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Send us a textLooking for a new apartment together is a great way to get to know somebody and their existential despair.Bernadette Armstrong directs Kim Hlavac as Kathleen, Michael Fletcher as Jeremy, and Barika Phillips Bell as the Rental Agent.Nino Greene is the playwright. The recipient of an MFA from San Francisco State University, his previous plays include You Don't Have to Cry and The Undecided Voters of Ballard County, Kentucky, c. 1856.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Chicago dramatist Meade Palidofsky uses theater as a therapeutic tool in her work with juvenile offenders who write and perform plays while incarcerated — and in the process see their lives through a new lens. To see additional resources and our other programs, please visit humanmedia.org . Humankind specials are heard on NPR and PRX member-stations, in […]
Chicago dramatist Meade Palidofsky uses theater as a therapeutic tool in her work with juvenile offenders who write and perform plays while incarcerated — and in the process see their lives through a new lens. To see additional resources and our other programs, please visit humanmedia.org . Humankind specials are heard on NPR and PRX member-stations, in […]
Send us a textA man is exceptionally devoted to his mother….much to the chagrin of his wife. No spoilers here, but a diamond is involved.Mimi Kmet directs Grey Gable, Ashley Taylor, and David Baer.Charles Simon is the playwright. A graduate of University of Wisconsin and Jewish Theological Seminary, his previous plays include The Wine Club, Backwards, and Therapisssts.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
This month we talk to 2 Tony-nominated directors who specialize in new plays, and catch up with tireless critic Chris Jones for a recap of the Broadway season.
Get More LVWITHLOVE Content Guests: Mary Wright – Education Director & Ensemble Member, Touchstone Theatre Krista Metter – Local Actor, Teaching Artist, and Touchstone Collaborator In this episode of the Lehigh Valley with Love Podcast, host George Wacker talks with Mary Wright and Krista Metter from Touchstone Theatre about the 20th Annual Young Playwrights' Festival, taking place Sunday, May 18 at 3 PM at Northeast Middle School in Bethlehem. This unique festival brings to life a selection of original one-act plays written by local elementary and middle school students—performed onstage by professional actors and community volunteers. The Young Playwrights' Lab began more than 20 years ago as an after-school program designed to foster literacy, confidence, and creative expression. Today, it's impacted over 2,000 students and remains one of the most joyful, collaborative, and heartfelt nights of theater in the region. Learn more + get tickets: https://touchstone.org/events/young-playwrights-festival/ Support the program through the Right to Future campaign at touchstone.org Watch Episode Watch On Youtube———-www.lvwithlove.com Thank you to our Partners! WDIY Lehigh Valley Health Network Wind Creek Event Center Michael Bernadyn of RE/MAX Real Estate Molly’s Irish Grille & Sports Pub Banko Beverage Company Episode Recap Celebrating 20 Years of Young Playwrights at Touchstone TheatreWhat happens when you hand the script over to kids? You get mad scientists, Greek gods, talking sharks—and themes that hit surprisingly deep. Mary Wright, who helped launch the program more than two decades ago, describes the festival as “a window into what kids care about right now.” With themes ranging from friendship and family to bullying and climate action, the work is wildly imaginative and undeniably heartfelt. Touchstone's Young Playwrights' Lab uses improv games, writing exercises, and group collaboration to help students develop their own one-act plays. Each year, a handful of these are selected and professionally staged as part of the festival. Krista Metter, who made her debut in last year's production as a scene-stealing octopus, shares how being part of the cast made her feel “like a kid again”—and how the program builds deep community ties by giving young voices a real spotlight. “It's not just a performance,” says Mary. “It's a celebration. A party. And the kids are at the center of it all.” With over 100 plays written this year alone and countless community members stepping in to help with directing, costumes, and production—this event has become one of the Lehigh Valley's most treasured arts traditions. Learn more: https://touchstone.org/events/young-playwrights-festival/ Listen to the episode: https://lehighvalleywithlovemedia.com/podcast/youngplaywrights20 Follow: @lvwithlove | @TouchstoneTheatre
