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Marin Alsop is a world-renowned conductor and the first woman to lead major orchestras internationally. The subject of the Emmy-nominated documentary "The Conductor” and formerly Music Director of the Baltimore Symphony Orchestra, she's Chief Conductor of the ORF Vienna Radio Symphony Orchestra and the Ravinia Festival, and Principal Guest Conductor of the Philharmonia Orchestra and the Philadelphia Orchestra. She has recorded 200+ titles and is the only conductor to receive a MacArthur Fellowship.In this episode, we explore:How giving people max autonomy drives performance How to balance elite talent with team cohesionTheories on talent selection to build top teamsThe "no shortcuts" practice philosophy This episode is great for anyone building teams. It offers powerful insights on creating excellence at scale, balancing autonomy with accountability, and fostering self-motivation. Enjoy this episode? Rate it and leave a review. It really helps others find the podcast.Learn more about Kristen and Irrational Labs here.
Stephen Bell, Principal Guest Conductor with the RTÉ Concert Orchestra
The guys chat with Tabita Berglund before her debut performance as the Detroit Symphony Orchestra's newly appointed Principal Guest Conductor. Catch Tabita conducting Sibelius' Lemminkäinen Suite, Britten's Four Sea Interludes from Peter Grimes, and the US Premiere of Anna Clyne's Time and Tides October 18-20, 2024.
In April, Dalia Stasevska, Chief Conductor of the Lahti Symphony Orchestra and Principal Guest Conductor of the BBC Symphony Orchestra, launched a new project, ‘Dalia's Mixtape', for Platoon. Leading her BBC orchestra, she has recorded ten works by ten modern composers, each shedding a new and different light on the symphony orchestra and what it can do. And, breaking with tradition, the project will unfold piece by piece over the next half year. And each work will be accompanied by a podcast focusing on the music. In this latest episode, hosted by Gramophone's Andrew Mellor, Dalia's guest is the Master of the King's Music, Dame Judith Weir whose orchestral work Still, Glowing features on the 'Mixtape'. Composer and conductor discuss this haunting piece.
Internationally renowned composer and conductor Leonard Slatkin believes that the arts have the power to transform us – and his life and body of work exemplify this belief. Slatkin has served as the Music Director of the St. Louis, Detroit, New Orleans, National and Lyon Symphony Orchestras, Chief Conductor of the BBC Symphony Orchestra in London, and Principal Guest Conductor of countless others. Raised in a musical household, he is the son of violinist, conductor and film composer Felix Slatkin and Eleanor Aller, first chair cellist at Warner Brothers Studios. Both were members of the Hollywood String Quartet and contributed to some of the great film scores of old Hollywood. As a result, Stalkin was surrounded by music from an early age - learning several instruments while young and attending The Juilliard School. He went on to build an impressive career, including six Grammy wins and the National Medal of the Arts. Slatkin is the author of several books on music and conducting, most recently “Eight Symphonic Masterworks of the Twentieth Century - A Study Guide for Conductors.” He also served as host of the weekly radio programs “The Slatkin Project” and “The Slatkin Shuffle.” Leonard Slatkin shares with host Alec Baldwin what it was like growing up surrounded by icons like Marilyn Monroe and Frank Sinatra in his home, discusses how he contributes to an orchestra as its Music Director and reflects on what it means to be part of a musical dynasty.See omnystudio.com/listener for privacy information.
Dalia Stasevska, Chief Conductor of the Lahti Symphony Orchestra and Principal Guest Conductor of the BBC Symphony Orchestra, has launched a new project, ‘Dalia's Mixtape', for Platoon. Leading her BBC orchestra, she has recorded ten works by ten modern composers, each shedding a new and different light on the symphony orchestra and what it can do. Breaking with tradition, the project will unfold piece by piece over the next half year. And each work will be accompanied by a podcast focusing on the music. In this first episode, hosted by Gramophone's Andrew Mellor, Dalia's guest is the Scottish composer and performer Anna Meredith whose work, Nautilus, originally conceived for electronics, is presented in a new acoustic guise. She, Andrew and Dalia discuss the work's origins and its transformation into a vibrant new work for a traditional symphony orchestra. Produced by Platoon and Gramophone.
Stéphane Denève, Music Director of SLSO, stopped by to speak with Nancy about the goings on at the symphony. ------ Stéphane Denève is Music Director of the St. Louis Symphony Orchestra, Artistic Director of the New World Symphony, and from 2023 will also be Principal Guest Conductor of the Netherlands Radio Philharmonic. He recently concluded terms as Principal Guest Conductor of The Philadelphia Orchestra and Chief Conductor of the Brussels Philharmonic, and previously served as Chief Conductor of Stuttgart Radio Symphony Orchestra (SWR) and Music Director of the Royal Scottish National Orchestra. ------ Recognised internationally for the exceptional quality of his performances and programming, Stéphane Denève regularly appears at major concert venues with the world's greatest orchestras and soloists. He has a special affinity for the music of his native France, and is a passionate advocate for music of the 21st century. ------
Ben Glassberg is a young conductor much in demand by several opera companies including ENO and La Monnaie, and Chloe Rooke, who has been working as his assistant on Don Pasquale at Glyndebourne this summer with OAE, is also a prodigiously talented conductor, on the threshold of her career. Ben has been principal conductor of Glyndebourne on Tour since 2019, and is also Music Director of Opera de Rouen and Principal Guest Conductor of Volksoper Wien. Here they discuss their surprisingly similar routes to opera conducting, as well as how to get a foothold in the early stages, with plenty of laughs along the way, as they are very good friends, personally and professionally.---Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa
Carolyn Watson on Conducting StudyWhile conducting music requires a specific level of technique, one's success as a conductor cannot be complete without mastering musicianship. In this episode of The Conductor's Podcast, I am beyond ecstatic to have Dr. Carolyn Watson as my guest as she enlightens young and experienced conductors alike, the essence of musicianship, musical intent and musical conviction when conducting study. Carolyn Watson is Director of Orchestras at the University of Illinois, Principal Guest Conductor of the KansasCity Chamber Orchestra, and Music Director of the La Porte County Symphony Orchestra in Indiana. Originally from Australia, she has been based in the United States since 2013 during which time she has ledperformances with Amarillo Opera, Austin Symphony, Catskill Symphony, Dallas Opera, Des Moines MetroOpera, Detroit Symphony Civic Orchestra, Interlochen Philharmonic, Kansas City Ballet, Lyric Opera of KansasCity, St. Joseph Symphony and World Youth Symphony Orchestra. Carolyn's 22-23 season includes debuts with Monash Academy Orchestra (Australia), Cape Symphony, Traverse Symphony Orchestra and Columbus Indiana Philharmonic, as well as returns to the Lyric Opera of Kansas City and Kansas City Ballet. Carolynholds a PhD in Performance (Conducting) from the University of Sydney where she studied under Imre Palló. www.carolyn-watson.com
Hosts John Devlin and Enrico Lopez-Yañez are joined by Anna Edwards to pay tribute to Michael Jinbo in the 4/4. Then, UpBeat welcomes Julian Kuerti, Music Director of the Kalamazoo Symphony Orchestra and Principal Guest Conductor of the National Symphony Orchestra of Peru. During his interview, he shares his approach to developing relationships as both a Music Director and a guest conductor, strategies for creating programs that truly serve your community, and some amazing stories about his mentors such as Levine, Masur and Iván Fischer! This was an incredible interview-- you won't want to miss it!
