Podcast appearances and mentions of Christopher Hogwood

durée : 00:06:34 - Le Bach du matin du jeudi 23 janvier 2025 - Notre Bach du matin est un Bach polychrome. Car il y en a des couleurs et de la lumière dans le clavecin de Christophe Rousset ici avec l'Academy of Ancient Music de Christopher Hogwood. Il interprète le 3ème mouvement du concerto pour clavecin en mi majeur 1053 du compositeur allemand.

durée : 00:06:34 - Le Bach du matin du jeudi 23 janvier 2025 - Notre Bach du matin est un Bach polychrome. Car il y en a des couleurs et de la lumière dans le clavecin de Christophe Rousset ici avec l'Academy of Ancient Music de Christopher Hogwood. Il interprète le 3ème mouvement du concerto pour clavecin en mi majeur 1053 du compositeur allemand.

I'm always interested in project management - how big and complex projects come to life. I'm always interested in inspiration - where the ideas come from and the WHY behind them. This interview gives us ALL of that and more!    Born in Dublin, very close to the location of many of Handel's Dublin performances in 1741and 1742, Dr. Desmond Earley is an accomplished harpsichordist, conductor, Baroque- and Choral-Music specialist, educator, arts ambassador, and composer. Hailed by The Irish Times as ‘enterprising and wide ranging', he is an Associate Professor specialising in Performance Studies, Desmond is the founding Artistic Director of the Choral Scholars of University College Dublin. His work with this group has reached listeners in over 150 countries worldwide; recordings of Choral Scholars on the Signum Classics label – released under his direction – have enjoyed over 11 million streams on Spotify, Apple Music and Amazon Music; and, YouTube views of Desmond Earley and Choral Scholars exceed 32 million, with over 100,000 channel subscribers. As a celebrated composer and arranger, Desmond has published works with Music Sales (UK), Hal Leonard Corporation (USA), Alliance Music (USA) and with Seolta Music (IRL) where he serves as editor of the international ‘College Choral Series'. He has created bespoke arrangements for renowned ensembles including the RTÉ Concert Orchestra, the Portland Symphony Orchestra (Maine, USA), Tenebrae (UK), and the Irish Baroque Orchestra. His acclaimed work Body of the Moon (2017), based on a setting of texts by Galileo Galilei, was commissioned by All Classical Radio (USA) to be played during the progress of the total solar eclipse across the United States of America that same year. He was recently awarded an Arts Council of Ireland Bursary and is currently working on a choral/instrumental collection titled 'Dracula Reflected', inspired by Bram Stoker's famous epistolary. As an instrumentalist and director, Desmond has worked with many of the world's finest orchestras including the Irish Chamber Orchestra, Portland Baroque Orchestra, Irish Baroque Orchestra, RTÉ Concert Orchestra, European Union Chamber Orchestra and English Chamber Orchestra. Desmond has also collaborated with some of the world's great musicians including Christopher Hogwood, Monica Huggett, Konrad Junghaenel, and Sir James Galway. Check out the new album! Follow the choral scholars on Instagram or Youtube.  Follow Desmond Earley on Facebook or Instagram.   Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams.  You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!          

Feest in barokland: Ton Koopman wordt 80, zijn Amsterdam Baroque Orchestra & Choir bestaat 45 jaar en samen gaan ze op tournee met Händel. Koopman ontvangt Joris en Guido thuis in Bussum. Hij vertelt over zijn volkse jeugd in Zwolle, de wilde jaren in Amsterdam en die vermaledijde subsidies. Klassieke Klets on tour! Speellijst * Jan Pieterszoon Sweelinck, More Palatino, Ton Koopman (virginaal) * Georg Friedrich Händel, Allegro uit Sonate in a-klein, Frans Brüggen (blokfluit), Anner Bylsma (cello), Gustav Leonhardt (klavecimbel) * Johann Sebastian Bach, Toccata in d-klein BWV 565 , Ton Koopman (Christian Müller- orgel, Waalse Kerk Amsterdam) * Johann Sebastian Bach, ‘Kommt, ihr Töchter, helft mir klagen', uit Matthäus-Passion, The Amsterdam Baroque Orchestra and Choir o.l.v. Ton Koopman * Dieterich Buxtehude, ‘Ad Pedes', uit Membra Jesu Nostri, Amsterdam Baroque Orchestra o.lv. Ton Koopman * Johann Sebastian Bach, ‘Die Seele ruht in Jesu Händen', uit Herr Jesu Christ, wahr Mensch und Gott BWV 127, (sopraan), The Amsterdam Baroque Orchestra and Choir o.l.v. Ton Koopman * Georg Friedrich Händel, Ye Sons of Israel mourn, uit Esther, Westminster Cathedral Boys Choir, Choir & Orchestra of The Academy of Ancient Music o.l.v. Christopher Hogwood

Commander of the Most Excellent Order of the British Empire, geboren am 10. September 1941 in Nottingham, England. Dirigent, Cembalist, Musikwissenschaftler und Herausgeber

Ueli Jäggi gehört zu den erfolgreichsten und beliebtesten Schauspielern der Schweiz. Neben seinen unzähligen Rollen am Theater und den vielen Auftritten in Film- und Hörspielproduktionen kennt man ihn vor allem auch als Teil der Gruppe rund um den Theaterregisseuren Christoph Marthaler. Ueli Jäggi, der jüngste von fünf Brüdern, stammt aus einer mehr als kulturaffinen Familie. Der Vater Pfarrer, die Mutter Lehrerin, interessierten sich beide für Musik und boten auch sonst ein kreatives und inspirierendes Zuhause. Schon früh interessiert sich Ueli Jäggi fürs Theater und findet nach ersten Schritten an einem Schülerkabarett und am Basler Jugendtheater den Weg ans professionelle Theater. Nach Stationen in München und Nürnberg folgt die Begegnung mit Christoph Marthaler, aus der eine 35-jährige Zusammenarbeit entsteht mit wegweisenden Produktionen am Theater Basel, am Deutschen Schauspielhaus Hamburg, an der Volksbühne Berlin und am Schauspielhaus Zürich, wo Ueli Jäggi unter der Direktion von Christoph Marthaler Ensemblemitglied war. Daneben arbeitet Ueli Jäggi oft und gerne als Sprecher in Hörspielen und natürlich auch als Filmschauspieler. Und all das bis zum heutigen Tag. Von seiner familiären Prägung und seiner frühen Begeisterung fürs Theater, von seinen ersten Schritten in den Beruf und der Arbeit mit Christoph Marthaler, vom Leben und Arbeiten an aufregenden Orten wie Berlin, Hamburg oder Venedig und von seinem Rückzugsort im Berner Oberland und natürlich auch von der Musik, die für ihn immer eine ganz besondere Bedeutung hat, erzählt Ueli Jäggi im Gespräch mit Gastgeber Michael Luisier. Die Musiktitel - W.A. Mozart: Mozart: Krönungsmesse... K 317 / 6. Agnus Dei George Ainsley, Winchester Cathedral Choir, The Academy of Ancient Music, Christopher Hogwood, Leitung / Emma Kirkby, Sopran - J.S. Bach: Magnificat für Soli Chor und Orchester - Deposuit potentes Amsterdam Baroque Orchestra - Ton Koopman, Leitung / Gerd Türk, Tenor - Carmen Linares - Romance De Don Boiso von Federico Garcia Lorca - Bob Dylan - Blind Willie McTell (Bootleg Series Vol. 3) - Pat's Big Band - That Ole Devil Called Love [= old] von Allan Roberts / Doris Fisher, Katharina Baur, Stimme Erstsendung: 17. März 2024

The NLS annotation follows: The good good pig: the extraordinary life of Christopher Hogwood DB63822 Montgomery, Sy. Reading time: 7 hours, 38 minutes. Read by Faith Potts. Animals and Wildlife Naturalist and author of Search for the Golden Moon Bear (RC 59135) writes of Christopher Hogwood, her seven-hundred-fifty-pound pet pig. Reminisces about Chris’s life from sickly runt to celebrity hog, and his antics and good nature that provided the author and her husband fourteen years of entertainment and affection. 2006. You can find this book on Bookshare at the following website: https://www.bookshare.org/browse/book/3537251?returnPath=L3NlYXJjaD9tb2R1bGVOYW1lPXB1YmxpYyZrZXl3b3JkPXRoZSUyQmdvb2QlMkJnb29kJTJCcGln

Sy Montgomery is multiple #1 New York Times bestselling author of HOW TO BE A GOOD CREATURE: A Memoir in Thirteen Animals, THE GOOD PIG: The Extraordinary Life of Christopher Hogwood, THE SOUL OF AN OCTOPUS: A Surprising Exploration into the Wonder of Consciousness, and the new book WHAT THE CHICKEN KNOWS: A New Appreciation of the World's Most Familiar Bird. She joins the show to discuss her writing process and journey, journalism and academic background, the joys of traveling with and for animals, and how she's established a thriving and prolific career. Website: www.symontgomery.com

