Podcasts about Yefim Bronfman

On this episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores Rachmaninoff and the Russian composer's piano preludes and his variations on a theme of Chopin with live CRC performances by pianists Yefim Bronfman and Alexander Melnikov.Preludes, Op. 23No. 1 in F‐Sharp MinorNo. 2 in B‐flat MajorNo. 3 in D MinorNo. 4 in D MajorNo. 5 in G MinorNo. 6 in E‐flat MajorNo. 7 in C MinorYefim Bronfman [11/30/2002]Chopin Variations, Op. 22Alexander Melnikov [1/29/2017]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

On this episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores the etudes of Chopin as well as the composer's Heroic Polonaise featuring live CRC performances by pianists Dubravka Tomsic, Arnaldo Cohen, Yefim Bronfman, Jonathan Biss, and Rafal Blechacz.Selected EtudesOp. 10, No. 1 in C MajorOp. 10, No. 4 in C-sharp MinorOp. 10, No. 5 in G-flat MajorOp. 10, No. 9 in F MinorOp. 25, No. 1 in A-flat MajorOp. 25, No. 2 in F MinorOp. 25, No. 6 in G-sharp MinorOp. 25, No. 8 in D-flat MajoDubravka Tomsic [12/4/2003 performance]Op. 10, No. 10 in A-flat MajorOp. 10, No. 11 in E-flat MajorOp. 25, No. 12 in C MinorArnaldo Cohen [1/31/1999 performance]Op. 10, No. 12, RevolutionaryYefim Bronfman [11/30/2002 performance]Barcarolle in F-sharp Minor, Op. 60Jonathan Biss [4/15/2009 performance]Polonaise in A-flat Major, Op. 53, HeroicRafal Blechacz [4/8/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

durée : 01:28:41 - Yefim Bronfman, concentration et vigueur - par : Aurélie Moreau - Yefim Bronfman, pianiste, a étudié notamment avec Rudolf Firkušný, Leon Fleisher et Rudolf Serkin. Interprète d'œuvres de haute virtuosité, il est aussi un partenaire de musique de chambre très inspiré. Aujourd'hui : Brahms, Prokofiev, Rachmaninov…

durée : 00:18:56 - Disques de légende du mercredi 18 septembre 2024 - Le chef et le pianiste ont débarrassé les deux Concertos centraux, n°2 et n°3, de tout sentimentalisme, de toute affectation : du direct, du massif, du pyrotechnique.

durée : 00:18:56 - Disques de légende du mercredi 18 septembre 2024 - Le chef et le pianiste ont débarrassé les deux Concertos centraux, n°2 et n°3, de tout sentimentalisme, de toute affectation : du direct, du massif, du pyrotechnique.

La Sociedad de Conciertos de Alicante ha programado para la temporada 2024-2025 18 conciertos que empezarán el lunes 7 de octubre con el gran barítono Matthias Goerne y que cerrará el 26 de mayo de 2026 la actuación de la pianista Judith Jaúregui.Entre ambas fechas, una programación excepcional en la que destaca la presencia de conjuntos de cámara como el Trío Wanderer; el Cuarteto Casals; el Quinteto Virtuosos de la Filarmónica de Berlín, como violinista solista actuará Kirill Troussov; Los Solistas del Covent Garden; el Trío Haroutunian-Hakhnazaryan-Melikyan y el Cuarteto Hagen. Dos grupos vocales: Concerto Italiano y el concierto extraordinario de Navidad con música sacra y villancicos populares con la Orquesta y Coro de la Comunidad de Madrid (ORCAM).Como pianistas, además de Jaúregui, visitarán Alicante: Enrico Pace, Yulianna Avdeeva, Grigory Sokolov, Yefim Bronfman, Martín García García y Francesco Piemontesi. También actuará el violinista Renaud Capuçon acompañado por el pianista Guillaume Bellom. Como recitales de canto se sumará a Matthias Goerne el tenor Christoph Prégardien, acompañado al piano por Michael Gees.El presidente de la Sociedad, Alfonso Ramón Borja, ha charlado con Carlos Arcaya en Hoy por Hoy Alicante.

Inside The Music presents Ludwig van Beethoven's Opus 10 and 18, Nos. 3 in their entireties. Join Derek Delaney, Artistic Director of Capital Region Classical, for live CRC performances by pianist Yefim Bronfman and the Belcea Quartet.Piano Sonata in D Major, Op. 10, No. 3Yefim Bronfman, piano [11/20/2002 performance]Quartet in D Major, Op. 18, No. 3Belcea Quartet [10/16/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Season Seven celebrates the Festival's 2023 season at Walk Festival Hall in Jackson Hole.Yefim Bronfman with the Grand Teton Music Festival OrchestraSir Donald Runnicles, conductorLudwig van BeethovenThe Creatures of Prometheus Overture, Op. 43Johannes BrahmsPiano Concerto No. 1 in D minor, Op. 15Yefim Bronfman, piano

The two-time GRAMMY Award-winning Albany Symphony, will provide some extra sparkle this holiday season at two of the Capital Region's favorite concert venues.On Sunday, December 3, The Magic of Christmas fills The Palace Theatre with gorgeous holiday music, family fun, and special guests. On December 9th and 10th, world-acclaimed pianist Yefim Bronfman will perform Brahms Piano Concerto No. 2 in the legendary Troy Savings Bank Music Hall. The concerts on the 9th and 10th will also feature composer Loren Loiacono's work Beanie's Chapbook, a world premiere commissioned by the Albany Symphony.