Ignat Solzhenitsyn is recognized as one of today's most gifted artists, and enjoys an active career as both a conductor and pianist. His lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has also partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC's Nightline. Follow Ignat on Twitter here:https://www.twitter.com/isolzhSUPPORT ME ON TWITTER: https://www.twitter.com/cliftonaduncan SUBSCRIBE TO MY SUBSTACK: https://cliftonduncan.substack.com Intro/Outro: https://www.epidemicsound.com/track/s...Support this podcast, as well as small business, by clicking the link below and enjoying some delicious Twin Engine Coffee, our first sponsor!
Today we are happy to welcome back Principal Guest Conductor for the San Francisco Ballet, Ming Luke. We had a fascinating conversation with Ming back in September 2020 in episode 203, where we dive into his background and career as a conductor. Ming has a wealth of knowledge in music and dance history, as he […] The post (287) Composers & Choreographers with Ming Luke, Principal Guest Conductor for the San Francisco Ballet appeared first on tendusunderapalmtree.com.
Today we are happy to welcome back Principal Guest Conductor for the San Francisco Ballet, Ming Luke. We had a fascinating conversation with Ming back in September 2020 in episode 203, where we dive into his background and career as a conductor. Ming has a wealth of knowledge in music and dance history, as he […] The post (287) Composers & Choreographers with Ming Luke, Principal Guest Conductor for the San Francisco Ballet appeared first on tendusunderapalmtree.com.
YolanDa Brown takes us through some of the best bits of Series 3. Why do the musicians do what they do? And how do you combat the fear of fear? Plus, a revelation from conductor Karina Canellakis, the story of how a cello came to be, and the romantic connections across the orchestra… With tuba player Lee Tsarmaklis, violinist Kate Oswin, contrabassoonist Simon Estell, cellist Elisabeth Wiklander, Principal cellist Kristina Blaumane, trumpeter Anne McAneney, Principal Guest Conductor of the LPO Karina Canellakis, cellist David Lale, and violinist Fiona Higham.Series 4 will be arriving in March 2022 - see you then!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Julian Rachlin is one of the most renowned artistic personalities of our time. In his over thirty-year career, Mr. Rachlin's multifaceted interests have taken him across the globe as a conductor, soloist, recording artist, chamber musician, teacher, and artistic director. As a violinist, Rachlin has shared the stage with virtually every major orchestra and conductor. A frequent presence on the conductor's podium, his performances have thrilled audiences worldwide and his electrifying and sensitive interpretations have placed him at the forefront of classical music. Rachlin's elegant and dynamic style has cemented his reputation as one of the leading conductors of his generation. Known for his meticulous rehearsal methods and superb musicianship, he has conducted the Chicago Symphony Orchestra, Israel Philharmonic Orchestra, Royal Philharmonic Orchestra, Konzerthausorchester Berlin, Russian National Orchestra, Moscow Philharmonic Orchestra, China Philharmonic Orchestra, Helsinki Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, and the symphony orchestras of Vienna, City of Birmingham, RAI Torino as well as at the Grand Teton and Verbier festivals. Mr. Rachlin serves as Principal Guest Conductor of the Turku Philharmonic Orchestra, the Kristiansand Symphony Orchestra, and he is Principal Artistic Partner of the Royal Northern Sinfonia. A major presence in the performing arts since the age of thirteen, Mr. Rachlin has spent over three decades cementing his reputation as one of the world's premiere classical violinists. Recent highlights as soloist include appearances with the Munich Philharmonic and Los Angeles Philharmonic Orchestra under the baton of Zubin Metha, Mariinsky Orchestra with Valery Gergiev, Oslo Philharmonic Orchestra under Klaus Mäkelä, St.Petersburg Philharmonic Orchestra with Yuri Termirkanov, Boston Symphony Orchestra, Orchestra Filarmonica della Scala, Symphonieorchester des Bayerischen Rundfunks, Montreal Symphony Orchestra under Christoph Eschenbach and the Pittsburgh Symphony Orchestra with Manfred Honeck. Tracks: Penderecki - Sextet for Clarinet, Horn, Violin, Viola, Cello and Piano: https://www.naxos.com/catalogue/item.asp?item_code=8.557052. Penderecki - Ciaconne transcription (violin & viola) from A Polish Requiem. Penderecki - Double Concerto. Penderecki - Metamorphosen: https://www.naxos.com/catalogue/item.asp?item_code=8.555265.
