Podcasts about Anatole

Les élèves de 100% Péguy, le Club radio du collège Charles Péguy (Paris, 19e), ont préparé leurs propres émissions de radio ! Interviews, chroniques, blagues et anecdotes croustillantes ... il y en a pour tous les goûts ! 1. EATING WATER Dans cette émission présentée par Faye, on parle d'humour ! Le journaliste Maxime D. reçoit ses invités Suydina et Anatole pour parler des rats, puis les chroniqueuses Alice et Nareem expliquent comment réagir face aux harcèlements de rue. L'émission a été réalisée par Karam ! 2. EN SUEUR Dans cette émission présentée par Maxime R, il est question de sport ! Le journaliste Gustave reçoit Tony Estanguet (Luce) pour aborder les restes des JO à Paris, puis Basile nous parle d'un tennisman dopé. Anatole M. évoquera quant à lui un tireur olympique qui a fait le buzz en 2024. Alexandre parlera enfin du tour de France à vélo. L'émission a été réalisée par Aron ! 3. 100% PEGUY Dans cette émission présentée par l'animatrice Niama, on plonge dans les profondeurs de la mer pour y découvrir certaines de ses légendes. Le journaliste Noam reçoit Nina et Léonie pour en savoir un peu plus sur quelques légendes marines. Ondine conlut l'émission avec une chronique sur la chanson Blue, de Billie Eilish. L'émission a été réalisée par Aleida ! *** Un atelier réalisé le 15 mai 2025 et animé par Camille Masson et Pierre-Yves Lerayer dans le cadre des ateliers d'initiation aux pratiques radiophoniques organisés par Radio Campus Paris.

Nouvelle chronique archéologie par l'archéologue Anatole Boule.Réalisé en direct sur RBS le 27/05/25 avec Pierre Liermann

Hello la BMC Family ! Notre invité du jour a fait un pas qui pourrait révolutionner le traitement des footballeurs. Mis au "loft" par le Stade de Reims sans préavis après avoir contribué à la montée du club en Ligue 1, il se bat pendant quatre ans pour obtenir réparation et faire condamner le club pour harcèlement professionnel. Anatole a obtenu gain de cause il y a deux ans, mais cette affaire a sonné le glas de sa carrière professionnelle. Aujourd'hui réhabilité dans son honneur, il porte encore les séquelles financières et morales de cette affaire. Qui, il l'espère, servira d'autres footballeurs à ne pas se laisser faire. Avec sincérité et ouverture, il nous raconte les dessous d'un cas qui pourrait changer le traitement des joueurs de football. Belle écoute !

Creuser Mon Corps est une création sonore immersive qui plonge sans détour dans les troubles alimentaires de trois hommes. L'oeuvre relate les troubles et les questionnements qu'ils vivent et qu'ils ont vécus quant à leur alimentation. Cela ouvre la porte à différents sujets de l'intime tels que le rapport au corps, le rapport à l'alimentation, le regard des autres ou la relation plus large qu'on entretient avec soi-même. Une facette spécifique aux troubles alimentaires nous guide au travers de l'oeuvre : ce dialogue interne et invisible, qui est propre à chacun et chacune d'entre nous. Cette exploration sonore de trois expériences de vie fait apparaitre les réflexions incessantes et l'anxiété qui accompagnent et alimentent les troubles alimentaires. Au fur et à mesure que les réflexions avancent, le malaise et les tensions exprimées s'apaisent, laissant entrevoir des espoirs de guérison. Réalisation: Anatole De Baerdemaeker Mixage Vincent Venet Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:54:01 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles : l'histoire d'un « exécuteur des hautes œuvres de la République », comprenez un bourreau… La vie et l'œuvre d'Anatole Deibler, l'homme qui au cours de sa carrière a tranché les têtes de 395 condamnés à mort... - réalisé par : Marion Le Lay, Stéphane COSME

DANNY KAYE: THE BENEFITS OF VERSATILITYDavid Daniel Kaminsky (1911-1987), known to the world as Danny Kaye, was an entertainer that could do it all. He was as adept at pathos as he was at antic comedy, and he captivated audiences throughout the 1950s with his magic.  His signature patter songs, represented by our first number: Anatole of Paris, were crafted for him by his business partner and wife, Sylvia Fine, and together they made film and Broadway history. This is a fascinating connection that deserves a deeper dive.Danny resembled my adored uncle Teddy, and I always associated them in my mind. They had similar profiles and hair styles, and I was delighted to discover that his people and mine emigrated from the same town in Ukraine. Throughout my early years Danny Kaye's warmth and silliness provided a safe harbor against the anxieties of childhood. He was my ideal tutor in the film Merry Andrew, introducing the Pythagorean theory in song.Early on in his career, in 1934, Danny toured Asia - and it was there that he discovered and developed his skill at entertaining audiences who didn't speak English, a key to his popularity with kids of all ages. ANATOLE OF PARISThis number comes from the 1947  film, THE SECRET LIFE OF WALTER MITTY, adapted form James Thurber's novel about the day dreams of a hen pecked magazine editor. Sylvia Fine worked up this ditty where Danny fantasizes that he is a French milliner who bedecks ladies in ridiculous hats - because, as we find out in the punch line -  he hates women.  You can imagine the impish glint in Danny's eye as he extrapolates on the outrages that he'll commit to these chapeaux, and that's one of the secrets of Danny Kaye's success: the absolute delight he takes in wowing us with his lighter than air articulations. I WONDER WHO'S KISSING HER NOWAnd, here comes the other side of this complex coin - the opening up and sharing of his soulful humanity. This recording, also from 1947, has Danny - ever so tenderly - crooning over a lost love. The song, composed in 1909 by Harold Orlob, for the Broadway play, THE PRINCE OF TO-NIGHT, became a standard. In the hands of the master, this rumination is akin to listening in on the singer's private thoughts, as opposed to a performance. As we said in the intro, this artist could do it all, and here is but a sampling of his versatility.

