few topics amongst others that playwrights of all levels will benefit from. Enjoy!For Want of a Horse opens at the Echo Theater Company in Atwater Village in Los Angeles on April 18 thru May 24. For tickets, visit - https://echotheatercompany.ludus.com/index.phpOlivia Dufault is a playwright, screenwriter and comic book writer. Her plays include Year of the Rooster and The Tomb of King Tot, both named “Critic's Pick” by The New York Times, and The Messenger. Her plays have been performed at the Ensemble Studio Theatre/Youngblood, the Flea Theatre, the Marin Theatre, the 52nd Street Project, the Theater for the New City, UpStart Theater, and the Stray Dog Theater, among others. In addition to the Venturous Playwrights Fellowship, she is the recipient of a Playwrights of New York Fellowship, a Sloan Commission, the David Colicchio Emerging Playwright Award, the Lipkin Playwriting Award, and three Harle Adair Damann Playwriting Awards. To watch the video format of this episode, click - https://youtu.be/iI_QnnUkB0sLinks to sites and resources mentioned in this episode - The Pony Playwriting Contest - https://www.equusippe.comYoungblood Theatre - https://www.ensemblestudiotheatre.org/youngbloodEcho Theater Company - https://www.echotheatercompany.comSocials for Olivia Dufault -IG - @livdufaultWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Dmae Lo Roberts decided to focus on four female playwrights in the festival: Sandra de Helen, Josie Seid, Alisha Christiansen and Erin Rachel. 

Send us Fan MailGifted and successful novelist, Archie Lovecraft, is overworked and over stressed. He drinks too much and feels enormous pressure to stay on top in the literary world. In addition, he hates technology and denounces it at every turn. His best friend and I.T. specialist, George, is desperately trying to bring Archie into the 21st century and rid him of his old- school ways. One Halloween afternoon, Julia, Archie's computer, has somehow come to life and starts verbally berating him. Will this talented writer be able to win this “war of words?”Dennis Gersten directs Allan Wasserman as Archie, Tezz Yancey as George, and Marine de Vachon as Julia. Samuel Sardina is the playwright. His newest play, Lucky Numbers, debuted in New Jersey in February. He is also a producer.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Dmae Lo Roberts decided to focus on four female playwrights in the festival: Sandra de Helen, Josie Seid, Alisha Christiansen and Erin Rachel. 

Send us Fan Mail"You just have to trust the process and keep going." Sometimes, the creative process is quick--but sometimes, it takes years to honor the creative vision you have for a project.In this episode, Emmeline sits down with Christine Hand Jones and Kenady Sean, the two brilliant minds behind The Scarlet Letter musical! The women share more about how the musical began, what steps they've taken to hone the production over the years, and how acceptance into the Spark Theatre Festival in New York City inspired them to finally put together the show they'd always wanted to make. They also talk about the process of writing, rewriting, and casting so that every new creative perspective makes the show better.To learn more about The Scarlet Letter, or to get tickets to the DFW or NYC productions in April, visit The Scarlet Letter Musical Linktree. You can also learn more about the Broadway Bridge Project by following Kenady on social media or visiting her official website. For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Prolific playwrights Mona Mansour and Emily Zemba recently debuted Entangled: 12 Scenes in a Circle K off the I-40 in New Mexico. The play, which was directed by Scott Ilingworth, premiered at HERE Arts Center and is presented by SOCIETY Theatre Company. SOCIETY is a collective of theatre makers creating new research-driven, radically collaborative works. This episode was recorded March 23, 2026. Read the New York Times piece about quantum entanglement, https://www.nytimes.com/2022/10/10/science/black-holes-cosmology-hologram.html Dan Hooper's podcast that was mentioned is Why This Universe? Learn more about your ad choices. Visit megaphone.fm/adchoices

In the revival of Clare Barron's play "You Got Older," Alia Shawkat stars as Mae, a young woman in a state of limbo after losing her job and moving home to take care of her father (Peter Friedman) who is battling cancer. Shawkat, Barron, and director Anne Kauffman discuss the play, running now at the Cherry Lane Theater. Photo by Marc J. Franklin

Tony-nominee and TikTok sensation Kevin Chamberlin says kindness is the key to longevity. The When Playwrights Kill actor joins host Robert Peterpaul for a morning chat on The Art of Kindness to discuss: How kindness and authenticity built his legendary acting career from Wicked to Seussical to Addams Family. Going viral on TikTok years after his Disney Channel hit Jessie and embracing a whole new digital chapter. Surviving Broadway chaos, on-stage mishaps, and finding humor in it all. Why you should “let it ruin your breakfast, not your lunch.” The importance of finding one moment of joy every day—and much more! KEVIN CHAMBERLIN is a three-time Tony Award-nominated actor. Kevin is best known for his work on stage in Dirty Blonde, Seussical, and The Addams Family as well as on-camera in Disney Channel's “Jessie”. Following his time on “Jessie”, Kevin quickly rose to online prominence, accumulating an audience of 12 million engaged fans across social media platforms. Check out: WHEN PLAYWRIGHTS KILL Got kindness tips or stories? Please email us: ⁠artofkindnesspodcast@gmail.com⁠ Follow Kevin @chamberlin.kevin Follow us ⁠@artofkindnesspod⁠ / ⁠@robpeterpaul⁠ ⁠Support the show⁠! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

