Podcast appearances and mentions of Oscar Isaac

In this episode, we review the latest addition to the mythical lore of Frankenstein with the Netflix original film directed by Guillermo del Toro and starring Jacob Elordi, Mia Goth, Oscar Isaac, and Christoph Waltz, titled Frankenstein. We discuss whether this adaptation of the classic story was done well and debate whether we've been getting too many Frankenstein movies lately. Learn more about your ad choices. Visit megaphone.fm/adchoices

Découvrez l'analyse du récent Frankenstein de Guillermo Del Torro sur la plateforme Netflix par Paul Hébert, expert du réalisateur. Quoi dire de cette nouvelle adaptation de Mary Shelley ? Après le chef d'oeuvre de James Whale, datant de 1931, qui a imposé la figure monstrueuse de Boris Karloff que pouvons-nous faire de nouveau ou de mieux avec la créature de Mary Shelley qui aura également été interprété par Christopher Lee (1957), Robert de Niro (en 1994) ou encore Eddy Mitchell (1984) ? Lancé en fanfare sur la plateforme Netflix avec Oscar Isaac, Mia Goth et Christophe Waltz, ce nouveau film se repositionne dans la veine fantastique du roman. Le maître Guillermo Del Torro apporte sa touche gothique et onirique dans cette histoire qui date de 1818. Notre invité Paul Hébert analyse et replace cette oeuvre dans la filmographie du réalisateur mexicain. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bill (fighting a brutal cold) and Chris are back, drowning in 2025 horror releases and already behind schedule. Quick life updates: high-school theater, travel baseball insanity, and holiday retail chaos. Main Reviews Frankenstein (Netflix, dir. Guillermo del Toro) A gorgeous, heartbreaking, Bernie Wrightson-inspired adaptation that's the closest anyone has come to Mary Shelley's novel. Oscar Isaac and Jacob Elordi are phenomenal; the creature has never been this human or tragic. Minor gripes about length and a forced romance, but still the best Frankenstein film ever made. House of Eden (Shutter) Mega-TikToker KallMeKhris writes, directs, and stars in her found-footage debut. Three content creators investigate a "secret" haunted house. Unfortunately it's a greatest-hits compilation of Blair Witch/Paranormal Activity tropes, riddled with continuity errors, shaky-cam abuse, and unlikable characters. A finished movie with 50 million followers behind it… and that's about all the nice things we can say. Quick Listener Segments Joe blows up The First Purge  Rev. Scott on The Running Man 2025 remake Plugs SpectopiaArts.com (holiday orders still good for Christmas) • Horror Finds Depop Black Friday sale coming • Don't Forget to Leave now free on Hoopla. Next week: two more 2025 titles, then new-release train all the way to the Top 10 show.

Is FRANKENSTEIN the movie Guillermo del Toro was born to make, or a movie that he's essentially already made throughout his career? Anders and Aren explore the answer as they discuss del Toro's latest for Netflix. They dig into the film's adaptation of Mary Shelley's novel, Oscar Isaac and Jacob Elordi's performances, del Toro's visual approach, and the religious implications of the film. Then, they sing the praises of Paul Thomas Anderson's political action thriller ONE BATTLE AFTER ANOTHER and discuss whether Richard Linklater's NOUVELLE VAGUE is an appropriate tribute to Jean-Luc Godard and the French New Wave.0:46 - Keynote1:33 - Table Talk: “Frankenstein”33:00 - Table Talk: “One Battle After Another”43:32 - Table Talk: “Nouvelle Vague”Clips:- “Frankenstein”- “Nouvelle Vague”- “One Battle After Another”Read more of the 3 Brothers' reviews, features, and roundtables at https://3brothersfilm.comSubscribe to the 3 Brothers Film YouTube Channel: https://www.youtube.com/channel/UCO1zge4GZWu3-mdH-VPv8tw

Send us a textFrankenstein (2025) Movie Review!  Guillermo del Toro | Cinemondo! frankenstein #guillermodeltoro #oscarissac #jacobelo #moviereaction #moviereview  Kathy, Mark and Burk review Guillermo del Toro's Frankenstein. Frankenstein is a 2025 American Gothic science fiction film[4][5] produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of egotistical scientist Frankenstein whose experiment in creating new life results in dangerous consequence. #frankenstein #guillermodeltoro #oscarissac #jacobelo #moviereaction #moviereview Support the show

O Podcast Fornalha está de volta para comentar a nova obra de Guillermo Del Toro. Já disponível na Netflix, "Frankenstein" é estrelado por Jacob Elordi, Oscar Isaac e Mia Goth.Se gostarem do nosso vídeo, subscrevam o canal e continuem a conversa nos comentários!

Only monsters play God.Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley.The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.00:00 Intro 16:24 Horror News29:27 What We've Been Watching43:27 Film Review1:56:35 Man Or Monster Quiz2:03:30 Film Rating2:19:54 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Charley - https://www.instagram.com/charley_horror/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

"You are the monster."This week, Andrew and Scotty create a man out of the body parts of other dead men as they discuss Guillermo del Toro's "Frankenstein". And at the end of the episode, Scotty chooses their next movie!In the most recent adaptation of Mary Shelley's novel, Guillermo del Toro fulfills a lifelong dream of adapting it into his vision of "Frankenstein". Oscar Isaac is the ego-driven scientist, Victor Frankenstein, while Jacob Elordi plays the creature he creates from the parts of other dead men. Mia Goth and Christoph Waltz round out the cast of this gothic tale of horror.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's November, so that means it's time for our “Xenovember” series, where we cover movies from another world! In this week's episode, Alex, Tim, and guest Chrissy Kurpeski discuss one of cinema's most infamous sequels, 1991's Highlander II: The Quickening!Competitive bullet wound counting! Corporate greed! Ozone layer fears of the 90s! Excessive use of a dam in Argentina! Giant fans! Set in the exotic future of 2024! Bald men speaking telekinetically maybe! A train decapitation! A dummy being tossed out of a window! Unexpected punishment for wanting to smoke! Sudden bagpipes! A Pretty Woman-style tailoring montage! Plentiful bone cracking sound effects! Music from the band Queen! Amazing scene transitions! An incredibly destructive Quickening! An iconic walking-out-of-flames shot! Reckless train driving! A violent board meeting! Unnecessary mistreatment of a cab driver! Public oxygen machines! A psychic cook! A terrifying airline safety video! Fantastic steampunky-future designs and sets, with fun, although-dated special effects! A cast that includes Christopher Lambert doing a creepy old man voice, an underused Virginia Madsen, Dr. Cox from Scrubs, Sean Connery either having a blast or making a fool out of himself, and Michael Ironside playing a character so over the top evil that he's named after a sword! Director Russell Mulcahy going all out for better or worse! All that and more in this sequel that takes more big swings than the ending of Signs and was such a dramatic departure from the original film that they released a new version of the movie in an attempt to make people forget the theatrical cut ever existed! Are they aliens or ancient humans? We may never know!In addition, Chrissy shares her spoiler-free thoughts on In the Mouth of Madness, Alex does the same for the 2025 I Know What You Did Last Summer requel, Guillermo del Toro's Frankenstein, and Edgar Wright's The Running Man. Also, Tim and Alex went to see Predator: Badlands!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Chrissy Kurpeski, can be found on Instagram @absolutelyicebox or Letterboxd @farthouseflix. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.

