Podcasts about blue bloods

Chris Riggins hits the NNFA turtle lair to do a deep dive into Halloween madness, the viral “Studstitute” clips, and Dave's controversial decision to stop speaking Spanish

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 10 slate. The duo discusses the major UAC matchup between No. 2 Tarleton State and No. 24 Abilene Christian, a huge Ivy League battle between No. 12 Harvard and Dartmouth, along with a Top 25 MVFC clash between No. 1 North Dakota State and No. 18 Youngstown State. We also make our “Superdog” upset picks of the week and preview multiple other key Week 10 matchups. All this and more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 9. The duo discusses North Dakota State's dominant victory over South Dakota State in the Dakota Marker, Montana's statement win against Sacramento State, Jackson State's upset loss to Grambling State in Las Vegas, the debate about which teams belong to be ranked in the Top 3, and Presbyterian's undefeated season coming to an end. The two also break down the current FCS Playoff picture after Week 9, highlighting potential bubble teams and what each team needs to do to secure their spot in the field. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we've got Petey DeAbreu in the turtle lair for the first time! MLK is AI, America is protesting and Dave confesses who was hanging in his grandmother's kitchen. We also take a look at Sabrina Carpenter's Espresso lyrics and watch Trump's wild interview clips — this episode is packed with chaos, comedy, and splendiferous laughs!LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ BONUS EPISODES https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow Petey DeAbreuIG - https://www.instagram.com/peteydeabreu/ Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Produced by Teona SashaIG https://www.instagram.com/teonasasha/TikTok https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Two very proud programs who are among the Blue Bloods of HBCU football meet up in what many prior to the beginning of the season thought would be a game which would determine who the SWAC champion may be. Instead we are faced with a loser leaving town sure they will be in rebuild mode for the next 9-10 months. While this has taken place we find ourselves looking for FAMU basketball to give us some hope with the revitalization of a city classic and other sports around campus warming up at the right time.The Rattlers and the Jaguars will meet in the Bayou which right now feels a bit more like a swamp. Fangs Up!#FangsUp #FAMU #HBCU #HBCUdigital

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 9 slate. The duo discusses the FCS Game of the Year between No. 1 North Dakota State and No. 2 South Dakota State in the Dakota Marker. They also preview a huge Big Sky battle between No. 4 Montana and Sacramento State, as well as another big MVFC matchup featuring No. 18 Illinois State and No. 21 South Dakota. We also make our “Superdog” upset picks of the week and preview multiple other key Week 9 matchups. All this and more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The FCS CheckDown Podcast is the go-to show for fans of Football Championship Subdivision (FCS) college football. Hosted by veteran sports broadcasters Nathan McCreary and Brandon Joseph, along with former Western Kentucky player and football aficionado Coach Ron Jackson, the podcast dives deep into everything happening across the FCS landscape.Each episode features in-depth discussions, game analysis, and exclusive interviews with standout players and coaches from around the nation. The hosts bring a mix of professional insight, on-field experience, and authentic passion for the game that connects with both hardcore fans and newcomers alike.From live broadcasts and weekly previews to interactive fan segments, FCS CheckDown keeps listeners plugged into the heart of college football's most competitive division. Whether it's breaking down the latest upsets or highlighting under-the-radar programs, the FCS CheckDown Podcast celebrates the teams, players, and traditions that make FCS football special.