Send us a textLongtime-listening playwright Brad McEntire streamed into the Spotlight to discuss his experience and approach to the craft. We discuss the exercises and lessons from studying under Will Power at Southern Methodist University and the Dallas Theatre Center, playing with the rhythm of dialogue, what beginning playwrights don't do or practice, and whether or not you can achieve impossible stage directions with a small budget. We also delve into his background as a literary manager, his process of one-person shows and the difference between solo performances and personal stories, the one-person structure as well as playing with different structures, tackling solo long-form improv, staging your own one-person show and finding opportunities for them. We wrap things up with the flaws of rewriting on stage and his podcasts - The Cultivated Playwright and Brad McEntire Plays and - and the difficulty of monetization. Brad's energy is contagious and his insight is valuable. Enjoy!Brad McEntire is a playwright, solo performer, and stage director. He is the author of more than a dozen plays, including Que Sera Giant Monster, I Brought Home a Chupacabra, Dinosaur and Robot Stop a Train, Raspberry Fizz, Langdon the Seasonal Barista, I Have Angered a Great God and The Yeti in the Airport Lounge among others. He is a satellite member of The Playwrights' Center and studied playwriting with Will Power as part of the Dallas Playwrights Workshop at Southern Methodist University. He has toured his original one-person shows Cyrano A-Go-Go, Chop, Robert's Eternal Goldfish and The Beast of Hyperborea performing in venues and festivals all over North America. Since 2008 he has served as artistic director of the small-batch theatre company Audacity Theatre Lab, and in 2015, McEntire served as the first theatre-artist-in-residence at the Kathy George Indie Artist Residency in Ashford, Oregon. He holds a B.F.A. from the College of Santa Fe and a M.A. from Texas Woman's University. He has a YouTube channel where he talks about theatre, including playwriting and solo performance.To watch the video format of this interview, visit - https://youtu.be/m1U8hBL9S50Links to sites and resources mentioned in this episode - Playwrights' Center - https://pwcenter.orgJerome Fellowship - https://pwcenter.org/programs/jerome-fellowships/McKnight Fellowship - https://pwcenter.org/programs/mcknight-fellowship-in-playwriting/Dallas Theater Center - https://dallastheatercenter.orgUndermain Theatre - https://www.undermain.org/New York City Fringe - https://frigid.nyc/new-york-city-fringe/Edinburgh Fringe - https://www.edfringe.comMinnesota Fringe - https://minnesotafringe.orgHollywood Fringe - https://www.hollywoodfringe.org/Elgin Fringe Festival - https://www.elginfringefestival.comWebsite and socials for Brad McEntire -www.bradmcentireplays.comFacebook - https://www.facebook.com/BradMcEntireIG - @dribblefunkAmazon - https://www.amazon.com/stores/Brad-McEntire/author/B00IX2B7P4?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=trueSupport the show
Send us a textThis is the fourth in a series of audio comedies featuring the Penny Slots, a trio of mature ladies who somehow find themselves doing heroic deeds and saving the day when thrown into dangerous adventures.The three superheroines are back by popular demand. In Theatre 80, Part Three; Ladies Fly Home To Vero Beach, Penny Slots Ladies, Kay, Marie and Helen handed in “their wings” after saving their plane from crashing when the pilot fell unconscious from narcolepsy, therefore retiring from the duty of saving lives and returning to live their calm lives in their hometown of Vero Beach, Florida, until...... Kay's husband Bill winds up in the VA hospital after a very freak “accident”. All ladies are visiting in Bill's hospital room when a catastrophic “event” occurs to cause the women to jump back into action and put on their heroine costumes one more time. Are they successful this time? Will they land on the front page of the Florida Herald and make the national news? Have a listen to Part 4, Ladies Visit To Vero Beach VA Hospital, and see if the paparazzi show up to witness another incredible act of heroism or maybe not. Kim Hlavac writes and directs the lovely cast of Carole Goldman, Marla Cotovsky and Goreti da Silva as the Penny Slots, featuring Googy Gress as Bill and Brad David Reed as Archie.Playwright-Director Kim Hlavac graduated from SUNY Purchase and performed in various plays in New York, on TV, and in commercials. Her recent acting credits for Open-Door Playhouse include roles in Remembrance and Small Cat Negotiable.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
The writer of 'Funny, Like an Abortion' and 'The Night Witches' talks about long commutes, writing science plays, and the parts she wishes she'd been able to play in school.
