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2 episodes with Shuffle Along
2 episodes with Shuffle Along
2 episodes with Shuffle Along
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2 episodes with Shuffle Along
Adrienne Warren is currently starring as "Cathy Hiatt," opposite Nick Jonas, in the highly anticipated Broadway debut of THE LAST FIVE YEARS. She received a Tony Award for her performance as "Tina Turner" in TINA, THE TINA TURNER MUSICAL, after originating the role in the West End. Her additional Broadway credits include SHUFFLE ALONG, BRING IT ON: THE MUSICAL, THE WIZ, and DREAMGIRLS. She has also starred on TV and film in Hulu's BLACK CAKE, Sony Pictures' THE WOMAN KING, and ABC's WOMEN OF THE MOVEMENT, where she starred as Mamie Till-Mobley. Adrienne is also dedicated to building a more equitable society through arts and storytelling, as a Co-Founder of Broadway Advocacy Coalition (BAC), which won an honorary Tony Award in 2021. In this episode, Adrienne shares how she gets to use every part of her voice in "Cathy," the ways she will always be connected to Tina Turner, and her belief that nothing happens in life before you are ready for it. The Last Five Years Broadway Advocacy Coalition Tina's Chant Album Check out Stages Podcast YouTube
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Welcome to a new season of Broadway Nation — the podcast that delves deeply into the remarkable history of the Broadway musical, with a special focus on the Immigrant, Jewish, Queer, and Black Artists who invented it. My guest today is Tony Award-winning Broadway star Brian Stokes Mitchell. After a short break, I am excited to be back with a new season that will be jam-packed with fascinating Broadway history, including interviews with an amazing lineup of authors of some brilliant new books that take us back to the earliest days of Broadway and bring us right up to the twenty-first century — from George M. Cohan to how TikTok and the digital age have impacted the Broadway musical. Today, we start things off with a bang with a delightful conversation with Brian Stokes Mitchell, whose career spans over forty years on television, films, recordings, concert appearances, and, most notably for our purposes, ten Broadway shows. He made his Broadway debut in 1988 in a short-lived musical called Mail, and in 1990, he was cast as the lead in David Merrick's revival of the 1926 Gershwin musical Oh, Kay! He next went on to two very high-profile gigs — first replacing Gregory Hines in Jelly's Last Jam and then Anthony Crivello in Kiss Of the Spiderwoman. In 1998, his unforgettable Tony-nominated performance as Coalhouse Walker in Ragtime firmly established him as a true Broadway star, and the following year, jumping from musical drama to musical comedy, he won the Tony Award for his performance in Kiss Me Kate. His performance in August Wilson's play, King Hedley II, in 2001 earned another Tony nomination, and the next year, he took on the title role in Man Of La Mancha. His most recent Broadway appearance was in 2016 in George Woolf's behind-the-scenes look at Shuffle Along, but as you will hear, Brian Stokes Mitchell may be back on Broadway very soon in a new musical that he is very excited about. In addition, our conversation today ranges from two tear-inducing new video performances that he has recently been involved in creating and performing: a Ted Talk with Leer deBessonet, which you can find at https://www.youtube.com/watch?v=zZNhuRIGQZs and "Hope" with Jason Robert Brown, https://www.youtube.com/watch?v=KJkqV2xwars. Also, his work with The Entertainment Fund and the soon-to-be-released video capture of their reunion concert of Ragtime, as well as a peek inside his process and approach to interpreting a song. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Alan Teasley. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
Brian Stokes Mitchell is a two-time Tony Award-winning actor who has always thought the universe chose him. Born on Halloween when “people dress up in costumes and pretend to be other people”, the stars have indeed decided. Aside from performing, he also writes, dances, produces his own music, and orchestrates, but out of all the things he can do, his best quality is being a really good student. He details his latest project, “HOPE”, realizing that sometimes creative works have their own timing - this video dropping exactly when we need to hear it the most. He presents a profound metaphor about life as a "long sentence" full of commas rather than periods, and what his “dead questions” are. With an upcoming role in “3 Summers of Lincoln” at the La Jolla Playhouse, he recounts how the project deeply resonated with him upon reading the script. Aside from all his projects, he always makes sure to give back to the community–from being chairman of the board for the Entertainment Community Fund for 19 years to providing entertainment from his balcony during the pandemic. Stokes shares how curiosity continues to motivate him, and why we should follow our heart in all our endeavors. Brian Stokes Mitchell is a two-time Tony Award-winning, Drama Desk Award-winning, and Outer Critics Award winning actor. He is renowned for his powerful baritone voice and dynamic stage presence with standout performances in Broadway productions like “Ragtime”, “Kiss Me, Kate”, “Man of La Mancha”, and “Shuffle Along”. He's become a celebrated figure in musical theater, but beyond Broadway, he has showcased his talent on television, including shows like “Vampirina”, “Wolverine”, “Billions”, “Mr. Robot”, and of course, “Trapper John, M. D.” He's also recognized for his philanthropic work, particularly for his 19 years of serving as chairman of the board for the Entertainment Community Fund, and is a member of the Theater Hall of Fame since 2016. Connect with Brian: Website: www.brianstokes.com Facebook: @bstokesmitchell Instagram: @brianstokesm Youtube: @brianstokesmitchell7280 X: @bstokesmitchell Listen: Brian Stokes Mitchell - HOPE (feat. Jason Robert Brown) “3 Summers of Lincoln” at La Jolla Playhouse What's Possible When the Arts Belong to Everybody | Lear deBessonet with Brian Stokes Mitchell | TED Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Jerrell L. Henderson is a Theatre Director, Puppeteer, and African American Theatre Historian and Archivist. Through the mediums of theatre and/or puppetry and film, Jerrell seeks to disrupt generational curses of self-hate (i.e. racism, homophobia, religious intolerance, etc.). Intellectually curious and emotionally dexterous, Jerrell is at home in a number of wide-ranging genres including, but not limited to, American Realism, Magical Realism, Traditional and Contemporary Musical Theatre, Poetic Black-Queer Narratives, and Live Spectacle Events. Upcoming projects include directing Ragtime at Metropolis Arts Center this Spring. A recipient of a 2023 Henson Foundation Workshop Grant and the 2022 League of Chicago Theatre's Samuel G. Roberson Fellowship, Jerrell will present an original shadow play titled, AmericanMYTH: Crossroads with Free Street Theatre this Fall. Recent projects include directing Reverie by James Ijames (2022 Pulitzer Prize recipient for Fat Ham) with Azuka Theatre in Philadelphia, co-directing Marys Seacole by Jackie Sibblies Drury with Griffin Theatre in Chicago, and collaborating with The Classical Theatre of Harlem and St. Ann's Warehouse on: When The World Sounds Like A Prayer (https://www.cthnyc.org, walkwithamal.org) in Bryant Park in NYC. Other credits include Mlima's Tale with Griffin Theatre (Jeff Award nomination for Direction and Best Play), The River with BoHo Theatre, and Untitled with Inis Nua (Barrymore Award nomination for Outstanding Direction of a Play). Puppet short films include a filmed version of his signature puppetry piece, I Am The Bear with The Chicago International Puppet Theatre Festival. Other puppet short films include, Hamlin: La Revue Sombre with Heather Henson's Handmade Puppet Dreams and Diamond's Dream with Chicago Children's Theatre. His Juneteenth Puppet Protest: The Welcome Table was featured in the New York Times (June 2020) and his Fall 2020 puppetry celebration of the lives of John Lewis and C.T. Vivian titled, Black Butterfly was later expanded into an educational performance piece with Tria Smith of Guild Row and a student collective working with Urban Growers Collective on Chicago's South Side. He received his MFA in Theatre Directing from Northwestern University (2015), is an artistic associate with Black Lives, Black Words, is a member of Lincoln Center's Directors Lab (2012), and was a Henson Foundation sponsored participant at the Eugene O'Neill National Puppetry Conference (2020). He is on the board of Directors Gathering. (DG) is a national organization based in Philadelphia, PA which offers theatre directors consistent community, resources, and elevation. As a theatre historian and archivist, Jerrell contributed to Fifty Key Musicals (Routledge Press). He authored the chapter on Shuffle Along (1921) and co-authored the chapter on The Wiz (1975). He also serves as the creator and curator of black_theatre_vinyl_archive on Instagram. black_theatre_vinyl_archive is an extensive collection of vinyl albums which highlight the contributions of members of the African Diaspora in Theatre/Musical Theatre History.