Son objectif : créer des jardins plus durables et plus proches de la nature dans leur manière de fonctionner. "On va regarder comment on va agencer ces différents éléments par rapport au aux différents éléments qui ont une influence comme l'ombre, le soleil, le vent, le sol" explique Anatole. "Ensuite, on va regarder comment on peut faire le plus possible de connexion entre les éléments pour qu'ils puissent travailler ensemble et que les uns utilisent les produits des autres pour que ce soit le plus efficace possible. L'idée, c'est d'imiter la nature en créant de la résilience." Pereniah, fait partie de la coalition belge des éco-preneurs Kaya qu'on met en avant chaque mois dans Y'a de l'idée. Vous aimez ce contenu ? Alors n'hésitez pas à vous abonner, à lui donner des étoiles et à partager ce podcast autour de vous. Ça nous aide à nous faire connaitre et à essaimer les idées constructives qui rendent le monde plus joli !Une chronique signée Leslie Rijmenams à retrouver (aussi) sur Nostalgie et www.nostalgie.be.

Chronique archéologie avec l'archéologue strasbourgeois Anatole de l'Atelier Pandore.Réalisé en direct sur RBS le 08/04/25 avec Pierre Liermann

Clique em --> RLSP FREGUESIA

Nouvelle chronique réalisée par Anatole de l'Atelier Pandore avec une auto-interview sur la valorisation du patrimoine ! Réalisé en direct sur RBS le 11/03/25 avec Pierre Liermann

LECTURE A DEUX VOIX, mardi et vendredi à 10h et 16h.Chronique littéraire animée par Valère-Marie Marchand. Cette semaine, Valère-Marie nous parle des livres "Marc" de Benjamin Stock (Editions Rue Fromentin) & "Anatole Bernolu a disparu" de Pauline Toulet (Editions Le Dilettante).Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Once separated for the evening, Anatole fell right asleep. The charmed women did not.Marya considered, “Is he really to be my husband? This stranger who is so kind.”   However, she soon feels the force of evil near her as a Satanic image mixed with Anatole's. She rang for her maid, asking her to sleep in her room. Lise grumbled how uncomfortable she was in bed. Anatole's presence reminded her of when she was not impacted by pregnancy and loneliness. Amélie Bourienne walked about the winter garden, working out this scenario where she would allow herself to be seduced, then try to win Anatole with a story about how her poor mother's ghost shamed her. Conveying this would hopefully guilt Anatole into marrying her. Such projection contrasts with Marya, who would never so play with spirits.  Bolkonsky could not sleep and reflected, “The first man that turns up—she forgets her father and becomes so unlike herself!”   He is disappointed Marya did not have the pride to see Anatole's nature.  He considers casting off Bourienne and aims to reveal the truth, in part, to convince Marya not to leave Bald Hills.  The next morning, Anatole and Amélie recognized how much each had to “say” to the other. They took the opportunity to rendezvous in the garden when Marya went to meet her father.  Marya was told, “I have a proposition and refer it to you. Prince Vasíli finds you to his taste as a daughter-in-law and makes a proposal to you on his protégé's behalf.” Marya asks for her father's input but realizes he does not approve.  He informs her Anatole will take her dowry and bring Bourienne into the marriage. Marya become despondent and her father feigned speaking in jest.  He advises Marya to take an hour to pray over the matter and adds, “Remember that your happiness depends on your decision. He receives his orders from his father and will marry you or anybody; but you are free to choose.”Mary wishes to accept but what her father said had an impact.   An invisible force led her into the conservatory, where she recognized the whispering of Amélie.  A few steps away, she saw Anatole fully embracing the French woman. Marya was shocked. Amélie screamed and ran off. Anatole composed himself, bowed with a smirk, as if inviting Marya to join in a laugh and retreated.Marya was summoned an hour later as she comforted Amélie. She gazed at Amélie with tender affection and stroked her hair. Amélie was apologetic, “You who are so pure… can never understand being so carried away.”  Marya responded, “I love you more than ever and will do all I can for your happiness.” She then she went to address Anatole's father.Vasíli was optimistic.  “My dear! My son's fate is in your hands. Decide, my gentle Marie, whom I have always loved as a daughter!” Bolkonsky put the matter bluntly, “Do you wish or not to be Prince Anatole Kurágin's wife? Reply and then I reserve the right to state my opinion.”   Marya answered, “My desire is never to leave you, Father.”  Vasíli did not relent, “Will you not give us a little hope of touching your heart? Say ‘perhaps'... The future is so long.” Marya continued, “Prince, I have said all in my heart. I thank you for the honor but shall never be your son's wife.” Bolkonsky then steered Vasíli out the door and sends Marya to her room. “Well, so that's finished, my dear fellow! I am very glad to have seen you.”Marya contemplated, “My vocation is to be content with another kind of happiness, of love and self-sacrifice. Cost what it may, I will arrange poor Amélie's happiness as she loves Anatole so passionately and repents. I will give her the means; I will ask my father and Andrei. I shall be so happy when she is his wife. She has been so unfortunate, alone and helpless! And how she must love him if she could so forget herself! Perhaps I might have done the same!”

Nouvelle chronique réalisée par Anatole de l'Atelier Pandore avec un bond dans le futur ! Réalisé en direct sur RBS le 25/02/25 avec Pierre Liermann

durée : 00:04:19 - Le coup de cœur, ici Orléans - Jaouen, chanteur et comédien, interprète Anatole, ses plus grands succès des autres, un spectacle musical interactif mêlant chanson française et anecdotes, ce vendredi 28 février à 19h à l'espace Lionel Boutrouche à Ingré.