Playwrights and RSC artistic directors Reed Martin and Austin Tichenor discuss the updates they've been making to all their scripts (including All the Great Books (abridged), featuring Doug Harvey, Tré Zijuan Tyler, and Michael Faulkner, below) and how their writing process begins with coming up with material that's personal resonant. Martin and Tichenor reveal the despair of artists listening to the mortgage when evaluating their work; how not all laughs are created equal; how the great job of making people laugh now feels like an supremely important job; and how hearing the audience gasp at the turns in the narrative is even more satisfying to us. (Length 24:21) The post Funny To Us appeared first on Reduced Shakespeare Company.
Send us a textA desperate man and woman accidently choose the same bridge to bring their troubles to an end and realize they may have found what they've been missing in each other, but is it too little too late?Yunyi Zhu directs Christine Uhebe as Alina and Larry Coleman as Harris.Rich Nagle is the playwright. He's a musician and songwriter active in the Washington State area who also writes screenplays.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send your questions or provocations to Adam or Budi here!In this episode Adam is joined by Steven Gaultney, our resident playwright and dramaturg, to discuss the notion of storytelling as a form of liberation. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: (Intro) Jack Burmeister, (Outro) https://www.purple-planet.comAdditional compositions by @jack_burmeister
In this episode of Stageworthy, host Phil Rickaby speaks with Cole Hayley, a theatre artist known for his innovative work and dedication to the Canadian theatre scene. Cole shares insights into his creative journey, the challenges and triumphs of working in theatre, and his latest projects. This episode explores: Cole's path into theatre and his artistic influences. The challenges of creating and sustaining theatre work in Canada. Insights into his latest projects and what excites him most. Thoughts on collaboration and artistic growth. Advice for emerging theatre artists. Guest:
Send us a textIn Jerusalem, at the Western Wall, a traumatized Israeli soldier gets into a debate with a rabbi about prayer notes stuck into cracks in the Wall, while nearby air raid sirens wail a warning.Bernadette Armstrong directs Gary Lamb and Dennis Gersten.Peter Prizel is the playwright. He is the author of two fiction books, The FermentedSavior and An Angelic Folly. He also writes poetry. Based in Bedford Falls, New York, he received a Master's Degree from Fordham University.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
This month we talk to the 6-time Tony-winning director about 'Gypsy' and his miraculous career, and the editors introduce our Spring print issue.