In this episode, Kelly sits down with Dr. Dave Gerhart to have a conversation about how musicians can become more marketable as they navigate through different career opportunities. Dave is Segment Marketing Manager, Education for the Yamaha Corporation of America and Lecturer of Percussion at the Bob Cole Conservatory of Music at CSU, Long Beach, is a nationally recognized performer, composer, and educator. Dr. Gerhart, originally from Fairfield, California, holds a D.M.A. from the University of Southern California in Percussion Performance with a secondary emphasis in Music Education, Ethnomusicology, and Music Industry & Technology. He received a M.M. in Percussion Performance and Instrumental Conducting and a B.M. in Music Education from California State University, Long Beach. Dr. Gerhart has been featured on CDs with the Robin Cox Ensemble, Steven Hartke, and Gabriela Ortiz. As a freelance musician, Dave has performed under Gustavo Dudamel, Zubin Mehta, Carl St. Clair, Enrique Diemecke, Mehli Mehta, and has performed with Yo-Yo Ma, Bobby McFerrin, Michael Kamen, Liam Teague, Yefim Bronfman, Ray Holman, Robert Greenidge and the Blue Man Group. His principle teachers include Dr. Michael Carney, Erik Forrester, Brad Dutz, and Raynor Carroll, principal percussionist of the Los Angeles Philharmonic. His steel drum ensemble, the Island Hoppin' Steel Drum Band, performs throughout Southern California. Dave serves on the Board of Advisors and the World Percussion Committee for the Percussive Arts Society. An advocate of using technology in the classroom, Dr. Gerhart was featured in Technology and Its Use by Percussion Educators in the 21st Century (Published in Percussive Notes – January 2012) by Tracy Wiggins and part of the case study Using Technology to Enhance Performance Pedagogy in the Postsecondary Brass Studio by Adam Snider. In 2010, Dave co-founded https://DrumChattr.com and currently curates percussion related content for https://PercussionEducation.com. Dave's compositions and arrangements for triangle, timpani, percussion ensemble and steel drum orchestra are published by Bachovich Music Publications, Boxfish Music Publishing and Living Sounds Publications. For more on Dave, check out: https://davegerhart.com/ The Entrepreneurial Muse - Jeffrey Nytch: https://www.amazon.com/Entrepreneurial-Muse-Inspiring-Career-Classical/dp/0190630973Watch more Outside The Bachs podcast episodes on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Listen on Apple Podcasts⁠⁠⁠⁠⁠⁠ Get More Students For Your Private Music Studio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OutsideTheBachs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Follow Kelly on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Kelly on TikTok⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠Private Music Instructors, Piano Lesson Teachers, and Music Studio Owners

1983 proved a pivotal year in violinist Dmitry Sitkovetsky's life. That was the year the Azerbaijan-born musician became a U.S. citizen, married his wife, and bought the Stradivarius violin he still plays to this day. It was also the year he discovered Glenn Gould's final recording of J.S. Bach's Goldberg Variations. That album inspired Sitkovetsky to arrange the Baroque keyboard masterpiece for string orchestra — a project that would forever change the trajectory of his career as a musical artist. "My transcription gave me a whole other life parallel to my performing career," Sitkovetsky says on the latest episode of the Classical Post podcast. "I'm the fourth generation of professional musicians [in my family], so it was pretty much determined I should play violin and become a concert artist. But that year changed that a great deal. I diversified." Now, 40 years later, Sitkovetsky has become a multi-hyphenate to the nth degree. In addition to his work as a solo violinist and transcriber, he's a sought-after conductor, music director, and educator; founder of the New European Strings Chamber Orchestra; and host of Medici.tv's interview series It Ain't Necessarily So — where he's sat down with some of the greatest musicians of our time, including Yefim Bronfman, Barbara Hendricks, and Sir Neville Marriner. In this episode, we discuss how being a student of history informs Sitkovetsky's music-making and what's in store for his final season as music director of the Greensboro Symphony, an ensemble he's led for 20 years. Plus, he shares the earphones he can't live without while traveling, his favorite New York City restaurant for feasting on sturgeon and caviar, and how he sees his career as being "a keeper of the flame" for classical music. — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Manfred Honeck discusses the program this weekend Friday, Saturday, and Sunday with Yefim Bronfman in the Mozart 22nd Piano Concerto, the Sibelius Second Symphony and the first Pittsburgh performance of the Open Mind by Rolf Martinsson. Manfred Honeck explains the power of the marillenmarmalade made of apricots from the Wachau valley in Austria and enjoys a sample given as a gift by his sister Elfi and brother in law Florian Partl. Maestro Honeck will play a concert for winners of the Nobel Prizes in Stockholm, Sweden in December and he recaps his visit to the Metropolitan Opera in his visit to the WQED-FM Morning Show with Jim Cunningham.

