Podcasts about cursed child

Elizabeth returns to wrap up Harry Potter and the Cursed Child. We discuss the final few scenes of the production, which include our characters watching Voldy kill James & Lily, Hagrid finding baby Harry in the wreckage, Albus & Scorpius recognizing their individual growth, and Harry & Albus finally connecting while paying respects to Cedric.

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'Blind Willow, Sleeping Woman'? Question 2: Which artist painted "Portrait of Madame Recamier" Question 3: Which author wrote 'Harry Potter and the Cursed Child'? Question 4: Which author wrote 'Pippi Longstocking'? Question 5: Who designed the album sleeve for The Rolling Stones LP "Sticky Fingers"? Question 6: Which author wrote 'A Midsummer Night's Dream'? Question 7: Which Famous Artist Was Shot And Wounded By Valeria Solanis In 1968? Question 8: The painting "American Gothic" by ‎Grant Wood is a part of which art movement? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

TSC News TV host Fred Richani interviews incredibly talented actor Trevor White about his breakout role in HBO series "Industry" as Bill Adler, working with the great Ken Leung, playing Harry Potter on stage in "The Cursed Child", balancing family life with Eleanor Matsuura of "The Walking Dead" fame, his humble beginnings in Ontario, Canada, as well as his best advice for success and why you should watch his critically-acclaimed show!   For more info: https://www.instagram.com/mrtrevorwhite/ ✅Subscribe on YouTube: https://www.youtube.com/TSCGaming?sub_confirmation=1   If you enjoyed this interview, please share using the hashtags #TSCNews #IndustryHBO and #TrevorWhite !   Time Stamps: 00:00 Actor Trevor White Interview 01:05 Trevor White on HBO series Industry, Bill Adler 03:32 Trevor White on Ken Leung, Eric Tao 04:32 Trevor White on Industry cast 07:07 Trevor White on upcoming projects 09:49 Trevor White on acting career, not starting in Los Angeles 10:29 Trevor White on majoring in economics 13:00 Trevor White on London film/TV scene 15:42 Trevor White on wife Eleanor Matsuura, family life balance 19:45 Trevor White on film vs. stage 20:50 Trevor White on video game voiceover work 21:57 Trevor White on favorite actor, snacks 23:33 Trevor White on favorite Industry HBO character 24:19 Trevor White on Eric Tao's rise and fall in Industry 26:51 Trevor White on Marisa Abela's character Yasmin Kara-Hanani 27:13 Trevor White on almost becoming an economist 29:51 Being recognized as Bill Adler from Industry 31:00 Trevor White's advice for success 32:24 Why watch Industry on HBO Max 33:26 Trevor White bonus question, up next

We're thrilled to be joined by Allie Re to chat all about playing Moaning Myrtle in the Broadway Production of Harry Potter and The Cursed Child at the Lyric Theatre!

You might not know Jack Thorne's name but you'll definitely know his work. He's the award-winning writer behind Adolescence, Skins, This is England and Harry Potter and the Cursed Child.For years, he has created intense, thought-provoking dramas - stories that speak to millions of us around the world. His work doesn't just entertain, it creates conversations about who we are and the world we live in. I loved this conversation with Jack. What surprised me most was learning that behind his success is someone who grew up feeling like he didn't quite belong. It was through his writing that Jack found his purpose: telling stories that matter. We cover: Locking eyes with Leonardo DiCaprio during his Golden Globes speechAdolescence and the dark side of social media E.T. - the film that made Jack fall in love with cinema His creative partnership and friendship with Stephen GrahamHow his autism diagnosis helped him make sense of his pastIf you take one thing from this conversation, let it be this: stories have a quiet power to help us see the world, and ourselves, a little differently.You can watch Jack's Lord of The Flies series now. All episodes are available on BBC iPlayer. Jack Thorne is Great Company. If you enjoyed the show, you can also follow us: Instagram- @greatcompanypodcastTikTok - @greatcompanypodcast And if you've got thoughts, questions and comments, you can email us at: greatcompany@jampotproductions.co.uk This episode is sponsored by The AA, the UK's No.1 breakdown provider. It's OK with the AA, they're the fastest major breakdown provider with more patrols up and down the country, 24/7, 365 days a year. So, if you want that peace of mind and be back on the road in no time - Join today at theaa.com/Great T&Cs apply. Verify claims at theaa.com/bestTHE CREDITS Executive Producer: Ewan Newbigging-ListerProducer: Helen Burke & Jack ClaramuntAssistant Producer: Issy Weeks-HankinsVideo: Jake Ji & Josh BennettSocial Media: Laura CoughlanAudio: Rafi Amsili Geovannetti Great Company is an original podcast from JamPot Hosted on Acast. See acast.com/privacy for more information.

Elizabeth returns to discuss the group preparing to take down Delphi. Also, Harry & Ginny talk it out, Harry transforms into his enemy, and Delphi gets ambushed in Godric's Hollow.

Joining Jack and Eden is Kitty Litter writer and actor Hamish Johnston, known for Tick, Tick… Boom!, Happy End, Utopia and the original cast of Harry Potter and the Cursed Child.Alongside him is director Cameron Taylor, a Cirque du Soleil performer whose playful, chaotic style perfectly suits this beautifully unhinged new play.They also discuss Jack's trip to Sydney, where he saw Back to the Future and The Book of Mormon.THE LINKS⁠Our website⁠ ⁠Our Instagram⁠ ⁠Our TikTok⁠Hamish's InstagramCameron's InstagramGet your Kitty Litter tickets!