#acting #LynneJebens #NewYorkOne of the most important goals in this podcast is to have some kind of eclecticism, variety or diversity in the kind of artistic and cultural matters we try and cover. Lynne Jebens' episode certainly is a paramount example of this. Going into this episode, the first with a talent agent on our sows I had no idea we would be discussing being on the road with a Southern Rock band, the musical stylings of Bix Beiderbick, and the Joseph Mankiewicz masterpiece All About Eve all in the same episode! But this is an inevitability when you spend anytime at all with Lynne Jebens. With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode. Lynne's BioAn agent for over 30 years who was a former actor and director, Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (Film, TV and Theater) as well as commercials.Recent or Upcoming Broadway/Tours: & Juliet, A Beautiful Noise, Ain't Too Proud, Aladdin, Annie, Back to the Future, Beauty and the Beast, Beetlejuice, The Book of Mormon, Boop!, Cabaret, Chicago, Clue, Come From Away, Dolly, Floyd Collins, Funny Girl, The Great Gatsby, Hadestown, Hamilton, Harry Potter and the Cursed Child, Hell's Kitchen, Les Misérables, Life of Pi, The Lost Boys, Mean Girls, MJ, Moulin Rouge, Mrs. Doubtfire, The Notebook, The Outsiders, Peter Pan, Pirates: The Penzance Musical, Redwood, Shucked, Six, Smash, Some Like it Hot, Wicked, The Wiz.Recent Film/TV: American Horror Story, And Just Like That, Beth and Don, The Blacklist, Black Panther: Wakanda Forever, Blue Bloods, Brass Tactics, Bull, Chicago Med, Christmas With You, City on a Hill, Daredevil: Born Again, Dear Edward, Dexter: Resurrection, The Devil Wears Prada 2, Eleanor the Great, Elsbeth, The Endgame, The Equalizer, Etoile, Ever's Blueberry, Evil, FBI, Feud: Capote and the Women, The Friend, Full Circle, Genie, The Gilded Age, The Girls on the Bus, Godfather of Harlem, The Good Fight, Goosebumps: The Vanishing, Gossip Girl, Happy Gilmore 2, The History of Sound, The Holdovers, Hondo, Imaginary Friends, Jigsaw, Kaleidoscope, The Knowing, Law & Order (all of them), Let the Right One In, Manifest, The Marvelous Mrs. Maisel, New Amsterdam, Notice to Quit, Only Murders in the Building, The Other Two, Poker Face, Power: Raising Kanan, Queens of Christmas, Random Acts of Flyness, Servant, Severance, The Sex Lives of College Girls, Succession, Summer of 69, The Watcher, Your Friends & Neighbors and Zero Day.Besides Broadway and Tour, this office also books clients in numerous NY and Off-Broadway shows and every AEA regional theatre in the country.A truly caring agent who LOVES her actors.With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode.Links to wonderful interviews on Lynne's works: https://www.nycastings.com/being-professional-and-prepared-an-interview-with-talent-agent-lynne-jebens/

Blue Bloods is dead, but its spirit lives on (along with however many actors don't have anything better to do) in Boston Blue, CBS's new Beantown-set spinoff. How authentic is it to the Boston a Bostonian would know? Boston's own Margaret H. Willison returns to talk about it. Around The Dial takes us through Downey Wrote That, The Good Wife, The Good Fight, Love Is Blind, and Task. Never Not Mike pitches the Mad Men episode "The Suitcase" for induction into The Canon -- because no, it wasn't in there already, and we were surprised about that too. Then, after naming the week's Winner and Loser, it's on to a Game Time that only has a little bit to say. Park yourself at the Green Monster and join us! GUESTS

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 8. The duo discusses North Dakota's Top 15 win over Southern Illinois, Youngstown State's upset win over Illinois State, the concern about Chase Mason's injury, Tarleton State's dominance against West Georgia, and Abilene Christian's collapse against Southern Utah. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

