Podcasts about hitchhiker

Listen to the entire 280 Mysteries archive on our patreon! patreon.com/372pages For once, once, it's a hitchhiker that's hungry and not a damn hippo! Anyway, Conor throws Donald J. Sobel's mystery at Mike and Mike attempts to hit it out of the park. Does he succeed? You'll have to listen.

Jeopardy! recaps from the week of September 22nd, 2025. We finally get to add one to our Hitchhiker's Guide tracker, realize that Maurice Sendak might not have known what horses look like, and Kyle brings us a deep dive on Rome's Servile Wars. Find us on Facebook (Potent Podables). Check out our Patreon (patreon.com/potentpodables). Email us at potentpodablescast@gmail.com. Continue to support social justice movements in your community and our world. https://www.doctorswithoutborders.org/  www.rescue.org  www.therebelsproject.org www.abortionfunds.org  https://wck.org/  https://www.pcrf.net/   https://www.givedirectly.org/ 

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political reporter Dan Jervis-Bardy speaks to executive director of Essential Media Peter Lewis about Australian voters' views on the government's climate action ambition and the immigration debate. Lewis also explains why he thinks The Hitchhiker's Guide to the Galaxy is a perfect analogue of the prime minister's approach to politics in the midst of global instability

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Parashat Ha'Azinu is not merely a poem; it is a shirah — a Divine song. The combination of words and music gives song the power to express simultaneously joy and sorrow, exile and redemption, judgment and compassion. That is why Moshe, on the last day of his life, chooses a song to seal the Torah's message for eternity. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

As always there are spoilers ahead. You can buy the Hitchhiker's Guide to the Galaxy book in most bookshops and you can listen to the radio play on YouTube and also on the Internet Archive.   You can follow the podcast on social media on Threads, Instagram and Bluesky.   If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show and be revered amongst both the G'Gugvuntts and the Vl'Hurgs: https://www.patreon.com/everyscififilm   As mentioned elsewhere this is not an analysis of the film or any kind of review of the book but more like a chat amongst fans of what the story means to us and why.   My amazing guests are very qualified to wax lyrical about the topic at hand.   Michael Newton is a University Lecturer at the Leiden University Centre for the Arts in Society. He is a cultural historian who has written about film amongst many other topics including being the Editor of the book The Origins of Science Fiction.  Mark Steadman creative digital producer, long time podcaster and host of the Beware of the Leopard podcast which explored the A to Z of the Hitchhikers' Guide to the Galaxy. (He also has what I consider the best productivity podcast in the world as it takes into consideration that we are humans with feelings and lives. Undo – How history's outliers got stuff done can be found here.)   Chapters 00:00 Introduction 01:52 When we were first exposed to H2G2 05:01The Late 70s and scifi 06:54 Mental health and the art of Zen 10: 40 Zaphod: Douglas Adams and the Pan Galactic Gargle Blaster 15:31 Arthur Dent and Ford Prefect 19:53 Suburban life and bathos 21:46 Douglas Adams' “first album” 24:41 The broad appeal 28:03 Douglas' delightful detours 32:25 We love Douglas and his thin plot 32:58 No happy ending 36:18 Absurdism 37:31 Sirius Cybernetics Corporation and Silicon Valley 41:29 Gadgetry in H2G2 47:11 Shoutout to the super intelligent colour blue 50:25 Legacy: Tech, atheism, and imagination 54:02 Recommendations for the listener   NEXT EPISODE! In two week's time (if all goes well!) we shall be discussing Panic in the Year Zero (1962) and the appeal of Armageddon. The film is available to buy or rent online in many places in the USA and UK but may be tricky in certain regions.      

In the inaugural episode of Weird Here to Help, guest hosts Steve Berg and Eric Edelstein are confronted with a pair of mysteries involving a stubborn spirit entity and a Japanese hat thief.Sara, 38, Philadelphia is looking for a friend! Think you could be a good match? Submit to the Friendship Game here: https://tinyurl.com/friendforsaraSee images from the episode here: http://www.heretohelppod.com/post/episode-211Want to call in? Email your question to helpfulpod@gmail.com.PATREON: https://patreon.com/heretohelppodMERCH: heretohelppod.comINSTAGRAM: @HereToHelpPodIf you're enjoying the show, make sure to rate We're Here to Help 5-Stars on Apple Podcasts.Visit gemini.google/students to learn more and sign up. Terms apply.Advertise on We're Here to Help via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's Lauren's birthday (well, sort of), and she's diving deep — and hilariously — into what it means to turn 42. Inspired by The Hitchhiker's Guide to the Galaxy, she reflects on motherhood, messy relationships, starting over, reclaiming creativity, and redefining self-worth. This isn't your average “here's what I learned” episode. It's a raw, real, and fiery manifesto for anyone tired of living on autopilot. If you've ever questioned your value, sacrificed too much, or just need a spark to reconnect with your passion — this episode is your wake-up call.  Spoiler alert: the answer isn't in a spreadsheet. It's in how you care for yourself.

Ethan and I are joined by 2023 World's champ Patrick Frazier and patreon Chandon Owens. We talk  about how to get prepared for World's so that you can do well. Patrick also gives us a little incite to his Animal Man figure.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

On this week's Arcade, Chugs and Uno get pummeled in Silksong and also give us a taste of what Borderlands 4 has to offer with a deeper dive coming next week. Then the boys keep the party going with Nintendo's 40th anniversary celebration for Super Mario Bros. featuring a Direct stacked with a ton of new Mario games coming down the pipe, a new Yoshi game, Metroid Prime 4, Fire Emblem, a bunch of Pokémon announcements, and more.And speaking of anniversaries, the boys cap off the show with a little Playstation trivia challenge face off in honor of the PS1's 30th anniversary. 2025 AEW Monumental Authenticated by Upper Deck: https://bit.ly/45wlFGN Learn more about your ad choices. Visit podcastchoices.com/adchoices