Elizabeth returns to help Dan respond to listener's comments! We spend all of part one shouting out our wonderful listeners and discussing some Harry Potter thoughts. In part two of the episode we discuss how Albus & Scorpius try to contact their parents in the future, Harry & Ginny talk it out, and the adults go back in the past to help defeat Delphi.

Matt reviews the national tour of ‘Harry Potter and the Cursed Child’ in Orlando, Florida Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name. On Wednesday, Jan. 28, BroadwayRadio’s Matt Tamanini attended the opening night of the “Harry Potter and the Cursed Child” national read more

Having seen the original massive two-part production in New York City back in 2019, we are diving deep into how this new touring version stacks up. Does the magic still hold up? How does the story flow in this condensed format? Grab your wands and join us as we break down the story, the performances, and the theatrical experience of the Wizarding World. SPOILER WARNING: This episode contains full spoilers

Elizabeth returns to begin the final act of Cursed Child. We cover Hermione holding another important meeting, Albus & Scorpius discovering Delphi's plan & heading to Godric's Hollow, and Harry has a discussion with Dumbledore's portrait followed by an emotional discussion with Draco.

JC:  We were in a theater full of people who were there because they wanted to see Tom Felton, and like you said, they queued for tickets, they paid a lot of money, they clearly are fans. I heard people crying around us, people were laughing... Everybody in that theater was thrilled; people leapt to their feet at the end to clap. For full show notes, transcripts, ways to contact the hosts or support the show, and more, visit hpafter2020.com.

Elizabeth returns to discuss Harry & Draco raiding a retirement home for witches and wizards & Albus, Scorpius, and Delphi go back to the maze task at the Triwizard Tournament. Also, Delphi's true identity is finally revealed.

Happy New Year! It's a year-end show! We have lists! Plus, we talk about Goldeneye, Halo, Harry Potter and the Cursed Child, the John Wick Experience, betting for bots, Zootopia 2, The X-Files reboot, Life is Strange, and other nonsense. It's a New Year. It's the same GeekShock!

Elizabeth is back as usual for this episode, but we also have Mallory returning as well. They join Dan to discuss some interesting scenes where Albus & Scorpius plan to destroy the time turner, we learn Delphi is not exactly trustworthy, and Ron tells everyone of the last whereabouts of Albus & Scorpius.

Elizabeth returns to discuss a scenes where McGonagall scolds both kids and adults, Harry has a talk with Albus, and Ginny attempts to calm Harry after a vivid dream.

In this special bonus episode, we're talking with Emily and Masha Breeze about Are The Bennet Girls Okay? by Emily Breeze, an adaptation of Pride and Prejudice that centers on the experience of the Bennet sisters. Are The Bennet Girls Okay? is playing at Bedlam Theatre Company in New York through December 21st.Topics discussed include: was Jane Austen 6 men in a trenchcoat? What are Bluesky posts called? Is Mrs. Bennet right? What is the myth of Pride and Prejudice? Lizzie Bennet is a queer, fat woman!For more from Masha, follow her on Instagram at @mashacometh and @fakethemheadlines, and if you're on the website formerly known as Twitter, follow her at @mashaparty.To see more from Bedlam, check out their website at https://bedlam.org, and follow them on Instagram at @bedlambedlambedlam.For tickets to Are The Bennet Girls Okay? head over to https://bedlam.org/w-o/are-the-bennet-girls-ok.Glossary of People, Places, and Things: Bridget Jones's Diary, Nevada by Imogen Binnie, Clueless, Fire Island, them, Cursed Child (boo), the BacchaeNext Episode: Mansfield Park Chapters 8-10Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Julie returns to provide her signature incendiary commentary! Elizabeth also joins the episode to continue her first read of Cursed Child. We discuss alternate versions of Hermione & Ron, Umbridge's power-up, and Snape's redemption. Julie wraps the episode by giving a summary of her thoughts on Cursed Child as a whole up to this point so stick around til the end!

Laura June Ness is a Canadian dancer, actor, aerialist and singer who decided to make a big leap and chase her dream of performing in a West End show in London. And she made her dream come true! Laura is now a cast member of Harry Potter and the Cursed Child and recently made her debut performance in London's West End.She's sharing this creative adventure with her growing social media community, showing the work that goes into pursuing a dream like this, including all of the highs and lows she's experiencing along the way.On this episode, host Angela de Burger chats with Laura about her journey to being cast in a Harry Potter stage show, what it's like to perform on a West End stage, her creative process for creating a character, and why she decided to share her creative life on social media.Say hi to Laura:  Instagram - @laura.june.ness  TikTok - @laura.june.ness   YouTube - @LauraJuneNess ----Creative Pulse Podcast socials:  Instagram: creativepulsepodcastMusic credit: https://www.purple-planet.com

In this episode of JJ Meets World, JJ and Tucker dive head-first into holiday food, bizarre culinary experiments, JJ's attempt to pitch a Hallmark-style movie, Tucker's terrifying contact-lens mishap, and the ambitious beginning of Tucker's 2025 Zordon cosplay build. The guys also get deep about creativity, regret, future goals, and how your 30s sometimes feel like a decade-long boss battle. JJ recounts his theater pilgrimage to New York (including Harry Potter and the Cursed Child), and the duo shares stories about ghosts, grandparents, adoption, and being alone for the holidays. For more episodes of JJ Meets World, or to find out how you can support this podcast, visit: https://www.jjmeetsworld.com Patreon — https://www.patreon.com/jjmeetsworld Merch — https://shop.spreadshirt.com/jj-meets-world Apple Podcasts — https://podcasts.apple.com/us/podcast/jj-meets-world/id1367045742 Spotify — https://open.spotify.com/show/0L9IGvJuUjFK0UOR9AIF5u YouTube — https://www.youtube.com/channel/UCh1WZrpC-XE57mRzi1bzPow Google Play — https://play.google.com/music/listen?u=0#/ps/Iwnpufw6f5qromxbbw6pq32rsya Follow Us: Facebook — https://www.facebook.com/jjmeetsworldpodcast/

