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If you've ever been hit by a flying beer at a concert, congratulations — you're basically living inside today's episode of The Rizzuto Show comedy podcast.The gang kicks things off with one of the most ridiculous concert stories we've heard in a while. A dad takes his daughter to see Jason Aldean thinking he's about to create a wholesome father-daughter core memory. Instead? Someone launches a full unopened beer can across the crowd like it's a Tom Brady pass. The can nails him in the back of the head, knocks him out cold, and sends him to the hospital with serious injuries. Now there's a lawsuit against Live Nation and the venue, and the argument is pretty wild: if the beer had been poured into plastic cups, maybe nobody ends up needing brain surgery. Concert chaos, lawsuits, and the eternal question — why can't people behave for two hours at a show?From there, the conversation spirals into the ridiculous things fans throw at concerts. Lawn chairs flying over walls, water bottles filled with gravel, glow sticks becoming accidental weapons… basically proof that crowds plus alcohol equals “bad ideas Olympics.”Then things get spicy when leaked internal messages from Live Nation employees reveal them joking about squeezing fans for parking money. Charging $250 for VIP parking and laughing about it? Yeah… not the best look.Of course it wouldn't be a proper comedy podcast episode without some celebrity chaos. Morrissey cancels yet another show — this time because his hotel was too loud and he couldn't sleep. According to him, the experience was “indescribable hell” and he may need a year to recover. The crew has thoughts. A lot of thoughts.Later in Crap on Celebrities, the gang talks Gene Simmons allegedly licking Adam Sandler on stage (because of course he did), new music releases, and the return of Steve Martin and Martin Short to the stage.Then things get awesome when Kids in the Hall legend Kevin McDonald joins the show in studio. He shares stories about Seinfeld calling him the wrong name all week, recording Pleakley in Lilo & Stitch, and the bizarre dream that made him stop eating chicken forever. Yes, it involves a giant talking chicken politely asking him to stop eating its friends.It's another day of weird news, celebrity nonsense, and total studio chaos — exactly what you'd expect from a daily comedy podcast coming straight out of St. Louis.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In Flip's latest letter home, she expresses her disappointing experience at a rock concert. Zero minerals. Sigh…See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Many dog owners hesitate when they hear the price of professional training. Yet those same people might spend thousands of dollars for a few hours of entertainment, such as premium concert tickets. In this episode of Dog Works Radio, Robert and Michele Forto explore the real difference between short-term experiences and long-term value. While concerts create memories for a single evening, professional dog training shapes the relationship you will share with your dog for the next ten to fifteen years. The conversation breaks down what professional training actually involves, why behavior problems often develop when training is skipped, and how structured guidance can transform the everyday relationship between dogs and their owners. If you have ever wondered whether dog training is worth the investment, this episode offers a perspective that may change the way you think about the value of training. Other Episodes You Will Love · Zombie Dogs Support the Show This episode was recorded on the Shure SM7B and a Rodecaster Pro II Like this episode? Share it with your dog training friends! Love this episode? Say thanks in true dog training podcasting style by leaving a review. Take our Understanding Drive Behaviors quiz to see exactly what drive your dog is in and how to begin to train for it. Join the On-Air Dog Training Coaching waitlist for a chance to be coached on the air by Dr. Robert or Michele Forto and get your dog training questions answered in real time. Sign up now for 20% off our Group Coaching Program and learn how to build the best relationship possible for your dog. Take your dog training to the next level by enrolling in our Peak Performance membership. Follow Dog Works Radio for more dog training tips: Facebook | Instagram | LinkedIn ©2009-2026 by Dog Works Training Company® All Rights Reserved.
Dans cet épisode, je vous parle du concert que je suis récemment allée voir : celui de Lubiana !Vous pouvez découvrir ses chansons et regarder son documentaire sur Youtube.Ce concert m'a rappelé l'importance de plusieurs choses, que je partage à la fin de l'épisode.Merci pour votre écoute !
On this week's episode of Out and About, Dr. Mae Gilliland of ArtsParnters talks with Dan Dietrich, trombonist with the Prairie Wind Ensemble, about their upcoming concert on March 19 at Five Points Washington. Founded in 1977, the ensemble brings together professional and hobbyist musicians from across Central Illinois to perform everything from classic marches to modern medleys. Dan shares why you don't want to miss this free concert full of energy!
The latest developments out of the war in Iran as President Trump hosts a press conference, as well as the effects of the conflict in the U.S.. Plus, how the Justice Department and Live Nation, the parent company of Ticketmaster, reached a settlement one week into the closely-watched anti-trust case. And, the future of Travis Kelce's football career as he returns for his 14th season in the league. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Two evenings of choral music are coming to Vancouver as Clark College presents its winter choir concerts featuring student ensembles and accomplished faculty musicians. The Treble Ensemble and Chorale perform March 12, followed by the Concert Choir on March 14 at First United Methodist Church. Directed by Dr. Jacob Funk with accompanist Dr. Jeongmi Yoon, the performances showcase the work of Clark College's music students and are free and open to the public with donations supporting the Clark College Choral Fund. Learn more about the upcoming Clark College choral concerts at https://www.clarkcountytoday.com/people/entertainment/clark-college-to-present-choral-concerts/ #ClarkCollege #VancouverWA #ChoralMusic #ClarkCountyArts #LiveMusic #CommunityConcert
I never thought I would see this moment happen in Australia. As a Puerto Rican woman who has lived here for 16 years, watching Bad Bunny perform in Sydney to a packed stadium was emotional in ways I can't fully explain. Thousands of people singing in Spanish. Puerto Rican flags everywhere. Latinos from all over the world connecting in a country where Spanish speakers are such a small percentage of the population. It was powerful. It was joyful. It was deeply personal. But this episode isn't just about the concert. It's about identity, authenticity, personal branding, and the power of showing up unapologetically as yourself. Bad Bunny isn't just one of the biggest artists in the world. He's built a global movement by being radically authentic — and there are massive lessons in that for anyone building a business, a brand, or a life where you refuse to play small. In this episode, I share the full story of the weekend, the Puerto Rican community we found here in Australia, and the powerful business and life lessons behind the experience. Because when you truly own who you are… Everything changes. In This Episode • What it felt like seeing Bad Bunny perform in Australia • Why the moment meant so much as a Puerto Rican living abroad • The unexpected community that formed around the concert • The power of authenticity in building a global brand • What entrepreneurs can learn from Bad Bunny's personal brand • Why being unapologetically yourself attracts the right people • The difference between followers and real community • How cultural pride and identity shape the work we do Key Takeaway You don't build a powerful brand by blending in. You build it by owning exactly who you are. Bad Bunny didn't become the biggest artist in the world by trying to fit in. He did it by turning himself all the way up. And that's the lesson. Resources & Links
Concert tickets along with the amenities, concessions, and merchandise prices don't seem to be going down any time soon, but have we convinced ourselves those rising prices are all worth it.See omnystudio.com/listener for privacy information.
