Podcast appearances and mentions of jane fitz

Music Not Diving is supported by AC55ID... head over to www.ac55id.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!--Watch the full video version of this episode over at youtube.com/@WeNotDivingIs Jane Fitz a DJ's DJ? Even though we hate the term, it probably applies here... A DJ of more than 25 years and a crucial figure in underground house and techno, Jane is also a promoter of some of the best parties in the UK over a similar time period. We discuss her roots in London, experiences living in Hong Kong during the 90s, and her route into DJing via magazine journalism and record collecting. And of course we cover her seminal parties, Peg, and Night Moves which is still running sporadically when suitable venues can be found. This is a great conversation with someone who does things the right way... get involved! --If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Music Not Diving Podcast Spotify playlist Hosted on Acast. See acast.com/privacy for more information.

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

Latvian duo Taran & Lomov present 'Semper Supra' – their debut LP on their own label Amber Muse; a refined and accomplish long player that showcases the tip of an iceberg patiently built across two dedicated and long-spanning careers in the music industry. Together, the pair have managed to earn the coveted stripes of 'jack of many, master of many' across a fruitful and symbiotic 20 years. They've turned their hands to promotion, production, remixing, radio hosting, music journalism and DJing. At this point, they have a gilded resume that includes support for their releases from the likes of Jane Fitz and Laurent Garnier, releases on W&O Street Tracks, Josh Wink's Ovum Recordings and Dense & Pika's Kneaded Pains as Queer On Acid and of course – their basecamp – the Amber Muse Radio show. Musically, 'Semper Supra' is a genre-flexing trip with its roots in early 2000s Minimal and late 90s Electronica. 9 tracks bearing flecks of influence from labels like Time Passages, Perlon and Warp as well as artists such as Black Dog, Metamatics, Binh and Jan Jelenik meld in a head-twisting brew - one that caters to listeners on any point in the spectrum between after-hours raver to armchair astronaut. The glue in the record is the subtly haunting energy omitted by the synths, sweeps and atmospherics that course through the album. The spectral glow these conjure hangs gently over a variety of bpms and intensities, keepings things suffused in a dubby fog that gives a living, breathing sense of space and atmosphere. Case and point being 'Nano Crab' - a patient, frosty recording that stacks energy in subtly folding layers of mangled, otherworldly signals and primal rhythms. 'Slow East' follows up with a skeletal Electro track that oozes with an ominous mood often clocked in Nicolas Lutz's extended sets. The warped robotics and cold sonics of 'Slickers' are given life and mobility via groove and clever sequencing while 'Corp' whips up into a more frenzied zone. Alarm tones burnt and bit crushed while drums move with the sort of urgency required for boiling point dance floors before the title track provides an allaying landing pad as it scatters pin-prick melodies across a wide, icy soundscape. ambermuse.com/taran-lomov-bio facebook.com/TaranLomov ra.co/dj/taranlomov soundcloud.com/ambermuse facebook.com/AmberMuseRec instagram.com/ambermuserec

David Agrella returns on his newly-minted Agrellomatica Records with three fresh interpretations on ‘Robot Romance'. DJ, producer and recording artist David Agrella is an artist with a growing reputation as a versatile selector. Showcasing his musical inspirations across genres via his ‘Agrellomatica' slot on London radio station Bloop, the first release on his recently launched eponymous imprint gained support from artists including Moxie, Korea Town Acid, and Jane Fitz alongside high praise from the likes of Ransom Note, Vinyl Factory and Bolting Bits. Up next, he returns to welcome a fresh set of material for the label's second release, ‘Robot Romance'. Link: @davidagrella @agrellomaticarecords

>>TRACKLIST BELOW>TRACKLIST

Memorable closing set from Master @JaneFitz, played strictly from wax under Norwegian's midnight sun. Get your tickets for the 2020 festival: http://festival.mnmt.no/ Read and see more: https://mnmt.no/blog/2019/11/12/festival-2019-jane-fitz/