Chef Deuki Hong and journalist Matt Rodbard discuss their new cookbook, “KOREAWORLD,” and their upcoming celebratory dinner at Chai Pani on June 25th. Plus, we listen back to Lois's 2021 conversation with author and cultural historian Caseen Gaines about the 1921 history-making musical, “Shuffle Along.” Gaine's book is “Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Versatile and sophisticated jazz guitarist Ron Jackson has performed, recorded and taught music in over 30 countries. With a varied career as a performer, composer and arranger, Highlights include shows and tours with artists such as Taj Mahal, Jimmy McGriff, Larry Coryell, Benny Golson, Oliver Lake, Russell Malone and Mulgrew Miller. Ron has been featured as a leader in jazz festivals all over the world, including the North Sea Jazz Festival, Edinburgh Jazz Festivals and Winter Jazzfest, NYC. Born in the Philippines, lived in many states as a kid, then settled in Harvard, Massachusetts, west of Boston, Ron was initially influenced by rock guitar greats like Jimmy Page, before falling under the spell of jazz and following the style and career of jazz guitar luminaries like Pat Metheny and George Benson. After attending Berklee School of Music on scholarship, studying jazz composition and arranging, Ron spent two formative years in the mid-1980's living and playing guitar with the lively expat jazz community in Paris, France. Ron moved to New York City where he remains an active participant in Gotham's always vibrant jazz scene. A master of the six, seven and twelve string guitars, Ron appeared on over 40 albums by such artists as Hal Singer, Graeme Norris, Ron Blake, Gisele Jackson and T.K. Blue, before founding the independent record label Roni Music in 2003 which has since released some of his eight of his albums as a leader including The Dream I Had (2003), Flubby Dubby (2008) and Akustik InventYours (2014). His latest project, Jazz Standards and Other Songs (2019) is an alluring mix of familiar jazz numbers and innovative adaptations of songs from other genre's like his trendsetting arrangement for jazz trio of Drake's “Passion Fruit.” Ron was grateful to be selected as the winner of the 1996 Heritage International Jazz Guitar Competition. He has also been a recipient of the 2012 Donald Knutson Memorial Development Fund and the 1991 and 2000 Meet the Composer Performance Fund. He endorses, Eastman Guitars, Kremona Guitars, Aria Classical Guitars, Paul Reed Smith Guitars and Godin Guitars. An acclaimed music educator, Ron currently teaches guitar at Jazz at Lincoln Center, The New School, Midori and Friends, and is the founder and director of the website www.practicejazzguitar.com. Ron has held master classes, concerts and workshops at Jazz at Lincoln Center-Jazz in the Schools, The Thelonious Monk Institute of Jazz, Escuela Creativa Musica in Madrid, Spain and California State University. Ron has made appearances in several major motion pictures including The Greatest Showman, Vulgar, and Fly by Night. He has also performed in pit orchestras on many Broadway and off-Broadway shows including Avenue Q, Fosse, Shuffle Along, and Bring In `Da Noise, Bring In `Da Funk. In recent years, Ron has also developed a side career as a freelance writer for Acoustic Guitar magazine where he's published educational and guitar instructional articles. WEBSITE: https://ronjacksonmusic.com/ FACEBOOK: https://www.facebook.com/ronjacksonmusic/ INSTAGRAM: https://www.instagram.com/ronjacksonmusic/ X (formerly Twitter): https://twitter.com/i/flow/login?redirect_after_login=%2Fronjacksonmusic SPOTIFY:
Tone Deaf: A Theatre Nerd's Guide for their Musically Challenged Spouse
In this episode, K and Warren watch and discuss Shuffle Along - a Black musical classic from 1921 by Eubie Blake, Noble Sissle, Flournoy Miller (whose name K can't pronounce), and Aubrey Lyles. K discovers their new favorite author, Caseen Gaines, we discuss the double standards in what is considered a "classic", and Warren discovers that love uh ... finds a way. Promo: One Mic Black History Help out local theatres and check out BeAnArtsHero, Arts Leaders of Color Emergency Fund, The Actor's Fund, and the Artist's Relief Tree to find out how you can help local theatres! Buy some merch at our TeePublic! Join the Podcast Nexus (formerly Cast Junkie discord) and help support indie podcasts at https://discord.gg/ajPg3JSg6e. Follow us on Twitter, Instagram, Tumblr, Bluesky, and Facebadger @ToneDeafMusical for some dank theatre memes, check out the patreon at https://www.patreon.com/tonedeafmusical and visit our website, tonedeafmusical.com
Today we're ushering in Black History Month with an episode dedicated to FINIAN'S RAINBOW, a 1947 musical with a pitch perfect score ("Old Devil Moon," anyone?), zany satirical book, and surprisingly groundbreaking history. Broadway cast alum from the 2009 revival Joe Aaron Reid (CHICAGO, CATCH ME IF YOU CAN, IF/THEN) joins us for a magically delicious conversation you won't want to miss. Follow Joe on Instagram and Threads to catch his latest projects and see his cute kids. If you enjoyed this episode, be sure to check out our HEATHERS episode that includes a great discussion on musical satire and our SHUFFLE ALONG episode celebrating one of the most important musicals in black theatre history. Be sure to follow us on Instagram, TikTok, and X for more great content. As a PATREON! subscriber this month, you can take another trip with us to "The Flop Shop" for only $1 and vote for what musical we'll cover on the regular feed in March! Don't forget about our TeePublic Store where we give our profits to Broadway Cares/Equity Fights AIDS. Above all, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, six of this season's guests--Caseen Gaines (Episode 87: Eubie Blake, Noble Sissle, Flournoy Miller, and Aubrey Lyles's Shuffle Along), Mike Meaney (Episode 90: The Lyrics of Yip Harburg), Christopher Culp (Episode 100: TV Musical Episodes Part II), Tammy Tuckey (Episode 101: David Bryan and Joe DiPietro's Diana), BethAnn Cohen (Episode 95: Five-Year Anniversary Live Show), and Victoria Myers (Episode 102: Mary Rodgers, Marshall Barer, Jay Thompson, and Dean Fuller's Once Upon a Mattress)--return to discuss the topics from the season and listener questions and comments. We also discuss the song "Home" from the 1975 Charlie Smalls and William F. Brown musical The Wiz. This discussion was held live on Sunday, December 17th on Scene to Song's Facebook page, and was recorded for this podcast almost in its entirety. Scene to Song will be going on a brief hiatus to prepare for season seven and will return in early 2024. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong, on Twitter/X at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music you are hearing is by Julia Meinwald. Music played in this episode: "Home" from The Wiz