Yefim Bronfman has the detail on Mozart's Piano Concerto No. 22 which he plays with the Pittsburgh Symphony October 28, 29 and 30 at Heinz Hall. In the upstairs rehearsal room he tells Jim Cunningham how he made up his mind on selecting the new Steinway which debuts this weekend with Manfred Honeck; New York after the pandemic; Halloween decorations; and his premiere in Cleveland.  Plus, a look ahead at the rest of his winter season in this "At the Symphony" conversation.

A new season begins as dazzling pianist Yefim Bronfman joins Riccardo Muti and the CSO in Brahms' unabashedly vigorous and stirring First Piano Concerto. Tchaikovsky's joyful Second Symphony quotes folk melodies from Ukraine. The program opens with the U.S. premiere of a long-lost and recently discovered score by Samuel Coleridge-Taylor, a British composer of African descent. Ticket holders are invited to a free preconcert conversation featuring Johann Buis in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required. Learn more: cso.org/performances/22-23/cso-classical/muti-and-bronfman

Seine Karriere war steil: Mit 43 Jahren ist der Lette Andris Nelsons einer der berühmtesten Dirigenten der Welt. In Salzburg dirigiert er, seit Markus Hinterhäuser Intendant ist der Festspiele ist, jedes Jahr eine Mahler-Symphonie mit den Wiener Philharmonikern. Diesmal also die Fünfte. Davor gab es Bartóks Zweites Klavierkonzert mit Yefim Bronfman.

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WQED-FM's Jim Cunningham spoke to Pittsburgh Symphony Orchestra Music Director Manfred Honeck and pianist Yefim Bronfman during intermission of our live broadcast from April 22, 2022.      

durée : 01:58:37 - Yefim Bronfman (né en 1958), classicisme ou démesure ? - par : Philippe Cassard - Formé par Serkin, Fleischer et Firkusny, Yefim Bronfman est, à 63 ans, une star dans le monde entier. En France, il est trop rare. Un rien austère chez les "classiques", il déclenche des tsunamis pianistiques chez Rachmaninov ou Prokofiev. - réalisé par : Vivian Lecuivre

Ter gelegenheid van het Internationaal Liedfestival Zeist twee uitzendingen met veel liederen, vanavond met Brahms, Piftzner, Berg, en anderen. En: nieuwe ontwikkelingen die je mag zien als het vervolg op de traditionele liedkunst, bijvoorbeeld in de programma's van Ensemble VONK. 23.04 CD Nostalgia (Pentatone PTC 5186777) Johannes Brahms: Anklänge Magdalena Kozjena [mezzo-sopraan]; Yefim Bronfman [piano] 2'10” 23.08 CD Lieder von Johannes Brahms, Max Reger und Rudi Stephan (Preiser SPR 3355) Rudi Stephan: Zwei ernste Gesänge - II Memento vivere (1914) Robert Holl [bas-bariton]; Konrad Richter [piano] 4'28” 23.17 CD Deep in a dream (Challenge Classics CC 72785) Alban Berg: 4 Gesänge opus 2 (1910) Raoul Steffani [bariton]; Gerold Huber [piano] 7'02” 23.26 CD Dirty Minds (Challenge Classics 72835) Thomas Pigor; Benedikt Eichhorn: Sex Olivia Vermeulen [mezzo-sopraan]; Jan Philip Schulze [piano] 4'04” CD Dirty Minds (Challenge Classics 72835) Jake Heggie: Natural Selection - II Animal passion Olivia Vermeulen [mezzo-sopraan]; Jan Philip Schulze [piano] 3'13” 23.35 CD Whose arm is that (eigen beheer z.nr.) Nicoline Soeter: Hands full of dirt (tekst: Nicoline Soeter, 2018) VONK Rianne Wilbers [sopraan]; Erwin Muller [basklarinet]; Tom Sanderman [sax]; Reggy van Bakel [slagwerk] 6'26” 23.43 CD Let the Soil Play Its Simple Part (Nonesuch A 654102) Albert Brumley; Caroline Shaw: Some Bright Morning Caroline Shaw; So Percussion 5'57” 23.50 CD Death speaks (Cantaloupe CA 21092) David Lang: Death speaks pt 1: You will return Shara Worden [zang], Bryce Dessner [gitaar], Nico Muhly [piano], Owen Pallett [viool] 4'24”