As always there are spoilers ahead!   A quick note that I shall be at the London Film Festival on October the 16th giving a whistlestop tour of sci-fi cinema. It is a free event but you have to reserve tickets so if you happen to be in London and wanted to attend here is the information.   Translation for the beginning of the podcast: “Later, he knew he had seen a man die. And sometime after came the destruction of Paris.”   You can follow the podcast on social media on Threads, Instagram and Bluesky.    If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm   La Jetée is very different from the science fiction films I have covered so far. A 28-minute art film mostly made of still images that went on to inspire many films as well as the 1995 12 Monkeys. The filmmaker, Chris Marker was an elusive French multimedia journalist, artist, writer, filmmaker, photographer who very rarely did interviews. He was part of the Left Bank group in Paris which was part of the larger French New Wave movement.   My amazing science fiction authorities today are Lisa Yaszek who is Regents' Professor of Science Fiction Studies at Georgia Tech and has written/edited multiple books on science fiction and Mark Bould who is a professor of Film and Literature at the University of West England, Bristol. He has also written/edited numerous books on science fiction.   Chapters 00:00 Introduction 02:15 The French New Wave 08:50 The New Wave of science fiction literature 13:00 The New Wave science fiction films 17:53 Vertigo's influence 21:10 Eros and Thanatos: Love and death (and time loops) 23:55 A very different science fiction film: Un photo-roman, sound and reliable narrators 32:00 The darker future: gritty retrofuturism and echoes of WWII 36:59 What is real? (And why is it so beautiful?) 40:52 Distressing distortions and more death 46:03 The one moving image 48:33 12 Monkeys 51:47 Legacy of the film 55:30 Recommendations for the listener   NEXT EPISODE! Next episode is episode 42 and it seems patrons on Patreon would like a detour to cover the meaning of life the universe and everything. So we shall be talking about The Hitchhiker's Guide to the Galaxy. You do not need to watch the film but if you felt like reading the book , listening to the original radio play, watching the TV series or indeed watching the film either as a new experience or to refresh your memory you absolutely can!  

The spice that keeps couples married forever In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Resurrection Mary is Chicago's most famous ghost—and one of America's most chilling vanishing hitchhiker legends. For nearly a century, terrified drivers on Archer Avenue have reported picking up a mysterious young woman in white… only for her to vanish near Resurrection Cemetery.In this deep dive, we unravel the true story behind the ghost: a chilling mix of paranormal sightings, tragic deaths, and urban legends that span decades. Who was Resurrection Mary? Was she a real woman—like Mary Bregovy or Anna Norkus—or just a powerful symbol of loss and folklore?With firsthand witness accounts, historical records, eerie media coverage, and theories from leading paranormal researchers, we separate fact from fiction in one of the most enduring ghost stories in America.If you're fascinated by true ghost stories, haunted roads, and real paranormal encounters, this episode delivers.We're telling that story tonight.

One of the things that intrigued me when I became Torah-observant was that I met frum people who were fascinated to know what some of the so-called stars that I had met were like. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

What's the main thing to look for in a marriage partner? In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Learn More About Sarah Keohane Williamson Today At: https://www.fcltglobal.org/    Find Sarah's New Book, The CEO's Guide to the Investment Galaxy: Navigating Markets to Build Great Companies HERE: https://a.co/d/iC48q9k     Sarah Keohane Williamson shifting modern “investment galaxy” and navigating AI-driven disruption, volatile commodity prices, and so much more. Her forthcoming book, THE CEO'S GUIDE TO THE INVESTMENT GALAXY: Navigating Markets to Build Great Companies (Wiley, Sept 23), is “The Hitchhiker's Guide to the Galaxy” for today's capital markets: a sharp, practical, even entertaining roadmap for CEOs navigating high-frequency traders, activists, index funds, and media-fueled volatility.