Ueli Jäggi gehört zu den erfolgreichsten und beliebtesten Schauspielern der Schweiz. Neben seinen unzähligen Rollen am Theater und den vielen Auftritten in Film- und Hörspielproduktionen kennt man ihn vor allem auch als Teil der Gruppe rund um den Theaterregisseuren Christoph Marthaler. Ueli Jäggi, der jüngste von fünf Brüdern, stammt aus einer mehr als kulturaffinen Familie. Der Vater Pfarrer, die Mutter Lehrerin, interessierten sich beide für Musik und boten auch sonst ein kreatives und inspirierendes Zuhause. Schon früh interessiert sich Ueli Jäggi fürs Theater und findet nach ersten Schritten an einem Schülerkabarett und am Basler Jugendtheater den Weg ans professionelle Theater. Nach Stationen in München und Nürnberg folgt die Begegnung mit Christoph Marthaler, aus der eine 35-jährige Zusammenarbeit entsteht mit wegweisenden Produktionen am Theater Basel, am Deutschen Schauspielhaus Hamburg, an der Volksbühne Berlin und am Schauspielhaus Zürich, wo Ueli Jäggi unter der Direktion von Christoph Marthaler Ensemblemitglied war. Daneben arbeitet Ueli Jäggi oft und gerne als Sprecher in Hörspielen und natürlich auch als Filmschauspieler. Und all das bis zum heutigen Tag. Von seiner familiären Prägung und seiner frühen Begeisterung fürs Theater, von seinen ersten Schritten in den Beruf und der Arbeit mit Christoph Marthaler, vom Leben und Arbeiten an aufregenden Orten wie Berlin, Hamburg oder Venedig und von seinem Rückzugsort im Berner Oberland und natürlich auch von der Musik, die für ihn immer eine ganz besondere Bedeutung hat, erzählt Ueli Jäggi im Gespräch mit Gastgeber Michael Luisier. Die gespielten Titel: - W.A. Mozart: Mozart: Krönungsmesse... K 317 / 6. Agnus Dei George Ainsley, Winchester Cathedral Choir, The Academy of Ancient Music, Christopher Hogwood, Leitung / Emma Kirkby, Sopran - J.S. Bach: Magnificat für Soli Chor und Orchester - Deposuit potentes Amsterdam Baroque Orchestra - Ton Koopman, Leitung / Gerd Türk, Tenor - Carmen Linares - Romance De Don Boiso von Federico Garcia Lorca - Bob Dylan - Blind Willie McTell (Bootleg Series Vol. 3) - Pat's Big Band - That Ole Devil Called Love [= old] von Allan Roberts / Doris Fisher, Katharina Baur, Stimme

durée : 00:16:44 - Disques de légende du lundi 12 février 2024 - Didon et Enée de Purcell, par Hogwood, une version à écouter en boucle.

durée : 00:13:51 - Disques de légende du mardi 12 décembre 2023 - Radical sans dogmatisme, Chirstopher Hogwood laisse quelques témoignages marquants de ses incursions chez Mozart comme ce Concerto pour clarinette enregistré il y a 40 ans avec Antony Pay à la clarinette... de basset !

durée : 01:33:59 - Relax ! du mardi 12 décembre 2023 - par : Lionel Esparza - Cecilia Bartoli, Bertrand Chamayou et Rinaldo Alessandrini : trois personnalités musicales à l'honneur dans les derniers numéros de Diapason et d'Opéra Magazine que nous parcourons aujourd'hui. En disque de légende : Le Concerto de Mozart par Antony Pay et Christopher Hogwood

The music critic and regular Gramophone contributor Richard Bratby has just published a history of the Academy of Ancient Music, Refiner's Fire, the first book telling the story of a period-instrument ensemble (Elliott & Thompson; £25).  James Jolly spoke to Richard about the book, about its charismatic founder and long-serving Music Director Christopher Hogwood, and about how a substantial recording contract with Decca'a L'Oiseau-Lyre label – masterminded by the producer Peter Wadland – shaped the ensemble's style and approach. This week's podcast is made in association with Wigmore Hall. For a full list of concerts, visit wigmore-hall.org.uk

The Academy of Ancient Music celebrates its golden anniversary this year - 5 decades since harpsichordist Christopher Hogwood and record producer Peter Wadland cooked up the idea of forming a historically-informed orchestra one evening in London's Marquis of Granby pub. Since then, they have produced hundreds of recordings, launched the careers of many international soloists and brought fantastic period performances of Baroque and Classical music to the public's attention. Today, Hannah French takes the opportunity to chat to current music director Laurence Cummings and CEO John McMunn about the group's first fifty years and the impact they have made.

SynopsisIn German, “Gluck” means ‘luck', and today's date marks the birthday of a German composer named Christoph Willibald Gluck, whose good fortune it was to be credited with “reforming” the vocally ornate but dramatically static form of Baroque opera.In the 18th century, opera was the biggest and most high-profile of all musical forms, and Gluck wrote 49 of them during his 67 years of life. Like many 18th century opera composers, the stories Gluck chose were often based on ancient Greek myths such as “Orpheus and Eurydice.”It wasn't the matter of Gluck's operas that was revolutionary, but the manner in which he set these stories to music. When the British music historian Charles Burney visited Gluck in 1771, he recorded the composer's own words on the subject.“It was my design,” said Gluck,” to divest music of those abuses which the vanity of singers, or the complacency of composers, had so long disfigured Italian opera and made the most beautiful and magnificent of all public exhibitions into the most tiresome and ridiculous.”To sum it all up, Gluck told Burney, “My first and chief care as a dramatic composer was to aim at a noble simplicity.”Music Played in Today's ProgramChristoph Willibald von Gluck (1714 - 1787) Dance of the Blessed Spirits, fr Orpheus Academy of Ancient Music; Christopher Hogwood, cond. L'Oiseau-Lyre 410553

Soprano and early music specialist Dame Emma Kirkby joins Netty for a cuppa, taking us back to her earliest career moments. From learning Latin to performing and teaching opera, she talks about the approaches to singing baroque music and has been an inspirational figure to many other sopranos.As a renowned soprano of the 70s after Christopher Hogwood's recording of The Messiah came out, Dame Emma Kirkby recalls experiences of her impactful recordings and notable performances. She shares insightful approaches to singing a range of repertoire in various venues with different acoustics and we discover her fascinating background prior to her career.---Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘De reddende Sarabande' In haar autobiografie schrijft de Tsjechische klaveciniste Ruzickova dat de Sarabande uit de Vijfde Engelse Suite van Bach door haar werd meegenomen door oa Auschwitz en Bergen Belsen. Een onvoorstelbaar verhaal van moed, doorzettingsvermogen en de liefde van en voor andere mensen. In deze aflevering ook muziek door twee van haar leerlingen: Christopher Hogwood en Mahan Esfahani.  Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/001b2297-b70e-40d8-b38d-ed0b29ac3b19/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-16-17-t-m-21-april) Johann Sebastian Bach Engelse Suite nr.5, BWV.810: IV. Sarabande Zuzana Ruzickova, klavecimbel (album: Bach: The Complete Keyboard Works) Johann Sebastian Bach Concert voor 2 klavecimbels, BWV.1061a: III.  Christopher Hogwood, klavecimbel Christophe Rousset, klavecimbel (album: Concertos & Duos) Bohuslav Martinu Concert voor klavecimbel en orkest: II & III.  Mahan Esfahani, klavecimbel Praag Radio Symfonieorkest olv Alexander Liebreich Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

The lads chat Beethoven. Info on Sébastien Letocart here: https://www.sites.google.com/site/letocartsebastien/Home-english Music excerpts: 21:45 Beethoven 3rd symphony "Eroica", funeral march conducted by Sir Roger Norrington with the Radio-Sinfonieorchester Stuttgart 33:35 Beethoven 4th symphony finale conducted by Sir Roger Norrington with the London Classical Players 38:26 Beethoven 5th symphony, first movement, conducted by Nikolaus Harnoncourt with the Chamber Orchestra of Europe 51:58 Beethoven 7th symphony, 2nd movement allegretto, conducted by Christopher Hogwood with The Academy of Ancient Music 1:08:01 Beethoven 8th symphony finale conducted by Riccardo Chailly with the Gewandhausorchester Musc at the end of the episode is Beethoven 9th symphony conducted by Christopher Hogwood with The Academy of Ancient Music

C'est à un véritable florilège musical que vous convient Christophe Rousset et Pauline Lambert pour ce dernier épisode de Baroque en stock ! Qui était Werner, le prédécesseur de Haydn au palais Esterházy ? Et qui était Wilhelm Friedemann, le chouchou devenu le fils maudit de Bach ? Qui a composé Water Music et Xerxès, l'un des plus grands tubes de l'histoire de l'opéra ? Quels liens entre Rameau et Mozart, entre Zaïs, Zoroastre et Zauberflöte (La Flûte enchantée) ?   Toutes les réponses dans ce dernier numéro de Baroque en stock, un podcast de Radio Classique et des Talens Lyriques. Retrouvez tous les épisodes précédents sur radioclassique.fr ou sur vos plateformes habituelles !  Références musicales (pour le site et pour les plateformes) : Werner, Debora, Ensemble vocal Savaria, Capella Savaria, Pál Németh (dir.)  Haydn, Les Saisons, chœur des vendangeurs, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe (dir.)  Bach, Concerto à 3 clavecins, cordes et continuo, 3e mouvement, Davitt Moroney, Christophe Rousset et Christopher Hogwood (clavecins), Academy of Ancient Music  Haendel, Water Music, suite n°1 en fa majeur, ouverture, The English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Haendel, Water Music, suite n°2 en ré majeur, “Alla hornpipe”, The English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Haendel, Water Music, suite n°3 en sol majeur, Akademie für Alte Musik Berlin  Haendel, Xerxès, “Ombra mai fu”, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington (dir.)  Rameau, Zaïs, Entrée en sarabande pour les jeux et les plaisirs, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Zaïs, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, La Flûte enchantée, “O Isis und Osiris”, Martti Talvela, Orchestre Philharmonique de Vienne, Sir Georg Solti (dir.)  Mozart, La Flûte enchantée, “Der Hölle Rache”, Sabine Devieilhe, Pygmalion, Raphaël Pichon (dir.)   Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The BBC has had a powerful influence on our musical taste, and in this BBC centenary year, Nicholas Kenyon, a former controller of Radio 3 and director of the Proms, delves into the archives to explore the BBC's role in reviving the centuries of early music from before the 18th century. In his final essay, Kenyon looks at how in the early 1970s, the popularity of medieval and renaissance music increased hugely with the success of the Early Music Consort led by the dynamic David Munrow. He became a key figure in the BBC's broadcasting on Radio 3 with his eclectic series of short programmes called Pied Piper, and his colleague Christopher Hogwood presented The Young Idea, similarly mixing new and old. Then the emphasis in the revival of early music shifted from simply rediscovering the music of the past and playing it on modern instruments, to reinventing the ways of playing that music in line with historical evidence. Hogwood's Academy of Ancient Music led the way with many broadcasts, and recordings in period style were soon high in the charts with Pavarotti. Early music had entered the mainstream of our musical life. Presented by Nicholas Kenyon Produced by Melissa FitzGerald