WE HAVE MERCH, CHECK IT OUT: https://artistsonartistsonartistsonartists.com/shopOscar Wilde, Samuel Beckett, George Bernard Shaw, W. B. Yeats. Some of the most iconic playwrights across genres, from absurdism to pastoral stories. Nestled within sweeping hillsides and rocky cliffs, Irish playwrights's stories have been told across not just the continent but the world. This week we sat down with some modern Irish playwrights as they discuss their own legacies they hope to leave, how their Irish upbringing has influenced their work, and the last time they saw God. All in the most beautiful and accurate of accents. Grab a pint, sit down at the pub with us, and listen in!This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Produced by Laservision Productions. Music by Gabriel Ponton. Edited by Conner McCabe. Thumbnail art by Josh Fleury. Logo designed by Lucy Tomkiewicz.Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

Send us Fan MailThe Fall: High on the last branch of an oak tree, two aging leaves cling to one another on the last day of autumn. As others have already fallen, they reflect on warmth, beauty, and the terrifying mystery of what comes next. Their quiet conversation becomes a meditation on life, love, and loss.Bernadette Armstrong directs Camille Ameen as Leaf #1 and Gloria Tsai as Leaf #2. Bart Lovins is the playwright. His other plays include Keep the Faith and Pass the Fettuccini, and four Sherlock Holmes plays, The Sign of Four, A Study in Scarlet, The Valley of Fear, and The Hound of the Baskervilles. He is also an actor and director.A Cup of Jo: A waitress at a diner is fascinated by a handsome and alluring nightly customer named Vlad.Bernadette Armstrong directs Leona Lovemoor as Jo and Peter Bonoff as Vlad.Leona Lovemoor is the playwright. She is also an artist and actor.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

In the new play "Cold War Choir Practice," a young girl finds herself spending time with her conservative Black uncle, who is into Reagan, conspiracy theories, and roller rinks. Alana Raquel Bowers, who plays "Meek," discusses the show, along with playwright Ro Reddick, who recently took home the prestigious Susan Smith Blackburn Prize. "Cold War Choir Practice" runs at MCC Theater through March 29. Image courtesy of the production, via NYTG

The playwright, originally from Wisconsin, discusses her company, influences, exposure therapy, and the challenges of being an 'emerging' artist.

"Antigone" is a classic play many students read in high school or college. Playwright Anna Ziegler has written a new play inspired by her experience reading "Antigone" growing up, "Antigone (This Play I Read in High School)," running at The Public Theater through March 29. Zieglier discusses her production alongside actors Celia Keenan-Bolger (chorus) and Tony Shaloub (Creon). Photo credit: Joan Marcus

Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAndLaurence Publicover Associate Professor in the Department of English at the University of BristolProducer: Simon TillotsonReading list:Hailey Bachrach, Staging Female Characters in Shakespeare's English History Plays (Cambridge University Press, 2023)Warren Chernaik, The Cambridge Introduction to Shakespeare's History Plays (Cambridge University Press, 2007) Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018) Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999)Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997)William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024) William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003) In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Send a textWhile leaving the theatre one night, an actor is confronted by someone from his past.Gary Lamb directs himself as Arlo, Larry Coleman as Spencer.F.J. Hartland is the playwright. Based in Johnstown, Pennsylvania, he is the recipient of an M.F.A. from Carnegie Mellon University.   The prolific writer's previous plays include TED, Fat and Fiction, Games of the Mind, A Piano Player with Sad Brown Eyes, What the Puck?, Tina, Be a Guest, Smoke and Fire, and more. He is also a director (over 100 credits) and actor.  Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

In the new one-man show written by David Cale, Sean Hayes stars as Elliott, a playwright and lyricist suffering from writer's block. But as he searches for something to write about, he begins to realize that he might be being stalked. Cale, Hayes, and director Leigh Silverman discuss "The Unknown," running at Studio Seaview through April 12. Image courtesy of the production

