Podcasts about Fleabag

Welcome to our next recap series! Roark & Sarabeth recap season 2 episode 2 of Fleabag. Thanks for your patience on the delay. Send in your questions to ⁠⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @girlsgirls_pod.

Num ano de séries medianas, faz bem parar e relembrar o tanto de coisa boa que já foi feita e tem por aí nos streamings. Baseados num post do nosso amigo @oqueassistirhj, listamos dezenas de séries incríveis da década passada, entre elas The Americans, The Leftovers, Fleabag, Homeland, Veep, Unbreakable Kimmy Schmidt, Search Party, Rectify, Oliver Kitteridge, Olhos que condenam, Bojack Horseman, Broadchurch, The Deuce, Legion, Atlanta, Objetos Cortantes, Big Little Lies, Girls, Better Things, Hannibal, Game of Thrones e várias outras. Também comentamos séries do momento, como Etoile, Careme, As Quatro Estações do Ano, The Last of Us, O Eternauta, Andor, Seus Amigos e Vizinhos e Hacks.

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode of Geek Freaks Headlines, we react to the first look at Prime Video's upcoming Spider-Noir series, starring Nicolas Cage as a brooding, trench coat-wearing Spider-Man in 1930s New York. We break down what's been revealed so far, from the creative team behind the project to the tone and style of the series. Get ready for a much darker take on the Spider-Verse.Timestamps and Topics:00:00 First look at Spider-Noir revealed by Prime Video00:06 Nicolas Cage confirmed to star in live-action series00:11 Series set in 1930s New York, based on Spider-Man Noir comics00:15 Release scheduled for 202600:18 Directed by Harry Bradbeer (Fleabag, Enola Holmes)00:23 Showrunners: Oren Uziel (22 Jump Street, The Lost City) and Steve Lightfoot (The Punisher)00:34 Darker tone expected compared to Spider-Verse version00:40 Invitation for listeners to share their thoughtsKey Takeaways:Spider-Noir is a live-action adaptation of the Spider-Man Noir comicNicolas Cage returns to the role, this time in a live-action formatThe show will premiere on Prime Video and MGM+ in 2026The story follows an aging PI who was once New York's only superheroCreative team includes top talent from Fleabag, The Punisher, and 22 Jump StreetThe tone is expected to be darker than the animated Spider-Verse versionMemorable Quotes:"Love Fleabag and Enola Holmes, so pretty good at the period pieces.""This looks like it's gonna be a much darker tone than that."Call to Action:Enjoyed the episode? Make sure to subscribe, leave a review, and share the podcast with your fellow Marvel fans using #GeekFreaksPodcast. We want to hear your thoughts on Spider-Noir.Links and Resources:All our news comes straight from GeekFreaksPodcast.comFollow Us:Facebook: Geek Freaks PodcastInstagram: @geekfreakspodcastTwitter: @geekfreakspodThreads: @geekfreakspodcastPatreon: Support us hereListener Questions:Have thoughts about Nicolas Cage as Spider-Noir? Send us your reactions and we might feature them in the next episode!Apple Podcast Tags:Marvel, Spider-Man Noir, Nicolas Cage, Prime Video, Spider-Verse, Geek Culture, Comic Book TV, Marvel Series, Geek Freaks Podcast

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

I år er det femti år siden Monty Python and the Holy Grail kom på kino, og det er femti år siden humorserien Hotell i særklasse for første gang ble vist på BBC. Kulturjournalist Elise Dybvig har vært på Folketeateret i Oslo for å se den 85 år gamle britiske komikerlegenden John Cleese i levende live. Det var en ganske tragisk affære. Det var også en påminnelse om at det fantes en tid da man i en vanlig samtale kunne si at man foretrakk «britisk humor». En kikk på dagens strømmetjenester gir derimot inntrykk av at britene har sluttet å lage humor. Er det – som med alt annet – brexit som har skylden?Britiske humorprogram nevnt i episoden:Peep Show (2003-2015)Monty Python's Flying Circus (1969-1973)Fleabag (2016-2019)This Country (2017-2020)Alan Partridge, figuren spilt av skuespiller Steve Coogan i film, tv-serier og podkast.Aksels anbefaling: Hørespillene De dödas röster og Exorcismen i Eksjö på Sveriges Radio Hosted on Acast. See acast.com/privacy for more information.

Brought to you by the team that brought you Wolf 359, you know it's going to be good. Faith Adler has crossed the country to spend the summer in NYC. There she meets David, and the two of them quickly get mired in ... something. It's complicated. Together with friends Tori, Matt, and Ginah, Faith and David navigate situationships, friendships, found family, and all the messiness of being young. Faith is a DJ, and that pretty much describes how she approaches life — willing to scratch, skip, mute, sample, and even reverse until things start to make some sort of sense. If you love Community, High Fidelity, and Fleabag, this show definitely has your name on it. Listen to the Director's Intro with Gabriel Urbina, then head over to Audible for the full listen. You're gonna love it! You can find it at www.hitsingles.show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to our next recap series! Roark & Sarabeth recap season 2 episode 1 of Fleabag.Send in your questions to ⁠⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @girlsgirls_pod.