Synopsis On today's date in 1950, the orchestra of the Musical Arts Society of La Jolla, California gave the premiere performance of this music by the Czech composer Bohuslav Martinu. The "Sinfonietta La Jolla" was Martinu's response to the Society's call for a tuneful and approachable piece of new music for their chamber orchestra. Martinu modeled his 20th century work on the 18th century symphonies of Haydn, a composer he very much admired. In fact, in 1890, when Martinu was born, his native Bohemia was still a part of the Austria-Hungarian empire in which Haydn had lived and worked a hundred years earlier. Martinu's music blends the modernism of 20th century composers like Stravinsky with the rich 19th century tradition of Czech national composers like Dvořák – but Martinu's relations with his native land were anything but smooth. He was twice kicked out of the Prague Conservatory for his supposed lack of academic discipline, and instead established himself as a freelance composer in France and Switzerland. Then, just as his music began to receive some recognition and performances back in Prague, the Nazi invasion of World War II led to his works being banned. In 1941, Martinu settled in the United States, where his music was very well received. In 1948, Martinu returned briefly to Prague, but found the new Communist government there as distasteful to him as the Nazis. Martinu's "Sinfonietta La Jolla" was written shortly after he returned to the United States. Music Played in Today's Program Bohuslav Martinu (1890-1959) –Sinfonietta "La Jolla" (Saint Paul Chamber Orchestra; Christopher Hogwood, cond.) London 433 660

Synopsis In Greek mythology, Orpheus was a priest of Apollo and a fabulous musician, who attempted to bring his dead wife Eurydice back from the underworld. On this day in 1774, in Paris, the first performance of the French version of the opera “Orpheus and Eurydice” by Christoph Willibald Gluck took place. Gluck originally wrote the opera in Italian, but for the French version in 1774, he added some new instrumental music, including a serene interlude depicting the “Dance of the Blessed Spirits” —an excerpt that has become one of Gluck's most famous and best-loved works. Over the centuries, more than 60 operas have been written on the theme of Orpheus and Eurydice. In fact, two of the very FIRST operas ever written are based on this legend, both by Italian composers of the late Renaissance: one by Jacopo Peri performed in 1600 and another by Claudio Monteverdi from 1607. One of the more recent operas based on the Orpheus legend is by the American composer Philip Glass, based on a libretto he adapted from the 1950 movie, “Orpheus,” by the surrealistic French poet and film director Jean Cocteau. The American Repertory Theatre and the Brooklyn Academy of Music commissioned Glass's version in 1993. Music Played in Today's Program Christoph Willibald Gluck (1714-1787) – Dance of the Blessed Spirits, fr Orphée (Academy of Ancient Music; Christopher Hogwood, cond.) L'oiseau Lyre 410 553 Philip Glass (b. 1937) – Act 2 Interlude, fr Orphée (Stuttgart Chamber Orchestra; Dennis Russell Davies, cond.) Nonesuch 79496-2

Synopsis On today's date in 1733, Georg Friderich Handel paid a visit to Oxford to conduct the premiere performance of his new oratorio, “Athalia,” at the Sheldonian Theater. Handel had been invited by the University to add some musical pizzazz to an elaborate ceremony know as “The Publick Act,” during which honorary degrees were bestowed on worthy individuals. It was apparently a terrific performance, with one visitor from London reporting: “Never has there been such applause and marks of admiration.” But not everyone in Oxford was happy. One crusty don, apparently not a fan of new music, complained of the presence of “Handel and his lousy crew – a great number of foreign fiddlers.“ Handel was offered an honorary degree by Oxford, but he did not accept, claiming he was “too busy,” but maybe he just balked at paying the University's required fee of 100 pounds to receive the honor. In the 19th century, Oxford and its rival Cambridge would bestow honorary degrees on other major composers like Tchaikovsky and Dvorak, and, in our own time, between 1949 and 1990, one American composer, William Schuman received no fewer than 28 honorary degrees. In fact, Schuman had so many that he had a quilt sewn together from pieces of his ceremonial gowns, so that, as he liked to quip, “He could take his naps by degrees.” Music Played in Today's Program George Frideric Handel (1685-1759) – Sinfonia, from Athalia (Academy of Ancient Music; Christopher Hogwood, cond.) L'Oiseau-Lyre 417 126 William Schuman (1910-1992) – Chester (Variations for Piano) (Alexei Sultanov, piano) Teldec 46103

Synopsis In the summer of 1853 Johannes Brahms had just turned twenty and was touring as the piano accompanist of the Hungarian violinist Ede Reményi. On today's date, they arrived in Gottingen, where they were hosted by Arnold Wehner, the Music Director of that city's University. Wehner kept a guest book for visitors, and over time accumulated signatures from the most famous composers of his day, including Mendelssohn, Rossini, and Liszt. Now, in 1853, Brahms was not yet as famous as he would later become, but as a thank-you to his host, he filled a page of Wehner's album with a short, original composition for piano. Fast forward over 150 years to 2011, when Herr Wehner's guest book fetched over $158,000 at an auction house in New York City, and this previously unknown piano score by Brahms attracted attention for many reasons. First, few early Brahms manuscripts have survived. Brahms was notorious for burning his drafts and sketches, and second, the melody Brahms jotted down in 1853 showed up again in the second movement of his Horn Trio, Op. 40, published 12 years later. Finally, there's a still-unresolved controversy about who had rediscovered the long-lost score: the auction house had the manuscript authenticated in 2011, but in 2012 the British conductor Christopher Hogwood claimed he had stumbled across it while doing other research. Music Played in Today's Program Johannes Brahms (1833 - 1897) – Albumblatt in A Minor (1853) (Sophie-Mayuko Vetter, p.) Hännsler 98048

durée : 00:15:42 - Disques de légende du vendredi 03 juin 2022 - Aujourd'hui dans Disques de légende, nous écoutons "Rinaldo", opera seria de Haendel, dirigé par Christopher Hogwood à la tête de The Academy of Ancient Music avec Cecilia Bartoli et David Daniels, enregistré en 1999 et sorti en 2000 chez Decca.

In this episode, we look at the soundtrack of the 2005 movie Pride and Prejudice by Dario Marianelli. We explore the themes that describe Elizabeth's emotional journey as well as how the rest of the music sets the world and mood in this adaptation. Music Featured: "Dawn" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Mrs Darcy" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 Piano Sonata No. 3 in C Major, Op. 2, No. 3: II. Adagio - by Ludwig Van Beethoven and performed by Mari Kodama, 2008 "Stars and Butterflies" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Arrival at Netherfield" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "The Secret Life of Daydreams" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Liz on Top of the World" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Darcy's Letter" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Your Hands are Cold" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 Abdelazer, Z. 570 "Moor's Revenge": Rondeau - "Purcell: Theatre Music", music by Henry Purcell and performed by Academy of Ancient Music & Christopher Hogwood, 1990 "A Postcard to Henry Purcell" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Meryton Townhall" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 "Another Dance" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Can't Slow Down" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 "The Militia Marches In" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 Piano Concerto No. 1 in C major, Op 15: I. Allegro con brio - "Complete Piano Concertos" - Music by Ludwig van Beethoven and performed by Krystian Zimerman, London Symphony Orchestra & Sir Simon Rattle, 2021 "Leaving Netherfield" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Georgiana" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "The Living Sculptures of Pemberley" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "World of Soundtracks" - music by Edith Mudge

Harry Christophers is Guy Fishman's charismatic guest in this week's Tuning In podcast. Harry is conducting Haydn's The Creation in the coming days, and his love for this work bubbles through this conversation. Harry divulges why he chose this electrifying piece for his final performance as H+H's Artistic Director. Have you wondered what Harry considers to be the highpoint of his 13 seasons with H+H? Harry also shares his first encounters with The Creation, including Christopher Hogwood's role during the pioneering days with historically informed performances. Harry traces the role Handel played in informing Haydn's oratorios, uncovers “trade secrets” for rehearsing this complex choral movement to produce “light and shade,” and explains why the dynamic range of this work requires the unusual physicality for which H+H musicians are known. Harry can't wait to welcome back audiences to The Creation, promising the freshness of the very first performances of this staggering orchestration. Written and produced by Guy Fishman