Marya comes from her room to meet Anatole and is quickly smitten by his attractiveness. He introduced himself and stood smiling with his chest expanded. He was hardly eloquent but had the invaluable faculty of composure. He knew he inspired curiosity, awe and lust.   Marie wished to convey that she did not expect to interest him.  The conversation became genial thanks to Lise.   Speaking French, she drew all into her stories.  Shaking a finger at Anatole, she reveals, “I have heard of your doings in Paris!” With Paris referenced, Bourienne jumped in and Anatole thought, “la petite est gentile.” Bolkonsky remained in his study, considering how Vasíli is a shallow soul with his son likely in the same mold. Their presence brought up whether he could  part from the daughter he cherished. “Why should she marry? To be unhappy?” He thought of Lise, thinking a better husband than his son could not be found.  Still, Lise was not content.   He realized some women remain happier and have more agency unmarried. He also demanded any suitor be worthy.  As Vasíli stepped in to drag Pierre into marriage, Bolkonsky is preparing to keep Marya out.   Upon meeting his guests, Bolkonsky noticed Anatole flirting with Bourienne and already felt Marya was playing the fool.   He went up to Vasíli, exchanged pleasantries and discussed news of the war, but soon broke off to chastise his daughter for her new look, reducing her to tears. Bolkonsky then addressed Anatole and spoke in a way where Anatole felt compelled to hold back laughter. “My dear boy…So, you wish to serve the Tsar and the country? It is wartime, such a fine fellow must serve. Well, are you off to the front?” In responding, Anatole must ask his father what unit he is attached to, which confirms Bolkonsky's suspicions of his quality.   Nevertheless, as soon as Vasíli got Bolkonsky alone, Vasíli announced his hopes. Bolkonsky said he would ask Marya tomorrow in everyone's presence. If she is willing, Anatole can “stay on,” but still notes “I'll see,” implying he would be the final arbiter.  Vasíli adds “I will tell you frankly, Anatole is no genius, but he is an honest, goodhearted lad, excellent son, and would be no less a relative.” Anatole remains busy entertaining the women of the House.  Attributable to their loneliness, all were charmed. Even Marya forgot her plainness. Anatole seemed out of a dream:  kind, confident, masculine, and magnanimous. Aspirations of a family rose in Marya's imagination. “Am I too cold with him? I remain reserved because in the depth of my soul I feel too near to him already.” In contrast, Anatole thought, “Poor girl, she's devilish ugly!”   Bourienne's passions were also spurred. Without any status, relatives, or even a country, she did not intend to devote her life to serving Bolkonsky. She dreamed of a prince like this who would appreciate her looks and fall in love.   Her aunt had told her about such scenarios. It was not calculation that guided her as she didn't have the sense to plan.  She just wished to try to please the man before her. Anatole was cognizant of his power and the feeling that most intensely rose was a passionate lust for Bourienne. Mary was soon asked to play on the clavichord. Her favorite sonata bore her into animated poetic world. In her lovely eyes there was a look of hope and joy. Anatole faced Marie but concentrated on Bourienne.  Mary would look at  Bourienne, thinking, “How happy I am now, and how happy I may be with such a friend and such a husband! When it came to retire, Anatole kissed Marya's hand. He did the same to Bourienne, which was a breach of protocol. She flushed as Marya considered, “Is it possible Amélie thinks I could be jealous of her, and not value her devotion.”  Lastly, Anatole went up to Lise and they had a playful interaction to close the night.  

In August of 1908, when 80 years old, Tolstoy penned the open letter, “The Blessings of Love,” referring to the Love which embodies the Almighty. Tolstoy wrote much, later-in-life, about his religious convictions, but this episode will focus on this relatively short letter addressed to “Good People Everywhere.”Tolstoy explicitly introduces the concept of divine Love in War & Peace through Mayra reaching out in prayer when she faces the temptation for physical pleasure when Anatole pays a courting visit.  She feels the Lord has placed in her heart the direction to orient herself around heavenly Love. She is reminded to focus on the Lord's command of Love: meaning commitment to others as demonstrated by God's willingness to sacrifice his Son.  Tolstoy begins his missive with special appeal to those “fighting on behalf of one government or another, which nobody needs.”   He specifically reaches out to his “Dear Brothers” including: “King, Minister, Merchant, Worker, and Peasant.”He notes that the further he reaches in life, the more it becomes clear that we need to focus on this transcendent Love. Tolstoy proffers that our earthly toils distract us from this obligation; but it is what the Lord desires for our short indeterminate lifespans, which lie between the voids of pre-birth and post-death. Tolstoy, believing his end was immanent, was acknowledging the transience and fragility of terrestrial life. He did not dread the prospect of death, but viewed it as natural and beneficial, like one day passing into another. He writes that our lives have such potential for joy, where we can appreciate the heavens and nature, with a stewardship for what is before us. Instead, we wind up creatures constructing buildings, factories and roads, often for the latest commerce system that mass produces items Tolstoy believes nobody needs.  Such industrial demands create pollution and sicken workers (physically and mentally), who dwell in the slums of the early 20th century.  In mining pursuits, Tolstoy emphasizes, somewhat metaphorically, how workers descend into the earth to extract stones and iron. This stands in contrast to looking upwards and outwards – towards the divine. Instead of living joyfully and being prone to God's bounty, we hate, kill, harass and accumulate. Some utilitarian masters-of-the-day claim to be guided by a greater good. Others are influenced by habit, tradition, or imitation.  However, without focus on the divine, so many have been reduced to fighting like animals, and live a perversion of what life should be.Ultimately, we must do what coincides with the demands of our soul, namely to act in the spirit of brotherly Love.  Tolstoy proposes: let the those fighting for so-called freedom or order, put a tinge of their efforts toward living out this Love.   He is confident everyone will see the fruits of their labor and experience a bliss. Even if you try it for a day, it will make you unlikely to turn back.   For Love transcends death.   He appears to be referencing popular Gospel teachings, such as to live to accumulate treasures in heaven, instead of riches on earth, which will inevitably perish.  For divine Love is eternal.Tolstoy concludes that all of his fame, wealth, and devices of social life are trivial compared to the Love the soul demands. Therefore, we are to live with sacrificial intent.  Such a life is open to us and calls.