In this episode, I speak with Dr. Krishan Oberoi, Director of Choral Activities at Providence College, Artistic Director of the Falmouth Chorale, Principal Guest Conductor and Founder of SACRA/PROFANA, and also...my husband! Krishan has a unique story that brought him to choral music, and has had a major philosophical shift over the past six years of conducting that has led him to believe in a people-first approach for singers at all levels: professional, community, collegiate, and beyond. In this episode, we recap his journey and discuss ways to focus less on your own gain and to focus more on the experiences of the people you are leading.How do you judge your own effectiveness with the people you are leading? When you examine your motivations, what do you find? Hop on over to www.choralconnectivity.com and use the contact form to answer these questions and more.
Join us as we head to Madrid, Spain to talk with the Principal Guest Conductor of Madrid's Teatro Real, Nicola Luisotti, about opera with a live audience, the search for the next new operas, and being a singer's conductor. https://www.nicolaluisotti.com/ https://www.screamingdivas.com/
Diese Woche in der Zukunft: Ein Blick aus der Perspektive der Zukunftsforschung auf die Krise. Drei der Krisen der 20er Jahre kannten wir auch schon Corona: Die Krise der Arbeit, die demografische Krise und die Klimakrise. Wir halten es für zynisch gegenüber den Opfern der Pandemie nicht daraus zu lernen: Je unruhiger das Fahrwasser, desto wichtiger der Blick nach vorn. Was macht ein international tätiger Dirigent in Zeiten von Corona? Er geht in Quarantäne. Wir haben mit http://www.christophpoppen.com/ (Christoph Poppen) an Tag elf seiner Quarantäne in Hongkong gesprochen: Welche Lücken reißen wir gerade in unser kulturelles Fundament – und welche Spuren werden bleiben? Sein Appell ist: So weit wir unser kulturelles Leben auch herunterfahren müssen, wir dürfen den Faden nicht abreißen lassen. Schließlich ein Blick in das Labor der Zukunftsforschung. Wir arbeiten derzeit intensiv an Versicherungsthemen. Ein kleiner Rant über die Themen, die wir nie wieder (!) als Zukunft der Versicherung präsentiert bekommen wollen. Der Gast dieser Woche:http://www.christophpoppen.com/ (Christoph Poppen), international renommierter Dirigent und Geiger, unter anderem Principal Guest Conductor der Hongkong Sinfonieta, Gründer des Festival Internacional de Música de Marvão in Portugal, Professor an der Hochschule für Musik und Theater München.
Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. GRAMMY-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic Orchestra, Music Director Laureate of the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and Artistic Adviser of the Hawaii Symphony Orchestra and the Cleveland Institute of Music Orchestra. Hailed for having ‘Toscanini's tight control over ensemble, Walter's affectionate balancing of inner voices, Stokowski's gutsy showmanship, and a controlled frenzy worthy of Bernstein', she is a leading force for the music of our time. JoAnn with composer Ken Fuchs at the GRAMMY Awards in 2019Her recent and upcoming North American guest conducting includes the National Symphony, Detroit Symphony, Nashville Symphony, Indianapolis Symphony, and Milwaukee Symphony; and further north, the Toronto Symphony and Orchestre metropolitain. Internationally, she has conducted many of the most prominent orchestras in Europe, Asia, and South America. Pending further national and international guidance on the current COVID-19 pandemic, she is looking forward to guest conducting appearances in Canada, Poland, Sweden, and Spain in 2021. The pieces included: Penderecki Adagio: Symphony No 3 - Buffalo Philharmonic Orchestra; Penderecki - Concerto Doppio - Buffalo Philharmonic Orchestra; Penderecki Horn Concerto - Buffalo Philharmonic Orchestra.
Beatrice Venezi is one of the youngest Orchestra's Conductors in Europe and in 2018 she was listed in Forbes 100 Under 30. She’s Principal Guest Conductor of the "Orchestra della Toscana", Chief Conductor of the "Orchestra Milano Classica" and one of the few women to conduct orchestras of international standing. In this episode, we talk about the classical music industry, leadership and gender equality.The episode will cover the following topics:(1:50) The gender gap in the classical music industry and what can be done to reduce it.(5:00) Practical steps women and men can apply to promote gender equality. (8:16) What can be done to motivate young people to listen to classical music. Similarities between their interests and classical music.(11:54) How travelling has shaped the way she looks at the world and her profession.(14:19) The country that gave her the most (from a personal side) is and the one in which she feels more comfortable performing.(16:10) Her leadership style and how she earns the trust of the orchestras she conducts.(19:05) What a conductor does and how a person can start learning how to conduct an orchestra.(23:57) How long she takes to put together a performance.(28:03) The challenges she had to overcome in order to reach success.(32:30) Where she sees the classical music industry in 30 years.(36:04) What institutions and the government can do to promote classical music among young people.(37:32) Teaching classical music in schools.(38:08) The Sanremo Music Festival's debate. Gender equality and names of professions. Being referred to as Direttore (the male/gender-neutral form of the word "conductor") rather than Direttrice (the female form).(42:35) The internationally of the great Italian classical composers.(43:55) Sharing classical music across countries when being exposed to the world through social media and other digital means was not a thing.(45:55) The projects she's currently working on and that are about to take place.(47:13) Her debut in London.Links:Tour in the UK (16-31 July 2021): https://operahollandpark.com/producti...Book "Sorelle di Mozart": https://www.amazon.co.uk/sorelle-inte...Follow us on:Instagram: https://www.instagram.com/italian.minds/LinkedIn: https://www.linkedin.com/company/italian-minds/Facebook: https://www.facebook.com/italianminds.podcast
With the “energy, creativity and charisma not seen since Leonard Bernstein” and “vibrant,” “mind-blowing,” and “spectacular” conducting, Ming Luke is a versatile conductor that has excited audiences around the world. Highlights include conducting the Bolshoi Orchestra in Moscow, performances of Romeo and Juliet and Cinderella at the Kennedy Center, his English debut at Sadler’s Wells with Birmingham Royal, conducting Dvorak’s Requiem in Dvorak Hall in Prague, recording scores for a Coppola film, and over a hundred performances at the San Francisco War Memorial with San Francisco Ballet. The 20-21 season Luke conducts San Francisco Symphony, Houston Symphony, and at Classical Tahoe with musicians of the Metropolitan Opera Orchestra. He has been recognized nationally for his work with music education and has designed and conducted education concerts and programs with organizations such as the Berkeley Symphony, Houston Symphony, Sacramento Philharmonic, San Francisco Opera and others. Luke has soloed as a pianist with Pittsburgh Symphony, Sacramento Philharmonic, and San Francisco Ballet, and currently serves as Music Director for the Merced Symphony and Berkeley Community Chorus and Orchestra; Principal Conductor of the Nashville Ballet, Associate Conductor for the Berkeley Symphony; and Principal Guest Conductor for the San Francisco Ballet. Long time critic Allan Ulrich of the San Francisco Chronicle said, “Ming Luke delivered the best live theater performance I’ve ever heard of [Prokofiev’s Romeo and Juliet]” and in 2016 Luke’s War Requiem was named best choral performance of 2016 in the San Francisco Bay Area. Passionate about collaboration with dance companies and deepening the impact of movement to live music, Luke has guested with Boston Ballet, New York City Ballet Orchestra, Nashville Symphony/Ballet, San Diego Ballet and others and conducted l’Orchestre Prométhée in Paris as part of San Francisco Ballet’s residency with Les Etés de la Danse. Famed dancer Natalia Makarova stated, “Ming has a mixture of pure musicality and a sensitivity to needs of the dancers, which are such rare qualities.”The Question of the Week is, "How can classical musicians be effective collaborators with others?" Ming and I discuss his experience working with dancers as a conductor of ballet, what he believes is the key to being an effective collaborator, and his definition of a "successful classical musician." You can find out more about Ming on his website, mingluke.com.