Today we talk with a brilliant clarinet player Francesco Spendolini. Francesco regularly works with period instrument orchestras and ensembles, such as I Barocchisti, La Cetra Baroque Orchestra, the Venice Baroque Orchestra,Le Concert des Nations, the OCE (Orchestre des champs Élysée), Le Cercle de l'Harmonie, Il Complesso Barocco, the Ensemble Arcimboldo, the Hofkapelle Stuttgart, Capriccio Basel, La Riscoperta, Divino Sospiro, La Phoenix, I Pizzicanti, the Orchestra of the European Baroque Academy of Ambronay, under conductors like Ton Koopman, Christopher Hogwood, Emmanuel Krivine, Andrea Marcon, Giovanni Antonini, Diego Fasolis, Alan Curtis, Martin Gester, Leonardo García Alarcón, Frieder Bernius, Antonio Florio. http://www.francescospendolini.com The score for today's reading session is Schubert's song "Der Hirt auf dem Felsen" https://s9.imslp.org/files/imglnks/usimg/f/f2/IMSLP05411-Schubert_Der_Hirt_Auf_Dem_Felsen_D965.pdf Discover more video material on our Telegram channel, Instagram, Facebook etc. https://insightreadingenlightenment.carrd.co Email us if you would like to support us insightreading.enlightenment@gmail.com Darina and Sebastien #insightreadingenlightenment #earlymusicpodcastinsightreadingenlightenment #clarinet #francescospendolini #savall #schubert #traverso #transverseflute #historicalclarinet #flute #fortepiano #baroque #baroquemusic #podcast #earlymusicpodcast #romanticmusic #darinaablogina #sebastienmitra #darinaabloginapodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message

durée : 00:25:15 - Christophe Coin, violoncelliste (4/5) - par : Judith Chaine - Avant dernier volet de nos entretiens avec le violoncelliste Christophe Coin. Retour sur la question de l'interprétation de la musique ancienne avec la rencontre de quelques grands spécialistes comme Nikolaus Harnoncourt ou encore Christopher Hogwood. - réalisé par : Gilles Blanchard

Qui sont les héroïnes dans les opéras baroques ? Pourquoi Haendel est-il le premier compositeur européen et le roi du recyclage ? Qui était “Papa Haydn” ? Comment Harnoncourt a-t-il révolutionné l'approche de la musique ancienne ? Qu'est-ce qu'un ténor haute-contre et quel lien avec les contre-ténors ? Quels sont les hôtels fréquentés par les musiciens en tournée ? Plongez au cœur de la musique avec ce nouvel épisode de Baroque en stock.  Références musicales : Haendel, Rinaldo, “Venti, turbini, prestate”, Franco Fagioli, Il Pomo d'oro, Zefira Valova (dir.)  Lully, Bellérophon, “Pourquoi n'avoir pas le cœur tendre ?”, Cyril Auvity, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Pygmalion, “Fatal amour ! Cruel vainqueur !”, Cyrille Dubois, Les Talens Lyriques, Christophe Rousset (dir.)  Haendel, Teseo, “Moriro, ma vendicata”, Joyce DiDonato, Les Talens Lyriques, Christophe Rousset (dir.)  Haendel, Alessandro, Duetto “ Placa l'alma”, Julia Lezhneva, Karina Gauvin, Armonia Atenea, George Petrou (dir.)  Haendel, Le Messie, “And he shall purify”, Collegium 1704, Vaclav Luks (dir.)  Haendel, Giulio Cesare, “Da tempeste il legno infranto”, Joyce DiDonato, Il Pomo d'oro, Maxim Emelyanychev (dir.)  Haendel, Water Music, Akademie für Alte Musik Berlin Haendel, Le Triomphe du temps et de la désillusion, “Lascia la spina”, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski (dir.)  Haendel, Rinaldo, “Lascia ch'io pianga”, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood (dir.)   Haydn, Quatuor op. 76 n°4 “Lever de soleil”, 3e mouvement, Quatuor Chiaroscuro  Haydn, La Création, “Die Himmel erzählen die Ehre Gottes”, Chœur et Orchestre baroque de Fribourg, René Jacobs (dir.)  Haydn, Symphonie n°83 “La Poule”, 1er mouvement, Concentus Musicus de Vienne, Nikolaus Harnoncourt (dir.)  Bach, Cantate BWV 188, Sinfonia d'ouverture, Concentus Musicus de Vienne, Nikolaus Harnoncourt (dir.)  Bach, Oratorio de Noël, “Jauchzet, frohlocket !”, choeur Arnold Schönberg, Concentus Musicus de Vienne, Nikolaus Harnoncourt (dir.) Hahn, Ciboulette, “Nous avons fait un beau voyage”, Mady Mesplé, José van Dam, Orchestre Philharmonique de Monte-Carlo, Cyril Diederich (dir.)  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Découvrez l'œuvre de Couperin le Grand, compositeur de Louis XIV mais aussi le coup de cœur de Pauline Lambert. Écoutez autrement le clavecin, cet instrument fascinant et chantant grâce à Christophe Rousset… Vous entendrez aussi comment, du clavecin, on devient chef d'orchestre.  Références musicales : Couperin François, Suite en sol mineur, Sarabande, Christophe Rousset  Balbastre, “La Lugeac”, Christophe Rousset Couperin François, “Les Idées heureuses”, 1er livre de pièces de clavecin, 2e ordre, Christophe Rousset  Couperin François, “Les Barricades mystérieuses”, 2e livre de pièces de clavecin, 6e ordre, Christophe Rousset puis Violaine Cochard  Couperin François, Les Nations, La Piémontaise, Sarabande, Les Talens Lyriques, Christophe Rousset (dir.)  Couperin François, 3e Leçon de ténèbres pour le mercredi saint, Sandrine Piau, Véronique Gens, Les Talens Lyriques, Christophe Rousset (dir.)  Couperin Louis, Suite en ut majeur, menuet, Christophe Rousset Couperin Armand-Louis, “Le Boisgelou”, Christophe Rousset  Vivaldi, Les Quatre Saisons, L'Été, Fabio Biondi, Europa Galante  Bach, Concerto pour clavecin en fa mineur BWV 1056, Christophe Rousset, The Academy of Ancient Music, Christopher Hogwood (dir.)  Bach, 5e Concerto brandebourgeois, finale, Café Zimmermann, Céline Frisch et Pablo Valetti (dir.)  Charpentier, Actéon, Les Arts Florissants, William Christie (dir.)  Boccherini, Fandango pour deux clavecins, William Christie, Christophe Rousset  Lully, Atys, Chœur des nations, Les Arts Florissants, William Christie (dir.)  Mozart, La Betulia liberata, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Gounod, Faust, “Ainsi que la brise légère” et le “chœur des sorciers”, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset (dir.)   Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Sy Montgomery is a naturalist, documentary scriptwriter and author of many books, which often include stories of her encounters with animals. During research for her books, films, and articles, Sy Montgomery has been chased by an angry silver back gorilla in Zaire and bitten by a vampire bat in Costa Rica. She worked in a pit of 18,000 snakes in Manitoba and handled a wild tarantula in French Guiana. She holds an honorary doctorate from the University System of New Hampshire. Her many books have garnered numerous awards, and include The Curious Naturalist: Nature's Everyday Mysteries (Down East Books 1991), Search for the Golden Moon Bear: Science and Adventure in Pursuit of a New Species (Chelsea Green Publishing 2009), The Good, Good Pig: The Extraordinary Life of Christopher Hogwood (Ballantine Books 2007), Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and One Murderously Big Living Dinosaur (Atria Books 2011), The Soul of an Octopus: A Surprising Exploration Into the Wonder of Consciousness. (Atria Books 2015), How to Be a Good Creature: A Memoir in Thirteen Animals (Houghton Mifflin Harcourt 2018), Becoming a Good Creature (a children's book) (Houghton Mifflin Harcourt 2020), Condor Comeback (Scientists in the Field Series) (Houghton Mifflin Harcourt 2020), The Hummingbirds' Gift: Wonder, Beauty, and Renewal on Wings (Atria Books 2021)Interview Date: 6/4/2021     Tags: Montgomery, hummingbirds, pollinators, Brenda Sherburn LaBelle, grass lawns, milkweed, monarch butterflies, Animals, Ecology/Nature/Environment

Hear Montgomery's fascinating encounters with gorillas, snakes, and spiders. She takes us from the largest bird in the world, the Emu, to the smallest, the hummingbird. With their jewel-like foliage hummingbirds are capable of the most unique and astonishing feats such as flying backward and even upside down. Sy Montgomery is a naturalist, documentary scriptwriter and author of many books, which often include stories of her encounters with animals. During research for her books, films, and articles, Sy Montgomery has been chased by an angry silver back gorilla in Zaire and bitten by a vampire bat in Costa Rica. She worked in a pit of 18,000 snakes in Manitoba and handled a wild tarantula in French Guiana. She holds an honorary doctorate from the University System of New Hampshire. Her many books have garnered numerous awards, and include The Curious Naturalist: Nature's Everyday Mysteries (Down East Books 1991), Search for the Golden Moon Bear: Science and Adventure in Pursuit of a New Species (Chelsea Green Publishing 2009), The Good, Good Pig: The Extraordinary Life of Christopher Hogwood (Ballantine Books 2007), Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and One Murderously Big Living Dinosaur (Atria Books 2011), The Soul of an Octopus: A Surprising Exploration Into the Wonder of Consciousness. (Atria Books 2015), How to Be a Good Creature: A Memoir in Thirteen Animals (Houghton Mifflin Harcourt 2018), Becoming a Good Creature (a children's book) (Houghton Mifflin Harcourt 2020), Condor Comeback (Scientists in the Field Series) (Houghton Mifflin Harcourt 2020), The Hummingbirds' Gift: Wonder, Beauty, and Renewal on Wings (Atria Books 2021) Interview Date: 6/4/2021     Tags: Sy Montgomery, emus, hummingbirds, Brenda Sherburn LaBelle, spiders, gorillas, Kakapo, Wendilgarda spider, wolf spiders, kangaroos and wallabies, Animals, Ecology/Nature/Environment

