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“The moment Lise sang the first phrase, everybody’s jaw dropped in the orchestra. I have never seen this kind of thing before.” – Esa-Pekka Salonen Hear Lise Davidsen and Esa-Pekka Salonen in concert with the Philharmonia Orchestra on 19 March 2020 at Royal Festival Hall, Southbank Centre, London: https://philharmonia.co.uk/whats-on/200319-esa-pekka-salonen-mahler-and-schumann/ Link to the recording of Lise Davidsen with the Philharmonia Orchestra on Decca: https://decca.lnk.to/LiseDavidsen0F The Mahler: Songs of Life concerts are supported by members of the Mahler Syndicate: Naomi and Christophe Kasolowsky, Caroline Tate, Marina Vaizey, John and Carol Wates, and others who wish to remain anonymous.
Principal Conductor and Artistic Advisor, Esa-Pekka Salonen, chats about how composer Gustav Mahler used and re-used vocal music. Music from his song cycles can later be heard in his symphonies. Discover more in this film and join us for in London for our concert series, Mahler: Songs of Life, throughout our 2019/20 season: https://philharmonia.co.uk/whats-on/?date=all&location=all&type=all&event-group=1562 The Mahler: Songs of Life concerts are supported by members of the Mahler Syndicate: Naomi and Christophe Kasolowsky, Caroline Tate, Marina Vaizey, John and Carol Wates, and others who wish to remain anonymous.
In 2020 we mark 75 years since the Philharmonia Orchestra was founded - three quarters of a century of brilliant live music-making, definitive recordings, technological innovation and artistic adventure. Our Principal Conductor and Artistic Advisor, Esa-Pekka Salonen, reflects on the founding ethos of the Philharmonia and how it has continued to attract the finest musicians to play in its ranks. Discover our concert series here: http://www.philharmonia.co.uk/POat75 Watch more films about our story here: https://www.youtube.com/playlist?list=PLqR22EoucCycOGFfrFJY587duxWWBYhvu
The Weimar Republic was a time of great social and artistic advances, but shaky politics and a disastrous economy made it ripe for the rise of National Socialism – the Nazis. Adolf Hitler became Chancellor of Germany in 1933, which brought an end to the Weimar Republic. As part of his swift project of cultural eradication, books were burned and people contrary to the regime, or who simply did not fit the Nazi’s ideal of the “Aryan” race, were arrested, murdered or forced to flee Germany. In our last film we explore the effects of the rise of the Nazis, and Weimar’s legacy. These six films form the introduction to the Philharmonia’s concert series Weimar Berlin: Bittersweet Metropolis, which returns 23 September 2019 at Southbank Centre, London: https://www.philharmonia.co.uk/concerts/series/82/weimar_berlin_bittersweet_metropolis
Love of nature, a strong civil society, great coffee... What defines Finland today as the country turns 100? Philharmonia Orchestra Principal Conductor & Artistic Advisor, Esa-Pekka Salonen, reflects on why it is refreshing to come home regularly to Finland after living abroad for over 30 years. Filmed on location in Finland in the summer of 2017. Finland turns 100 on 6 December 2017. Celebrate with the Philharmonia and Esa-Pekka Salonen in a special, all-Sibelius concert at London's Southbank Centre on Thursday 7 December, 7:30pm. philharmonia.co.uk/concerts/1736/esa-pekka_salonen_finnish_independence
Art and music were central to the development of Finnish national identity and helped to bring together different cultures under a single Finnish flag. Philharmonia Orchestra Principal Conductor & Esa-Pekka Salonen shares composer Jean Sibelius's role in Finnish nation building in this film shot on location in Finland in the summer of 2017. Finland turns 100 on 6 December 2017. Celebrate with the Philharmonia and Esa-Pekka Salonen in a special, all-Sibelius concert at London's Southbank Centre on Thursday 7 December, 7:30pm. philharmonia.co.uk/concerts/1736/esa-pekka_salonen_finnish_independence Stay after the main concert for FREE post-concert folk music: philharmonia.co.uk/concerts/2052/london/royal_festival_hall/7_december_2017/juuri_and_juuri_finnish_folk_music