Tonight, join Mike, Kat, Matt & Andrew as they break down the latest film from Guillermo Del Toro, Frankenstein!Also discussed: PENPAL by Dathan Auerbach, SCREAMING AND CONJURING by Clark Collis, BARON SORDOR'S Theater of the Doomed podcast, 28 YEARS LATER, THE CREEP TAPES, WELCOME TO DERRY, GREMLINS 3, SCARY MOVIE 6 & THE MUMMY 4!#frankenstein #frankenstein2025 #guillermodeltoro #oscarisaac #jacobelordi #miagoth #monstermovies #horrormovies #2025horror #2025movies #penpal  #screamingandconjuring #28yearslater #thecreeptapes #welcometoderry #gremlins3 #themummy4 #horrorpodcast #horrorfactsdotcom #fangoria #ahhpod #americashometownhorror #plymouthmaBecome a supporter of this podcast: https://www.spreaker.com/podcast/america-s-hometown-horror--4187035/support.- We're now an affiliate of Fangoria! Visit Fangoria's Shop & use code HOMETOWNHORRORPOD for an exclusive 20% discount!- A reminder that we're now a part of Horror Facts Magazine!- All Music, Sound Editing & Audio Production by Shaun O'Loughlin of Sky Wheel Media

Kevin Schaeffer and Andy Walsh dive into the latest happenings in pop culture with their signature blend of geekiness and faith in this "What's News" episode. They kick things off by exploring some exciting new shows and films, including Vince Gilligan's latest sci-fi venture, which offers a unique take on humanity's struggles in a post-apocalyptic landscape. The duo also chats about the fresh adaptation of Frankenstein by Guillermo Del Toro, a film that adds emotional depth to the classic tale, proving once again that Del Toro knows how to humanize even the most monstrous figures. They also touch on the upcoming series set in Stephen King's universe, “Welcome to Derry,” which promises to be a chilling exploration of fear and childhood trauma. With witty banter and insightful commentary, Kevin and Andy keep listeners engaged and informed about the best in geek culture while reflecting on how these narratives intersect with their shared faith.Kevin and Andy dive deep into the latest and greatest in geek culture, serving up a buffet of fresh news from the realms of movies and TV. With the latest buzz surrounding a new series from Vince Gilligan, the creative mind behind classics like Breaking Bad, they explore the intricacies of a dystopian world where a hive mind controls the remnants of humanity, leaving one cynical woman to navigate a sea of happiness that feels anything but real. They dissect the science—sometimes a little too far-fetched for Andy's taste—and the philosophical undertones about independence and societal connection, making it clear that this isn't just another sci-fi series but a thought-provoking journey that questions what it truly means to be human. And let's not forget the light-hearted banter and witty digs that make their discussions so enjoyable! It's an episode packed to the brim with insightful critique and playful exchanges, ensuring listeners are not only informed but entertained. Next on the docket, the guys tackle the new Frankenstein adaptation from Guillermo del Toro, a project that's been in the works for ages and certainly lives up to expectations. With del Toro's signature flair for the macabre and the beautifully tragic, Kevin and Andy discuss how this adaptation reinterprets the classic tale, emphasizing themes of parenthood and the profound connections we forge, even in the darkest of circumstances. They navigate through the performances, with Oscar Isaac and Jacob Elordi shining in their roles, and discuss how del Toro breathes new life into a story that's been told many times before, crafting a narrative that resonates deeply with contemporary audiences. Their enthusiasm for the film is palpable, making it clear that this isn't just a retelling but a heartfelt exploration of what it means to create and nurture life. Finally, the duo wraps up with a look at the latest adaptation of The Running Man, directed by the ever-stylish Edgar Wright. Kevin shares his thoughts on the film, highlighting how it strays from its action-heavy origins to deliver a more faithful interpretation of Stephen King's novel. He dishes on the character of Ben Richards, played by Glenn Powell, and how the film's societal critiques are just as relevant today as they were when the book was penned. Despite mixed reviews, Kevin finds the film to be an exhilarating ride, filled with action, humor, and just enough heart to keep the audience engaged. With Edgar Wright's signature visual style and clever dialogue, the film promises to be a thrilling experience, even if it doesn't quite reach the highs of Wright's earlier works. This episode is a delightful mix of pop culture exploration, genuine enthusiasm, and the kind of insightful commentary that keeps listeners coming back for more.Takeaways: In this episode, Kevin and Andy dive deep into the latest buzz in geek culture, covering new shows and films like 'Flibus' and 'Frankenstein', while blending humor and...

This week we will be taking a look at Netflix's new version of Mary Shelley's classic horror tale, Frankenstein. Directed by master of horror, Guillermo DelToro and starring Oscar Isaac as the titular mad scientist obsessed with bringing the dead back to life. This film also stars Jacob Elordi as his tragic creation who just wants affection and a little love from his father/creator. Also, in supporting roles are Mia Goth and Christoph Waltz. This film has been a passion project for DelToro and he has been trying to get it made for almost decades now. It's a very faithful adaptation of Mary Shelley's novel but, how successful was DelToro in adapting this horror classic? Listen in and find out what we thoguht!

In this episode the FilmBros discuss Netflix's Frankenstein, Directed by Guillermo Del Toro and starring Jacob Elordi and Oscar Isaac along with Mia GothLeave a message on our socials! Twitter, TIktok, IG @FIlmBrosPodcastSupport the show