Butlers, it seems, know everything. They are privy to the goings-on above and below stairs, and, of course, they keep it  - mostly  - to themselves. Agnes van Rhijn's very British butler Bannister has become a show favorite as he manages the downstairs staff and to a certain degree life above stairs as well. Simon Jones, who plays the role of Bannister, is a veteran actor with an astonishingly impressive list of credits from stage, film and television. Jones has played roles in such productions as The Hitchhiker's Guide to the Galaxy, Brideshead Revisited and Downton Abbey.  His past co-stars include Sir Laurence Olivier, Dame Maggie Smith, Angela Lansbury, Lauren Bacall, among so many others.In this special episode, Simon Jones sits with Carl to talk about those roles, and of course that of Bannister on The Gilded Age.  This interview first ran in December of 2023.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Geoff and Marie's Good Life: Part 1My Daughter's PantiesA retired couple disagree about Linda's panties.Based on posts by Only In My Mind, in 15 parts. Listen to the Podcast at Explicit Novels."This must be Thursday," the line from Hitchhiker's Guide To The Galaxy by Douglas Adams kept echoing round in my head. "I never could get the hang of Thursdays."The reason for my bemusement was my wife standing in front of me waving a small pink piece of fabric in my face shouting, "And what do you think of these?"Perhaps this will make more sense with a bit of context. My name is Geoffrey, but you can call me Geoff; I don't think I need to share my surname. I'm an ordinary retired bloke in my mid-sixties looking for peaceful life, as if; I'm 5 foot 10, and average build although my waist has thickened a bit since my days in the rugby club seniors' team. I still keep fit with regular trips to the local pool and walking a few miles every day.My wife is called Marie after her French grandmother. Marie is a couple of months younger than me, also retired and has, as I tease her with, a curvy continental figure. Buxom, would be a good word to describe her. I love her to bits, even though she can go from naught to angry in 2 seconds. Oh, those passionate French. I have to be honest, however, the passions have waned somewhat recently. It isn't that we don't have sex any more, it's just that the periods between intimacy are getting exponentially longer. By my calculation, and yes that's how fulfilling my sex life is, the next attempt is due in six years.We have two adult kids, Pete and Linda, each with decent jobs, their own homes and steady partners. Linda also has a 13 year old son, Colin, from a previous relationship with an idiot. I like Mike, her current boyfriend, he has an actual vocabulary; I think he's a keeper.On this particular Thursday I had dropped my wife off at Linda's house to wait for a delivery of flat pack furniture from a well-known Swedish store, whilst I made a quick trip to a local builders' merchant for some bits and pieces for jobs the kids needed doing at their houses; it being well known that retired fathers have nothing better to do with their time.It only took half an hour or so and I knew that Marie would find something to occupy her; either mowing the lawn, weeding the borders or vacuum cleaning the stair carpet. The woman can't sit still. This Thursday, though, it appeared that Linda had pre-empted her mother, the lawn was manicured, the garden pristine and the whole house shone. My wife, however, does not give up easily and had decided to look in the laundry basket to see if there was anything she could get washed, dried and ironed while we waited for the delivery and I assembled the unit in Colin's room.I let myself into Linda's house and shouted, "It's only me! Where are you?""I'm in here," my wife called back. Now, like most men, I often miss subtle cues but this time I resisted pointing out that if I knew where 'here' was I wouldn't have asked where she was. Why? Because she did not sound pleased at all and I was the only one there to take the fallout.And that's how I found myself standing in Linda's kitchen while my wife waved a scrap of pink fabric in front of me, shouting, "And what do you think of these?""This must be Thursday," I echoed Arthur Dent's thoughts. "I never could get the hang of Thursdays."I realized that my wife was angry but I hadn't been there to actually piss her off. I apparently do have the ability to piss her off in my absence, but I couldn't think of anything I might have done that involved pink fabric. I decided that she may provide further clues if I actually said nothing so I gazed at her blankly and shook my head."Don't you know what these are?" She yelled at me. Ah, a clue; but no. I still have no fucking idea. I shook my head again; it worked the first time."They are crotchless panties!" She hissed, "What do you think of that?" I considered the possibilities. They weren't mine, I didn't think they were Marie's, I thought they were a little large for Colin, but if they were his, then I would encourage him to be who he needed to be, so that left Linda as the most likely owner. I wasn't sure why Marie suddenly wanted to discuss my daughter's, or Colin's, underwear so I stuck to a strategy that had served me well so far, and said nothing. Unfortunately, all good things come to an end and apparently now I was required to actually comment."What do you want me to say?" I asked, genuinely puzzled as to why I would have an opinion on a grown woman's underwear. I mean, I knew my daughter wasn't a virgin; there was Colin as evidence for a start. I also doubted that Mike spent the weekends at Linda's house sleeping on the sofa, so what was the problem?"What sort of woman would wear something like this?" My wife demanded, "What would you say if I wore panties like this?"I don't really know what came over me: I usually have more sense than to say what I actually think. Most men only survive to my age by giving the answers their women want to hear, never what's actually going through our minds."What sort of woman would wear something like this?" I repeated, stepping forwards, my voice rising. "Perhaps a woman who wants to excite her man, perhaps a woman who wants to show him how naughty she can be, perhaps a woman who wears them because SHE likes them, perhaps a woman who wants to feel like she's still woman and not just a mother!" Marie stayed silent as I took another step forwards towards backing away just a little from me. All reason has left me and I knew she'd make me suffer for this but I wasn't about to let my wife belittle my little girl, now a grown woman, for enjoying her boyfriend in ways my wife was denying me."What would I say if you wore panties like that?"I'd say 'Sweetheart, put a short skirt on and that nice cashmere sweater and let's take a walk to the park. Let's walk to the little shelter at the end of the path near the river; the one where you can see anyone walking towards you.'"I'd say 'When we get there I'm going to stand behind you and lift the back of your skirt up and feel your bum, and if you're very good I'll reach right forwards through the slit in your panties and find your soft warm slit inside them and rub you from front to back and back again.'"I'd say, 'I'm going to put my fingers inside you and, when you get thoroughly wet, I'm going to unzip my trousers and put my cock in your hands to get it really hard and then I'll put it through the slit in the panties and into you.'"I'd say, 'I'll press against you as you press yourself back into me and I'm going to fuck you rigid until we both come. And while we're thrusting at each other I'll put my hands under your sweater onto your bra-less tits and tantalize your nipples until you could cut glass with them. I'll squeeze your tits and kiss your neck and thrust and thrust until we both come.'"And then," here I paused, "I'd like to think that I could take you home and do it all over again in the comfort of our bed."By now I was standing directly in front of my wife, not menacing her but waiting for a response. She dropped the panties on the floor and reached up to me and gave me the first passionate kiss we'd had for ages. I lifted my hand and caressed her tit; she moaned into my mouth and; then the bloody doorbell rang.I went to the door trying to think my stiffy down. Fortunately flat-pack furniture has little erotic appeal for me, so the delivery man was not offended. After helping me carry it into the entrance hall he left, mercifully unaware of my recent sexual arousal. I went back to the kitchen to see my wife and, although the moment was lost, she seemed calmer. I asked her to help me upstairs with the package and she told me she'd follow shortly, which she did. She helped me to unpack the unit and set out all of the parts and fittings before she went back down stairs leaving me to do the manly stuff. Marie brought me a cup of tea a while later and we chatted, although she seemed quieter than usual, then she went back downstairs again.These units always seem to take me longer than I think they ought to put together, but eventually I finished and called my wife upstairs to admire my prowess as an assembler of Swedish bedroom furniture. She complimented me profusely, as I deserved, and we both returned to the kitchen. There, while I was busy doing technical, guy stuff upstairs, she had washed, tumble-dried and ironed Linda's laundry and laid it on the kitchen counter. On top of the pile was a pair of neatly ironed pink crotchless panties with a post-it note slipped inside. The note red, "Oh, these look like fun. Love Mum," with a smiley face drawn at the bottom.When we got home, my wife prepared our evening meal, as it had been my turn the day before, and I did some on-line shopping, ensuring that the items would be delivered next day while Marie was out volunteering at the local charity shop.On Saturday I woke up before our alarm went off so I went in the bathroom first to shower and shave. My wife woke up as I returned to our bedroom and wandered off towards the bathroom for her shower showing her cute little bare tush as she went. I finished getting dried and dressed and made the bed, then I went downstairs after shouting through the bathroom door to see what she wanted for breakfast.I took croissants out of the freezer and put the oven on to heat up as I made a cup of tea for each of us and set the table with butter and jam,  apricot, obviously,  for the croissants. As I was putting the tray of pastries into the oven I heard the shower turn off and the sound of Marie's footsteps as she made her way back to the bedroom to get dressed. Less than a minute later I heard a squeal. I had laid some clothes out for her; A pale blue cashmere sweater, a short dark blue skirt in a nice summery material and a pair of French navy blue crotchless panties.There was a note slipped into the panties. It red, "It looks like the weather will be ideal for a walk to the park today, and this seems to be the perfect outfit. Love Geoff," with a smiley face on the bottom.We enjoyed our walk as the weather was ideal; and the outfit was perfect. I think I might have finally got the hang of Thursdays.Watching PornA retired couple find inspiration in porn.I was sat quietly reading when my wife came in from her girls' evening out. When I tell you that my wife and I both retired in our sixties you'll understand that 'girl' refers to gender and attitude, rather than age. Marie, my better half, is a short, voluptuous woman with youthful features, shoulder length brown hair and deep brown eyes to match her tawny skin, a legacy of her Mediterranean French ancestry on her mother's side. I still enjoy looking at her.I am entirely unlike her: An unremarkable man in his mid-sixties, of average height, short hair to compensate for the receding hairline, heavier than I would like but not too overweight and reasonably fit. We recently