We've got Dante Nero in the turtle lair this week! We talkin' gym culture, stolen credit cards, wild halftime show history, and why some guys just can't say no. From shirtless workouts in the rain to AI remixes and Tubi games, this episode is packed with chaos, comedy, and the truth only NNFA can deliver.Visit https://prizepicks.onelink.me/LME0/NNFA and use code NNFA and get $50 in lineups when you play your first $5 lineup!LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ BONUS EPISODES https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow Dante NeroIG - https://www.instagram.com/thedantenero/ TikTok - https://www.tiktok.com/@dantenerothecomedian https://www.youtube.com/@ManSchool202 Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Produced by Teona SashaIG https://www.instagram.com/teonasasha/TikTok https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Notes S6E36 Join us as we get down and dirty with Actor Jeremy Holm. H'll be in the house talking about House of Cards to Redux Redux and much more. Jeremy Holm is best known for portraying 'Nathan Green' on the Golden Globe© nominated Netflix series "House of Cards" and as 'Mr. Sutherland' on the Golden Globe© winning USA series "Mr. Robot," as well as the title role in the horror favorite The Ranger. Jeremy was raised in the Rocky Mountains where he received a B.A. from Colorado State University, and later earned an M.F.A from the University of Wisconsin, Milwaukee. Since then, he has performed onstage at BAM, Cherry Lane Theatre and Mint Theatre in New York City, internationally at The Shanghai Theatre Center in China, and in major regional houses like Arena Stage, Milwaukee Repertory Theatre, Clarence Brown Theatre, Repertory Theatre of St. Louis and The Cleveland Play House to name a few. He has appeared on multiple television shows including "The Good Fight" (CBS All Access), "Prodigal Son" (FOX), "Madam Secretary" (CBS), "The Code" (CBS), "Deception" (ABC), "Blue Bloods" (CBS), "Limitless" (CBS) "The Blacklist" (NBC) "Unforgettable" (CBS), "Happyish" (Showtime), "The Americans" (FX), "American Odyssey" (NBC), "Law & Order" (NBC), and five seasons of "Primetime: What Would You Do?" (ABC). His feature film, The Judge, is available on Blu-Ray and features an all-star cast including Robert Downey, Jr., Robert Duvall, Vera Farmiga, Billy Bob Thornton and others. known for The Ranger (dir. Jenn Wexler) Brooklyn 45 (dir. Ted Geoghegan) and Redux Redux (dir. Kevin McManus & Matthew McManus) VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://www.jeremyholm.com/biography https://www.imdb.com/name/nm3124435/ https://www.facebook.com/ActorJeremyH/ Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: Jeremy also appears in numerous other feature films including HERD (dir. Steven Pierce), Blackout (dir. Larry Fessenden), Black Mold (dir. John Pata), Among the Beasts (dir. Matthew Newton), Still Here (dir. Vlad Feier), The Block Island Sound (dir. Kevin McManus & Matthew McManus), and Don't Look Back (dir. Jeffrey Reddick). Proud Member of SAG-AFTRA and AEA. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/16d7349c-7e15-48a1-b613-8366af207492

Ace Frehley, the founding lead guitarist of KISS, has passed away at 74-years old. How well do you know the members of the band? Bob finally showed up, and she brought a Friday treat! People are coming out of the woodwork looking for Billy Idol tickets. The atmospheric river is roaring toward us. Be aware of the No Kings protests this weekend. Aaron Rodgers just isn't who he used to be. The 49ers play Sunday Night Football this week. California again dominates the Great American Beer Festival. Divorce doesn't always stick - here are the stats.Charlie Sheen is in a new relationship, and he's reportedly smitten and healthy. Sarah and Vinnie hope it's true! ‘Good Fortune' starring Keanu Reeves, Aziz Ansari, and Seth Rogen is out today! Keanu Reeves reflects on his classic Hollywood moment. ‘The Black Phone 2' is out this weekend! Make sure you catch up on the first one for Bob's movie club before you check out the sequel! A Boston set ‘Blue Bloods' spinoff starring Donnie Wahlberg premiers today. Did the scandal with Keith Urban get guitarist Maggie Baugh fired? Nerd Alert: Farmers now use GPS to create their corn mazes. In health news: Ozempic might help reduce the effects of alcohol, and universal kidney donations are in the works. It's hard to NOT talk to AI chat bots like humans. Online dating might not have a stigma anymore, but that doesn't make it easy. Looking for a haunted house in the Bay? We've got you covered! It's the most wonderful time of the year: Hallmark and Lifetime holiday movie season. Kevin Federline gets a six-figure offer from OnlyFans. What's your price? National Pasta Day! As if we needed another reason to enjoy noodles. Sarah gets a chance to show off her Russian accent. Vinnie is reporting on travel trends, and they will definitely surprise you. Brigitte Bardot has been hospitalized. A man is going viral discussing why he has bought all 27 Taylor Swift album variants. Not everyone wants Travis Kelce's signature. As quickly as Halloween candy gets eaten, Karens continue to show themselves. Introducing: Milwaukee Karen. Vinnie says the atmospheric river is on the way, but it sounds like it's already here! Plus, we loved the Lifetime movie game so much we are playing it again!

Charlie Sheen is in a new relationship, and he's reportedly smitten and healthy. Sarah and Vinnie hope it's true! ‘Good Fortune' starring Keanu Reeves, Aziz Ansari, and Seth Rogen is out today! Keanu Reeves reflects on his classic Hollywood moment. ‘The Black Phone 2' is out this weekend! Make sure you catch up on the first one for Bob's movie club before you check out the sequel! A Boston set ‘Blue Bloods' spinoff starring Donnie Wahlberg premiers today. Did the scandal with Keith Urban get guitarist Maggie Baugh fired? It's going to be a beautiful weekend in the Bay - enjoy it while it lasts. The Kaiser strike continues - as does the Dreamforce traffic. Nerd Alert: Farmers now use GPS to create their corn mazes. In health news: Ozempic might help reduce the effects of alcohol, and universal kidney donations are in the works. It's hard to NOT talk to AI chat bots like humans. Online dating might not have a stigma anymore, but that doesn't make it easy. Looking for a haunted house in the Bay? We've got you covered!

