Podcasts about gott bwv

Feest in barokland: Ton Koopman wordt 80, zijn Amsterdam Baroque Orchestra & Choir bestaat 45 jaar en samen gaan ze op tournee met Händel. Koopman ontvangt Joris en Guido thuis in Bussum. Hij vertelt over zijn volkse jeugd in Zwolle, de wilde jaren in Amsterdam en die vermaledijde subsidies. Klassieke Klets on tour! Speellijst * Jan Pieterszoon Sweelinck, More Palatino, Ton Koopman (virginaal) * Georg Friedrich Händel, Allegro uit Sonate in a-klein, Frans Brüggen (blokfluit), Anner Bylsma (cello), Gustav Leonhardt (klavecimbel) * Johann Sebastian Bach, Toccata in d-klein BWV 565 , Ton Koopman (Christian Müller- orgel, Waalse Kerk Amsterdam) * Johann Sebastian Bach, ‘Kommt, ihr Töchter, helft mir klagen', uit Matthäus-Passion, The Amsterdam Baroque Orchestra and Choir o.l.v. Ton Koopman * Dieterich Buxtehude, ‘Ad Pedes', uit Membra Jesu Nostri, Amsterdam Baroque Orchestra o.lv. Ton Koopman * Johann Sebastian Bach, ‘Die Seele ruht in Jesu Händen', uit Herr Jesu Christ, wahr Mensch und Gott BWV 127, (sopraan), The Amsterdam Baroque Orchestra and Choir o.l.v. Ton Koopman * Georg Friedrich Händel, Ye Sons of Israel mourn, uit Esther, Westminster Cathedral Boys Choir, Choir & Orchestra of The Academy of Ancient Music o.l.v. Christopher Hogwood

Martin Luther, J.S. Bach, and Reformation Sunday -- this most Lutheran of all cantatas is our subject for today.  "Ein feste Burg" was the battle-cry of the Reformation: "A mighty fortress is our God!"  Bach's cantata weaves in all 4 stanzas of Luther's strong hymn. We marvel at movement 1 with its "dizzyingly complex counterpoint" (as Richard Atkinson puts it in his video).  This is one of the maybe 2 or 3 most complex opening chorale fantasias in all of Bach's cantata ouevre, and that's a high bar to clear!  But then we zoom in on a more tender moment, the end of the alto/tenor duet in movement 7: "[the heart] will finally be crowned, when it slays death". Here, the bass line drags down in twisting chromatic motion, the tempo slows, and Bach resists the urge to return to an "A" section of text, instead closing the movement with a short instrumental coda. BWV 80 Ein feste Burg ist unser Gott, as performed by Netherlands Bach Society under the leadership of Shunske Sato, Artistic Director Come see this very cantata, BWV 80, in Orange, California at a free concert put on by Alex's church music program!  October 20, 4pm, more details at this link.  Also on the program: a new arrangement of A Mighty Fortress, orchestral liturgical music, BWV 29 sinfonia, and "Dona nobis pacem" from Mass in B minor. Translation of the text of BWV 80 from bachcantatatexts.org, which we mentioned in this episode A great article about BWV 80 featured on the Bach Choir of Bethlehem's website Dizzyingly Complex Counterpoint in BWV 80: video by Richard Atkinson which we mentioned in this episode "In Your Eyes" by Peter Gabriel, a song that was referenced in this episode.  The last minute or so of the song features the dense instrumentation that Alex mentioned: 2 bassists, 2 drummers, etc. Also, here is a great episode of the podcast Strong Songs which breaks down "In Your Eyes".

Welcome to Season 4!  Thanks so much to all our listeners!   Today we give thanks -- not just for all of you wonderful listeners, but for Bach's creativity in the opening chorus of this cantata, which he based on the classic Lutheran chorale "Now Thank We All Our God".  We explore the origin of the poetry by Martin Rinckart, a man who, like Job from the Old Testament, lost everything dear to him, but still remained faithful -- and grateful -- to his God.  Then, we dive into the music and the clever text painting, and, after hearing so many hundreds of Bach's works, we delight in the way he continues to surprise us. We can always find something new. And that, wonderful listeners, is something we can all be thankful for. Video link: Shunske Sato conducts the Netherlands Bach Society in a performance of BWV 192 Even MORE thanks to Netherlands Bach Society for the permission to use audio examples from their high-quality recordings, and also to Syndey LaCom for our delightful artwork.

