Podcast appearances and mentions of gabriel urbina

Brought to you by the team that brought you Wolf 359, you know it's going to be good. Faith Adler has crossed the country to spend the summer in NYC. There she meets David, and the two of them quickly get mired in ... something. It's complicated. Together with friends Tori, Matt, and Ginah, Faith and David navigate situationships, friendships, found family, and all the messiness of being young. Faith is a DJ, and that pretty much describes how she approaches life — willing to scratch, skip, mute, sample, and even reverse until things start to make some sort of sense. If you love Community, High Fidelity, and Fleabag, this show definitely has your name on it. Listen to the Director's Intro with Gabriel Urbina, then head over to Audible for the full listen. You're gonna love it! You can find it at www.hitsingles.show. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode, we're joined by two of the creatives behind the wonderful new fiction podcast Hit Singles, creator Gabriel Urbina and composer Jeremy Warmsley. We discuss the show's development, the importance of writing music that can be used for multiple moments versus themes, the difference in composing for podcasts vs. films and television, how to DJ a Christian Rave, and much, much more. Join us, won't you, as we discuss Hit Singles. Listen to Hit Singles here: https://www.audible.com/pd/Hit-Singles-Audiobook/B0DYGL75BF?source_code=ASSGB149080119000H&share_location=pdp More of Gabriel's work can be found here: https://www.gabrielurbina.com/ More of Jeremy's work can be found here: https://jeremywarmsley.com/ You can find the Falling Tree/Joe Dunthorne podcast Jeremy discusses in the interview here: https://www.bbc.co.uk/programmes/m002c4x0 Gabriel's BlueSky account can be found here: https://bsky.app/profile/gabrielurbina.com Gabriel's tumblr can be found here: https://www.tumblr.com/blog/gabrielurbinatm My Big Score was created and hosted by Christopher Dole. Our producer, editor, and social media consultant is Ellie Warren. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod. Do you like this show? Do you want to help us make more of it? There are so many ways you can do that! The quickest and easiest way is to toss us a few dollars on Patreon at https://www.patreon.com/mybigscore. You'll get early access to episodes and additional bonus material. And if you like the show, share it with your friends, any way that you can!

That's right - our old friends Eiffel and Hilbert are back with important news! There's a new audio fiction series called Hit Singles, created by Wolf 359 creator Gabriel Urbina and produced by Urbina, Sarah Shachat, and Zach Valenti! It's a romantic comedy all about friendship, love, the struggles of trying to make it in a big city, and loving music way too much. You can listen to the show over on Audible. If you have an Audible Plus membership, you can listen to it at no additional cost. (And if you still have a free trial, you can listen to it for free for 30 days.) Besides the show's three producers, you'll also hear Wolf 359 alumni Noah Masur, Zach Libresco, Michelle Agresti, and Mary Kate Wiles in the series. (As well as veterans from many of our sibling series, such as The Bright Sessions, Life With Leo(h), and 36 Questions!) It was a real labor of love, and we'd love to help it find as wide an audience as it can. So please check it out, and, if you love it as much as we think you will, please leave a rating and a review. Here is the official description for Hit Singles: From the creators of the hit audio drama Wolf 359 and with original music by Jeremy Warmsley comes a modern story about friendship, love, and chosen family starring Evangeline Young (Emergence), Nicholas Podany (Harry Potter and the Cursed Child), Simone Policano (Blue Bloods), Julia Rehwald (Fear Street), Briggon Snow (Masters of Sex) and a full cast. A captivating listen perfect for fans of New Girl and High Fidelity. When struggling DJ Faith Adler comes to couch surf with her best friend Tori in NYC, she finds herself drawn into the world of Tori's eclectic friend group. Right from her chaotic first night, Faith's new friends take her under their wing and help her navigate the ups and downs of trying to make it as an artist in the big city. There's Tori, the bubbly one; Ginah, the high-strung but loyal one; Matt, the flirtatious one; and David, the cynical one. Tori and Ginah's apartment becomes a sanctuary where lasting bonds are forged over late nights, drink-filled conversations, impromptu dance parties, and the occasional Sense and Sensibility marathon. Falling in love definitely isn't part of Faith's plan, but that all changes when she meets David, a former law student (and current bartender) who has recently come to the conclusion that romance is for suckers and sworn it off altogether. From the moment they meet at a New Year's in the Summer party, their will-they-or-won't-they chemistry is electric. As Faith and David grow closer over whiskey-soaked nights and heart-to-heart talks on the fire escape, their flirtation deepens into something more meaningful. Are they friends? Lovers? Romantic partners? Casual sex acquaintances? The answer is, simultaneously, all and none of the above. Let the overthinking commence! With rich character development and an ensemble cast that feels like friends you've known forever, Hit Singles deftly balances comedy, romance, and poignant drama. It's a beautifully rendered celebration of the family we choose, the cities that choose us back, and the life-altering power of human connection. * * * Today's message features the sound effect UI Seatbelt Signal by newlocknew. (UI_Seatbelt signal similar(Sytrus,Eq,chrs,flngr,xctr,rvrb).wav by newlocknew -- https://freesound.org/s/568785/ -- License: Attribution 4.0) Learn more about your ad choices. Visit megaphone.fm/adchoices