Today on Orchestrating Change, GRAMMY award-winning conductor, JoAnn Falletta, spoke with us about her journey to become one of the first female music directors of a major American orchestra and where she sees the future of orchestral music going. Her passion for the orchestra flowed through this conversation and made it very clear to us why she was able to shatter the glass ceiling of conducting. JoAnn Falletta serves as Music Director of the Buffalo Philharmonic Orchestra, Music Director Laureate of the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and Artistic Adviser of the Hawaii Symphony Orchestra and the Cleveland Institute of Music Orchestra. Hailed for having ‘Toscanini’s tight control over ensemble, Walter’s affectionate balancing of inner voices, Stokowski’s gutsy showmanship, and a controlled frenzy worthy of Bernstein’, she is a leading force for the music of our time. Canton Symphony Orchestra knows the need for change within the orchestral community. The tradition of classical music has ignored many communities that have contributed to the development and canon of repertoire played in the concert hall. While Canton Symphony is a regional orchestral, change starts at the smallest level. With “Orchestrating Change”, the Canton Symphony Orchestra hopes to facilitate conversations that will make the concert hall a more welcoming place for previously ignored communities as well as create more acceptance and diversity on the stage. In addition to orchestrating change internally, educating audiences to issues surrounding diversity and inclusion will be a priority. Music by Black, Latinx, female, Asian, and LGBTQAI+ musicians and composers has been noticeably absent in the programming produced by established institutions in comparison to those who are white and male. Canton Symphony Orchestra hopes to be a more welcoming community that is reflective of the demographics in Canton, Ohio and the surrounding major metropolitan areas. Patrons who wish to sign-up for email reminders may do so at www.cantonsymphony.org/orchestrating-change. More information, including additional episodes, will be released in our weekly newsletter and social media accounts. https://www.cantonsymphony.org/episode-6-joann-falletta/
Nathalie Stutzmann releases a new Erato recording of Baroque arias written for her voice-type: 'Contralto'. Conducting her orchestra, Orfeo 55, she explores arias written for some of the star contraltos of the day by Handel, Vivaldi, Porpora, Gasparini and Caldara (including five world-premiere recordings). James Jolly spoke to Nathalie Stutzmann during rehearsals with Norway's Kristiansand Symphony Orchestra of which she is Chief Conductor; she's also recently been appointed Principal Guest Conductor of Gramophone's 2020 Orchestra of the Year, the Philadelphia Orchestra.
Culture makes us better human beings. Music is a great example of culture. In fact, one could argue that music is a necessity—not a nicety. It’s an international language. Creating music is an elevated act like no other. Performing music connects and bridges human differences. Witnessing a live performance is a vivid multi-sensory experience that combines venue, performer-audience connection and the music itself. But changes in our world are making such rich human experiences harder to come by... and the future (and business) of performance art is uncertain. In this episode, join Host Craig James and Conductor Wilson Hermanto, the Principal Guest Conductor of Cameristi della Scala. They discuss what Hermanto calls “the higher plateau” and the impact of music on humanity and the future. Listen-in Learn more about Wilson and his work from his website and from his bio at IMG Artists. The music playing during the interview: Haydn Cello Concerto in C Major, Daniel Müller-Schott, cello, Cameristi della Scala, Wilson Hermanto, Conductor Tchaikovsky Serenade for strings in C Major op. 48, Cameristi della Scala, Wilson Hermanto, Conductor Learn more about your ad choices. Visit megaphone.fm/adchoices
In this fourth episode of "Meet the Musicians" Podcast, host Matthew LaPine has a conversation with the superb JoAnn Falletta. Grammy-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic Orchestra, and the Connie and Marc Jacobson Music Director Laureate of the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and Artistic Adviser to the Hawaii Symphony Orchestra and the Cleveland Institute of Music Orchestra. She is hailed for her work as a conductor, recording artist, audience builder and champion of American composers.Grant funding has been provided by the Middlesex County Board of Chosen Freeholders through a grant award from the Middlesex County Cultural and Arts Trust Fund.Program funded by Middlesex County, a partner of the New Jersey State Council on the Arts.