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 8 slate. The duo discusses the massive Top 25 MVFC matchup between No. 9 North Dakota and No. 12 Southern Illinois, as well as a major OVC-Big South clash between No. 8 Tennessee Tech and Lindenwood. They also offer their thoughts on the FCS Playoff committee's Top 10 rankings, which were released on Wednesday. We also make our “Superdog” upset picks of the week and preview multiple other key Week 7 matchups. All this and more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Israeli Prime Minister Benjamin Netanyah speaks with "CBS Mornings" co-host Tony Dokoupil about whether peace can last in the region amid the fragile ceasefire in Gaza, saying, "we agreed to … give peace a chance." He also speaks in the exclusive interview about his views on a two-state solution. Health officials have confirmed 16 measles cases in South Carolina since July, and dozens of students are quarantining at home amid growing concern about the outbreak. CBS News' Cristian Benavides reports. Cody Balmer pleaded guilty to attempted murder, aggravated arson, and terrorism after breaking into Gov. Josh Shapiro's residence, setting fires inside, and coming dangerously close to the rooms where Shapiro and his family slept. Former fashion editors Laura Brown and Kristina O'Neill, who led "InStyle" and "The Wall Street Journal" Magazine, share lessons from their new book "All the Cool Girls Get Fired." Featuring stories from Oprah Winfrey and Jamie Lee Curtis, the book explores how to rebuild confidence, embrace reinvention, and come back stronger after being let go. Acclaimed author Michael Lewis, known for "The Big Short" and "Moneyball," returns to the story that exposed the 2008 financial crisis. For the first time, he narrates "The Big Short" in an audiobook, offering a fresh perspective on the people and greed that fueled the housing market collapse. In the new CBS series "Boston Blue," Donnie Wahlberg's Detective Danny Reagan transfers from New York to Boston, where he partners with Detective Lena Silver, played by Sonequa Martin-Green. The spinoff expands on the world of "Blue Bloods" with a fresh setting and dynamic new duo. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