Ter gelegenheid van het Internationaal Liedfestival Zeist twee uitzendingen met veel liederen, van Brahms, Schumann, Schubert, Debussy, Pfitzner, Berg en meer. Met fragmenten uit een interview met bas-bariton Robert Holl, artistiek leider van het festival. 23.04 CD Nostalgia (Pentatone PTC 5186777) Johannes Brahms: Nachtigall Magdalena Kozjena [mezzo-sopraan]; Yefim Bronfman [piano] 2'36” 23.09 CD Dichterliebe - Ausgewählte Lieder (Preiser Records PR93403) Robert Schumann: Im wunderschönen Monat Mai (Heinrich Heine) Robert Holl [bariton]; Jozef de Beenhouwer [piano] 1'37” CD Dichterliebe - Ausgewählte Lieder (Preiser Records PR93403) Robert Schumann: Die Rose, die Lilie, die Taube (Heinrich Heine) Robert Holl [bariton]; Jozef de Beenhouwer [piano] 0'39” CD Dichterliebe - Ausgewählte Lieder (Preiser Records PR93403) Robert Schumann: Ich will meine Seele tauchen (Heinrich Heine) Robert Holl [bariton]; Jozef de Beenhouwer [piano] 0'58” CD Dichterliebe - Ausgewählte Lieder (Preiser Records PR93403) Robert Schumann: Ich grolle nicht (Heinrich Heine) Robert Holl [bariton]; Jozef de Beenhouwer [piano] 1'34” 23.18 CD Winterreise (Challenge Classics CC 72010) (1995) Franz Schubert: Erstarrung Robert Holl [bariton]; Naum Grubert [piano] 2'30” CD Winterreise (Challenge Classics CC 72010) (1995) Franz Schubert: Der Lindenbaum Robert Holl [bariton]; Naum Grubert [piano] 5'08” CD Winterreise (Challenge Classics CC 72010) (1995) Franz Schubert: Der Leiermann Robert Holl [bariton]; Naum Grubert [piano] 4'01” 23.34 CD The Sea (Onyx Classics 4102) Claude Debussy: 3 Mélodies de Verlaine Henk Neven [bariton]; Hans Eijsackers [piano] 7'16” 23.45 CD Holland, Natuur in de de delta (EMS Films) Bob Zimmerman: The beavers by the river Metropole Orkest 1'18” CD Meditations and overtones (Cambria 1195) Ruth Schonthal: Sonata Breve Margaret Mills [piano] 5'56”

Elias and I talk about a few of the great performing pianists. Part 2 we discuss modern and currently performing pianists. https://www.eapettersson.com/ Here is a list of pianists we discuss and think you should listen to: Alfred Brendel (b. 1931) Vladimir Ashkenazy (b. 1937) Martha Argerich (b. 1941) Maurizio Pollini (b. 1942) Nelson Freire (b. 1944) Ursula Oppens (b. 1944) Maria João Pires (b. 1944) Radu Lupu (b. 1945) Murray Perahia (b. 1947) Mitsuko Uchida (b. 1948) *Håkon Austbø (b. 1948) Grigory Sokolov (b. 1950) Santiago Rodriguez (b. 1952) András Schiff (b. 1953) Krystian Zimerman (b. 1956) *Dang Thai Son (b. 1958) Yefim Bronfman (b. 1958) *Sara Davis Beuchner (b. 1959) *Stephen Prutsman (b. 1960) *Paul Stewart (b. 1960) *Sergei Babayan (b. 1961) Casadesus (1st), Hamamatsu (1st), Scottish (1st), Busoni (3rd), Honens (4th) Stephen Hough (b. 1961) Jean-Yves Thibaudet (b. 1961) *Frederic Chiu (b. 1964) *Pavel Nersessian (b. 1964) *Alexander Korsantia (b. 1965) Sydney (1st) Rubinstein (1st) Leif Ove Andsnes (b. 1970) *Stanislav Ioudenitch (b. 1971) Evgeny Kissin (b. 1971) Arcadi Volodos (b. 1972) Nikolai Lugansky (b. 1972) Simone Dinnerstein (b. 1972) Valentina Lisitsa (b. 1973) *Antonio Pompa-Baldi (b. 1974) Long-Thibaud (3rd), Cleveland (1st), Cliburn (2nd) Ning An (b. 1976) *Roberto Plano (b. 1978) American Prize, Cleveland (1st), Cliburn (finalist) *Andrius Žlabys (b. 1978) “There is no better time to do the best work of your life than right now” Spencer Myer (b. 1978/9) Sa Chen (b. 1979) Alexander Kobrin (b. 1980) Alexandre Moutouzkine (b. 1980) Yundi Li (b. 1982) Lang Lang (b. 1982) *Boris Giltburg (b. 1984) (Beethoven Sonatas) Santander (2nd=1st), Queen Elisabeth (1st), Rubinstein (2nd) Evgheny Bozhanov (b. 1984) Cliburn (finalist), Queen Elisabeth (2nd), Chopin (4th-refused) Ingolf Wunder (b. 1985) *Rafał Blechacz (b. 1985) Chopin (1st) *Yeol Eum Son (b. 1986) Tchaikovsky (2nd) Vadym Kholodenko (b. 1986) *Vitaly Pisarenko (b. 1987) Liszt (1st), Leeds (3rd) Adam Golka (b. 1987) Yuja Wang (b. 1987) *Sean Chen (b. 1988) American Prize, Cliburn (3rd) *Yekwon Sunwoo (b. 1989) Sendai (1st), Cliburn (1st) *Charles-Richard Hamelin (b. 1989) Seoul (3rd), Montréal (2nd), Chopin (2nd) *Haochen Zhang (b. 1990) China Piano Competition (1st) Avery Fisher Grant, Cliburn (1st) *Claire Huangci (b. 1990) ARD Munich (2nd), Geza Anda (1st) *Lukas Geniušas (b. 1990) Bachauer (1st), Scottish (2nd), Chopin (2nd), Tchaikovsky (2nd) *Daniil Trifonov (b. 1991) Chopin (3rd), Rubinstein (1st), Tchaikovsky (1st) (also composer) *Kenny Broberg (b. 1993) Cliburn (2nd), Tchaikovsky (3rd), American Prize *Beatrice Rana (b. 1993) Montréal (1st), Cliburn (2nd) *Seong-Jin Cho (b. 1994) Hamamatsu (1st), Tchaikovsky (3rd), Rubinstein (3rd), Chopin (1st), DAEWON Music Awards *Kate Liu (b. 1994) NY International (1st), Hilton Head (6th), Montréal (finalist), Chopin (3rd) *Do-Hyun Kim (b. 1994) Gilmore Fellow, Vendome (2nd), Young Concert Artist Auditions (1st) Drew Peterson (b. 1994) American Prize, Avery Fisher Grant,  *Syzmon Nehring (b. 1995) Rubinstein (1st) *Eric Lu (b. 1997) Minnesota E-Comp. (1st), Chopin (4th), German Piano Award (1st), Leeds (1st) Tony Yike Yang (b. 1998) Chopin (5th-age of 16!) *Alexander Malofeev (b. 2001) China (1st), winner of youth competitions…career exploded (a la Kissin)