To research her books, films, and articles, Sy Montgomery has been chased by a silverback gorilla, embraced by a Giant Pacific Octopus and undressed by an orangutan. She's perhaps best known for her 14-year love affair with Christopher Hogwood, a runt piglet, who grew to a 750-pound great Buddha master. She's been deftly undressed by an orangutan in Borneo, hunted by a tiger in India, and swum with piranhas, electric eels, and dolphins in the Amazon. Sy has searched the Altai Mountains of Mongolia's Gobi for snow leopards, hiked into the trackless cloud forest of Papua New Guinea to radio-collar tree kangaroos, and learned to SCUBA dive in order to commune with octopuses.  In this interview, we talk about:  Sy's childhood and how that played a role in her decision to write books, especially the genre of books she does How she KNEW she wanted to be a writer How learning about the animal world has made her a better human being  What her daily process is as an author  What she wishes she could change about the publishing industry  Her advice for aspiring writers How writing is part of her spiritual life  How writing has affected her confidence  And more!  Website:  https://symontgomery.com/ On Social Media:  Instagram Facebook  Twitter  

#oqueacho #vivaldi #musica #review Gloria - Nisi Dominus - 4 Cantatas Etc. by Academy of Ancient Music, Carolyn Watkinson, Christopher Hogwood, James Bowman, Oxford Choir of Christ Church Cathedral & Simon Preston https://music.apple.com/br/album/gloria-nisi-dominus-4-cantatas-etc/1452569590?l=en

#myopinion #vivaldi #music #review Gloria - Nisi Dominus - 4 Cantatas Etc. by Academy of Ancient Music, Carolyn Watkinson, Christopher Hogwood, James Bowman, Oxford Choir of Christ Church Cathedral & Simon Preston https://music.apple.com/br/album/gloria-nisi-dominus-4-cantatas-etc/1452569590?l=en

如果你以為音樂會都要正襟危坐，不能交談，那17世紀的音樂會跟你想像的很不一樣。 19世紀音樂會的標準曲目也不是交響曲，而是各種歌劇選曲，相當於當時的流行音樂! [bgm(opening)]Haydn, Symphony No. 31 in D major "Hornsignal", Hob I:31 (The Academy of Ancient Music, conducted by Christopher Hogwood, on period instruments) [bgm] Satie, Gymnopedies No.1,2,3 Powered by Firstory Hosting

Synopsis In the summer of 1853 Johannes Brahms had just turned twenty and was touring as the piano accompanist of the Hungarian violinist Ede Reményi.  On today's date, they arrived in Gottingen, where they were hosted by Arnold Wehner, the Music Director of that city's University. Wehner kept a guest book for visitors, and over time accumulated signatures from the most famous composers of his day, like Mendelssohn and Rossini.  Now, in 1853, Brahms was not yet as famous, but as a thank-you to his host, he filled a page of Wehner's album with a short, original composition for piano. Fast forward over 150 years to 2011, when Wehner's guest book fetched over $158,000 at an auction house in New York City, and this previously unknown piano score by Brahms attracted attention for many reasons. First, few early Brahms manuscripts have survived, and second, the melody Brahms jotted down in 1853 showed up again in the second movement of his Horn Trio, Op. 40, published 12 years later. Finally, there was a dispute about who had rediscovered the long-lost score: the auction house had the manuscript authenticated in 2011, but in 2012 the British conductor Christopher Hogwood claimed he had discovered it while doing other research. Music Played in Today's Program Johannes Brahms (1833 – 1897) Albumblatt in A Minor (1853) (Sophie-Mayuko Vetter, p.) Hännsler 98048

Synopsis In the summer of 1853 Johannes Brahms had just turned twenty and was touring as the piano accompanist of the Hungarian violinist Ede Reményi.  On today's date, they arrived in Gottingen, where they were hosted by Arnold Wehner, the Music Director of that city's University. Wehner kept a guest book for visitors, and over time accumulated signatures from the most famous composers of his day, like Mendelssohn and Rossini.  Now, in 1853, Brahms was not yet as famous, but as a thank-you to his host, he filled a page of Wehner's album with a short, original composition for piano. Fast forward over 150 years to 2011, when Wehner's guest book fetched over $158,000 at an auction house in New York City, and this previously unknown piano score by Brahms attracted attention for many reasons. First, few early Brahms manuscripts have survived, and second, the melody Brahms jotted down in 1853 showed up again in the second movement of his Horn Trio, Op. 40, published 12 years later. Finally, there was a dispute about who had rediscovered the long-lost score: the auction house had the manuscript authenticated in 2011, but in 2012 the British conductor Christopher Hogwood claimed he had discovered it while doing other research. Music Played in Today's Program Johannes Brahms (1833 – 1897) Albumblatt in A Minor (1853) (Sophie-Mayuko Vetter, p.) Hännsler 98048

To research books, films and articles, Sy Montgomery has been chased by an angry silverback gorilla in Zaire and bitten by a vampire bat in Costa Rica, worked in a pit crawling with 18,000 snakes in Manitoba and handled a wild tarantula in French Guiana. She has been deftly undressed by an orangutan in Borneo, hunted by a tiger in India, and swum with piranhas, electric eels and dolphins in the Amazon. She has searched the Altai Mountains of Mongolia’s Gobi for snow leopards, hiked into the trackless cloud forest of Papua New Guinea to radiocollar tree kangaroos, and learned to SCUBA dive in order to commune with octopuses. In this episode, she talks about a variety of birds including California Condors, Hummingbirds, Hawks, Cockatoos and many others. Sy’s 28 books for both adults and children have garnered many honors. The Soul of an Octopus was a 2015 Finalist for the National Book Awards. The Good Good Pig, her memoir of life with her pig, Christopher Hogwood, is an international bestseller. She is the winner of the 2009 New England Independent Booksellers Association Nonfiction Award, the 2010 Children’s Book Guild Nonfiction Award, the Henry Bergh Award for Nonfiction (given by the ASPCA for Humane Education) and dozens of other honors. Her work with the man-eating tigers, the subject of her book Spell Of The Tiger, was made into in a National Geographic television documentary she scripted and narrated. Also for National Geographic TV she developed and scripted Mother Bear Man, about her friend, Ben Kilham, who raises and releases orphaned bear cubs, which won a Chris award. Episode Notes 1:00 About hummingbirds.  The tiny Bee hummingbird.  The fastest bird, the male Allen’s Hummingbird’s is faster than the space shuttle, she says. 3:50 How to care for an orphaned hummingbird. 5:00 Why should you save a bird? Sy talks about why she saved orphaned hummingbirds. 7:00 The variety of hummingbirds. 7:45 Ruby throated hummingbirds.   9:00 Sy talks about condors and vultures.  10 feet across wingspan.  Native Americans revere the condor wherever it was found.  All vultures take death and make it into life, she says.  15:00 What is it like to hold a condor? Sy was part of the California Condor Recovery project. 18:50 How do you hold a condor? Do you pull the neck to you or away? What does the breath of a condor smell like? 20:00 How to conserve condors while working with hunters? Using copper versus lead bullets. 24:00 Emus of Australia.  Sy says that they showed her “my destiny.” 28:00 The personality of an emu.  They are curious and have a sense of humour, says Sy.   30:00 Sy talks about the books she loves.  Dian Fossey’s Gorillas in the Mist.  Jane Goodhall’s The Chimpanzees of Gombe.  Howard Ensign Evans book on insects.   34:00 Sy talks about her favourite birds.  The woodpecker.  The Cassowary.  Papua New Guinea and Queensland, Australia where she saw a cassowary. Casque, red wattles, the curiosity of a cassowary. 38:00 Hawks and learning falconry.  Nancy Cowan, master falconer. Harris’ hawks. Yarak 41:00 About crows roosting in Auburn, New York 44:00 About parrots.  Dancing with a cockatoo. Snowball the cockatoo 48:00 Birds and the wildness. Questions asked: The first of your books that I read was about the California Condor.  For listeners here in India, could you please tell us about the condor-- details will help as we don’t have Condors here.  I for instance, didn’t realize they were vultures. Please tell us about the conservation efforts for the condors.  For instance, you say that the efforts to return them to the wild is “creative, controversial”.  Please tell us details for those who may not have read that book. Where are condors most plentifully found? Ask Sy about lead versus copper bullets. Tell us about the emus you met in Australia. (how to be a good creature) The books that inspired you that you list. (how to be a good creature) Tell us about the woodpecker’s song. (the wild outside your window) Migrating songbirds Tell us about the birds in your book, Birdology.  What was the theme of the book, Birdology --hawks (illustrating that birds are fierce--as I learn through falconry) --crows (showing how birds are everywhere--following the controversy generated by a very large roost of crows) --parrots (showing that birds are smart--we meet Snowball the Dancing cockatoo and the Alex studies, of the talking African grey parrot --cassowaries (showing that birds are dinosaurs--I go to find one in Australia)