Send a textAlycia and Tyler meet on a flight from Houston to Los Angeles. As they experience extensive turbulence along the way, they distract themselves by sharing intimate secrets with each other.Bernadette Armstrong directs Christine Uhebe as Alycia and David Phurdham as Tyler.Linda Shayne is the playwright. She graduated from UC Berkeley, worked in mental hospitals and published articles about San Quentin State Prison ex-offenders, before she became a writer/director in film and TV. Shayne has written movies for Disney, Showtime, Imagine Entertainment, and directed for Nickelodeon,  Warner Bros, and Paramount. Shayne created a dramedy TV series for Quincy Jones, two animated series for Warner Bros, and a dramedy TV series to film in Thailand. She directed an award-winning documentary playing festivals and adapted a WW2 spy book for a Swiss producer. Recently, Shayne was hired to write/direct a rom-com movie.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

Send a textI stumbled upon Patrick Gabridge on the World Wide Web, and he was kind enough to come on to the Playwright's Spotlight after reaching out to him. If there was a playwright who has been in the spotlight who might have a pathway to success, it would be Patrick Gabridge. With a non-traditional approach to writing, Patrick focuses on site-specific plays that are staged in non-traditional stages. Before we delve into this, we speak about marketing and his networking group - Playwright Submission Binge - and how the market has dwindled and changed over the years and how it has affected non-equity theatre. We discuss his development of Plays in Places and its historical accuracy and use of creative license, how it's opened doors to success, the Secret Sauce, and pitching to non-traditional venues. We also breakdown approaching Youth Plays as an older playwright, writing competition plays, what constitutes high drama and whether or not there is a formula. We wrap things up with achieving exposition in a 10-minute play, experiencing poor productions of one's work, advice for finding/developing a writers group, and networking with playwrights. This is a fascinating conversation that should present any playwright with phenomenal opportunities. I'd love to how things transpire if anyone listening takes this path. Enjoy!Patrick Gabridge is a playwright whose work includes Blood on the Snow, Chore Monkeys, Lab Rats, Distant Neighbors, Fire on Earth, Flight, Constant State of Panic, Pieces of Whitey, Blinders, and Reading the Mind of God, which have been staged in theaters across the country. His plays can found in  Playscripts, Brooklyn Publishers, Heuer, Smith & Kraus and various“Best of” anthologies.He assisted is creating Boston's Rhombus Playwrights writers' group, the Chameleon Stage theatre company in Denver, the Bare Bones Theatre company in New York, the publication Market InSight… for Playwrights, and the on-line Playwrights' Submission Binge. He's also a member of the Dramatists Guild,  StageSource, and a board member of the Theatre Community Benevolent Fund.  In 2013, he co-founded the New England New Play Alliance and still serves as its coordinator.To view the video format of this episode, visit the link below - https://youtu.be/wkpI3jR_Or0Links to sites and resources mentioned in this episode -Playwright Marketing Binge - https://groups.io/g/playwrightbingeSeven Devils New Play Foundry - https://www.sevendevils.orgMid America Theatre Conference - https://matc.usThe O'Neill - https://www.theoneill.orgPlays in Place - http://playsinplace.comBrooklyn Publishers - https://www.brookpub.comHeuer Publishing - https://www.hitplays.comSocials for Patrick Gabridge and Plays in Place - FB - https://www.facebook.com/patrickgabridgeIG/Threads - @patrickgabridge YouTube -  ⁨@pgabridge⁩  FB - https://www.facebook.com/profile.php?id=61558727695681IG/Threads - @plays_in_placeWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's SpoSupport the show

The playwright, screenwriter, and musician talks about juggling various projects, how to manage the emotional ups and downs in an unpredictable career path, and the value of teaching.

Offscript is American Theatre's flagship podcast, available wherever you get your podcasts (including Spotify and Apple Podcasts). Our first episode of 2026 features an interview with Dallas Theater Center’s recently named new artistic director, Jaime Castañeda, who tells about his background not only in Texas but all across the country (and in London) and about what he in store for Dallas theatregoers. We also chat with Kara Cutruzzula and Colin McDonald, founding co-editors of a new online publication about Off-Broadway theatre, readthehat.com, about how they choose their stories and what…

The playwright behind ‘Committed' and ‘Apologies to Lorraine Hansberry (You Too August Wilson)' shares their journey from aspiring corporate defense attorney to playwright.

As a special offering in our Offscript feed, we offer this monologue by Gethsemane Herron, performed by Candace Boahene, about Harlem Renaissance writer, artist, and journalist Gwendolyn Bennett.

This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.

As a special offering in our Offscript feed, we share this monologue by Kevin Renn about the legendary fashion designer who gave the world the Playboy Bunny costume.

Our 2025 holiday stocking is stuffed: We chat with the writer/star of 'Ain't No Mo' and 'Oh Happy Day!,' with the director and star of the Alley's 'Night Shift Before Christmas,' and with award-winning critic-producer Citlali Pizarro.

The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.

As a special offering in our Offscript feed, here's a monologue from playwright Darnell Lamont Walker about the legendary Harlem crime boss, performed by Keith Randolph Smith.