In this week's episode, I rate the movies and streaming shows I saw in Autumn 2025. This coupon code will get you 25% off the ebooks in The Ghosts series at my Payhip store: GHOSTS2025 The coupon code is valid through December 1, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 278 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 21st, 2025, and today I am sharing my reviews of the movies and streaming shows I saw in Fall 2025. We also have a Coupon of the Week and an update my current writing, audiobook, and publishing projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off all the ebooks in The Ghosts series at my Payhip store, and that is GHOSTS2025. And as always, we'll have the link to my Payhip store and the coupon code in the show notes for this episode. This coupon code is valid through December 1, 2025, so if you need a new ebook for this fall, we have got you covered. Now for my current writing and publishing projects: I'm very pleased to report that Blade of Shadows, the second book in my Blades of Ruin epic fantasy series, is now out. You can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip store. By the time this episode goes live, all those stores should be available and you can get the book at any one of them and I hope you will read and enjoy it. I'm also 15,000 words into what will be my next main project Wizard-Assassin, the fifth book in the Half-Elven Thief series, and if all goes well, I want that to be out before Christmas. I'm also working on the outline for what will be the third book in the Blades of Ruin series, Blade of Storms, and that will hopefully, if all goes well, be the first book I publish in 2026. In audiobook news, as I mentioned last week, the audiobook of Blade of Flames is done and I believe as of this recording, you can get at my Payhip store, Google Play, Kobo, and I think Spotify. It's not up on Audible or Apple yet, but that should be soon, if all goes well. That is excellently narrated by Brad Wills. Hollis McCarthy is still working on Cloak of Embers. I believe main recording is done for that and it just has to be edited and proofed, so hopefully we'll get both audiobooks to you before the end of the year. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:08 Main Topic of the Week: Autumn 2025 Movie Review Roundup Now on to this week's main project, the Autumn 2025 Movie Review Roundup. I watched a lot of classic horror movies this time around. The old Universal black and white monster movies from the '30s and '40s turned up on Prime for Halloween and I hadn't seen them since I was a kid, so I watched a bunch of them in October and November, which seemed an appropriate thing to do for Halloween. They mostly held up as well as I remembered from when I was a kid, which was a nice surprise. As ever, the grades I give these movies are totally subjective and based on nothing more than my own opinions and thoughts. With that, let's take a look at the movies from least favorite to most favorite. First up is The Other Guys, which came out in 2010 and this is a parody of the buddy cop/ cowboy cop movie along with a heavy critique of the reckless and corrupt culture of late 2000s Wall Street. "Dumb funny" movies I've noticed tend to fall on either side of the "dumb but actually funny" or "dumb and not funny" line. And this one definitely landed on "dumb but actually funny". Danson and Highsmith, played by The Rock and Samuel L. Jackson, are two maverick popular detectives who never do paperwork. Their paperwork is always done by Allen Gamble, who's played by Will Ferrell and Terry Hoitz, played by Mark Wahlberg. Gamble is a mild-mannered forensic accountant, while Hoitz desperately wants to be as cool as either Danson or Highsmith, but since he accidentally shot Yankees player Derek Jeter (in a recurring gag), he's a pariah within the New York Police Department. However, Danon and Highsmith's plot armor suddenly run out and they accidentally kill themselves in a darkly hilarious scene that made me laugh so much I hurt a little. Hoitz wants to step into their shoes, but Gamble has stumbled onto potentially dangerous case and soon Hoitz and Gamble have to overcome their difficulties and unravel a complicated financial crime. This was pretty funny and I enjoyed it. Amusingly in real life, someone like Gamble would be massively respected in whatever law enforcement agency he works for, since someone who prepares ironclad paperwork and correct documentation that stands up in court is an invaluable asset in law enforcement work. Overall Grade: B Next up is Fantastic Four: First Steps, which came out in 2025. I like this though, to be honest, I liked Thunderbolts and Superman 2025 better. I think my difficulty is I never really understood The Fantastic Four as a concept and why they're appealing. Maybe the Fantastic Four are one of those things you just have to imprint on when you're a kid to really enjoy or maybe at my age, the sort of retro futurism of the Four, the idea that science, technology, and rational thought will solve all our problems does seem a bit naive after the last 65 years of history or so. Additionally, the idea of a naked silver space alien riding a surfboard does seem kind of ridiculous. Anyway, the movie glides over the origin story of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm and gets right into it. To their surprise, Reed and Sue find out that Sue is pregnant, which seemed unlikely due to their superpower induced genetic mutations. Shortly after that, the Silver Surfer arrives and announces that Earth will be devoured by Galactus. The Four travel in their spaceship to confront Galactus and realize that he's a foe far beyond their power, but Galactus offers them a bargain. If Reed and Sue give him their son, he will leave Earth in peace. They refuse and so it's up to the Four to figure out a way to save Earth and Reed and Sue's son. Pretty solid superhero movie all told, but it is amusing how in every version of the character, Reed Richards is allegedly the smartest man on Earth but still can't keep his mouth shut to save his life. Overall Grade: B The next movie is Superman, which came out in 1978. After seeing the 2025 version of Superman, I decided to watch the old one from the '70s. It's kind of a classic because it was one of the progenitors of the modern superhero film. Interestingly, it was one of the most expensive films ever made at that time, costing about $55 million in '70s-era dollars, which are much less inflated than today. A rough back of the envelope calculation would put 55 million in the '70s worth at about $272 million today, give or take. Anyway, this was a big gamble, but it paid off for the producers since they got $300 million back, which would be like around $1.4 billion in 2025 money. Anyway, the movie tells the origin story of Superman, how his father Jor-El knows that Krypton is doomed, so he sends Kal-El to Earth. Kal-El is raised as Clark Kent by his adoptive Kansas parents and uses his powers to become Superman- defender of truth, justice, and the American way. Superman must balance his growing feelings for ace reporter Lois Lane with his need for a secret identity and the necessity of stopping Lex Luthor's dangerous schemes. Christopher Reeve was an excellent Superman and the special effects were impressive by the standards of 1978, but I think the weakest part of the movie were the villains. Lex Luthor just seemed comedic and not at all that threatening. Unexpected fun fact: Mario Puzio, author of The Godfather, wrote the screenplay. Overall Grade: B Next up is Superman II, which came out in 1980. This is a direct sequel to the previous movie. When Superman stops terrorists from detonating a nuclear bomb by throwing it into space, the blast releases the evil Kryptonian General Zod and his minions from their prison and they decide to conquer Earth. Meanwhile, Superman is falling deeper in love with the Lois Lane and unknowing of the threat from Zod, decides to renounce his powers to live with Lois as an ordinary man. I think this had the same strengths and weaknesses as the first movie. Christopher Reeve was an excellent Superman. The special effects were impressive by the standards of the 1980s, but the villains remained kind of comedic goofballs. Additionally, and while this will sound harsh, this version of Lois Lane was kind of dumb and her main function in the plot was to generate problems for Superman via her questionable decisions. Like at the end, Superman has to wipe her memory because she can't keep his secret identity to herself. If this version of Lois Lane lived today, she'd be oversharing everything she ever thought or heard on TikTok. The 2025 movie version of Lois, by contrast, bullies Mr. Terrific into lending her his flying saucer so she can rescue Superman when he's in trouble and is instrumental in destroying Lex Luthor's public image and triggering his downfall. 1970s Louis would've just had a meltdown and made things worse until Superman could get around to rescuing her. Overall, I would say the 1978 movie was too goofy, the Zac Snyder Superman movies were too grimdark, but the 2025 Superman hit the right balance between goofy and serious. Overall Grade: B Next up is Dracula, which came out in 1931, and this was one of the earliest horror movies ever made and also one of the earliest movies ever produced with sound. It is a very compressed adaptation of the stage version of Dracula. Imagine the theatrical stage version of Dracula, but then imagine that the movie was only 70 minutes long, so you have to cut a lot to fit the story into those 70 minutes. So if you haven't read the book, Dracula the movie from 1931 will not make a lot of sense. It's almost like the "Cliff's Notes Fast Run" version of Dracula. That said, Bela Lugosi's famous performance as Dracula really carries the movie. Like Boris Karloff in Frankenstein and The Mummy (which we'll talk about shortly), Bela Lugosi really captures the uncanny valley aspect of Dracula because the count isn't human anymore and has all these little tics of a creature that isn't human but only pretending to be one. Edward Van Sloan's performance as Dr. Van Helsing is likewise good and helped define the character in the public eye. So worth watching as a historical artifact, but I think some of the other Universal monster movies (which we'll discuss shortly) are much stronger. Overall Grade: B Next up is The Horror of Dracula, which came out in 1958. This is one of the first of the Hammer Horror movies from the '50s, starring Peter Cushing as Dr. Van Helsing and Christopher Lee as Count Dracula. It's also apparently the first vampire movie ever made in color. Like the 1931 version of Dracula, it's a condensed version of the story, though frankly, I think it hangs together a little better. Van Helsing is a bit more of an action hero in this one, since in the end he engages Dracula in fisticuffs. The movie is essentially carried by the charisma of Peter Cushing and Christopher Lee and worth watching as a good example of a classic '50s horror movie. Overall Grade: B Next up is The Wolf Man, which came out in 1941. This is another one of the classic Universal horror movies. This one features Lon Cheney Jr. as Larry Talbot, the younger son of Sir John Talbot. Larry's older brother died in a hunting accident, so Larry comes home to reconcile with his father and take up his duties as the family heir. Larry is kind of an amiable Average Joe and is immediately smitten with the prettiest girl in the village, but when he takes her out for a walk, they're attacked by a werewolf, who bites Larry. Larry and everyone else in the village do not believe in werewolves, but they're about to have their minds changed the hard way. The transformation sequences where Larry turns into the Wolfman were cutting edge of the time, though poor Lon Chaney Jr had to stay motionless for hours as they gradually glued yak hair to him. I think Claude Rains had the best performance in the movie as Sir John and he's almost the co-protagonist. Overall Grade: B Next up is Jurassic World: Rebirth, which came out in 2025, which I thought was a perfectly straightforward but nonetheless enjoyable adventure film. After all the many disasters caused by various genetic engineering experiments in the previous movies, dinosaurs mostly live in relatively compatible ecosystems and tropical zones near the equator. No one's looking to create a theme park with dinosaurs or create bioengineered dinosaurs as military assets any longer. However, the dinosaurs are still valuable for research and