Podcasts about first person singular

Send us a textEpisode 508 "The Penguin" Actor: Louis Cancelmi One of my favorite actors working today. He was terrific in #ThePenguin #KillersOfTheFlowerMoon and #TheIrishman not to mention #Billions and so much more. He is very much like John Carroll Lynch, low key, usually fuels and steals the show or the projects he's in. Terrific talent. Old school look.Louis Cancelmi.You can currently find Louis in "The Penguin" as Rex Calabrese. He has an amazing filmography highlighted by Killers of the Flower Moon and The Irishman. Louis and I cover serious ground about life, acting, his roles and more. Louis also played undercover agent Mike D'Angelo on "Boardwalk Empire" (HBO, 2010-14), Louis also enjoyed recurring roles on "Blue Bloods" (CBS, 2010-), "Billions" (Showtime, 2016-) and "The Looming Tower" (Hulu, 2018-). Born in Anchorage, AK, Cancelmi studied Theater at Yale College before making his screen debut in dark workplace comedy "New Guy" (2003). He went on to play Balkanin in pre-WW1 drama "Si Laraby" (2003) and guest on "Third Watch" (NBC, 1999-2005) but initially focused on the stage, performing in productions of "Death of a Salesman," "A View from the Bridge" and "Love Lies Bleeding." But he eventually returned to the film world when he appeared alongside actress sister Annie Parisse in indie "First Person Singular" (2009). Roles in family dramedy "Gabi on the Roof in July" (2010), romantic comedy "The Ride of Tom and Valkyrie" (2011), love triangle tale "Green" (2011) and LGBT movie "Gayby" (2012) then followed, as did a brief spot in "The Amazing Spider-Man 2" (2014). Cancelmi then appeared alongside his real-life wife Katherine Waterston and father-in-law Sam Waterston as a theatre director struggling with impending fatherhood in "Please Be Normal" (2014), and then again in his brother-in-law Graham's short film "And It Was Good" (2015). Cancelmi's profile grew considerably when he was cast as undercover agent Mike D'Angelo in Emmy-winning crime drama "Boardwalk Empire" (HBO, 2010-14). A year later he enjoyed a three-episode stint as serial killer Thomas Wilder on police procedural "Blue Bloods" (CBS, 2010-), played a thieving zoo worker on "Elementary" (CBS, 2012-) and added indie movies "Funny Bunny" (2015) and "Manhattan Romance" (2015) to his filmography. After showing up in Doug Liman's virtual reality drama "Invisible" (2016), Cancelmi played violent criminal Jimmy in NYC drama "Tramps" (2016), eco-criminal Owen in "The Blacklist" (NBC, 2013-) and successful trader Victor Mateo in three episodes of "Billions" (Showtime, 2016-). Cancelmi then landed supporting roles in art world satire "Fits and Starts" (2017) and comedy thriller "Green Olds" (2018), shared the screen with Robert De Niro and Al Pacino in hitman biopic "The Irishman" (2018). Welcome, Louis Cancelmi www.mmcpodcast.com https://linktr.ee/mondaymorningcritic #thepenguin  #killersoftheflowermoon  #billions  #theirishman

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Are you a Grammar fan? Do you know what first-person-singular means and stands for? In this episode Kathi and Daisy speak about this basic communication skill that makes a huge difference. Enjoy! Are you looking for coaching and consulting to get the best results possible? Contact Daisy now to get your free 15 minute consultation: www.selfrecoding.com Call for Support: This podcast is made possible by the generous contributions from listeners like you. As such, we urge you to continue your support so that we can remain on air. It is podcasts like ours that continues to help listeners around the world to better their lives. Thank you! We need your help with as little as $5 a month to continue serving humanity with free quality content that we have provided over the past 100+ episodes. Every little contribution helps us to serve our human family! https://baldandblonde.live/support-us Join our Telegram channel here for deeper discussions and live calls: https://t.me/baldandblonde Join our Facebook group here: www.facebook.com/groups/mindsetevolutionpodcast/ See our shorts on YouTube here: https://www.youtube.com/@baldandblondepodcast - Season 7 coming soon will have full video episodes! Link to get three free chapters of the best-selling book by Daisy Papp The Island Model https://baldandblonde.live/island-model-chapters/free-chapters Also, check out our Empowering Audio Programs™ and join thousands of others achieving outstanding results! https://baldandblonde.live/empower-audios For more resources or to contact us visit our website: https://baldandblonde.live To find a platform to listen on go here: https://linktr.ee/mindsetevolution  Contact Daisy for one-on-one and couples sessions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://selfrecoding.com/services⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact us for workshops in your area and/or online audience. Become an organizer at no cost! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://daisypapp.com/contact⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our podcast is powered by SelfRecoding® www.selfrecoding.com --- Support this podcast: https://podcasters.spotify.com/pod/show/selfrecoding/support