reconnected sexually after a longish dry spell following an episode I described earlier in a story titled, "My Daughter's Panties""Hello love," I said. "Nice evening?""Oh, yes, I suppose so," she replied distractedly.I looked at her, waiting for some sort of follow up to her unusual lack of enthusiasm and then, none forthcoming, went back to my book. She disappeared upstairs to get changed into her jammies and when she came back down I put my book down and patted my knee. She smiled and crossed the room to sit on my lap. I put my arm around her and asked, "Did something happen tonight? You don't seem upset but something seems to be on your mind."She thought for a moment, then said, "Do you know what 'Only Fans' is? I seem to recognize the name but I can't rember where from.""It's a sort of social media app I've read about in the newspaper," I replied. "But the stories all seem to focus on celebs and wannabe z-listers showing their tits, and more, to paying subscribers to make money. I've no idea if there are less scandalous posts: That wouldn't sell newspapers. Why do you ask?""Well," she began, a little sheepishly. "The girls seem to have noticed that I seem to be a little more," she paused to think of the right word. "; Content the last couple of times we've met up and they wanted to know why, so I told them what happened at Linda's; and afterwards."What happened afterwards was that our sex-life was reinvigorated, something that I, for one, was very happy about. I was a little taken aback that this was a topic of discussion amongst my wife's social group but, fuck it! I was getting laid again; she could shout it from the rooftops and I wouldn't give a shit.I still wasn't sure why two oldies rediscovering their naughty bits would lead to a discussion about Only Fans, so I asked Marie how the topic came up. She explained, "Well, you know we meet early at the Black Swan, before the office workers pile in and leave about seven before the serious piss-artists start getting rowdy?" I nodded to confirm that I was aware of these facts, as this was the standing arrangement for girls' nights the first and third Friday of each month, and had been since she retired."So," she went on. "The girls were really interested in what we did, how often and whether we needed any; accessories to help out because of our age," she saw the look on my face and hastily added. "Of course I told them we managed fine without any sex toys but, I might have let slip about the panties. By now it was getting too noisy to hold a decent conversation when there was six of us around the table but I'm sure one of the girls said that I should get a whole wardrobe of sexy clothes to wear for you and share the pictures and videos of me modelling them on Only Fans.""And did your friends explain why you should take up what is, effectively, borderline sex-work as a hobby?" I asked, rather testily."Not really," she replied. "And by then we were all getting our coats, ready to leave and I never got a chance to ask what she meant." Her voice got softer as she continued, "How rude are the videos? I've never actually seen any real pornography. I think that the dirtiest thing I've seen was Game Of Thrones on TV, with all of those tits, bums and willies on show."I gawped at her. "Christ!" I exclaimed as I tried to think how to compare GOT to what is freely available to view on line. "Imagine," I said. "That there's a sex act you'd like to see: Absolutely anything." She nodded. "As long as you can spell what you want to see, as long as it isn't actually illegal, someone,  in fact lots of someones,  has a video of them doing it, often live, online. Even if it's illegal it's out there, just in places people like us won't go."She gazed at me, eyes wide, "No way! Like, real sex, with stiffies?"How could anyone get to our age and still be that innocent? "Yes dear," I replied. "Stiffies, tongues, fingers, dildos and, in one memorable video I've seen, a car gear shift. That put the next episode of Top Gear in an entirely new light for me.""It's still early," she whispered. "Could you find some to show me?"I helped her up, noticing a bulge in my pants as I did so; she could still do that to me after all these years! I powered up the laptop and opened a private tab. Marie sat back on my lap as I showed her how to find porn on the internet. If you're not familiar with the process, it's about as difficult as finding salt water in the sea. Now I'm not going to share details, but I've a go-to porn site I'm reasonably comfortable with, so I typed in the address and showed Marie the home page. The thumbnail images for the videos-of-the-day were more explicit than anything she'd ever seen in her sixty-plus years."So what do we have to do to see the videos?" She asked, urgently. I told her to press the Play button. She did and watched, entranced, as an entirely unconvincing college nerd came home early to find the pool-guy fucking his pneumatic step-mom; only for the nerd to step in to take over when the pool-guy apparently ran out of semen."Are they all that bad?" She asked. I had to admit that most were. She seemed disappointed that the explicit sex she'd finally just witnessed was so cheesy. I had an idea."Hang on," I said. "I think you might prefer this." I moved the cursor up to the search bar and typed in 'Sensual, Only Fans'. As I expected, there was a lot of dross but in amongst it, two or three links looked promising. I clicked on the first one.After a four second ad featuring an attractive woman fingering herself, I was able to skip to the video. Marie gasped. The still frame showing behind the play button was of a man and a woman, probably in their late twenties, kneeling on a bed facing each other. The man was good looking and well made, but more like a runner than a gym bunny. His cock was erect; big enough to make any woman happy but not so big that the rest of us would give up and go home.The woman was simply gorgeous. She glowed in the atmospheric lighting, as if she'd showered and rubbed herself all over with baby oil; which was probably the case. I could almost imagine I could smell the femininity of her skin. "Fuck!" Marie said, softly. "I wish we looked that good.""You did, Babe," I whispered in her ear as kissed the top of her head. "But those two are forty years younger than us.""Look at her tits! I wish mine looked like that," complained Marie. I pulled against me and caressed her tits."Trust me love," I reassured her. "Your boobs have nothing to be ashamed of."Marie wriggled back onto my lap. "Hit Play," she demanded. "And take notes, there will be a test when I get you upstairs after the video finishes."We watched the couple as they explored each other's bodies with hands, lips and tongues. My wife sat forward and stared intently at the screen as the woman took the guy's cock in her mouth and, apparently inhaled the full length while looking lustfully up at him. She squealed as the guy went down on the woman, licking and sucking her labia with obvious pleasure. She sighed as the guy's tongue disappeared into his lover's cunt and moaned in delight a few minutes later as his cock took the same path.We sat, cuddled together in the chair, as their love-making competed to their apparent satisfaction, the pearly white fluid seeping from the gorgeous woman's equally gorgeous slit as evidence that the guy, at least, reached orgasm. Marie looked at me and said, in a tone of voice that brooked no argument, "We. Have. Got. To. Do. That!"I wasn't about to disagree but I did need some clarity. "Which bit?" I asked. "Do you mean go and have sex, or film ourselves having sex; you know? For your Only Fans site."She looked at me as though I'd gone insane, "No, you fucking idiot! I want to go upstairs, dim the lights, cast that video to the bedroom TV and fuck each other exactly the way that they do, at exactly the same time as they are doing it..", I looked at the time bar on the video: It went from zero to twenty five minutes. I wasn't sure if I could manage to last that long at the best of times, and I'd just had a sexually aroused woman squirming on my lap for at least half an hour while we watched porn!On the other hand; nothing ventured, nothing gained; keep calm and carry on; stiff upper lip and all that: one way or another, I was definitely getting laid tonight!Marie looked thoughtfully at the screen and decided. "Right," she said. "You've got twenty minutes while I shower, dry and moisturize: Try to recreate the atmosphere from the video."I looked at the guy in the video; erection? Sorted; six pack and designer stubble, not in twenty minutes. So instead I swapped out the LED lamps in the bedroom for dimmer, warmer bulbs from table lamps in the other rooms. I set up my phone, tablet and laptop at different vantage points to record our attempt to do a tribute band version of the chart topping performance we'd just watched. I stripped the quilt from the bed and threw it into the spare room. There, the stage was set; I just hoped I didn't get performance anxiety.Marie came back, naked and aroused, from the bathroom. Her skin glowing in the warm honey colored lights around the bed. "You seem overdressed," she pointed out, so I stripped. I already had the video set up on her phone and mirrored to our TV, paused and ready to play. I walked around the bed, setting the devices to record, as she took her place near the center. I joined her and after a glance to be sure she was ready, I pressed Play.It reminded me of dance classes we'd once tried, but we didn't have to keep time to the music and it didn't matter if we were half a step behind. It was magical. We kissed when they kissed; long and slow and languorous. When his hand found her tit, my hand found Marie's. When he rolled his lover's nipples, Marie got the same sensation a few seconds later.When the woman licked the shaft of his cock from balls to tip, mine got the same treatment. Marie had never taken a testicle into her mouth until that night but she sucked mine right in as though she'd been born to it. She sucked me deeper and for longer than she ever had before and the look of pure desire as she watched her saliva dripping down my cock made me shudder with lust.The guy gently pushed his woman onto her back and knelt between her thighs. Marie moaned in anticipation before I even touched her. As I began to lick around her opening she stroked my head. "I'm not fantasizing about him fucking me you know. In my head, that's you and me up there; the way we used to be.""I know," I murmured into her cunt. "She's gorgeous, but you're real and here and all that I need." Marie shuddered as she climaxed for the first time, whether it was my words or my tongue on her clit wasn't important as long as she was happy.I've never had a problem with cunnilingus but I spent longer eating Marie that evening than I ever had before. I licked around her lips and probed deep into her folds before I did more than nudge her clit with my tongue. I carried on watching the guy on the screen, ignoring Marie's pleas to change pace. We had a plan and I was sticking to it. Only when he put one and then two fingers into his lover would I do the same. When he put one hand on her belly with his other hand fingering her cunt, I guessed what he was doing and searched for that little area inside Marie and curled my index finger to stimulate it. She came again; that was twice.He let his partner come down from her climax as he moved up to kiss her, cupping her tits as he did so. I copied him as Marie moaned again. After a few minutes we moved down once more, two fingers inside our women and sucking their clits in tandem: Marie came again; this guy's pacing was good! That's three orgasms for my lover.Eventually we moved back and slid inside our girls. Back and forth we moved as the women gasped with ragged breaths, both sheened with sweat. We pulled out and coaxed the w