a pharmaceutical company is developing a revolutionary drug for treating cardiac disease. They just need some dinosaur blood from three of the largest species to finish it, and so the company hires a team of mercenaries to retrieve the blood. We have the usual Jurassic Park style story tropes: the savvy mercenary leader, the scientist protesting the ethics of it all, the sinister corporate executive, the troubled family getting sucked into the chaos. And of course, it all goes wrong and there are lots and lots of dinosaurs running around. It's all been done before of course, but this was done well and was entertaining. Overall Grade: B+ Next up is The Thursday Murder Club, which came out in 2025, and this is a cozy mystery set in a very high-end retirement home. Retired nurse Joyce moves into Coopers Chase, the aforementioned high end retirement home. Looking to make new friends, she falls in with a former MI6 agent named Liz, a retired trade unionist named Ron, and psychiatrist Ibrahim, who have what they call The Thursday Murder Club, where they look into cold cases and attempt to solve them. However, things are not all sunshine and light at Coopers Chase as the two owners of the building have fallen out. When one of them is murdered, The Thursday Murder Club has to solve a real murder before Coopers Chase is bulldozed to make high-end apartments. A good cozy mystery with high caliber acting talent. Both Pierce Brosnan and Jonathan Price are in the movie and regrettably do not share a scene together, because that would've been hilarious since they were both in the James Bond movie Tomorrow Never Dies in the '90s with Brosnan as Bond and Price as the Bond villain for the movie. Overall Grade: B+ Next up is The Creature From the Black Lagoon, which came out in 1954 and is one of the last of the black and white classic horror movies since in the '50s, color film was just around the corner. When a scientist finds the unusual half fish, half human fossil on a riverbank in Brazil, he decides to organize an expedition upriver to see if he can find the rest of the fossil. The trail leads his expedition to the mysterious Black Lagoon, which all the locals avoid because of its bad reputation, but a living member of the species that produce the fossils lurking the lagoon while it normally doesn't welcome visitors, it does like the one female member of the expedition and decides to claim her for its own. The creature was good monster and the underwater water sequences were impressive by the standards of the 1950s. Overall Grade: A- Next up is The Invisible Man, which came out in 1933, and this is another of the classic Universal black and white horror movies. Jack Griffin is a scientist who discovered a chemical formula for invisibility. Unfortunately, one of the drugs in his formula causes homicidal insanity, so he becomes a megalomaniac who wants to use his invisibility to rule the world. This causes Griffin to overlook the numerous weaknesses of his invisibility, which allow the police to hunt him down. The Invisible Man's special effects were state of the art at the time and definitely hold up nearly a hundred years later. It's worth watching as another classic of the genre. Claude Rains plays Griffin, and as with The Wolf Man, his performance as Griffin descends into homicidal insanity is one of the strengths of the movie. Overall Grade: A- Next up is The Mummy, which came out in 1932, and this is another of the original Universal black and white horror movies. Boris Karloff plays the Mummy, who is the ancient Egyptian priest Imhotep, who was mummified alive for the crime of desiring the Pharaoh's daughter Ankh-es-en-Amon. After 3,000 years, Imhotep is accidentally brought back to life when an archeologist reads a magical spell and Imhotep sets out immediately to find the reincarnation of his beloved and transform her into a mummy as well so they can live together forever as undead. Edward Van Sloan plays Dr. Mueller, who is basically Edward Van Sloan's Van Helsing from Dracula if Van Helsing specialized in mummy hunting rather than vampire hunting. This version of the Mummy acts more like a Dungeons and Dragons lich instead of the now classic image of a shambling mummy in dragging bandages. That said, Boris Karloff is an excellent physical actor. As he does with Frankenstein, he brings Imhotep to life. His performance captures the essence of a creature that hasn't been human for a very long time, is trying to pretend to be human, and isn't quite getting there. Of course, the plot was reused for the 1999 version of The Mummy with Brendan Fraser. That was excellent and this is as well. Overall Grade: A- Next up is The Wedding Singer, which came out in 1998, and this is basically the Adam Sandler version of a Hallmark movie. Adam Sandler plays Robbie, a formerly famous musician whose career has lapsed and has become a wedding singer and a venue singer. He befriends the new waitress Julia at the venue, played by Drew Barrymore. The day after that, Robbie's abandoned at the altar by his fiancée, which is understandably devastating. Meanwhile, Julia's fiancé Glenn proposes to her and Robbie agrees to help her with the wedding planning since he's an expert in the area and knows all the local vendors. However, in the process, Robbie and Julia fall in love, but are in denial about the fact, a situation made more tense when Robbie realizes Glenn is cheating on Julia and intends to continue to do so after the wedding. So it's basically a Hallmark movie filtered through the comedic sensibilities of Adam Sandler. It was very funny and Steve Buscemi always does great side characters in Adam Sandler movies. Overall Grade: A Next up is Downton Abbey: The Grand Finale, which came out in 2025. This movie was sort of a self-indulgent victory lap, but it was earned. The writers of the sitcom Community used to joke that they wanted "six seasons and a movie" and Downton Abbey got "six seasons and three movies". Anyway, this movie is about handing off things to the next generation. Lord Grantham is reluctant to fully retire as his daughter goes through a scandal related to her divorce. The next generation of servants take over as the previous ones ease into retirement. What's interesting is both the nobles and the servants are fully aware that they're sort of LARPing a historical relic by this point because by 1930, grand country houses like Downton were increasingly rare in the UK since World War I wiped out most of them and crippling post-war taxes and economic disruption finished off many more. Anyway, if you like Downton Abbey, you like this movie. Overall Grade: A Next up is Argo, which came out in 2012, a very tense thriller about the Iranian hostage crisis in 1979. During that particular crisis, six Americans escaped the embassy and hid out at the Canadian Ambassador's house in Tehran. For obvious reasons, the Canadian ambassador wanted them out as quickly as possible, so the CIA and the State Department needed to cook up a plan to get the six out while the rest of the government tried to figure out what to do about the larger group of hostages. Finally, the government comes with "Argo." A CIA operative will create a fake film crew, a fake film company, and smuggle the six out of Tehran as part of the production. The movie was very tense and very well constructed, even if you know the outcome in advance if you know a little bit of history. Ben Affleck directed and starred, and this was in my opinion one of his best performances. It did take some liberties with historical accuracy, but nonetheless, a very tense political thriller/heist movie with some moments of very dark comedy. Overall Grade: A Next up is The Naked Gun, which came out in 2025, and this is a pitch perfect parody of the gritty cop movie with a lot of absurdist humor, which works well because Liam Neeson brings his grim action persona to the movie and it works really well with the comedy. Neeson plays Lieutenant Frank Drebin Jr., the son of the original Frank Drebin from The Naked Gun movies back in the '80s. After stopping a bank robbery, Drebin finds himself investigating the suicide of an engineer for the sinister tech mogul Richard Cane. Naturally, the suicide isn't what it appears and when the engineer's mysterious but seductive sister asks for Drebin's help, he pushes deeper into the case. Richard Cane was a hilarious villain because the writers couldn't decide which tech billionaire to parody with him, so they kind of parodied all the tech billionaires at once, and I kid you not, the original Frank Drebin makes an appearance as a magical owl. It was hilarious. Overall Grade: A Now for my two favorite things I saw in Autumn 2025. The first is the combination of Frankenstein and Bride of Frankenstein, which came out in 1931 and 1935. These are two separate movies, but Frankenstein leads directly to Bride of Frankenstein, so I'm going to treat them as one movie. Honestly, I think they're two halves of the same story the way that Avengers: Infinity War and Avengers: Endgame would be two halves of the same story 90 years later, so I'll review them as one. Frankenstein by itself on its own will get a B. Colin Clive's performance is Dr. Henry Frankenstein was great, and Boris Karloff gives the Creature a suitable air of menace and uncanny valley. You really feel like he's something that's been brought to life but isn't quite right and still extremely dangerous. The movie does have a very pat ending that implies everyone will live happily ever after, with Dr. Frankenstein's father giving a toast to his son. But Bride of Frankenstein takes everything from the first movie and improves on it. It's one of those sequels that actually makes the preceding movie better. In Bride, Henry is recovering from his ordeal and swears off his experiments of trying to create artificial humans, but the Creature survived the fire at the windmill at the end of the last movie and is seeking for a new purpose. Meanwhile, Henry receives a visit from his previous mentor, the sinister Dr. Pretorius. Like Henry, Pretorius succeeded in creating artificial life and now he wants to work with Henry to perfect their work, but Henry refuses, horrified by the consequences of his previous experiments. Pretorius, undaunted, makes an alliance with the Creature, who then kidnaps Henry's wife. This will let Pretorius force Henry to work on their ultimate work together-a bride for the Creature. Bride of Frankenstein is a lot tighter than Frankenstein. It was surprising to see how rapidly filmmaking techniques evolved over just four years. Pretorius is an excellent villain, more evil wizard than mad scientist, and the scene where he calmly and effortlessly persuades the Creature to his side was excellent. One amusing note, Bride was framed as Mary Shelley telling the second half of the story to her friends, and then the actress playing Mary Shelley, Elsa Lancaster, also played the Bride. So that was a funny bit of meta humor. Frankenstein and Bride of Frankenstein combined is one of my two favorite movies of Fall 2025. Overall Grade: A+ And now for my second favorite movie of Autumn 2025, which as it turns out is also Frankenstein, but Guillermo del Toro's version that came out in 2025. And honestly, I think Guillermo del Toro's version of Frankenstein is the best version put to screen so far and even does the rarest of all feats, it improves a little on the original novel. Oscar Isaac plays Victor Frankenstein as a brilliant, driven scientist with something of a sociopathic edge. In other words, he's a man who's utterly inadequate to the task when his experiment succeeds and he actually creates an artificial human that have assembled dead body parts. Jacob Elordi does a good job as the Creature, playing him is essentially a good hearted man who's driven to violence and despair by the cruelty and rejection of the world. The recurring question of the Frankenstein mythos is whether or not Victor Frankenstein is the real monster. In this version, he definitely is, though he gets a chance to repent of his evil by the end. Honestly, everything about this was good. The performances, the cinematography, everything. How good was it? It was so good that I will waive my usual one grade penalty for unnecessary nudity since there were a few brief scenes of it. Overall Grade: A+ So that was the Autumn 2025 Movie Roundup. A lot of good movies this time around. While some movies of course were better than others, I didn't see anything I actively disliked, which is always nice. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