Music for Easteride - Episode 3 Today we will be exploring music responding to the most joyful word of all, ‘Alleluia', in different styles from different composers throughout history. Music included in this episode is: Marcel Peres and Ensemble Organum singing the Old Roman version of ‘Alleluia, Ales Barta playing Joseph Seger's ‘Fugue on the Easter Alleluia', Christopher Hogwood conducted the Academy of Ancient Music in the first movement from Josef Haydn's ‘Alleluia' Symphony, no. 30, in C major, The Estonian Philharmonic Chamber Choir singing two psalms from Sergei Rachmaninov's All-Night Vigil, directed by Paul Hillier, Rene Jacobs conducted the Choir of Clare College Cambridge and the Freiburger Barockorchester in that exhilarating performance of the ‘Hallelujah' Chorus from Handel's ‘Messiah' and Sir James MacMillan's ‘Alleluia', beautifully performed by the SWR Vokal Ensemble and Marcus Creed. You can follow along with the text on our website at: https://radiomariaengland.uk/about/programmes/music-for-eastertide/

© Photo: Pierre Salagnac-----------------------------------------------------01- Joseph Haydn L'Anima del Filosofo ou le mythe d'Orphée revisité (par Claire Gibault Paris Mozart Orchestra)02- Wolfgang Amadeus Mozart  Concerto pour violon n° 4 en ré majeur KV. 218 (par Claire Gibault Paris Mozart Orchestra)03- Claude Debussy ouverture de Pélléas et Mélisande (Par Claudio Abbado Philharmonique de Vienne)04- Edith Canat de Chizy Staël, Peindre l'innaccéssible (par Claire Gibault Paris Mozart Orchestra Récitante : Natalie Dessay)05- Graciane Finzi Des champs et des villes : héros, héroïnes (par Claire Gibault Paris Mozart Orchestra)06- Georg Friedrich Haendel  Musique pour les feux d'artifice royaux HWV 351 Menuets I et II (par Christopher Hogwood, The Academy of Ancient Music)07- Silvia Colasanti Ariane et le Minotaure (Mélologue) (par Claire Gibault Paris Mozart Orchestra Soprano : Makeda Monnet)-----------------------------------------------------The Craft Project est un podcast produit par Métiers Rares . Métiers Rares est un bureau d'études, un organisme de formation et un studio de narration spécialisé dans les métiers d'art.The Craft Project, c'est aussi une association à laquelle tous les amoureux de la matière et de la beauté peuvent adhérer ou donner pour soutenir nos actions concrètes pour servir les métiers d'art: Bourse des métiers orphelins, dispositif de microcrédit, conférences d'initiation dans les collèges, podcast de référence sur les métiers d'art et communauté engagée sur les réseaux sociaux. Merci!Raphaëlle Le BaudPierre Salagnac-----------------------------------------------------⭐️Si vous avez aimé cet épisode, dîtes le nous avec 5 étoiles et un gentil commentaire sur Apple Podcast. 

Sy Montgomery is a naturalist, documentary scriptwriter and author of many books which often include stories of her encounters with animals. To research her books, films and articles, Sy Montgomery has been chased by an angry silver back gorilla in Zaire and bitten by a vampire bat in Costa Rica, worked in a pit of 18,000 snakes in Manitoba, and handled a wild tarantula in French Guiana. She holds an honorary doctorate from the University System of New Hampshire. Her many books have garnered numerous awards, and include: Search for the Golden Moon Bear: Science and Adventure in Pursuit of a New Species (Chelsea Green Publishing 2009), The Good, Good Pig: The Extraordinary Life of Christopher Hogwood (Ballantine Books 2007), Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and One Murderously Big Living Dinosaur (Atria Books 2011), The Soul of an Octopus: A Surprising Exploration Into the Wonder of Consciousness. (Atria Books 2015)Tags: Sy Montgomery, octopus, suckers of an octopus, evolution, octopus enrichment manual, octopus venom, octopus arms, Nancy King's octopus Ollie, Octopuses like TV, Animals, Ecology, Nature, Environment, Science

Today Mary is talking to New York Times bestselling author Sy Montgomery. Sy is a multi-award winning nature writer and author of 28 books including ‘The Soul of an Octopus- A surprising exploration into the wonder of consciousness.' It is a deeply touching and enlightening personal storySy writes for adults and children, for print and broadcast, in America and overseas in an effort to reach as wide an audience as possible at what she considers a critical turning point in human history. “We are on the cusp of either destroying this sweet, green Earth—or revolutionizing the way we understand the rest of animate creation,” she says. “It’s an important time to be writing about the connections we share with our fellow creatures. It’s a great time to be alive.” She speaks frequently at schools and museums, libraries and universities.Sy’s 28 books for both adults and children have garnered many honors. The Soul of an Octopus was a 2015 Finalist for the National Book Awards. The Good Good Pig, her memoir of life with her pig, Christopher Hogwood, is an international bestseller. She is the winner of the 2009 New England Independent Booksellers Association Nonfiction Award, the 2010 Children’s Book Guild Nonfiction Award, the Henry Bergh Award for Nonfiction (given by the ASPCA for Humane Education) and dozens of other honors. Her work with the man-eating tigers, the subject of her book Spell Of The Tiger, was made into in a National Geographic television documentary she scripted and narrated. Also for National Geographic TV she developed and scripted Mother Bear Man, about her friend, Ben Kilham, who raises and releases orphaned bear cubs, which won a Chris award.Contact Sy and buy her books at:http://symontgomery.com/Buy the bookNature Magic- How you can engage everyone with biodiversityBy Mary Bermingham at:https://amzn.to/3auz19UConnect with Mary at:mary@burrennaturesanctuary.ieCheck out the Burren Nature Sanctuary at:www.burrennaturesanctuary.ie

We talk about the clump of parables at the end of Matthew 13 (Mustard Seed, Leaven, Hidden Treasure, Pearl of Great Value, and the Net), the difficulty in forgiving our enemies and how it is as vital now as ever in our present moment, and explore what a fugue is and how to enjoy it. Enjoy! Matthew 13:31–33, 44–50 Bach's "Little Fugue" in G Minor Britten - Young Person's Guide to the Orchestra (Fugue Finale) Bruckner - Psalm 150 (Fugue ending) Händel: Messiah "His yoke is easy" Music: Smith Preces, Be Thou My Vision (Salisbury Cathedral Choir), Jesu, Priceless Treasure (Choir of King's College, Cambridge), Jesu, Joy of Man's Desiring (Liverpool Cathedral Choir), Handel's Messiah, "Amen" (Choir of Christ Church Cathedral Oxford, and the Academy of Ancient Music conducted by Christopher Hogwood)

Det brittiska 1600-talssnillet Henry Purcell skapade odödliga och tidlösa hits under sitt korta liv. En kungens och kyrkans man som inspirerar än idag. Lyssna på alla avsnitt i Sveriges Radio Play. Låtlista: Funeral March - David Hill Baroque Brass Of London Music For The Funeral Of Queen Mary: Nr 1, Marsch (Arr) - Wendy Carlos Bonduca (Z 574): Nr 14, "Divine Andate", Nr 15B, "To Arms Your Ensigns Straight Display" & Nr 16B, "Britons Strike Home" - James Bowman, Martyn Hill, Christopher Keyte, Christopher Hogwood, The Taverner Choir, The Academy Of Ancient Music King Arthur, Cold Song - Patrick Cohen-Akenine Chasing Sheep Is Best Left To Shepherds - John Harle, Keith Thompson, Andrew Findon, Steve Sounders, Alexander Balanescu, Elisabeth Perry, Malcolm Bennet, Barry Guy, Ian Mitchel, Michael Nyman King Arthur: Nr 19B, Akt 3, "What Ho Thou Genious Of This Isle" - Nancy Argenta, John Eliot Gardiner, English Baroque Soloists From Silent Shades And The Elysian Groves (Z 370) - Catherine Bott, David Robbin Weep You No More Sad Fountains - Sting, Edin Karamazov I Was Glad When They Said Unto Me (Z 19) - Westminster Abbey Choir, Simon Preston, Harry Bicket Hear My Prayer O Lord (Z 15) - Vox Luminis, Lionel Meunier, Masato Suzuki Dido And Aeneas - Nicholas Mcgegan, Lorraine Hunt, Lisa Saffer, Donna Deam, Christine Brandes, Ruth Rainero, Ellen Rabiner, Michael Dean, Paul Elliott, Clare College Choir, Timothy Brown, Philharmonia Baroque Orchestra