Συζητάμε για τις κοινές μας (ή όχι) εμπειρίες από τα ταξίδια μας στην Ιαπωνία, και γιατί είναι μια χώρα που αξίζει να σε πιάσει κόψιμο Το Skype πέθανε, η Apple τρώει χαστούκι για το Apple tax Πόσο δίνει να πάρει η Ζαχαρένια το remastered Oblivion; Ο Στέλιος είδε Sinners, Fleabag και Reacher κι έχει ✨απoψάρες✨ Η Ζαχαρένια σχολιάζει τις ταινίες που είδε στο αεροπλάνο και γιατί το Hollywood έχει πεθάνει Enjoy!

Welcome to our next recap series! Roark & Sarabeth recap season 1 episode 6 of Fleabag.Send in your questions to ⁠⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @girlsgirls_pod.

You know him as Murray in “Stranger Things,” or Martin in “Fleabag,” or loved him in “Lemon” (the wonderful indie film he also co-wrote), or his countless guest star roles on Comedy Central, Adult Swim, “The Office,” “Curb” (the list goes on), but lately Brett Gelman has been venturing into more serious projects like “McVeigh” and “Lady in the Lake.” On this episode, he talks about the conscious choice to just “do great roles” that often takes him away from comedy. He talks about his relationship to the craft which started in acting school, explains how bombing on stage doing improv was great training for acting, describes why a method approach continues to serve him, makes a plea for us to stop being afraid to “enter into the ugly,” and much more. Currently you can catch him, and his co-host (and wife) Ari Dayan, on their podcast “Neurotica,” which gives listeners an unfiltered view into their marriage! Listen wherever you get your podcasts! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Welcome to our next recap series! Roark & Sarabeth recap season 1 episode 5 of Fleabag.Send in your questions to ⁠⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @girlsgirls_pod.

Welcome to our next recap series! Roark & Sarabeth recap season 1 episode 4 of Fleabag.Send in your questions to ⁠⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @girlsgirls_pod.

Welcome to our next recap series! Roark & Sarabeth recap season 1 episode 3 of Fleabag. We start off the ep with a listener email about Girls - cut to 07:36ish to get right into Fleabag!Send in your questions to ⁠⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @roarks_kitchen.

Send us a textIn today's episode, I interview John Kelly, the director of the short film "Retirement Plan," an animated short that follows a man as he dreams about what he will do in his retirement years. The film won the Grand Jury and Audience Awards at SXSW.Listen to hear about the inspiration for the story, the importance being nimble with style when creating over 100 animated shots, and the joy of getting to work with one of Ireland's leading actors of the moment.Books mentioned in this episode include:A Thread of Violence: A Story of Truth, Invention, and Murder by Mark O'ConnellHits, Flops, and Other Illusions: My Fortysomething Years in Hollywood by Ed ZwickThe Creative Act: A Way of Being by Rick RubinFilms and TV shows mentioned in this episode include:"Retirement Plan" directed by John KellyBob's Burgers (series)A Grand Day Out (Wallace & Gromit) directed by Nick ParkPeter Rabbit directed by Will GluckStar Wars Episode VII: The Force Awakens directed by J. J. AbramsEx Machina directed by Alex GarlandUp directed by Pete DocterFargo directed by Joel CoenRaising Arizona directed by Joel CoenBarton Fink directed by Joel CoenAmerican Movie directed by Chris SmithCrumb directed by Terry ZwigoffGrey Gardens directed by Albert Maysles, David Maysles, Ellen Hovde, and Muffie MeyerThe Jerk directed by Carl ReinerBeing There directed by Hal AshbyBluey (series)Fleabag (series)Scavengers Reign (series)Common Side Effect (series)You can follow John on Instagram @johnkelly_jnr and the film @retirementplan_film.Check out the Wheelie Yellow channel on YouTube that John mentioned.

Welcome to our next recap series! Roark & Sarabeth recap season 1 episode 2 of Fleabag. Send in your questions to ⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @roarks_kitchen.