What makes a machine human? When does an algorithm become more than just ones and zeros? In this fourth installment of our artificial intelligence in pop culture series, we tackle the profound philosophical questions raised by science fiction's most compelling AI narratives.We begin with Star Trek's Data—the "fully functional" android whose quest to understand humanity mirrors our own questions about consciousness. But our main focus turns to Ridley Scott's masterpiece Blade Runner and its central question: what distinguishes humans from the replicants they've created? We examine how the film's ambiguity about whether Deckard himself is a replicant enriches its exploration of consciousness, memory, and identity.The conversation takes us through Douglas Adams' satirical take on AI in Hitchhiker's Guide to the Galaxy, where a supercomputer spends millions of years calculating the answer to life's ultimate question only to deliver the infamous "42." This absurdist approach highlights our tendency to outsource complex philosophical dilemmas to technology without fully understanding what we're asking.As we consider modern AI development, we question whether the distinction between artificial and human intelligence might be more arbitrary than absolute. Are we, as humans, fundamentally different from the algorithms we create, or are we simply organic computers operating on biological programming? The way we constantly redefine sentience as we learn more about animal intelligence provides a fascinating parallel to how we might one day view artificial consciousness.The episode eventually veers off into a tangent we're famous for as we fan-cast a particular comic book property if it had been adapted to film years before it was.