Nicholas Bolkónski receives a letter from Vasíli Kuragin, who would be visiting with his prodigal son, Anatole. This is a suitor for Marya. Bolkónski always held a poor opinion of Vasíli, but this view converted into an utter contempt.  On the morning Vasíli was to arrive, the head serf, Alpátych, deferentially explained that he had the path swept of snow after being informed a “minister” was arriving. Bolkónski exploded, “A minister? Who gave orders to sweep? For me, there are no ministers!” He does not want Vasíli to receive special treatment. Bolkónski swung a walking stick near Alpátych and shouted, “Throw the snow back on the road!” At mealtime, Amélie Bourienne brings up the impending visit and Bolkónski references how he got Vasíli his initial governmental position. He alludes, with disdain, to the obvious reason for the visit.  Bourienne changes the subject to flowers in the conservatory. This, along with the soup, placated Bolkónski. Later Bolkónski went to check on Lise, who avoided the meal under the pretense of her pregnancy. He asked how she was feeling. Lise, who pregnancy made plain, lived in trepidation, but grew accustomed to life and took a fancy to Bourienne. Bolkónski then visited his head serf. Alpátych relayed the snow was shoveled back and pleaded, “Forgive me..... It was only my stupidity.” “All right,” responded Bolkónski and stretched out his hand to be kissed.Vasíli and Anatole arrived that evening and were met by servants, who had to drag the sleighs and baggage over re-laden snow. Once settled, Anatole became at ease. He regarded life as a continual round of amusement and realized, why not marry her if she has so much money? He shaved, scented himself and held his head high as he approached his father. He asks, “Father, is she truly hideous?” He is rebuked, “Enough! Remember, for you everything depends on this.”Marya, in contrast, sat alone in her room, forlorn. Lise and Bourienne had a better sense of how to make an elegant presentation and put heartfelt effort into preparing Marya, acting with the naïve conviction that dress or hairstyle could make a face pretty. Marya was so plain that nothing helped. Neither thought of her as a rival in terms of beauty. Marya remained piteous and her companions eventually retreated. Alone, Marya let her mind wander and dreamed of a husband, a dominant attractive man. She dreamed of the joy of physical relations and fancied nursing her own child, with her husband gazing tenderly. However, the visualization broke and she realized, “I am too unattractive.” She was soon summoned to meet Anatole. She felt appalled at what she had been thinking and went to the nearby prayer room, where she fixed her eyes on an icon of her Savior. A painful thought filled her soul, Could the joy of love, earthly love for a man, be for her? With a handsome guest invading the threshold, this deeply hidden longing revealed itself. Instead of trying take steps to satisfy her desire, she appeals in prayer: Oh Lord… How am I to renounce these vile fancies, so as peacefully to fulfill Thy will?”  God placed the answer in her heart, revealing that she was to focus on divine love, that selfless love motivated by commitment to others, as demonstrated by God being willing to sacrifice his Son. The Lord continues, Desire nothing for thyself… be not envious or fearful. The future and thy own fate must remain hidden, but live so that thou mayest be ready for anything. If it be God's will for thee to marry, be ready to fulfill His will. With this consolation, Princess Marya crossed herself and was mentally prepared to present herself, thinking no more of superficialities, as nothing could matter in comparison with the will of God.

Pour écouter toutes les histoires du quatrième album audio « Anatole Latuile, Sauve qui peut » c'est par ici [insérer lien]L'album vous propose 10 histoires en plus ! Après les avoir écoutés, foncez découvrir les trois autres albums disponibles à l'écoute, absolument partout ! Une chose est sûre : vous allez rire aux éclats ! Become a member at https://plus.acast.com/s/les-ptites-histoires. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Nouvelle chronique réalisée par Anatole de l'Atelier Pandore avec une interview de l'archéologue & tailleur de silex Simon Diemer. Réalisé en direct sur RBS le 23/01/25 avec Pierre Liermann

Si vous aimez "Dans les yeux d'Olivier", le podcast qui donne la parole à ceux qui ne l'ont jamais, laissez des étoiles et des commentaires sur votre plateforme d'écoute préférée !Hannah et Anatole font partie d'une fratrie de 5 enfants. Chacun d'entre eux a grandi à travers les coups, menaces et insultes de leur père. La première victime est la mère de famille, totalement sous l'emprise de son mari. Étant le seul garçon, Anatole a l'impression que cette violence est son héritage et se bat pour ne pas reproduire le même schéma familial. Hannah et ses sœurs sont les souffres douleurs physiques de leur père, qui n'hésite pas à les frapper sans raison… Anatole et Hannah ont accepté de confier leur histoire dans cet épisode du podcast « Dans les yeux d'Olivier », produit par Europe 1.

Prince Vasíli is on the precipice of enticing Pierre to ask for his daughter's hand.   He hardly let a day go by without hosting an event at which Pierre was present. For six weeks, the new Count was lured into making a home of Vasíli's mansion.   Vasíli was planning to get two of his children married, Anatole as well as Hélène.  Vasíli felt compelled to finalize matters with Pierre before touring his neglected provincial estates. He then desired to pick-up Anatole from his regiment and take him to Smolensk to arrange a match with Gen. Bolkónski's daughter.  Pierre's conduct was as a young lover's should be - excited and foolish. Vasíli thought, “Youth, frivolity... God be with him.” He surmised the right time to push for resolution was at Hélène's upcoming name-day celebration. Pierre's mixed emotions persisted. He realized how devastating it could be to tie his fate to Hélène. Yet he had no ability to leave her orbit. He was overpowered by desire. In Society's eyes Pierre was more and more connected with Hélène. All were waiting for him to propose. Terror seized Pierre upon realizing how close he was.  When the celebration arrived, the guests included close friends and family. All were in high spirits. Vasíli merrily went round the table, chatting about the Imperial Council, where the military governor read a missive about the war from Czar Alexander.  The governor was overjoyed the letter was directed to him.   As much as such trifling interests united the aristocrats, all this was sideshow to Pierre and Hélène. Pierre found the dynamic intoxicating. He thought, “They are all expecting it, so…I cannot disappoint them!”  He considered himself a Paris possessed of Helen of Troy.  Deep down, Pierre knew that only since becoming the Count did he receive favor.  Still, in the moment, he believed that it was he who was unusually striking. He was taken out of this mindset when Vasíli asked when he last heard from Andrei, who had written from Olmütz.    After supper, Pierre & Hélène followed others to the drawing room.  Pierre had had never spoke to Hélène of love but knew it was time to.  He first made some small talk. Vasíli, hovering, came up to them and again brought up the proud governor. Pierre smiled and gave a look that assured he was doing what was expected. In the next room, the Kuragin family spoke on how “marriages are made in heaven.”   The couple kept the family waiting and eventually Vasíli lost patience and decided to drag Pierre across the line. Vasíli's manifested a triumphant countenance upon his approach and congratulated Pierre on what Pierre could not bring himself to do.  He proclaimed, “Thank God! My wife has told me everything!” (though his wife did no such thing). He put his arms around the two and continued, “My dear boy... Lëlya... I am very pleased. I loved your father...and she will make you a good wife...God bless you!” He embraced and kissed them.    Pierre reflected. “All this had to be…so it is useless to ask whether it is good or bad.”  At least he was rid of the doubt.  Pierre held Hélène's hand and confidently called her name.  He knew “something special is always said in such cases”. He looked deep into her eyes and she drew nearer to him and told him to take of his spectacles.  Pierre did so and was about to stoop and kiss her hand but with a rapid movement of her head, Hélène intercepted his lips with her own.  “It is too late now, it's done, besides I love her,” thought Pierre. He then uttered those forgotten special words, Je vous aime, but they sounded so weak he was ashamed.   Six weeks later Pierre was married, and settled in his newly furnished Petersburg mansion.