Roark & Sarabeth recap season 1 episode 1 of Fleabag: Pilot. Send in your questions to ⁠⁠⁠⁠⁠⁠girlsgirlspod@gmail.com⁠⁠⁠⁠⁠⁠ and chat with Roark on Instagram at @roarks_kitchen. Please vote for your favorite pick for our next recap show! Vote on Spotify poll or via Roark's IG storyAppreciate our very patient listeners ❤️❤️❤️

This week we're joined by internet sensations Amelia and Evan of Girls Rewatch podcast to discuss Lena Dunham, two years after we first knighted her as an original Stargirl. We discuss Lena's work and life post-Girls (Sharp Stick, her new show Too Much, and her marriage, chronic illness, and perma-hibernation mode) and assess the past 10 years of self-conscious scripted comedy (White Lotus, Broad City, Fleabag, Sex Lives of College Girls, Severance, Insecure, And Just Like That, etc.). We also analyze Gen Z's reclamation of Marnie and reminisce about the Dream of mid-2010s creative Brooklyn advanced by the best TV show of all time. Listen to / watch / follow Girls Rewatch podcast, and follow Amelia and Evan

Expect lots of Sherlock Holmes talk this week as Paul and I discuss 'The Speckled Band', an episode of the Jeremy Brett starring TV show, The Adventures of Sherlock Holmes.  We also find time to talk about the show / stage play Fleabag, Brett's love of smoking, and Paul spoils the end of Indiana Jones 5.

This episode, Bre and Mistake are joined by guests and friends Chloe and Laina, once again, for the breakdown of Fleabag: Season 2. We discuss Fleabag's possible names, the meaning behind the fox, and Hot Priest (extensively). Grab the night by its nipples and stream this episode now.

Harry, Gary, and Sarah the A.I. Bot are back, and this week they're joined by the brilliantly funny Jamie Demetriou creator of Stath Lets Flats, and you might have seen his face pop up in Fleabag plus Hollywood hits Barbie, Paddington 2 and Cruella. Jamie chats about growing up in a comedy-filled household, with his sister — comedian Natasia Demetriou - and how it all led to him bagging four BAFTAs. Plus, author Lindsay Littleson dives into this week's theme: the Titanic! Find out more about Lindsay's work at lindsaylittleson.co.uk Follow Jamie on Instagram here. Harry's on his New Bits & Greatest Hits tour right now so head to harryhill.co.uk to find out where you can see him live.  We always want to hear from you on the show so please send in your jokes, TV theme tunes lyrics, or maybe you have a minor irritation you wish to share.  Send them via voice note to harry@arewethereyetpod.co.uk and any that feature will be sent an Are We There Yet? badge.  Website: www.harryhill.co.uk Instagram: @mrharryhill YouTube: @harryhillshow Producer Neil Fearn A 'Keep it Light Media' production All enquiries: HELLO@KEEPITLIGHTMEDIA.COM Learn more about your ad choices. Visit podcastchoices.com/adchoices

Eric Schnall is a Broadway producer and author from New York.Eric grew up attending Broadway productions with his parents, leading to a professional career which saw him driving critically-lauded shows like the Hedwig and the Angry Inch revival, and Fleabag.In 2024, Eric published his first book, I Make Envy on Your Disco – a love letter to Berlin, through the eyes of a late 30s gay man exploring the city in the early 2000s, running from personal turmoil and finding solace in the concrete jungle.I love Berlin, so I was already on board, but I really love Eric's book. Berlin is as much a character in the story as any of the fabulous people in Eric's cast, and I highly recommend it to fans of Less. We discuss music by Prince, Deee-Lite, and the Eurythmics. Follow Eric online.The other bits:Tracks of Our Queers is recorded and edited between Gadigal and Ngarigo land in Australia, by me, Andy GottListen to all of the music discussed in the pod with the Selections from Tracks of Our Queers playlistYou can email me with your own queer tracks or guest recommendations at tracksofourqueers@gmail.comOur beautiful artwork is illustrated by Luke TribeSend me a short message!Support the showI'd love to hear about your queer tracks. Send me a voice note of a song, album, or artist that has resonated with your life, and I'll include it in an upcoming episode. You can email me your voicenote at tracksofourqueers@gmail.com. Help keep Tracks of Our Queers ad-free by shouting me a coffee right here. Thank you for your support.