The writer of 'Issei, He Say' talks about making plays from her family's life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 Playwrights Melanie Tait and Sarah Carroll have a conversation about their careers and writing journeys. *** https://www.currency.com.au/authors/sarah-carroll/ https://www.currency.com.au/authors/melanie-tait/
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 Keynote Address by Andrea James - Are You Brave Enough? *** https://www.currency.com.au/authors/andrea-james/
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 GROUP CHATS/HOME TRUTHS: A conversation about the power of theatre to heal, to connect and to give voice to those whose voices are not always heard. Featuring Mahdi Mohammadi, Margot Politis, Liza-Mare Syron. Chair: Donna Abela
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 Playwrights Alana Valentine and JoJo Zhou have a conversation about their careers and writing practice. *** https://www.currency.com.au/authors/jojo-zhou/ https://www.currency.com.au/authors/alana-valentine/
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 MIND THE POTHOLES: How does writing for, and working with, regional theatre companies compare with their city cousins? What role does geography play? Featuring Karla Conway, Leland Kean, and Emily Steel Chair: Marion Potts
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 Finegan Kruckemeyer talks with Eva Di Cesare about his life, work, and influences. This episodes features readings from his plays. *** https://www.currency.com.au/authors/finegan-kruckemeyer/ https://www.currency.com.au/authors/eva-di-cesare/
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 WHEN OPINIONS DIFFER: Whose play is it? Where does it leave the playwright when the director or designer or dramaturg has a different vision? Featuring Jane Harrison, Lee Lewis, and Chris Mead Chair: Wesley Enoch
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 STORY AS COMMODITY: Theatre is not just about entertainment, it is also a powerful vehicle for breaking down taboos and secrecy by bringing real-life stories to an audience who might otherwise be at a distance from some issues. Featuring James Elazzi, Declan Furber Gillick, and Tiffany Wong Chair: Wesley Enoch
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 GO YOUR OWN WAY: Being selected for a mainstage season is often viewed as the end goal for a playwright. But some of the most exciting theatre is created when a playwright teams up with a director to stage their own work. Featuring Kenneth Moraleda, Jordan Shea, and Noëlle Janaczewska Chair: Kate Gaul
Not in Print: playwrights off script - on inspiration, process and theatre itself
Recorded at the Currency Press Festival of Playwrights 2023 CONTENT WARNING/CANCEL CULTURE: We're living in an age when a media storm can shut down a show or even a festival. When the purpose of theatre is often to disrupt and to challenge societal norms, how do writers and producers walk the ever-evolving line to avoid cancellation? Featuring Suzie Miller, Van Badham, and Suzy Wrong Chair: Lee Lewis
Send us a textThe classic tale of The Little Matchstick Girl is beloved, but also...depressing? That's why the protagonist has decided to take matters into her own hands. Can she avoid her tragic fate without derailing her entire story? A comedy about rewriting your own narrative.Bernadette Armstrong directs Gloria Tsai as The Little Match Girl, Matthew ScottMontgomery as The Duke, and Matt Foyer as The Narrator. Kevin B. is the playwright. His most recent play, The Jelly Bean, was a selection at the Pittsburgh New Works Festival. His other plays include American Strippers, Does It Rain on Mars?,, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, We Ride at Dawn or Whenever, Beautiful Beautiful Cleopatra, and more. He is also an actor, director and producer.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textSupport the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Today, Shannon TL Kearns and I talk about the complex journey to understand masculinityA former fundamentalist who became the first openly transgender man ordained to the Old Catholic priesthood, Shannon TL Kearns believes in the transformative power of story. As an ordained priest, a playwright, a theologian, and a writer, all of his work revolves around making meaning through story. He is the co-founder of QueerTheology.com. His first book is In the Margins: A Transgender Man's Journey With Scripture. He has three books forthcoming: No One Taught Me How To Be A Man: What a trans man's experience reveals about masculinity, Come and See: A Youth Devotional, and Reading the Bible Through Queer Eyes (co-written with Brian G. Murphy).Shannon was a Humanitas New Voices Fellow for 2022 and was a recipient of the Playwrights' Center Jerome Fellowship in 20/21 and he was a Lambda Literary Fellow for 2019 (in playwriting) and 2022 (in screenwriting) and a Finnovation Fellow for 2019/2020. He is a sought after speaker on transgender issues and religion as well as a skilled facilitator of a variety of workshops. You can follow Shannon on all the socials @shannontlkearns. Preorder No One Taught Me How To Be a Man wherever you buy books. You can join Shannon's newsletter crew on his website, shannontlkearns.comSupport the show
In this episode, Gabriela talks to the Pulitzer-winning playwright about his new triple-play in Miami, and Rob checks in with LA Times arts reporter Ashley Lee.
This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.