Felicia joins TWiV to discuss her career and her research on human cytomegalovirus, which infects most of us for our entire lives yet mainly causes disease in the immunosuppressed. Hosts: Vincent Racaniello, Alan Dove, and Brianne Barker Guest: Felicia Goodrum Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode •Research assistant position at FDA (pdf) •The loss of binary (Curr Clin Micro Rep) •Virology in Peril (mBio) •Letters read on TWiV 973 •Timestamps by Jolene. Thanks! Weekly Picks Brianne – “Leukocyte” immunology video parody Alan – West Point Removing Confederate Monuments, and Ty Seidule's book on that subject Vincent – The works of Haruki Murakami – South of the Border, West of the Sun; also short stories (First Person Singular, particularly Confessions of a Shinagawa Monkey; and Men Without Women, particularly Drive My Car) Listener Picks Karen – On All Fours: Transient Laborers, the Threat of Movement, and the Aftermath of Disease Kevin – James Hoffmann and Bald and Bankrupt Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

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The Bally-Boo presses on through the hallowed halls of horror into one of its most terrifying rooms, the one whereContinue readingEp. 80: Radio Revue- First Person Singular or ‘Orson V. Dracula: Dawn of Mercury Theater'

In late June 1938, Orson Welles was approached by CBS. He was offered a one-hour, network sustained time slot on Mondays at 9PM. William Paley's concept: A Mercury Theater of the air for a nine-week trial run. Unlike Welles and Houseman's theater productions which had several weeks of rehearsal, the show would begin in just two, on July 11th. Houseman was nervous. He'd never done radio. Welles would direct, narrate, and star. The Mercury theater troupe would support. Bernard Hermann would be musical director and Davidson Taylor supervisor. Welles called the show First Person Singular. A take on Bram Stoker's Dracula was selected for the first episode. Welles and Houseman had total creative control. The premiere set the tone. Over the next nine weeks, listeners heard adaptations of classics like Treasure Island, A Tale of Two Cities, The 39 Steps, The Man Who Was Thursday, The Affairs of Anatole, and The Count of Monte Cristo, for which, Welles simulated the sound of a dungeon by having the actors play their scene from the floor of the CBS restroom. He placed two dynamic microphones against the bases of the toilet seat in order to achieve realistic subterranean reverberations. After September 5th, 1938, CBS renewed the series under a new name: The Mercury Theater of The Air, moving it to Sundays at 8PM, opposite NBC's highest-rated show: Edgar Bergen's Chase and Sanborn Hour. It set the stage for a series of events which would forever alter the course of Orson Welles' life.

This is English Japanese bilingual reading of Haruki Murakami.

Well, we've reached the end of Haruki Murakami's short story collection, First Person Singular. We discuss the final story of the same name and give our overall thoughts on the collection. We also talk a bit about Murakami's writing style and the next Murakami collection we're going to cover for the podcast.

In this episode, we discuss butts! Mainly, we're talking about the next story in Haruki Murakami's First Person Singular short story collection which just so happens to have a poem about the beautiful butts of baseball players. This "story" called The Yakult Swallows Poetry Collection is a biographical piece written by Murakami and deals with his love of baseball and the poetry he wrote at baseball games long ago.

This week we are discussing Haruki Murakami's short story "Carnaval" from his collection "First Person Singular." We go over what it really means to be beautiful, ugly, and talk about classic music. 