Richard Riaz Yoder / @richardriaz - "The people that fall, are the people that are really dancing." Richard Riaz Yoder is an award-winning tap dancer, performer, and veteran of 6 Broadway shows. He has been seen on Broadway in White Christmas, On the Twentieth Century, Shuffle Along…and all that followed, Hello Dolly, My Fair Lady, and can currently be seen in Some Like It Hot at the Shubert Theater. Richard has worked with nearly every Broadway Tap choreographer, including Savion Glover, Randy Skinner, Warren Carlyle, Chris Gattelli, Maurice Hines, and currently with Casey Nicholaw. He has been teaching across the country for ten years and has taught at many of the leading dance studios in New York. His love of tap comes from when it was first introduced in high school. It has been a mainstay in his life and career since that moment. He started late as a tap dancer at the age of 17 under the tutelage of Mr. Robert Reed III. From Mr. Reed, he learned the love and legacy that tap dance has within it. His style is rooted in the bases of all tap dance which is rhythm tap, and he uses his music theatre sensibility to create a fun and lively atmosphere. https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Richard Riaz Yoder / @richardriaz - "The people that fall, are the people that are really dancing." Richard Riaz Yoder is an award-winning tap dancer, performer, and veteran of 6 Broadway shows. He has been seen on Broadway in White Christmas, On the Twentieth Century, Shuffle Along…and all that followed, Hello Dolly, My Fair Lady, and can currently be seen in Some Like It Hot at the Shubert Theater. Richard has worked with nearly every Broadway Tap choreographer, including Savion Glover, Randy Skinner, Warren Carlyle, Chris Gattelli, Maurice Hines, and currently with Casey Nicholaw. He has been teaching across the country for ten years and has taught at many of the leading dance studios in New York. His love of tap comes from when it was first introduced in high school. It has been a mainstay in his life and career since that moment. He started late as a tap dancer at the age of 17 under the tutelage of Mr. Robert Reed III. From Mr. Reed, he learned the love and legacy that tap dance has within it. His style is rooted in the bases of all tap dance which is rhythm tap, and he uses his music theatre sensibility to create a fun and lively atmosphere. https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's show, we are speaking with Sandra Seaton who is a playwright, librettist, former professor of creative writing and African American literature at Central Michigan University and the curator of the Dr. Bunny Briggs and Olivette Miller archives housed at Yale's James Weldon Johnson Archives. Our conversation spans the archives, Flournoy Miller and Shuffle Along, the Columbia Race Resistance and the importance of Black storytelling. Link to Dr. Bunny Briggs and Olivette Miller archives here: https://archives.yale.edu/repositories/11/resources/12332?fbclid=IwAR3VFDfj8dcGpQY297eF3A2fw1CyfF9t0d0655A_eUefc78YqapPZuqfqCw Additional audio: Duke Ellington Sacred Concert featuring Bunny Briggs Join our Patreon here: https://www.patreon.com/travisknights Subscribe to the Tap Love Tour Podcast on Soundcloud: https://soundcloud.com/the-tap-love-tour Subscribe to the Tap Love Tour Youtube Channel here: https://www.youtube.com/channel/UCsSfLevc4PJTChTNkmf5GVw?view_as=subscriber
Shuffle Along was the Hamilton of its era, this author claims back this iconic show's place in Musical Theatre history.
When Caseen Gaines sat in a darkened theater to watch the final performance of Shuffle Along, he had no idea that experience would lead to a book. But as soon as he heard “I'm Just Wild About Harry,” he knew he'd be doing research to figure out why he knew the song, but not the show. When Broadway was Black: The Triumphant Story of the All-Black Musical that Changed the World is the exploration of the importance of Shuffle Along and how a show so popular it changed the traffic patterns in New York could be excised from America's social and cultural memory. Caseen joins Julie to talk about the show's lasting impact, the person who surprised and delighted him most in his research, and his love of fan culture. He designs his dream dinner party, and Julie confirms that the guests' imaginary attendance is mandatory. Hosted on Acast. See acast.com/privacy for more information.
Zurin Villanueva talks "Murder Mystery 2", playing Tina Turner in "Tina: The Tina Turner Musical", and the time she auditioned in front of Lin Manuel Miranda! About Zurin: On Broadway, television, and film Zurin Villanueva has been performing professionally from the age of 15. Her first professional role was reenacting the narratives of enslaved children for Nickelodeon's program Nick News. At 16, she won Amatuer Night at the Apollo with her tap group, Loud and Clear. She trained in ballet, jazz, tap and modern in New York City but most notably at the Dance Theatre of Harlem. At 17, she was awarded the American Theatre Wing scholarship for most promising students at LaGuardia High School for the Performing Arts as a Drama Major. Zurin debuted on the professional stage at Arena Stage prior to graduating from the now Chadwick Boseman School Of Fine Arts at Howard University earning a BFA in Musical Theatre. Zurin made her Broadway debut amongst the living legends, Audra McDonald, Billy Porter, Brian Stokes Mitchell, choreographer Savion Glover and director George C. Wolfe in Shuffle Along. Zurin's most cherished roles were Charlayne in Ain't Misbehavin', hand picked and directed by Andre DeShields. Whom recently received a Tony and Emmy for his role in the original Broadway Cast. Then went on to star as Josephine Baker in a new self-titled musical, directed and choreographed Maurice Hines, "the" rap dance icon of Hines, Hines and Dad. Since going to Broadway Zurin has continued non-stop. She performed as an original cast member in Mean Girls, The Musical, becoming the first Black Plastic "#blastic" when she debuted as Gretchen Wieners. In her New York principal debut Zurin starred as Dionne Davenport in Clueless The Musical opposite Dove Cameron. Ben Brantley of the New York Times deemed her performance “appealing”. Zurin's tv/film credits include Detroit where she played Martha of the Vandellas. She has guest starred in Insatiable on Netflix, and has a recurring role on Marvelous Mrs. Maisel. Pre pandemic Zurin recently played Nala and Shenzi in The Lion King on Broadway. She also starred in Teenage Dick, a high school adaptation of Richard the Third at Pasadena Playhouse as Lady Anne. The LA Times called her portrayal “searingly honest”. Although Zurin has many talents she will always be an actor first. She is also a writer, having written poems since she was a child. Zurin is currently working on her first feature film. Last but never least she has started a coaching business built to teach actors new to Broadway how to successfully navigate the business without burn out. A native of Brooklyn, Zurin Villanueva calls NYC home when she is not working. Check out "The Case Within" on Seed&Spark: https://seedandspark.com/fund/the-case-within Follow the show on social media! Instagram: https://instagram.com/thanksforcominginpodcast/ Twitter: https://twitter.com/tfci_podcast Facebook: http://facebook.com/thanksforcominginpodcast/ Patreon: patreon.com/thanksforcomingin YouTube: https://www.youtube.com/channel/UCXj8Rb1bEmhufSBFSCyp4JQ Theme Music by Andrew Skrabutenas Producers: Jillian Clare & Susan Bernhardt Channel: Realm For more information, go to thanksforcominginpodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode I talked with Zurin about when she first knew she loved performing, her first Broadway show Shuffle Along in 2016 and how she got involved, being a part of an iconic show like The Lion King on Broadway, understudying both Gretchen and Karen in Mean Girls and her process for learning two roles in one show that are so different, the national tour of Tina Turner The Musical where she currently plays Tina Turner, making the role her own while staying true to Tina Turner's story, and much more! --- Support this podcast: https://podcasters.spotify.com/pod/show/backstagewithbeccab/support