Send us a textAfter the death of his father, a grief-stricken Hamlet is plagued by psychotic delusions making him think several others have died and that he is at fault. He finds comfort in an unexpected source: the dearly not departed Ophelia.Rachel Berney Needleman directs Kim Hlavac as Ophelia and Omari Williams asHamlet.Allie Costa is the playwright. Remarkably prolific, her many, many plays include Two Girls, Rise Up, Boxes Are Magic, This Used to Be My Playground, Mindstream, A Taste of the Future, Music of the Mind, Safe Distance, and more. She is also a director and actor.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textAudrey Cefaly streamed into the Playwright's Spotlight after I had the pleasure of seeing the production of her play Alabaster at The Fountain Theatre in Los Angles. This is first time I've had the opportunity to talk to the playwright after seeing their work. We discuss asking big questions, making changes throughout the play's evolution, how much design is on the page, knowing the rules of the card game, and refraining from hardwiring stage directions to allow creative freedom. We also delve into stripping the work down to its core, the use of hashtags, writing poetic dialogue, stillness in storytelling and other way finders, and the use of overlapping and dual dialogue. We wrap it up writing regional, the use of hypnotic language, the purpose of an artistic statements, and her toolbox of playwright vocabulary and "How to Playwright." It's a great conversation that went on for another thirty minutes after I stopped recording. Won't let that happen again. Enjoy, and be sure to go catch Alabaster at any of the theaters below.Audrey Cefaly is an alumna of the Playwrights' Arena cohort at Arena Stage, a recipient of the Walter E. Dakin Fellowship from the Sewanee Writers Conference, and a Dramatist Guild Foundation Traveling Master. She is published by Concord Theatricals, Smith & Kraus, and Applause Books. Her plays have been produced by Cincinnati Playhouse, Florida Studio, Florida Rep, Gulfshore Playhouse, Signature Theatre, and many others. Her play Alabaster received an 11-city Rolling World Premiere, the largest in National New Play Network history and is now playing at The Fountain Theater in Los Angeles until March 30th.For tickets to Alabaster at The Fountain Theatre in Los Angeles, CA - https://www.fountaintheatre.com/events/alabasterFor tickets to Alabaster in Grand Rapids, MI, through March 8, 2025 -https://actorstheatregrandrapids.org/programming/coming-soon/alabaster/For tickets to Alabaster in Charolette, NC, through March 16 - https://charlottecultureguide.com/event/430227/alabaster-by-audrey-cefalyTo watch the video version of this interview, visit - https://youtu.be/pcJSzLrAk-IWebsite and Socials for Audrey Cefaly -www.audreycefaly.comSubstack - https://audreycefaly.substack.comBluesky - @audreycefaly IG - @alcefaly X - @alcefaly Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
The March 2025 episode of "In a Manner of Speaking" is the first to feature a playwright. Paul Meier discusses how playwrights hear their characters voices with Pulitzer Price-nominated James Still.
From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.One-act plays in WinonaDaryl Lanz, owner of Chapter Two Books in Winona, is glad to see Theatre Du Mississippi's One Act Play Festival returning for a second year. Playwrights from Minnesota, Wisconsin and Iowa submitted original work earlier this winter, and the winning four short plays will be performed together to make a performance running about two hours.The result is a grab-bag of comedy and drama by regional writers ranging from 10 to 50 minutes. Shows will be performed at the Valencia Arts Center's Academy Theatre in Winona this weekend and next, Fridays and Saturdays at 7 p.m. and Sundays at 2 p.m. A family of artistsVisual artist Fawzia Khan of Hopkins recommends the exhibit “Reflections and Conversations: Monica Rudquist and Jerry Rudquist” at the Catherine G. Murphy Gallery at St. Catherine University in St. Paul. Assistant professor Monica Rudquist explores the relationship between her ceramic art and paintings by her late father, Jerry Rudquist (1924-2001), who taught painting at Macalester College for 42 years. On the gallery's second floor, Sophia Gibson — an honors student of Monica's — extends the legacy one step further by curating an exhibit of Jerry's portraits. The exhibit runs through March 16, with an artist talk by Monica Rudquist on March 5 at 6:30 p.m. There will also be a screening and panel discussion of the short film “The Painted Eye,” which documents Jerry Rudquist's painting process on March 12. In the East Gallery, Monica Rudquist's deconstructed and reassembled bowls, plates and cylinders reflect the shape and textures of her father's work. “Both artists deconstruct objects and put them