Fluent Fiction - Hungarian: Melody of Courage: Ágota's Spring Concert Triumph Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-03-09-22-34-01-hu Story Transcript:Hu: A nap első sugarai lágyan simogatták a Balaton környéki kis falu rétjeit.En: The first rays of the sun gently caressed the meadows around the small village near Balaton.Hu: Az itt élők már ébredtek a tavasz ígéreteire.En: The locals were already waking to the promises of spring.Hu: Az iskola udvarán vidám gyerekzsivaj hangzott, és virágzó almafák illata töltötte be a levegőt.En: The sound of cheerful children's chatter echoed in the schoolyard, and the scent of blooming apple trees filled the air.Hu: A falu legnagyobb eseménye, a tavaszi koncert, mindenkit izgatottá tett.En: The village's biggest event, the spring concert, had everyone excited.Hu: Ágota, egy csendes, szemüveget viselő lány, éppen a hegedűtokját vitte az iskola zenetermébe.En: Ágota, a quiet girl who wore glasses, was carrying her violin case to the school's music room.Hu: A sokszor hallott dallama az ujjaiban égett, de a szorongás növekvő terheneként nehezedett rá.En: Many times she had heard the melody burn in her fingers, but anxiety weighed on her like an increasing burden.Hu: Ágota régóta arról álmodott, hogy szólót játszhat a koncerten. De a félelem mindig visszatartotta őt.En: Ágota had long dreamed of playing a solo at the concert, but fear always held her back.Hu: Mellette Zoltán sétált, zongorabillentyűk varázsa oly természetes volt számára, mint a lélegzés.En: Walking beside her was Zoltán, for whom the magic of piano keys was as natural as breathing.Hu: Mosolygó szemeivel biztatta Ágotát.En: With his smiling eyes, he encouraged Ágota.Hu: "Ágota, meg fogod csinálni! Együtt fogunk gyakorolni, és fantasztikus leszel!" lelkesítette a lányt.En: "Ágota, you will do it! We will practice together, and you will be fantastic!" he motivated her.Hu: Az elkövetkezendő hetekben, a két diák minden szabad percet a próbateremben töltött.En: In the following weeks, the two students spent every spare minute in the rehearsal room.Hu: Zoltán segített Ágotának kiválasztani egy nehezebb darabot, ami kihívás volt számára, de megmutatta a tehetségét.En: Zoltán helped Ágota choose a more challenging piece that was difficult for her but showcased her talent.Hu: Ahogy a koncert napja közeledett, Ágota izgalma nőtt.En: As the day of the concert approached, Ágota's excitement grew.Hu: A főpróbán bármilyen kis hiba is megtörtént, szinte összeroppant tőle.En: At the dress rehearsal, any small mistake nearly crushed her.Hu: Egyszer csak megállt a játék közepén, és megszólalni sem tudott.En: At one point, she stopped playing in the middle of the performance and couldn't speak.Hu: Könnyek gyűltek a szemébe.En: Tears welled up in her eyes.Hu: De Zoltán nem habozott.En: But Zoltán did not hesitate.Hu: Odaugrott mellé, és rögtönzött egy duettet a darabból.En: He jumped next to her and improvised a duet from the piece.Hu: Harmonikus zongorajátékával finoman vezette vissza Ágotát a dallam fonalára.En: With his harmonious piano playing, he gently led Ágota back to the thread of the melody.Hu: Ágota mély levegőt vett, és ismét játszani kezdett.En: Ágota took a deep breath and began to play again.Hu: A fényteli teremben csak a zene hangzott, és Ágota elhatározása, hogy nem adja fel.En: In the light-filled room, only the music sounded, and Ágota's determination not to give up.Hu: Elérkezett a nagy nap.En: The big day arrived.Hu: A színpadot gyönyörűen feldíszítették a helyi virágokkal, odakint a nap aranyszínű fénye csillogott a Balaton vizén.En: The stage was beautifully decorated with local flowers, and outside, the golden light of the sun glistened on the waters of Balaton.Hu: Ágota szívverése gyors volt, de ahogy színpadra lépett, Zoltán bátorító mosolya erőt adott neki.En: Ágota's heart was racing, but as she stepped onto the stage, Zoltán's encouraging smile gave her strength.Hu: Elkezdte a darabját, és minden hang tiszta volt, minden rezdülésében ott volt a kitartás és a zene iránti szeretet.En: She began her piece, and every note was clear, every movement carried persistence and a love for music.Hu: A közönség figyelmesen követte őt, a levegő vibrált.En: The audience followed her attentively, the air vibrated.Hu: Ahogy véget ért a darab, hatalmas tapsvihar tört ki.En: As the piece ended, a storm of applause erupted.Hu: Ágota könnyes szemekkel meghajolt.En: Ágota bowed with tearful eyes.Hu: Pillantása találkozott Zoltánéval, aki mellé lépett, hogy együtt osszák meg a siker örömét.En: Her gaze met Zoltán's, and he stepped beside her to share the joy of success together.Hu: A koncert után Ágota már nem ugyanaz a lány volt: többé nem félt a hibázástól.En: After the concert, Ágota was no longer the same girl: she no longer feared making mistakes.Hu: Megtanulta, hogy a barátok támogatása és az együttműködés kulcsfontosságú.En: She learned that friends' support and collaboration are essential.Hu: Az volt az az este, amikor Ágota megismerte önmagát, és a tehetsége valódi fényében ragyogott.En: That was the night when Ágota discovered herself, and her talent shined in its true light.Hu: Ahogy a nap lement a Balaton fölött, egy dolog világossá vált: a kis falu új sztárra talált, aki most már tudta, hogy a zene nem csak hangok összessége, hanem szívből jövő mese, amit érdemes megosztani.En: As the sun set over Balaton, one thing became clear: the small village had found a new star, who now knew that music is not just a collection of sounds, but a heartfelt story worth sharing. Vocabulary Words:caressed: simogattákmeadows: rétjeitchatter: gyerekzsivajscent: illatablooming: virágzóanxiety: szorongásburden: teherencouraged: biztattarehearsal: próbateremshowcased: megmutattadress rehearsal: főpróbamistake: hibacrushed: összeroppantimprovised: rögtönzöttharmonious: harmonikusdetermination: elhatározásdecorated: feldíszítettékglisten: csillogottpersistence: kitartásapplause: tapsviharstorm: viharbowed: meghajoltgaze: pillantásfear: félelemcollaboration: együttműködésessential: kulcsfontosságúshined: ragyogottsunset: naplementevibrated: vibráltheartfelt: szívből jövő
Liege Lord have been active since the early '80s, performing their brand of traditional heavy metal, with their first album, Freedom's Rise, released in 1985. Co-founder and guitarist Tony Truglio (who's also been in Helmet) and current bassist Joe Dibiase (co-founder of Fates Warning and metal supergroup Withering Scorn) come on as Dollar Bin guests to talk to hosts Alan Brostoff (Dr. Disc) and Rev (singer of The Drowns) about life as members of a power metal band in 2026 and the records in their collection that keep them energized. Learn more about your ad choices. Visit megaphone.fm/adchoices
Crossy was at Harry Styles concert which was filmed for Netflix! Zeinab tells us about her weekend in doggy heaven!Jim-Jim tells us about a brilliant tv moment!Julie is todays player of FM104's Ins2grand Hosted on Acast. See acast.com/privacy for more information.