British composer, Tansy Davies, has been commissioned by Esa-Pekka Salonen and the Philharmonia Orchestra to compose a concerto for four horns, to premiere as part of the Philharmonia's "Inspirations" series in late February 2017. We travelled with Tansy to Bedgebury Pinetum in Kent, one of the locations that inspired her new concerto, "Forest". "Forest" explores how we, as humans, can search for a dialogue with nature as we move further and further apart in our modern world. Using the theme of the hunt and inspired by the hunting horn's roots in the forests of France, this new concerto promises to be a thrilling musical experience. The Philharmonia Orchestra will perform "Forest": 21 February 2017, The Anvil, Basingstoke: http://www.philharmonia.co.uk/concerts/1480/basingstoke/the_anvil/21_february_2017/salonen_conducts_strauss 23 February, Royal Festival Hall, London: http://www.philharmonia.co.uk/concerts/1390/london/royal_festival_hall/23_february_2017/inspirations_strauss_and_beethoven 24 February, Auditorio Nacional Madrid: http://www.philharmonia.co.uk/concerts/1650/madrid/auditorio_nacional_madrid/24_february_2017/madrid_salonen_conducts_ravel Tansy Davies’s Forest – A Concerto for Four Horns has been jointly commissioned by Esa-Pekka Salonen for the Philharmonia Orchestra's 70th Anniversary New York Philharmonic: Alan Gilbert, Music Director International Festival of Contemporary Music Warsaw Autumn’s 60th Anniversary
Talking bats, humanlike cats and tall hats - welcome to the world of Ravel and his opera l'Enfant et les Sortilèges. This episode we talk to world renowned soprano Barbara Hannigan about her role as the Princess, Esa-Pekka Salonen on the magic of Ravel and director Irina Brown from backstage at the Southbank Centre's Royal Festival Hall. If that isn't enough of a glimpse backstage, you'll hear from the costume designer, assistant conductor, Philharmonia Voices and Parisian soloists.
Philharmonia Orchestra Principal Conductor and Artistic Advisor Esa-Pekka Salonen describes his love affair with Debussy's opera Pelléas et Mélisande. Discover the series at philharmonia.co.uk/paris Our City of Light: Paris: 1900-1950 concert series runs from November 2014 - June 2015.
Backstage Pass is the Philharmonia Orchestra’s first uniquely audio podcast. We already bring you video podcasts but this time it’s all about the audio. We'll take you behind the scenes of the Orchestra, giving you exclusive access to the players and a glimpse of the hard work that goes on before each and every concert. This week the podcast is dedicated to our new season launch, kicking off with Berlioz’ brilliant work – La Grande Messe des Morts. There’ll be laughter and unexpected discoveries along the way as well as an interview with Maestro Esa-Pekka Salonen. Sit back and listen to a different side of the Philharmonia.
In this film, Philharmonia members past and present tell the story of how a last-minute decision by the Orchestra's management 30 years ago ignited what would go on to be a long-lasting relationship between Esa-Pekka Salonen and the Philharmonia, firstly as Principal Guest Conductor, and, since 2008, as Principal Conductor and Artistic Advisor.
In this film, Philharmonia members past and present tell the story of how a last-minute decision by the Orchestra's management 30 years ago ignited what would go on to be a long-lasting relationship between Esa-Pekka Salonen and the Philharmonia, firstly as Principal Guest Conductor, and, since 2008, as Principal Conductor and Artistic Advisor.
Acknowledged as the UK's foremost musical pioneer, the Philharmonia Orchestra lives at the heart of British musical life. In this film, Simon Oliver (Double Bass and Chairman) introduces the Orchestra and its work today. For more information, please visit the new website www.philharmonia.co.uk.