A story for Elul by Rabbi Yisroel Meir Shushan In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

On this week's episode, Sarah wonders if Kier Starmer's perceived weakness in leadership might have kicked open the door for Nigel Farage to come through? And Peter would like to ask; the hijab, a sign of oppression, or something that as a society should make us think more?Elsewhere, did any government in living memory impress Peter? Don't count on it. Why did Christopher Hitchens once storm out of The Great Lives recording studio and who did our hosts choose to revere when it came to their turn in The Great Lives chair? Plus, is there really a better biscuit then the classic Custard Cream? On our reading, watch and listening list this week: · The Roads To Freedom - Dir: James Cellan Jones· Crooked Cross – Sally Carson· Tales Of The City – Armistead Maupin (Radio 4)· The Hitchhiker's Guide To The Galaxy – Douglas Adams (Radio 4)Please do get in touch, email: alas@mailonline.co.uk, you can leave a comment on Spotify or even send us a voice note on Whatsapp – on 07796 657512, start your message with the word ‘alas'.Presenters: Sarah Vine & Peter HitchensProducer: Philip WildingEditor: Chelsey MooreProduction Manager: Vittoria CecchiniExecutive Producer: Jamie EastA Daily Mail production. Seriously Popular Hosted on Acast. See acast.com/privacy for more information.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

We chat with the hitchhiker that Taryn picked up to get his perspective!

The DMD is here! DALY MIGS DOWNLOAD! We also chat with Taryn's hitchhiker!

The late, great Terence Stamp's death at the age of 87 has left behind an incredible body of work, but what a gamble The Adventures Of Priscilla Queen Of The Desert was. He'd never headlined a comedy, he'd never done a musical, he wasn't keen on Australia - and yet he agreed to sign up for a low budget Australian indie that over three decades later, is still awash with stories. The second half of this episode is handed over to director Jay Roach meanwhile, who talks about his new movie, The Roses. The chat also covers bits of Recount, Meet The Parents, the big film he never made, and even a dab of The Hitch-Hiker's Guide To The Galaxy... Learn more about your ad choices. Visit megaphone.fm/adchoices

This story is crazy. And we think Taryn is even crazier!

The DMD is here! Let's get ready and hit this Monday hard! Plus Taryn picked up a hitchhiker?!

For decades, drivers along Blue Bell Hill near Maidstone, Kent, have reported eerie encounters with a woman who appears by the roadside — only to vanish without a trace. Rooted in a 1965 crash that killed a young bride-to-be, the story has become one of Britain's most enduring phantom hitchhiker legends.OBSCURATA - Apple Spotify AmazonThe BOOKBY US A COFFEEJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links:https://www.assap.ac.uk/articles/detail/blue-bell-hill-phantom-hitch-hikerhttps://www.hauntedrooms.co.uk/bluebell-hill-ghost-kenthttps://brian-haughton.com/ancient-mysteries-articles/blue-bell-hill-ghost/https://www.kentonline.co.uk/maidstone/news/the-true-story-behind-the-ghost-of-blue-bell-hill-214650/https://www.spookyisles.com/blue-bell-hill-haunting/Thanks so much for listening, and we'll catch up with you again on Wednesday.Sarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/;;;SURVEY Hosted on Acast. See acast.com/privacy for more information.

If you grew up in the '60s, '70s, or '80s, you will love StarPodLog!On this historic episode of StarPodLog, we consider science fiction, fantasy, and the pop culture of 1985, while perusing the contents of Starlog magazine in issues 100, 101, and 102!Jarod Clark gives us insight into The Ewoks animated series!Check out the cool things that Jarod and his wife have for sale: https://www.creepsandantiques.com/Rich Hurley, Max Overnighter, and Lou Melograna read the Hitchhiker's Guide to the Galaxy and explore Enemy Mine!Subscribe to Doctor Durant's Santum:https://youtube.com/channel/UCRhm5EdND8m8QJngozkbH-wand join the Mego Like Facebook Group:https://m.facebook.com/groups/533274100662813/Former Starlog magazine editors Daniel Dickholtz and Carr D'Angelo tell us what it was like to work on the epic one hundredth issue!Plus... the movies of 1985 and more on our annual Destination Dragon Con episode of StarPodLog!Check out this book by former Starlog editor Daniel Dickholtz!WAVELENGTHS: Covering Sci Fi in EVERY Reality: Dickholtz, Daniel A: 9798860284395: Amazon.com: Books https://share.google/TuSaGTKYl82HNix1FThe Labor Day weekend phenomenon returns to downtown Atlanta: Dragon Con! Look for us in the program as professional guests!https://www.dragoncon.org/Don't forget to join our StarPodLog Facebook group:https://m.facebook.com/profile.php?id=469912916856743&ref=content_filterLove Starlog magazine?Join the Facebook group:https://m.facebook.com/profile.php?id=303578380105395&ref=content_filterTheme music provided by Checkpoint Charley. Find out more about the band here:https://www.youtube.com/watch?v=HZlXdsnsGJcSubscribe to our YouTube Channel “StarPodLog and StarPodTrek”https://www.youtube.com/channel/UCgE_kNBWqnvTPAQODKZA1UgFind us on Instagram: @StarPodLog Reddit: u/StarPodTrek Visit us on Blogger at https://starpodlogpodcast.blogspot.com/ or iTunes or Spotify or wherever you listen to fine podcasts! If you cannot see the audio controls, listen/download the audio file here Download (right click, save as)

CONNECT WITH JULIE MATTSON:• Website: https://pushinguplilies.com• Facebook: https://www.facebook.com/pushinguplilies

At least 10 young women were found murdered in the 1970s and left in an embankment near Santa Rosa, California. Most girls were last seen hitchhiking or known to hitchhike. The murders are still unsolved today. Tune in to hear the details! Instagram: @caffeinatedcrimespodTwitter: @caffcrimespodEmail: caffeinatedcrimespod@gmail.comFacebook: Caffeinated CrimesSupport the show