HOLIDAY SHOW TICKETS > https://bit.ly/CITOPHILLYSHOW. Ria's BrovoCon experience (00:00-20:18). Fran saw ‘Harry Potter and the Cursed Child' on Broadway (20:19-36:07). BravoCon biggest moments roundup (37:10-1:00:45). Weekly Watch Report: ‘The Secret Lives of Mormon Wives,' ‘Dancing with the Stars,' ‘Maxton Hall' + more! (1:01:29-1:39:03). Interview with ‘DWTS' semi-finalists Robert Irwin & Witney Carson (1:40:15-1:54:51). Interview with ‘DWTS' semi-finalists Whitney Leavitt & Mark Ballas (1:54:54-2:08:53). Interview with ‘DWTS' semi-finalists Alix Earle & Val Chmerkovskiy (2:10:41-2:29:26). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

Sting to bring ‘Last Ship’ back to New York, ‘Begin Again’ musical finds creative team, video of Tom Felton joining ‘Cursed Child’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace read more

Elizabeth returns to discuss alternate Draco's aggressive but caring interaction with Scorpius, a surprising detail about this world's Cedric Diggory, and the appearance of Severus Snape.

Elizabeth returns to discuss an alternate timeline as Scorpius returns to a world where Voldy won and Umbridge runs Hogwarts.

What happens when the ancient magic of theatre meets the disruptive energy of artificial intelligence? In this episode of The Tech Talks Daily Podcast, I sit down with Emmy-nominated producer and 440 Media founder Jeffery Keilholtz to unpack how AI is reshaping entertainment, licensing, and the very soul of live performance. From his time leading Broadway Licensing Global, home to thousands of acclaimed titles including Harry Potter and the Cursed Child, Jeffery brings a rare blend of creative and commercial insight to one of the most transformative moments in entertainment history. Our conversation explores how live entertainment faces twin challenges of visibility and scarcity in a digital age. As Jeffery explains, the rise of ChatGPT has changed how people search, discover, and decide what to see, forcing a shift from SEO to AEO, or Answer Engine Optimization. Yet even as AI floods the world with abundance, theatre's scarcity, that irreplaceable “live, local, urgent” energy, is becoming more precious than ever. Together we examine how AI can simultaneously empower and endanger creative industries, from copyright battles worth billions to the promise of smarter audience engagement and new paths to discover hidden works. Jeffery also shares his framework for balancing technology and artistry, urging creators to stay nimble like a blade of grass. He argues that surviving this era of AI-driven disruption requires humility, flexibility, and a renewed belief in human connection. It's a powerful reminder that the heartbeat of theatre, and perhaps of creativity itself, still belongs to people gathered together in the same room, sharing something that can never be replicated by a machine. How do you see AI reshaping the arts and entertainment world? Is it an existential threat to creativity or the tool that will help artists reach new heights? I'd love to hear your thoughts.      

#acting #LynneJebens #NewYorkOne of the most important goals in this podcast is to have some kind of eclecticism, variety or diversity in the kind of artistic and cultural matters we try and cover. Lynne Jebens' episode certainly is a paramount example of this. Going into this episode, the first with a talent agent on our sows I had no idea we would be discussing being on the road with a Southern Rock band, the musical stylings of Bix Beiderbick, and the Joseph Mankiewicz masterpiece All About Eve all in the same episode! But this is an inevitability when you spend anytime at all with Lynne Jebens. With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode. Lynne's BioAn agent for over 30 years who was a former actor and director, Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (Film, TV and Theater) as well as commercials.Recent or Upcoming Broadway/Tours: & Juliet, A Beautiful Noise, Ain't Too Proud, Aladdin, Annie, Back to the Future, Beauty and the Beast, Beetlejuice, The Book of Mormon, Boop!, Cabaret, Chicago, Clue, Come From Away, Dolly, Floyd Collins, Funny Girl, The Great Gatsby, Hadestown, Hamilton, Harry Potter and the Cursed Child, Hell's Kitchen, Les Misérables, Life of Pi, The Lost Boys, Mean Girls, MJ, Moulin Rouge, Mrs. Doubtfire, The Notebook, The Outsiders, Peter Pan, Pirates: The Penzance Musical, Redwood, Shucked, Six, Smash, Some Like it Hot, Wicked, The Wiz.Recent Film/TV: American Horror Story, And Just Like That, Beth and Don, The Blacklist, Black Panther: Wakanda Forever, Blue Bloods, Brass Tactics, Bull, Chicago Med, Christmas With You, City on a Hill, Daredevil: Born Again, Dear Edward, Dexter: Resurrection, The Devil Wears Prada 2, Eleanor the Great, Elsbeth, The Endgame, The Equalizer, Etoile, Ever's Blueberry, Evil, FBI, Feud: Capote and the Women, The Friend, Full Circle, Genie, The Gilded Age, The Girls on the Bus, Godfather of Harlem, The Good Fight, Goosebumps: The Vanishing, Gossip Girl, Happy Gilmore 2, The History of Sound, The Holdovers, Hondo, Imaginary Friends, Jigsaw, Kaleidoscope, The Knowing, Law & Order (all of them), Let the Right One In, Manifest, The Marvelous Mrs. Maisel, New Amsterdam, Notice to Quit, Only Murders in the Building, The Other Two, Poker Face, Power: Raising Kanan, Queens of Christmas, Random Acts of Flyness, Servant, Severance, The Sex Lives of College Girls, Succession, Summer of 69, The Watcher, Your Friends & Neighbors and Zero Day.Besides Broadway and Tour, this office also books clients in numerous NY and Off-Broadway shows and every AEA regional theatre in the country.A truly caring agent who LOVES her actors.With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode.Links to wonderful interviews on Lynne's works: https://www.nycastings.com/being-professional-and-prepared-an-interview-with-talent-agent-lynne-jebens/

Elizabeth & Jenn return to discuss a reunion involving Albus & Scorpius, aggressive parenting at Hogwarts, and the return of Myrtle. We hope you enjoy a very fun episode that sees Albus & Scorpius begin round two of their time travel escapades.