together in new ways to create imaginary forms and leave the marks of their hands on the works,” Khan said. Pining for the fjordsDiane Hellekson, retired writer and former art critic for the St. Paul Pioneer Press, was inspired by the mixed media exhibit “Sund: Notes from the Sea” showing at Form + Content Gallery in Minneapolis. Minneapolis artist Moira Bateman created works reflecting on her summer 2024 residency in Ålvik, Norway, and on the human impact of its fjords. The exhibit includes found objects pulled from the fjords, textiles and an audio element that immerses listeners in the sounds of the sea and underwater noise pollution. The exhibit is open Thursdays, Fridays and Saturdays through March 8, with an artist coffee reception on Saturday, March 1 from noon to 3 p.m. Hellekson called it an intimate show that gave her a feeling of “wonder and curiosity.” She says you have to look closely at each piece and see “What is this? Oh my gosh. This is a plastic bag, and you find out that Moira dug it out from among some rocks in a fjord in Norway, and yet, here it is in this strange, deteriorated condition on the wall of a gallery.”“And it makes you think [how] this thing probably was there for years, and yet, if Moira hadn't plucked it out, it would have kept breaking down, and all these little shards of plastic would have gone on to pollute and end up in some animal's belly. It's very emotionally affecting, and yet it's also beautiful.”
Send us a textTwo senior citizens, both windowed, meet at a senior citizen event at a Holiday Innconference room. They engage in humorous banter and then discuss their former spouses, each deeply affected by their loss.Bernadette Armstrong directs Gary Lamb as Jesse and Camille Ameen as Sara.Curt Strickland is a playwright who recently received a masters degree in playwriting from Lesley University's graduate program. Inspired by August Wilson, Curt is finishing up his 5th play in a ten play opus on American, each play set in a different decade. You can view other plays by Curt at the New Play Exchange: https://newplayexchange.org/users/68843/curt-strickland and view his political and cultural essays at curtsview.com, Curt is a landscape photographer, and a former owner at Great American Art, one of the largest commercial art corporations in the nation. Curt believes that Art should serve to heal, inspire, provoke, challenge and to offer hope – but most of all to connect, to remind us of our common humanity. Curt recently was awarded the William Faulkner Literary playwriting prize for his full length play, 1968, and Curt just published his book: Democracy Under Siege: (Essays on the Trump Years, 2017-2024).In 2020, Curt received a double lung transplant, an event that had profound effects on both his writing and his life. This experience is the basis of a new play he is developing entitled Double Lung.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Theater has the power to heal, connect, and transform—especially in times of crisis.In this special introductory episode kicking off our 5th season, we speak with John Freedman and Brandice Thompson from the Center for International Theatre Development (CITD) about the resilience of theater in Ukraine as the region marks three years of conflict. We discuss the enduring impact of war on artists, the vital legacy of founder Philip Arnoult, and how CITD's Linkages Play Exchange has made this season possible—leading into episodes 1 and 2, featuring Ukrainian playwrights Dmytro Ternovyi and Anna Halas. This conversation underscores the urgent need for artistic solidarity and the profound ways theater amplifies voices that must be heard.To learn more about CITD's initiatives and discover ways to connect, support or host a staged reading, please explore:• Worldwide Ukrainian Play Readings• Theatre of Playwrights, Kyiv• Linkages-UkraineAlso referenced in this episode:• The podcast adaptation of the acclaimed anthology A Dictionary of Ukrainian Emotions in a Time of War• AMERICAN THEATRE speaks to Philip Arnoult Hosted on Acast. See acast.com/privacy for more information.
This month we speak to the playwright and director of a new play at the Huntington, and check in with NY Times critic at large Maya Phillips.
Send us a textComing appropriately shortly before Valentine's Day Together chronicles the entire timeline of a love story of two people who were meant for each other. There will be evidence of their love for years to come.Sue Gisser directs David Andrew Calvillo as Kyle and Leah Jarvik as Lauren.Playwright Michael Sams is an established playwright in his native Australia. Hisprevious plays include Hunters and The Specialists. He is also an actor. He received his Master's Degree from Macquarie University. His plays have been performed in Sydney, New York, and Dubai.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.