On today's episode, Andrew talks to musician and composer Dmitry Sitkovetsky about the concept of genius, a more democratic orchestra, and what he's listening to right now. Sitkovetsky is one of a rare breed of artist whose career successfully manifests itself in many artistic fields. As a violinist, Sitkovetsky has performed with a number of the world’s leading orchestras including the Berlin, New York and Los Angelos Philharmonic Orchestras, Leipzig Gewandhaus, London Philharmonia, London Symphony, NHK, Chicago, Philadelphia and Cleveland orchestras. He has performed at a number of high-profile festivals including Salzburg, Lucerne, Edinburgh, Verbier, Istanbul and the Georges Enescu festival as well as being a founding artist of the IMG Tuscan Sun Festival since 2003. He has also built a flourishing career as a conductor. In 1996, he was appointed Principal Conductor and Artistic Advisor of the Ulster Orchestra for five years, in 2001, was appointed Conductor Laureate, and from 2002-2005 held the position of Principal Guest Conductor of the Russian State Orchestra. In 2003, Sitkovetsky was appointed Music Director of the Greensboro Symphony Orchestra, and in 2006, named Artist-in-Residence of the Orquesta Sinfonica de Castilla y Leon (Spain), positions he still holds. In Spain, the position involves orchestral touring, conducting, playing as a soloist and in chamber music as well as giving masterclasses. As a guest conductor, he has worked with the London & Royal Philharmonic Orchestras, BBC, San Francisco, St. Louis, Seattle and Dallas Symphony Orchestras, Santa Cecilia, Ensemble Orchestral de Paris and the St Petersburg Philharmonic. Sitkovetsky was born in Baku/Azerbaijan, but grew up in Moscow where he studied at the Moscow Conservatory and, after his emigration in 1977, at the Juilliard School in New York. Since 1987, he has been living in London with his wife, Susan, and their daughter, Julia. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, we welcome our first conductor to the podcast, Ming Luke. Ming holds a Master of Fine Arts in Conducting from Carnegie Mellon University and a Bachelor of Music in Music Education and Piano Pedagogy from Westminster Choir College of Rider University. With a background in ballet himself, Ming has conducted for ballet performances around […] The post (203) Ming Luke, Principal Guest Conductor for the San Francisco Ballet and Principal Conductor of the Nashville Ballet appeared first on tendusunderapalmtree.com.
Today, we welcome our first conductor to the podcast, Ming Luke. Ming holds a Master of Fine Arts in Conducting from Carnegie Mellon University and a Bachelor of Music in Music Education and Piano Pedagogy from Westminster Choir College of Rider University. With a background in ballet himself, Ming has conducted for ballet performances around […] The post (203) Ming Luke, Principal Guest Conductor for the San Francisco Ballet and Principal Conductor of the Nashville Ballet appeared first on tendusunderapalmtree.com.
Join us as we head to Jackson Hole, Wyoming to chat with Maestro Donald Runnicles, the General Music Director of the Deutsche Oper Berlin, Music Director of the Grand Teton Music Festival and the Principal Guest Conductor of the Atlanta Symphony Orchestra, about working within the confines of Covid in Germany and the summer months with the moose of Wyoming. https://www.donaldrunnicles.org/
Ep. 123: JoAnn Falletta, Grammy-winning conductor. Let's Talk Off The Podium with Tigran Arakelyan. In this podcast JoAnn Falletta talks about working with composers, programming, staying connected with the audience during the pandemic, advice to young musicians, and much more. Grammy-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic Orchestra and the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and Artistic Adviser of the Hawaii Symphony Orchestra. Hailed for having “Toscanini’s tight control over ensemble, Walter’s affectionate balancing of inner voices, Stokowski’s gutsy showmanship, and a controlled frenzy worthy of Bernstein”, she is a leading force for the music of our time. Ms. Falletta has guest conducted over a hundred orchestras in North America, and many of the most prominent orchestras in Europe, Asia, South America and Africa. In 2019-20 she will guest conduct orchestras in Ireland, Sweden, Germany, Mexico, Brazil and across the US. Upon her appointment as Music Director of the Buffalo Philharmonic, Falletta became the first woman to lead a major America ensemble. Celebrating her 20th anniversary with the Buffalo Philharmonic this season, she has been credited with bringing the Philharmonic to an unprecedented level of national and international prominence. The orchestra has become one of the leading recording orchestras for Naxos and returned twice to Carnegie Hall, first in 2004 after a 20-year absence, and again in 2013 as part of the Spring for Music Festival. In 2018, the BPO made their first international tour in three decades, to perform at Warsaw’s prestigious Beethoven Easter Festival where Falletta made history as the first American women conductor to lead an orchestra at the Festival. She and the BPO have been honored with numerous ASCAP awards, including the top award for Adventurous Programming, Other accomplishments include the establishment of the orchestra’s Beau Fleuve label, the founding of the JoAnn Falletta International Guitar Concerto Competition in partnership with WNED, four successful tours of Florida, and the national and international broadcast of concerts on NPR’s Performance Today, SymphonyCast, and the European Broadcasting Union. For more information about JoAnn Falletta please visit: http://www.joannfalletta.com © Let's Talk Off The Podium, 2020
Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today.James Gaffigan is currently the Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra, recently extended for the third time. Since becoming Chief Conductor of the Luzerner Sinfonieorchester James has made a very significant impact on the orchestra's profile, both nationally and internationally, with a number of highly successful tours and recordings.James is in high demand working with leading orchestras and opera houses throughout Europe, the United States and Asia.In North America he has worked with New York Philharmonic and the symphony orchestras of Philadelphia, Cleveland, St. Louis, Baltimore and Toronto, among others. Born in New York, James was named first prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, in a position specially created for him by Michael Tilson Thomas. Prior to that appointment James was Assistant Conductor of the Cleveland Orchestra, where he worked for Music Director Franz Welser Möst.
Dalia Stasevska is a wonderful conductor whose career has skyrocketed in the past few years. She is the Principal Guest Conductor of the BBC Symphony and is the incoming Chief Conductor of the Lahti Symphony in Finland. We had a really great talk about getting into music, learning conducting from two legends in the field, Jorma Panula and Leif Segerstram, and about the sometimes lonely life of a conductor. Dalia is one of my favorite people to talk to in the music world and I’m sure you’ll enjoy this!