From his first role as Lumiere in Beauty and the Beast to his current work as an onstage swing in Harry Potter and the Cursed Child, Riley shares how a childhood love for performing grew into a passion for storytelling and representation. He reflects on standout roles in Cats and Next to Normal, the life-changing moment of winning the Jimmy Awards, and finding his creative home at Shenandoah Conservatory. We also dive into the dedication and adaptability it takes to learn multiple tracks on Broadway. 

Herzlich wilkommen zurück! Es ist ein großer Spaß sich wieder dem Dreckskind zu widmen. Es geht wieder rund, denn wir sind endlich wieder in der realen Realität und können diese Zeitreise-Sachen bestimmt für immer hinter uns lassen! Stattdessen kriegen wir endlich mal Charaktere die sich so verhalten wie wir das wollen! Z.B. der tolle Craig Bowker Jr. Wobei am Ende ist man vielleicht wieder ein bisschen sauer. Naja, Nanu und Nichel aus Neustadt besprechen wie immer mit Witz und Freude und gelegentlichen Wutausbrüchen dieses tolle Werk weiter.Viel SpaßWerbung: koro.com Code: HÜTTE für 5% Rabatt

Jenn returns to the podcast to join Elizabeth & Dan as we discuss a consequential Draco Malfoy interaction. While we have fun talking about staircases, Draco's growth and insights are the real highlight of this episode.

'Murderbot' star Noma Dumezweni joins the show. Over pumpkin curry and pad see ew, Noma reflects on the joy of finding success in mid-life and why it's never too late to dream bigger than you imagined. She opens up about tough days growing up as a refugee in the UK, her unexpected and acclaimed turn (and Tony nominated role) as Hermione Granger in ‘Harry Potter and the Cursed Child,' and the lessons she's learned about trusting timing, family, and herself. Noma also talks about becoming a familiar face in prestige TV dramas (‘The Undoing,' ‘Presumed Innocent'), what it's like to spar on screen with Alexander Skarsgård in the Apple TV+ sci-fi hit ‘Murderbot,' and why she loves being in awe of her fellow actors. This episode was recorded at Sukh in Fort Greene, Brooklyn. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Elizabeth returns to discuss a return to the Triwizard Tournament as Albus & Scorpius attempt to change history. We also discuss the initial aftermath of their actions.

Zurück in Hagrids Hütte, zurück im absolut unendlich doll verfluchten Kind! Die Welt ist dunkel, alles geht den Bach runter und Ron ist wie immer ein absoluter Loser. Gemeinsam mit Manu und Michel, den zwei Fragezeichen aus Frankfurt, wird versucht aus dieser düsteren Welt zu entkommen. Ist hierfür die Idee wieder einmal an der Zeit rumzudoktern? Vielleicht! Sind Manu und Michel komplett verwirrt und tut ihnen der Kopf weh vom vielen nachdenken? Gut möglich! Ist es ein Ohrenschmaus für groß und klein? Natürlich!Viel Spaß.Werbung: www.koro.com HÜTTE für 5% Rabatt!

I've covered digital and practical effects in film and TV, but creating special effects for live theater is a whole other challenge. J&M Special Effects has been up to the task for 40 years. Their crew has worked on shows from Hadestown to Harry Potter and The Cursed Child to Disney musicals like Frozen and Aladdin. I get a behind-the-scenes tour of their Brooklyn warehouse, where failure is part of the process in figuring out how to make the magic work. I talk with partner and designer Jeremy Chernick, along with pyrotechnician Bohdan Bushnell, about how theatrical effects have evolved with new technology -- and why they can sometimes be too good at their jobs in making the impossible seem possible.    This episode is sponsored by Remi and ShipStation. Start your 60-day free trial at ShipStation.com and use the code IMAGINARY. Try Remi risk-free at shopremi.com/IMAGINARY and use the code IMAGINARY to get up to 50% off your nightguard at checkout Learn more about your ad choices. Visit podcastchoices.com/adchoices

Elizabeth joins Dan to discuss the beginning of Act 2! Harry runs into a familiar centaur while searching for the kids & Albus and Scorpius prepare for their adventure by training with Delphi and reminiscing about Hogwarts.

In this episode, Isaac takes us through their inspiring journey from growing up in Oklahoma with an early love for performance to making their Broadway debut in Harry Potter and the Cursed Child. They open up about discovering theatre after starting in ballet, the lessons they learned at Boston Conservatory about resilience and standing out, and the balance between pursuing roles out of passion and taking ones for practical reasons. We also dive into standout experiences like performing in Allegiance, a powerful story centered on the Japanese internment with a predominantly AAPI cast, and the disco-fueled creativity of The Donkey Show. Most importantly, Isaac shares the pride and responsibility of being a non-binary performer on Broadway, the importance of visibility and representation, and why the magic of Cursed Child resonates universally.