«Femme, vie, liberté» va planer sur ces 2 sessions live #galzpowa. Notre première invitée est Oum pour la sortie de Dialddar (fait maison en darija). Originaire de Casablanca, Oum est une bâtisseuse de chansons. Enracinée dans les rythmes complexes du Maroc et grande mélodiste, elle a façonné au fil des années une signature unique : des chansons nourries de thèmes sensuels, portées par une voix à la fois puissante et caressante. Si elle emprunte parfois aux langages du jazz, de la soul ou de la transe, Oum échappe à toute classification. Sa musique est celle d'une artiste singulière, libre et universelle. Artiste engagée, Oum défend la liberté, les droits des femmes et des minorités, ainsi qu'une vision écologique et humaniste du monde. Ambassadrice de bonne volonté de l'ONUSIDA, elle fait de son art un espace de résistance et de partage, où la spiritualité et la poésie s'élèvent comme une force de vie. Avec Dialddar (« fait maison »), Oum ose un geste radical : composer un album sans cordes ni vents, en s'appuyant uniquement sur la voix et les percussions. Un choix qui constitue à la fois un défi technique et un manifeste artistique. Les percussions utilisées sont, pour la plupart, fabriquées artisanalement à Marrakech. Leur accordage, sensible aux variations de température et d'humidité, rend chaque enregistrement fragile, vivant, changeant. C'est précisément cette dimension organique que Oum a souhaité préserver : une musique qui respire, qui échappe au contrôle, et qui trouve sa justesse dans l'instant. Sur scène, Dialddar devient une expérience chorale immersive. OUM s'entoure d'une formation multinationale, majoritairement féminine, dont les voix se mêlent aux percussions dans un dialogue organique. À leurs côtés, le oud de Yacir Rami – compagnon complice de longue date – apporte sa touche raffinée et minimaliste, comme un fil d'or qui vient broder la matière sonore, à la fois brute et sophistiquée, de Dialddar. La triangulation femme- percussions-chant est au cœur de ce spectacle : un espace où l'intime devient collectif, et où l'énergie féminine s'impose comme une force créatrice universelle. Titres interprétés dans le grand studio : - Lach Live RFI - Lalla, extrait de l'album - Mnine Live RFI. Line Up : OUM (chant), Natascha Rogers (percussions), Cynthia Abraham (choeurs et petites percussions), Lucile Chriqui (chœurs), Ayda Benslimane (chœurs) et Yacir Rami (oud). Son : Mathias Taylor, Benoît Letirant. ► Album Dialddar (Ternaire/Modulor 2026). Concert 4 mai 2026, Pan Piper, Paris. Site - Instagram - YouTube. Puis nous recevons Meral Polat pour l'album Meydan (la « place »). Meral Polat est une actrice, auteure-compositrice-interprète et créatrice de théâtre renommée aux Pays-Bas. Diplômée de l'Université des Arts d'Amsterdam, en art dramatique et en théâtre musical contemporain. Son domaine de pratique artistique comprend d'éminentes productions de théâtre, de cinéma et de musique. Meral Polat sort son deuxième album Meydan, sur le label belge Werf records, un bouquet d'influences venues de plusieurs continents. Meral parle de ses influences anatoliennes. Parmi celles-ci, la musique psychédélique anatolienne dans la Turquie des années 60/70 « Cette époque, avec Led Zeppelin, Jefferson Airplane, The Beatles, The Doors, Jimi Hendrix, a beaucoup influencé les jeunes musiciens anatoliens. Quelques étudiants en musique d'Istanbul ont commencé à combiner la vieille musique folklorique anatolienne avec les guitares électriques, à réarranger les structures, à changer leur nature. Cela a engendré une nouvelle forme musicale que l'on a appelée la musique psychédélique anatolienne ». Turque, Kurde et Hollandaise, Meral Polat propose un album militant en véhiculant le message des femmes iraniennes en rappelant le slogan « JIN - JYAN - AZADI » (« femme, vie, liberté », en français), lancé par des femmes kurdes. Sur le titre « Cenek », elle exhorte les femmes et les jeunes filles à revendiquer haut et fort leur liberté : « Cenek est, en fait, un appel lancé à toutes les femmes et à toutes les filles, afin qu'elles vivent selon leurs propres choix. Une façon de dire, « votre corps vous appartient, votre vie vous appartient, votre voix vous appartient ». La philosophie contenue dans « Femme, vie, liberté », c'est qu'il ne peut y avoir de véritable liberté tant que les femmes ne seront pas libres. » Avec sa voix puissante et sa musique hypnotique, Meral Polat apporte à cet album l'ancestral mysticisme des Kurdes Alévis, une tradition dont elle se veut dépositaire. Titres interprétés dans le grand studio : - Ez Kî Me (Qui suis-je?) Live RFI - Govend, extrait album Meydan - Uzun Ince Bir Yoldayim (Âsik Veysel) Live RFI. Line Up : Meral Polat (chant, guitare) + traduction Léa Boutin-Rivière. Son : Mathias Taylor, Benoît Letirant. ► Album Meydan (Werf records) 2025. Site - Instagram - YouTube.