Mary Shelleys Roman "Frankenstein oder Der moderne Prometheus" ist seit Anbeginn des Kinos eine schaurige Inspirationsquelle. Auch für Guillermo del Toro wurde das 1818 veröffentlichte Werk ein Schlüsselbuch. Mit Hilfe von Netflix hat der mexikanische Regisseur nun endlich seine "Frankenstein" Version gedreht. Oscar Isaac gibt darin den berüchtigten Wissenschaftler, der Gott spielen will, Jacob Elordi schlüpft ins Make Up der gequälten Kreatur. Pia Reiser und Christian Fuchs diskutieren über das pittoreske Spektakel und ziehen auch Vergleiche zur (Horror-)Filmgeschichte. Ebenfalls ein Thema in dieser Episode: "Wicked: For Good", die Fortsetzung der knallbunten Musical-Geschichte rund um die beiden Hexen aus "The Wizard of Oz". Inklusive der Frage: Wieviele Prequels und dazugehörige Entzauberungen ikonischer Filmfiguren verträgt die Welt noch? Sendungshinweis: FM4 Film Podcast, 24.11.2025, 0 Uhr

Join hosts Ernesto Santos and Matt Diaz as we return from a long hiatus and chit-chat about our recently watched movies and tv shows in a fun segment we like to call “Whatcha Watchin'” including our thoughts on Black Phone 2, Tron: Ares, M3GAN 2.0, John Candy: I Like Me & The Perfect Neighbor. Later, we'll give you our SPOILER REVIEW of Guillermo del Toro's Frankenstein starring Oscar Isaac, Jacob Elordi, Mia Goth & Christoph Waltz. Time Stamps:29:20 - Whatcha Watchin'01:27:38 - Frankenstein Review

Frankenstein (2025) – Tech bros, trauma, and a super-horny monster movie on NetflixMary Shelley by way of Guillermo del Toro feels almost too perfect, and Frankenstein (2025) absolutely leans into that match-up: lush Gothic sets, grotesque body horror, tender fairytale beats, and a very modern anxiety about people who build things they can't control.In this episode, the Bad Dads dig into Netflix's lavish new take on the classic, framed in the icy Arctic as Victor Frankenstein (Oscar Isaac) and his Creature retell their shared nightmare from two sides. Along the way we get abusive fathers, creepy power dynamics, “18th-century tech bro” energy, and more limb-sawing than is probably healthy for a school night.We also talk about how weird it is that this $120m movie technically “bombed” at the box office but only because it was dumped into cinemas for a week to qualify for Oscars, and what that says about modern streaming, awards campaigning and how success is measured now.In the episode we cover:Netflix's blink-and-you-miss-it theatrical release strategy and why the film only made $144k in cinemasOscar Isaac's monstrous turn as an abusive, glory-hungry surgeon vs the Creature's unexpected gentlenessMia Goth, Christoph Waltz with gold shoes, Charles Dance as the worst dad alive, and why this is a strangely “horny” FrankensteinThat brutal opening on the ice: shattered legs, ship-tipping strength and a monster that just won't dieGenerational trauma, perfectionism and how Victor immediately becomes the same kind of father he hatesThe forest/fairytale stretch: mice, a blind old man, found family, and the heartbreaking deer sceneAll the grisly stuff: hanging bodies, severed limbs, skinned wolves and why the practical sets and make-up look incredibleFrankenstein as an AI / tech parable – creating something powerful, sentient and uncontrollable, then trying to kill itThe big split on the pod: is 2.5 hours richly earned or just too long for a story we already know?Mary Shelley's original novella, written at 18 on a dare, and how its ideas still infect modern thrillers, conspiracy stories and sci-fiIf you like your horror Gothic, your monsters tragic, and your movie chat equal parts thoughtful and filthy, this is a good jumping-on point. Hit play, hear us argue about runtime, thirst over Oscar Isaac, side-eye Mia Goth, and decide for yourself whether this Frankenstein is a modern classic or just an overbuilt monster.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

PopaHALLics #155 "Breaking Good"Can one unhappy woman save the world from "hive mind"? Why does Kate think motherhood is an important theme in the new "Frankenstein"? And Alicia Silverstone may be "Clueless" about her feelings in a new holiday movie.Streaming:"Pluribus," Apple TV.  In the new sci-fi drama from the creator of "Breaking Bad," can the most miserable person on Earth (Rhea Seehorn) save the world from happiness from an extraterrestrial virus? And does Steve agree with the series' 100% Rotten Tomatoes rating?"Frankenstein," Netflix. Last episode, we heard Steve's thoughts on Guillermo Del Toro's visually gorgeous version of Mary Shelley's 1818 novel, starring Oscar Isaacs and Jacob Elordi. This week, Kate's review."Down Cemetery Road," Apple TV. A concerned neighbor (Ruth Wilson) and a private investigator (Emma Thompson) search for a missing girl and uncover a conspiracy in this 8-part British TV series. Based on a novel by "Slow Horses" creator Mick Herron."A Merry Little Ex-Mas," Netflix. In this romantic comedy coproduced by Melissa Joan Hart, divorcing couple Kate (Alicia Silverstone) and Everett (Oliver Hudson) want one last Christmas together as a family. New flames (Jameela Jamil and Pierson Fode) and old feelings complicate their plans."The Secret Lives of Mormon Wives," Hulu. Being friends with any of the mom influencers in this reality TV series would be an emotional roller-coaster ride. And not in a good way.Music:Folksinger Todd Snider, 59, died on Nov. 14 after being hospitalized with walking pneumonia. Snider was a wry, compassionate voice of modern Americana and alt-country songwriting. Steve is a huge fan, loving Snider's funny songs like "I Can't Complain" and even funnier long, meandering stories. Snider's memoir "I Never Met a Story I Didn't Like: Mostly True Tales" features some of his best ones. Our PopaHALLics #155 Playlist (Todd) showcases some of our favorite tunes by this barefoot troubadour. Enjoy!Click through the links to watch, read, or hear what we're talking about. The fair use doctrine of U.S. copyright law allows the limited use of copyrighted material without permission for such purposes as commentary and education.

Guillermo del Toro's long-gestating passion project, Frankenstein, is here. Perhaps one of the famed Mexican filmmaker's greatest influences, Mary Shelley's horrifying creature once again graces the big screen, this time with del Toro's signature, gothic sensibilities. We discuss the monster's history, its many adaptations, and review its latest incarnation.

This week on the Boxoffice podcast, presented by Irwin Seating, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk recap the opening weekend of Lionsgate's Now You See Me, Now You Don't and forecast the November 21st release of Universal's Wicked: For Good. In the feature segment, Rebecca speaks with Greg Heckmann, the director of marketing for Maya Cinemas, about key initiatives including the chain's Young Cinema Professionals workshop.Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:00 Intro 01:00 What the Maya Interview Covers02:00 Weekend Box Office: Frankenstein, Running Man, NYSM 303:24 Oscar Isaac's Ska Band & Frankenstein Reactions06:59 Running Man Review & Performance07:49 Now You See Me 3: Strong Opening & Franchise Strength09:35 Wicked For Good Tracking: Baseline 135M10:40 UK & US Presales Break Records11:58 High-End Forecast: 180M–210M Possibility14:05 Expected Range: 145M–175M Opening Weekend15:10 Why Many Viewers Will Wait for PLF on Thanksgiving16:57 Behind the Scenes: New Songs & Expanded Story17:35 Wicked as a Cultural Holiday Event19:55 Economic Strain & Moviegoing as the Affordable Alternative21:58 Why Theaters Still Offer the Best Value for Families22:40 2025 Thanksgiving Outlook: Narnia's IMAX Exclusivity24:00 Should Wicked Become a Holiday Double-Feature Tradition?25:25 Harkins Re-Release Success Story26:00 Transition to Feature Interview27:00 Interview: Maya's New Young Cinema Professionals Program29:15 Maya's Community & Holiday Food Bank Initiatives31:00 Why Investing in Young Workers Matters33:20 How Pandemic & Strikes Affected Youth Entry into Exhibition35:10 Anime & Event Titles Bringing Younger Audiences Back36:00 Sending Young Cinema Workers to the CinemaCon Fall Summit38:40 First Impressions from the Selected Participants41:10 Plans to Expand the Program Next Year

Hello, cinema sickos! Guess what? No McQuarrying this week because Mary and Dave wanted to go to the movies! On this episode they discuss Lynne Ramsey’s alienated woman psychodrama Die My Love with Jennifer Lawrence and Robert Pattinson, as well as Guillermo Del Toro’s grand, gothic guiltfest Frankenstein with Oscar Isaac, Jacob Ilordi and Mia Goth. Two absolute emotional barnburners in two days! What did Dave and Mary think? Well, let them fansplain it for you!