On this episode, Bradley reflects on his journey from discovering theater as a kid to becoming part of the cast of Harry Potter and the Cursed Child. We chat about the challenges and joys of performing in such a beloved show, including mastering complex scenes, embracing physically demanding roles, and the importance of collaboration with cast and crew. Bradley also opens up about balancing life on and off stage, staying inspired through intense rehearsal schedules, and what it's like to bring magical stories to life night after night. 

Elizabeth returns to discuss the end of Act 1! In this episode we talk about Albus & Scorpius taking Polyjuice Potion, Harry, Hermione & Draco meeting to discuss progress on finding the kids, and Albus, Scorpius & Delphi breaking into Hermione's office at the Ministry.

Welcome to the place where we get to let our geek flags fly and talk about all things geek. This level of the podcast includes:Brian Cranston in talks to play Professor XQuest Day Ever comic - globalcomix.com/c/quest-day-everSpaceballs 2 teaser trailer - 2027Star Wars Dad Jokes bookStar Wars Coca Cola commercialDoctor Who left HBOMax July 31stThe Simpsons Time coversLive-action Captain Planet movie from NetflixSpider-Punk animated movie from SonyMatt Smith cast as villain in Star Wars: StarfighterWB Discovery shareholders vote against 52 mil for David ZaslavMARVEL Tōkon: Fighting Souls launching 2026 on PS5 & PCMia Goth joins Star Wars: StarfighterJaws @ 50 documentaryJon Bernthal joins cast of Spider-man: Brand New DayMark Hamill shares his dark backstory for Luke in TLJNintendo working on movies for other IPs besides Mario & ZeldaChris Pratt returning for Garfield 2Scrubs returning with OG castTickets for Nolan's The Odyssey in Imax already on sale - July 17 2026One Piece S2 trailer - 2026RIP Michael Madsen / Johnathan Joss / Malcolm-Jamal Warner / James Carter Cathcart / Brian Wilson / Kenneth Colley / Ozzy Osbourne / Hulk HoganTom Rhys Harries lands role of Clayface - Sept 11 2026The Sandman S2 trailerThe Toxic Avenger Red Band trailer - Aug 29Mobland renewed for S2Robert Kirkman sold a Transformers/GI Joe crossover animated seriesDenis Villeneuve to direct James BondLilo & Stitch 2 greenlitEyes of Wakanda teaser trailerThe Running Man trailer - Nov 7David Dastmalchian cast as M Bison in Street FighterJohn M. Chu to direct live-action Hot Wheels movieDuster cancelled by HBORed Sonja trailer - Aug 13Live-action The Legend of Zelda casts Link and Zelda - May 7 2027Taika Waititi rebooting Judge Dredd10 Anime movies most people loveInvincible renewed for S5 before S4 premieresFuturama S13 premieres Sept 15thHot Wheels x Transformers Bone Shaker figureKathleen Kennedy re: future moviesRey movie on holdJon Watts re: S2 of Skeleton CrewJod Na Nawood could returnMando & Grogu trilogy possibilityTemuera Morrison is hopeful Filoni and Favreau are saving Boba Fett for laterObi-Wan Kenobi S2 in the works?Updated galaxy mapRian Johnson confirms his trilogy is not a thingTaika Waitii's Star Wars film gets working titleEpisode IV in theaters Apr 30, 2027The Incredibles 3 sets Peter Sohn as directorRobert Eggers to direct A Christmas Carol for WBDisney and Universal suing AI photo generator companyDC announces Miracle Man animated showSpider-Man: Brand New Day leaksVery Young Frankenstein nears pilot order at FXRyan Gosling in Project Hail Mary - Mar 20 2026The Batman Part II script is completed - Oct 1 2027Showrunner Neil Druckmann departing The Last of UsSinners got costumes from abandoned Blade period movieNYC renames the corner of Essex Street and Delancey Street to Jack Kirby Way and Yancy StreetMoon Knight could return in a TV adaptation of the Damnation arcSuperman Box Office is good enough to kick off more DCUSuperman is propelling new DC projects alreadyEdi Gathegi signed a multi-picture deal play Mister TerrificAquaman and The Flash aren't priorities for a couple yearsJames Gunn does not shoot down Alan Ritchson as BatmanLaura Linny joining LanternsJames Gunn confirms DCU is an alternate realityNaomi Ackie cast as female lead in ClayfaceSwamp Thing movie may be cancelledTeen Titans script is nowhere close to being finishedNcuti Gatwa re: departure from Doctor WhoTed Lasso S4 shares first lookPunisher set photos may show villainDisneyland expansion announcementsTom Felton joining Cursed Child on Broadway in NovViolent Night 2 - December 4, 2026Michael Bay returning to TransformersDune Part 3 - Dec 18, 2026Bad Guys 2 - Aug 1Iron Man and his Awesome FriendsMass Effect live-action series at Amazon Prime VideoLive action My Little Pony from Hasbro entertainmentA live-action Assassin's Creed series is in development at NetflixTTFN… Wookiee out!