«Femme, vie, liberté» va planer sur ces 2 sessions live #galzpowa. Notre première invitée est Oum pour la sortie de Dialddar (fait maison en darija). Originaire de Casablanca, Oum est une bâtisseuse de chansons. Enracinée dans les rythmes complexes du Maroc et grande mélodiste, elle a façonné au fil des années une signature unique : des chansons nourries de thèmes sensuels, portées par une voix à la fois puissante et caressante. Si elle emprunte parfois aux langages du jazz, de la soul ou de la transe, Oum échappe à toute classification. Sa musique est celle d'une artiste singulière, libre et universelle. Artiste engagée, Oum défend la liberté, les droits des femmes et des minorités, ainsi qu'une vision écologique et humaniste du monde. Ambassadrice de bonne volonté de l'ONUSIDA, elle fait de son art un espace de résistance et de partage, où la spiritualité et la poésie s'élèvent comme une force de vie. Avec Dialddar (« fait maison »), Oum ose un geste radical : composer un album sans cordes ni vents, en s'appuyant uniquement sur la voix et les percussions. Un choix qui constitue à la fois un défi technique et un manifeste artistique. Les percussions utilisées sont, pour la plupart, fabriquées artisanalement à Marrakech. Leur accordage, sensible aux variations de température et d'humidité, rend chaque enregistrement fragile, vivant, changeant. C'est précisément cette dimension organique que Oum a souhaité préserver : une musique qui respire, qui échappe au contrôle, et qui trouve sa justesse dans l'instant. Sur scène, Dialddar devient une expérience chorale immersive. OUM s'entoure d'une formation multinationale, majoritairement féminine, dont les voix se mêlent aux percussions dans un dialogue organique. À leurs côtés, le oud de Yacir Rami – compagnon complice de longue date – apporte sa touche raffinée et minimaliste, comme un fil d'or qui vient broder la matière sonore, à la fois brute et sophistiquée, de Dialddar. La triangulation femme- percussions-chant est au cœur de ce spectacle : un espace où l'intime devient collectif, et où l'énergie féminine s'impose comme une force créatrice universelle. Titres interprétés dans le grand studio : - Lach Live RFI - Lalla, extrait de l'album - Mnine Live RFI. Line Up : OUM (chant), Natascha Rogers (percussions), Cynthia Abraham (choeurs et petites percussions), Lucile Chriqui (chœurs), Ayda Benslimane (chœurs) et Yacir Rami (oud). Son : Mathias Taylor, Benoît Letirant. ► Album Dialddar (Ternaire/Modulor 2026). Concert 4 mai 2026, Pan Piper, Paris. Site - Instagram - YouTube. Puis nous recevons Meral Polat pour l'album Meydan (la « place »). Meral Polat est une actrice, auteure-compositrice-interprète et créatrice de théâtre renommée aux Pays-Bas. Diplômée de l'Université des Arts d'Amsterdam, en art dramatique et en théâtre musical contemporain. Son domaine de pratique artistique comprend d'éminentes productions de théâtre, de cinéma et de musique. Meral Polat sort son deuxième album Meydan, sur le label belge Werf records, un bouquet d'influences venues de plusieurs continents. Meral parle de ses influences anatoliennes. Parmi celles-ci, la musique psychédélique anatolienne dans la Turquie des années 60/70 « Cette époque, avec Led Zeppelin, Jefferson Airplane, The Beatles, The Doors, Jimi Hendrix, a beaucoup influencé les jeunes musiciens anatoliens. Quelques étudiants en musique d'Istanbul ont commencé à combiner la vieille musique folklorique anatolienne avec les guitares électriques, à réarranger les structures, à changer leur nature. Cela a engendré une nouvelle forme musicale que l'on a appelée la musique psychédélique anatolienne ». Turque, Kurde et Hollandaise, Meral Polat propose un album militant en véhiculant le message des femmes iraniennes en rappelant le slogan « JIN - JYAN - AZADI » (« femme, vie, liberté », en français), lancé par des femmes kurdes. Sur le titre « Cenek », elle exhorte les femmes et les jeunes filles à revendiquer haut et fort leur liberté : « Cenek est, en fait, un appel lancé à toutes les femmes et à toutes les filles, afin qu'elles vivent selon leurs propres choix. Une façon de dire, « votre corps vous appartient, votre vie vous appartient, votre voix vous appartient ». La philosophie contenue dans « Femme, vie, liberté », c'est qu'il ne peut y avoir de véritable liberté tant que les femmes ne seront pas libres. » Avec sa voix puissante et sa musique hypnotique, Meral Polat apporte à cet album l'ancestral mysticisme des Kurdes Alévis, une tradition dont elle se veut dépositaire. Titres interprétés dans le grand studio : - Ez Kî Me (Qui suis-je?) Live RFI - Govend, extrait album Meydan - Uzun Ince Bir Yoldayim (Âsik Veysel) Live RFI. Line Up : Meral Polat (chant, guitare) + traduction Léa Boutin-Rivière. Son : Mathias Taylor, Benoît Letirant. ► Album Meydan (Werf records) 2025. Site - Instagram - YouTube.
Then the conversation shifts to the absurd state of live music: Clay rants about dropping nearly $760 for two Jason Aldean pit tickets while Ticketmaster fees alone equal the price of a third ticket. Artists no longer make real money on streams or albums, so fans are footing the bill for massive productions rolling in on 18-wheelers of gear. Kingfish and Clay swap Trans-Siberian Orchestra war stories—how the band spawned from the ‘80s prog-metal group Savatage, now runs two full touring versions like a rock-and-roll circus, blew the power at the old Jackson Coliseum years ago, and hasn't dropped new material since their main songwriter died. The shows are still epic (lasers, pyro, club-level seats at $150), but the set lists are getting stale and crowds are shrinking. Pure, unfiltered Mississippi talk radio gold.
In this 20th hour of Nightside, we asked listeners to tell us about their 1st concert experience! Who did you see? What was most memorable about the concert and why? Dan also asked who was the best concert. See omnystudio.com/listener for privacy information.