Sir Donald Runnicles, conductorMarc NeikrugThe Unicorn at Atlas Peak (Festival Co-Commision)RachmaninoffPiano Concerto No. 3 in D minor, Op. 30Yefim Bronfman, piano__________________________________________The Grand Teton Music Festival's mission is to provide exhilarating musical experiences. The Festival's 60th Season - from July 2-August 21, 2021 - will feature seven weeks of performances, including one week outdoors at the Center for the Arts Park in downtown Jackson, followed by six weeks at Walk Festival Hall. Under the baton of world-renowned Music Director Sir Donald Runnicles, Festival Orchestra musicians come to Jackson, WY to gather inspiration from the mountain setting and to provide spectacular music for audiences. Details: gtmf.org

The Tulsa Symphony Orchestra will very soon -- as in, tomorrow night, Saturday the 5th, at 8pm -- begin its new season of concerts with an open-air, social-distanced, mask-mandatory performance at ONEOK Field . This performance, with limited seating, will celebrate the 250th birthday of Ludwig van Beethoven -- and the world-renowned classical pianist Yefim Bronfman will appear as a guest artist. He'll perform the Piano Concerto No. 3 in C-Minor (which was premiered by Beethoven himself, as the soloist, in 1803). Bronfman is our guest today on ST.

Currently in his third season as Music Director of the New Bedford Symphony, he leads the orchestra with star soloists such as Yefim Bronfman, Joyce Yang, and Vadim Gluzman, and in a wide range of repertoire emphasizing women composers. As the Resident Conductor of the Milwaukee Symphony, Dinur conducts more than 50 concerts per season. Highlights of recent and upcoming guest conducting engagements include subscription debuts with the Houston Symphony and Fort Worth Symphony, a return to the San Diego Symphony, and his debut at the Peninsula Music Festival. Music by www.bensound.com