The Broadway musical is one of New York City's greatest inventions, over 160 years in the making! It's one of the truly American art forms, fueling one of the city's most vibrant entertainment businesses and defining its most popular tourist attraction -- Times Square.But why Broadway, exactly? Why not the Bowery or Fifth Avenue? And how did our fair city go from simple vaudeville and minstrel shows to Shuffle Along, Irene and Show Boat, surely the most influential musical of the Jazz Age?This podcast is an epic, a wild musical adventure in itself, full of musical interludes, zipping through the evolution of musical entertainment in New York City, as it races up the 'main seam' of Manhattan -- the avenue of Broadway.We are proud to present a tour up New York City's most famous street, past some of the greatest theaters and shows that have ever won acclaim here, from the wacky (and highly copied) imports of Gilbert & Sullivan to the dancing girls and singing sensations of the Ziegfeld revue tradition.CO-STARRING: Well, some of the biggest names in songwriting, composing and singing. And even a dog who talks in German! At right: Billie Burke from a latter-year Follies. (NYPL)Visit the website for more information and images.This episode was originally recorded in 2013. Since then we have recorded many shows on the Broadway theater district. Please check out these shows for more information:-- Mae West: 'Sex' On Broadway-- Rodgers and Hammerstein-- West Side Story: The Making of Lincoln Center-- The Shuberts: The Brothers Who Built Broadway-- The Cotton Club: The Aristocrat of Harlem-- Tin Pan Alley and the creation of modern American music
The Excelsior Journeys Podcast is proud to be part of the Once Upon a Podcast Network.On this week's episode of Excelsior Journeys, host & producer George Sirois sits down with author & pop culture historian Caseen Gaines. Fresh from his acclaimed behind-the-scenes book #ETTheExtraTerrestrial: The Ultimate Visual History (which allowed him access to #DrewBarrymore, #StevenSpielberg, #JohnWilliams, and many more), Caseen has recently launched his book When Broadway Was Black, about the first successful all-black musical in Broadway history, Shuffle Along. He's here to talk about both of these books, as well as some of his other behind-the-scenes books for #PeeWeesPlayhouse, the #BacktotheFuture trilogy, and #TheDarkCrystal.Want to get a copy of one of Caseen's books? Click HERE.Want to be an in-demand podcast guest? Join the Endless Stages Challenge and you'll become one in less than 100 days. I'm so proud to be an affiliate for this challenge, and I invite you - creatives from all walks of life - to click on this link HERE.Click HERE to learn more about the challenge, and click HERE for more information about Endless Stages.To show your support for Excelsior Journeys, An Evening with Ivonna Cadaver, and From Duck Till Dark: Outside the Marvel Studios, please click on www.hesgotit.com/podcasts to subscribe, rate & review, and access the Buy Me a Coffee link.
How do a Jeffrey Scott Parsons, Caseen Gaines, and Audra McDonald all make it to adulthood without knowing SHUFFLE ALONG? This isn't the beginning of a comedic bit by Miller & Lyles; it's the beginning of a wonderful conversation about a game changing musical too few people know about. Author of the new book "When Broadway Was Black" Caseen Gaines joins us this week on a trip back to 1921 and a musical theatre landscape rich in history and, possibly, modern cultural prophecies. This episode is guaranteed to build new bridges between our musical theatre past and future. Order Caseen's book "When Broadway Was Black" at whenbroadwaywasblack.com and follow him on Instagram, Twitter, and TikTok (where he's killing it!) Don't forget to follow us on Instagram, Twitter, and TikTok. If you want to be awesome, subscribe to PATREON! for only $1 a month and don't forget about our TeePublic Store, the profits of which go to Broadway Cares/Equity Fights AIDS. Most of all, thank you for being part of the wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices
This is a special bonus Encore episode of Broadway Nation in celebration of the rerelease of the book formerly known as Footnotes and now retitled When Broadway Was Black — The Triumphant Story of The All Black Musical That Changed The World. In the first segment you will hear part of my very recent conversation with author Caseen Gains all about this new retitled and updated version of his fascinating history of the 1921 musical Shuffle Along! Then you'll hear the second part of my original discussion with him recorded back when the book first came out. And if you missed it you can hear the first half of both of those conversations on the previous episode of Broadway Nation. One final note: If you live in NY or are going to be there on May 22nd you can join Caseen at 54 Below for a special event he is producing called: 54 Sings Shuffle Along! Featuring an all-star cast of performers. Become A PATRON of Broadway Nation! If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
This is a special Encore edition of Broadway Nation. In the fall of 2021, I devoted two episodes to the remarkable book Footnotes by Caseen Gaines which was published to commemorate the 100th Anniversary of the landmark musical Shuffle Along. Now that book has just been rereleased in paperback and retitled, When Broadway Was Black — The Triumphant Story of The All Black Musical That Changed The World. So, this seemed like the perfect time to rerelease those episodes, and just like Cassen has done with his book, to include some new and updated content. First you will hear a segment of a discussion I had just last week with Caseen about this rerelease of his book, and then the first half of our original conversation. I'll be releasing part two with even more new content as a bonus episode this coming Sunday. Become A PATRON of Broadway Nation! If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, author and journalist Caseen Gaines discusses Eubie Blake, Noble Sissle, Flournoy Miller, and Aubrey Lyles's 1921 musical Shuffle Along, looking not just at the musical itself but how musicals can get lost to history. We also talk about the song "Skid Row (Downtown)" from the Little Shop of Horrors. Gaines's book When Broadway Was Black comes out February 7, 2023. Learn more and purchase the book. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music is by Julia Meinwald. Music played in this episode: "I'm Just Wild About Harry" from Shuffle Along "Love Will Find a Way" from Shuffle Along "Election Day" from Shuffle Along "Skid Row (Downtown)" from the Little Shop of Horrors