Spinning Tree Theatre's annual festival stages three short plays, written by local teenagers, with professional-level resources. This year's performances will take place Friday through Sunday at Johnson County Arts and Heritage Center.
This episode features a chat on the stage of Manhattan Theatre Club with playwright Jonathan Spector, and a check-in with Seattle Times arts writer Gemma Wilson.
Send us a textThis interview is a long time coming. I am extremely grateful for Adam taking the time to come on to share his knowledge. I'm sure if time allotted, we could easily could've had a three hour conversation, and I promise we will do at least one more episode. In this talk, we discuss his decision to write a book about playwriting from a letter-writing perspective, common questions he is asked, marketing and approaching theaters, dealing with rejection, finding opportunities, and negotiating compensation. We also discuss applying to Julliard, structure, considering your audience, the Math of Playwriting, monologues as a marketing tool, how changing characteristics might affect approach, the strategy of revealing information, the traps of questions and answers in dialogue, and the benefits of (earned) reversals. Playwrights of any level will walk away with something from this conversation. I look forward to the next conversations with Adam, because I will walk away so much the wiser. Enjoy!ADAM SZYMKOWICZ's plays have been produced throughout the U.S., Canada, and around the world. He was the premiere Resident Playwright at The Chance Theater in Anaheim, CA and the first playwright to participate in Bloomington Playwrights Projects' Square One Series. He has been to The Orchard Project and to JAW at Portland Center Stage, served twice as Playwright in Residence at the William Inge Center, and twice as a Dramatists Guild Fund's Traveling Masters. Adam received a Playwright's Diploma from The Juilliard School's Lila Acheson Wallace American Playwrights Program and an MFA from Columbia University where he was the Dean's Fellow. Plays include - Deflowering Waldo, Pretty Theft, Food For Fish, Incendiary, Clown Bar, Rare Birds, Marian Old Fashioned Cold Fusion, The Parking Lot, The Night Children, When Jack Met Jill, and Heart of Snow. His monologue book, Small Explosions came out from Applause in early 2023. His playwriting book, Letters To A Young Playwright came out from Applause in fall of 2024.He has interviewed 1100 playwrights on his blog.To watch the video format of this episode, visit -https://youtu.be/4ZiQuC1g7-wLinks to resources mentioned in this episode -TCG (Theatre Communications Group) -https://www.tcg.orgThe Chance -https://chancetheater.comWebsites and Socials for Adam Szymkowicz -https://www.adamszymkowicz.comI Interview Playwrights (Blog) -http://aszym.blogspot.com/2021/06/1100-playwright-interviews.htmlFacebook -https://www.facebook.com/adamszymkowiczIG - @aszymkowiczWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
This episode we are joined by Tony nominee and Drama Desk and Theatre World Award winning actor Tom Pecinka! Tom made his Broadway debut in Stereophonic which he also was a part of at Playwrights Horizons. He has numerous New York and Regional credits including Ghosts at Williamstown with Uma Thurman, which he also starred in the movie The Kill Room with. We talk with Tom about making his stage debut as a kid in The Wizard of Oz (FUN FACT: turns out that Tom and I did the show together! He was the Scarecrow and I was Dorothy!), working with Uma Thurman, performing at the Tonys, working on Stereophonic, what he hopes to work on in the future and much more!
This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.