Chronique avec Anatole de l'Atelier Pandore pour parler notamment de fouilles à Koenigshoffen. Réalisé en direct sur RBS le 17/12/24 avec Pierre Liermann

Chronique-interview de Anatole Boule ( Atelier Pandore ) avec Mathias Higelin ( Archéologie Alsace ) : retour sur son parcours & ses récents projets à Strasbourg. Réalisé en direct sur RBS le 10/12/24 avec Pierre Liermann

durée : 00:04:08 - Chroniques littorales - par : Jose Manuel Lamarque - Anatole Facon est un jeune skipper de 24 ans, et qui depuis 2022 a déjà sévit sur les mers et les océans....

Chronique avec Anatole de l'atelier Pandore pour parler de l'histoire de la profession d'archéologue. Réalisé en direct sur RBS le 03/12/24 avec Pierre Liermann

Vu sur La chronique Patsy (163) : Anatole Le Bras, Aliénés. Une histoire sociale de la folie au 19e siècle, Anatole Le Bras, Aliénés. Une histoire sociale de la folie au 19e siècle, CNRS Editions, 2024 Que faire des fous ? Telle est la question au coeur de ce livre.Que faire donc des fous qui dérangent l'ordre social et altèrent le capital réputationnel de leur famille ? Que faire de ces fous, agressifs ou pyromanes, […] Cet article provient de Radio AlterNantes FM

durée : 01:58:27 - Chefs oubliés V (Louis Fourestier, William Steinberg, Hans Schmidt-Isserstedt, Anatole Fistoulari) - par : Christian Merlin - Cette série de portraits se poursuit avec la réhabilitation de cinq figures un peu trop vite considérées comme des sans-grades : le Français Louis Fourestier, l'Américain d'origine allemande William Steinberg, l'Allemand Hans Schmidt-Isserstedt et le Britannique d'origine russe Anatole Fistoulari. - réalisé par : Marie Grout

durée : 00:28:13 - Chefs oubliés V (4/4) : Anatole Fistoulari - par : Christian Merlin - Cette série de portraits se poursuit avec la réhabilitation de cinq figures un peu trop vite considérées comme des sans-grades : le Français Louis Fourestier, l'Américain d'origine allemande William Steinberg, l'Allemand Hans Schmidt-Isserstedt et le Britannique d'origine russe Anatole Fistoulari. - réalisé par : Marie Grout

Part III of Book I focuses on Pierre. We are taken off the battlefield. The attitude has changed toward the new Count Bezúkhov, with this section serving as a critique on the vane pursuits of men within Tolstoy's own class. Instead of retreating after being foiled in his attempt to usurp Pierre's estate, Vassily uses his proximity to become Pierre's mentor.  He even uses his daughter, Hélène, to attract  Pierre's focus. The description of Vassily is as a true man of this world. His heart is so corrupted, he barely notices the sins he commits throughout the day.  Schemes consume his existence. He had dozens going on at once, in various stages.   Pierre's life is turned on its head – no longer neglected, he was always signing papers, making appearances and visiting his estates. So quickly did those who thought him foolish become convinced of his nobility. He was lured into a state of intoxication - as though he were the center of an important movement. Vassily procured fancy titles for Pierre, one being “Gentleman of the Bedchamber” Камер-юнкер (Kammer-junker) which conferred the status of “Councilor of State.”   Pierre's relationship changed with the “three princesses” who lived in his father's mansion. He showed them mercy, letting them stay and granting Vassily's request to endow the eldest with 30,000 rubles.  It seemed so natural to Pierre that everyone love him and he could not help believing their sincerity. Vassily had the air of a man oppressed by business, who would not leave a helpless youth to the designs of OTHER rogues. Vassily had Pierre accompany him to St. Petersburg, on the way telling him a “diplomatic career now lies open before you.”  As he used pleasing words, Vissily siphoned thousands of rubles collected from Pierre's peasants.  Pierre found a similar atmosphere in Petersburg -- bewilderment, bustle and continual expectation among aristocratic acquaintances.    Many of his friends were confronting the War.  He was aware that Anatole, Andrei and Dólokhov were abroad. Much of his time was taken up with dinners and balls but chiefly he was at Prince Vasssily's, mansion, spending time with Hélène.  Pierre received one of Anna Pávlovna's invitations, which noted “You will find the beautiful Hélène here.” Pierre realized the growing link between them was noticed by others. Anna, who hosted the event that got the novel moving, was symbolic of the change of attitude. She now found Pierre charming in every way. At her gala, a diplomat from Berlin explained the latest alliance between Czar Alexander and Frederik William III, who conferred in Potsdam. Anna arranges for Pierre to stay close to Hélène. “Isn't she exquisite?” Anna said to Pierre, as she glided about. “And how she carries herself! Such masterly perfection of manner! Happy the man who wins her!”  Anna ensures they will both entertain Anna's elderly aunt. Hélène quickly gave Pierre her smile that none forgot. The conversation among the three was dull – as the aunt spoke of a collection of snuffboxes. Helene wore a lovely dress cut very low at front and back.  The two were very close and had an unspoken conversation. “So, you have never noticed before how beautiful I am? Yes, I am a woman who may belong to anyone—to you too.”  At that moment Pierre felt that Hélène must be his wife. Hélène already had power over him and he realized this may NOT be a good thing. Pierre could not sleep that night. He considered,  “Yes, she's good looking…but there is something vile, something wrong… I have been told that her brother Anatole was in love with her and she with him, that there was quite a scandal and that that's why he was sent away.  And Hippolyte is her brother... Prince Vassily is her father... It's bad....”  In considering her worthlessness, he nevertheless envisioned Hélène as his wife and how she would love him and become quite different.