Vic, Jojo, Alex, and Oscar's first episode starts off with a conversation about Jojo's coverage of Sudan Archives' show at Thalia Hall and Enjambre at the House of Blues. The crew also discusses the upcoming Harry Styles tour— and how difficult it's become to snag tickets.The 4x4 picks includes songs by Dev, Kiala & Afroblaster, Thundercat & Mac Miller, and the Damon Albarn, Grian Chatten, Kae Tempest collab with War Child Records.The crew also reviewed Ratboy's new album, Singin' to an Empty Chair.Follow along with the monthly 4x4 picks by Liking the YCT Playlist on Spotify & subscribing to the podcast. Listen to all of the music discussed on the latest episode of the show here: https://open.spotify.com/playlist/5jnLdjJ3HBzETWPdHKWHpqYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaCCheck out our weekly Spotify playlist, I Made This For You, updated on Fridays and featuring our favorite songs released during the current week.IMTFY playlist:- Apple Music: https://music.apple.com/us/playlist/i-made-this-for-you/pl.u-2aoqL3qCDvDB1- Spotify: https://open.spotify.com/playlist/47zdwKFNfoYpJfQxRtXWIS?si=8654e038a0314143
Jim Jones and T.I. JUMP 50 Cent Backstage At Concert.. Security Footage Leaked
Le 974 est à l'honneur avec deux albums mi-insulaire, mi-sétois qui emmènent le Maloya en RTT ! (Rediffusion) Nos premiers invités sont le groupe Saodaj à l'occasion de la sortie du nouvel album Lodèr La Vi. Saodaj, c'est l'image d'un pays pluriel, vaste, infini : La Réunion ! Une musique amoureuse du Maloya, émancipée et vagabonde. En créole, en français, leurs textes s'élèvent et s'indignent, cherchant la beauté dans la noirceur du monde. Saodaj trace sa route depuis une décennie entre tradition et modernité, là où le rock alternatif des cordes saturées fait corps avec les polyrythmies percussives. À travers l'album Lodèr la vi (Parfum de la vie) le groupe ose de nouveaux paysages sonores. Une ode aux naissances qui nous métamorphosent, aux voyages hors des sentiers battus, à nos vivants et nos morts, l'amour toujours en ligne de mire. Saodaj incarne une musique actuelle et engagée, qui fusionne avec élégance les éléments de la modernité et les racines profondes des traditions. À travers leur art, Marie Lanfroy, Jonathan Itéma et leur groupe offrent une interprétation unique du monde. Saodaj continue de charmer et de sensibiliser avec une musique qui touche à l'âme, rappelant à chacun l'importance de nos racines tout en embrassant le changement et l'évolution. Titres interprétés au grand studio : - Adyé Véli Live RFI - Lodèr La Vi, extrait de l'album - Zanfan Live RFI. Line Up : Marie Lanfroy (chanteuse, auteure, compositrice, bobr', kayamb, tarlon) ; Jonathan Itéma (chanteur, auteur et compositeur, rouler, Sati pikèr, bobr', morlon, triangle) ; Mélanie Badal (violoncelle, chant) ; Frédérick Cipriano (sati, pikèr, triangle, kayamb) ; Blaise Cadenet (guitare, percussions) et Zélito Déliron (percussions). Son : Mathias Taylor, Benoît Letirant. ► Album Lodèr la vi (Buda Musique / Socadisc 2025). Instagram et YouTube de Saodaj. Puis nous recevons le groupe Bonbon Vodou pour la sortie de Epopée Métèque. Le bonbon piment cache bien son jeu. Sous l'apparence inoffensive du beignet, l'amuse-bouche réunionnais cache des épices susceptibles de remettre les idées en place. Chez Bonbon Vodou, c'est pareil. Quoique les influences du duo chaloupent entre océan Indien et mer Méditerranée, le piquant perce sous la tendresse des chansons graciles souvent bercées au rythme du maloya. Le duo formé par Oriane Lacaille (chant, batterie, kayamb, roulèr, percussions, flûtes pygmées) et JereM Boucris (chant, guitare, cigar box, ukulélé) se compte désormais sur les cinq doigts de la main. Ces dernières années, leurs concerts ont régulièrement été donnés en quintette grâce au renfort d'un trio relevé, les Piment Piment que l'on retrouve partout sur Épopée métèque. Mixé par le sorcier Jean Lamoot, Épopée métèque foisonne de trouvailles orchestrales et de textes polyglottes, avec moult musiciens additionnels et invités, dont Bernard Lavilliers. Titres enregistrés au grand studio : - Fais bouger ton boule Live RFI - Les mains d'or (Feat Lavilliers), extrait album - L'absence Live RFI. Line Up : Oriane Lacaille (chant, cajon, kayamb), Jerem Boucris (chant, guitare), Juliette Minvielle (tambour à cordes, chant), Yann-Lou Bertrand (basse, flûte, chant) et Roland Seilhes (clarinette, flûte). Son : Mathias Taylor, Benoît Letirant. Images : RFI Vidéos. ► Album Epopée Métèque (Heavenly Sweetness 2025). Concert 11 février 2026 au 360 Paris / festival Au fil des Voix. Instagram YouTube Site.
Le 974 est à l'honneur avec deux albums mi-insulaire, mi-sétois qui emmènent le Maloya en RTT ! (Rediffusion) Nos premiers invités sont le groupe Saodaj à l'occasion de la sortie du nouvel album Lodèr La Vi. Saodaj, c'est l'image d'un pays pluriel, vaste, infini : La Réunion ! Une musique amoureuse du Maloya, émancipée et vagabonde. En créole, en français, leurs textes s'élèvent et s'indignent, cherchant la beauté dans la noirceur du monde. Saodaj trace sa route depuis une décennie entre tradition et modernité, là où le rock alternatif des cordes saturées fait corps avec les polyrythmies percussives. À travers l'album Lodèr la vi (Parfum de la vie) le groupe ose de nouveaux paysages sonores. Une ode aux naissances qui nous métamorphosent, aux voyages hors des sentiers battus, à nos vivants et nos morts, l'amour toujours en ligne de mire. Saodaj incarne une musique actuelle et engagée, qui fusionne avec élégance les éléments de la modernité et les racines profondes des traditions. À travers leur art, Marie Lanfroy, Jonathan Itéma et leur groupe offrent une interprétation unique du monde. Saodaj continue de charmer et de sensibiliser avec une musique qui touche à l'âme, rappelant à chacun l'importance de nos racines tout en embrassant le changement et l'évolution. Titres interprétés au grand studio : - Adyé Véli Live RFI - Lodèr La Vi, extrait de l'album - Zanfan Live RFI. Line Up : Marie Lanfroy (chanteuse, auteure, compositrice, bobr', kayamb, tarlon) ; Jonathan Itéma (chanteur, auteur et compositeur, rouler, Sati pikèr, bobr', morlon, triangle) ; Mélanie Badal (violoncelle, chant) ; Frédérick Cipriano (sati, pikèr, triangle, kayamb) ; Blaise Cadenet (guitare, percussions) et Zélito Déliron (percussions). Son : Mathias Taylor, Benoît Letirant. ► Album Lodèr la vi (Buda Musique / Socadisc 2025). Instagram et YouTube de Saodaj. Puis nous recevons le groupe Bonbon Vodou pour la sortie de Epopée Métèque. Le bonbon piment cache bien son jeu. Sous l'apparence inoffensive du beignet, l'amuse-bouche réunionnais cache des épices susceptibles de remettre les idées en place. Chez Bonbon Vodou, c'est pareil. Quoique les influences du duo chaloupent entre océan Indien et mer Méditerranée, le piquant perce sous la tendresse des chansons graciles souvent bercées au rythme du maloya. Le duo formé par Oriane Lacaille (chant, batterie, kayamb, roulèr, percussions, flûtes pygmées) et JereM Boucris (chant, guitare, cigar box, ukulélé) se compte désormais sur les cinq doigts de la main. Ces dernières années, leurs concerts ont régulièrement été donnés en quintette grâce au renfort d'un trio relevé, les Piment Piment que l'on retrouve partout sur Épopée métèque. Mixé par le sorcier Jean Lamoot, Épopée métèque foisonne de trouvailles orchestrales et de textes polyglottes, avec moult musiciens additionnels et invités, dont Bernard Lavilliers. Titres enregistrés au grand studio : - Fais bouger ton boule Live RFI - Les mains d'or (Feat Lavilliers), extrait album - L'absence Live RFI. Line Up : Oriane Lacaille (chant, cajon, kayamb), Jerem Boucris (chant, guitare), Juliette Minvielle (tambour à cordes, chant), Yann-Lou Bertrand (basse, flûte, chant) et Roland Seilhes (clarinette, flûte). Son : Mathias Taylor, Benoît Letirant. Images : RFI Vidéos. ► Album Epopée Métèque (Heavenly Sweetness 2025). Concert 11 février 2026 au 360 Paris / festival Au fil des Voix. Instagram YouTube Site.