Alex Serino didn't take the “traditional” path to Broadway, but his journey is one fueled by community, heart, and hustle. A proud Boston native, Alex grew up surrounded by music, theater, and an extended family that felt more like a village. From band kid to puppeteering Audrey II, to a standout performance in The SpongeBob Musical and hosting Emerson's EVVY Awards, his love of performance kept evolving until it landed him on one of Broadway's biggest stages. We talk about the defining moments—from playing Uno with a Boston accent to discovering his passion for acting (with a little help from his cousins)—that led him to the role of Albus Potter in Harry Potter and the Cursed Child. This episode dives into what it means to find your place in a new city, how to hold onto your authentic self in high-stakes environments, and why Alex never hesitates to ask for help. He opens up about the vulnerability of auditioning, the surreal experience of being cast in a Broadway show before even having an agent, and the ongoing journey of carving your own identity—both on and offstage. Oh, and yes, we go full nerd on spells, Polyjuice Potion, and the Hogwarts Legacy game. Alex Serino is an actor and musician making his Broadway debut as Albus Potter in Harry Potter and the Cursed Child. A graduate of Emerson College, he studied Theatre Education and Performance before transitioning to a BFA in Acting. While at Emerson, he co-hosted the nationally recognized EVVY Awards and performed in numerous productions, including The SpongeBob Musical. Originally from Peabody, Massachusetts, Alex's creative foundation was shaped by a musically rich family and years of regional youth theater. This episode is brought to you by WelcomeToTimesSquare.com, the billboard that let's you be a star for a day. Connect with Alex: Instagram: @alexfserino TikTok: @alex.f.serino Twitch: @hypeape Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ayanna Nicole Thomas didn't follow a traditional path to Broadway—but that's exactly what makes her story so compelling. After growing up between the Bronx and LA, she eventually made her way back to New York to study musical theatre. But right before her senior year, she booked her Broadway debut in How to Dance in Ohio—a show that celebrates neurodivergence and gave her a sense of belonging she didn't expect. Now, she's playing Rose Granger-Weasley in Harry Potter and the Cursed Child, bringing her own warmth and humor to a character born from one of the world's most beloved franchises. In this conversation, Ayanna opens up about being diagnosed with ADHD and autism, and how that diagnosis helped her better understand her brain and her process. She shares how she uses Play-Doh and fidget toys backstage, what it was like to be a Broadway swing, and how she balances structure with spontaneity in a show filled with choreography, magic, and fireballs. She's charming, thoughtful, and not afraid to let her Bronx roots shine through. Ayanna Nicole Thomas is currently starring as Rose Granger-Weasley in Harry Potter and the Cursed Child on Broadway. She made her Broadway debut in How to Dance in Ohio and studied musical theatre at the Manhattan School of Music. A lifelong performer with a deep love of musicals and jazz, she's also a passionate advocate for neurodivergent representation onstage. Connect with Ayanna: IG: @ayannanicolethomass Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Fisher is one of the leading minds behind the groundbreaking illusions in Stranger Things: The First Shadow, the stunning stage prequel to the beloved Netflix series. As Co-Illusion and Visual Effects Designer, Fisher helped craft an unprecedented theatrical experience that combines practical magic, cutting-edge engineering, and emotional storytelling — all performed live, night after night.With a background in stage magic and major productions like Harry Potter and the Cursed Child and Back to the Future: The Musical, Chris brings a magician's eye and a director's instinct to theatrical illusion, redefining what's possible on stage. In this episode, he talks about training actors in sleight-of-hand, designing horror sequences for a live audience, and why Stranger Things: The First Shadow might be the most ambitious stage show ever produced.Key TakeawaysLive theater is the new special effects.In a world dominated by CGI and AI, Fisher believes true spectacle now lies in what you can do right in front of an audience. With Stranger Things: The First Shadow, the goal was to create jaw-dropping effects — in real time, with no digital help. That meant gasps in the theater, not in post-production. The live setting becomes its own kind of magic.Treat actors like magicians.To pull off illusions, Fisher and his team had to train the cast in principles of stage magic: misdirection, sleight of hand, and controlled attention. Especially lead actor Louis McCartney, who had to master complex tricks — like bleeding on cue — all while acting. Fisher runs “magic boot camps” during rehearsals, teaching performers how to make illusions look natural and narrative-driven.Horror is harder on stage — but more powerful.Crafting fear in theater demands balance. Go too far and it becomes laughable; not far enough, and it's ineffective. Fisher focused on building suspense through precise timing, lighting, and sound — even dissecting jump scares frame by frame. His team embraced the “Jaws effect”: show just enough to unsettle, then deliver a brief, unforgettable payoff.Make every department part of the illusion.From lighting and sound to costumes and props, each scare in the show is a feat of cross-departmental coordination. A single effect — like a character's fall or a monster's entrance — often requires perfect timing across half a dozen teams. According to Fisher, true stage magic only works when everyone is completely in sync.Sometimes, the simplest things are hardest.The most challenging illusion? A nosebleed. Recreating Eleven's signature moment live took months of testing — and eventually relied on sleight-of-hand and costume tricks. The goal was to make it visible to every seat in the house, not just the front row. More often than not, storytelling dictated technique.Push past what's been done.To elevate the show beyond existing stage spectacles, Fisher and his team studied the most advanced illusion shows in Las Vegas — then set out to beat them. With encouragement from producers and the Duffer Brothers, they constantly pushed for bigger, scarier, and more innovative moments. Multiple illusion labs and workshops allowed them to invent new methods just for this production.Blood is a storytelling tool.After early previews, one note became universal: “More blood.” From subtle nosebleeds to geysers of gore, Fisher and his team used blood effects to amplify horror and tragedy. These weren't just shocks — they were emotional beats, tied to character and story. That meant making blood visible from every seat and learning how it read under different lights and costumes.Collaboration is the ultimate special effect.No single department...