We're back! Fresh from Summer hiatus, AW and Spencer are joined by rising pop-culture literary star, Caseen Gaines to discuss his upcoming book, 'When Broadway Was Black: The triumphant story of how an all-Black Broadway cast and crew changed musical theatre—and the world—forever- which dives into today's chosen musical, 'Shuffle Along' - plus, we juxtapose this classic, ground-breaking musical, with the equally classic, ground-breaking album, 'Body Count' by Body Count! Plus we discuss book tour sleeping tips, pop-culture faves, Ghostbusters, Childhood memories, and much, much more! www.twitter.com/caseengaines -- www.caseengaines.com -- Grab a copy of 'When Broadway Was Black' on Amazon: https://www.amazon.com/When-Broadway-Was-Black-Heartbreaks/dp/1728259398 www.thetonastontales.com/listen -- www.patreon.com/bloomingtheatricals - www.twitter.com/thrashntreasure linktr.ee/thrashntreasure ****************************************************************************************************** Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time! Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks! https://www.thetonastontales.com/bookstore - TNT20 ******************************************************************************************************
Out sick again, today! So, our January 27, 2022 episode (a Thursday, for a different kind of continuity) takes us back in time: David Waldman and Greg Dworkin deliver the latest, broadcast from KITM World Headquarters, a microcosm of America located in the heart of Virginia, a microcosm of America. Public schools just seem to be designed to make children less ignorant and more independent, and therefore have always inspired conservative fear and hatred. Whatever schools are for, if you are against it, you'll get Republican votes. Virginia schools are melting down and Glenn Youngkin promised to light the torch. Most VA school districts are resisting but Youngkin voters are just happy to know some are suffering like they do in their imaginations. A Mississippi mayor is defunding any county library that stirs any of his homosexual anxieties. A school board in Tennessee banned a Pulitzer Prize-winning graphic novel about the Holocaust, Maus. It must be not only too soon to address the Holocaust, but also the overt sexuality of the first African American hit play, 1921's Shuffle Along, and of course that wantonly hotsy-totsy song “I'm Just Wild About Harry”. Does the rest of the country meet these folks “halfway” in order to save democracy? Or is a more radical solution needed? Oh, maybe later we'll get to that. First, we need to confirm a new Supreme Court Justice, quickly and fuss-free, like the last one. Of course, it would help to have a vacancy or two, but really everything is up for debate.
Broadway Actor Brandon Victor Dixon (Hamilton, The Color Purple, Jesus Christ Superstar) discusses being part of the world premiere recording of MacGyver The Musical in this interview with Adam Rothenberg, host of the entertainment website Call Me Adam. Based upon the 80s TV Show MacGyver, MacGyver The Musical's cast recording will be released on January 27, 2023 on Broadway Records. In this interview we discuss: The backstory to how Brandon got involved with the recording of MacGyver The Musical How Brandon prepared for this role How Brandon "MacGyvered" his way back onto various Broadway stages The boundaries Brandon puts up when he is in a show or working on a project We wrap things up with some Rapid Fire Questions More on Brandon Victor Dixon: Brandon Victor Dixon is an American actor, singer and theatrical producer. As a musical theatre actor, he is known for Tony Award-nominated Broadway performances as Harpo in the 2005 musical The Color Purple and Eubie Blake in Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed (2016). He originated both roles, as well as the leading role of Berry Gordy Jr. in Motown: The Musical (2013) on Broadway, which earned a nomination for a Grammy Award for Best Musical Theater Album. In 2016, Dixon assumed the role of Aaron Burr in the Broadway company of Hamilton. Off-Broadway as well as in London's West End, Dixon played the role of Hayward Patterson in The Scottsboro Boys and was nominated for a 2014 Laurence Olivier Award for Best Actor in a Leading Role in a Musical. As a producer, Dixon's credits include Broadway revivals of Hedwig and the Angry Inch and Of Mice and Men (2014); the former won the 2014 Tony Award and the Drama Desk Award for best revival of a musical. In 2018, Dixon portrayed Judas Iscariot in NBC's live concert version of Andrew Lloyd Webber and Tim Rice's rock opera Jesus Christ Superstar, for which he received a Primetime Emmy nomination for Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Limited or Anthology Series or Movie. Like What You Hear? For more Call Me Adam interviews visit: https://callmeadam.com Follow me @callmeadamnyc on Facebook & Instagram Special Thanks: Theme Song by Bobby Cronin Podcast Logo by Liam O'Donnell Edited by Adam Rothenberg Outro Music Underscore by CueTique P.S. This interview was originally presented as a video interview. Watch it on Call Me Adam's YouTube Page Learn more about your ad choices. Visit megaphone.fm/adchoices
Driven to inspire other people with art, Brandon Victor Dixon has been sharing his talent with the world for decades now. And this month, the actor slash theatrical producer is part of the much-anticipated world premiere of the award-winning "MacGyver: The Musical's" album which will be released on January 27th. Apart from theatre, Brandon is also doing advocacy work. He talks about the We Are Foundation which he created, and how he uses it to bridge gaps between art and us as communities. He brings up a good point on human behavior, what makes it for some people to be kind, and how art can be a gateway to understanding and helping them. In choosing a role or a piece, he considers the tools that can make his role and the exchange between him and the audience the most effective. He adds that the pieces choose him and come into his life at a time when he needs them the most. When he was just starting, Brandon had to pause his graduation to go on a national tour, come back, finish school, and then originate a role on Broadway for which he got a Tony nomination. He recalls his audition process for the role of Simba, why he thinks he shouldn't have been cast, and how he overcame his doubts and the challenges he encountered as it was happening. As one of the stars in the world premiere album of “MacGyver: The Musical”, Brandon talks about his character, doing comedy, and how his process usually adapts to the show his doing. Brandon reflects on his role as Haywood Patterson in “The Scottsboro Boys”, why he considers it his favorite role, and how