Anatole et G. grandissent dans une ville moyenne. Issus d'une famille d'artistes, ils sont élevés dans le bruit, les mélodies et les rires. Tout bascule avec le divorce des parents. Ballottés entre un foyer social avec leur mère et le « squat de luxe » avec leur père, l'innocence des deux frères s'évapore peu à peu. Malgré tout, une chose demeure : le lien qui les unit. À l'ombre des choses, c'est le roman bouleversant du petit dernier de la famille. Un gamin paumé qui cherche sa place dans le monde quand son frère semble avoir trouvé la sienne, la musique. Un jeune homme sensible qui comprend que la lumière peut se trouver, même dans l'ombre. Par Sarah Clément

Once again, we find ourselves back at Natasha, Pierre, and the Great Comet of 1812, the show that we just can't escape, nor would we wish to. This time, we're finishing our miniseries on Second Act Openers with the excellent "Letters," where Dave Malloy crams so much content into only 6 minutes that we're almost left a little speechless. Almost.  All clips are from the 2013 Original Cast Recording of Natasha, Pierre, and the Great Comet of 1812 featuring Dave Malloy as Pierre, Phillipa Soo as Natasha, Gelsey Bell as Princess Mary, Lucas Steele as Anatole, and Manik Choksi as Dolokhov and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Buy/listen to the performance on Amazon! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

durée : 02:57:46 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Alexandre Léauté, Nicole Belloubet, Marie Dosé et Anne-Cécile Mailfert,Zar Amir, Anatole Edouard Nicolo sont les invités du 7/10 ce lundi 2 septembre

durée : 00:07:19 - Nouvelles têtes - par : Marie Misset - À 28 ans, il vient de recevoir le Prix du livre « Envoyé par la Poste » pour son premier roman "A l'ombre des choses". Anatole Edouard Nicolo est ce matin l'invité de Mathilde Serrell. - réalisé par : Lucie Lemarchand

Anatole Williams, Executive Director of Heartland Adult Teen Challenge shares the steps that men trapped in addiction must take to find freedom without the chains of addiction. Thirty-two years ago, Anatole found himself living in a drug house trapped in addiction. His mother, a New Orleans Police Officer, never stopped praying or sharing with her son the only sure way of escape. Today, Anatole, a career Chief Petty Officer, U.S. Navy is using his experience out of addiction to help the men at Heartland Adult Teen Challenge overcome their addiction lifestyles.

durée : 00:03:28 - Les P'tits Bateaux - par : Camille Crosnier - Aujourd'hui, Anatole voudrait savoir de quelle matière est fait le scaphandre des volcanologues et est ce qu'il résiste lorsque-on trempe tremble la main dans la lave. Le volcanologue Patrick Allard lui répond. - invités : Patrick Allard - Patrick Allard : Volcanologue. Ancien membre de l'équipe scientifique de Tazieff, directeur de recherches émérite au CNRS et à l'Institut de Physique du Globe de Paris (IPGP), président de l'association internationale de volcanologie - réalisé par : Stéphanie TEXIER

Anatole, le Juif assimilé de Kovno

Histoire de 7 minutes racontée par Binyamin BENHAMOU.

'Bitter' might not be a description that evokes a positive response when it comes to food, but 2021 Masterchef finalist Alexina Anatole is determined to change the perception. Her debut cookbook 'Bitter' is divided in chapters by bitter ingredient with some truly unexpected pairings for flavour balance and aims to make you a master chef of bitter cooking at home. Join the conversation... For more on Flavour, listen to our previous episode 'What is Flavour' on Spotify and Apple Podcasts. Order 'Bitter' by Alexina Anatole on Amazon here Follow Alexina on Instagram for recipes and updates Subscribe to RELISH. by Sonder & Salt on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/sonderandsalt ⁠⁠⁠⁠⁠⁠⁠⁠ Follow the podcast for updates and video content ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! You can follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Harleigh on Instagram here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠follow Malaika right here. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Keep Retro Radio going… buy us a coffee here! https://www.buymeacoffee.com/retroradio If you like what you hear, consider giving this show a like! Liking these shows helps us to know what you like to hear more of. Take Retro Radio wherever you go! Subscribe today, and share it with your friends! ——————— As these shows have been in the public domain for quite some time, the audio quality of these episodes can vary. So don't adjust your dial… it's most likely the audio file itself :) Disclaimer: The content featured here originated from the “Golden Age of Radio” (1920-1962), and may contain racial, ethnic, and gender stereotypes that are incompatible with our values today. They were wrong then, as they are today. These representations do not reflect the views of Retro Radio and are presented here solely for historical, educational, and/or entertainment purposes. We denounce any form of discrimination and aim to foster a respectful and inclusive atmosphere, while still respecting the talent, entertainment value, and historical value these recordings may bring. Please approach this material with sensitivity, recognizing that they may reflect attitudes of its time. Your engagement with this content is appreciated, and we encourage thoughtful consideration and discussion. —————— Vintage radio classic radioshow OTR old time radio Hollywood movie stars shows suspense detective comedy sci-fi science fiction variety music guest star

Keep Retro Radio going… buy us a coffee here! https://www.buymeacoffee.com/retroradio If you like what you hear, consider giving this show a like! Liking these shows helps us to know what you like to hear more of. Take Retro Radio wherever you go! Subscribe today, and share it with your friends! ——————— As these shows have been in the public domain for quite some time, the audio quality of these episodes can vary. So don't adjust your dial… it's most likely the audio file itself :) Disclaimer: The content featured here originated from the “Golden Age of Radio” (1920-1962), and may contain racial, ethnic, and gender stereotypes that are incompatible with our values today. They were wrong then, as they are today. These representations do not reflect the views of Retro Radio and are presented here solely for historical, educational, and/or entertainment purposes. We denounce any form of discrimination and aim to foster a respectful and inclusive atmosphere, while still respecting the talent, entertainment value, and historical value these recordings may bring. Please approach this material with sensitivity, recognizing that they may reflect attitudes of its time. Your engagement with this content is appreciated, and we encourage thoughtful consideration and discussion. —————— Vintage radio classic radioshow OTR old time radio Hollywood movie stars shows suspense detective comedy sci-fi science fiction variety music guest star