We finally touch on some Murakami weirdness with Confessions of a Shinagawa Monkey from Haruki Murakami's short story collection, First Person Singular. In this story, we deal with themes of loneliness and unrequited love, all told from the perspective of an unusually intelligent monkey. 

In this week's Murakami Minute we discuss the next story in Haruki Murakami's short story collection "First Person Singular." We talk more about nostalgia, music, and how music can bring about memories. Also, maybe a little head-smashing with a hammer!

Today we're talking with Tina deBellegarde about short stories, what makes a good short story, and why certain short story writers are so appealing. Tina has been nominated for the Agatha Award for Best First Novel, has a short story published in the Mystery Writers of America anthology called "When a Stranger Comes to Town," and most recently won the USA Prize in the Writers in Kyoto annual story competition.Amy congratulates Tina on her contest-winning entry called "Sound Travels" in the WiK writing competition, and Tina mentions that it can be read on the Writers in Kyoto website. Tina tells how the inspiration for the entry came from the current coronavirus situation which has prevented her (living in the US) from seeing her son, (living in Kyoto), for over a year and a half. Her piece was constructed from telephone conversations with her son amidst the background sounds of Kyoto City as he went about his daily activities.They start the topic of the podcast by highlighting some Japanese short story writers such as Haruki Murakami and Banana Yoshimoto, Hiromi Kawakami, Aoko Matsuda, and Kyoko Nakajima. and foreign writers, including Lafcadio Hearn and, more recently, Rebecca Otowa. Amy also mentions two short story collections from China, one by the well-known author Xu Xu called Bird Talk, and an anthology of flash fiction called The Pearl Jacket and Other Stories: Flash Fiction from Contemporary China  which prompts a discussion on flash fiction, which Tina defines for us and elaborates upon, including the works of Mieko Kawakami.Amy asks Tina who her favorite short story authors are and Tina identifies Haruki Murakami and Banana Yoshimoto as definite favorites. Amy decides to give listeners a bit of a taste of Yoshimoto and how she smoothly transitions into "another world" by reading from the introduction of the story "Newlywed" from the short story collection Lizard. Tina notes in this example that some of the best short stories start from such an encounter, or moment, after which, the world is never the same for the protagonist. Trains are often the scene of stories in Japan, since most people in Japan ride trains all throughout their lives and these movable settings involve a revolving door of different kinds of people who visit familiar places at which events can occur. Murakami does this too, especially as seen in the stories in his latest collection First Person Singular. Tina notes that in this sampling of works many of Murakami's moments are merely moments, without morphing into other worlds (the way many of his novels do).Tina admires Murakami for his adeptness at focusing on "small moments" and how he expands them into stories. She talks about his short story "The Second Bakery Attack," (from The Elephant Vanishes) then moves into "Carnaval" (from First Person Singular) and how Murakami contrasts beautiful and "ugly" women in this story (the latter of whom he envies for their skills in communicating and drawing people into their worlds). Amy mentions Books on Asia's Murakami Podcast and Issue, that lists all his books, including his short story collections and fun Murakami trivia.Tina reflects on the BOA Podcast 7: Richard Lloyd Parry and Ghosts of the Tsunami and how Parry said there were so many stories to tell, that he focused on a few that would stand in for all stories, which Tina identifies, is what a good short story should do: allow the reader to connect to the universality of a story. That's what Murakami does when he takes the reader into the everyday life of his characters, and immerses you, so you can connect to all the parts of their story.The discussion turns to some examples of Murakami encounters such as "With the Beatles," and "Carnaval" (from First Person Singular), “On Seeing the 100 percent Perfect Girl One Beautiful April Morning,” (from The Elephant Vanishes). Tina also mentions Naoya Shiga's story "All the Way to Abashiri" fromThe Paper Door collection that takes place on a train while the character considers the woman sitting across from him with her two small children, and wonders what her life is like, what her husband does for a living, etc.Amy notes that Japanese short stories don't always offer hard and fast conclusions and how the reader is expected to linger over endings and think about the possible endings themselves, given different clues from the author. Tina says Japanese literature is often slice-of-life vignettes, where the story starts in the middle and ends in the middle, with the ending left open.Amy observes that in addition to trains, another place that pops up a lot in Japanese literature as a backdrop is the thrift store. Many have read The Nakano Thrift Shop by Hiromi Kawakami, but there is also a thrift store in Kyoko Nakajima's just released collection Things Remembered and Things Forgotten in a piece called "The Life Story of a Sewing Machine." Amy elaborates on the elements that make this story so satisfying to readers such as herself.Another big topic of Japanese short stories is yōkai, or ghosts. They talk about Aoko Matsuda's recent release Where the Wild Ladies Are and how she re-invents traditional Japanese folktales into modern stories with strong women. Amy is hoping this a trend since the upcoming June release of Yamamba: In Search of the Japanese Mountain Witch also re-imagines the Yamamba as a strong woman rather than the scary old crone she is classically portrayed as.Tina and Amy discover they have two different versions of Where the Wild Ladies Are and they compare the U.K. version against the American edition, the latter of which gives much more background information on the origins of the original stories the works are based on.Amy also cites another hopeful trend: that of foreign writers penning short stories on Japan since they give different insights into Japanese culture than Japanese writers do. Lafcadio Hearn is known for his stories on explaining Japanese culture and ghosts, but writers like Rebecca Otowa, who write stories from the point of view of living and experiencing contemporary Japanese culture from a woman's point of view, in addition to being an outsider, is also important. Tina agrees and says that she read Otowa's At Home in Japan before her visit to Japan, and that Otowa was a clearer conduit for her to learn about Japanese customs. We talk about one story "The Turtle Stone" (from The Mad Kyoto Shoe Swapper) as an example of cultural cues we can glean from reading such stories.Lastly, Tina reveals what her favorite books on Japan are:Kyoto: Seven Paths to the Heart of the City by Diane DurstonKokoro by Natsume SōsekiUntangling My Chopsticks by Victoria Abbot RiccardiThe Books on Asia Podcast is sponsored by Stone Bridge Press, publisher of fine books on Asia for over 30 years. 