(00:00-14:26) Ed Herman in studio talking MLB playoffs. Itchy trigger fingers on managers in the playoffs. Breaking down the bizarre play in the NLCS. What do you got Brody? Ed's reading the YouTube chat again. Inviting haters to lunch. Hate Summit.(14:34-26:47) Doug just felt like dancing. Happy birthday, Usher. Topless roller skating. Alicia Keys & Swizz Beats. Yeah, what up with that? Hair like a frayed rope. Jackson wants A&M and Arkansas on Friday night this week. Keep up, Sharon. B12 has Jackson feeling sexy and confident and I'm here for it. It's a soft gel. The Hot Seat Pod.(26:57-45:03) Grading Jackson's Sportscenter Update. Audio of Lane Kiffin taking a shot at Kirby Smart's calorie burn. No media chuckle for Lane. Kirby is zaftig. Joe Lunardi's latest bwacketology. Missouri taking on USC in Oklahoma City. Illinois vs. High Point with Liberty looming. Coaching from a hospital bed. Doug wants the fans to be comfortable. Jackson's an aesthetics guy. The origin of Blue Bloods. Doug raw dogs chicken nuggets.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The actor who portrayed NYPD detective Danny Reagan in the long-running CBS police procedural "Blue Bloods" now stars in the spinoff series "Boston Blue," in which his character patrols the streets of Boston. Donnie Wahlberg talks to Mo Rocca about continuing the franchise. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 7. The duo discusses North Dakota State's Top 10 win over Southern Illinois, Jackson State taking control of the SWAC race with a win over Alabama State, Northern Colorado's stunning upset win over Idaho, North Dakota's statement win over Youngstown State, UC Davis' Top 25 victory over Northern Arizona, and Western Carolina's dominant win against Furman. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hosted by Jane Pauley. Featured: America's spirit of innovation; Jeremy Allen White, starring as The Boss in “Springsteen: Deliver Me From Nowhere”; Donnie Wahlberg, returning in the “Blue Bloods” spinoff “Boston Blue”; Katheryn Bigelow on her new nuclear thriller “A House of Dynamite”; former Justice Anthony Kennedy on the Supreme Court today; and “Simpsons” creator Matt Groening. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on NNFA Podcast we've got Jessica Levin, a self-proclaimed lover of ugly dudes, hip-hop, and jam bands. Jessica shares her wild comedy origin story — from driving guys with ankle bracelets across state lines to working in fancy restaurants full of chaos. Dave confesses his apology of the week, Derek refuses to apologize at all, and the crew breaks down everything from Diddy's downfall to cybersecurity classes, GTA 6 hype, and the weird Gen Z stare. It's raw, hilarious, and as always, splendiferous!LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ BONUS EPISODES https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Jessica LevinIG - https://www.instagram.com/jlevcomedy/ Produced by Teona SashaIG https://www.instagram.com/teonasasha/TikTok https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 7 slate. The duo discusses the massive Top 10 MVFC matchup between No. 1 North Dakota State and No. 8 Southern Illinois, as well as a major Big Sky clash between No. 1 North Dakota State and No. 6 Illinois State. They also preview a Top 25 UAC matchup between No. 6 UC Davis and No. 14 Northern Arizona, as well as an intriguing matchup featuring No. 21 West Georgia against No. 19 Abilene Christian. We also make our “Superdog” upset picks of the week and preview multiple other key Week 7 matchups. All this and more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central take a way-too-early look at the current FCS Playoff picture before Week 7. The duo discusses which teams could be on the bubble in each conference, whether the Big Sky and MVFC have a path to receive six at-large bids, potential chaos scenarios, whether the Ivy League deserves multiple bids, and how the Southland could potentially secure multiple at-large bids. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 6. The duo discusses North Dakota State's Top 10 win over Illinois State, South Dakota State's road victory over Youngstown State, Montana State's impressive defensive performance against Northern Arizona, and Austin Peay ending West Georgia's undefeated season. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Go to https://www.HelloFresh.com/REJECTS10FM now to Get 10 Free Meals + a Free Item per box for Life with an active subscription! Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With 3 Seasons down & Dexter: Resurrection still garnering rave reviews, John & Andrew are BACK to continue their Dexter Season 3 Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Andrew Gordon & John Humphrey dive into Dexter Season 4 Episodes 1–4 in this Reaction, Review, Commentary, Analysis, and Breakdown of Showtime's hit psychological crime thriller. The series follows Dexter Morgan (Michael C. Hall – Six Feet Under, Gamer), a blood-spatter analyst for Miami Metro Police who moonlights as a vigilante serial killer. In Season 4, Dexter faces his most dangerous adversary yet: Arthur Mitchell, aka the Trinity Killer (John Lithgow – The Crown, Third Rock from the Sun), a chilling family man hiding his monstrous crimes. Lauren Vélez (Oz, Ugly Betty) returns as Lt. María LaGuerta, while David Zayas (Gotham, Blue Bloods) plays Detective Angel Batista. Jennifer Carpenter (The Exorcism of Emily Rose, Limitless) stars as Debra Morgan, Dexter's foul-mouthed but loyal sister, with James