Seul.e, à deux, à trois, ou à plus, le sexe anal peut se pratiquer de beaucoup de manières différentes. La pratique connaît par ailleurs de plus en plus d'adeptes ou du moins, se démocratise de plus en plus dans nos conversations. Une étude Ifop réalisée en mars 2021, indique que 51% des femmes en France ont déjà expérimenté la sodomie, contre 43% en Allemagne et 35% au Royaume-Uni. Ces chiffres démontrent une fois de plus que les pratiques sexuelles se diversifient et avec elles, la pénétration anale, dont la popularité explose selon un article du Guardian repéré par Slate. Une démocratisation qui serait en partie liée à la diffusion de séries telles que Sex & the city ou plus récemment, Fleabag.   Quels soucis peut-on rencontrer par exemple ? Comment pratiquer le sexe anal en toute sécurité ? Mais alors, faut-il procéder à un lavement anal avant un rapport intime ? Ecoutez la suite de cet épisode de "Maintenant Vous Savez ". Un podcast Bababam Originals, écrit et réalisé par Emilie Drugeon. Première diffusion : 27 septembre 2022. A écouter aussi : Sexe sans sentiments : bonne ou mauvaise idée ? Le sexe permet-il vraiment de mieux dormir ? Sexe : quelles sont les trois astuces pour rebooster son couple ? Retrouvez tous les épisodes de "Maintenant vous savez ". Suivez Bababam sur Instagram. En partenariat avec Flipboard, votre magazine social. Abonnez-vous pour ne manquer aucun contenu ! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hay historias que nos abren los ojos, nos hacen cuestionarnos y nos recuerdan que no estamos solas. Y cuando son contadas por mujeres, se sienten aún más nuestras.Este Jueves de Lety & Ash, se lo dedicamos a algunas de las series y películas que nos han hecho sentir inspiradas, vistas y que nos han puesto a reflexionar sobre lo que significa ser mujer hoy. Hablamos de “La Liberación”, “Fleabag” y “La Otra Boda”. Todo en Amazon Prime.¡Qué importante es que detrás de estas historias haya mujeres creando y protagonizando papeles, esto cambia la forma en que nos vemos a nosotras mismas y al mundo.Gracias Amazon Prime por abrir esta conversación y apostar por historias que conectan tanto con nosotras y con otras mujeres. #TodoEnAmazonPrimeEn este episodio encuentras información sobre:Las historias que nos han hecho sentir identificadas y cuestionarnos.Por qué es tan importante que haya más mujeres en el cine y televisión.Recomendaciones de series y películas que nos han inspirado.Si te gustó este episodio también puedes escuchar:Elizabeth Gilbert on creating a life you don't want to escape from | Se Regalan DudasBecky G: The stories that shape who we are | Se Regalan DudasReinventarse para ser libre | Erika de la Vega¡Gracias a las mujeres de mi vida! | Jueves de Lety & Ash Hosted on Acast. See acast.com/privacy for more information.

A bonus episode treat! Thanks to Prime Video, we got to chat about our favourite TV show of all time, #Fleabag, and why we think Phoebe Waller-Bridge is a genius for creating the most perfectly imperfect main character. Plus, our thoughts on the #TheMarvellousMrsMaisel and her shitty husband, finding career success and falling into feminism. 

Today your hosts are joined by dearest friends Chloe and Laina, #1 disciples of the Hot Priest, to talk about the first season of Fleabag.

I've hand-picked some of my favourite episodes of all time to revisit this Christmas, so today's a very special one. Phoebe Waller-Bridge was my first EVER guest on this podcast when I launched in July 2018. A year after that, almost to the day, I welcomed her back to talk about how her life had changed in the interim [spoiler alert: she'd become a global superstar]. Phoebe talks about the craziness of those 12 months, during which she wrote and starred in Fleabag 2 (described as a televisual masterpiece by...well...almost everyone), made Killing Eve (described as a televisual masterpiece by...well...almost everyone) and worked her magic on the new James Bond movie. It was a  year that, from the outside, seemed to many of us to be the epitome of success. But what failures lay underneath the surface? What about those private moments of vulnerability and self-doubt we are so rarely privy to? Phoebe joined me to talk about three failures from that year, including her failure to connect with her family, her failure to speak up for herself and her failure to Marie Kondo her bedroom. Along the way, we discuss what makes the perfect water bottle, filming THAT final scene in Fleabag (apparently the foxes were total divas), sexuality, exhaustion and why female creators are often unfairly assumed to be writing autobiography. And yes, the Meryl Streep apple crumble anecdote makes an(other) appearance. HOW TO FAIL PRESENTED BY HAYU LIVE TOUR tickets: www.fane.co.uk/how-to-fail Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Greg and Ryan discuss the Prime Video series FLEABAG

 En esta especial y muy solicitada cita, platicamos sobre la serie británica Fleabag en una conversación íntima con la autora e ilustradora Eréndira Derbez sobre duelos, sexo, salud mental, familia, etc. 