We discuss Haruki Murakami's short story, Charlie Parker Plays Bossa Nova, from Murakami's collection First Person Singular. We talk a bit about music and the benefits of writing while listening to certain music. 

We continue our dive into Haruki Murakami's newest short story collection, First Person Singular, and discuss the second story in the collection titled "On A Stone Pillow." In this episode, we talk about memory, nostalgia, and all those forgotten slivers of life that come back to us at the most random of times. 

With this new series, we will be exploring the works of legendary Japanese author, Haruki Murakami. We are starting things off by reading his newest short story collection, First Person Singular. In this episode, we are discussing the first story in the collection called "Cream."

Notes: A few more sleeps till we kick off Seasons 5 (and it'll be our 100th episode too!). So till then, enjoy this throwback to our 7th episode on Murakami's Killing Commendatore. We thought it'd be a good one to indulge in, especially because his latest release, First Person Singular, has hit our shores. Enjoy! |..| In the first show of the new year, Honey and Diana peel back the layers of Murakami's Killing Commendatore. A meditation on art, music and fraught relationships just to name a few themes in this book. Or izit just a rehash of old obsessions. We talk abt book resolutions, getting reacquainted with your bookshelves and going for a more varied reading list for 2019.

Kotaro Watanabe’s performance gently pulls listeners into Murakami’s imaginary worlds. Host Jo Reed and AudioFile’s Alan Minskoff discuss how his flat delivery makes the plot unfold like a morning paper, while the action arrives deliberately. While magic happens in the stories, the characters often seem listless, even as the setting feels surreal. Watanabe maintains the sense of unease and disconnection that pervades this audiobook where magical realism reigns, and he makes sure that each story will linger with the listener. Read the full review of the audiobook on AudioFile’s website. Published by Random House Audio. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from PENGUIN RANDOM HOUSE AUDIO, dedicated to producing top-quality fiction and nonfiction audiobooks written and read by the best in the business. Visit penguinrandomhouseaudio.com/audiofile now to start listening. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 70! Marc gets passionate about "Assassination Vacation" by Sarah Vowell, and Trevor is keeping in contemporary with "First Person Singular" by Haruki Murakami

Phil Vine reviews First Person Singular by Haruki Murakami, published by Penguin Random House.