Aaron Bartz brings a grounded, thoughtful energy to the role of Draco Malfoy in Harry Potter and the Cursed Child, and in this conversation, he shares just how much life and imagination go into keeping the magic alive night after night. From flying and fire to illusions and high-stakes contingencies, Aaron walks us through what it's like to debut on Broadway in one of the most technically demanding plays out there—and why so many actors in the production come from classical Shakespeare backgrounds. We also explore Aaron's journey from Great Falls, Montana to the Lyric Theatre in NYC, including a pivotal classroom moment that set him on the path to acting, and how a love of storytelling (and a little persistence) helped him land gigs that ultimately led to an MFA from Yale. Now a father of two, Aaron reflects on how playing Draco as a parent has shifted his own understanding of growth, vulnerability, and legacy. Aaron Bartz is an actor and writer currently starring as Draco Malfoy in Harry Potter and the Cursed Child on Broadway. He earned his MFA from the Yale School of Drama and began his career with regional Shakespeare productions across the country. He toured nationally with the Montana Repertory Theatre in To Kill a Mockingbird, and his previous work includes Loves Labour's Lost, Macbeth, and other classical works. This episode is brought to you by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Aaron: Instagram: @aaronbartz Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

From playing the oboe in northern Minnesota to casting spells as Ginny Potter on Broadway, Sarah Killough's story is anything but ordinary. In this episode, Sarah chats about her early musical roots, growing up surrounded by theater in a creatively rich family, and the pivotal decision to attend Interlochen as a teenager. She shares how she carved her path through school, summer stock, and eventually New York City—where a survival job as an audition reader turned into a backstage pass to the industry and a surprising pipeline to major roles. Now captivating audiences eight shows a week in Harry Potter and the Cursed Child, Sarah discusses the emotional weight of the role, the fandom surrounding the show, and what it's like to portray a character as iconic as Ginny. She reflects on being part of casting processes from the other side of the table, the joys and challenges of working in a high-tech, high-stakes production, and what it means when fans tell her she is the “book Ginny.” Full of heart, humor, and a few tales of audition room mishaps, this conversation showcases the magic behind Sarah's grounded presence on stage and off. Sarah Killough is an actor, musician, and dialect coach currently starring as Ginny Potter in Harry Potter and the Cursed Child on Broadway. Her stage credits include Leopoldstadt, The Lehman Trilogy, Travesties, and Long Day's Journey Into Night. A Minnesota native and graduate of the Hartt School, she also serves as a trusted audition reader for major casting offices in New York. Connect with Sarah: Instagram: @rhymeswithpillow Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew James Thomas opens up in this heartfelt conversation about his journey from a rebellious, bullied teen in the English countryside to finding truth and belonging on stage. Growing up feeling misunderstood, he found safety and purpose in acting, discovering early on that truth-telling through performance was his way of making sense of the world. He shares the emotional weight he carries playing Harry Potter on Broadway, how he navigates the show's intense emotional peaks night after night, and why live theatre never gets old — even after over 135 performances. We also dive into the legacy of Spider-Man: Turn Off the Dark, his love-hate relationship with social media, and why he believes musicals are only great when they get it exactly right. And yes, there's some mutual fan-girling over Severance, a hilarious attempt at explaining Les Misérables, and plenty of insight into what makes live theatre both terrifying and electrifying. Matthew James Thomas is a British actor, director, and songwriter. He originated the title role in the 2013 Broadway revival of Pippin, starred as Peter Parker in Spider-Man: Turn Off the Dark, and has appeared in Accused, Summer of Rockets, Britannia High, Billy Elliot, and About a Boy. He currently stars as Harry Potter in Harry Potter and the Cursed Child on Broadway. Connect with Matthew: Instagram: @mattjamesthomasyes Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rachel Christopher brings a poet's heart and a scholar's mind to the stage eight times a week as Hermione Granger in Harry Potter and the Cursed Child. In this conversation, she opens up about her lifelong love of language, her background in translating ancient Greek poetry, and the deeply personal connection she feels to storytelling—both on stage and off. Whether she's talking about her time at Epcot or reflecting on how imagination shaped her childhood, Rachel reveals just how much joy and intention she pours into her work. From cooking lamb meatballs and tending to her city garden to revisiting classic Greek texts, Rachel's passions outside of theater are just as vibrant as the characters she portrays. She shares what it means to step into the legacy of Hermione, how theater expands what we imagine is possible, and why making space for community and curiosity is at the heart of her artistry. Rachel Christopher is an actor and poet currently playing Hermione Granger in Harry Potter and the Cursed Child on Broadway. Her stage credits include For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf and Jaja's African Hair Braiding. Her screen credits include The Girl on the Train and The Upside. A graduate of Vassar College, she double-majored in drama and classics, and has collaborated on stage adaptations of The Aeneid and The Iliad. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Rachel: Instagram: @rachel_e_christopher Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Theatre and magic collide as Erik Christopher Peterson kicks off a seven-episode Harry Potter and the Cursed Child cast takeover on the podcast. In this deep-dive conversation, Erik reflects on growing up with a theatre educator dad, trading in his baseball glove for the stage, and eventually making his Broadway debut as Scorpius Malfoy. He shares the inspiration behind some of his original plays (like the hilariously surreal The Tragedy of Clownpheus and EuridIceCream), how Shakespeare continues to influence his work, and the joy of building his version of Scorpius eight shows a week. Erik talks about navigating the illusion-heavy world of Cursed Child, from mastering time turners and flaming trolleys to discovering emotional nuance in the show's father-son themes and the beautifully complex friendship between Scorpius and Albus. He opens up about performance anxiety, self-care, and the unexpected fan art that continues to move him. It's a candid, heartfelt look at what it means to debut on Broadway in one of its most technically complex productions. Erik Christopher Peterson is a writer, director, and actor whose credits include The Importance of Being Earnest, Othello, and several original plays he co-created, such as The Tragedy of Clownpheus and EEuridIceCream. He graduated from Webster University and currently stars as Scorpius Malfoy in Harry Potter and the Cursed Child on Broadway. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Erik IG: @erik.c.peterson Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason reviewed "Jurassic Park Rebirth." Did he love it and should we see it in theaters? Kendall saw "Harry Potter and the Cursed Child" in NYC Did she love it? An update on myTalk's walking club and a cat survived this?! OMG! It gets better, but does it?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Help MuggleCast grow! Become a MuggleCast Member and get great benefits like Bonus MuggleCast! Patreon.com/MuggleCast  Grab official merch! MuggleCastMerch.com Pick up overstock merch from years past, including our 19th Anniversary Shirt! MuggleMillennial.Etsy.com This week Chapter-by-Chapter returns, and so does our guest! Professor Julian Wamble, who we first had on our show back in 2023 on MuggleCast #619, once more graces us with his presence as we discuss Chapter 28 of Order of the Phoenix, "Snape's Worst Memory." Julian teaches Political Science at George Washington University, and his podcast Critical Magic Theory as well as Instagram and TikTok content are worth checking out! Welcome back to the show, Professor Julian Wamble! News: Tom Felton to reprise his role as Draco Malfoy, in New York's production of Cursed Child! Chapter-by-Chapter returns with Chapter 28 of Order of the Phoenix, "Snape's Worst Memory." Our Time Turner segment takes us back to Episode 465 of MuggleCast, titled "How I Met Your Mother." How are we going to top that title on *this* re-read? (Speaking of reading, here is that episode's transcript.) Umbridge's ascent to headmistress of Hogwarts has some classic authoritarian playbook strategies. The hosts dissect. Is the appointment of the Inquisitorial Squad merely a natural response to the thought that Dumbledore was raising an army? Andrew explains. We look at what Umbridge promised Filch, and consider whether she intends to keep those promises. Harry would've been poisoned, if it weren't for a singularly interesting cat... that reminds us of a scene from Deathly Hallows... Would Snape have actually given truth serum to Umbridge, and why not? The hosts discuss his loyalties. Fred and George have a perfect tonic for Umbridge's control, and it perfectly exploits her vulnerabilities. It's a good thing Harry's Occlumency lesson is interrupted... because he didn't do the homework! What makes Harry enter the pensieve despite how dangerous the threat of being caught is? What Marauders' personality traits did the hosts most enjoy on this readthrough? How will the Harry Potter TV show handle Snape's Worst Memory? Professor Wamble has thoughts. Are there more traits between Harry and his dad, or Harry and his mom, and what are they? The hosts pick a favorite moment of mayhem from this chapter. In our Lynx Line segment for the week, we ask our Patrons to build their own Inquisitorial Squad to serve a purpose at Hogwarts that is currently underserved, and ask what the team would do. Quizzitch: What band had a song at the top of the UK music charts for every week of May, 1976? A] ABBA, B] Billy Joel, C] Aerosmith, D] David Bowie   Learn more about your ad choices. Visit megaphone.fm/adchoices