That's right - Blackstar agent and magical detective Edmond LaValle is back! And he's here to share important news! There's a new audio fiction series called Hit Singles, made by Unseen creators and co-producers Zach Valenti, Sarah Shachat, and Gabriel Urbina! It's a romantic comedy all about friendship, love, the struggles of trying to make it in a big city, and loving music way too much. You can listen to the show over on Audible. If you have an Audible Plus membership, you can listen to it at no additional cost. (And if you still have a free trial, you can listen to it for free for 30 days.) Within the show's episodes, you'll hear a lot of familiar voices from the world of podcasting - lots of alumni from previous Long Story Short shows and from our beloved sibling series like The Bright Sessions. It was a real labor of love put together by an amazing team, and we'd love to help it find as wide an audience as it can. So please check it out, and, if you love it as much as we think you will, please leave a rating and a review. Here is the official description for Hit Singles: From the creators of the hit audio drama Wolf 359 and with original music by Jeremy Warmsley comes a modern story about friendship, love, and chosen family starring Evangeline Young (Emergence), Nicholas Podany (Harry Potter and the Cursed Child), Simone Policano (Blue Bloods), Julia Rehwald (Fear Street), Briggon Snow (Masters of Sex) and a full cast. A captivating listen perfect for fans of New Girl and High Fidelity. When struggling DJ Faith Adler comes to couch surf with her best friend Tori in NYC, she finds herself drawn into the world of Tori's eclectic friend group. Right from her chaotic first night, Faith's new friends take her under their wing and help her navigate the ups and downs of trying to make it as an artist in the big city. There's Tori, the bubbly one; Ginah, the high-strung but loyal one; Matt, the flirtatious one; and David, the cynical one. Tori and Ginah's apartment becomes a sanctuary where lasting bonds are forged over late nights, drink-filled conversations, impromptu dance parties, and the occasional Sense and Sensibility marathon. Falling in love definitely isn't part of Faith's plan, but that all changes when she meets David, a former law student (and current bartender) who has recently come to the conclusion that romance is for suckers and sworn it off altogether. From the moment they meet at a New Year's in the Summer party, their will-they-or-won't-they chemistry is electric. As Faith and David grow closer over whiskey-soaked nights and heart-to-heart talks on the fire escape, their flirtation deepens into something more meaningful. Are they friends? Lovers? Romantic partners? Casual sex acquaintances? The answer is, simultaneously, all and none of the above. Let the overthinking commence! With rich character development and an ensemble cast that feels like friends you've known forever, Hit Singles deftly balances comedy, romance, and poignant drama. It's a beautifully rendered celebration of the family we choose, the cities that choose us back, and the life-altering power of human connection. * * *

Today, we're excited to share a teaser for our Member's Only content! If you'd like to hear more, we hope you'll join us as a member here: You can get an ad-free feed and bonus material for the show by joining our Membership program here! Your membership is what allows us to keep making World Gone Wrong~ === Join Eleanor Hyde, Michael Turrentine and Gabriel Urbina as they discuss the making of Chapter 4 of World Gone Wrong. Our theme song is "Falling in love at the end of the World" by Olivia and the Lovers. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an emergency update- === You can get an ad-free feed and bonus material for the show by joining our Membership program here! A transcript for this episode can be found here. Content advisories for this episode can be found here. Credits: Malik: Michael Turrentine Jamie: Hilary Williams Written by Gabriel Urbina, directed by Michael Turrentine and Hilary Williams, edited by Jeffrey Nils Gardner. Our theme song is "Falling in Love at the End of the World" by Olivia and the Lovers. Created and produced by Eleanor Hyde and Jeffrey Nils Gardner. From Audacious Machine Creative. Learn more about your ad choices. Visit megaphone.fm/adchoices

"One of my favorite clients. And one that I had a rather... extended relationship with." 833. Anno Domini. Western Europe. On the shores of the Mediterranean... Featuring Méabh de Brún as Queen Basilia, Alan Burgon as The Interviewer, Julia C. Thorne as Alvina and Torgny G Anderaa as Nestor. The Amelia Project is a production of Imploding Fictions. The episode was written by Gabriel Urbina of Wolf 359 and Dracula Danse Macabre, with direction by Philip Thorne and Oystein Brager, dialogue editing by Philip Thorne, sound design by Paul Kraner, music by Fredrik Baden, production assistance by Maty Parzival and graphic design by Anders Pedersen. Website: https://ameliapodcast.com/  Transcripts: https://ameliapodcast.com/season-5  Patreon: https://www.patreon.com/ameliapodcast Donations: https://ameliapodcast.com/support Merch: https://www.teepublic.com/stores/the-amelia-project?ref_id=6148 Bluesky: https://bsky.app/profile/theameliaproject.bsky.social Instagram: https://www.instagram.com/ameliapodcast/ Tumblr: https://www.tumblr.com/ameliapodcast X: https://twitter.com/amelia_podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey. Hey. Hey. We're gonna be okay. === You can get an ad-free feed and bonus material for the show by joining our Membership program here! A transcript for this episode can be found here. Content advisories for this episode can be found here. Credits: Malik: Michael Turrentine Jamie: Hilary Williams Written by Gabriel Urbina, directed by Michael Turrentine and Hilary Williams, edited by Jeffrey Nils Gardner. Our theme song is "Falling in Love at the End of the World" by Olivia and the Lovers. Created and produced by Eleanor Hyde and Jeffrey Nils Gardner. From Audacious Machine Creative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beth Eyre of Wooden Overcoats, 20toMidnight, and more, makes her TNO debut to cover some incredible pre-quest chapters of The Son of Neptune, but also to go on some GLORIOUS tangents. Topics include: maths, Reyson, Gabriel Urbina, Zelda, The Silver Surfer, chess, bunk beds, Natalie Imbruglia, black pudding, The Pomeranian Line, Julia, pant lengths, OCD, Arabella, The New York Yankees, podex, “I took Latin in senior school,” croissants, water canon up the nose guy, maths, Chewsday, Language Tangent Town, Dark Mike, Rule of Threes, “This is the Stuff of Legends,” side quests, Theseus, and more! TNO in Hartford, Baltimore, Richmond and more: www.thenewestolympian.com/liveThanks to our sponsor, Pretty Litter! Get 20% off your first order plus a free cat toy at www.prettylitter.com/olympian  — Find The Newest Olympian Online —• Website: www.thenewestolympian.com• Patreon: www.thenewestolympian.com/patreon• Instagram: www.instagram.com/newestolympian• Bluesky: bsky.app/profile/newestolympian.bsky.social• Facebook: www.facebook.com/newestolympian• Reddit: www.reddit.com/r/thenewestolympian• Twitter: www.twitter.com/newestolympian• Merch: www.thenewestolympian.com/merch — Production —• Creator, Host, Producer, Social Media, Web Design: Mike Schubert• Editor: Sherry Guo• Music: Bettina Campomanes and Brandon Grugle• Art: Jessica E. Boyd — About The Show —Has the Percy Jackson series been slept on by society? Join Mike Schubert as he journeys through the Riordanverse for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over the Greek mythology throughout. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts!