Remar (The Warriors, Once Upon a Time in Hollywood) as Harry Morgan, Dexter's ghostly conscience. C.S. Lee (Chuck, The Nine Lives of Chloe King) plays the quirky forensic specialist Vince Masuka, while Desmond Harrington (Gossip Girl, Rescue Me) reprises his role as Detective Joey Quinn. Episodes 1–4 set the stage for one of the show's most iconic arcs: Dexter struggling with fatherhood while balancing his dark urges, Debra's deepening investigation, Batista and LaGuerta's romantic entanglement, and the shocking early discoveries about Trinity's ritualistic murders. Key moments include Dexter's chaotic attempts at juggling his new baby Harrison's needs, his fateful car accident that risks exposing his secret, and Trinity's horrifying bathtub scene that instantly cements him as one of television's scariest villains. Join us as we break down the tension, dark humor, and character dynamics that make this season a fan favorite in the Dexter franchise! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on NNFA Podcast, the crew dives into everything from awkward parenting hacks and childhood punishments to strip club cuisine, Chris Brown's endless concert, and the age-old question: when did Busta Rhymes stop being fun? Special guest Napoleon Emill joins in as Dave, Derek, and T break down wild life stories, umbrella drama at the Comedy Cellar, and movies that'll leave you questioning everything. LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ BONUS EPISODES https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Napoleon EmillIG - https://www.instagram.com/napoleonemill/ Produced by Teona SashaIG https://www.instagram.com/teonasasha/TikTok https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 6 slate. The duo discusses the massive Top 15 Big Sky matchup between No. 5 Montana State and No. 13 Northern Arizona, as well as a major MVFC clash between No. 1 North Dakota State and No. 6 Illinois State. They also preview a Top 25 UAC matchup between No. 16 West Georgia and No. 22 Austin Peay, as well as an intriguing matchup featuring No. 2 South Dakota State against No. 24 Youngstown State. We also make our “Superdog” upset picks of the week and preview multiple other key Week 6 matchups. All this and more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 5. The duo discusses Montana's impressive win over Idaho in a Top 10 matchup, another statement win by North Dakota State over South Dakota, Incarnate Word's upset win over Abilene Christian, and Presbyterian & West Georgia moving to 5-0 with big conference wins. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Yamenika Saunders comes down into the NNFA turtle lair for the first time for a wild and splendiferous episode. From free gifts on daytime TV shows to the infamous Thanksgiving knife story, the crew dives into friendship drama, race, travel chaos, and why chicken will always spark debates. Expect plenty of laughs, some hard truths, and Yam being Yam. Don't miss this one!LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ BONUS EPISODES https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Yamaneika SaundersIG - https://www.instagram.com/yamaneika/ Produced by Teona SashaIG https://www.instagram.com/teonasasha/TikTok https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 5 slate. The duo discusses the massive Top 10 Big Sky matchup between No. 5 Montana and No. 8 Idaho, as well as a major MVFC clash between No. 1 North Dakota State and No. 17 South Dakota. We also make our “Superdog” upset picks of the week and preview multiple other key Week 5 matchups. All this and more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 4. The duo discusses Monmouth's statement victory over Villanova, Abilene Christian's major UAC win over Austin Peay, and Northern Arizona's impressive win over Incarnate Word. They also discuss the current FCS landscape across every FCS conference ahead of Week 5. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week's episode is splendiferous indeed!! This week we're joined by Tata Sherise, Jourdan Fisher, and Nore Davis for one of the wildest, funniest, and most unpredictable episodes yet. From wild confessions to Jamaican food debates, this one's packed with laughs, stories, and chaos. Plus, don't miss the game “How Black AF1 Are You” at the end; it's always hilarious and too real.-----------------Visit https://prizepicks.onelink.me/LME0/NNFA and use code NNFA to get $50 in lineups when you play your first $5 lineup.NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ BONUS EPISODEShttps://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Tata ShariseIG https://www.instagram.com/tatasherise/ Jourdain FisherIG https://www.instagram.com/jourdainfisher/ Nore DavisIG https://www.instagram.com/noredavis/ Produced by Teona Sasha https://studio.youtube.com/channel/UCpLHZlQZvisMMdWk_P7Rw0w IG https://www.instagram.com/teonasasha/ -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 4 slate. The duo discusses the massive Top 25 CAA matchup between No. 11 Villanova and No. 21 Monmouth, a major UAC matchup between No. 18 Austin Peay and No. 14 Abilene Christian, along with an intriguing non-conference game between No. 19 Incarnate Word and No. 17 Northern Arizona. We also make our “Superdog” upset picks of the week and preview multiple other key Week 4 matchups. All this and more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Utah Deputy AD & CRO on Big Noon Kickoff festivities, Is the revenue gap between Utah & the blue bloods closing significantly (?) + more