INTERVIEW > inverted-audio.com/mix/dont-dj Ahead of Under The Desert Stars, a unique experimental music event taking place within the alien landscape of the Moroccan desert between 27 – 29 September, @dont-dj-1 serves up over an hour of eerie, mystique-imbued groove eclecticism, ranging from spaced-out techno to sweat-inducing dancehall, through traditional Middle-Eastern rhythms and other downtempo oddities. Lock in and dream away. Under The Desert Stars features some of the finest acts in underground experimental electronic music today including; Ario (Astral Industries), Don't DJ, Jane Fitz, Kangding Ray, Neel, Marco Shuttle, The Transcendance Orchestra (Anthony Child aka Surgeon & Daniel Bean) and many more will join forces to soundtrack a celestial journey from sunrise to sunset. Info → inverted-audio.com/under-the-desert-stars-2019/ Tickets → bit.ly/isotoop19-tickets

Over the past few years it really has been delightful watching Jane Fitz receive the rightful praise she has deserved for a long time. As a key figure in the British dance and electronic music scene she has worked hard to assert herself as one of the most important selectors and disc jockeys on the circuit and longstanding residencies at the likes of Freerotation and Night Moves have helped cement her place. In the booth she spins an eclectic mix of house, techno, ambient, acid and the abstract. Her sets weave between style, genre and pace in an intriguing fashion as she guides dancers into the small hours. With sets at the likes of Panoramabar, Tresor, Concrete and more all under her belt you can bet your last dollar that this one will bang with precision and eloquence. Jane Fitz will appear at Love International next week, the Croatian festival will take place at The Garden in Tisno from the 27th of June.

Hello Decisive Podcast Members & Listeners,I hope your week has been awesome because we are just about to make it a little happier for you all. Today I welcome Mr. Mark Hand, musician and professional sound engineer, audio-visual collaborator extraordinaire Mark Hand was classically trained on piano whist growing up, his father the late Alex Hand a jazz saxophonist.Along side his musical endeavours Mark has had a successful career working professionally as a live sound and studio sound engineer. Working predominantly within musical theater and the creative arts.His debut solo release was released in 2012 on Newcastle?s excellent Signals imprint, then followed the release of Don`t take it All Aways Featuring Vicky Jackson on Jimpster`s Freerange Records.Mark then released with Kenny Hanlon`s Apartment Records, Aquarius ft the Greg Blackman, a deep reworking of Steve Legget`s original.Previous releases by Mark have been championed by the likes of Prosumer, Russ Gabriel, Hunee, Alexander Barck, Ben Watt, Soulphiction, Session Victim, Jane Fitz, Layfar, XDB, John Heckle, Steevio, Burnski, Owain K..etc Mark has also often worked with fellow North East producer NY*AK - collaborating on keys for releases on Ninja Tunes?s Technicolour Records imprint, Vicario Records LTD (Mexico) and Local Talk.Recently Mark has also teamed up with Freerotation`s resident deephouse producer Tom Ellis for Tom`s new Soulstatejazz project..its live deep downbeat improvised music..[Previous releases/labels](solo and collaborative): Signals, Freerange Records, Apartment Records, Departures Records, Fatdog Records, Disko B, Lectroluv/News, Opal Tapes, Beeswax Records, Technicolour Recordings, Vicario Records LTDLinks: https://www.youtube.com/channel/UCfJv2mhcF8V1nuopcEo57wgMark Hand www.youtube.com - This channel is for my music.The Music your about to hear was recorded live and We hope you can appreciate to love and passion. Enjoy! "Bassiani We will dance together, they will fight together"More Information.https://m.soundcloud.com/markhand https://mobile.twitter.com/MarkHandSound https://www.mixcloud.com/MHSound/ https://technicolourrecords.bandcamp.com/album/dollar-epDecisive Podcast Series Facebook Group: https://tinyurl.com/ybdfu34jYour Host: Roberto Ingram - https://bit.ly/2rzkoLF