Paine Radio ClassicsWe Cannot Say Much of the 'Really Good Stuff' on Here That's Why We Created Paine.tv YOU CAN CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** GET the Intel that's Too Hot For Anywhere Else at P A IN E. TV CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** ...This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5788750/advertisement

VOLUCAP: CAPTURING THE FUTURE, 7min., China Directed by Susie Song, Anatole Hou Yeung Sloan Volumetric capture is an emerging form of video technology that delivers a close to the real experience, made the viewer feels like it is part of it. A German startup that is pushing the limits of what is feasible, which is one of the leading companies in the Volumetric capture field. The firm's is currently focus on the film industry, such as The Matrix Resurrections, is one of the movies in which has used the Volucap's. The film unfolds the founder Sven Bliedung's big idea and challenging journey. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

This week, Gilly is talking to Alexina Anatole about the least pleasant of our five tastes: bitter. Or is it?Alexina's series of cookbooks on the five tastes: Bitter, Sweet, Salty, Sour and Umamia is a step-by-step exploration of flavour, and an impressive start to a what looks like a masisve career for this bright young spark who swapped the trading floor for Masterchef in 2020. In the first book, Bitter, she sets out to tame bitterness, showing us how to soothe it with dairy, balance it with sweetness and distract it with acidity. But Gilly quickly became much more interested in this super-driven polymath of a woman who has everything food TV needs right now.Pop over to Gilly's Substack to hear more of Alexina's hidden talents. Hosted on Acast. See acast.com/privacy for more information.

We dig into some substantial British cinema offerings in a Lilli Palmer Acteurist Oeuvre-view episode that's heavy on wartime themes: Thunder Rock (1942), a philosophical examination of the disillusionment of a leftist; dramatically illustrated in a surprising way; The Gentle Sex (1943), Leslie Howard's eccentric and affecting semi-documentary about women in the British Army; and English Without Tears (1944), Terence Rattigan and Anatole de Grunwald's examination of the transformations taking place in British society as the result of the war in the form of a romantic comedy with a slightly kinky outlook (but don't tell Aunt Edna). Lilli Palmer contributes her comedic and dramatic talents and the gravitas of her personal history to these wonderful ensemble casts.  Time Codes: 0h 00m 45s:      THUNDER ROCK (1942) [dirs. Roy & John Boulting] 0h 46m 08s:      THE GENTLE SEX (1943) [dir. Leslie Howard] 0h 59m 38s:       ENGLISH WITHOUT TEARS (1944) [dir. Harold French] +++ Reading on THUNDER ROCK from Halliwell's Harvest by Leslie Halliwell +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Formé en 2014, le groupe Parcels est composé de cinq jeunes talentueux, aux horizons divers : Jules Crommelin guitariste, Noah Hill bassiste, Louie Swain et Patrick Hetherington au piano et synthétiseur et enfin Anatole Serret à la batterie, que nous recevons ce soir. Anatalo Serret présente sa sélection de musiques électronique, à l'image du prochain projet du groupe "Live Vol. 2" qui sortira le 20 octobre. Un album live, enregistré dans la mythique salle parisienne Le Palace. Le premier single Reflex est déjà disponible sur les plateformes. https://parcelsmusic.bandcamp.com/track/reflex-from-le-palace-paris-1TRACKLISTChris & Cosey - October (Love Song)Hot Chip - Fire Of Mercy (yunè pinku remix) L'Rain - Pet Rock COUCOU CHLOE - Beef It Up ft. 645ARLe disque de 19h22 (envoyez votre proposition, un morceau aux couleurs Nova Club, à @davidblot sur Instagram!) :Terry Callier - I Don't Want To See Myself (Kings of tomorrow vocal mix)Parcels - Comingback Parcels - Thefear - from le Palace, ParisNew Order - Blue Monday (Live)Baraka - Panguipulli (rework)Spray - CeathairJennifer Paige - Crush (dance mix)IN2STELLAR - Body BeatStrike - U Sure DoMariah Carey - Emotions C&C Dub-Dub MixPeppersonic - Time to FlyParcels - Reflex - from le Palace, Paris Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week I had the opportunity to talk with Katie Brooks, one of the co-chairs of this year's Partners Card supporting The Family Place. We discussed the impactful work done by The Family Place, a lifeline for victims of domestic violence since 1978.What really struck me is how deep and wide the impact of The Family Place is. They don't just focus on women; they also offer resources for men and children, and even shelter for animals. They're about supporting the entire family unit in getting back on their feet. Mark your calendars for the Trailblazers Luncheon on October 10th at the Anatole, featuring the inspirational Brooke Shields as the speaker! Honoring Ryan Rogers of Mary Kay, this luncheon is a chance to learn more about the trailblazers making The Family Place a safe haven for families in need.Partners Card kicks off on October 27th! Enjoy a 20% discount at over 750 stores while making a real difference. There are several ways to purchase a Partners Card and contribute to this amazing cause, you can purchase one at https://www.familyplace.org/partners-card/home, look for community sellers in local stores and The Bubble Lounge Podcast will have a contest and two lucky winners will receive a Partners Card. It's a win-win, my friends. You get great deals and you're helping those in need. This episode sponsored by Cram Crew and SA Oral Surgeons. To learn more and to book an appointment visit https://cramcrew.com/ and https://www.saoralsurgeons.com/

