What are you reading, loving or being challenged by? We review the latest in fiction for dedicated readers and for those who wish they read more and join out monthly Book Club on Facebook.
Australian dystopias, historical shipwrecks and women's lives in Oman: reading Claire G Coleman's Enclave, Jokha Alharthi's Bitter Orange Tree and Jess Kidd's The Night Ship with guests novelist Sally Piper and essayist Eda Gunaydin; and Jane Rawson on her A History of Dreams and its influences
Reading Alexis Wright's Carpentaria and Patrick White's The Vivisector with critic Geordie Williamson - and with words from the writers themselves, as well as other voices and commentators from the ABC Archives
Vale Frank Moorhouse, journalist, essayist, shortstory writer and novelist. Remembering the writer with his friend, Angelo Loukakis, and with archival interviews from 1980 (The Everlasting Secret Family) and 2000 (Dark Palace, the second in the Edith Campbell Berry trilogy, which went on to win the 2001 Miles Franklin Literary Award)
A tough and poetic family story of the Métis (Michif) people of Canada in Katherena Vermette's The Strangers; and exclusion and compassion in Australian history, with a novel set in a lazaret, in Eleanor Limprecht's The Coast (read by historian Dr Ian Hoskins)
Three books by Australian authors: crime in Sydney in Matthew Spencer's Black River; rewriting a sidelined character from a classic of modernism, in Michelle Cahill's Daisy and Woolf, and friendship and exile in an Orthodox Jewish community in Melbourne in Ashley Goldberg's Abomination, with guests writer Kari Gislason and literary interviewer Michaela Kalowski
Reading Geraldine Brooks' Horse, Leila Mottley's Nightcrawling and Zaheda Ghani's Pomegranate and Fig with journalist, music writer and memoirist Mawunyo Gbogbo (Hip Hop and Hymns) and CEO of the Australian Muslim Women's Centre for Human Rights, Diana Sayed
Reading Gillian Mears' 2011 novel Foal's Bread and Craig Sherborne's recent release The Grass Hotel with critic and biographer Bernadette Brennan and writer and cultural historian Luke Stegemann
Reading Brendan Colley's The Signal Line, Louise Kennedy's Trespasses, Lauren John Joseph's At Certain Points We Touch and Jonathan Bazzi's Fever with novelists Nigel Featherstone (My Heart is a Little Wild Thing) and Ellie O'Neill (Family Matters)
Why do we read and reread? And how does rereading read us? From the Sydney Writers Festival, Kate was onstage with bibliomemoirist Ruth Wilson and scholar Bernadette Brennan
In front of an audience, and with plenty of book recommendations, Kate and Cassie are onstage with historian and biographer Jackie Huggins and novelists Damon Galgut and George Haddad
Reading Steve Toltz's Here Goes Nothing, Emiliano Monge's What Goes Unsaid and Dominique Wilson's Orphan Rock with Lauren Chater (The Winter Dress) and Jonty Claypole (Words Fail Us: In Defence of Disfluency)
Reading Paddy O'Reilly's Other Houses, Patrick Gale's Mother's Boy and Norman Erikson Pasaribu's Happy Stories, Mostly with writers Ennis Ćehić (Sadvertising) and Hilde Hinton (A Solitary Walk on the Moon)
Reading Jennifer Egan's 2010 novel A Visit from the Goon Squad and her newly-released The Candy House, with rock'n'roll reader Tim Rogers and novelist Rhett Davis
Cassie is away this week, so Kate is joined by the ABC's Tiger Webb: reading Emily St John Mandel's Sea of Tranquility, Steven Carroll's Goodnight, Vivienne, Goodnight, and Mona Awad's All's Well, with novelist Rhett Davis and critic Nicole Abadee
Reading Douglas Stuart's Young Mungo, Julian Barnes' Elizabeth Finch and Charmian Clift's Sneaky Little Revolutions: Selected Essays with writers Nadia Wheatley and Ruth Wilson (The Jane Austen Remedy)
Reading Jessica Au's Cold Enough for Snow, John Darnielle's Devil House and Julie Otsuka's The Swimmers with novelists Anna Downes and Diana Reid.
Children, violence, landscape, and powerful and strange writing: we're talking fiction from New Zealand with the director of Wellington's Verb Writers' Festival Claire Mabey and novelist Sam Coley. Rereading Keri Hulmes' The Bone People from 1984 and the newly-released The Fish by Lloyd Jones. Passion, laughter, and even some tears
Children, violence, landscape, and powerful and strange writing: we're talking fiction from New Zealand with the director of Wellington's Verb Writers' Festival Claire Mabey and novelist Sam Coley. Rereading Keri Hulmes' The Bone People from 1984 and the newly-released The Fish by Lloyd Jones. Passion, laughter, and even some tears
Reading Mexican writer Fernanda Melchor's Paradais, Australian Toni Jordan's Dinner with the Schnabels and English debut novelist Tom Watson's Metronome
Reading Robert Lukins' Loveland, Kári Gíslason's The Sorrow Stone and Harlan Coben's The Match with crime writer Loraine Peck (The Second Son) and mediaeval Icelandic literature specialist Lisa Bennett
Reading Irish novel The Colony by Audrey Magee, and two New Zealand novels, Becky Manawatu's Auē and Sue Orr's Loop Tracks, with guests publisher Jemma Birrell and novelist Lyn Yeowart
Reading Monica Ali's 2003 debut novel, Brick Lane and latest release, Love Marriage with guests writer Roanna Gonsalves and RN's Richard Aedy. Love, marriage, migration, displacement, drama, storytelling.