Benjamin Northey is the Chief Conductor of the Christchurch Symphony Orchestra and the Principal Conductor in Residence of the Melbourne Symphony Orchestra. He has previously held the posts of Associate Conductor of the Melbourne Symphony Orchestra, Resident Guest Conductor of the Australian Pro Arte Chamber Orchestra and Principal Guest Conductor of the Melbourne Chamber Orchestra.Born and raised in Ballarat, he embraced music as an expression from an early age. Flute, clarinet and saxophone were instruments of choice. An appetite and enthusiasm for further exploration saw him develop skills in arranging; and pursue piano, trumpet and violin to add to his developing skills set.Northey graduated with performance studies in classical saxophone from the University of Melbourne Conservatorium of Music. He followed this promptly with a Master of Music study in Conducting, from the Victorian College of the Arts, and continued study abroad.With a progressive and diverse approach to repertoire he has collaborated with a broad range of artists and he is adept at a terrific range of musical styles. And Benjamin Northey likes nothing more than to lead an audience through a sensory experience of music. He does it with passion, pride and perfection.Benjamin Northey joined me in a passionate discussion that considers the musician’s process; and ponders the present performance pause and absence of an audience.
Today I'm really excited to speak with internationally recognized conductor James Gaffigan. I think you will resonate with James' message and I hope that you walk away as inspired as I did after speaking with him! In this episode, James discusses: How he learns a score, from first glance to performance How he likes to approach rehearsing with musicians and how their perspective on a work influences his own interpretation His advice to young musicians on how to succeed as an orchestra member (and why he always looks at the back of the section!) What he means by “Trust creates magic” and how important it is for him to create trusting relationships with all artists NEW ON THE WEBSITE: A Resources page! You can find my favorite websites, cds, as well as the other podcasts I like to listen to and the amazing books recommended by my podcast guests! Visit www.mindoverfinger.com/resources! Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!! More about JAMES GAFFIGAN: Website: https://jamesgaffigan.com/ Instagram: https://www.instagram.com/james.gaffigan/ YouTube: https://www.youtube.com/channel/UCljnsdbDEHbGLjTA1I1VkVg Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today. James Gaffigan is currently the Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra, recently extended for the third time. Since becoming Chief Conductor of the Luzerner Sinfonieorchester James has made a very significant impact on the orchestra's profile, both nationally and internationally, with a number of highly successful tours and recordings. In recognition of this success his contract has been further extended until 2021. James is in high demand working with leading orchestras and opera houses throughout Europe, the United States and Asia. The 2019/20 season features re-invitations to the Chicago, San Francisco and Detroit Symphony Orchestras, Orchestre National de France and Czech Philharmonic, as well as debuts with Orchestre Symphonique de Montreal, Melbourne Symphony and the Swedish Radio Symphony Orchestra. He undertakes four major opera productions in the United States including La Cenerentola at the Metropolitan Opera in New York, Ernani at San Francisco Opera, Don Giovanni at Lyric Opera Chicago and Tristan and Isolde at Santa Fe Opera. The 2018/19 season saw James make his debut with the Symphonieorchester des Bayerischen Rundfunks and return to the Los Angeles Philharmonic, San Francisco Symphony, National Symphony Orchestra, WDR Sinfonieorchester and BBC Symphony Orchestra. In the US he made house debuts at Metropolitan Opera for La bohème and San Francisco Opera for Carmen while European productions included a new production of La Fanciulla del West and Don Giovanni at Bayerische Staatsoper and Porgy and Bess at Dutch National Opera. Regularly conducting at major opera houses around the world, James' recent appearances include La bohème, Don Giovanni, La Traviata and Le nozze di Figaro at the Wiener Staatsoper; Così fan Tutte, La Cenerentola and Falstaff at the Glyndebourne Festival; Salome for Hamburg Opera; La bohème for the Opernhaus Zurich and Così fan tutte for Chicago Lyric Opera. James also works internationally with many leading orchestras and recent guest appearances include the Royal Concertgebouw Orchestra, London Philharmonic, Münchner Philharmoniker, Orchestre de Paris, Orchestre National de France, Orchestra of the Age of Enlightenment, Rotterdam Philharmonic, Deutsches Symphonie-orchester Berlin, Dresden Staatskapelle, Wiener Symphoniker, Salzburg Mozarteum Orchestra, Zurich Tonhalle, Seoul Philharmonic and Tokyo Metropolitan. In North America he has worked with New York Philharmonic and the symphony orchestras of Philadelphia, Cleveland, St. Louis, Baltimore and Toronto, among others. Born in New York, James was named first prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, in a position specially created for him by Michael Tilson Thomas. Prior to that appointment James was Assistant Conductor of the Cleveland Orchestra, where he worked for Music Director Franz Welser Möst. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
A son of a prominent musicologist, Daniel Raiskin grew up in St. Petersburg. He attended the celebrated conservatory in his native city and continued his studies in Amsterdam and Freiburg. First focusing on viola, he was inspired to take up the baton by an encounter with the distinguished teacher Lev Savich. From the 2020/2021 season Daniel Raiskin will be Principal Conductor of the Slovak Philharmonic Orchestra. In addition, he is Music Director of the Winnipeg Symphony Orchestra since August 2018 and Principal Guest Conductor of the Belgrade Philharmonic Orchestra from season 2017/18. Daniel Raiskin is also relentlessly committed to sharing his knowledge and passion with young musicians around the world. He devotes his time regularly to working with youth orchestras in a.o. Canada, Estonia, Germany, Iceland, Netherlands, Russia and South Africa. He sat down with Ashley Bieniarz to chat about his life before his astounding conducting career, what led him down this musical path and shared some insight into the life of a Symphonic Orchestra Music Director. For more local music, check out the Winnipeg Music Project website. Thank you to UMFM 101.5FM. Music by Will and Art from Collector Studio.