Das war eine Sensation: 2005 hat Michael Maul diese Strophenarie Bachs in Weimar wiederentdeckt, ein Geburtstagsständchen für den Herzog Wilhelm Ernst.

Eine richtige Wohlfühlmusik schafft Johann Sebastian Bach im Eingangschor dieser Choralkantate. Das gesamte Stück zementiert ein klares Bekenntnis zu Gott, dessen "helfende Hand" besonders schön illustriert wird.

Nur dreisätzig ist diese feierliche Choralkantate, die Bach in den frühen 1730er Jahren geschrieben hat. Einen konkreten Anlass kennen wir nicht, aber das Reformationsfest ist sicher ein heißer Kandidat.

Bach bedient sich in dieser Choralkantate eines fast verstörenden musikalischen Ausdrucks, was Michael Maul vermuten lässt, der Thomaskantor könnte bewusstseinserweiternde Mittel eingenommen haben.

Zum Dreifaltigkeitsfest dürfen die Trompeten nochmal ordentlich spielen, Bach hat 1727 eine feierliche Choralkantate komponiert, deren Text zu diesem Sonntag kaum passender sein könnte.

Ein Choral ist Bach nicht genug, deshalb präsentiert er im Eingangschor gleich zwei (oder sogar drei?) Choräle. Auch in der Ariengestaltung geht Bach an Grenzen. Ist diese Kantate ein bewusstes Finalstück des Jahrgangs?

Many countries around the world celebrate a festival or holiday of Thanksgiving. As we celebrate ours this week here in the United States, I put together a podcast episode where we'll learn about three classical songs that focus on thankfulness. Enjoy!     Links Mentioned in this Episode: Episode 12: Beethoven's Nine Symphonies Music Heard in this Episode: Simple Gifts (Instrumental) Simple Gifts from Appalachian Spring Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Allegretto - Shepherd's Song, Thanksgiving Crüger: Now Thank We All Our God (Nun Danket) Bach - Nun danket alle Gott BWV 657 - Kofler | Netherlands Bach Society Edward Taylor plays Nun danket alle Gott by S. Karg Elert Music Listening Schedule for Episode 84 I've created a YouTube playlist for you that includes some music from today's episode as a few additional arrangements of the songs discussed. You can view the videos I've complied here. Subscribe & Review in iTunes Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in iTunes! If you're feeling extra magnanimous, I would be really grateful if you left a review over on iTunes, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!  

Die Festkantate zum Reformationstag über Luthers berühmtes Reformationslied – eine Traumkombination! Aber es fehlen die zu feierlichen Anlässen obligatorischen Trompeten und Pauken. Maul und Schrammek erklären, warum.

The Rev. Dr. Robert Allan Hill, Dean and Dr. Scott Allen Jarret, Director of Music preach a sermon entitled "The Bach Experience". The Marsh Chapel Choir and Collegium present Johann Sebastian Bach's "Herr Jesu Christ, wahr’ Mensch und Gott" BWV 127 along with service music and hymns.

This 28-minute service includes prayers, a reading, an address, music and a blessing, recorded this week in the Florence Nightingale Chapel in Westminster Abbey. Introduced by the Reverend Dr James Hawkey, Canon Theologian Address by the Very Reverend Dr David Hoyle, Dean of Westminster Reader: Janet Hoyle  Miserere – William Byrd  Introduction: Canon Hawkey  Reading: Isaiah 58: 1-12  Janet Hoyle Erbarm’ dich mein, O herre Gott BWV 721 – JS Bach Address: The Dean Anthem: Kyrie eleison (from Missa Brevis) – William Walton Prayers and Blessing: Canon Hawkey  Aus tiefer Not, schrei ich zu dir BWV 687 – JS Bach   Music: The anthem is performed by the Choir of Westminster Abbey conducted by James O’Donnell (with kind permission of Hyperion Records). Organ music, which was specially recorded earlier this week, is played by Matthew Jorysz, Assistant Organist. This podcast was recorded with all contributors observing social distancing.    