Send us a textThe inevitable part of life, losing someone we love. How much time off from work is fair and just? What happens when the law dictates your allowable grieving time, what are your rights? Law vs human emotion. Which would you decide? Listen in to hear what transpires between an employee and her boss. Will sympathy prevail?"Kim Hlavac directs Goreti da Silva as Tara and Kim Hlavac as Beth.Matthew Moore is the playwright. With a career spanning over fifteen years, Moore has accumulated numerous awards for his work. Exceptionally prolific, Moore's many previous plays include The Fish and the Worm, Superman and the Optometrist, 21 Forever, Misty's Gifts, A Little Blue, The Standing Ovation, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textThis week I had the pleasure of having a fascinating conversation with Allison Gregory on this recent episode of Playwright's Spotlight and her approach of writing about historical and mythological characters and exploring outside their known stories. We delved into the philosophy of "when we are", letting the story find us, the power of the #2 pencil and writing longhand, stealing from the best, obtaining the rights to other's works and public domain. We also discuss commissioning adaptations, tried and true material, embracing constructs, and knowing the audience of children's theatre. It's a wonderful chat I hope everyone feels motivated and inspired by. Enjoy!Allison Gregory's work has been produced nationally and internationally for multigenerational audiences by a fusion of professional theaters, academic stages, and nontraditional spaces. She has received commissions and development from the Oregon Shakespeare Festival, the Kennedy Center, South Coast Repertory, Indiana Repertory Theatre, the Playwrights' Center, the Skirball Foundation, Geva Theatre, Seattle Rep, ACT Theater, Orlando Shakes, the National New Play Network (NNPN), Hedgebrook, the New Harmony Project, and Banff Playwrights Lab. Her plays range from satires centering on underrepresented historical figures to contemporary interpretations of mythology, intimate dramas, and exuberant, innovative theatre for young people. Her plays are published by Dramatic Publishing, Playscripts, Concord Theatricals, Smith & Krauss, and Rain City Press and include – Not Medea, Junie B. Jones is Not a Crook, and Judy Moody & Stink: The Mad, Mad, Mad Treasure Hunt.To watch the video format of this episode, visit -https://youtu.be/B9pW5OH7L14Links to resources mentioned in this episode -Child's Play -https://www.childsplayaz.orgSeattle's Children's Theare -www.sct.orgWebsite and Socials for Allison Gregory - Website-www.allisongregoryplays.comFacebook-https://www.facebook.com/allison.gregory.71Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
For 2024's holiday podcast, Gabriela visits with the merry makers behind 'Rudolph' at the Center for Puppetry Arts in Atlanta, and Rob chats with critic Bill Hirschman about the state of South Florida theatre.
This month Brian talks to the Southern-born writer about her journey through acting to playwriting, what her parents taught her, and her own parenting.
Arthur Miller, Tennessee Williams, and Eugene O'Neill get plenty of spotlight on the ELA curriculum stage. And sure, it's well-deserved! But they aren't the only incredible American playwrights to pick up a pen in the last century. If you're looking for some contemporary plays to share with your students, and you're struggling to find ones that fit your vision AND fit the maturity level of your kiddos, I've got a quick idea for you today. So here it is. You've got your stack of A Streetcar Named Desire or Death of a Salesman ready for your students, as always, AND you have a series of Pulitzer-Prize winning contemporary playwright snapshots to share. It's the classic "yes AND" combination that comes straight from the improv playbook. Each snapshot will let students learn about an award-winning contemporary playwright by exploring their background, learning about the play which won them a Pulitzer, and then watching a little bit of that play. You'll get to showcase a diverse range of writers and topics, and you can avoid moments in the plays which might be too intense or mature for the age of your students. My deep dive down the Youtube rabbit hole leads me to believe that most award-winning plays feature at least SOME scenes that are rated PG. It's a little like First Chapter Fridays, except for plays. You're introducing your students to a much wider world than the single lens on theater that whatever your assigned play can provide (wonderful though it may be!), by showcasing complementary work regularly. At the same time, you can work through a whole class read with rich literary merit (that your school has already purchased and approved.) So how can you get started quickly and easily? That's what today's episode is all about. I'll walk you through how I created some of these snapshots - which I'll share with you - and then you'll be ready to create more of your own if you want to go further. Go Further: Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Grab the Contemporary Playwrights Snapshots: https://spark-creativity.kit.com/0c32caad5f Join our community, Creative High School English, on Facebook. Come hang out on Instagram. Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the ‘gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!
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