Aaron Watson stops by the studio. He shares the moving reason he cried at a Taylor Swift concert. He shares how he is having the most fun ever performing now that he's getting to do shows with his 19-year old son. He shares the secret to being married for 24 years and how they lost a child together. Aaron talks about his new record "Horse Named Texas" and what it means to be an independent artist.See omnystudio.com/listener for privacy information.
Welcome back to The Rizzuto Show, the comedy podcast that turns everyday news, pop culture nonsense, and the weirdest stories on the internet into a full-blown morning show meltdown.Today's episode kicks off with a story that feels like it was written by the world's laziest screenwriter: a DARE officer — literally the guy teaching kids to say no to drugs — got busted selling drugs while on duty in uniform. Not only that, but he was allegedly making deals out of a marked patrol car. Because when you're committing crimes, subtlety is overrated apparently. The gang breaks down the story, the wild investigation details, and the absolutely baffling punishment that has everyone wondering if justice accidentally took the weekend off.From there, the conversation shifts into something that instantly fires up every music fan in the room: the greatest concert opening songs ever. What song makes you want to run through a brick wall the second the band hits the stage? The crew debates legendary openers from Korn, Foo Fighters, Limp Bizkit, Rage Against the Machine, and more — plus the kind of songs that instantly turn a crowd of thousands into one giant mosh pit. If you've ever been to a show where the first riff gave you goosebumps, you'll feel this discussion.Then it's time for Crap on Celebrities, where the gang digs into the latest pop culture chaos. Britney Spears headlines the conversation with another headline-making moment that sparks debate about fame, mental health, and the internet's favorite hobby: pretending it knows everything about celebrities. The show also dives into music news, massive concert ticket prices that could destroy a mortgage, and some classic rock album debates that may cause arguments in record stores everywhere.Along the way you'll also hear:The surprisingly light punishment for a cop dealing drugs while in uniformThe songs that instantly turn a crowd feral at concertsWhy some concert intros are basically adrenaline injectionsCelebrity headlines that sound fake but somehow aren'tThe ongoing debate about which albums belong in every vinyl collectionBasically: it's another completely normal day on The Rizzuto Show — which means nothing makes sense, everyone gets roasted, and somehow we still learn something weird.If you're looking for a comedy podcast that mixes weird news, music talk, celebrity chaos, and pure sarcastic nonsense, congratulations — you found it.And remember: if your anti-drug instructor starts selling Adderall out of a squad car… maybe the program needs a refresher.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hosea (Come Back to Me)Performed by Kairy MarquezCome back to me with all your heartDon't let fear keep us apartTrees do bend though straight and tallSo must we to others' callLong have I waited forYour coming home to meAnd living deeply our new livesThe wilderness will lead youTo the place where I will speakIntegrity and justiceWith tendernessYou shall know.Long have I waited forYour coming home to meAnd living deeply our new livesBeyond The Daysby Fr. Ricky Manalo Performed by the Sunday 7pm ChoirBeyond the days of hope and mysterywe see a light of faith renewed,and in our longing we thirst for guidanceto walk with you day by day.Forty days and nights,you guide the steps of our journey.May your presence be feltin the whisper of your voice.Beyond the days of hope and mysterywe see a light of faith renewed,and in our longing we thirst for guidanceto walk with you day by day.Not on bread aloneare we to walk on this journey.Speak the words that give lifeto the yearnings of our hearts.Beyond the days of hope and mysterywe see a light of faith renewed,and in our longing we thirst for guidanceto walk with you day by day.
TV/Movie/Streaming updates: 'Scream 7', 'Monarch: Legacy of Monsters' S2, Paramount/WB updates. AMC Theaters set to fail again. Concert cancellations: 'Punk in the Park', 'When We Were Young'. VIDEO EPISODE on YOUTUBE www.youtube.com/@itseriknagel AUDIO EPISODE: IHeartRadio | Apple | Spotify Socials: @itseriknagel
You've heard of method actors — performers who fully immerse themselves in a role until a project is complete — but Baz Luhrmann has been called a “method director.” Spectacle is his signature. From the glittering chaos of Moulin Rouge! to the roaring parties of The Great Gatsby, Baz fills every frame with vibrant colour, music and movement. For his new documentary, EPiC: Elvis Presley in Concert, he dives headfirst into the glitter once again, this time to tell the story of his longtime muse, Elvis Presley. The film shows the King of Rock and Roll not as a myth, but as a ferocious live performer full of humanity and power. Baz joins guest host Garvia Bailey to reflect on the bold, anything-goes style that's defined his career, and why he's drawn to cultural icons and big emotional swings.
Cardi B had a special guest at her Houston concert. Plus, Jessica Simpson still lives with her ex-husband Eric Johnson.See omnystudio.com/listener for privacy information.