Phil Vine reviews First Person Singular by Haruki Murakami, published by Penguin Random House.

Language specialist Tiger Webb joins Kate while Cassie is away this week, to discuss Blair James' Bernard and Pat, Patricia Engel's Infinite Country and Haruki Murakami's short story collection First Person Singular - with novelist Ronnie Scott and scholar Dominique Hecq

Í Víðsjá í dag verður meðal annars rætt við Óttarr Proppé, verslunarstjóra Bóksölu stúdenta, um japanska rithöfundinn Haruki Murakami en í gær kom út á ensku hans nýjasta bók, sagnasafnið First Person Singular sem hefur að geyma átta sögur eftir þennan virta og vinsæla höfund. Óttarr Proppé hefur lengi verið dyggur lesandi verka Murakamis, og hann svarar meðal annars spurningunni: Hvers konar höfundur er Harurki Murakami? í Víðsjá í dag. Einnig verður í þættinum fjallað um bandaríska listmálarann Helen Frankenthaler, sem var ein af abstrakt-expressionistunum svokölluðu í listalífi Bandaríkjanna um miðja síðustu öld, en ný ævisaga er komin út um hana. Og Ólafur Teitur Guðnason segir að gefnu tilefni frá því hvernig textar og lög Megasar hafa komið við sögu í lífi hans, bæði í gleði og sorg, en Megas á einmitt afmæli í dag.

Í Víðsjá í dag verður meðal annars rætt við Óttarr Proppé, verslunarstjóra Bóksölu stúdenta, um japanska rithöfundinn Haruki Murakami en í gær kom út á ensku hans nýjasta bók, sagnasafnið First Person Singular sem hefur að geyma átta sögur eftir þennan virta og vinsæla höfund. Óttarr Proppé hefur lengi verið dyggur lesandi verka Murakamis, og hann svarar meðal annars spurningunni: Hvers konar höfundur er Harurki Murakami? í Víðsjá í dag. Einnig verður í þættinum fjallað um bandaríska listmálarann Helen Frankenthaler, sem var ein af abstrakt-expressionistunum svokölluðu í listalífi Bandaríkjanna um miðja síðustu öld, en ný ævisaga er komin út um hana. Og Ólafur Teitur Guðnason segir að gefnu tilefni frá því hvernig textar og lög Megasar hafa komið við sögu í lífi hans, bæði í gleði og sorg, en Megas á einmitt afmæli í dag.

This episode features a short story from the new collection, First Person Singular by Haruki Murakami, translated by Philip Gabriel. The audiobook is read by Kotaro Watanabe.You can find out more about the collection here: http://bit.ly/FPS_HMYou can also find our previous episode, 'Translating Murakami ᛫ Ted Goossen' here – https://bit.ly/3eCj2s5To hear an extract from Norwegian Wood by Haruki Murakami, check out our previous episode here – https://bit.ly/3kK8CYZFollow us on Twitter @vintagebooks ᛫ Sign up to the Vintage newsletter to hear all about our new releases, see exclusive extracts and win prizes: sign up here ᛫ Music is Orbiting A Distant Planet by Quantum Jazz See acast.com/privacy for privacy and opt-out information.

New music is aliiiiiiive this week on Radio Active Kids! New tunes by POCO DROM, LOOPY TUNES Preschool Music, Mr. Richard and the Pound Hounds, ATENCION ATENCION, artichoke, Percy and the Prefects, Charity and the JAMband, Father Goose Music, Claudia Robin Gunn & Music with Michal (plus a secret Little Wild Music track!), Ramon and Jessica, Liz Buchanan Song, Katie’s Corner NYC, Bele Musica Infantil, Mr Mike, First Person SINGular, and probably more! Playlist: https://spinitron.com/WSFM/pl/12660163/Radio-Active-Kids