Western Sydney, coastal Victoria and nineteenth-century America: reading Omar Sakr's Son of Sin, Karen Joy Fowler's Booth and Aoife Clifford's When We Fall with guests historian Ethan Blue and crime afficionado Felix Shannon
Reading Sequoia Nagamatsu's How High We Go in the Dark, Juhea Kim's Beasts of a Little Land and Claudia Durastanti, Strangers I Know with guests Melissa Fulton from The Big Issue and literary studies academic Julian Novitz
Reading Emily Brugman's The Islands, Vanessa Len's Only a Monster and Hélène Gaudy's A World With No Shore (translated by Stephanie Smee) with writers Michelle Law and Molly Murn
Reading Daphne du Maurier's 1938 novel, Rebecca, and Graeme Macrae Burnet's Case Study (which includes a character in the mid 1960s who takes on a Rebecca persona in direct response to du Maurier's novel) - with guests literary lecturer Susannah Fullerton and crime writer Chris Hammer
Reading Hanya Yanigahara's To Paradise, Gary Shteyngart's Our Country Friends and Nikki May's Wahala with novelist and critic Jessie Tu and poet and performer Geoff Forrester (whose alter ego, Tug Dumbly, also offers up a poem)
A special edition of The Bookshelf, with writer Pip Williams speaking to Kate about her career, research, year in Italy, and interest in the history of words and their visibility, leading to the novel The Dictionary of Lost Words (a conversation from the 2021 Brisbane Writers Festival, online).
Kate and Cassie read Hannah Kent's Devotion; RN's Daniel Browning reads Caleb Azumah Nelson's Open Water; novelist Rashida Murphy reads Sunjeev Sahota's China Room; and novelist Aravind Adiga on Australian fiction
Reading, writers, family, art and mentors in Siri Hustvedt's essay collection, Mothers, Fathers and Others; and dissipating ghosts, cities and stories in Jennifer Mills' The Airways
Kate and Cassie read Patricia Lockwood's No One is Talking About This; Eugen Bacon on Suyi Davies Okungbowa's Son of the Storm; a story from Ann Patchett's These Precious Days; Simon Winchester discussing Anthony Trollope in remote China; and Jay Kristoff on the books that shaped his latest, Empire of the Vampire
Tilly Lawless on her debut novel Nothing but My Body, and her reading inspiration; and Jon McGregor on aphasia and Antarctica, in his Lean Fall Stand
Kate and Cassie on James Ellroy's Widespread Panic; Debra Oswald on Jhumpa Lahiri's Whereabouts; Robert Gott on Guillermo Martinez' The Oxford Brotherhood and Charlotte McConaghy with the Bookshelf that Made Me (and her book, Once There Were Wolves)
Crime writers R W R McDonald (The Nancys, Nancy Business) and Jacqueline Bublitz (Before you Knew My Name) on the books that they are writing against, in concert with, inspired by, and so on (it's a complicated business).
Biographer Bernadette Brennan on why we should read and know Australian writer Gillian Mears; music writer Mark Mordue on Taylor Jenkins Reid's Malibu Rising, and mediaevalist Louise D'Arcens on a new translation of Beowulf
A fictional biography of German Nobel Prize winning writer Thomas Manne (and his extraordinary family) by Irish writer Colm Tóibín, with The Magician; and a roadtrip across America in Emily Gale's Wild Abandon. But what do these writers read?
A new interview with Elizabeth Strout about Oh, William! and the Bookshelf that Made Her; and favourite review discussions from the year about Jane Austen, Joan Silber and Kevin Barry with readers Ruth Wilson and Michael McGirr
Writers and their bookshelves. Sarah Winman's Still Life moves between England and Florence, while Nick Earls' Empires travels from Brisbane to Alaska, London, Vienna and Hong Kong. But what are the books that shaped these novels and these writers?
What are the books that have shaped these writers and (in particular) their latest works? Ken Follett, Rose Tremaine, Amie Kaufman & Jaclyn Moriarty
Reading recommendations from writer and critic Beejay Silcox, crime writer Christian White and memoirist Lech Blaine. What are the books they have especially admired this year?
Actor Claudia Karvan speaks to Kate Evans about her reading life and the Books That Made Us
Reading John Hughes' The Dogs and Kate Grenville's The Secret River with historian David Hunt and writer and philosopher Michael McGirr
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. In 2007 Alexis Wright won the Miles Franklin Award for her epic novel Carpentaria, set in and around the mythical town of Desperance in Queensland's Gulf Country.
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. In True History of the Kelly Gang Peter Carey took a mythic Australian story and turned it into a Booker Prize winning novel.
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. With his first two novels Richard Flanagan had already garnered a reputation as great author. But then in 2001 the Tasmanian writer consolidated his literary reputation, and his gift for great titles, with Gould's Book of Fish.
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. The politics and philosophy of tourism are at the core of Michelle de Kretser's book Questions of Travel which charts the lives of two characters living worlds apart.
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. Monkey Grip ushered in a new voice in Australian Literature. Released in 1977 it was Helen Garner's first novel and the first time Australians had read such a frank account of bohemian life in Melbourne's inner north.
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. That Deadman Dance was published in 2010 and is the third novel from Miles Franklin winner Kim Scott. Set in the Western Australian whaling port of Albany in the early 1800's it's an exploration of culture, first impressions, and the so called 'friendly frontier'.
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. Kate Grenville's The Secret River released in 2005 became an instant classic, inspiring a sequel, a television series, and a theatre production.
Reading recommendations from writers Emily Gale and Tristan Bancks (both of whom write for both teens and younger readers); and the Books That Made Us Youth Fiction Prize. (Part 2 of our best reads recommendation on 10 December)
On Christos Tsiolkas' 7 ½: A Novel, Violet Kupersmith's Build your House Around my Body and Jason Mott's Hell of a Book with comedian and writer Matt Okine and writer and producer Sheila Ngọc Phạm