The Utah Deputy AD & CRO on Big Noon Kickoff festivities, Is the revenue gap between Utah & the blue bloods closing significantly (?) + more

The Utah Deputy AD & CRO on Big Noon Kickoff festivities, Is the revenue gap between Utah & the blue bloods closing significantly (?) + more

Will and Matt head down under with the coolest mustache in town -- Tom Selleck, Alan Rickman, Laura San Giacomo star in this uniquely Australian western!DISCLAIMER: Language and Spoilers!QUIGLEY DOWN UNDERdir. Simon Wincerstarring: Tom Selleck; Laura San Giacomo; Alan Rickman

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 3. The duo discusses Montana's thrilling comeback win over North Dakota, another statement win by West Georgia, Tarleton State's dominant victory over Central Arkansas, the defensive slugfest between Rhode Island and Holy Cross, and South Dakota's escape from an upset bid against Northern Colorado. All this & more right here on The Bluebloods! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's a splendiferous family episode! This week we dive into hilarious stories about bad dogs, good dads, and everything in between. From childhood memories and family drama to service dogs, comedy beginnings, and raising kids. Plus, we answer fan questions that spark conversations about Philly hip hop, first live comedy experiences, and why short comics have stool advantages.Visit https://prizepicks.onelink.me/LME0/NNFA and use code NNFA to get $50 in lineups when you play your first $5 lineup.NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ BONUS EPISODEShttps://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Produced by Teona Sasha https://studio.youtube.com/channel/UCpLHZlQZvisMMdWk_P7Rw0w IG https://www.instagram.com/teonasasha/ -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central preview the biggest FCS games on the Week 3 slate. The duo discusses the massive Top 25 matchup between No. 16 North Dakota and No. 5 Montana, as well as multiple underrated games, including No. 3 Tarleton State-Central Arkansas, No. 25 West Georgia-ETSU, and No. 6 Rhode Island-Holy Cross. We also make our “Superdog” upset picks of the week and preview multiple other key Week 3 matchups. All this and more right here on The Bluebloods!

Kadia Saraf stars as Detective Claudette Wallace in Showtime and Paramount+'s Dexter: Resurrection and has also appeared as U.S. Attorney Anya Avital in Law & Order: SVU. Her additional credits include The Better Sister, Blue Bloods, FBI: International, and The Good Fight. Fluent in four languages and conversant in ASL, Kadia is also a martial artist and amateur boxer. She volunteers at the Animal Care Center, fostering and caring for cats and neonatal kittens. Dominic Fumusa currently plays “Detective Melvin Oliva” on the hit Paramount / Showtime series “Dexter: Resurrection.” Fumusa is best known for playing "Kevin Peyton" opposite Edie Falco on Showtime's acclaimed show "Nurse Jackie" which ran for seven seasons from 2009-2015.  Fumusa's film work includes playing the real life hero John "Tig" Tiegen in "13 Hours: The Secret Soldiers of Benghazi" directed by Michael Bay.  Fumusa appeared opposite Will Smith and Margot Robbie in the romantic comedy "Focus."  Other film work includes "The Report," "Allegiance," "Helena from the Wedding," "Management" and "Little New York."  Fumusa plays opposite Luke Evans and Michiel Huisman on Apple TV's "Echo 3" written and directed by Mark Boal.   Additional television work includes major season-long arcs on "Homeland," "Godfather of Harlem," "Divorce," "Goliath," and "The Purge," as well as guest starring roles on "Damages," "Sex and the City," "The Sopranos," and many others. Fumusa's extensive stage experience includes originating roles in the New York premieres of Sarah Ruhl's plays "Stage Kiss" and "Passion Play", Richard Greenberg's Tony Award winning "Take Me Out" (NY and London), Melissa James Gibson's Obie Award winning "[sic]" and Stephen Belber's plays "The Power of Duff," "Fault Lines," and "Tape" (NY, London and Los Angeles).  His Broadway debut came in the 1998 revival of "Wait Until Dark" opposite Marisa Tomei and Quentin Tarantino.  Select regional theater credits include numerous plays at the Guthrie Theater in Minneapolis, the Stratford Festival in Canada, the Huntington Theater in Boston, the Kennedy Center in Washington, DC and the Humana Festival at the Actors Theater of Louisville. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 2. The duo discusses the thrilling overtime battle between South Dakota State and Montana State, South Dakota's collapse on the road against Lamar, two more FCS over FBS upsets from Long Island and Bryant, Abilene Christian's impressive win over Stephen F. Austin, and the first Division I win for UTRGV over Prairie View A&M. All this & more right here on The Bluebloods!