Rev. Dr. Jon Vieker— Senior Assistant to the President of The Lutheran Church—Missouri Synod, and Dr. Mark Bender— Minister of Music at St. Paul's Lutheran Church in Des Peres, Missouri, join Andy and Sarah to talk about the legacy of the late Dr. Carl Schalk, who died on January 24, 2021. Dr. Vieker and Dr. Bender share stories of learning from Dr. Schalk, his views on church music and the life of the church, and the enormous impact he had on Lutheran church music and musicians. Resources mentioned about Dr. Schalk include: "Carl Schalk: A Life in Song" by Nancy Raabe — cph.org "Thine the Amen: Essays on Lutheran Church Music" — amazon.com "Singing the Church's Song: Essays and Occasional Writing" — fortresspress.com "First Person Singular" — morningstarmusic.com "More First Person Singular" — morningstarmusic.com Read his LCMS Reporter obituary at blogs.lcms.org and a Memoriam CPH Blog post at blog.cph.org.

A conversation with Russ Dean concerning his most recent sermon entitled, "First Person Singular and the Theology of Y'all". Russ is co-pastor at Park Road Baptist Church in Charlotte, NC.

A sermon from Russ Dean at Park Road Baptist Church in Charlotte, NC.

Jessa talks with BD McClay, book critic and beloved frequent guest of the podcast, about year end book lists and the dominance of the first person singular narrative. ---SUBSCRIBE to the #PublicIntellectual #Patreon page to access BONUS CONTENT, EARLY EPISODE RELEASES, SHOW NOTES, MERCH and more: www.Patreon.com/PublicIntellectualPLEASE SUBSCRIBE AND RATE US on Apple Podcasts, Google Play, Stitcher, or wherever you get your podcasts.PUBLIC INTELLECTUAL IS A FOREVER DOG PODCASThttp://foreverdogproductions.com/fdpn/podcasts/public-intellectual/

ACTRESS | DANCER - This week our guest is Georgia Reed. Georgia knew she wanted to make the move from Dancer to Actor when she was rehearsing the technically-challenging role of "Giselle" for the Alexandra Ballet. Rather than being concerned with the physicality of the performance, Georgia was preoccupied with the internal life of her character. She has performed in off-Broadway theater, and independent film roles in New York City. Since moving to the West Coast, she had also landed roles in TV and film. Recent credits include: "Aaron Loves Kendra," "Everything Unspoken." "Absolute Trust," "First Person Singular" and "Santorini Blue" opposite Richard Belzer and Dann Florek from "Law & Order: SVU" Television credits include: "Murder By the Book' (TRU TV), "1000 Ways to Die" (Spike TV), and "CSI: New York" (CBS). Georgia is in two webisode series: "Monday Morning" and "End Of The Line." GEORGIA REED WEBSITE: georgiareed.com

The Mercury Theatre was a theatre company founded in New York City by Orson Welles and John Houseman. They had initial success in the theatre, then went to radio, and one of the most notable radio broadcasts of all time, The War of the Worlds. Welles had already worked extensively in radio drama, playing the Shadow for a year, and directing a seven-part adaptation of Victor Hugo's Les MisÃrables. In 1938, he was offered a chance to direct his own weekly, hour-long radio series, initially called First Person Singular, then The Mercury Theatre on the Air.  Welles insisted his Mercury company--actors and crew--be involved in the radio series. This was an unprecedented and expensive request, especially for one so young as Welles. He won out, however, and went on to produce some of the finest radio drama of any era.

Welles had already worked extensively in radio drama, playing The Shadow for a year, and directing a seven-part adaptation of Victor Hugo's Les MisÃrables. In 1938, he was offered a chance to direct his own weekly, hour-long radio series, initially called First Person Singular (though this title was never announced on air, and the Radio Guide listed the first episode under the banner "Mercury Theatre,") then The Mercury Theatre on the Air. Welles insisted his Mercury company--actors and crew--be involved in the radio series. This was an unprecedented and expensive request, especially for one so young as Welles. He won out, however, and went on to produce some of the finest radio drama of any era. Go To GoDaddy, use the promo code blu19 and save 10%