Det brittiska 1600-talssnillet Henry Purcell skapade odödliga och tidlösa hits under sitt korta liv. En kungens och kyrkans man som inspirerar än idag. Låtlista: Funeral March - David Hill Baroque Brass Of London Music For The Funeral Of Queen Mary: Nr 1, Marsch (Arr) - Wendy Carlos Bonduca (Z 574): Nr 14, "Divine Andate", Nr 15B, "To Arms Your Ensigns Straight Display" & Nr 16B, "Britons Strike Home" - James Bowman, Martyn Hill, Christopher Keyte, Christopher Hogwood, The Taverner Choir, The Academy Of Ancient Music King Arthur, Cold Song - Patrick Cohen-Akenine Chasing Sheep Is Best Left To Shepherds - John Harle, Keith Thompson, Andrew Findon, Steve Sounders, Alexander Balanescu, Elisabeth Perry, Malcolm Bennet, Barry Guy, Ian Mitchel, Michael Nyman King Arthur: Nr 19B, Akt 3, "What Ho Thou Genious Of This Isle" - Nancy Argenta, John Eliot Gardiner, English Baroque Soloists From Silent Shades And The Elysian Groves (Z 370) - Catherine Bott, David Robbin Weep You No More Sad Fountains - Sting, Edin Karamazov I Was Glad When They Said Unto Me (Z 19) - Westminster Abbey Choir, Simon Preston, Harry Bicket Hear My Prayer O Lord (Z 15) - Vox Luminis, Lionel Meunier, Masato Suzuki Dido And Aeneas - Nicholas Mcgegan, Lorraine Hunt, Lisa Saffer, Donna Deam, Christine Brandes, Ruth Rainero, Ellen Rabiner, Michael Dean, Paul Elliott, Clare College Choir, Timothy Brown, Philharmonia Baroque Orchestra

In de 19de eeuw was Vivaldi een voetnoot bij Bach. In de Barok was Vivaldi een voorbeeld voor Bach, en niet zo’n kleintje ook. Ongegeneerd genieten met Bach’s bewerking van Vivaldi – en het origineel. Antonio Vivaldi Concert voor 4 violen, cello en strijkorkest RV.580 Freiburger Barockorchester olv Thomas Hengelbrock RCA 077289205472 8’35’’ Johann Sebastian Bach Concert voor 4 klavecimbels en strijkorkest BWV.1065 Colin Tilney, Christophe Rousset, Davitt Moroney en Christopher Hogwood, klaveimbel. Academy of Ancient Music olv Christopher Hogwood L’Oiseay Lyre 9’04’’

durée : 01:59:16 - Le Bach du dimanche du dimanche 13 octobre 2019 - par : Corinne Schneider - Une programmation 100% british pour cette 94e émission : avec James Bowman, John Butt, Michael Chance, Charles Daniels, Alfred Deller, Richard Egarr, John Eliot Gardiner, Peter Harvey, Christopher Hogwood, Emma Kirby, Paul Mac Creesh, Andrew Manze, Trevor Pinnock, Rachel Podger, Carolyn Sampson … - réalisé par : Céline Parfenoff

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Unglingsár á Ítalíu 1170-73 Árni Heimir Ingólfsson kynnir valin verk eftir Wolfgang Amadeus Mozart. Annar þáttur: Divertimento í D-dúr K. 136 (Hagen-kvartettinn); Tvær aríur úr Mitridate, re di Ponto: Soffre il mio cor con pace og Lungi da te, mio bene (Cecilia Bartoli; Les Talents Lyriques, Christophe Rousset, stj.); Tu sai per chi m´accese, úr Mitridate, re di Ponto (Sandrine Piau, Les Talents Lyriques, Christophe Rousset, stj.); Exsultate, jubilate K. 165 fyrir sópran og hljómsveit (Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood, stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Unglingsár á Ítalíu 1170-73 Árni Heimir Ingólfsson kynnir valin verk eftir Wolfgang Amadeus Mozart. Annar þáttur: Divertimento í D-dúr K. 136 (Hagen-kvartettinn); Tvær aríur úr Mitridate, re di Ponto: Soffre il mio cor con pace og Lungi da te, mio bene (Cecilia Bartoli; Les Talents Lyriques, Christophe Rousset, stj.); Tu sai per chi m´accese, úr Mitridate, re di Ponto (Sandrine Piau, Les Talents Lyriques, Christophe Rousset, stj.); Exsultate, jubilate K. 165 fyrir sópran og hljómsveit (Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood, stj.).

Reinhold Friedrich has been a prolific performer on major stages around the world such as the Musikverein in Vienna, the Concertgebouw Amsterdam and the Berlin Philharmonie. As a soloist, Reinhold Friedrich performs both on modern and historic keyed trumpet with renowned ensembles such as the Bamberger and Wiener Symphoniker, the Orchestre Philharmonique de Radio France, the BBC Symphony Orchestra, the Berliner Barock Solisten and the Cappella Andrea Barca; conducted amongst others by Sir András Schiff, Reinhard Goebel, Sir Neville Marriner, Christopher Hogwood, Semyon Bychkov, Michael Gielen, Adam Fischer and Vladimir Fedossejev. From 1983 to 1999 Reinhold Friedrich held the position of solo trumpeter at the Radio Sinfonieorchester Frankfurt. He is permanent solo trumpeter of the Lucerne Festival Orchestra under Claudio Abbado, now Riccardo Chailly, and artistic director of the Lucerne Festival Orchestra Brass Ensemble. Reinhold Friedrich is a professor of trumpet at Karlsruhe University of Music, honorary professor at the Royal Academy of Music in London and the Escuela Superior de Musica Reina Sofia in Madrid as well as a sought-after lecturer for masterclasses all over the world. Reinhold has premiered a large number of significant works including pieces by Wolfgang Rihm, Hans Werner Henze, Luciano Berio, Sir Peter Maxwell Davis and Peter Eötvös. Numerous CD recordings on labels such as DG, Capriccio, MDG and Sony. The show notes for this episode may be found at bobreeves.com/71.

durée : 01:59:23 - Portrait de Dinorah Varsi - par : Lionel Esparza - Un portrait de la pianiste uruguayenne Dinorah Varsi, le dernier disque de Christophe Rousset, et notre rubrique Disques de légende consacrée à la version du Stabat Mater de Vivaldi enregistrée par Christopher Hogwood dans les années 70. - réalisé par : Antoine Courtin

durée : 00:13:01 - Christopher Hogwood dirige le Stabat Mater de Vivaldi - Le chef d'orchestre britannique Christophe Hogwood enregistre en 1976 pour le label L'Oiseau Lyre le Stabat Mater et le Nisi Dominus d'Antonio Vivaldi, un disque qui va connaitre un succès énorme à sa sortie, tant en Angleterre qu'à l'international.

durée : 01:59:16 - Le Bach du dimanche du dimanche 13 octobre 2019 - par : Corinne Schneider - Une programmation 100% british pour cette 94e émission : avec James Bowman, John Butt, Michael Chance, Charles Daniels, Alfred Deller, Richard Egarr, John Eliot Gardiner, Peter Harvey, Christopher Hogwood, Emma Kirby, Paul Mac Creesh, Andrew Manze, Trevor Pinnock, Rachel Podger, Carolyn Sampson … - réalisé par : Céline Parfenoff

This week Alice and Kim talk about the National Book Award longlist, cozy books, and the best pig there ever was. This episode is sponsored by Book Riot’s Blind Date, These Boys and Their Fathers by Don Waters, and Motherhood So White by Nefertiti Austin. Subscribe to For Real using RSS, Apple Podcasts, Spotify, or Stitcher. For more nonfiction recommendations, sign up for our True Story newsletter, edited by Kim Ukura. FOLLOW UP BOOKS She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement by Jodi Kantor and Megan Twohey NONFICTION IN THE NEWS National Book Award Longlist New York Times: “It’s a Fact: Mistakes Are Embarrassing the Publishing Industry” Impeachment: An American History NEW BOOKS Make it Scream, Make it Burn by Leslie Jamison On Fire: The (Burning) Case for a Green New Deal by Naomi Klein For Colored Girls Who Have Considered Politics by Donna Brazile, Yolanda Caraway, Leah Daughtry and Minyon Moore Embrace Your Weird: Face Your Fears and Unleash Creativity by Felicia Day COZY NONFICTION The Good Pig: The Extraordinary Life of Christopher Hogwood by Sy Montgomery Life in the Garden by Penelope Lively The Curse of the Boyfriend Sweater: Essays on Crafting by Alanna Okun My Life in Middlemarch by Rebecca Mead READING NOW Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe Motherhood So White by Nefertiti Austin CONCLUSION You can find us on SOCIAL MEDIA – @itsalicetime and @kimthedork RATE AND REVIEW on Apple Podcasts so people can find us more easily, and subscribe so you can get our new episodes the minute they come out.

Fine Music Radio — Peasant Cantata. TRACK: Bach’s Peasant Cantata – the overture, the aria “Unser trefflicher liever kammerherr” and the final duet. ARTIST: Emma Kirkby and David Thomas with the Academy of Ancient Music and Christopher Hogwood. PUBLISHER: 1987 Decca

What does it mean to be a good creature in the world? Naturalist and author Sy Montgomery explores this question through the stories of 13 animals that have shaped her life. Hearing about Octavia the octopus and good pig Christopher Hogwood, listeners will be drawn in not only by Montgomery’s stories but also by her voice, emotions, and her ability to create a sense of suspense. Perfect for animal lovers. Published by HighBridge Audio. Read the full review of HOW TO BE A GOOD CREATURE at audiofilemagazine.com. For more free audiobook recommendations, sign up for AudioFile Magazine’s newsletter. On today’s episode are host Jo Reed and Michele Cobb, Publisher of AudioFile Magazine Support for AudioFile's Sound Reviews comes from GraphicAudio, featuring series such as The Stormlight Archive, Deathlands, Smoke Jensen, Demon Cycle, and over 1,000 more A Movie In Your Mind full cast productions available only at www.GraphicAudio.net. Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Egarr is an internationally renowned harpsichordist, organist, conductor and baroque music expert. Since 2006 he has been Music Director of the Academy of Ancient Music, founded by Christopher Hogwood in the 1970s. Now he has signed a five-year contract to serve as music director for another prestigious early music group. Suzanne spoke with him about his exciting new gig, his extraordinary career, and a few of his guilty musical pleasures.