When you sign up for a ghost hunt, you expect the occasional flickering light or eerie whisper—but what happens when the equipment goes haywire, the rookie investigator starts looking like a haunted beanbag chair, and you catch a glimpse of something that definitely isn't human clinging to his back? In this chilling (and slightly absurd) attic encounter, seasoned investigator Jill finds herself playing paranormal bodyguard against an entity that refuses to let go. With strange readings, shadowy shapes, and a rescue mission involving an imaginary “force field egg,” this hunt proves some spirits don't just haunt buildings—they pick favorites. If you have a Grave Confession, Call it in 24/7 at 1-888-GHOST-13 (1-888-446-7813) Subscribe to get all of our true ghost stories EVERY DAY! Visit http://www.thegravetalks.com Please support us on Patreon and get access to our AD-FREE ARCHIVE, ADVANCE EPISODES & MORE at http://www.patreon.com/thegravetalks

The final exile of the Jewish People will see Islam and the West in an unholy partnership Our world becomes increasingly hectic and less and less private: Web crawlers and chatbots trawl our lives, our likes, our on-line purchases, our weaknesses, and our politics. One of Judaism's great gifts to the world is hitbodadut, mindful seclusion, being alone with who you are, conversing with your soul and being in touch with yourself. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

The Torah isn't just knowledge - it's G-d's love letter to the world. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Neurotic, anxious robots like C-3P0 from Star Wars' C-3P0 and Marvin from The Hitchhiker's Guide to the Galaxy are a staple of science fiction — but they're not as common in the real world. Most of the time, the chatbots and artificial intelligence "robots" we encounter are programmed to be extraverted, confident and cheerful. But what if that changed?NPR science correspondent Nell Greenfieldboyce dives into the world of robot personality research and talks to a team of researchers that are experimenting with a very different kind of robot temperament.Read more of Nell's reporting on the topic here.Interested in more science news? Let us know at shortwave@npr.org. Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.Love podcasts? For handpicked recommendations every Friday, subscribe to NPR's Pod Club.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Nev Fountain is an award-winning writer, chiefly known for his work on the BBC sketch show Dead Ringers in both TV and radio incarnations. He has also contributed to many other programs, including Have I Got News for You and Newzoids. He is a principal gag writer for satirical magazine Private Eye and contributes to every issue. He first came to write for Doctor Who when he script-edited the BBC online story "Death Comes to Time" in 2001, and has gone on to write some of Big Finish's most popular audios, including "The Kingmaker" and "Peri and the Piscon Paradox." His books include The Mervyn Stone Mysteries, The Fan Who Knew too Much, and its sequel, Lies and Dolls, which was released in July. Nev talks with me about how he got his start writing radio comedy, the challenges of writing comedy even about very serious events, writing for various forms and media, leaving room to be surprised as you're writing, and more. Episode breakdown: 00:00 Introduction 04:02 Teachers encouraged Nev; family humor shaped his view. 08:21 Comedy influences: The Young Ones, Blackadder, Hitchhiker's Guide. 12:27 Breaking into radio comedy. 16:03 Playwriting taught Nev what makes audiences laugh—live. 20:22 Writing comedy about tragic events; satire offers relief and perspective. 24:23 Dead Ringers' hiatus, revival, and Jon Culshaw's Tom Baker calls. 28:47 Sketches with Ozzy Osbourne, behind-the-scenes stories from TV comedy. 33:46 Nev's serendipitous first Doctor Who project, "Death Comes to Time." 39:23 The process and impact of "Death Comes to Time" explained. 46:31 Challenges and expectations of writing “big” stories in franchises. 52:18 Emphasizing medium-specific storytelling; novels, radio, TV all differ. 58:14 Enjoying creative surprises; writing unfolds beyond outlines or plans. Want more? Here are handy playlists with all my previous interviews with guests in writing, theatre, and Doctor Who.   If you enjoyed our conversation, I hope you'll share it with a friend. Check out the full show notes--with videos of Nev's work and links to his books—at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you're tired of waiting for “someday”—which is NOT a day of the week—to get unstuck and step toward your creative dream, we should talk. Https://fyc.quest/Contact        

...to a shallow grave?

This week Jack and David visit their friends at Re-Imagined Radio for their Women's History Month, women in radio, and specifically Lucille Fletcher, one of our favourite writers of all time and RR picks the cream of the crop reprising a double feature of "The Hitch-Hiker" and "Sorry, Wrong Number"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Suspense | The Hitchhiker | 1942-09-02: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Andrew Heaton is a comedian, political commentator, author, and political orphan best known for his skits on ReasonTV. I've had the pleasure of knowing Andrew for many years and traveling in similar media circles. We both love to chat and interview people, and so when I saw he'd joined Substack, I knew we'd have to do something together. Both Heaton and I love to talk about fantasy and sci-fi, so we cover great fiction that has inspired Andrew's worldview, and we get into the weeds of Andrew's atheism and roots in Eastern Orthodoxy. Geeky Stoics is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.What to expect (Pretty decent AI summary)* Good, evil, and C.S. Lewis. Kent and Heaton, with Lewis's idea that evil is merely “a corruption of good,” and use A Clockwork Orange to probe whether pure malice can really exist.* Demonic dread in a secular mind. Despite skepticism, Kent and Heaton admit demonic possession (and even Ouija boards) still terrifies them—evidence that ancient spiritual anxieties survive modern disbelief.* Wealth and the eye of the needle. Heaton asks whether our unprecedented creature comforts, more than raw income, blunt any sense that we need transcendence, and discusses Jesus' warning about riches.* Eco-Calvinism. Heaton argues parts of today's environmentalism act like a new religion—humanity as fallen, Earth as sacred, redemption through self-denial—echoing Joseph Campbell's predicted “eco-myth”.* Stories that shape a worldview. Heaton shares how Douglas Adams' Hitchhiker's Guide taught him the power of shifting perspective; Star Trek and Madeline Miller's Circe reveal why being mortal trumps immortality * Love beyond belief. Leaving the church didn't sever bonds for Andrew Heaton—his old church still checks on him and offers help, showing religion's unmatched knack for forging lasting “kinship networks”.If you want to join up with the Political Orphanage and Andrew Heaton…. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.geekystoics.com/subscribe