That's right - our old friends Eiffel and Hilbert are back with important news! There's a new audio fiction series called Hit Singles, created by Wolf 359 creator Gabriel Urbina and produced by Urbina, Sarah Shachat, and Zach Valenti! It's a romantic comedy all about friendship, love, the struggles of trying to make it in a big city, and loving music way too much. You can listen to the show over on Audible. If you have an Audible Plus membership, you can listen to it at no additional cost. (And if you still have a free trial, you can listen to it for free for 30 days.) Besides the show's three producers, you'll also hear Wolf 359 alumni Noah Masur, Zach Libresco, Michelle Agresti, and Mary Kate Wiles in the series. (As well as veterans from many of our sibling series, such as The Bright Sessions, Life With Leo(h), and 36 Questions!) It was a real labor of love, and we'd love to help it find as wide an audience as it can. So please check it out, and, if you love it as much as we think you will, please leave a rating and a review. Here is the official description for Hit Singles: From the creators of the hit audio drama Wolf 359 and with original music by Jeremy Warmsley comes a modern story about friendship, love, and chosen family starring Evangeline Young (Emergence), Nicholas Podany (Harry Potter and the Cursed Child), Simone Policano (Blue Bloods), Julia Rehwald (Fear Street), Briggon Snow (Masters of Sex) and a full cast. A captivating listen perfect for fans of New Girl and High Fidelity. When struggling DJ Faith Adler comes to couch surf with her best friend Tori in NYC, she finds herself drawn into the world of Tori's eclectic friend group. Right from her chaotic first night, Faith's new friends take her under their wing and help her navigate the ups and downs of trying to make it as an artist in the big city. There's Tori, the bubbly one; Ginah, the high-strung but loyal one; Matt, the flirtatious one; and David, the cynical one. Tori and Ginah's apartment becomes a sanctuary where lasting bonds are forged over late nights, drink-filled conversations, impromptu dance parties, and the occasional Sense and Sensibility marathon. Falling in love definitely isn't part of Faith's plan, but that all changes when she meets David, a former law student (and current bartender) who has recently come to the conclusion that romance is for suckers and sworn it off altogether. From the moment they meet at a New Year's in the Summer party, their will-they-or-won't-they chemistry is electric. As Faith and David grow closer over whiskey-soaked nights and heart-to-heart talks on the fire escape, their flirtation deepens into something more meaningful. Are they friends? Lovers? Romantic partners? Casual sex acquaintances? The answer is, simultaneously, all and none of the above. Let the overthinking commence! With rich character development and an ensemble cast that feels like friends you've known forever, Hit Singles deftly balances comedy, romance, and poignant drama. It's a beautifully rendered celebration of the family we choose, the cities that choose us back, and the life-altering power of human connection. * * * Today's message features the sound effect UI Seatbelt Signal by newlocknew. (UI_Seatbelt signal similar(Sytrus,Eq,chrs,flngr,xctr,rvrb).wav by newlocknew -- https://freesound.org/s/568785/ -- License: Attribution 4.0) Learn more about your ad choices. Visit megaphone.fm/adchoices