On immediacy, representation, and anti-politics. Anna Kornbluh, professor of English and author of Immediacy, or The Style of Too Late Capitalism talks to Alex about the cultural, political, and economic changes she refers to as 'immediacy'. We discuss: Is 'immediacy' just a vibe, or is vibe itself non-mediated? How does anti-representation in film, TV and books relate to anti-representation in politics? And can we relate culture immediacy to the 'material base'? How do Fleabag, Uncut Gems, and the turn to memoirs and autofiction exemplify immediacy? Why does self-disclosure fit so well with the data economy? In what way is contemporary anti-theory nihilistic and apologetic? How does the style of immediacy relate to Frederic Jameson's understanding of postmodernism? Is the desire to put everything private on show a response to alienation? And is the professionalisation of 'theory' a problem or solution? Links: Immediacy, or The Style of Too Late Capitalism, Anna Kornbluh, Verso Has culture become pure vibe?, Anna Kornbluh, Spike Art Magazine The Theory of Immediacy or the Immediacy of Theory?, Jensen Suther, Nonsite Embracing Alienation: Why We Shouldn't Try to Find Ourselves, Todd McGowan, Repeater

This week on Game of Groans, Emily and Kate are still taking time away from "canon" episodes and have watched a holiday movie with a Game of Thrones actress in it. We decide to watch Emilia Clarke's movie, "Last Christmas."They discuss modernizing language can be bad, manic pixie dream boys, Whamageddon, Patti Lupone, Fleabag, suspension of disbelief, and that Chris Pratt isn't funny anymore. Additionally, Emily knows nothing about George Michaels, Kate doesn't agree with coma spirits, and they both plug newer holiday movies they like. New "canon" episodes start in the new year, watch the feed in January 2025. Music is by Simon Daum.Support us on Patreon!  Become one of our Patrons at www.patreon.com/gameofgroanspodEmily's Socials - @koballabateman (Insta)Kate's Socials - @ophelia5wims (Insta)Instagram - @gameofgroanspodFacebook - facebook.com/gameofgroanspodTwitter - @gameofgroanspodWebsite - www.gameofgroanspod.comEmail - gameofgroanspod@gmail.comWant to reach out? Send us a text!Support the show

Epizoda 85

If adventure has a name, it must be... Indiana Jones. In this episode Michael & Claire defy the laws of age, time travel and quality movie-making in an octogenarian "romp" with Fleabag and a kid that definitely isn't a plug-and-play rip-off of a character from a previous instalment. A legend will face his destiny... in Indiana Jones and the Dial of Destiny! At time of recording the first four movies in the Indiana Jones franchise are available on Paramount+ in the USA and Prime VIdeo in the UK. Indiana Jones and the Dial of Destiny is available on Disney+ in both countries.

Heyy besties!✨BIG NEWS!! WE LAUNCHED OUR PATREON SUBSCRIPTION CONTENT THIS WEEK! ✨ Sooo many of you have already signed up... our little happy hearts are split in two with love!

La actriz protagoniza 'Mamen Mayo', nueva comedia de SkyShowtime en la que interpreta a una mediadora de herencias dispuesta a todo para evitar los litigios judiciales entre los familiares. Una comedia humanista, sobre conciliar, empatizar y ceder creada por Eduard Sola que consta de ocho capítulos. Sobre el humor fino, 'Fleabag' y papeles para actrices de más de 50 charlamos con la actriz 

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes. New details surrounding Marvel Studios' The Fantastic Four: First Steps have emerged with the release of this official synopsis: Set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel Studios' The Fantastic Four: First Steps introduces Marvel's First Family — Reed Richards/Mister Fantastic , Sue Storm/Invisible Woman , Johnny Storm/Human Torch, and Ben Grimm/The Thing as they face their most daunting challenge yet. Forced to balance their roles as heroes with the strength of their family bond, they must defend Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner). And if Galactus' plan to devour the entire planet and everyone on it weren't bad enough, it suddenly gets very personal. While this synopsis may be sparse on specificity, it does officially confirm Julia Garner's role to be that of a Silver Surfer, which was strongly suspected until now. In the wake of some big announcements and updates regarding the franchise's future on the big screen, Star Wars has removed at least one of its upcoming film projects from the calendar. Last week, Disney pulled the untitled Star Wars flick occupying a December 18, 2026 release and replaced it with the recently announced Ice Age 6. Elsewhere on the small screen, fans can look forward to more information on Andor Season 2 soon, with the series on display in the coveted cover feature of Empire Magazine's November issue, available November 21. Our pal Jimmy Gunn is back to his antics providing some seeming clarity on Peacemaker's canon status within his DCU. While speaking with IGN, the filmmaker explained that nothing is canon ‘unless you see it in Creature Commandos,' or is released after that series, which debuts on Max December 5. Gunn went on to clarify that the new canon would include prior events and characters that are referenced in Creature Commandos, which would include all of Peacemaker's first season, barring one scene. “The truth is almost all of Peacemaker is canon with the exception of Justice League… which we will kind of deal with in the next season of Peacemaker,” The Assembled behind the scenes web documentary for Agatha All Along was suspiciously released via Youtube rather than Disney Plus… While speaking at Vulture Festival, Elizabeth Olsen shared that returning to Marvel feels like a choice driven by character-focused storytelling, not an obligation, and acknowledged superhero films' role in making indie projects possible. Lady Gaga has been cast in season 2 of Wednesday on Netflix. At this time, it is not known what the extent of her role will be. The Academy of Motion Picture Arts and Sciences has announced that Conan O'Brien will host the upcoming 97th Oscar's ceremony. Sophie Turner is in negotiations to star as Lara Croft in Tomb Raider, Prime Video's high-profile series adaptation of the video game franchise from Emmy-winning Fleabag creator Phoebe Waller-Bridge. Sony has hired Finn Wolfhard and Billy Bryk to write an updated version of the 1999 horror comedy Idle Hands that starred Seth Green and Jessica Alba. Jason Reitman is serving as a producer and a director has not yet been announced. A rebooted Friday Night Lights series is in the works at Universal TV. The reboot is believed to be a new story with new characters not attached to the original. HBO's Lanterns has added Never Have I Ever star Poorna Jagannathan to the cast. Dwayne Johnson and Chris Evans' Christmas movie Red One came in at the lower end of expectations with a $32.1 million domestic outing. Apple TV+ has ordered a 10-episode series adaptation of Cape Fear with Javier Bardem starring as Max Cady, a notorious killer seeking revenge on a couple of attorneys. Steven Spielberg and Martin Scorsese will executive produce the series.