it ultimately goes back to his advocacy: to change and help people with the power of art. Brandon Victor Dixon is an actor, singer, advocate, and theatrical producer known for his Tony Award-nominated Broadway performances as Harpo in the 2005 musical "The Color Purple" and Eubie Blake in "Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed". Apart from originating both roles, he also originated the leading role of Berry Gordy Jr. in Broadway's "Motown: The Musical", which earned a nomination for a Grammy Award for Best Musical Theater Album. In 2016, Brandon assumed the role of Aaron Burr in the Broadway company of "Hamilton". He also played the role of Hayward Patterson in "The Scottsboro Boys" both Off-Broadway and in London's West End, and was nominated for a 2014 Laurence Olivier Award for Best Actor in a Leading Role in a Musical. As a producer, his credits include Broadway revivals of "Hedwig and the Angry Inch which won the 2014 Tony Award and the Drama Desk Award for best revival of a musical, and "Of Mice and Men". In 2018, he played Judas in NBC's live concert version of Andrew Lloyd Weber and Tim Rice's rock opera, "Jesus Christ Superstar" where he received a Primetime Emmy nomination for Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Limited or Anthology Series or Movie. His other stage credits include "Chicago", "The Lion King", "The Color Purple", "Rent", and "Shuffle Along" among others. His tv credits include "Power", "She's Gotta Have It", "Modern Love", and "The Best Man: The Final Chapters". Brandon is part of the much-anticipated album of the award-winning "MacGyver: The Musical'" which will be released on January 27th, 2023. Connect with Brandon: Instagram: @brandonvdixon Twitter: @brandonvdixon Website: www.brandonvictordixon.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
Brandon is an American actor, singer and theatrical producer. As a musical theatre actor, he is known for Tony Award-nominated Broadway performances as Harpo in the 2005 musical The Color Purple and Eubie Blake in Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed (2016). He originated both roles, as well as the leading role of Berry Gordy Jr. in Motown: The Musical (2013) on Broadway, which earned a nomination for a Grammy Award for Best Musical Theater Album. In 2016, Dixon assumed the role of Aaron Burr in the Broadway company of Hamilton. Off-Broadway as well as in London's West End, Dixon played the role of Hayward Patterson in The Scottsboro Boys and was nominated for a 2014 Laurence Olivier Award for Best Actor in a Leading Role in a Musical. As a producer, Dixon's credits include Broadway revivals of Hedwig and the Angry Inch and Of Mice and Men (2014); the former won the 2014 Tony Award and the Drama Desk Award for best revival of a musical. In 2018, Dixon portrayed Judas Iscariot in NBC's live concert version of Andrew Lloyd Webber and Tim Rice's rock opera Jesus Christ Superstar, for which he received a Primetime Emmy nomination for Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Limited or Anthology Series or Movie. His latest endeavor is performing on the new World Premiere Recording of MacGyver the Musical on Broadway Records
Broadway star Felicia Boswell is currently making her West End debut as Faye Treadwell in The Drifters Girl.The musical tells the story of The Drifters and the truth about the woman who made them, Faye Treadwell. As their manager, Faye fought for three decades alongside her husband to turn the vocal group into a global phenomenon. Felicia joined the production in July, taking over the role from Beverley Knight. The Drifters Girl completes its run in London later this week, ahead of a UK tour which is set to launch next year. Felicia made her Broadway debut as Felicia Farrell in Memphis The Musical, and went on to play the role in the musical's US tour to huge acclaim. Her Broadway credits also include playing Diana Ross in Motown The Musical and Josephine Baker in Shuffle Along.Some of Felicia's other credits include Dreamgirls (US tour) and Emojiland (off-Broadway). Just a few of her US regional credits include playing Celie in The Color Purple, the title role in Medea, Mimi in Rent, The Baker's Wife in Into The Woods, Mary in Jesus Christ Superstar and the title role in Aida. Felicia has worked on screen and appeared in NBC's Jesus Christ Superstar LIVE. She's an Emmy winner for Jesus Christ Superstar LIVE, a two time Helen Hayes winner for Memphis & Jelly's Last Jam and a Broadway World winner for Memphis. As she prepares to say goodbye to The Drifters Girl and London (for now..!), in this episode Felicia discusses how it felt to make her West End debut, her path to Broadway, why what is meant for you won't pass you by and so much more. The Drifters Girl runs at the Garrick Theatre until 15th October. Visit www.thedriftersgirl.com for info and tickets. Visit Felicia's website www.feliciaboswell.com and follow her on Instagram: @feliciaboswell Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
The 1920's brought the second great era of musicals that were written by, staged by, and starring Black theater artists to Broadway. In this episode I profile these brilliant creators and stars including Eubie Blake & Noble Sissle, Flournoy Miller & Aurbry Lyles, Bill "Bojangles" Robinson, and their musicals -- "Shuffle Along", "Runnin' Wild", "Blackbirds of 1929", "Hot Chocolates" and more. It also includes a brief history of that great African-American/Irish-American co-creation -- Tap Dancing. And featuring music by The Paragon Ragtime Orchestra -- for more music from this era check out their terrific "Black Manhattan" series of recordings. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this day in 1921, the Broadway musical “Shuffle Along” debuted at the 63rd Street Music Hall. See omnystudio.com/listener for privacy information.
https://www.history.com/this-day-in-history/shuffle-along-opens-broadwaySupport the show on Patreon
In this episode, music director Sean Mayes and Reader in Musical Theatre Dr. Sarah K. Whitfield discuss the Black history of British musical theater from 1900 to 1950, highlighting performances and looking at how one studies musical theater history itself. We also talk about the song "Memories of You" from Eubie Blake, Noble Sissle, F.E. Miller, and Aubrey Lyles's 1921 musical Shuffle Along. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com The theme music is by Julia Meinwald. Music played in this episode: "Overture" from In Dahomey from "Black Manhattan: Theater and Dance Music of James Reese Europe, Will Marion Cook, and Members of the Legendary Clef Club" "Weeping Mary" from An Inconvenient Black History of British Musical Theatre 1900-1950 Live at Wigmore Hall "Memories of You" from An Inconvenient Black History of British Musical Theatre 1900-1950 Live at Wigmore Hall "Memories of You" from Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed "Memories of You" sung by Alberta Hunter to Eubie Blake Purchase their book: An Inconvenient Black History of British Musical Theatre by Sean Mayes and Sarah K. Whitfield
Sometimes I feel like somebody's watching me.