Want to write great fiction podcasts but don't know where to begin? You're not alone! Wolf 359 creator Gabriel Urbina is offering a new and updated version of his acclaimed online workshop, Writing Stories For Sound this February. Join Gabriel on a guided tour of his own journey into understanding audio, as he retraces his steps and revisits the questions he asked as he started writing the first episodes of Wolf 359. He's teaching the workshop twice next month - on Sunday February 2nd and on Tuesday February 4th! But wait! He's also teaching a brand new Masterclass Edition of Writing Stories for Sound - a six-week class where he not only teaches you all the things you need to know to write a great audio fiction pilot, he actually writes a script alongside you. It's the best look into the creative process that brought us Wolf 359 and many other shows you'll ever get! The first round of this online masterclass kicks off February 5th! For more information or to sign up, please visit gabrielurbina.com/classes. * * * TRANSCRIPT OF TODAY'S MESSAGE: (sounds of Eiffel fidgeting, while tense, dramatic music plays) Eiffel: Come on come on come on... where is he? Doctor... (door opens) Eiffel: Ah, Doctor Hilbert! Thank goodness, there you are! I need help.  Hilbert: Officer Eiffel. What seems to be the problem? Eiffel: I - I don't know. I feel like nothing I do sounds the way it ought to. The funny parts aren't funny. The exciting parts aren't exciting. It's like I've lost the script on my whole life.  Hilbert: I see. Do not be worried, Officer Eiffel. Problem is serious but there is simple solution.  Eiffel: Is the great clown Pagliacci in town? Hilbert: Even better. (music abruptly changes, replaced by a more playful melody) Hilbert: Podcast creator Gabriel Urbina is offering online workshop on how to write the great audio fiction.  Eiffel: He is? Hilbert: He is. Is comprehensive journey through the building blocks of gripping podcast stories.  Eiffel: Does it cover the basics of how to write scenes without any visuals? Hilbert: Absolutely. But it goes beyond that. It explains how audio fiction can do things no other medium does, such as making the audience imagine visuals that cannot be seen.  Eiffel: You mean like that weird room in the back of the station, where the walls are painted a color that's darker than black?  Hilbert: Precisely. Or the way you can introduce a new detail into scene and completely change audience's understanding of what was happening.  Eiffel: Oh! Is that why you're dressed up as a Teletubby? To illustrate that concept? Hilbert: Uh... no. I am wearing this for... my own purposes. Do not ask any more questions about the outfit.  Eiffel: I am not going to ask any more questions about the outfit. Well, Doc, I have to say I'm sold.  (a laminated card is placed on the table) Eiffel: Will my insurance cover this? Hilbert: Eiffel, you know very well that Goddard Futuristics does not offer health insurance to independent contractors such as yourself. Eiffel: Awww man... Hilbert: This is Dave and Busters gift card.  Eiffel: But it's still valid!  Hilbert: But: more good news. There are scholarship opportunities available for students and others who need them. Visit website for more information.  Eiffel: (leaving) Amazing. Doc, this sounds exactly like what I needed. How can I repay you?  Hilbert: No need, happy to be of assistance. (lower) Besides, genetic materials nanobots collected while you were in laboratory will be perfectly adequate display of gratitude.  Eiffel: What was that, doc? Hilbert: Nothing, Officer Eiffel, nothing! Enjoy the class! (music changes again, replaced with a bouncy, happy theme) Gabriel Urbina: Writing Stories For Sound, a set of online classes by me, Gabriel Urbina. Seats are now open for one-day workshops on February 2nd and 4th, as well as a brand new six-week masterclass beginning on February 5th. Visit gabrielurbina.com/classes for more info and to reserve your seat today! Learn more about your ad choices. Visit megaphone.fm/adchoices

Oops, maybe Jim Carrey'd too close to the sun === You can get an ad-free feed and bonus material for the show by joining our Membership program here! A transcript for this episode can be found here. Content advisories for this episode can be found here. Credits: Malik: Michael Turrentine Jamie: Hilary Williams Written by Gabriel Urbina, directed by Jeffrey Nils Gardner. Our theme song is "Falling in Love at the End of the World" by Olivia and the Lovers. Created and produced by Eleanor Hyde and Jeffrey Nils Gardner. From Audacious Machine Creative. Learn more about your ad choices. Visit megaphone.fm/adchoices