Três músicas de Johann Sebastian Bach inspiradas em obras de Martim Lutero (1483-1546) – líder da Reforma Religiosa do século 16 e também compositor – foram apresentadas no programa Manhã com Bach, da Rádio USP (93,7 MHz), nos dias 31 de outubro e 1º de novembro de 2020: o coral para órgão Eine feste Burg ist unser Gott (BWV 302), as Variações Canônicas (BWV 769), também para órgão, e a cantata Eine feste Burg ist unser Gott (BWV 80). O coral e a cantata são baseados no mais famoso hino de Lutero, Eine feste Burg ist unser Gott, “Um castelo forte é nosso Deus”, inspirado no Salmo 46 e composto entre 1527 e 1529, que se tornou uma espécie de “hino oficial” da Reforma, deflagrada no dia 31 de outubro de 1517. Já as Variações Canônicas constituem variações contrapontísticas sobre um hino de Natal para crianças, Vom Himmel hoch da komme ich her, “Do alto céu eu venho aqui”, criado por Lutero, em 1534, para celebrar o nascimento de Cristo no ambiente familiar. Ouça no link acima a íntegra do programa. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast na área de podcasts do Jornal da USP. As edições anteriores de Manhã com Bach estão disponíveis neste link.

durée : 01:58:17 - Le Bach du dimanche du dimanche 01 novembre 2020 - par : Corinne Schneider - Au programme de cette 137e émission : le nouvel album du claveciniste Francesco Corti (label Arcana) ; « Balcanik Bach » de Gerardo Jerez Le Cam (piano) et Marian Iacob Maciuca (violon) ; et en deuxième heure la Cantate de la Réforme « Ein feste Burg ist unser Gott » BWV 80 par Frieder Bernius. - réalisé par : Emmanuel Benito

Heliga Trefaldighets dag Gud - Fader, Son och Ande Epistel: Apg 4:5-12 Mats Åhlund spelar "Wir glauben all' an einen Gott" BWV 680 av J.S. Bach God helg! /olof präst

The Rev. Dr. Robert Allan Hill, Dean and Dr. Scott Allen Jarret, Director of Music preach a sermon entitled "The Bach Experience". The Marsh Chapel Choir and Collegium present Johann Sebastian Bach's “Herr Jesu Christ, war’ Mensch und Gott” BWV 127 along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean and Dr. Scott Allen Jarret, Director of Music preach a sermon entitled "The Bach Experience". The Marsh Chapel Choir and Collegium present Johann Sebastian Bach's “Herr Jesu Christ, war’ Mensch und Gott” BWV 127 along with service music and hymns.

Practicing very slowly Wir glauben all an einen Gott, BWV 681 by J S Bach by Vidas Pinkevicius

Andra söndagen i fastan - Den kämpande tron Kyrkklockorna ringer in helgen. Episteln ur 2 Kor 6:1-10 SvPs 245:1 Wir glauben all´ an einen Gott BWV 680 (Vi tro på Gud Fader allsmäktig) av J.S.Bach /olof präst

First performed on August 13th, 1724 for the 10th Sunday after Trinity, J.S. Bach’s Cantata “Nimm von uns, Herr, du treuer Gott” (BWV 101) textually and musically evokes Lutheran theology relating to the Passion of Christ, particularly relating to the imagery of the cross. Find out how in this episode. Continue reading →

Concerto de Órgão e Oboé - Wir Glauben all en einen Gott - BWV F 65 - Johann Sebastian Bach Sandra Monteiro - Oboé Vasco Soeiro - Órgão

Concertos de Órgão e Oboé - Wir Glauben all en einen Gott - BWV F 65 - Johann Sebastian Bach Sandra Monteiro - Oboé Vasco Soeiro - Órgão