Hello Decisive Podcast Members & Listeners, I hope your week has been awesome because we are just about to make it a little happier for you all. Today I welcome Mr. Mark Hand, musician and professional sound engineer, audio-visual collaborator extraordinaire Mark Hand was classically trained on piano whist growing up, his father the late Alex Hand a jazz saxophonist. Along side his musical endeavours Mark has had a successful career working professionally as a live sound and studio sound engineer. Working predominantly within musical theater and the creative arts. His debut solo release was released in 2012 on Newcastle?s excellent Signals imprint, then followed the release of Don`t take it All Aways Featuring Vicky Jackson on Jimpster`s Freerange Records. Mark then released with Kenny Hanlon`s Apartment Records, Aquarius ft the Greg Blackman, a deep reworking of Steve Legget`s original. Previous releases by Mark have been championed by the likes of Prosumer, Russ Gabriel, Hunee, Alexander Barck, Ben Watt, Soulphiction, Session Victim, Jane Fitz, Layfar, XDB, John Heckle, Steevio, Burnski, Owain K..etc Mark has also often worked with fellow North East producer NY*AK - collaborating on keys for releases on Ninja Tunes?s Technicolour Records imprint, Vicario Records LTD (Mexico) and Local Talk. Recently Mark has also teamed up with Freerotation`s resident deephouse producer Tom Ellis for Tom`s new Soulstatejazz project..its live deep downbeat improvised music..[Previous releases/labels](solo and collaborative): Signals, Freerange Records, Apartment Records, Departures Records, Fatdog Records, Disko B, Lectroluv/News, Opal Tapes, Beeswax Records, Technicolour Recordings, Vicario Records LTD Links: https://www.youtube.com/channel/UCfJv2mhcF8V1nuopcEo57wg Mark Hand www.youtube.com - This channel is for my music. The Music your about to hear was recorded live and We hope you can appreciate to love and passion. Enjoy! "Bassiani We will dance together, they will fight together" More Information. https://m.soundcloud.com/markhand https://mobile.twitter.com/MarkHandSound https://www.mixcloud.com/MHSound/ https://technicolourrecords.bandcamp.com/album/dollar-ep Decisive Podcast Series Facebook Group: https://tinyurl.com/ybdfu34j Your Host: Roberto Ingram - https://bit.ly/2rzkoLF

Hello Decisive Podcast Members & Listeners, I hope your week has been awesome because we are just about to make it a little happier for you all. Today I welcome Mr. Mark Hand, musician and professional sound engineer, audio-visual collaborator extraordinaire Mark Hand was classically trained on piano whist growing up, his father the late Alex Hand a jazz saxophonist. Along side his musical endeavours Mark has had a successful career working professionally as a live sound and studio sound engineer. Working predominantly within musical theater and the creative arts. His debut solo release was released in 2012 on Newcastle?s excellent Signals imprint, then followed the release of Don`t take it All Aways Featuring Vicky Jackson on Jimpster`s Freerange Records. Mark then released with Kenny Hanlon`s Apartment Records, Aquarius ft the Greg Blackman, a deep reworking of Steve Legget`s original. Previous releases by Mark have been championed by the likes of Prosumer, Russ Gabriel, Hunee, Alexander Barck, Ben Watt, Soulphiction, Session Victim, Jane Fitz, Layfar, XDB, John Heckle, Steevio, Burnski, Owain K..etc Mark has also often worked with fellow North East producer NY*AK - collaborating on keys for releases on Ninja Tunes?s Technicolour Records imprint, Vicario Records LTD (Mexico) and Local Talk. Recently Mark has also teamed up with Freerotation`s resident deephouse producer Tom Ellis for Tom`s new Soulstatejazz project..its live deep downbeat improvised music..[Previous releases/labels](solo and collaborative): Signals, Freerange Records, Apartment Records, Departures Records, Fatdog Records, Disko B, Lectroluv/News, Opal Tapes, Beeswax Records, Technicolour Recordings, Vicario Records LTD Links: https://www.youtube.com/channel/UCfJv2mhcF8V1nuopcEo57wg Mark Hand www.youtube.com - This channel is for my music. The Music your about to hear was recorded live and We hope you can appreciate to love and passion. Enjoy! "Bassiani We will dance together, they will fight together" More Information. https://m.soundcloud.com/markhand https://mobile.twitter.com/MarkHandSound https://www.mixcloud.com/MHSound/ https://technicolourrecords.bandcamp.com/album/dollar-ep Decisive Podcast Series Facebook Group: https://tinyurl.com/ybdfu34j Your Host: Roberto Ingram - https://bit.ly/2rzkoLF