At least it will be beautiful === You can get an ad-free feed and bonus material for the show by joining our Membership program here! A transcript for this episode can be found here. Content advisories for this episode can be found here. Credits: Malik: Michael Turrentine Jamie: Hilary Williams Written by Gabriel Urbina, directed by Jeffrey Nils Gardner. Edited by Eli Hamada McIlveen. Assistant Director Lauren Grace Thompson. Our theme song is "Falling in Love at the End of the World" by Olivia and the Lovers. Created and produced by Eleanor Hyde and Jeffrey Nils Gardner. From Audacious Machine Creative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pack your rhyming dictionary for this holiday spectacular episode. === You can get an ad-free feed and bonus material for the show by joining our Membership program here! A transcript for this episode can be found here. Content advisories for this episode can be found here. Credits: Malik: Michael Turrentine Jamie: Hilary Williams Written by Gabriel Urbina, directed by Jeffrey Nils Gardner. Edited by Eli Hamada McIlveen. Assistant Director Lauren Grace Thompson. Our theme song is "Falling in Love at the End of the World" by Olivia and the Lovers. Created and produced by Eleanor Hyde and Jeffrey Nils Gardner. From Audacious Machine Creative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tal sits down with Gabriel Urbina (of Wolf 359, Unseen, and Dracula: The Danse Macabre) to discuss Dracula adaptations, audio drama production, and more! You'll hear a trailer for Dracula: The Danse Macabre at the start of this bonus episode. Transcript here. In Dracula: The Danse Macabre, centuries-old vampire Count Dracula leaves his home of Transylvania and comes to the new world, intent on reigning death and destruction upon it. Can Mina Harker and her husband Jonathan find a way to stop him before it's too late? Bram Stoker's classic is reimagined as a four-part audio fiction podcast, its timeless story presented as a dialogue between two of the novel's iconic characters. This bonus episode was made possible by our Patreon supporters! Thanks yall! It featured dialogue editing by Brad Colbroock, with additional production work by Tal Minear. The transcript was done by Tonia Ransom. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. Find us online: Patreon: https://www.patreon.com/redracula Ad Free Feed: bit.ly/dractober Merch: https://store.dftba.com/collections/re-dracula Website: www.ReDracula.live Tumblr: https://www.tumblr.com/re-dracula Bloody Disgusting Website: www.Bloody-Disgusting.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Wolf 359 creator Gabriel Urbina is back to present a quick preview of his new show Dracula: The Danse Macabre. It's a four-part adaptation of Bram Stoker's novel, bringing the horror classic to audio fiction. Performed by just two performers - the incredible Evangeline Young and Change of Mind's Peter Coleman - who bring 15 distinct characters to life, it tells the story of the evil Count Dracula's plan to bring death and destruction to the new world... as well as those who would risk everything to stop him. Featuring a new score from Wolf 359 composer Alan Rodi and sound design by Unwell producer Jeffrey Nils Gardner. To listen to full episodes of Dracula: The Danse Macabre, visit their website or subscribe to the show's feed on Apple Podcasts, Spotify, or Pocket Casts. TRANSCRIPT OF TODAY'S MESSAGE: Gabriel Urbina: Hey everyone. My name is Gabriel Urbina. I'm the creator of Wolf 359, and the co-creator of Zero Hours, Time:Bombs, and Unseen. I'm back here on the feed to send you all a short transmission to tell you about a new audio fiction podcast I've made, and which you can listen to right now. It's called Dracula: The Danse Macabre, and it's a new adaptation of Bram Stoker's novel. Over four episodes, it tells the story of the evil Count Dracula, his plans to leave his home of Transylvania to terrorize the new world, and the married couple who do everything in their power to stop him. It's the timeless horror classic given a new coat of podcast paint for the 21st Century, and the whole thing is performed by just two actors, who together bring 15 different different characters to life.  I wrote every installment of this adaptation, and I also got to work with some amazing people on these four episodes. Our two actors, Evangeline Young and Peter Coleman - the latter of whom you may remember from our Change of Mind special here on Wolf 359 - they are both unstoppable forces of nature. It has a new gorgeous score from Wolf 359 composer Alan Rodi and incredible sound design from Unwell producer Jeffrey Nils Gardner. And I was even able to twist our old friend Sarah Shachat's arm enough that she agreed to come by the studio and direct an episode.  You're about to hear a little preview of the show in just a second, but the first two episodes are actually out right now. So if you find yourself at all intrigued and you need some new spooky content in your life for the end of the year, please consider checking out Dracula: The Danse Macabre. There are links in the episode description for all the places where you can hear it. I hope you'll check it out, I hope you'll enjoy it, and - as always - thank you for listening.  TRANSCRIPT OF THE TRAILER: Woman: The rules that govern the vampire are well known. (Thunder crashes behind her. A storm grows in power beneath the following:) Woman: He does not die, but clings to life forever. (Dark, foreboding music plays beneath her words.) Woman: Having lost his own life, he must steal the life of others by drinking their blood. Woman: If a place is a home, he may only enter after he's been invited in. Woman: He is destroyed by the sun and cowers at the sight of religious symbols. Woman: He can be put to rest by a stake through the heart, or by the removal of his head, or by means of fire. Woman: And when he crosses a mirror... he leaves behind no reflection. Woman: And though the vampire may look like a man, all traces of intelligence vanish upon death, leaving behind nothing but a beast. There are no vampires that can think like a man. Man: None... except for one. (A powerful crash of thunder.) Announcer: Dracula: The Danse Macabre. A four-part fiction podcast event from Gabriel Urbina, the creator of Wolf 359, bringing Bram Stoker's timeless horror classic to audio. Coming November 13th, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

None of us are baseline! For the dumbest reason! === You can get an ad-free feed and bonus material for the show by joining our Membership program here! A transcript for this episode can be found here. Content advisories for this episode can be found here. Credits: Malik: Michael Turrentine Jamie: Hilary Williams Written by Gabriel Urbina, directed by Jeffrey Nils Gardner. Edited by Eli Hamada McIlveen. Assistant Director Lauren Grace Thompson. Our theme song is "Falling in Love at the End of the World" by Olivia and the Lovers. Created and produced by Eleanor Hyde and Jeffrey Nils Gardner. From Audacious Machine Creative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Centuries-old vampire Count Dracula leaves his home of Transylvania and comes to the new world, intent on reigning death and destruction upon it. Can Mina Harker and her husband Jonathan find a way to stop him before it's too late? Bram Stoker's classic is reimagined as a four-part audio fiction podcast, its timeless story presented as a dialogue between two of the novel's iconic characters. A 4-part fiction podcasting event from the mind of Gabriel Urbina, the creator of Wolf 359. Link: https://www.draculathedansemacabre.com RSS Feed: https://feeds.megaphone.fm/draculathedansemacabre

Want to create great fiction podcasts but don't know where to begin? You're not alone! Wolf 359 creator Gabriel Urbina is offering a brand new online workshop, Directing Stories For Sound, as well as a new round of his returning classic, Writing Stories for Sound! This September, join Gabriel on two guided tours of his own journey into understanding audio, as he retraces his steps and revisits the questions he asked as he was taking his first baby steps into the medium with the first episodes of Wolf 359! He's teaching both workshops twice this September. Writing Stories for Sound will be on September 5th at 7:00 PM Eastern and on September 10th at 7:00 PM Eastern. The brand new Directing Stories for Sound will be on September 8th at 2:00 PM Eastern and on September 12th at 7:00 PM Eastern! For more information or to sign up, please visit wolf359.fm/learn. TRANSCRIPT OF TODAY'S MESSAGE: (music plays) Announcer: And now a quick scene from Life on the Hephaestus, Day Four-Hundred and Forty-Nine. (sounds of Hilbert's lab fade in) (the door bursts open) Eiffel: Oh my god, Doctor Hilbert! Thank god, I've found you!  Hilbert: Officer Eiffel. Why are you bursting into my laboratory? There is problem?  Eiffel: Yes, there is huge problem! Minkowski was trying to reset the air regulator in the docking bay and the equipment malfunctioned! Now she's trapped in there and the room's losing O2! I have no idea what to do, you have to come and help me!  Hilbert: No, no, no, no, no - wait one moment.  (music slows down and stops, like somebody unplugged the record player) Hilbert: Hmm... Eiffel: ... uhhh, doc? Hilbert: Eiffel, this is not really working for me. Can I make some suggestions? Eiffel: Uh, sure? Hilbert: When you say there is huge problem, put more emphasis on word huge, yes? Eiffel: Like... there is huge problem? Hilbert: Yes, good, good. And explanation of problem, can you do with more energy? Faster?  Eiffel: Uh, yeah, I think I can give that a try.  Hilbert: Excellent, excellent. And last sentence... is not really coming together. Hmm... How would you feel if instead you say, “I know exactly how to fix this, and I will go take care of it right now.”  Eiffel: ... go take care of it right now... Hilbert: Yes, like that, like that. Here: you leave and come back in. We try from top.  Eiffel: All - all right.  (the door closes as Eiffel leaves) (pause, a new piece of music starts playing) (the door bursts open) Eiffel: Oh my god, Doctor Hilbert! Thank god, I've found you!  Hilbert: Officer Eiffel. There is problem?  Eiffel: Yes, there is HUGE problem! Minkowski was trying to reset the air regulator in the docking bay and the equipment malfunctioned! Now she's trapped in there and the room's losing O2! I know exactly how to fix this, and I will go take care of it right now!  Hilbert: Very good. I'm glad we had this conversation. Eiffel: Me too, but now I gotta go do the thing and save the Commander!   Hilbert: Hmph. Excellent. Is good that I took online workshop on Directing Stories for Sound with Gabriel Urbina. Taught me everything I know on how to define what a scene should and should not be.  (a printer prints out a message) Hilbert: Ahhh, and would you look at that. Urbina is teaching Directing Stories for Sound this September, along with classic Writing Stories for Sound workshop as well. What great opportunity for anyone that wants to learn how to master the power of audio and fiction podcasting.  (the door opens again) Eiffel: Actually, doc, can we try that one more time?  Hilbert: No, Eiffel, scene was good. Leave it alone.  Eiffel: Aww, doc, but - !  Hilbert: Leave it! (the scene and music fade out, jaunty music beings playing) Announcer: Writing Stories For Sound and the brand new Directing Stories for Sound, a set of workshop by Gabriel Urbina. Seats are now open for sessions on September 5th, 8th, 10th, and 12th. Visit wolf359.fm/learn for more info and to sign up.  Learn more about your ad choices. Visit megaphone.fm/adchoices