Recipient of the prestigious 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang is considered to be one of the most distinctive artists of his generation. The Washington Post proclaimed Mr. Huang as "an artist with the goods for a significant career" following his recital debut at the Kennedy Center.This summer, Mr. Huang made highly acclaimed debut at Bravo!Vail Music Festival stepping in for violinist Anne-Sophie Mutter in the Mozart’s Violin Concerto No.4 with Chamber Orchestra Vienna-Berlin. Recent and forthcoming engagements include his recital debut at the Lucerne Festival in Switzerland, Aspen Music Festival, as well as appearances with the Mariinsky Orchestra with Valery Gergiev (St. Petersburg's White Nights Festival), Berliner Symphoniker with Lior Shambadal (Philharmonie Berlin debut), Detroit Symphony with Leonard Slatkin, Houston Symphony with Andres Orozco-Estrada, Orchestra of St. Luke's with Carlos Miguel Prieto, Seoul Philharmonic, Baltimore Symphony and Grant Park Festival Orchestra with Markus Stenz, North Carolina Symphony and Charlotte Symphony with Gemma New, Buffalo Philharmonic with JoAnn Falletta, Pacific Symphony with Carl St. Clair, National Symphony Orchestra of Taiwan with ShaoChia Lu and the Taipei Symphony with Jahja Ling (both in Taipei and on a U.S. tour). 2019-20 season will also see Mr. Huang giving the German premiere of Tan Dun’s Violin Concerto “Fire Ritual” with the Nuremberg Symphony with Kahchun Wong and appearances in the U.S. with the Tucson Symphony, New Mexico Philharmonic, Long Beach Symphony, Brevard Symphony, and Mobile Symphony.Recital and chamber music performances this season will include Mr. Huang’s recital debut for People’s Symphony Concerts in New York, a recital tour across North America and Taiwan with pianist Helen Huang, as well as his debut at the Wolf Trap in Washington D.C. He will also return to Camerata Pacifica in Santa Barbara and the Chamber Music Society of Lincoln Center for three separate tours in the U.S., Europe, and the Far East.Mr. Huang's recent recital engagements included Lincoln Center's "Great Performers" series and return engagement at the Kennedy Center where he premiered Conrad Tao's "Threads of Contact" for Violin and Piano during his recital evening with pianist Orion Weiss. He also stepped in for Midori with Leonard Slatkin and the Detroit Symphony to critical acclaim. Mr. Huang has also made debuts at the Wigmore Hall, Seoul Arts Center, and the Louvre in Paris.His first solo CD, Intimate Inspiration, is a collection of favorite virtuoso and romantic encore pieces released on the CHIMEI label. In association with Camerata Pacifica, he recorded "Four Songs of Solitude" for solo violin on their album of John Harbison works. The album was released on the Harmonia Mundi label in fall 2014.A frequent guest artist at music festivals worldwide, he has performed at the Seattle, Music@Menlo, Caramoor, Bridgehampton, La Jolla, Santa Fe, Moritzburg, Kissinger Sommer, Sion, Orford Musique, and the PyeongChang Music Festival in Korea. His chamber music collaborators have included Gil Shaham, Cho-Liang Lin, Nobuko Imai, Mischa Maisky, Jian Wang, Frans Helmerson, Lynn Harrell, Yefim Bronfman, and Marc-Andre Hamelin.Support the show (https://thatsnotspit.com/support/)

In this episode, I chat with with Anthony McGill, principal clarinetist with the NY Philharmonic.  We have a great conversation about attention and presence, in both practice and performance. Among other things, we discuss his journey to the NY Phil, the importance of absolutely loving music in choosing it as a career, how to nurture focus and make practice more efficient, and how to work towards having more flow in performance. Anthony elaborates on: His musical path, from the Southside of Chicago to the NY Phil The various institutions he attended – the Merit School, the Interlochen Academy, and the Curtis Institute How important the community that surrounds us is as we develop as musicians/artists/people How to nurture focus: The importance of how loving what you do is in fostering focus The quote that really articulated that concept for him How focus starts from figuring out if you truly love what you do Cultivating quality presence, awareness, and curiosity in the practice room are the keys to solid focus How to make practice efficient How he primes and prepares for a practice session How wanting to practice, having a plan, being aware, and being methodical are at the core of a good practice session How he “tricks” himself to practice (which is similar to the trick I talk about in this blog entry: https://www.mindoverfinger.com/blog/commit-to-ten) How listening to music is important Focus in performance: How to work towards flow and overcome mistakes How important it is to develop our public speaking and self-marketing skills Why we should develop an interest in a hobby outside of music   MORE ABOUT ANTHONY: Website: http://www.anthonymcgill.com/ Find some YouTube videos about Anthony HERE Instagram: https://www.instagram.com/mcgillclarinet/ Facebook: https://www.facebook.com/Mcgillab/   Biography Clarinetist Anthony McGill is one of classical music's most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra's first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. McGill was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.   McGill's 2018-19 season includes performances of concertos by Bolcom, Copland, Mozart, and Strauss with the New York Philharmonic, Los Angeles Chamber Orchestra, Tallahassee Symphony, Vermont Symphony, and Austin Symphonic Band. He will also collaborate together with soprano Miah Persson in a performance of Schubert's “The Shepherd on the Rock” together with Iván Fischer and the New York Philharmonic. Additional performances include a collaboration with the Dover Quartet for the Philadelphia Chamber Music Society and a recital with soprano Julia Bullock for the Metropolitan Museum of Art, along with collaborations with the Brentano Quartet for Princeton University and a tour of Asia with the Chamber Music Society of Lincoln Center.   McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, McGill is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.   In January 2015, McGill recorded the Nielsen Clarinet Concerto together with Alan Gilbert and the New York Philharmonic, which was released on DaCapo Records. He also recorded an album together with his brother Demarre McGill, principal flute of the Seattle Symphony, and pianist Michael McHale; and one featuring the Mozart and Brahms Clarinet Quintet with the Pacifica Quartet that were both released by Cedille Records.   A dedicated champion of new music, in 2014, McGill premiered a new piece written for him by Richard Danielpour entitled “From the Mountaintop” that was commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. McGill served as the 2015-16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR's St. Paul Sunday Morning, and Mr. Roger's Neighborhood. In 2013, McGill appeared on the NBC Nightly News and on MSNBC, in stories highlighting the McGill brothers' inspirational story.   A graduate of the Curtis Institute of Music, McGill previously served as the principal clarinet of the Metropolitan Opera and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of the Juilliard School, the Curtis Institute of Music, Bard College's Conservatory of Music, and the Manhattan School of Music. He also serves as the Artistic Advisor for the Music Advancement Program at the Juilliard School, on the Board of Directors for both the League of American Orchestra and the Harmony Program, and the advisory council for the InterSchool Orchestras of New York.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/   Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/