This week on NNFA Podcast, the hilarious and insightful Onika McClean joins the gang to talk about pyramid schemes, family dynamics, comedy hustle, and the wild stories that come with chasing your dreams. From Herbalife scams to Jamie Foxx party rumors, this episode is packed with laughs, real talk, and plenty of truths!PrizePicks - Visit https://prizepicks.onelink.me/LME0/NNFA and use code NNFAand get $50 in lineups when you play your first $5 lineup!NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ BONUS EPISODEShttps://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow Onika McleanIG https://www.instagram.com/onikacomedy/ Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Produced by Teona Sasha https://studio.youtube.com/channel/UCpLHZlQZvisMMdWk_P7Rw0w IG https://www.instagram.com/teonasasha/ -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bluebloods, Zach McKinnell is joined by Jamie Williams from FCS Fan Nation to preview the biggest FCS games on the Week 2 slate. The duo discusses the massive Top 5 matchup between No. 3 Montana State and No. 2 South Dakota State, as well as another important Top 25 battle between No. 16 Abilene Christian and No. 25 Stephen F. Austin. We also make our “Superdog” upset picks of the week and preview multiple other key Week 2 matchups. All this and more right here on The Bluebloods!

On this episode of The Bluebloods, Zach McKinnell and Timothy Rosario from FCS Football Central recap all the FCS football action from Week 1. The duo discusses South Dakota State's dominant win over Sacramento State, Lehigh's key Patriot League victory over Richmond, two FCS upsets over FBS teams by Austin Peay and Tarleton State, Monmouth's historic comeback win over Colgate, and a tough weekend for the SoCon. All this & more right here on The Bluebloods!

Lemaire Lee made his way back into the NNFA Turtle Lair for another splendiferous episode! They dive into everything from the 35th anniversary of TMNT to the fascinating discovery of Black Scottish people, plus hilarious fan Q&A and unexpected apologies! You don't want to miss this unfiltered discussion!NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ BONUS EPISODEShttps://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow LeMaire LeeIG https://www.instagram.com/lemairelee/ Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Produced by Teona Sasha https://studio.youtube.com/channel/UCpLHZlQZvisMMdWk_P7Rw0w IG https://www.instagram.com/teonasasha/ -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From pre-med at Columbia to a Tony nomination on Broadway, Gabby Beans has carved out one of the most unique journeys in the industry. She shares how she navigated early setbacks (including being dropped by her first big manager) to build her career from the ground up with fearless off-Broadway work. That perseverance has more than paid off: Gabby earned a Tony Award nomination for her Broadway debut in The Skin of Our Teeth. Most recently, she's stunned audiences on Broadway in Sam Gold's Romeo + Juliet, taking on the dual roles of Mercutio and Friar Lawrence. On screen, Gabby's credits are just as impressive—House of Cards, Succession, Blue Bloods, The Good Fight, and her recent breakout in Apple TV+'s Presumed Innocent alongside Jake Gyllenhaal, Ruth Negga, and Bill Camp. Gabby opens up about the highs and lows of her journey, why she loves Zoom chemistry reads, and the wisdom she's gained from working with some of the industry's most visionary directors. This episode proves that in a career where “nothing ever happens the way you think it will,” passion and persistence truly light the way. These are the unforgettable stories that landed Gabby Beans right here. Credits: Honey Don't! Presumed Innocent Succession Your Friends & Neighbors House of Cards The Good Fight ROMEO + JULIET (Broadway) Ray Donovan Blue Bloods Guest Links: IMDB: Gabby Beans, Actress, Writer, Producer THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition COMING HOME COACHING: Come home to yourself SLAYTEMBER: Starting September 18th MAGIC MIND: 60% off ONEAUDITION60 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

We're back with another splendiferous and raw episode of No Need for Apologies! This week, we sit down with the always insightful and funny Ali Siddiq to talk real Houston BBQ, comedy survival, respect in the game, and some wild Chris Cotton stories you won't believe!NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ BONUS EPISODEShttps://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow Ali SiddiqIG https://www.instagram.com/alisiddiq/ Book https://a.co/d/inY9rpW Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Produced by Teona Sasha https://studio.youtube.com/channel/UCpLHZlQZvisMMdWk_P7Rw0w IG https://www.instagram.com/teonasasha/ -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy Tuesday! Timmy is joined by Adam King as his co-host today. We dive into Jeremiah Smith's stardom as Adam saw it up close and personal over the weekend. Joe Burrow believes a deal will get done with Trey Hendrickson. We go Inside the Buckeyes and give the real reason why Common Man is off. Rapid Fire with Rhymetime. We talk about Rich Eisen's return to Sportscenter and how do programs become Blue Bloods in College Football. And we do Jayson's Beef with Jayson Stark.