Acknowledged as the UK's foremost musical pioneer, the Philharmonia Orchestra lives at the heart of British musical life. In this film, Simon Oliver (Double Bass and Chairman) introduces the Orchestra and its work today. For more information, please visit the new website www.philharmonia.co.uk.
Go on a journey with the Philharmonia Orchestra as they travel to Paris with Esa-Pekka Salonen, and prepare for a particularly special performance of the Rite of Spring at the Théâtre des Champs-Elysées - the venue of the original première - in the piece's centenary year, 2013.
Go on a journey with the Philharmonia Orchestra as they travel to Paris with Esa-Pekka Salonen, and prepare for a particularly special performance of the Rite of Spring at the Théâtre des Champs-Elysées - the venue of the original première - in the piece's centenary year, 2013.
With 2013 being the Centenary year for Stravinsky's Rite of Spring, Principal Conductor and Artistic Advisor of the Philharmonia Esa-Pekka Salonen discusses his relationship with this seminal work, and its continuing relevance in a 21st century context. To mark the Centenary, Esa-Pekka Salonen is touring the work across Europe with the Philharmonia Orchestra, a tour culminating in a concert at Paris's Theatre des Champs-Elysées, the venue of the work's infamously riotous première. The London Centenary concert will take place on Thursday 30th May at 7.30pm, at the Royal Festival Hall. For more information, please visit philharmonia.co.uk/concerts/30may13
With 2013 being the Centenary year for Stravinsky's Rite of Spring, Principal Conductor and Artistic Advisor of the Philharmonia Esa-Pekka Salonen discusses his relationship with this seminal work, and its continuing relevance in a 21st century context. To mark the Centenary, Esa-Pekka Salonen is touring the work across Europe with the Philharmonia Orchestra, a tour culminating in a concert at Paris's Theatre des Champs-Elysées, the venue of the work's infamously riotous première. The London Centenary concert will take place on Thursday 30th May at 7.30pm, at the Royal Festival Hall.
In 2012 Esa-Pekka Salonen will begin a Beethoven symphonic series with the Philharmonia Orchestra, an exploration of cornerstones of the orchestral repertoire, culminating in a complete symphony cycle at the Beethovenfest in October 2012. In our latest podcast, Esa-Pekka Salonen explains why Beethoven matters. Click here for series information: http://www.philharmonia.co.uk/concerts/series/salonen_beethoven/
Watch our behind-the-scenes film as Esa-Pekka Salonen prepares for a performance of Sibelius’s ‘choral’ symphony, Kullervo, based on a dark tale from the Finnish epic, the Kalevala. Salonen travelled to Uppsala, Sweden to rehearse with the male choir, Orphei Drängar, who feature prominently in the piece. This concert opens the Philharmonia Orchestra's 2011/12 London Season at Southbank Centre's Royal Festival Hall. Click here to learn more and book tickets. philharmonia.co.uk/concerts/25sept11/
Esa-Pekka Salonen and pianist Yefim Bronfman meet Dániel Hamar and László Porteleki from Hungary's leading folk music ensemble, Muzsikás. Muzsikás perform traditional Hungarian pieces and discuss their origins, including the influence that this music had upon the work of Béla Bartók. Muzsikás will be performing in London and Basingstoke in 2011 as part of the Philharmonia's Infernal Dance series. For more information on these concerts or others in the series please visit : philharmonia.co.uk/bartok
Malcolm Gillies travels to Béla Bartók's birthplace in Romania to explore the historical, ethnic, and political tensions that shaped Bartók's Hungary, and informed him musically. This film accompanies the Philharmonia Orchestra's 'Infernal Dance' series.
Throughout 2011 Esa-Pekka Salonen's major exploration of Bartók's life, influences and music travels throughout the UK and Europe. To kick off the project this January, Esa-Pekka Salonen discusses why he finds Bartók's works fascinating, challenging and inspiring.
Animateur Paul Rissmann guides us through Bartok's most famous orchestral work with help from Philharmonia Orchestra musicians.