With international news dominated by war, how does the U.S. involvement in Iran impact us here in Wisconsin? The City Cast Madison team digs into this question as well as some lighter news about what's going on here at home. Several new restaurants have opened in the Madison area recently, and it's time to get excited for summer because the Concerts on the Square lineup is out! Mentioned on the show Has the war in Iran directly affected you or loved ones? [Cap Times] Does This Go Together? And Other Questions Asked by Madison's Fusion Trend Setters [City Cast Madison] New barbecue restaurant to open on State Street [Madison Magazine]
We saw EPiC and it's GREAT, but why didn't Elvis perform outside the United States? Could an unsolved murder have been the reason? For more great stories, check out our huge archive of episodes like these: Episode 32 - Johnny Cash Episode 68 - Gram Parsons To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Birthdays on The Rizzuto Show usually involve cake, sarcasm, and at least one questionable idea… and today checks every box.The gang kicks things off celebrating Riz while diving into a surprisingly deep conversation about the recent Nine Inch Nails tour. Lern gives her firsthand review of the show, complete with Trent Reznor theatrics, nostalgic industrial vibes, and a crowd full of 90s survivors dressed like they just walked out of a Hot Topic time machine. Doug's multi-page concert review somehow becomes required reading, and suddenly everyone's debating whether this could be the final NIN tour ever.Then things get weird.The crew discovers that the legendary Ace Ventura mechanical rhino prop — yes, the one from the infamous “butt birth” scene — is up for auction. Naturally, the discussion quickly escalates from “that's hilarious” to “should the show actually buy this thing?” Between shipping logistics, size estimates, and punishment ideas involving someone spending the night inside it, the conversation goes exactly where you'd expect from a morning show that probably shouldn't be trusted with large props.In Crap on Celebrities, the entertainment news gets equally chaotic. Sharon Osbourne hints at the possible return of Ozzfest, Courtney Love might be teasing a Hole reunion, and a suspicious backstage incident at a country concert sparks a serious security conversation. The crew also reacts to the end of Jersey Shore: Family Vacation, a bombshell Dr. Phil documentary, and some very concerning news about Andy Dick.But the weirdness doesn't stop there.The show debates the greatest dinosaur characters of all time (which turns into a heated argument about Barney, Littlefoot, and Denver the Last Dinosaur), and then things spiral even further when the team asks a surprisingly deep question: Which movie villains were actually right the whole time? From Ferris Bueller to Ghostbusters to Jaws, the crew flips classic movie narratives upside down.And of course, no episode is complete without games, birthdays, ridiculous debates, and the kind of off-the-rails humor that somehow keeps this comedy podcast rolling every single day.If you came for serious journalism… you're definitely in the wrong place.But if you want ridiculous conversations, music nostalgia, pop culture chaos, and a morning show that absolutely should not be trusted with a mechanical rhino… welcome to your new favorite comedy podcast.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This year is the centennial birthday of the late Tony Bennett, who passed away at the age of 96 in 2023. Guitarist and vocalist John Pizzarelli has recorded a tribute album of Bennett's music, Dear Mr. Bennett, from which Pizzarelli performs live in our studio. He also discusses his family connection to Tony Bennett, and preview his residency at Birdland in support of the album through March 7. Photo by Jessica Molaskey
Indie music has a long history in New York. Author Ronen Givony has written a new book, Us v. Them: The Age of Indie Music and a Decade in New York (2004-2014), reflecting on a decade of the indie scene in Brooklyn in the 2000s under the Bloomberg administration, the artists who made up the bands, and fans who created the community. Givony, who also is an artistic director at Le Poisson Rouge, discusses writing the book and his memories of the music from that time. Ronen Givony will be in conversation with Nabil Ayers about the book at Greenlight bookstore Thursday night at 7:30. Cover art courtesy of Abrams Press
We will see you at some kick ass shows!
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Clay welcomes Jackson Jambalaya's Kingfish for a no-BS breakdown of the Smith Wills Stadium drama that's been simmering for years. Trey Lamar finally yanked the lease and the entire property back from the city after the current operator turned the place into a cigar bar/blunt bar (complete with weed smoke drifting over kids' baseball tournaments), sub-leased the parking lot to the VA for hundreds of thousands a year, stiffed the city on rent multiple times, and even had a camper hooked up to stadium power. The court case has been dead since April, Lynn Fitch's office is MIA, and the worn-out landfill facility's minor-league dreams are officially over—Kingfish says its glory days are gone for good. Then the conversation shifts to the absurd state of live music: Clay rants about dropping nearly $760 for two Jason Aldean pit tickets while Ticketmaster fees alone equal the price of a third ticket. Artists no longer make real money on streams or albums, so fans are footing the bill for massive productions rolling in on 18-wheelers of gear. Kingfish and Clay swap Trans-Siberian Orchestra war stories—how the band spawned from the ‘80s prog-metal group Savatage, now runs two full touring versions like a rock-and-roll circus, blew the power at the old Jackson Coliseum years ago, and hasn't dropped new material since their main songwriter died. The shows are still epic (lasers, pyro, club-level seats at $150), but the set lists are getting stale and crowds are shrinking. Pure, unfiltered Mississippi talk radio gold.
Luis Herrero y Ayanta Barilli hablan sobre el nuevo documental de Baz Luhrmann sobre Elvis Presley.