Today, I'm very excited to have the brilliant violinist, violist, and conductor Julian Rachlin on the show! At the end of this very busy week, playing with and conducting the Chicago Symphony, Julian graciously took the time to sit with me and discuss meticulous practicing, mindful music-making, and his deep love of the art form! He covers many topics, including studying with Boris Kuschnir and Mr. Kuschnir's thorough approach to mastering the instrument, his views on the lifelong path that is growing as an artist, his daily practice regimen, and how playing the viola and conducting have allowed him to explore music from different angles. Julian elaborates on: How he believes we are never done learning How the fact that his parents never made him practiced helped foster his deep love of music His daily practice regimen Why the responsibility to grow as an artist lies with the student How musicians are a community How playing the viola and conducting allow him to explore music from different angles Why we should brush our taste as often as we brush our teeth Finding the right balance between being completely open-minded and fully convinced (and when to be which) MORE ABOUT JULIAN RACHLIN: Website: http://www.julianrachlin.com/ YouTube channel: https://www.youtube.com/channel/UCm_Eyb3YAt3m7_ic4VTA84A Facebook: https://www.facebook.com/julianrachlin/ Instagram: https://www.instagram.com/julianrachlin/ Elisabeth Gilels: Daily Exercises for the Violinist Boris Kuschnir: http://www.boriskuschnir.com/ Violinist, violist and conductor Julian Rachlin is one of the most exciting and respected musicians of our time. In the first thirty years of his career, he has performed as soloist with the world's leading conductors and orchestras. Mr. Rachlin is Principal Guest Conductor of the Royal Northern Sinfonia, Turku Philharmonic Orchestra and Kristiansand Symphony Orchestra. He also leads the "Julian Rachlin & Friends Festival" in Palma de Mallorca. Highlights of Mr. Rachlin's 2018/19 season include performances with the St. Petersburg Philharmonic and Mariss Jansons, Montreal Symphony Orchestra and Christoph Eschenbach, Boston Symphony Orchestra and Juanjo Mena, Pittsburgh Symphony Orchestra and Manfred Honeck, as well as the KBS Symphony Orchestra and Myung-Whun Chung. Alongside soloist Sarah McElravy and the Royal Northern Sinfonia, he will perform the UK premiere of Penderecki's Double Concerto for Violin and Viola, which is dedicated to him. Additionally, Mr. Rachlin will conduct among others the Vienna Symphony Orchestra, Berlin Konzerthaus Orchestra, Naples Philharmonic, Moscow Philharmonic, St. Petersburg Symphony, Essen Philharmonic, Strasbourg Philharmonic, Slovenian Philharmonic, Zagreb Philharmonic and Trondheim Symphony Orchestra. Julian Rachlin's recent highlights include a residency at the Prague Spring Festival and his own cycle at the Vienna Musikverein. He also performed with the St. Petersburg Philharmonic Orchestra and Yuri Temirkanov, Filarmonica della Scala and Riccardo Chailly, Munich Philharmonic and Zubin Mehta, Philharmonia Orchestra and Jakub Hrůša, Orchestra del Maggio Musicale and Vladimir Ashkenazy, as well as the Vienna Symphony Orchestra and Lahav Shani. As conductor, he toured Europe with the English Chamber Orchestra, and led the Royal Northern Sinfonia across South America and Japan. Additionally, he conducted the State Academic Symphony Orchestra of Russia, Hungarian National Philharmonic, Royal Liverpool Philharmonic Orchestra, Orchestra della Svizzera Italiana, National Taiwan Symphony Orchestra, Prague Philharmonia, and made his USA conducting debut at the Grand Teton Music Festival. In recital and chamber music, Mr. Rachlin performs regularly with Itamar Golan, Denis Kozhukhin, Denis Matsuev, Mischa Maisky, Sarah McElravy, Vilde Frang and Janine Jansen. Born in Lithuania, Mr. Rachlin immigrated to Vienna in 1978. He studied violin with Boris Kuschnir at the Vienna Conservatory and with Pinchas Zukerman. After winning the "Young Musician of the Year" Award at the Eurovision Competition in 1988, he became the youngest soloist ever to play with the Vienna Philharmonic, debuting under Riccardo Muti. At the recommendation of Mariss Jansons, Mr. Rachlin studied conducting with Sophie Rachlin. Since September 1999, he is on the violin faculty at the Music and Arts University of Vienna. His recordings for Sony Classical, Warner Classics and Deutsche Grammophon have been met with great acclaim. Mr. Rachlin, a UNICEF Goodwill Ambassador, is committed to educational outreach and charity work. Julian Rachlin plays the 1704 "ex Liebig" Stradivari and a 1785 Lorenzo Storioni viola, on loan to him courtesy of the Dkfm. Angelika Prokopp Privatstiftung. His strings are kindly sponsored by Thomastik-Infeld. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
positive effects of music, programming a season, where will the roads lead? AND MORE• This week we cut deep with Music Director of the Winnipeg Symphony Orchestra and Principal Guest Conductor of the Belgrade Philharmonic Orchestra, Daniel Raiskin. We talk about the process of becoming a music director, the difference in funding the symphony in… Read more The post Episode #77: Daniel Raiskin appeared first on Paper Cut Winnipeg.