¿Cómo escribir personajes inolvidables para audio? Los personajes son, sin duda, el alma de la historia. Al igual que en la vida real, los personajes tienen sus propios objetivos, decisiones y, lo más importante, impactan directamente en el desarrollo de la trama. En gran medida, son quienes moldean la dirección de la historia. Sus acciones y creencias son fuerzas poderosas que no pueden manipularse de manera arbitraria. La personalidad y carácter de los personajes son fundamentales. Tienes que escribir a estos personajes de forma única. Ten muy presente que no todos deben tratarse por igual. La diferencia radica en cómo los caracterizas, los haces dimensionales. El desarrollo del personaje es fundamental. Antes de comenzar a escribir, esboza a tus personajes principales con detalle físico, psicológico y social. Esto proporcionará una base sólida para que se desarrollen de manera coherente a lo largo de la historia. Si te gusta Club Mundo Audiolibro, por favor no olvides dejarme 5 estrellas mágicas en iTunes o un Me Gusta en Ivoox y registrarte en www.clubmundoaudiolibro.com para que recibas toda la información que necesitas acerca del audiolibro en español. Muchas gracias por escuchar y ahora sí, voy con el episodio de hoy. Enlaces de interés:  Episodio 141 | Wolf359: un podcast de ciencia ficción Curso Aprende a Escribir para el Oído Curso Escribir Audio Ficción Libro Audiolibros: escribir pensando en audio Formato audio: Audiolibros: escribir pensando en audio La sintonía del podcast pertenece a la Biblioteca Sonora de Youtube. Los efectos de sonido pertenecen a https://freesound.org  

En el episodio de hoy vamos a hablar de Wolf 359, un podcast de ciencia ficción Y me acompaña Gabriel Urbina, su creador, un costarricense afincado en Brooklyn, Estados Unidos. ¿Recuerdas que hablé en un podcast anterior acerca de la estructura en 10 pasos para escribir audio ficción? Pues bien, él es el creador de esta estructura. Gabriel Urbina es escritor de guiones sonoros y es el director creativo y show runner de Wolf 359, una serie de audio ficción que fue nominada al Premio Webby. Y te estarás preguntando, ¿qué son los Premios Webby? Son una serie de premios presentados a los «mejores sitios web del mundo» que son entregados desde 1996. Hay también una segunda serie de premios llamados los premios People's Voice para las mismas categorías dadas por votación popular. Si quieres saber más, te dejo el enlace en las notas informativas. También te dejaré el enlace para que puedas escuchar Wolf359. Está en inglés, pero es muy importante que el eches un oído, para que escuches cómo es el diseño sonoro, cómo es la narración de personaje principal, y otros detalles más.  Pero quién mejor que el propio Gabriel para contarnos su maravillosa trayectoria y hablarnos de su experiencia.  Si te gusta Club Mundo Audiolibro, por favor no olvides dejarme 5 estrellas mágicas en iTunes o un Me Gusta en Ivoox y registrarte en www.clubmundoaudiolibro.com para que recibas toda la información que necesitas acerca del audiolibro en español. Muchas gracias por escuchar y ahora sí, voy con el episodio de hoy. Enlaces de interés: Episodio 140 | Una estructura en 10 pasos para crear audio ficción Wolf359 Premios Webby Curso Aprende a Escribir para el Oído Curso Escribir Audio Ficción Libro Audiolibros: escribir pensando en audio Formato audio: Audiolibros: escribir pensando en audio La sintonía del podcast pertenece a la Biblioteca Sonora de Youtube. Los efectos de sonido pertenecen a https://freesound.org