Man on the Run documentary, WATP's Karl on Stuttering John's NYC debacle, world's smallest penis owner sends nudes, Rob Wolchek hangs it up, Britney Spears' gross boobs, and McDonald's CEO doesn't know how to eat. The Dabbleverse made Page Six. Good job, John. Oprah Winfrey is scrubbing her embarrassing content off the internet. Rob Wolchek has retired. Fox 2 sent him off Monday night. ML Elrick got a court referee BLOWN OUT. No profit sharing checks for Stellantis employees. Survivor has somehow eclipsed 50 seasons. Donald Trump nailed Playboy Playmate Sandra Taylor in 1991. She publicly regrets it because of all the attention she gets from it. Michael Phillips is nothing but his tiny penis. He's sending pics of that button to chicks. WATP's Karl Hamburger drops by to recap Stuttering John Melendez's awful weekend, cover Sofia with an F as she's an author now and still putting out terrible podcasts, and more. Lauren Sanchez got another spot on The Today Show. This time to promote her stupid children's book. Is she gunning for a job? New cop cam footage has dropped of American Idol murderer Caleb Flynn. McDonald's CEO Chris Kempczinski takes the smallest bite of a Big Arch possibly ever. Burger King responds with a troll. Concert ticket prices are out of hand. Man on the Run is highly recommended by known fanboy, Drew Lane. Britney Spears is sparking concern with her latest Instagram dances. Her ex, Sam Asghari, is commenting on the battle with Iran. There is NOTHING new with Nancy Guthrie. Colin Gray is guilty for being a terrible parent. A local 13-month-old was towed away in an impounded car. Video of Bill and Hillary Clinton's hearing has dropped of their recent dep's Epstein testimony is out. Kristi Noem took a pounding at a Senate hearing today. Merch is still available. Buy it before it's gone. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)
On this week's show, Steve is joined by June Thomas, author of A Place of Our Own, and Michael Schulman, author of Her Again and Oscar Wars, for some rollicking Gabfest discourse. First up, they get all shook up by EPiC: Elvis Presley in Concert, the concert documentary directed by Baz Luhrmann from archival Elvis performance footage. Does the master of cinematic spectacle bring the King back to life?Next, they turn to The Fall and Rise of Reggie Dinkins, the new sitcom from 30 Rock co-creator Robert Carlock starring Tracy Morgan. Finally, they examine the uncanny and profound phenomena of posthumously-published celebrity interviews—including Eric Dane and Jane Goodall—of Netflix's Famous Last Words specials. Existential bravery or exploitative trash? They discuss.In an exclusive bonus episode for Slate Plus subscribers, the panel weighs in on the best casting Oscar race.EndorsementsMichael: The audiobook of the memoir I Regret Almost Everything by Keith McNally as narrated by the incomparable Richard E. Grant.June: Two niche podcasts featuring conversations with authors of biography including Bio, the official podcast of the Biographers International Organization, and Biographers in Conversation. Also, jumping on the Richard E. Grant train, the BBC parody cooking series Posh Nosh starring Grant and Arabella Weir.Steve: The recent essay “The Stony Dark Within” by Joy Williams about Rainer Maria Rilke in the New York Review of Books.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.
On this week's Wrap Party, Zeth is talking about the conspiracy theories online that an imposter accepted Jim Carrey's Cesar Award in Paris, as well as the revelatory new film ‘EPiC: Elvis Presley in Concert.' Plus, your emails, calls, and DMs. Become an All Access member today by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
If you have ever been on a bad date… you know how fun it is to tell the story. Text yours to 800-543-3548. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Steve is joined by June Thomas, author of A Place of Our Own, and Michael Schulman, author of Her Again and Oscar Wars, for some rollicking Gabfest discourse. First up, they get all shook up by EPiC: Elvis Presley in Concert, the concert documentary directed by Baz Luhrmann from archival Elvis performance footage. Does the master of cinematic spectacle bring the King back to life?Next, they turn to The Fall and Rise of Reggie Dinkins, the new sitcom from 30 Rock co-creator Robert Carlock starring Tracy Morgan. Finally, they examine the uncanny and profound phenomena of posthumously-published celebrity interviews—including Eric Dane and Jane Goodall—of Netflix's Famous Last Words specials. Existential bravery or exploitative trash? They discuss.In an exclusive bonus episode for Slate Plus subscribers, the panel weighs in on the best casting Oscar race.EndorsementsMichael: The audiobook of the memoir I Regret Almost Everything by Keith McNally as narrated by the incomparable Richard E. Grant.June: Two niche podcasts featuring conversations with authors of biography including Bio, the official podcast of the Biographers International Organization, and Biographers in Conversation. Also, jumping on the Richard E. Grant train, the BBC parody cooking series Posh Nosh starring Grant and Arabella Weir.Steve: The recent essay “The Stony Dark Within” by Joy Williams about Rainer Maria Rilke in the New York Review of Books.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.
We start off with Frank Christ presents, 'They're Fine, Just Fine,' and then we list off your Things That Must Go. After that, we crown Boner of the Day and talk about things stolen from restaurants just before we take your health questions with Dr. Cobble. Then we play a round of Beat Gina and finish with the Boner Recap, news and our Concert and Community Calendar!
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Alex (@AlexSourGraps) and Kate (@MissKatefabe) review tonight's episode of NXT March 3, 2026, including: -WWE Women's Speed Title #1 Contendership Tournament Semi-Final Match: Wren Sinclair vs. Nikkita Lyons -Hank And Tank (Hank Walker & Tank Ledger) & Shiloh Hill vs. The Vanity Project (Brad Baylor, Jackson Drake & Ricky Smokes) -WWE NXT Women's Title Match: Jacy Jayne (c) vs. Zaria Get 10% off your first month of BlueChew Gold with code FIGHTFUL. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Mexican singer-songwriter Humbe broke through with his hit song "fantasmas," and is making waves in the world of Spanish language music. He performs live from his new album, Dueño del Cielo, ahead of his March 5 and 6 concerts at Brooklyn Paramount. Photo by Krista Garza
When we first interviewed Metal Blade Records CEO/Founder Brian Slagel, one of the true godfathers of heavy metal, he told us about his first ever concert - KISS on the Alive! Tour in 1976. Talk about a high bar to live up to for rock n roll live production!?! Who would he find that can deliver such a live performance? The answer is Iron Maiden, the heavy metal pioneers that Brian has witnessed live over 300x, who incorporate all kinds of props, blistering playing, lights, pyro and even an enormous mascot, Eddie. Brian takes us back to 1981 as Maiden were opening for Judas Priest. Brian tells us how he sold the album Killers in his record store to help promote the band he loved and sought out every album and single from the New Wave of British Heavy Metal he could get his hands on. So he jumped on a plane to Houston to see his favorite band. Hear how Brian was thwarted by Texas cops as he attempted to headbang, how his buddy gave him a ride to interview Steve Harris at the hotel after the show and the power of Maiden during the early years. Brian also talks about how Paul Di'Anno dropped a bomb on him ahead of a show in Long Beach as he interviewed him for his fanzine, The New Heavy Metal Revue. It was our pleasure to spend time with one of the true pioneers of metal, especially in the US, and hear how his first Maiden show ranks against the 300+ concerts he's seen with the boys over 45 years. Learn more about Brian and his podcast 100 Songs That Define Heavy Metal at www.metalblade.com/us Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Kaelin's dad took her to see Rod Stewart when she was little. Fred wants to know what the 13's first concert was! And, some parents are giving their toddlers raw butter as a snack!See omnystudio.com/listener for privacy information.
Kaelin's dad took her to see Rod Stewart when she was very little. Fred wants to know what the 13's first concert was!See omnystudio.com/listener for privacy information.