Dan begins with a story is about a woman who is dealing with a family tragedy and the paranormal. Her brother is seemingly unaware, which may make it worse.  Then, in Pennsylvania the haunted lore associated with Brownsville's Nemacolin Castle brings forth an interesting haunted house tale.Lynze brings us three stories this week. Her first takes us to Idaho Falls, a long and dark drive that includes an unwanted passenger. Then, a woman declares she is no Darren but also won't be moving despite seeing her daughter and her not-daughter in her home. Lastly, a creepy mirror hung in an Air BnB has a group of friends on edge. STDP Fan Stories Book #6: CREEPS AND PEEPERS! IF YOU CAN EVEN BELIEVE IT, WE ARE READY TO START TALKING ABOUT BOOK #6. FIRST OF ALL, THANK YOU FOR YOUR CONTINUED LOVE AND SUPPORT OVER THESE PAST 6 YEARS. IT FEELS IMPOSSIBLE TO US THAT WE HAVE BEEN DOING THIS FOR THAT LONG! IN A WORLD WITH SO MUCH CONTENT TO CHOOSE FROM, WE REMAIN HUMBLED BY YOUR SUPPORT.LAST YEAR, WE HEARD WHEN YOU SAID THERE WAS TOO MUCH TIME BETWEEN THE PRE-SALE AND THE ACTUAL DELIVERY OF THE BOOK. WE ALSO HEARD WHEN YOU SAID THERE WERE TOO MANY WEEKS OF ANNOUNCEMENTS BEFORE THE PRE SALE HAPPENED. NO WORRIES! WE THINK WE HAVE A BETTER SYSTEM THIS YEAR!WE ARE DOING A LIMITED RUN OF 1,500 AUTOGRAPHED BOOKS- SAME AS LAST YEAR!500 BOOKS WILL GO ON SALE JUST FOR ANNABELLE'S ON TUESDAY, AUGUST 19TH AT 12 NOON PT/3 PM ET.THE REMAINING 1,000 BOOKS WILL GO ON SALE  WEDNESDAY, AUGUST 20TH, FOR ANYONE WHO WANTS ONE AT 12 NOON PT/3 PM ET.ALL BOOKS ARE PRE SALE AND WILL BE SHIPPED OUT TO YOU AS SOON AS THEY ARE READY. WE CAN GUARANTEE YOU WILL HAVE YOUR BOOKS ON OR BEFORE HALLOWEEN! YAY! ALL BOOKS WILL BE PURCHASED ON OUR MERCH WEBSITE, BADMAGICPRODUCTIONS.COMWant to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast.Send stories to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comPlease rate, review, and subscribe anywhere you listen.Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TTWebsite: https://www.badmagicproductions.com/Facebook: https://www.facebook.com/scaredtodeathpodcastInstagram: https://bit.ly/2miPLf5Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Opening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH." Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

With his phenomenal debut memoir, FRIGHTEN THE HORSES (Roxane Gay Books/Grove Atlantic), Oliver Radclyffe takes us on a journey into trans-selfhood. We talk about the gap between a trans narrator and a cis-het reader, the importance of trans visibility, how his understanding of masculinity and being male have changed, and how he faced down the risks and sacrifices in his life as he transitioned, despite the uncertainty of what lay ahead. We get into how he found the perfect voice for his memoir, the importance of The Hitchhiker's Guide To The Galaxy on his writing process, his life-defining moment of seeing Justin Vivian Bond, why being raised in privilege explained why he knew so little about the queer world, the surprisingly wonderful support his (conservative Christian) parents gave him throughout his journey, and why the book focuses on his pre-transition life. We also discuss whether he looks at photos of his pre-transition self, how testosterone has affected his life, how gender can shift with age, how the joy of publishing his first book has transformed him (and how he hopes it leads to a long mid-to-late-life writing career), whether he's ready to be an empty-nester, what it means to find validation through performance and defining oneself through relationships, why he identifies as a gender-irrelevant transsexual, and a lot more. Follow Oliver on Instagram and Bluesky and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

For Patreon subscriber Jeremy Yoder! Fact of the Day: People can actually understand spoken words and respond even while they're asleep, across almost all sleep stages. Triple Connections: Divorcees, Treasure Maps, Roman Numerals THE FIRST TRIVIA QUESTION STARTS AT 01:17 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.com http://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Mollie Dominic Vernon Heagy Brian Clough Nathalie Avelar Natasha raina leslie gerhardt Skilletbrew Bringeka Brooks Martin Yves Bouyssounouse Sam Diane White Youngblood Evan Lemons Trophy Husband Trivia Rye Josloff Lynnette Keel Nathan Stenstrom Lillian Campbell Jerry Loven Ansley Bennett Gee Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan  Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles  Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel

We're sharing a preview of a new audiobook, Douglas Adams: The Ends of the Earth, which celebrates the wit and wisdom of the legendary science fiction author of The Hitchhiker's Guide to the Galaxy and Dirk Gently's Holistic Detective Agency. Douglas Adams was someone who thought deeply about the biggest problems in the world, from the internet, to artificial intelligence, to space exploration, politics, and conservation—he was a sharp critic and a profoundly disruptive thinker of the way we do things. Written and narrated by Arvind Ethan David, Adams' former protégé, this one-of-a-kind audiobook includes rare archival material from the Adams Estate, interviews with Adams' personal friends like Griff Rhys Jones and David Baddiel, and reenactments of his work to form an immersive journey through the mind of one of the most visionary writers of our time. Get Douglas Adams: The Ends of the Earth now at Audible, Spotify, pushkin.fm/audiobooks, or wherever audiobooks are sold. Learn about your ad choices: dovetail.prx.org/ad-choices

In the 1970s, at least seven young women and girls go missing around Santa Rosa, California. Seven are found dead, and one remains unidentified. Several killers, including the Zodiac and Ted Bundy, were known to commit crimes in Northern California. Could one of them be responsible for the unsolved Santa Rosa Hitchhiker Murders, or is there yet another serial killer waiting to be identified? Keep up with us on Instagram @serialkillerspodcast! Learn more about your ad choices. Visit podcastchoices.com/adchoices