Want to write great fiction podcasts but don't know where to begin? You're not alone! Wolf 359 creator Gabriel Urbina is offering a new and updated version of his acclaimed online workshop, Writing Stories For Sound this February. Join Gabriel on a guided tour of his own journey into understanding audio, as he retraces his steps and revisits the questions he asked as he was taking his first baby steps into the medium with the first episodes of Wolf 359. He's teaching the workshop twice this month - once on Thursday February 22nd at 7:00 PM Eastern time and once on Sunday February 25th at 2:00 PM Eastern time! For more information or to sign up, please visit wolf359.fm/learn. * * * TRANSCRIPT OF TODAY'S MESSAGE: (sounds of Eiffel fidgeting, while tense, dramatic music plays) Eiffel: Come on come on come on... where is he? Doctor... (door opens) Eiffel: Ah, Doctor Hilbert! Thank goodness, there you are! I need help.  Hilbert: Officer Eiffel. What seems to be the problem? Eiffel: I - I don't know. I feel like nothing I do sounds the way it ought to. The funny parts aren't funny. The exciting parts aren't exciting. It's like I've lost the script on my whole life.  Hilbert: I see. Do not be worried, Officer Eiffel. Problem is serious but there is simple solution.  Eiffel: Is the great clown Pagliacci in town? Hilbert: Even better. (music abruptly changes, replaced by a more playful melody) Hilbert: Podcast creator Gabriel Urbina is offering online workshop on how to write the great audio fiction.  Eiffel: He is? Hilbert: He is. Is comprehensive journey through the building blocks of gripping podcast stories.  Eiffel: Does it cover the basics of how to write scenes without any visuals? Hilbert: Absolutely. But it goes beyond that. It explains how audio fiction can do things no other medium does, such as making the audience imagine visuals that cannot be seen.  Eiffel: You mean like that weird room in the back of the station, where the walls are painted a color that's darker than black?  Hilbert: Precisely. Or the way you can introduce a new detail into scene and completely change audience's understanding of what was happening.  Eiffel: Oh! Is that why you're dressed up as a Teletubby? To illustrate that concept? Hilbert: Uh... no. I am wearing this for... my own purposes. Do not ask any more questions about the outfit.  Eiffel: I am not going to ask any more questions about the outfit. Well, Doc, I have to say I'm sold.  (a laminated card is placed on the table) Eiffel: Will my insurance cover this? Hilbert: Eiffel, you know very well that Goddard Futuristics does not offer health insurance to independent contractors such as yourself. Eiffel: Awww man... Hilbert: This is Dave and Busters gift card.  Eiffel: But it's still valid!  Hilbert: But: more good news. There are scholarship opportunities available for students and others who need them. Visit website for more information.  Eiffel: (leaving) Amazing. Doc, this sounds exactly like what I needed. How can I repay you?  Hilbert: No need, happy to be of assistance. (lower) Besides, genetic materials nanobots collected while you were in laboratory will be perfectly adequate display of gratitude.  Eiffel: What was that, doc? Hilbert: Nothing, Officer Eiffel, nothing! Enjoy the class! (music changes again, replaced with a bouncy, happy theme) Old-Timey Radio Announcer Voice: Writing Stories For Sound, a workshop by Gabriel Urbina. Seats are now open for sessions on February 22nd and 25th. Visit wolf359.fm/learn for more info and to secure your seat today! Learn more about your ad choices. Visit megaphone.fm/adchoices

Te invito a explorar un nuevo método de escritura sonora que consiste en una estructura en 10 pasos para crear audio ficción, según el creador y escritor Gabriel Urbina.   Durante la creación de la mayoría de los guiones sonoros, se puede emplear el Método de los 10 Puntos de Estructura de la Historia como una herramienta ágil y eficaz para esbozar la forma general de una narrativa. Lejos de ser una fórmula rígida, podría decirse que el enfoque se asemeja más a la composición de un tema musical: flexible, adaptable y extraordinariamente variable. He usado como ejemplos los episodios de Las Aventuras de la Capitana Faca y su fiel pero inútil robot de combate M5. Lamentablemente, por falta de presupuesto, solo pude realizar 4 episodios. Pero esta es otra historia que merece ser contada en otro podcast sobre monetización y mecenazgo. Enfrentarse al desafío de mantener cada episodio en sintonía con sus homólogos resultó ser un intrigante rompecabezas. ¿Cómo lograr que cada episodio sintiera que pertenecía a la misma categoría, no solo en cuanto a su duración, sino también en relación con la trama y el desarrollo narrativo? ¿Cómo garantizar que cada episodio sea único y satisfactorio por sí mismo, y al mismo tiempo que mantenga una coherencia y similitud estructural? Si te gusta Club Mundo Audiolibro, por favor no olvides dejarme 5 estrellas mágicas en iTunes o un Me Gusta en Ivoox y registrarte en www.clubmundoaudiolibro.com para que recibas toda la información que necesitas acerca del audiolibro en español. Muchas gracias por escuchar y ahora sí, voy con el episodio de hoy. Enlaces de interés:  Episodio 104: Podcast de Ficción, un mundo en expansión Episodio 106: Podiobooks o novelas por episodio Episodio 113: Audiolibros dramatizados Episodio 115: Audiodramas estilo Hollywood Gabriel Urbina Curso Aprende a Escribir para el Oído Curso Escribir Audio Ficción Libro Audiolibros: escribir pensando en audio Formato audio: Audiolibros: escribir pensando en audio La sintonía del podcast pertenece a la Biblioteca Sonora de Youtube. Los efectos de sonido pertenecen a https://freesound.org    

Dr. Caldwell presses for answers about his new patient, bringing in Oliver Collins to assist. Beatrix is left more uncertain than ever what is real.  Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell.  Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Released into Oliver's care, Beatrix is surprised he's not at all who he appeared to be.  Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell.  Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

An unexpected meeting with Oliver forces Beatrix's decision. A future she can't escape, or a chance to change it all?     Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Beatrix is conflicted about her next steps. Oliver has decoded the latest message from the future. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Timelines collide when Beatrix and Vincent happen upon an unexpected person.   Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Beatrix meets Marie, to discuss the recordings and debate what the future holds for both of them.   Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dr. Caldwell starts to believe the impossible, seeking out Beatrix to alert her to danger. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Peter Roiter sends a message thru time. Beatrix knows she must find Marie Baker.  Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell.  Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Failing in her mission, Beatrix awakes in an airport bathroom in 2012. Taken to a psychiatric hospital she's treated by a doctor with a familiar voice.  Unraveling the past to save the future, Beatrix is Case 63. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell.  Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Beatrix and Vincent decide to trigger their Garnier Maler event. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, Zoë Winters and Arian Moayed. Executive produced by Julianne Moore , Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Supervising producer Alexandra K. Browne. Produced by Katie Pastore, Kayla Stokes, Jennifer Mudge and Rachel Wolf. Sound design and mix by Daniel Brunelle, Daniel Ramirez, and Jonathon Roberts. Recorded at Harbor Picture Company by Bobby Johanson and Beau Emory, and at Grapehouse Studios by Christian A. Petersen and Kristoffer Yde. Sound Supervision and additional recording by Jonathon Roberts. Score by Mowat. “Elisa's Song” by Alejandro Parada and Alcides Vidal. Additional score by Daniel Ramirez. Script consultant Gabriel Urbina. Originally produced by Emisor Podcasting. Additional engineering by Raymond Rodriguez, Francisco Tapia, Alejandro Parada, Alex Vilches, and Tomi Perez. Case 63 is a Spotify Audio Series and a Spotify Studios, FortySixty and Mad Gene Media production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