Chubby! on Facebook: www.facebook.com/chubbyrecords Carl H & Animal's on Psychedelic's on Facebook: www.facebook.com/carlhaop www.facebook.com/animalsonpsychedelics @carl-haop Carl_H is a record label owner, promoter, and most significantly a DJ. Being a DJ is what matters most to Carl, making the dance floor interesting whilst injecting personality into his sets with every record played. Anybody that has heard Carl play will confirm his sets are full of weird, wonderful, rare and unheard gems ranging right across House, Techno, Electro, Prog, Acid and everything else in-between. Carl keeps himself in good company playing regularly with Jane Fitz wether it be one of there back to back sessions or as Normal Behaviour along with John Hanley. Carl has promoted and held residencies at parties such as Northern Purpose, Collective Minds(Birmingham) and Sub:System (London), as well as hosting his own parties at Chalet club in Berlin. Pickle Factory, Club der Visionaere, Grelle Forelle, Field Maneuvers and Nightmoves are amongst the many places he’s played across the UK and around Europe. Carl created his own record label called, Animals On Psychedelics which he uses as an outlet to showcase music created by his friends and favourite producers. The second record produced by Miro SundayMusiq released in 2017 sold out in only a few weeks.

The fourth episode of AIR welcomes UK-based DJ and producer @JaneFitz for a chat about getting lost in music. ** Sorry about the background noise in this one! ** Jane has been involved in electronic music for over 20 years, first as a raver and a music journalist in her native England and later in Asia, when she moved to Hong Kong at 23. Eventually she picked up DJing and brought her keen ear for selection and groove back to the UK at her event series like Peg, and Night Moves. Today she is considered one electronic music’s best selectors, holding residencides at the likes of Freerotation and The Pickle Factory. Music: Invisible Menders - To Be Discontinued (2014) Photo by Vicki Couchman

Stepping up for this fresh Avenue Red addition is yet another local Newcastle lad, Simon Leeks, who is co-boss of Newcastle outfit Backdrop. Simon and co have put on some monster events up here over the last couple of years, with some ace guests including Amir Alexander, Jane Fitz, Levon Vincent, Ethyl & Flori and Tama Sumo b2b Prosumer (All Night Long) among other noteworthy bookings. Simon has used this mix as an opportunity to make a sort of "megamix" out of THE underground cult techno release of 2016: Convextion's 2845 LP. He makes utility of this double 12" album as a planet of spacey futuristic sounds around which he throws into orbit some other spacey, deep and vibrant Techno/Electro inclusions. It makes for a very satisfying, trippy listen overall and a great package through which fans of 2845 can enjoy the album all over again in a fresh context. "I'd sent Alec two previous mixes, both of which were not appropriate for this podcast. Seeing as I run a fairly firm techno night, Backdrop, along with Fraser Pearston, Hester Cheuk and Joseph Clarke, I found this mix tough. However, I also found that the drive it gave me to search for tunes outside of my prime selection area/comfort zone to be really inspiring. I'd also like to say that we have a close marra, Sean Hodgson, currently laid up in hospital and this mix was done with him in mind. Thanks to Alec for putting this out, and you for listening - enjoy!" Simon Leeks, April 2017 https://soundcloud.com/simon-leeks Backdrop https://soundcloud.com/backdroplive https://www.residentadvisor.net/promoter.aspx?id=58418 https://www.residentadvisor.net/dj/simonbackdrop

Chubby! on Facebook: www.facebook.com/chubbyrecords @slickyrik Over the years Manchester based DJ, Producer & Radio Host, Rikki Humphrey has firmly established himself through word of mouth as a stylistically diverse DJ unrestricted by the boundaries of genre. His original musical insight and diligent approach towards record selection pervades throughout his sets, which encompass a wide range of genres and styles - both engaging and deep - while always maintaining a groove and guaranteed to get a party moving. Hosting monthly online radio shows on NTS, KMAH and Reform Radio as well as holding down a residency at Teak in Cardiff, Rikki has supported some of the finest DJs around. These include the likes of Volcov, Antal, Kyle Hall, Mike Huckaby, Maurice Fulton, Jane Fitz, Brawther, Fred P, Delano Smith, MCDE, Jay Daniel, Bicep, Hunee to name a few..