About the Performance: In this program of Brahms contrasts, the epic, many layered four-movement Second Piano Concerto is paired with the delightful and lyrical Second Symphony. Bronfman and Mehta will revel in this music. Program: BRAHMS : Piano Concerto No. 2  Intermission BRAHMS : Symphony No. 2 in D major, Op. 73 Artists: Los Angeles Philharmonic Zubin Mehta conductor Yefim Bronfman piano SAT / DEC 15, 2018 - 8:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

About the Performance: Zubin Mehta launches his Brahms Cycle with the rich, roiling waves of power that are the First Piano Concerto and First Symphony. Joining in is enduring Philharmonic friend and pianistic dynamo Yefim Bronfman. Program: BRAHMS : Piano Concerto No. 1  Intermission BRAHMS : Symphony No. 1 Artists: Los Angeles Philharmonic Zubin Mehta conductor Yefim Bronfman piano FRI / DEC 14, 2018 - 8:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

When asked to estimate how many times he has performed Beethoven's Piano Concerto No. 3 in C min, Op. 37 , Yefim Bronfman leaned back, sighed, and guessed, "Oh... surely at least 100 times."

I programmet diskuteras Sjostakovitjs pianokonserter, Hvorostovsky sjunger ryskt, Bach på olika flöjter samt Pettersons 13e symfoni med Norrköpings symfoniorkester. Ehrnrooth i möte med Herreweghe. I panelen Magnus Lindman, Måns Tengnér och Tebogo Monnakgotla som tillsammans med programledaren Johan Korssell betygsätter följande skivor: DMITRI SJOSTAKOVITJ Pianokonserter nr 1 och 2, stråkkvartett nr 8 i trskr för piano Boris Giltburg, piano Kungliga filharmonikerna, Liverpool Vasily Petrenko, dirigent Naxos 8.573666 J S BACH Flöjtsonater Kristine West, blockflöjter, Stina Petersson, barock-cello, Marcus Mohlin,cembalo Daphne DAPHNE 1058 ALLAN PETTERSSON Symfoni nr 13 (1976) Norrköpings symfoniorkester Christian Lindberg, dirigent Bis BIS 2190 WAR PEACE LOVE AND SORROW Arior ur bl.a. Krig och fred, Mazeppa och Demonen Dmitrij Hvorostovsky, baryton Jevgenij Svetlanov-orkestern, Moskva Constantine Orbelian, dirigent Delos DE 3517 Referensen Johan jämför med och refererar till en inspelning med Sjostakovitjs första pianokonsert, där tonsättaren själv sitter vid flygeln och Ludovic Vaillant spelar trumpet. Franska radions nationalorkester bistår på ett ypperligt sätt och allt hålls samman av André Cluytens. Inspelningen gjordes i Paris 1958 på skivmärket EMI.  Kulturjournalisten Albert Ehrnrooth möter Philippe Herreweghe Albert Ehrnrooth har träffat och samtalat med den belgiske dirigenten och barockspecialisten som nyligen fyllt 70 år och som firas med konserter i Amsterdam och Antwerpen. Herreweghe har två egna ensembler; Collegium Vocale och Champs Elysées-orkestern, men dirigerar och gästar även andra orkestrar såsom Concertgebouw-orkestern i Amsterdam, Rotterdams filharmoniker och Wiens filharmoniker. Herreweghe har i dagsläget spelat in långt över 100 skivor. Andra i programmet nämnda eller rekommenderade inspelningar: Sjostakovitjs första pianokonsert med pianisten Yefim Bronfman och trumpetaren Thomas Stevens tillsammans med Los Angeles filharmoniska orkester allt under ledning av Esa-Pekka Salonen på skivmärket Sony Classical samt med Sjostakovitj själv vid flygeln i en inspelning från 1955 tillsammans med Ivan Volovnik och Moskvafilharmonins symfoniorkester ledda av Samuil Samosud på Eurodisc. Allan Petterssons trettonde symfoni med BBCs skotska symfoniorkester ledd av Alun Francis på CPO. Inspelningen av Allan Petterssons fjortonde symfoni i en P2-dokumentär av Anders Olsén.  Svepet Johan sveper över ett album, The Film Music of William Alwyn, volym 4, med BBCs filharmoniker under Rumon Gambas ledarskap. Inspelad på Chandos.

In a program from November of 2008, Andrew Patner speaks with Tashkent-born pianist Yefim Bronfman about his career [...]