Publicado pela primeira vez em 1818 pela jovem Mary Shelley, Frankenstein se tornou uma das maiores obras-primas da literatura de horror e ficção científica. Nesse tempo, a história do cientista inconsequente que ousa desafiar a morte foi transportada inúmeras vezes para o cinema. Em 2025, após muita espera, foi a vez do cineasta Guillermo del Toro apresentar sua versão deste clássico, acompanhado por nomes badalados como Oscar Isaac, Jacob Elordi e Mia Goth. No RdMCast dessa semana, nossa bancada viaja até o laboratório de Victor Frankenstein para conversar sobre essa aguardada adaptação. Entre daddy e mommy issues, análises psicanalíticas, um monstro bonzinho e um cientista insuportável, venha com a gente enquanto dissecamos o novo filme, damos nosso veredito final sobre a criação de del Toro e gritamos aos quatro ventos: está vivo!O RdMCast é produzido e apresentado por: Gabi Larocca, Gabriel Braga e Thiago Natário.Apoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:Frankenstein (2025)Citações off topic:Frankenstein (livro, 1818)Pinóquio (2022)A Noiva de Frankenstein (1935)Frankenstein (1931)Frankenstein de Mary Shelley (1994)Frankenstein, o Monstro das Trevas (1990)O Irlandês (2019)Bonequinha de Luxo (1961)Mulheres Extraordinárias: As Criadoras e a Criatura (livro, 2020)EPISÓDIOS CITADOS:RdMCast #338 – Os Monstros de Guillermo Del ToroRdMCast #474 – Especial Hellboy: as muitas faces do menino demônioCabana Rdm #22 – Pinóquio, um filme de Guillermo del ToroRdMCast #526 – Especial Scream Queens: Mia GothRdMCast #486 – Nosferatu: o vampiro com tesãoRdMCast #371 – Os Monstros da Universal: Uma Breve HistóriaRdMCast #456 – Especial Roger Corman: o mestre dos filmes BRdMCast #528 – Telefone Preto: sequestros, visões e o mundo dos mortosRdMCast #439 – Pobres Criaturas e o mundo bizarro de Yorgos LanthimosOuça o podcast Caça às bruxasSpotify: Caça às bruxas – uma história de terror realSiga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brLoja do RdMConheça nossos produtos: https://lojaflutuante.com.br/?produto=RdmUse o cupom RDM10 pra ganhar 10% de desconto em qualquer produto!PODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br

This episode of Welcome To The Party Pal delves into Frankenstein, the gothic drama film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of egotistical scientist Frankenstein whose experiment in creating new life results in dangerous consequences. Join in on an episode where hosts Michael Shields and Ryan O'Connell whisk listeners off to Geneva, Switzerland, Ingolstadt, Germany, and the Arctic Circle in a hunt for the Creature. Hosted on Acast. See acast.com/privacy for more information.

This week we crack open the newly remastered Frankenstein, starring Jacob Elordi, Oscar Isaac, Mia Goth, and Christoph Waltz. Victor Frankenstein, science's most dramatic overachiever, creates a creature, chaos ensues, and everyone could really use a therapist.Visually? Stunning. A full gothic buffet of moody sets, lush costumes, and “should I move into this castle?” vibes.But is this two-hour monster saga worth your precious streaming time? Spoiler: Yes. And trust us, we have thoughts… plenty of them. Tune in for all the beauty, the mess, and the “Victor, please stop touching things” energy.

This week's brief episode finds Brandon and Lorin reviewing the Netflix film and Oscar contender, Frankenstein. Directed by Guillermo del Toro, Mary Shelley's classic is retold with Oscar Isaac and Jacob Elordi in the lead roles. Elsewhere, we review the other potential Best Picture contenders and recap the latest season of The Vince Staples Show.

This week on the Cinema Psychos Show we are diving into Guillermo del Toro's love letter to monsters in "Frankenstein" with monster lover extraordinaire, Jordan The Grey Witch. Explore the film's gothic romance, generational trauma themes, and the stunning visual storytelling that del Toro is renowned for. Discover how the film reimagines Mary Shelley's classic tale with a modern twist, featuring standout performances by Oscar Isaac and Mia Goth. Don't miss our in-depth analysis of the film's wardrobe, set design, and the intriguing parallels between the creature and Christ. Follow The Cinema Psychos Show on Socials ❤️‍

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It's a tale as old as time… well, as old as 1818 at least, since that's when Mary Shelley's novel was first published. And after multiple film adaptations, Guillermo del Toro is now putting his stamp on this classic monster story. Tune in as we're joined by Philip Faiss, host of Netflix & Phil, to break down Netflix's “Frankenstein” — from the many different layers behind this narrative, to the ways del Toro changed the source material, and of course, how Jacob Elordi can be sexy even as The Creature.Check out Netflix & Phil on YouTube at https://www.youtube.com/@philoween_trends

Editor - Evan Schiff ACE Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with.  He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021).  Evan would also drop by the MCU to cut The Marvels (2023).  But to hear Evan tell it, it was hardly his skills as an action editor that would prompt Del Toro to hire his former assistant editor to cut Frankenstein. Produced, written and directed by Guillermo del Toro, and based on the 1818 novel by Mary Shelley, Frankenstein stars Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. The film follows the life of egotistical scientist Victor Frankenstein whose experiment in creating new life results in dangerous consequences when his monstrous creation comes to life. EVAN SCHIFF ACE (In Evan's own words...) Originally from Syracuse, NY, I started my career in the film industry at the age of 16, between my junior and senior years of high school, with an internship at Stan Winston Studio (now Legacy EFX). After graduating from high school and being accepted into USC's film production program, SWS hired me back to do tech support as their Systems Administrator and eventually their in-house VFX Editor. I worked there part-time for all four years of college and full-time for one year after. While at USC, I got bit by the editing bug. I found that, even more than creature or visual effects, I loved sitting in the editing bay for hours on end putting my student films together. So a year after graduation, and five years after starting my job at Stan Winston's, I started to pursue editing full-time. It was slow at first, but eventually I got my first few jobs as an assistant editor, and things took off from there. The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer Hear Evan's interview for John Wick: Chapter 3 - Parabellum See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

What better way to showcase family dysfunction here on Slashers Podcast, than to dive into the family dynamics of one Victor Frankenstein in Guillermo Del Toro's adaptation of Mary Shelley's classic, Frankenstein? Currently streaming on Netflix, the familial relationships in this tale are sure to make you cringe and at the same time, entrance you. The film stars Oscar Isaac as Victor, Mia Goth as both Claire and Elizabeth, Christoph Waltz as Harlander, and Jacob Elordi in his most intense role yet, the Creature. If you haven't seen this beautifully dark, gothic horror tale, we encourage you to do so beforehand, as there are spoilers aplenty!Special shout-out to our dear friend of the podcast, Tiffany Shepis!l!Don't forget to rate, review, and subscribe to Slashers Podcast for more deep dives into cult horror films!You can also find us on Facebook at the Group page Mutant Goons From Beyond. You can find our merch, and links to all our online presence here: linktr.ee/slasherspodTheme song is I wanna Die by Mini Meltdowns. https://open.spotify.com/artist/5ZAk6lUDsaJj8EAhrhzZnh ; https://minimeltdowns.bandcamp.com/ Outtro Song is If I Gave a Fuck, I'd Give a Shit by Rushmore.rushmorefl.bandcamp.com@rushmorefl

Send us a textA whirlwind of geek headlines spans V for Vendetta at HBO, a fresh Star Trek film without the Kelvin cast, and Black Panther 3 moving forward with Denzel Washington. We weigh nostalgia against novelty, call out pricing shifts, and honor the legacy of Dan McGrath.• HBO developing a V for Vendetta series with a modern political edge• Oscar Isaac signals openness to return as Poe with caveats• Paramount retires Kelvin Trek and greenlights a new standalone film• Lego reveals a $400 Enterprise‑D packed with TNG details• Court confirms Rod Roddenberry owns the original Enterprise model• Coogler confirms Black Panther 3 and Denzel Washington's role• Gremlins 3 dated with Columbus writing and Spielberg producing• Highlander remake expands its starry cast• The Mummy sequel talks aim to reunite Fraser and Weisz• Bad Fairies adds Ncuti Gatwa to its animated musical• Paramount+ announces a price increase and UFC value pitch• Lucas Museum sets opening date and outlines massive collection• Sony acquires Labubu rights amid a blind‑box toy boom• Remembering Emmy‑winning Simpsons writer Dan McGrathPlease be sure to hit that like and subscribe buttonWe're on Bluesky and Twitter at MultiverseTom, and on Threads, Facebook, and Instagram at Multiverse TonightHead to Multiverse Tonight for Patreon and Ko‑fi links, show notes, and our TeePublic storeIf it's your first time listening, subscribe and share us with othersSupport the showThanks for listening! Come visit the podcast at https://www.multiversetonight.com/

“It's alive, IT'S ALIVE!” famous words uttered by 1931's Dr. Frankenstein left an indelible mark on the heart and mind of director extraordinaire Guillermo del Toro. In his 2025 Netflix film FRANKENSTEIN, del Toro puts his own unique brand on the classic tale. Coupled with performances from Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz this version of the monster tale may be the best since the original with Boris Karloff. Step into madness with as we discuss a modern masterpiece!