by Jessica Wright Buha I don't want to forget you Shouldn't this be happy? What I need. Content Advisories for this episode can be found here. A Transcript for this episode can be found here. Support Unwell and HartLife NFP on Patreon at www.patreon.com/hartlifenfp This episode features: Clarisa Cherie Rios as Lily, LaQuin Grovers as Dale, Mark Soloff as Silas, Marsha Harman as Dot, Symphony Sanders as Young Lily, Sean Williams as Edward Lyle, Jordana Williams as Matilda Lyle, Eli Barraza as Lina Lyle, Hilary Williams as Joey, Anuja Vaidya as Norah, Benjamin Callins as the Woman, Scott Miller as the Man, Dallis Seeker as Grant, Matt Young as Tim, Russ More as René-Robert, Amy More as Louis, David Rheinstrom as Colin Fenwood, Christopher J. Wilson as Tony, Jillian Leff as Selene, Mark Soloff as the Reverend, Joshua K. Harris as Rudy, Eli Hamada McIlveen as the Radio Announcer, Michael Turrentine as Wes, David S. Dear as Thomas Wesley, Mac Rogers as General Wayne, Leeman Kessler as Arthur Warren, Gabriel Urbina as a Firefighter, Bob Raymonda as the Foreman, Russ More and Ben Aldred as the Workers, and Jessica Best as Weepin' Troy. A special thank you to Scott Miller, linguist from the Tribal Preservation office of the Absentee Shawnee Tribe for his consultation and translation work for the Shawnee language in this episode. Written by Jessica Wright Buha, sound design by Jeffrey Nils Gardner, directed by Jeffrey Nils Gardner, assistant director Lauren Grace Thompson, theme music composed by Stephen Poon, recording engineer Mel Ruder, associate producer Ani Enghdahl, Theme performed by Stephen Poon, Lauren Kelly, Gunnar Jebsen, Travis Elfers, Mel Ruder, and Betsey Palmer, produced by haydée r. souffrant, Unwell lead sound designer Eli Hamada McIlveen, Executive Producers Eleanor Hyde and Jeffrey Nils Gardner, by HartLife NFP. Learn more about your ad choices. Visit megaphone.fm/adchoices

Greater Boston is created by Alexander Danner and Jeff Van Dreason with help from T.H. Ponders, Bob Raymonda, and Jordan Stillman. Recording and technical assistance from Marck Harmon. This episode was sound designed by Jeff Van Dreason and written by Alexander Danner, ItMe, Amanda McCormack, TH Ponders, Bob Raymonda, Jordan Stillman, Theo Wolf, and Jeff Van Dreason. Dialogue editing by Bob Raymonda. Portions of this episode were written at The Bridge Sound and Stage with recording engineers Javier Lom and Alex Alinson. CAST In order of appearance, this episode features: Sophie Bjorn as Lucia (she/her) Graham Rowat as Bartender (he/him) Eli McIlvaine as Man In Bar (he/him) Vinay Narani as Fat Stanley (she/her) Adam Raymonda as Stinky Pete (he/him) Neil Johnson as Weasel (he/him) Kenny Garcia as Bruce Bosley (he/him) Jordan Cobb as Valiance Johnson (she/her) Lydia Anderson as Gemma Linzer-Coolidge (she/her) Kelly McCabe as Nica Stamatis (she/her) James Johnston as Dimitri Stamatis (he/him) Nora Van Dreason as Monty Linzer-Coolidge (he/him) James Capobianco as Freed Friend Poletti (he/him) Cornelius Mohr as Sean from Brockton (he/him) Ian DePriest as Brian Brown (he/him) Richard Penner as Thomas Thomas (he/him) Tal Minear as Florence (they/them) Austin Allen as Moving Person (they/them) Cass McPhee as Jimmy (he/him) Tanja Milojevich as Wanda McIntosh (she/her) Tyrell Worrel Jr as Legion Assistant  Daisy Guevara as Kavllyn (she/her) Sam Musher as Emily Bespin (she/her) Rich Zieff as Mayor (he/him) Bonnie Calderwood Aspinwall as Jackie (she/her) Lark Rodenbush as Dina (they/them) Mike Linden as Funeral Director (he/him) Beth Eyre as Autumn West (she/her) Julian Danner as Ada West (he/him) Julia Propp as Louisa Alvarez (she/her) Summer Unsin as Charlotte Linzer-Coolidge (she/her) Mario da Rosa Jr as Isaiah Powell (he/them) Braden Lamb as Leon Stamatis (he/him) James Oliva as Michael Tate (he/him) Jeff Van Dreason as Chuck Octagon (he/him) Sawyer Greene as Frankie (he/him) Ester Ellis as Vincenzo Wellington (he/him) James Capobianco as Professor Paul Montgomery Chelmsworth (he/him) Mike Linden as Marlo (he/him) Clare Lopez as Pauline (she/her) Mike Linden as Guy (he/him) Pat King as Danny Campanelli (he/him) TH Ponders as Rodger (they/them) Jim Johanson as Jonas Wright (he/him) Jordan Stillman as Allison (she/her) Bob Raymonda as Tom (he/they) Eli Barraza as Natalie (she/her) Felix Trench as Mark Wahlberg (he/him) Kristen DiMercurio as Nichole Fonzarelli (she/her) Gabby Hall as Penny (they/them) Rocky Goldman as Jamie (she/her) Ishani Kanetkar as Lily of the Small Urban Community Garden (they/them) Caleb Del Rio as Fox Fossil (he/him) Sarah Shachat as Joey (he/him) Gabriel Urbina as Edgar (he/him) Tau Zaman as Abdul (they/them) Jay Townsend as Oswald (they/them) Josh Rubino as Bernie (he/him) Mama Bang Bang as Candice (she/her) Jessica Washington as Isabelle Powell (she/her) Oliver Morris as Singer (he/him) Jenny Pan as Petal (they/them) Mike Linden as Wendell Jorgenson (he/him) Arun Sanuti as Tyrell Fredericks (he/him) Johanna Bodnyk as Mallory (she/her) James Johanson as Rusty (he/him) Ben Flaumenhaft as Uriah Connolly (he/him) MUSIC Charlie on the MTA recorded by Emily Peterson and Dirk Tiede Pictures of Rivers written by Oliver Morris and Jeff Van Dreason, performed by Oliver Morris Train Jam and Circus Music by Adrienne Howard, Emily Peterson, and Dirk Tiede Eulogy for Leon by TH Ponders Content Notes Multiple discussions of suicide Death Language Intense grief Euthanasia and assisted suicide Emotional distress Collective malaise and sadness Alcoholism and addiction Pet death and sickness Animal cruelty Dedication This season is dedicated to Vicky Anderson, Harry Melia, Ellen O'Keefe, Shreyas Roy, Zachary Winterton, and everyone we've lost these last few years. Greater Boston is a ThirdSight Media Production Learn more about your ad choices. Visit megaphone.fm/adchoices