For PDD’s first interview of 2019, Clara connected with Conductor Ming Luke over Skype. Despite being an incredibly versatile artist who conducts for a wider variety of productions than is typical in the US (as discussed in the interview!), Luke has developed expertise in conducting for dance and has served as the Principal Guest Conductor […]
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the nation’s top musicians come together at the base of the majestic Teton mountain range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 58th year, the Grand Teton Music Festival launches the second season of its national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. In addition to being Music Director of the Grand Teton Music Festival, Maestro Runnicles currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Maestro Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, live from the Grand Teton Music Festival. The second season of Live from the Grand Teton Music Festival, a production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
Every summer, the Nation’s top musicians come together at the base of the majestic Teton Range in Jackson Hole, Wyoming, to create the incomparable Grand Teton Music Festival Orchestra under the leadership of Maestro Donald Runnicles. Now in its 57th year, the Wall Street Journal has called the Grand Teton Music Festival, “One of the best places to hear classical music in the summer.” The Festival has been a hidden musical gem known only by the world’s best soloists, conductors and orchestral musicians, the residents of Jackson Hole and its visitors——until now. Building on a successful multi-year partnership with Performance Today, the Festival is embarking on its first national radio series to further share its breathtaking music making with audiences around the country. Maestro Runnicles, hailing from Scotland, has a career spanning many continents, both in the opera house and on the symphonic stage. He currently serves as General Music Director of the Deutsche Oper Berlin and Principal Guest Conductor of the Atlanta Symphony in addition to being Music Director of the Grand Teton Music Festival. He formerly served as Music Director of the San Francisco Opera for 16 years. With delightful tales and musical anecdotes from his storied career, Runnicles serves as host the of the program. He shares the mic with Andrew Palmer Todd—former public radio host, classical pianist, and CEO of the Festival. Together they bring your audience music making at its best, from the Grand Teton Music Festival. The inaugural season of Live from the Grand Teton Music Festival, a new production of Classic Digital Syndications, is available now on PRX and from the CD Syndications website. The series consists of 13 one-hour programs, which are available free of charge to your station
I am thrilled to welcome conductor Jerry Junkin to the show for a conversation about his career, how every commission provides a new opportunity, and the importance of cultivating good relationships. Topics: Jerry’s background as the son of a high school band director and being prepared to take advantage of serendipitous opportunities that helped to shape his early career. Collaborating with other musicians and how to ask a composer to work with your group. The most important bit of advice that Jerry looks to pass along to all of his conducting students at the University of Texas. Criteria for selecting literature for his concerts and advice for sifting through the large number of pieces that are released each year. Links: Jerry Junkin The University of Texas Butler School of Music Dallas Winds Senzoku Gakuen College of Music Hong Kong Wind Philharmonia Cornet Favorites, Gerard Schwarz & William Bolcom Composers and Schools in Concert The War of Art by Steven Pressfield Harvey Penick's Little Red Book Mozart: Serenade for 13 Winds in B-flat Major, K. 361 "Gran Partita" Biography: In his 25th season as Artistic Director and Conductor of the Dallas Winds, Jerry Junkin is recognized as one of the world’s most highly regarded wind conductors. He has served as Music Director and Conductor of the Hong Kong Wind Philharmonia since 2003, additionally, 2017-18 marks his 30th year on the faculty of The University of Texas at Austin, where he holds the Vincent R. and Jane D. DiNino Chair for the Director of Bands. There, he also holds the title of University Distinguished Teaching Professor. Previously, he served on the faculties of both the University of Michigan and the University of South Florida. In addition to his responsibilities as Professor of Music and Conductor of the Texas Wind Ensemble, he serves as Head of the Division of Conducting and Ensembles and teaches courses in conducting and wind band literature. He is a recipient of multiple teaching awards, and students of Mr. Junkin hold major positions throughout the world. Since 2007, he has been the Principal Guest Conductor of the Senzoku Gakuen College of Music Wind Symphony in Tokyo. Performances under the direction of Mr. Junkin have won the praise of such notable musicians as John Corigliano, David Del Tredici, Gunther Schuller, Karel Husa, William Kraft, Jacob Druckman and Michael Colgrass, among many others. Mr. Junkin has released over 30 compact disc recordings for the Reference, Klavier and Naxos labels. The New York Times named his recent release on the Reference Recordings label, Bells for Stokowski, one of the best classical CD’s of the year. His performance of Circus Maximus with The University of Texas Wind Ensemble was recently released on the world’s first Blu Ray audio disc in 5.1 surround sound by Naxos and was nominated for a GRAMMY. During the summer of 2014 he led The University of Texas Wind Ensemble on a four week tour around the world. Jerry Junkin is an enthusiastic advocate of public school music education, having conducted All-State bands and festivals in forty-eight states and on five continents. He spends his summers in residence at the Interlochen Arts Camp in Michigan, as well as appearing at major music festivals throughout the world. Mr. Junkin has served as President of the Big XII Band Director's Association and is a member of the Board of Directors of The John Philip Sousa Foundation, is Past-President of the American Bandmasters Association, and is Past President of the College Band Directors National Association. Regularly making guest appearances with ensembles such as the Tokyo Kosei Wind Orchestra and the Taipei Symphonic Winds, the 2017-18 season finds him conducting throughout the United States in addition to multiple appearances in Japan, China, and Europe. In 2005 he was presented the Grainger Medallion by the International Percy Grainger Society in recognition of his championing of Grainger’s works, and he has received numerous career awards from Kappa Kappa Psi, Phi Beta Mu, and the Midwest Clinic, among others. Mr. Junkin is a Yamaha Master Educator.
Maestro Alexander Shelley shares his thoughts on the National Arts Centre Orchestra's 2017-18 opening festival of music, Ideas of North - featuring an array of Scandinavian composers and performers, including many of Sibelius' symphonies and tone poems. Principal Guest Conductor, John Storgårds, will perform Kaiji Saariaho's Violin Concerto and Guest Conductor Hannu Lintu joins Maestros Shelley and Storgårds on the podium for the series of concerts.
Santtu-Matias Rouvali, Principal Guest Conductor and Alistair Mackie, Principal Trumpet in conversation ahead of the Philharmonia's concert on Sunday 24th April, which included Elgar's Cello Concerto performed by Alban Gerhardt and Holst's 'The Planets'. This Pre-Concert Talk was also broadcast live on Facebook, which can be found at the following link: www.facebook.com/philharmoniaorch…154213671097202/ Rouvali's next concert with the Philharmonia is on Thursday 5th October 2017, the programme for which will include Mussorgsky's 'Pictures at an Exhibition'. Book tickets here: www.philharmonia.co.uk/concerts/1716…an_exhibition
Violinist-turned-conductor Julian Rachlin is the Royal Northern Sinfonia's new Principal Guest Conductor, who believes "they qualify as one of the finest chamber orchestras in the world".
In this film, Philharmonia members past and present tell the story of how a last-minute decision by the Orchestra's management 30 years ago ignited what would go on to be a long-lasting relationship between Esa-Pekka Salonen and the Philharmonia, firstly as Principal Guest Conductor, and, since 2008, as Principal Conductor and Artistic Advisor.
In this film, Philharmonia members past and present tell the story of how a last-minute decision by the Orchestra's management 30 years ago ignited what would go on to be a long-lasting relationship between Esa-Pekka Salonen and the Philharmonia, firstly as Principal Guest Conductor, and, since 2008, as Principal Conductor and Artistic Advisor.
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