Sy Montgomery—the author of numerous acclaimed books about animals, including bestsellers “The Good Good Pig: The Extraordinary Life of Christopher Hogwood” and “The Soul of an Octopus: A Surprising Exploration […]

When exploring a branch of highly evolved animal consciousness that evolved in parallel (and completely separate) from our own, Sy Montgomery is sure of one thing: “If I have a soul, an octopus does too.” If you want even the tiniest dose of confirmation, try to keep your eyes dry while watching this octopus thank its rescuer in a two-minute video that has garnered 11 million views and counting: releasing a stranded octopus. (If you have more time, Amazing Octopus: Most Intelligent Animal on Earth is a must-watch too!)  I am over-the-moon to bring you this week's interview with Sy, who became an instant soul-friend the moment we started talking. I'm in awe of her career as a naturalist writing about and befriending pigs, tigers, dolphins, hyenas, and now octopuses (not octopi as many assume for plural form!) around the world. I love her passion for animals, and the heart with which she shares their beautiful stories and spirits.  Sy has been described by the Boston Globe as "Part Emily Dickinson, part Indiana Jones.” Researching articles, films, and her 26 books for adults and children, she has been chased by an angry silverback gorilla in Rwanda, hunted by a tiger in India, and swum with piranhas, electric eels and pink dolphins in the Amazon. Her work has taken her from the cloud forest of Papua New Guinea (for a book on tree kangaroos) to the Altai Mountains of the Gobi (for another on snow leopards.)  For her recent book (the one that inspired me to reach out), The Soul of an Octopus, a National Book Award finalist, Sy befriended octopuses at the New England aquarium and scuba dived and snorkeled with wild octopuses in Mexico and French Polynesia. We also talk in detail about The Good, Good Pig: The Extraordinary Life of Christopher Hogwood (2006), a memoir about her 14-year relationship with her pig who grew to be 750 pounds, famous within her town of Hancock, and beloved by all who met him.  At the end, we briefly dive into her routines for such prolific writing while traveling, and her practice of reflecting beyond the details of what happened to "what that day showed me."

I programmet diskuterades Haydn-symfonier med Il Giardino Armonico, Alice Coote sjunger sångcykler av Mahler, Krystian Zimerman spelar Schubert samt sena verk av Elliott Carter. Johan möter Schwabe. I panelen Alexander Freudenthal, Evert van Berkel och Johanna Paulsson som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  GUSTAV MAHLER Sångcykler Alice Coote, mezzosopran Nederländska filharmonikerna Marc Albrecht, dirigent Pentatone PTC 5186 576 FRANZ SCHUBERT Pianosonater D 959 och D 960 Krystian Zimerman DG 479 7588 JOSEPH HAYDN DOMENICO CIMAROSA Il Distratto Symfonier nr 60, 70, 12 Il Maestro di Cappella Riccardo Novaro, baryton Il Giardino Armonico Giovanni Antonini, dirigent Alpha Classics ALPHA 674 ELLIOTT CARTER Late Works Pierre-Laurent Aimard, Colin Currie, Isabelle Faust, Jean-Guihen Queyras Birmingham Contemporary Music Group BBC symfoniorkester Oliver Knussen, dirigent Ondine ODE 1296-2 Johan möter Gabriel Schwabe Johan Korssell träffade den 29-årige cellisten på Stockholms-visit, ett samtal om sin alldeles färska CD där han är solist i Saint-Saëns cellokonserter. Schwabe spelar tillsammans med Malmö symfoniorkester under ledning av Marc Soustrot. Inspelningen är gjord på Naxos.  Referensen Schuberts Sonat D 960 Johan jämför med och refererar till Schuberts pianosonat nr 21 D 960 B-dur, med pianisten Wilhelm Kempff. Inspelad 1967 på DG. Andra i programmet nämnda eller rekommenderade inspelningar: Haydns symfonier i komplett utgivning (box med 32 CD) med The Academy Of Ancient Music, London, ledd av Christopher Hogwood på skivmärket Oiseau Lyre. Il Giardino Armonico ledd av Giovanni Antonini i Mozarts violinkonserter med Isabelle Faust som solist, inspelad på Harmonia Mundi. Mahlers sångcykler med mezzosopranen Christa Ludwig tillsammans med Philharmonia Orchestra i inspelningar ledda av Otto Klemperer och Adrian Boult på märket EMI samt med Berlins filharmoniker ledda av Herbert von Karajan på DG. Vidare rekommenderades Christa Ludwig ackompanjerad på piano av Leonard Bernstein på Sony; Janet Baker tillsammans Halléorkestern under John Barbirolli på EMI; Brigitte Fassbaender med Deutsche Sinfonieorchester ledda av Riccardo Chailly på Decca samt med barytonen Thomas Hampson ackompanjerad av Wiens filharmoniker dirigerade av Leonard Bernstein på DG. Schuberts pianosonater med Wilhelm Kempff på skivmärke DG (Referensen); Andreas Staier, hammarklaver, på Teldec; Alfred Brendel på Philips; Svjatoslav Richter på Music & Arts; Clara Haskil på Archipel; Artur Rubinstein på Philips samt med András Schiff på Decca. Nelson Freire spelar Bach på Decca. Arkadij Volodos spelar Brahms på Sony Classical. Elliott Carters klarinettkonsert med solisten Michael Collins och Londons Sinfonietta ledda av Oliver Knussen på DG. Elliott Carters orkestermusik med Londons Sinfonietta ledd av Oliver Knussen på Virgin Classics. Inget Svep denna vecka

Descubre la Sinfonía n. 9 Hob I:9 en Do Mayor de J. Haydn, con los comentarios de Ana Laura Iglesias y la versión de The Academy of Ancient Music bajo la dirección de Christopher Hogwood, versión elegida por el CNDM para su CD #9Novenas. Extracto de El Ático 135: #9Novenas

Descubre la Sinfonía n. 9 Hob I:9 en Do Mayor de J. Haydn, con los comentarios de Ana Laura Iglesias y la versión de The Academy of Ancient Music bajo la dirección de Christopher Hogwood, versión elegida por el CNDM para su CD #9Novenas. Extracto de El Ático 135: #9Novenas

We’re devoting the hour to the life and accomplishments of a true early music luminary.

A special repeat of Catherine Bott's interview with the distinguished conductor, keyboardist and musicologist, Christopher Hogwood, who died earlier this year. Catherine chats to him about his career as one of the major proponents of the early music movement, including Christopher's early work with David Munrow in the Early Music Consort of London and the orchestra he founded in 1973 - The Academy of Ancient Music. The music on the programme comes from his choice of some of his own favourite recordings, including a work from Byrd's My Ladye Nevells Booke, vocal music by Purcell, a keyboard fantasia by CPE Bach and part of Handel's opera Rinaldo.

Lucie Skeaping is joined by Sir Nicholas Kenyon in a tribute to conductor and musicologist Christopher Hogwood, who died last Wednesday. They consider the extraordinary impact he made in early, baroque and classical music performance, and introduce some of his iconic and groundbreaking recordings. 'Christopher Hogwood was one of the true pioneers of early music performance. It is not an exaggeration to say that he changed our musical taste, and changed the sound of baroque and classical music for ever.' That's Nicholas Kenyon's assessment of the achievement and influence of Christopher Hogwood. He first made his name as co-founder with David Munrow of the Early Music Consort of London, who were best known for their work on the music for the TV series The Six Wives of Henry the Eighth. In 1973 he founded the pioneering period instrument orchestra the Academy of Ancient Music, and went on to record more than 200 albums with them, including highly-acclaimed recordings of Handel, Haydn and Mozart. He died at home in Cambridge at the age of 73.

In an interview originally broadcast in April 2014 Andrew talks to soprano Emma Kirkby and violinist Catherine Mackintosh about the recording they made of Handel's oratorio Messiah with conductor Christopher Hogwood back in 1980. This iconic recording changed the way we hear this staple of choral societies up and down the land; and the cast of musicians now reads like a Who's Who from the world of Historically Informed Performance Practice.

Viel mehr Musik müsse ohne Dirigent gespielt werden, sagte Christopher Hogwood bei einer Probe zu "Mozart à la Haydn" 2004 in München. BR-KLASSIK-Moderator Bernhard Neuhoff traf den Dirigenten zu einem Gespräch.

Commander of the Most Excellent Order of the British Empire, geboren am 10. September 1941 in Nottingham, England. Dirigent, Cembalist, Musikwissenschaftler und Herausgeber

Christopher Hogwood - 70th Birthday Tribute

Sy Montgomery wrote The Good Good Pig: The Extraordinary Life of Christopher Hogwood, which I found a challenging read due to the text's excess sentimentality and which I didn't finish. And I like animal fiction and nonfiction. For example, I really enjoyed Space Station Rat, by Michael J. Daley. Judith Martin/Miss Manners wrote Miss Manners' Guide to Excruciatingly Correct Behavior. Jenny Davidson wrote Hypocrisy and the Politics of Politeness: Manners and Morals from Locke to Austen. Music for this podcast was provided by Mevio.com. "Farmyard Rock n Roll" is from The Jackass-Penguin Show. Adam Balbo performed "Tammy's a Nice Girl." The Unnormals created "Polite." "I Want to Be Good" is by Susan Govali. "This Time I Want the Truth" is from Jeff DeHerdt.