This week's special Encore episode of Broadway Nation celebrates a unique "Broadwayversary": On February 18, 1903 – 119 years ago tomorrow – one of the very first Broadway musicals entirely written, staged, produced, and performed by black theater artists opened at the New York Theatre in the heart of Times Square. That musical was titled In Dahomey. With music by Will Marion Cook, book by Jesse A. Ship & lyrics by Paul Laurence Dunbar (with additional lyrics by Alex Rodgers, Cecil Mack, Benjamin Shook, and James Weldon Johnson), this show was created to showcase four of the biggest Vaudeville stars of that era – the team of Bert Williams & George Walker and their wives and co-stars Lottie Williams and Ida Overton Walker. In Dahomey toured America for more than 3 years, including two runs on Broadway, and became a sensation in London where it played 252 performances at the Shaftesbury Theater and gave a command performance at Buckingham Palace for the royal family who apparently all danced the cakewalk. If you have never heard of In Dahomey, you are not alone. It is part of an entire decade of extremely popular Broadway musicals created by black artists that today are largely overlooked and forgotten. In light of this show's anniversary, and Black History Month, it seemed like the perfect time to reprise one of Broadway Nation's earliest episodes: Forgotten Forefathers – The Black Artists Who Invented Broadway. This episode explores the roots of black theater in America – in both its positive and negative aspects – and especially shines a light on the first decade of the 20th Century when dozens of black musicals, and hundreds of black theater artists took Broadway by storm, nearly 20 years before Shuffle Along would do it again. Broadway Nation is written and produced by David Armstrong. Special thanks to Kyle Carter and James Rocco for their voice acting contributions and the the Paragon Ragtime Orchestra for there terrific recordings of songs from these songwriters and shows, Learn more about your ad choices. Visit megaphone.fm/adchoices
If you're just wild about Broadway, join the Unauthorized Critics Circle as they learn about one of the most important musical productions in history with Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed! With a cast as stacked as Audra is pregnant, our co-hosts thrill in the delights of 20s musical theatre and share the Broadway Buzz as they regard the dual position of director/author, plot out the perfect future for Shuffle Along, and Affectionate Dan himself bravely shares his Adrienne Warren non-experience. Tune in to next week's episode when we discuss Intimate Apparel; specifically, the Off-Broadway production's performance from June 5th 2004! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast
The Unauthorized Critics Circle brings the first phase of their critically-acclaimed* Critics LIVE! series to a close with the long awaited Broadway debut of the 1955 play Trouble in Mind. As drama unfolds and conversations become way more topical than they should be, our co-hosts touch upon cannon fodder, the intersection of racism and misogyny, and the righteous indignation of LaChanze. *Critics may be of an unauthorized nature. Tune in to next week's episode when we discuss Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed; specifically, the Broadway production's performance from June 24th 2016! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast
Welcome back for our second Ghost Hunt episode. I'm your host, Erin Bogert. In this episode, we're jumping back to 1921, and we're just shy of backstage at Daly's 63rd Street Music Hall, at 22 West 63rd Street, between Broadway and Central Park West. A performance of “Shuffle Along” ended about thirty minutes ago, and the Reverend Edward Hall and his date, Mrs. Eleanor Mills, stayed behind to grandstand the fact that Edward Hall knows (in passing) the already famous Rutgers alum Paul Robeson, here making his Broadway debut in the choir while attending law school. The stars of our little story are not the doomed lovers or the great Paul Robeson, but two other choir singers, Nelly and J.E.B. are waiting for the theater patrons to leave the theater so that they can get on with their evening. Oh, and for those who don't know, Shuffle Along was the first Broadway smash hit with an entirely Black cast: it not only changed who belonged on Broadway's biggest stages, it also introduced an entirely new sound and feel to the music and rhythm of American popular music. But in both 1921 and now, success on the stage did not result in equal treatment, a dichotomy reflected in the thoughts of our radio play's protagonist, J.E.B.This episode was brought to you by the New Brunswick Historical Society and Thinkery & Verse. Grant funding has been provided by the Middlesex County board of chosen freeholders through a grant award from the Middlesex Cultural and Arts Trust Fund. Our theme music this season comes from Blimp66 of Freesound.org, and our closing jazz loop is by Anechoix. Today's radio play was written by Johnny Meyer and James Edward Becton, and edited by Johnny Meyer and Karen Alvarado. It featured voice actors Ashley Bufkin, James Edward Becton, Joey Sponseller, J Meyer, and Kaitlin Omerod Hutson, and songs from Shuffle Along.
This episode is made possible in part by the generous support of Broadway Nation "Backstage Pass Club" Producer Level Member, Tracy Wellans. For information on how to join the "Backstage Pass Club" please go the show notes for this episode at www.broadway-nation.com In this episode I continue my Centennial celebration of the groundbreaking musical Shuffle Along! with the second half of my conversation with Richard Carlin & Ken Bloom who are the co-authors of Eubie Blake: Rags, Rhythm and Race – the very first full biography of Shuffle Along's legendary composer. If you missed the first part of this conversation you may want to listen to episode 49 before continuing with this one. As we ended the previous episode, Sissle & Blake and Miller & Lyles – the two black Vaudeville teams that came together to create Shuffle Along – were finally about to open their new musical on Broadway following a very challenging pre-Broadway out of town tryout. The only New York theater they could get was really just a concert hall with a very shallow stage, and located on 63rd street at the extreme northern edge of the theater district – over a mile from 42nd Street. The small stage allowed for only minimal scenery, and the only costumes they could afford were sweat stained, hand me downs from previous Broadway shows. As a result, Shuffle Along, had no visibility or profile, or expectation from anyone that it would run more than a week. However, even with all of this stacked against it, Shuffle Along immediately became a giant hit – true over-night sensation! To celebrate Broadway Nation's 50th episode I am very pleased to announce the inauguration of the Broadway Nation “Backstage Pass Club” If you love this podcast and want to delve even deeper into the world of Broadway musicals, I invite you to become a member of the "Broadway Nation Backstage Pass Club". For as little as $7.00 a month members will receive exclusive access to never-before-heard, unedited versions of every Season Two interview, and many from Season One as well! I often record at least twice as much conversation as ends up in the public episodes, and this includes additional in-depth conversations with my frequent co-host Albert Evans. You will also have the opportunity to ask us any questions about Broadway musicals that you would like to hear answered and propose topics you would like me to cover -- all of which I will incorporate into a special series of “Ask Me Anything About Broadway” episodes. Last, but certainly not least, you will receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are feeling especially enthusiastic about Broadway Nation there are Patron and Producer levels available as well. To join please visit our website at www. Broadway-Nation.com. and just click the link included in the show notes for this episode. THANK YOU "Backstage Pass Club" Founding Members: Roger Klorese, Neil Hoyt, Chris Moad, and Daniel Cox And Producer Level members: Bob Braun, Steve & Paula Reynolds, Tracy Wellens, Gary Fuller & Randy Everett. Thank you all so much, and welcome to the club! Special thanks to Pauls Macs for his help in editing this episode, to KVSH 101.9 the Voice of Vashon, WA, and to the entire team at the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
This year marks the 100th Anniversary of Shuffle Along!, the groundbreaking musical that kicked off an entire decade of vibrant black musical theatre on Broadway which included more than a dozen shows that were created by black songwriters, black bookwriters, black producers, black directors and choreographers -- and these shows brought hundreds of black actors, singers, dancers, and musicians to Broadway. This landmark is being celebrated with the release of two wonderful new books. Earlier this season in Episodes 37 & 38, I had the great pleasure of chatting with author Cassen Gains about his book: Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way. Today my guests are the co-authors of the first full biography of Shuffle Along's composer: Eubie Blake: Rags, Rhythm and Race. Richard Carlin is the Grammy Award-winning author of numerous books on popular music, including Country Music, The Big Book of Country, and Worlds of Sound: The Story of Smithsonian Folkways. Ken Bloom is the Grammy Award-winning author of Show and Tell: The New Book of Broadway Anecdotes, Broadway Musicals: The 101 Greatest Shows of All Time, and Broadway: An Encyclopedia. He is the co-founder of Harbinger Records, has been a Broadway correspondent for NPR and the CBC, and has directed and produced shows at Town Hall, the Brooklyn Academy of Music, among other venues. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Shuffle Along" was the soundtrack that launched the Harlem Renaissance. Days after its debut, a group of armed white men terrorized Tulsa, Oklahoma. So why do so many of us know about Tulsa, but most of us have never heard of this musical? The answer is a little counterintuitive. Host Dexter Thomas speaks to author Caseen Gaines, actor Amber Iman, and scholar Dr Catherine M. Young about why the first successful all-black musical keeps getting buried (but still influences us, 100 years later).