We're featuring San Francisco Symphony Principal Double Bass and University of Michigan faculty member Scott Pingel on this week's show.  In addition to holding down the principal bass chair for the San Francisco Symphony, Scott taught for several years at the San Francisco Conservatory, and he served as Principal Bass of the Charleston Symphony prior to his appointment in San Francisco. This was really a great interview, and it was a pleasure to connect again with Scott (we played together for the Spoleto Festival over a decade ago).  You'll learn a lot about how Scott approaches practicing for auditions, his interesting path to becoming a bass player, and the instruments and bows on which he has spent the last several years performing. About Scott: Scott Pingel began playing the double bass at age 17 because of a strong interest in jazz, Latin, and classical music. In 2004, at age 29, he became the principal bass of the San Francisco Symphony and was named by the San Francisco Chronicle as one of the most prominent additions to the ensemble. Previously, Pingel served as principal bass of the Charleston Symphony Orchestra, performed with the Metropolitan Opera, the Boston Symphony Orchestra at Tanglewood, the Metamorphosen Chamber Orchestra, and served as guest principal with the National Arts Center Orchestra in Canada. His solo performances with ensembles such as the San Francisco Symphony, the San Francisco Academy Orchestra, and the Charleston Symphony Orchestra, and in recitals frequently consisting of his own arrangements, have been met with high critical acclaim. As a chamber musician, he has collaborated with such luminaries as Yo-Yo Ma, Julia Fischer, Gilbert Kalish, Wu Han, Joseph Silverstein, Yefim Bronfman, and members of the esteemed Emerson, Miro, Pacifica, St. Lawrence, Danish, and Takacs Quartets. He can often be heard at the Music@Menlo and Music in the Vineyards festivals and on television and radio programs including NPR's Performance Today. Formerly active as a jazz musician and electric bassist, Pingel worked with greats including Michael Brecker, Geoff Keezer, and James Williams, and performed in venues from Birdland in New York to Fasching in Stockholm. Pingel has taught masterclasses at prestigious institutions such as the Curtis Institute of Music, The Julliard School, Colburn School, Boston University, Manhattan School of Music, Shanghai Conservatory, Beijing Central Conservatory, and the New World Symphony. Pingel's primary instructors were James Clute, Peter Lloyd, and Timothy Cobb. He earned a BM degree from the University of Wisconsin-Eau Claire, a MM degree from the Manhattan School of Music, and spent two years as a fellow at the New World Symphony. Outside of music, Pingel spent many years studying the ancient Korean martial art of Hwa Rang Do, in which he holds a black belt. He was an instructor at the Madison Academy of Hwa Rang Do and founded the University of Wisconsin-Eau Claire Hwa Rang Do/Tae Soo Do Program, which continues to this day. Pingel lives in Ann Arbor with his wife, Iris, and their daughters, Hannah and Sophia. Vanhal complete performance with San Francisco Academy Orchestra Scott's "dueling banjos" cadenza video email: feedback@contrabassconversations.com phone (call-in number--we'll play your message on the show!): 415-952-5643

Émission n.18.  Aujourd à l'émission: Camille discute avec Annabelle Soutar à propos de sa pièce Le partage des eaux à l'Usine C, Élisabeth nous raconte son expérience au resto-bar à jeux Le Colonel Moutarde, Gabrielle revient sur les RIDM, Aurorae au Planétarium ainsi que sur Yefim Bronfman joue Tchaïkovski à l'OSM, Emilie nous parle de Loud Lary Adjust au Métropolis lors de M pour Montréal et Raphaëlle est allée faire un tour au Salon du Livre de Montréal!

Émission n.18.  Aujourd à l'émission: Camille discute avec Annabelle Soutar à propos de sa pièce Le partage des eaux à l'Usine C, Élisabeth nous raconte son expérience au resto-bar à jeux Le Colonel Moutarde, Gabrielle revient sur les RIDM, Aurorae au Planétarium ainsi que sur Yefim Bronfman joue Tchaïkovski à l'OSM, Emilie nous parle de Loud Lary Adjust au Métropolis lors de M pour Montréal et Raphaëlle est allée faire un tour au Salon du Livre de Montréal!

Émission n.18.  Aujourd à l'émission: Camille discute avec Annabelle Soutar à propos de sa pièce Le partage des eaux à l'Usine C, Élisabeth nous raconte son expérience au resto-bar à jeux Le Colonel Moutarde, Gabrielle revient sur les RIDM, Aurorae au Planétarium ainsi que sur Yefim Bronfman joue Tchaïkovski à l'OSM, Emilie nous parle de Loud Lary Adjust au Métropolis lors de M pour Montréal et Raphaëlle est allée faire un tour au Salon du Livre de Montréal!

Esa-Pekka Salonen and pianist Yefim Bronfman meet Dániel Hamar and László Porteleki from Hungary's leading folk music ensemble, Muzsikás. Muzsikás perform traditional Hungarian pieces and discuss their origins, including the influence that this music had upon the work of Béla Bartók. Muzsikás will be performing in London and Basingstoke in 2011 as part of the Philharmonia's Infernal Dance series. For more information on these concerts or others in the series please visit : philharmonia.co.uk/​bartok