This week, hosts Elizabeth and Kathy speak with Luke Jorgensen, professor and acting theatre department chair at Boston College. A graduate of BC, Jorgensen is also a faculty advisor for My Mother's Fleabag and Hello Shovelhead!, and has directed multiple on-campus productions, including The Crucible, his own show, Codemonkey, and the upcoming production of the musical Pippin. In addition to his involvements at BC, he was the artistic director of the Tufts University Children's theatre. Jorgensen has also starred in multiple professional productions, including stage performances, roles in television and film such as Starving Artists and School Ties, and voicework for the video game “Albino Lullaby.” Tune in to hear about Jorgensen's professional career, his experience teaching and directing at BC, and his advice for students looking to get involved in theatre or the acting world. Check back in next week for new episodes!

Katherine Dudas and Lizzy Pace break down the Fleabag pilot! Stay tuned for another pilot next week!New Episodes every Monday!BONUS EPISODES of The Bear S3, Mr. and Mrs. Smith, The Curse, Severance, Yellowjackets, Silo, The Fall of the House of Usher, The Holiday, May December, patreon.com/HBOLAX Subscribe today:Instagram:@hbolaxpod@pacecase@katherinedudas_YouTube:@hbolaxTikTok:@hbolax@pace_case@katherinedudasSupport the showNew Episodes every Monday!BONUS EPISODES of Severance, Yellowjackets, Silo, The Fall of the House of Usher, The Holiday, May December, patreon.com/HBOLAXSubscribe today: Instagram:@hbolaxpod@pacecase@katherinedudas_YouTube:@hbolaxTikTok:@hbolax@pace_case@katherinedudas

Listen to the full episode and get access to over 95 episodes when you join the Ready to Be Petty Patreon. For $5 USD/month, you get weekly episodes on trending topics and pop culture deep dives and entry to the Discord to chat with other listeners. Public episodes of Ready to Be Petty are on an indefinite hiatus. You can also check out Torry's other podcast, Ready to Be Romanced, which recaps and reviews romance novels and their tv/movie adaptations wherever you find podcasts. Full Episode Description: On this patreon exclusive, Torry (she/her) and Shannon McNamara (she/her) from FluentlyForward discuss The Secret Lives of Mormon Wives and then analyze The Sally Rooney-Taylor Swift-Phoebe Bridgers-Fleabag Road Map. Buy official merch or an RTBP keychain on Etsy. Follow RTBP on Instagram, Tiktok, and Twitter. Photo by Mariah Burchell.