After lazy summer days we are back with a recording of one of our favourite parties last season. Incredible Jane Fitz on decks for the episode 10. You can subscribe to our podcast via iTunes itunes.apple.com/hr/podcast/drip-…d1051427328?mt=2

Back for our first mix in the FM podcast series is Matt Pond. And he is going to be a tough act to follow... Matt Pond's radio show Deepsystems earnt him a cult following on the digital airwaves playing an array of jazzy electronic numbers as well as unheard gems. (Side note, Deepsystems is currently looking for a new home so if you like what you hear then get in touch with Matt!) Matt has been a regular fixture in Jane Fitz & Jade Seatle's Field Move tent and we're very happy to have him back again for FM16. Listen to his rhythmic and brilliantly ethereal mix. 1. House Of Mora - Too Far Gone 2. Jenifa Mayanja - Stream Of Consciousness 3. Fred P - Days In Time 4. Satoshie Tomiie- Landscape (Fred P Reshape) 5. Aleqs Notal - Linea 6. Benedict Frey - Girl From Venus 7. Omar S & Kai Alce - Incognito 8. Marc Cotterell - I'am (Chris Gray Deep4life Dub) 9. Craig Alexander - Do Your Thang 10. Glenn Underground - Chicago Dub (The Root) 11. CVO - Nologoy Year 6 Thousand 12. Patrice Scott - Who We Are 13. Kai Alce - Take A Chance (Mr Fingers remix)

Miro modestly describes himself as “a simple DJ playing records because of a long-term habit.” Regularly DJing alongside good friend Jane Fitz, his own SundayMusiq* label/night has recently thrown a string of Sunday parties, currently held at Pickle Factory. Dates of upcoming parties below. In Miro’s mind SundayMusiq* is a next evolutionary level in experiencing the beauty of life; "Through the music and its connection with the space, the surrounding world will bring peace into your soul." We're very happy to have Miro back at FM this year. Cathc him playing a prime-time slot in the Field Moves tent. Sunday Club* at The Pickle Factory 2016 05-06-2016 > Jane Fitz, Miro 26-06-2016 > Jonny Rock, Rick Nichols, Miro 24-07-2016 > Renata do Valle, Cedric Bardawil, Comadisco, Miro 21-08-2016 > Mori-Ra, Good Genes, Miro FM010: Miro Sundaymusiq* tracklist 01. Fort Romeau - Saku Iii (Vogel Mix)(Running Back) 02. Tambien + Tiago - Track 02 - (Public Possession) 03. Nasty Boy - Bring That Back (Sähko Recordings) 04. Pip Williams - Solitude (Shameless Toady) 05. Call Super - Mount Grace (Dekmantel) 06. Primary Perception & S. Moreira - C2m (Slow Life) 07. Vril - Torus Viii (Forum) 08. Sum Of Things - Septb2 (Labworks) 09. Motip White - Ocus (Dorfjungs) 10. True’ Me - Somebody (Mosca Remix) (Prime Numbers) 11. Duncan Gray - Engineer Salute (Bird Scarer) 12. Dusky - Lydia (17 Steps) 13. Occult Orientated Crime - Just A Clown On Crack (Dekmantel)

Spanish label, Downbeat, came to life as a party launching in 2007, later releasing their debut cut - Specter's 'Mind Over Matter' EP in 2009. Prioritising quality over quantity, Downbeat carefully curate consistent releases of soulful house and balearic tracks from an impressive international roster of artists including Marcellus Pittman and Mick Huckaby and champion the sounds of US house. A label with a penchant for the unusual, highlighted with tracks such as Chris Gray and Moonchildren's "It Was The Fried Chicken That Saved Our Sanity (Because The Ghetto Is Sad)" which has garnered serious play-out support from "DJ's DJs" including Jane Fitz and Owen Jay. We speak to Jose Rico, one third of the Downbeat trio alongside a mix of the smooth, slowed down, spaced-out sounds with which Downbeat have become synonymous.

Sublime rhythms from the London selector.