Chaque mois, Solène Rigoulet du podcast Friendship nous propose une chronique : recommandation, coup de cœur ou encore reportage sur le podcast, elle a carte blanche !Ce mois-ci Solène présente un podcast qu'elle a adoré : Classé FClassé F c'est quoi ? C'est un thriller audio pour informer sur la déforestation. C'est la première série audio produite par une ONG. Une série en 6 épisodes d'une dizaine de minutes. Un thriller qui se déguste comme une bonne série Netflix. Une série audio composée d'un casting 5 étoiles : Alice Isaaz, Sandor Funtek, Lou Howard, Barbara Tissier, Anatole de Bodinat, Jérémie Covillaut et Michel Derain. Avec Classé F, plongez au coeur des scandales politiques !Partagez aussi vos recos sur le compte de Génération Podcast ou directement auprès de Solène !Ecriture, montage, mixage et habillage : Solène Rigoulet Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In today's podcast Kate expertly cut out the earlier part of the show where I presented a book to her only to find that we'd done it already. 20 minutes later I was back, and the book I had in hand was today's title, Anatole by Eve Titus, illustrated by Paul Galdone. This is our first Titus and our second Galdone (we did The Tailypo for Halloween one year). We talk about why Anatole never reached the same heights of fame as such series as Madeline or Eloise, why this is the less famous of Eve Titus's fictional rodents, and this book's connections to Ratatouille. This is a Post WWII-France where if you want to feed your family you have to create your own job in the marketplace. Some of us can relate. Show Notes:Here's the BBC's 100 Greatest Children's Books of All Time. The very very white list. Many a fine book is on here BUT . . . whaaa? https://www.bbc.com/culture/article/20230522-the-100-greatest-childrens-books-of-all-time In case you doubt me, there was indeed an Anatole TV series. And its animation was . . . abysmal: https://youtu.be/VTZWuAhUp4g For the full Show Notes please visit: https://afuse8production.slj.com/2023/06/05/fuse-8-n-kate-anatole-by-eve-titus-ill-paul-gadone/

On this episode of The Literary Life Podcast with Angelina Stanford, Cindy Rollins, and Thomas Banks, are introducing P. G. Wodehouse's entertaining book, Code of the Woosters. This week they will cover chapters 1-4. Our hosts start the conversation sharing some interesting tidbits about P. G. Wodehouse the man, as well as the Wodehousian world in general. Then they begin discussing the story, highlighting Bertie's code of manners that sets up so many problematic situations and Jeeves' unflappable mastery of every circumstance. Find annotations for the slang, quotes, etc., for The Code of the Woosters here. To find out more about Thomas' summer class on G. K. Chesterton and sign up for that, go to houseofhumaneletters.com. To register for Cindy's summer discipleship session, visit morningtimeformoms.com. Commonplace Quotes: A craftsman is excellent in his craft according to his degree of attainment towards its end and his use of the means toward that end. Now the end of writing is the production in the reader's mind of a certain image and a certain emotion. And the means towards that end are the use of words in any particular language; and the complete use of that medium is the choosing of the right words and the putting of them into the right order. It is this which Mr. Wodehouse does better, in the English language, than anyone else alive, or at any rate, than anyone else that I have read for many years past. Hilaire Belloc Mr. Wodehouse has created Jeeves. He has created others, but in his creation of Jeeves he has done something which may be respectably compared to the the world of the Almighty in Michelangelo's painting. He has formed a man filled with the breath of life…If in, say, fifty years Jeave and any other of the that great company – but in particular Jeeves – shall have faded, then what we have so long called England will no longer be. Hilaire Belloc For Mr. Wodehouse there has been no fall of Man; no ‘aboriginal calamity.' His characters have never tasted the forbidden fruit. They are still in Eden. The gardens of Blandings Castle are that original garden from which we are all exiled. The chef Anatole prepares the ambrosia for the immortals of high Olympus. Mr. Wodehouse's world can never stale. He will continue to release future generations from captivity that may be more irksome than our own. He has made a world for us to live in and delight in. Evelyn Waugh [This critic] has probably by now been eaten by bears, like the children who made mock of the prophet Elisha; but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have outgeneraled the man this time by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy. P. G. Wodehouse from In Memoriam A. H. H. by Alfred, Lord Tennyson I held it truth, with him who sings To one clear harp in divers tones, That men may rise on stepping-stones Of their dead selves to higher things. But who shall so forecast the years And find in loss a gain to match? Or reach a hand thro' time to catch The far-off interest of tears? Let Love clasp Grief lest both be drown'd, Let darkness keep her raven gloss: Ah, sweeter to be drunk with loss, To dance with death, to beat the ground, Than that the victor Hours should scorn The long result of love, and boast, `Behold the man that loved and lost, But all he was is overworn.' Books Mentioned: The Man Who Was Thursday by G. K. Chesterton Summer Lightning by P. G. Wodehouse Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

“Fuis-moi je te suis, suis-moi je te fuis”. Que ce soit Mamie Josette ou votre ami Sofian qui vous conseille sur vos relations amoureuses, iels vous ont sûrement déjà glissé l'astuce suivante : il ne faut pas témoigner trop d'attention aux personnes qui nous plaisent, au risque de ne pas se rendre assez attirant·e auprès d'elles. Mais sommes-nous vraiment condamné·e·s à ces schémas de désir, qui vont parfois à l'encontre de nos besoins ?Dans cet épisode, la journaliste Edie Blanchard discute avec ses ami·es Alexandra et Anatole d'un de leur sujet favori : l'attirance sexuelle et ses pénibles contradictions au 21ème siècle, ainsi qu'avec Milena, qui vit dans une relation tout à la fois saine et excitante. Accompagnée de Coraline Delebarre, psychologue et sexologue et Isabelle Clair, sociologue et directrice de recherche au CNRS, Edie Blanchard explore les mécanismes qui forgent nos désirs, et les horizons possibles. Pour aller plus loin : L'ouvrage de Isabelle Clair, Les Choses sérieuses. Enquête sur les amours adolescentes, aux éditions du SeuilL'ouvrage d'Eva Illouz, Pourquoi l'amour fait mal, aux éditions du SeuilLes ouvrages de Daniel J. Siegel et Tina Payne Bryson L'attachement et Le cerveau de votre enfant aux éditions Les Arènes.Edie Blanchard a tourné et écrit cet épisode. Mélody Wattez en a fait le montage. La réalisation sonore était de Clémence Reliat. Lena Coutrot est la productrice d'Émotions, accompagnée d'Elsa Berthault. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.