New York City-based percussionist, performer, educator, and composer Pauline Roberts stops by to talk about her performance activities in the area (04:00), her freelancing and teaching schedule, traveling around for gigs, and dealing with sexism in the music industry (19:00), growing up in Buenos Aires (and Australia), her supportive parents, dabbling in various music scenes, Argentina's rock music scene, and her sports background (36:30), her undergrad years at the National University of the Arts in Argentina and her experiences during the pandemic (59:20), her grad school years doing a master's in the performer/composer degree from the New School (NY) (01:10:50), and takes on the Random Ass Questions, including segments on being a woman in the arts, soccer in Argentina, Björk, Fleabag, and Ted Lasso (01:20:50).Finishing with a Rave on the 2020 novel Migrations (01:54:10).Pauline Roberts links:Pauline Roberts' websiteLulada ClubPauline Roberts's InstagramThe Furious Bongos“Black Page #1” - Frank ZappaPrevious Podcast Guests Mentioned:Megan Arns in 2017Josh Gottry in 2020Other Links:Chad WackermanCharles GainesBilly MartinConga ChopsGary Titone“Pedro Navaja” - Willie Colon and Ruben Blades“Quimbara” - Celia Cruz & The Fania All StarsAdam TanHi-5“Cancion para mi muerte” - Sui Generis“Muchacha ojos de papel” - Spinetta“A Sky Full of Stars” - Coldplay (Live in Buenos Aires)Teatro Colón (Buenos Aires)The Artist's Way - Julia CameronRobert Van Sice“Panama Libré” - Danilo PerezSasha BerlinerTim FeeneyIan RosenbaumGlen VelezEverything Everywhere All At Once trailerRatatouille trailerJulie & Julia trailerInside Out trailerSharknado trailerLessons in Chemistry - Bonnie GarmusOne Hundred Years of Solitude - Gabriel Garcia MarquezFicciones - Jorge Luis BorgesLionel Messi highlightsArgentina - France 2022 World Cup Final2024 Women's Olympic High Jump“Hyperballad” - BjörkFleabag trailerTed Lasso trailerRaves:Migrations - Charlotte McConaghy

Surprise! Because we had a Patreon movie that fits the timeframe of our Bridgerton world, we've decided to drop a bonus one on the main feed. This is a Victorian era mystery starring Millie Bobby Brown as Enola Holmes, Sherlock's younger sister. It's a star-studded Netflix film from 2020 that also features Henry Cavill as older bro Sherlock and Helena Bonham Carter as the (disappearing) matriarch of the Holmes family. Sam Claflin plays the eldest bro of the family, Mycroft Holmes, who sucks a big fat one. It's a fun flick directed by a man who also brought is “Fleabag,” and you can feel it from the absolutely shattered 4th wall. And if you wanna stay for some off the topic Jon & Kev chat, just keep listening after the end song. Thanks to Emily Thomas for the request, and thanks to all the Patreon pals for your support, and you can join the fun at patreon.com/kevinandjon!    

A new study just published says that perimenopausal women are more likely to experience bipolar and major depressive disorder. Cardiff University academics worked with charity Bipolar UK and the UK Biobank, a large-scale biomedical database, to look at nearly 130,000 UK women and focused on the four years around the last menstrual period. Dr Clare Dolman, an ambassador for Bipolar UK and patient and public involvement lead on the project, joins Jessica Creighton.We Might Regret This is a brand new BBC comedy that has been pegged by reviews as ‘the next Fleabag'. It centres on Freya, who is an artist and tetraplegic, as she moves in with her partner and hires her best friend to be her personal assistant. The series is partly based on the experiences of Kyla Harris, the co-creator who stars as Freya. She joins Jessica to talk about everything from having a third person in a relationship to misconceptions around disability.What do you think of maternity clothes? For mums-to-be in 2024, it's apparently all about low-cut jeans and crop tops, moving away from traditional maternity wear. Retailers are recording a decrease of maternity clothes searches with women instead opting for regular clothes, perhaps in a bigger size. So why the shift? Jessica is joined by Assistant Fashion Editor at The Times, Hannah Rogers and influencer and author Alex Light to discuss.A brand new documentary film called Daughters follows four girls whose fathers are in prison in the US. They are all preparing for a special prison visit – a father-daughter dance that sees some of them meeting for the first time. Co-director of the film and CEO of Girls for a Change Angela Patton joins Jessica to talk about her work with black girls and their fathers, along with a father and daughter from the UK who have personal experience of the challenges of a father being in prison.

DZ-112: Breaking the 4th wall How is the effect of breaking the 4th wall different to VoiceOver? As part of our series on how filmmakers can directly communicate to the audience, we finally examine the most blatant tool of them all: when character look directly down the barrel of the camera… and thus look directly at us, the viewer. Chas, Stu and Mel take the craft tools/levers they identified in previous episodes and use them to examine HIGH FIDELITY, ABBOTT ELEMENTARY and - of course - FLEABAG. By examining how “in-world” the camera is, who is talking, and whom the character is talking to (i.e. who we are in the relationship), we end up discovering how breaking the 4th wall can involve the audience in the emotional present of the character and also grants the character a degree of narrative control (a craft lever that can be dialled in and out). Separately, in a Backmatter to this episode to be found on our Patreon page, Mel and Chas answer a listener question and take a deep dive into how breaking the 4th wall changes the RELATIONSHIP between you - the viewer - and character. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. Thanks to Chris Walker for his excellent editing this episode.   CHAPTERS 00:00:00 - Cold Open 00:00:17 - What is “barrelling”? 00:13:45 - HIGH FIDELITY 00:39:46 - ABBOTT ELEMENTARY 01:04:09 - FLEABAG 01:40:54 - Key Learnings 01:50:48 - Patreon thanks RELATED EPISODES Backmatter on Breaking the 4th Wall DZ-109: Talking DIRECTLY to your audience DZ-110: Voiceover DZ-111: Unreliable Narrators and Fight Club This episode brought to you by (drum roll) ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription! And how can we forget our awesome Patreons, especially Lily, Paulo, Alexandre, Malay, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack

Money touches everything in our lives. And for women, who have long been documented to earn less than men, save less than men, and invest less than men, the stereotype is often that we're doing money “wrong.”  But it's getting old. We know that statistically, women are better investors than men are, we fare better during times of recession, and we're often more thoughtful about our budgets. Yet the stereotypes persist: the “girl math” trend of recent years tried to insinuate that we're messy and unreliable with numbers, and countless female characters in pop culture (those in Fleabag, Sex and the City, and Girls, to name a few) just can't seem to get their finances together, no matter how hard they try.  We say enough is enough. And we aren't the only ones. Jo Piazza feels the same way — which is exactly why she flipped the script for the main character in her new novel The Sicilian Inheritance. Listen in to hear her story.  In Mailbag, we hear from a listener whose 18-year-old son is looking for the best ways to start to build credit, and we hear from a woman who is about to have her first baby and is being pressured by friends to make big (and expensive!) life changes.  Chapters:  00:00:00: Introduction  00:06:32: Portrayal of women in finance and media 00:10:03: Strategies for managing work and family life 00:21:22: Managing the impact of social media 00:25:40: Transition to mailbag segment 00:26:01: Financial advice for young adults and credit cards 00:30:20: Lifestyle changes after having a baby Takeaways:  Women are often portrayed as messy and unreliable in finance and media, perpetuating stereotypes that can be damaging and untrue. The influencer culture on social media can create an expectation gap between real life and the curated images and lifestyles portrayed online. Financial influencers should be approached with caution, as not all advice and recommendations may be reliable or suitable for individual situations. There is a need for better regulation and transparency in the influencer industry to protect consumers and ensure ethical practices. More money news when you need it! Get the latest and greatest updates on all things investing, budgeting, and making money. Subscribe to the HerMoney newsletter at Hermoney.com/subscribe! The HerMoney with Jean Chatzky podcast is sponsored by Edelman Financial Engines. The podcast team and its host are neither employees nor clients of EFE, however, the show does receive fixed compensation and is a paid endorser and therefore has an incentive to endorse EFE and its planners. To learn more about the sponsorship, please visit PlanEFE.com/HerMoney. Please contact advertising@airwavemedia.com if you would like to advertise on our podcast, and to learn more about Airwave, head to www.airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Scott stars as a con artist with no conscience in the new Netflix series Ripley. It's an adaptation of the Patricia Highsmith novel The Talented Mr. Ripley. He spoke with Terry Gross about tapping into his darker side for the role — and playing the "hot priest" in Fleabag.Also, we hear about how cars became our most gendered technology. Women used to be considered unqualified to drive, or just terrible drivers. Glamorous women were used to advertise cars. And yet cars have been designed for male bodies, in ways that put women drivers at risk. Journalist Nancy Nichols is the author of Women Behind the Wheel. Maureen Corrigan reviews Lionel Shriver's latest novel, Mania.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Andrew Scott (best known as "hot priest" from Fleabag) plays con artist Tom Ripley in the Netflix adaptation of The Talented Mr. Ripley. He says his job is to advocate for his characters, not judge them. He spoke with Terry Gross about finding soul in comedy and lightness in drama. Also, Lloyd Schwartz shares a little-known history of "soundies."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week we're sitting down with the fearless, hilarious, and thoughtful Brett Gelman (Stranger Things, Fleabag) as he opens up about the challenges that have shaped him, from his early battles with OCD and questioning his identity, to intense enmeshment with his mother and overcoming those tendencies as he navigates adult relationships. Brett opens up about:- The ways he felt different growing up- His early experiences with drug use- His OCD around numbers and fear of the future- Why questioning his sexuality as a kid led him to have a breakdown He also shares insights on method acting, the importance of creating space for men to challenge toxic masculinity, and the importance of infusing all of your endeavors with a little bit of yourself. PLUS Mayim explains why self-centeredness may actually be at the root of our attempts at caring for others! This conversation is a must-watch for anyone seeking to understand the intricate dance between our past experiences and our present selves. TUNE IN to find out how facing your past can dramatically reshape your future! Brett Gelman's new book, The Terrifying Realm of the Possible: Nearly True Stories: https://www.harpercollins.com/products/the-terrifying-realm-of-the-possible-brett-gelman?variant=41073650204706 BialikBreakdown.comYouTube.com/mayimbialik