Mix 070 comes from one of Crack’s favourite DJs - Jane Fitz. Since starting the seminal Peg night in the late 90’s, Jane’s been a consistently superb force for quality wigged-out dance music, and while she calls London home, the world calls to her. As a result she’s preached the gospel to clubs, rooftops and fields of dancers from New York to Bulgaria, Detroit to Berlin and Chicago to Provence. 2014’s been no different, with visits to the mythical Freerotation festival (her Sunday afternoon set at the 2013 edition was easily one of the highlights from a festival full of them) Tresor, Weather Festival, and Tel Aviv among a number of enviable bookings. More info here: https://crackm.ag/2Sb0i7h soundcloud.com/janefitz https://www.facebook.com/JanefitzE9

The 8th episode of the Avenue Red Podcast comes from UK underground hero Carl_H (real name Carl Hardy) from Cleethorpes in the lower North East of England (though officially classed as "somewhere down South" to the folk from up here in Newcastle). Along with musical cohort Brendan Clark, Carl runs and is resident at a London-based Deep House night called Northern Purpose, which alongside it's own highly respected podcast series of the same name has a stunning roster of past guests including Daniel Bell, Mike Huckaby, Dubbyman and Jane Fitz. You get the idea! Carl also co-runs and spins records at Collective Minds in Birmingham, yet another name clearly established on the map of the UK underground music scene having had 2 big events last year that drew a lot of attention with their dazzlingly good line-ups. When we received this stunning all-vinyl mix we couldn't identify a single track. That was a first. Anyway, in his's own words... "The mix is basically a builder so you get a bit of everything from deep dub / house / techno / minimal / electronic. A lot of nice new records in there and also some old gems (in my eyes)." Carl Hardy, January 2014 Northern Purpose :: http://northernpurpose.com/ @carl-h-northern-purpose @northernpurpose ===== No tracklist was provided for this mix, but do feel free to ask for track ID's in the comments.

Mamazu HOLE AND HOLLAND所属。90年代中期頃からDJとして活動を始める。Dj Barから野外まで独自の視点で形成される有機的なプレイを続け今を踊らせる。これまでにFuji Rock FestivalやBoiler Room、香港のCassio、ロンドンのNTS Radioなどに出演。ドイツでのツアーも成功させた。またプロデューサーとして様々な国のレーベルから楽曲やRemixを発表し、Nicola CruzによるRemixもリリース。それらの楽曲は高い評価を得てAndrew WeatherallをはじめAcid ArabやEYE, Jane Fitz, Dengue Dengue Dengue, Martha Van Straatenなど多くのDJにプレイされている。さらにadidas OriginalsやADAM ET ROPE’, BEAMS, EVISEN, HUF, SON OF THE CHEESEなどにも楽曲やMIXを提供。2021年には世界の伝統音楽を当世流に表現した新レーベル"SABI"を始動した。 Mamazu started his DJ carrier in the mid 90s, fully inspired by the dancers, sounds and visuals at the legendary club Aoyama MIX. He’s one of the few DJs in Japan that’s able to create an original organic groove whether in a small club or in an enormous open air festival, always presenting the avant-garde to the dance floor. He has performed for Fuji Rock Festival in Japan, Boiler Room, Cassio in Hong Kong, NTS Radio in the UK and other influential platforms. Also releasing tracks/remixes from sound labels around the world, with tracks remixed by Nicola Cruz and many more. These recordings have been widely praised by producers globally, such as Andrew Weatherall mixing these tunes in his sets. In 2021, he will start his own label, SABI. Mamazu have been active in presenting tracks and mixes for brands such as adidas, ADAM ET ROPE’, BEAMS, EVISEN, HUF, SON OF THE CHEESE, to name a few. -Interview- 1. このミックスはどちらで収録したものですか？ 自宅のスタジオで収録しました。 2. コンセプトがあれば教えてください。 最近よく使ってるトラックでまとめました。 3. 最近の活動を教えてください。 HOLE AND HOLLAND傘下に自分のレーベル"Sabi"を始めたので、リリース業務やマーチャンダイズのデザインしたり。若手にトラックの作り方を教えたりもしています。 個人的な活動だと次にリリースするレコードのトラックやオファーのあった所に向けてトラックを制作しています。 linktr.ee/Mamazu