The Rich Zeoli Show- Hour 4: 6:05pm- On Monday night, eight Senators who caucus with Democrats—Angus King, Tim Kaine, Dick Durbin, John Fetterman, Maggie Hassan, Jeanne Shaheen, and Catherine Cortez Masto—joined Republicans to pass a spending package to end the government shutdown. The final vote in the Senate was 60-40. On Wednesday night, The House of Representatives passed the bill 222 to 209—with 6 Democrats joining Republicans. Shortly after, President Trump signed the bill ending the longest government shutdown in U.S. history. 6:15pm- While speaking with reporters, Speaker of the House Mike Johnson said that he will put a bill that would require the Department of Justice to release the Epstein files to a floor vote next week. 6:30pm- Does Rich still need a Bret Baier hug? We debut Newman Price's new AI-generated music video. 6:40pm- Star Wars actor Oscar Isaac says he may not do another Disney movie—because he thinks they're succumbing to fascism!

The Rich Zeoli Show- Full Show (11/13/2025): 3:05pm- Blue Origin has postponed its New Glenn launch to Mars for NASA due to inclement weather. New Glenn is one of the world's largest rockets—and was set to take off from Cape Canaveral, Florida. 3:10pm- The White House may back a 50-year mortgage option for homebuyers. Those in support of the idea argue that it would help prospective buyers who may not otherwise be able to afford a home. Alternatively, others have criticized the plan—noting that borrowers will not be able to repay the loan. 3:30pm- On Thursday, joined by First Lady Melania Trump, President Donald Trump signed an executive order which will offer government support for older youths transitioning out of foster care. 3:40pm- Excessive Regulation: President Donald Trump has pardoned Michelino Sunseri—a record-setting trail runner who briefly used a restricted path while running the Grand Teton in Wyoming. Federal prosecutors had argued Sunseri violated National Park Service regulations. 3:50pm- Rich watches How the Grinch Stole Christmas—and he has an interesting take. 4:05pm- Isabel Vincent and Thomas Jason Anderson join The Rich Zeoli Show to discuss their new book, “Gold Bar Bob: The Downfall of the Most Corrupt U.S. Senator.” Vincent is an award-winning investigative journalist, and Anderson is the Director of the DC-based Last Government Watchdog Organization. You can learn more about the book here: https://www.simonandschuster.com/books/Gold-Bar-Bob/Isabel-Vincent/9798895150115. 4:30pm- While appearing on The Bulwark podcast, New Jersey governor-elect Mikie Sherrill insisted she is not a “democratic-socialist.” 4:40pm- Kennedy—Fox News Host & Author—joins The Rich Zeoli Show to discuss Gavin Newsom's many similarities with the evil wizard in Wicked 2, the top 5 enemies of freedom, and Jimmy Kimmel's far-left Thanksgiving! Kennedy will be performing at SoulJoel's in Pottsgrove, Pennsylvania on Saturday, November 22nd at 6pm. You can find tickets here: https://souljoels.com/shop/tickets/kennedy/. 5:05pm- While speaking during a United Nations Climate Change Conference (COP30) press conference, Rep. Nancy Pelosi said that climate change is “a religious issue” and called President Trump a scam. Will she just hurry up and retire? 5:15pm- While speaking with far-left journalist Katie Couric, Sen. John Fetterman refused to comply with her request to call Donald Trump an authoritarian. 5:40pm- Michael O'Neill—Vice President of Legal Affairs for the Landmark Legal Foundation at the Ronald Reagan Legal Center—joins The Rich Zeoli Show to discuss the end of the government shutdown as well as the U.S. Supreme Court recently hearing oral argument in a case that will determine the legality of the Trump administration's global tariffs. 6:05pm- On Monday night, eight Senators who caucus with Democrats—Angus King, Tim Kaine, Dick Durbin, John Fetterman, Maggie Hassan, Jeanne Shaheen, and Catherine Cortez Masto—joined Republicans to pass a spending package to end the government shutdown. The final vote in the Senate was 60-40. On Wednesday night, The House of Representatives passed the bill 222 to 209—with 6 Democrats joining Republicans. Shortly after, President Trump signed the bill ending the longest government shutdown in U.S. history. 6:15pm- While speaking with reporters, Speaker of the House Mike Johnson said that he will put a bill that would require the Department of Justice to release the Epstein files to a floor vote next week. 6:30pm- Does Rich still need a Bret Baier hug? We debut Newman Price's new AI-generated music video. 6:40pm- Star Wars actor Oscar Isaac says he may not do another Disney movie—because he thinks they're succumbing to fascism!

On this episode Dom, Ben and Hannah dive into all the latest and greatest bits of Star Wars news! They discuss Sigourney Weaver's comments about Lucasfilm's renewed approach to storytelling and how that might effect things going forward. They also touch on some updates from The Mandalorian And Grogu, including the reveal of the names of Grogu's Anazellen friends. Plus, Life Day celebrations are coming to Disney Parks, Oscar Isaac sets his demands for working with Disney again, and Star Wars: Starfighter just might be the first true stadalone Star Wars film. Furthermore, we eulogize Star Wars Insider and its lasting impact on Star Wars fandom. Tune in for all of that and so much more!   Join the Star Wars Underworld Network DiscordSubscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Email: swunderworld@gmail.com

Earth's Mightiest Critics come alive with an electrifying roundtable review of Guillermo Del Toro's Frankenstein!The legendary genre director of Pan's Labyrinth, Hellboy, and Crimson Peak returns with a sprawling adaptation of Mary Shelley's classic sci-fi/horror novel, which follows a scientist's (Oscar Isaac) obsession with creating life from nothingness. The result is a hulking, animated monstrosity (Jacob Elordi) whose terrifying visage masks a lonely, searching human soul. But Victor Frankenstein's meddling in the natural order sets tragedies in motion that will set creature against creator in a pursuit spanning years and continents!Del Toro has called Shelley his "first love". Is this cinematic ode to her work a bursting, heartfelt opus--or a shambling patchwork of other interpretations?Join us as we piece together the definitive discussion on Del Toro's dream project! We also take your questions, comments, and SuperChats!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Frankenstein (2025) trailer.For Ian's takes on the Hammer Frankenstein films (referenced in the episode), check out his reviews with Aaron Christensen of Horror 101 w/ Dr. AC in our "Hammerland" series!Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

Send us a textWelcome back to DMR Directed by the acclaimed Guillermo del Toro, the new Frankenstein on Netflix features an exceptional cast led by Oscar Isaac as Dr. Victor Frankenstein and Jacob Elordi as the Creature. The ensemble also includes Mia Goth, Christoph Waltz, and Charles Dance, bringing together a powerhouse of talent under del Toro's gothic vision. The film reimagines Mary Shelley's timeless tale with the director's signature blend of emotional depth and dark beauty, crafting a hauntingly intimate exploration of creation and consequence.The story follows Victor Frankenstein, a brilliant yet tormented scientist whose obsession with conquering death leads him down a path of obsession and tragedy. Del Toro's interpretation emphasizes both the horror and the humanity of the tale, pairing breathtaking production design with an emotionally charged narrative. Critics have hailed it as one of the director's finest works, earning a stellar score on Rotten Tomatoes and widespread praise for its performances, atmosphere, and heart-wrenching storytelling.Be sure to grab your 30 day free Audible trial in the link on this show and help support DMR!Support the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