This week I continue my conversation with author Cassen Gaines whose fascinating new book Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way tells the story of how in 1921 four talented and determined young black vaudevillians -- Noble Sissle, Eubie Blake, Flournoy Miller and Aubrey Lyles -- against incredible odds, teamed up to produce a runaway Broadway hit that ushered in a vibrant decade of Black Musicals on Broadway. If you missed the first episode of this series you may want to go back and listen to that before you continuing with this one. Although we now know that Shuffle Along became a giant, unprecedented hit -- no one, except for possibly the shows four creators, could have expected that it would have any chance of success. There had not been a black musical on Broadway in more than 10 years, and some people were even suggesting if Shuffle Along opened it might insight a race war! That's where we begin out conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices
This year marks the 100th Anniversary of Shuffle Along! The groundbreaking musical that kicked off a decade of vibrant black musical theatre on Broadway which included more than a dozen shows created by black songwriters, black bookwriters, black producers, black directors and choreographers -- and these shows brought hundreds of black actors, singers, dancers, and musicians to Broadway. This landmark event is being celebrated with the release of two wonderful new books – including the first full biography of Shuffle Along's composer titled -- Eubie Blake: Rags, Rhythm and Race by Richard Carlin & Ken Bloom And Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way by Caseen Gaines. I have had the great pleasure of interviewing the authors of both of these books and you have the opportunity to meet all three of them in a series of upcoming episodes. This week it is my honor to introduce you to Caseen Gaines whose extraordinary book, Footnotes, tells the story of how four young black artists -- Noble Sissle, Eubie Blake, Flournoy Miller and Aubrey Lyles overcame poverty, racism, violence and the legacy of slavery to produce a runaway Broadway hit that ushered in both the Harlem Renascence and the “Jazz Age” on Broadway. If you pay close attention to Broadway, as I know many of my listeners do, you will remember the that in 2016, writer and director George C. Wolfe created a star-studded Broadway musical which he tittled “Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed”. As that title suggests, this was not a revival or revisal of the of the original show but instead it attempted to tell the behind-the-scenes story of the making of Shuffle Along. You will also remember that it closed rather abrubtly and unexpectedly less than 3 months after it opened. There was, however, at least one positive outcome from the early demise of that show -- and that's where my conversation with Caseen begins. Learn more about your ad choices. Visit megaphone.fm/adchoices
SHOWS: Pippin, Chicago, and Angels in America Their collaboration is one of the longest in theatre history and their brilliant lighting designs have enriched every show on which they work. Solo, Jules Fisher was the lighting designer on the original productions of Pippin, Chicago, La Cage Aux Folles and many more. Once Peggy Eisenhauer became his creative partner, their credits included Angels in America, Jelly's Last Jam, Bring in Da Noise, Bring in Da Funk, Ragtime, Shuffle Along, and so many more Jules + Peggy pull back the curtain on their career to discuss how Bob Fosse demanded new ideas, what it was like working under the guidance of Jo Mielziner, and why George C. Wolfe requested that black be a color in lighting. Also, Jules+Peggy shine the spotlight on Joe Mantello, Graciela Daniele, and Feder! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advanced knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week's episode of 2:00 AM Thespian Thoughts, Jordan and Lucy appreciate Audra McDonald. That's It. We're just kidding... or are we? We might be discussing the musical Shuffle Along, but then again...Audra McDonald... So who's to say! Listen to find out.
Hello, All! It is so good to be back making episodes. I have been trying to find stories of hope, resilience, and strength during these times and I really think you're going to like this one. My friend and colleague from New York Vocal Coaching, Arbender Robinson, has been making the most of his down time to continue to still work on his craft and stay healthy and happy with "Early Morning Vocals." Check out his Instagram to hear for yourself: @arbender2 Listen to this episode and start thinking about a routine you can get into to help stay afloat during this crazy year! Thank you so much, Arbender, for coming on and inspiring people. You do so much good for this world. Thank you. Find out more about Arbender here: https://www.arbender.com/ https://www.youtube.com/watch?v=oXmIRP1PcnY&feature=youtu.be Arbender Robinson (Actor) Broadway: In Transit, Shuffle Along (revival), Les Miserables (revival), Beautiful: The Carole King Musical, Disney's The Lion King, Book Of Mormon, Hair, Ragtime (revival), Disney's The Little Mermaid, Hairspray. T.V.: The Last O.G., Nurse Jackie, Little Voice, Tony Awards, Good Morning America, The Today Show, CBS Sunday Morning. He made his Broadway debut in the Tony Award winning production of Hairspray; where he covered the role of Seaweed. In the original cast of Disney's The Little Mermaid he covered the role of Prince Eric. He also served as the Dance Captain and Swing for the Broadway revival of Hair and was seen in the Broadway revival of Ragtime. His Broadway credits continue with Disney's The Lion King, Broadway's 6th longest running and all time highest grossing show. Since then he was in the original cast of Beautiful The Carole King Musical and the 2014 of Les Miserables and is the cover for Marius. He is also the first African American to ever play Marius on Broadway. Arbender starred in the 2016 hit music Shuffle Along alongside many Broadway Legends including Audra McDonald, Brian Stokes Mitchell, Billy Porter, Brandon Victor Dixon and Joshua Henry. The show was Directed by Tony Award Winner George C Wolfe and Choreographed by Savionne Glover. Prior to moving to NYC, Arbender was a featured Vocalist with Royal Caribbean Cruises as well as an actor and vocalist for numerous Disney productions at Walt Disney World. He spent 4 years as a studio session Vocalist for the Disney Organization and can be heard in various parades and attractions worldwide. Arbender also performed extensively in Regional Theater in the US as well as numerous shows abroad including: Smokey Joe's Cafe, Five Guys Named Moe, Sweeney Todd, Jesus Christ Superstar, Aida, Ragtime, Secret Garden, Joseph and the Amazing Technicolor Dreamcoat, Songs for a New World, Parade, Miss Saigon and Into the Woods. When asked to describe the vocal ability of Arbender, one critic said “clear, effective, killer range of death...and that is a good thing. Look out Billy Porter, Arbender has arrived“ As a teaching artist, Arbender has worked with many organizations around the country and has a very unique teaching style that's accessible to all ages and talent levels. He also works significantly at bringing arts awareness to programs all over the country as well as serving as a huge advocate for Autism awareness and research. You can find more information here by following the link for "Teaching" or you can visit him at the New York Vocal Coaching Studio in Manhattan. www.NewYorkVocalcoaching.com Arbender also mentioned a few things to keep his mom happy: “I am a huge advocate for education, the thirst for knowledge, and believing in the power of your dreams. Dream big because sometimes these things can come true. I studied theater, music, dance, and management at Viterbo University in LaCrosse, Wisconsin. I have lived and or worked professionally in more states than I can ever recall and I now consider NYC and The Great White Way my home”
Brandon Victor Dixon joins me to discuss his time as Burr on Broadway, takes us back to his early workshop audition, tells how he later came to be part of the show just weeks after closing his Tony nominated performance in Shuffle Along, and Brandon dissects Burr's Judas complex. We Are Foundation Heaven Help Us All - Stevie Wonder Jesus Christ Superstar Live in Concert I'll Cover You (reprise) - Brandon Victor Dixon I Will Vote Vote Riders When We All Vote The Big Send Mi Familia Vota Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps
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