UNSEEN is the new urban fantasy audio fiction podcast by Long Story Short Productions. The premise behind it is simple: In a world where magic is real but invisible to almost everyone, the few magical beings that do exist struggle, every day, just to be seen. Season one of UNSEEN will feature ten different stories of identity, connection, and personhood (and, of course, magic) in the modern world. Some of them will be thrilling adventures. Others may be sad and melancholic. Some may be creepy and unsettling. Each of them will feature a single performer, guiding the audience through a new, original modern fantasy landscape. Every week, a new story. A new voice. A new glimpse into the world of magic.   Unseen was created by Gabriel Urbina, Sarah Shachat, and Zach Valenti. Learn more at https://www.unseen.show/ And follow the show at https://podcasts.apple.com/us/podcast/unseen/id1536343148 Learn more about your ad choices. Visit megaphone.fm/adchoices

A young woman in London notices a mysterious shop in Covent Garden, one no one else seems to be able to see. She gets a job there, but discovers that nothing - not even magic - can magically fix what's wrong with your life. Starring Dottie James as Harry Winter. Written and Directed by Gabriel Urbina. Script Editing by David K. Barnes. Original Music by Alan Rodi. Sound Design by Zach Valenti. Produced by Sarah Shachat, Zach Valenti, and Gabriel Urbina, along with Angel Acevedo, Jenn Schneider, and Amy Tanguay.  A transcript for this episode is available here. Visit our website for additional information on our show, the team behind UNSEEN, and more episodes. Ad sales by Multitude.  Today's episode is brought to you by BetterHELP, the world's largest online counseling service. As a special offer for UNSEEN listeners, you can get 10% off your first month by visiting betterhelp.com/unseen.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to 2023! In 1997, Andrew Niccol made his directorial debut with Gattaca, a sci-fi dystopia about genetic engineering. Michael Nyman's gorgeous, didactic score portrays the tension between the mathematical precision of the world the characters inhabit, and the aspirations which drive them ever upward. And for Gabriel Urbina (Wolf 359, Unseen), it was the score that first made him realize what film scores could accomplish.   My Big Score was created, hosted, and edited by Christopher Dole. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. Our social media consultant is Ellie Warren. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod.

Session two. Case 63 delves into the goal of his mission: to save the world. But from what? Or from whom? And how will Dr. Knight help? Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore and Oscar Isaac.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session one. Dr. Knight (Julianne Moore) begins therapy with her new patient, an alleged time traveler known as Case 63 (Oscar Isaac). Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore and Oscar Isaac.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design and mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff. Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session three. Case 63 describes the lethal virus, patient zero, and his bleak depiction of the future. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore and Oscar Isaac.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session four. Dr. Knight discovers that, according to Case 63, she is an essential part of his plan to save the world. But, how can she trust a future she doesn't even believe in? Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore and Oscar Isaac.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore, and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session five. Case 63 begins to doubt. Dr. Knight begins to believe. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore and Oscar Isaac.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore, and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session six. The polygraph test. Why is the impossible impossible? Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, and Kelly AuCoin.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore, and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session seven. Dr. Knight decides to drop the case...Case 63. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, and Dariush Kashani.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore, and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff. Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session eight. In an unexpected turn, Case 63 is an impostor. And, for now, he has escaped. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, and Pooya Mohseni.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore, and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Session nine. Intersecting timelines. Dr. Knight surrenders to a plan that science cannot explain. Case 63 has resurfaced to leave a final recording for her. Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore and Oscar Isaac.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore, and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Final session. In an airport, the meeting of all possibilities and all possible universes. But what happens when the future is not exactly what they expected it to be? Case 63, created and written by Julio Rojas. Adapted by Mara Vélez Meléndez. Directed by Mimi O'Donnell. Starring Julianne Moore, Oscar Isaac, Alfredo Narciso, and Zoe Winters.  Executive produced by Julianne Moore, Oscar Isaac, Mimi O'Donnell, Javier Piñol, and Nacho Gil. Produced by Katie Pastore, and Facundo Soler. Associate producers Julie Balefsky, Kayla Stokes, and Tobias Traglia. Sound design & mix by Armando Serrano and Daniel Brunelle. Additional engineering by Jonathon Roberts, Shane Hendrickson, and Steven Tejeda. Recorded at Harbor Picture Company by Mike Rivera and Beau Emory. Sound supervision by Jonathon Roberts. Score by Mowat. Originally produced by Emisor Podcasting. Script consultant Gabriel Urbina. Special thanks to Dawn Ostroff.  Case 63 is a Spotify original audio series and a Gimlet, FortySixty, and Mad Gene Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gabriel Urbina, writer, director, and man of many hats join me to take a big bite out of Buffy The Vampire Slayer.  We chatted about being the only fan of something in town, following in a creator's footsteps, and whether you can separate the writer from the work. Tangents include: the midnight showing of The Avengers, whether absolute power corrupts absolutely, and whether Community would exist without Buffy.  Sign up for my newsletter at our website, tandonproductions.com or on my Twitter (@marissakumari). We'll be back next week with Ashley Quach! 

We are back with Lauren Passell, founder of Tink Media and Podcast The Newsletter. Lauren, ever the overachiever, chose two topics: Calvin & Hobbes, and Disney.  We chatted about Calvin Ball, learning how to let your imagination set you apart from the crowd, and the wonderful world of Disney. Tangents include: the age girls get mean, being an only child, and an epic parenting conundrum.  Read about Lauren winning the Disney Marathon after breaking her hip here. Sign up for my newsletter at our website, tandonproductions.com or on my Twitter (@marissakumari). We'll be back next Wednesday with Gabriel Urbina! 

That Vampire Show premiers Tuesday, May 3, 2022. New episodes air every Tuesday. To access additional story content right now visit: https://tandonproductions.com/that-vampire-show/ Never miss an update. Follow us on social media @thatvampshow and @tandonshows.Support the show: http://tandonproductions.com/support-our-shows