There is a mysticism that covers Latin America. Stories of monsters, spirits, and tales of dark family secrets. Sure, it sounds like a telenovela, but literature calls it Gothic: tales that frighten and force us to confront our fears. Now, Mexican filmmaker Guillermo del Toro has reimagined the classic gothic story “Frankenstein.” But this time with a Latin American twist. Del Toro’s adaptation features catholic imagery, long stares into the camera, and Guatemalan-born Hollywood superstar Oscar Isaac. Oscar gets into the film, the state of the country, and why he dropped Hernandez from his stage name. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Synopsis Honestly if you don't know what Frankenstein is about, I don't know why you're listening to a horror movie podcast. Review I heard a lot of mixed reviews about this, but I tried to stay away from as many spoilers as possible, as if this story could really be spoiled. Del Toro does add some new elements to the classic tale, some might say maybe too many new elements. Some might say that. I'm not saying it. But some might. It is kind of long. This movie is beautifully shot, albeit sometimes you can tell it was Made For Streaming (cough cough why is the sunlight in my face cough cough), but for the most part it's colorful, playful, and imaginative, with backdrops and settings that match the incredible costumes. Mia Goth looks ethereal in all of her elaborate gowns, veils, and feathers. Her wedding dress deserves its own moment of silence. The bandaged look around her arms? So major. The costumes tell their own stories, and they do a wonderful job at that. Oscar Isaac gets hotter every time I see him in a movie. Don't know how he manages that but he manages it well. Even though he's pretty evil in this he still looks good. Jacob Elordi does an amazing job as the Creature, he proves himself time and time again, with physical and emotional acting. He captivates and intrigues. He shines.The story is good, it is a bit hammed up at times and Del Toro is quite heavy handed; so much so that it feels like being hit in the head with a hammer. Yes, I understand the story you're trying to tell Mr. Del Toro, thank you for making sure I do. Also not a big fan of the narration aspect, don't think it added much to the story. I really could have done without the Danish sailors in their entirety and this would have been a lot better. Christoph Waltz was a pleasant surprise, although his character has little to no narrative impact. I always enjoy seeing him on screen but I felt as though he was a little pointless. All in all I really had a good time watching this. It's compelling, emotional, gorgeous, and thrilling. And God Damn You Netflix For A Limited Theatrical Release. Score 8/10

Matt and Bob fire up the lab equipment for a new Analysis on Guillermo del Toro's Frankenstein, fresh to Netflix. What should have been the director's long-awaited monster opus instead leaves them puzzling over CGI deer, swoony color palettes, and a strangely sexy Jacob Elordi. They dig into Oscar Isaac's mad-scientist energy, Christoph Waltz's syphilitic benefactor, and why del Toro's empathy may have drained the horror from Mary Shelley's tale. From Victorian melodrama to Twilight-core vibes, the guys debate whether this gothic romance ever truly comes alive. Then they pivot to The Smashing Machine—Benny Safdie's gritty UFC biopic starring Dwayne “The Rock” Johnson—and talk addiction, obsession, and Emily Blunt's thankless “nagging girlfriend” archetype. Rounding out the episode: Oscar buzz power rankings (One Battle After Another, Hamnet, Sentimental Value), and a quick look at upcoming awards-season heavy hitters like Bagonia and Marie Supreme.

It's time for Star Wars on ForceCenter LIVE! Sigourney Weaver has us excited for The Mandalorian and Grogu and the future of Star Wars movies. Rian Johnson fought in the Prequel Wars. Oscar Isaac will only come back to Star Wars if THIS happens. Go live with Joseph Scrimshaw, Jennifer Landa, and Ken Napzok to discuss it all the Star Wars on the 805th episode of ForceCenterFrom the minds of Ken Napzok (comedian, host of The Blathering), Joseph Scrimshaw (comedian, writer, director of Dead Media), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Amazon Music, Spotify, and more!Follow ForceCenter!Watch on YouTube!Support us on PatreonForceCenter merch!All from ForceCenter: https://linktr.ee/ForceCenter Hosted on Acast. See acast.com/privacy for more information.

Send us a textGuess who's back? Back again? Zach and Sloane. Tell a friend. That's right you little freaks, we're back and better than ever because we are super charged with the erotic Freudian energy of Guillermo Del Toro's monster masterpiece "Frankenstein". What better way to welcome ourselves back to business than with a steampunk coded gothic horror tale featuring everyone's favorite long boi Jacob Elordi. The sensual tension between Jacob and Oscar Isaac was almost as compelling as the sensual tension between Christoph Waltz and his golden shoes. The drama, the costumes, the music, the custom made lightning towers. Oh it was all just a lovely dream! We talk about the movie and only take a couple bizarre detours off topic on this week's episode of Mummy Dearest Podcast! Support the showVisit MummyDearestPodcast.com for merch and more!Follow the podcast on Instagram!Follow Sloane on Instagram!Follow Zach on Instagram!And most importantly, become a Patron and unlock hundreds of bonus episodes!

Guillermo del Toro's FRANKENSTEIN Is this the definitive Frankenstein adaptation? We're exploring the tragic Creator vs. Creature dynamic, and the stunning cinematography in Guillermo del Toro's Frankenstein. Featuring major discussion on Jacob Elordi's Creature and Oscar Isaac's Victor. Tune in for our complete spoiler breakdown! #Frankenstein #GDT #JacobElordi #OscarIsaac

There is a mysticism that covers Latin America. Stories of monsters, spirits, and tales of dark family secrets. Sure, it sounds like a telenovela, but literature calls it Gothic: tales that frighten and force us to confront our fears. Now, Mexican filmmaker Guillermo del Toro has reimagined the classic gothic story “Frankenstein.” But this time with a Latin American twist. Del Toro’s adaptation features catholic imagery, long stares into the camera, and Guatemalan-born Hollywood superstar Oscar Isaac. Oscar gets into the film, the state of the country, and why he dropped Hernandez from his stage name. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Guillermo del Toro's Frankenstein is a new reimagining of Mary Shelly's classic gothic horror tale about a misunderstood monster who's abandoned by his creator and shunned by society. Oscar Isaac is the narcissistic doctor Victor Frankenstein, and Jacob Elordi has a gargantuan yet humanizing turn as The Creature. Now streaming on Netflix, Frankenstein is dark, epic, and preoccupied with the existential dread of life and death.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sean and Amanda are joined by Rob Mahoney to cover a pair of new releases, but before diving in, they react to two new movie trailers for ‘Michael' and ‘The Testament of Ann Lee' and the news that a ‘Miss Piggy' movie from Cole Escola, Jennifer Lawrence, and Emma Stone is in development (0:53). Then, they unpack Guillermo del Toro's ‘Frankenstein,' starring Oscar Isaac and Jacob Elordi. They talk through the divisive reception to the film thus far, explain why the second half of the film is much stronger than the first, and hypothesize what its awards chances are (9:26). Finally, they cover Lynne Ramsay's new psychological thriller, ‘Die My Love,' starring Jennifer Lawrence and Robert Pattinson, which they all thoroughly enjoyed and view as Lawrence's best performance of her career (57:53). Hosts: Sean Fennessey and Amanda Dobbins Guest: Rob Mahoney Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adam and Josh split on Guillermo del Toro's FRANKENSTEIN, but praise its star – not Oscar Isaac as the mad doctor, but Jacob Elordi's soulful Creature. Also, reviews of Nia DaCosta's Ibsen update HEDDA, the Sydney Sweeney-starring boxing biopic CHRISTY, and Ira Sachs's PETER HUJAR'S DAY.   This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:03:53) Frankenstein (00:03:54-00:41:15) Spoilers: Frankenstein (00:41:16-00:51:03) Filmspotting Family (00:51:04-00:57:19) Hedda (00:57:20-01:02:54) Christy (01:02:55-01:11:23) Next Week / Notes (01:11:24-01:18:02) Massacre Theatre (01:18:03-01:29:43) Peter Hujar's Day (01:29:44-01:38:45) Credits / New Releases (01:38:46-01:41:55) Links: -Poll: 2nd Best Zemeckis https://poll.fm/16177171 -The Mastermind Prize Pack Email us your favorite Reichardt character -Redford v Ferrell to Save the Colorado River Delta https://www.youtube.com/watch?v=6uXOozRjRM4  -Fear Not! (50% Off + Free Shipping; code CONFSHIP, select Media Mail) https://wipfandstock.com/9781666738520/fear-not/ Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ https://www.instagram.com/larsenonfilm ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Get your claws out: it's Oscar Isaac. Memory, dance belts, Travis picking, and the buddy system. The river doesn't dam itself… on an all-new SmartLess. Subscribe to SiriusXM Podcasts+ to listen to new episodes of SmartLess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.