Podcasts about Monument

SPONSORS: 1) GHOSTBED: Right now, as a Julian Dorey listener, you can get 25% off your order for a limited time. Just go to https://GhostBed.com/julian and use promo code JULIAN at checkout. WATCH PREVIOUS EPs w/ LUKE CAVERNS: EPISODE #272: https://open.spotify.com/episode/1y3J9LDyM8cYPj7a5ZqG7M?si=c4d36462976b48fb EPISODE #271: https://open.spotify.com/episode/2cFYnkOaUMCS3tJbp7oLjt?si=tjgrw-T_TX2Xp_JnexqXpg EPISODE #176: https://open.spotify.com/episode/2tHWPYnu8MDfIn4O4jA4oo?si=69874d0df0c040a6 EPISODE # 175: https://open.spotify.com/episode/5wK2JCEiy7KZbkhKquh29n?si=87146b35294e4b4a PATREON https://www.patreon.com/JulianDorey (***TIMESTAMPS in description below) ~ Luke Caverns is an Ancient Civilizations Historian, Researcher, and Anthropologist. He specializes in the lost civilizations of Egypt, South America & the Amazon Jungle. FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey LUKE LINKS - YT: https://www.youtube.com/@lukecaverns - X: https://twitter.com/lukecaverns JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 00:00 - Intro 01:15 – Hotel Julian, Luke's Books, Meso America, Cortez, Aztecs, Olmecs, Teotihuacán 12:15 – Mercenaries, Lake Texcoco, Betrayal, Aztec Empire, Military-State 24:25 – Two Phases, Talud Tablero, Blueprint, Loyalty, 1519 Peak, Rome, Bartering, Gold 34:39 – Polarizing, Spaniards vs Aztecs, Tenochtitlan, Maya, Montezuma, Warfare, D3aths 43:56 – Tenochtitlan, Cortés, Cabral, 1500–1700, Flower Moon, Summer Moon, Civilization 54:42 – Primordial America, Great Plains, Comanches, Expansion 1:02:05 – Cortés, Gods?, Disease, March to Tenochtitlan, 150 Men 1:07:25 – Conquering, Smallpox, Peru, Temples, Geoglyphs 1:18:01 – Amazon, Garden Theory, Clickbait, Preservation 1:26:12 – Conquest, Olmecs, Coatzacoalcos, Agriculture, 17 Heads, Transport, Engineering 1:34:34 – Aliens?, Gods, Psychedelics, Ego Death, Shamanism 1:49:02 – Middle Ground, Understudied, Progress, Family, Athens 1:57:46 – Troy, Greece vs Americas, History Beneath, Squanto 2:13:00 – Croatoans, Broken Spears, Colonial History, Fort San Juan, Bias 2:23:04 – Transatlantic Accent, Olmecs, Monument 19 2:33:06 – Olmecs vs Maya, Stone of Kings, Trade, La Danta, El Tigre, El Mirador, Macchu Picchu 2:47:51 – Ancient City Patterns, Fibonacci, Tuning In 3:01:48 – Luke's Work CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 341 - Luke Caverns Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Historian Alexis Dudden and graphic artist Kim Inthavong discuss their collaborative work on history, memory, and activism in Okinawa, Japan. Their piece, “Okinawa: Territory as Monument,” appeared in the History Lab section of the September 2022 issue of the AHR. Inthavong's graphic panels illustrating Okinawans' present-day struggle over US military presence in the islands can be previewed below.

Get ready to do the "Lube the Anaconda and the Candle" (or maybe just a more sensible Twist or Watusi), as we hit the floor with songs that are about, inspired, or mention dance crazes. Joining us for all sorts of "idiot dancing" is the triumphant return of Barry Andrews to O3L! During Barry's last appearance in E246, we talked about his career spanning from the early days of Swindon's finest, XTC, to Iggy and Fripp, to Shriekback's extensive and ambitious catalogue. This time, we have more cause for celebration, as the new Shriekback album, MONUMENT, is out now, and is among his finest releases! He's not shouting at you...or is he?!? Plus, we've got a brand new O3L game for you - "Dancing with Ourselves." Do you have what it takes to go up against Barry and Uncle Gregg to name dance craze related songs? This is a fun one, kids. Now let's do all 16 dances! Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:04:27 - Ils sont fous ces bretons Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Megvonja Ruszin-Szendi Romulusz rangját és tartalékosi szerződését a honvédelmi miniszter Hadházy kiállította az összetört Dustert Az ukrán vezérkar térképet tett közzé a Magyarország felől érkező drónok berepüléséről Állandósultak a tüntetések Olaszországban – Egyre többen vonulnak utcára országszerte Nem önszántukból, de szinte ingyen adják nekünk a románok az áramot Csillogás és pompa: így ünnepli a V12-est a Mercedes-Maybach Ez ám a Haladás! – nyugati befektető vásárolja be magát a szombathelyi sportklubba „Lakájként szolgáljátok a Kremlt” – üzente Szijjártó Péternek az ukrán külügyminiszter Közel kétszázezer autóját hívja vissza a BMW - nagyon súlyos dologra derült fény Olajat kerestek, helyette gyógyító kincset találtak Cserkeszőlőn Monumentális szobor a vásárhelyi erdő mélyén: elkészült Ölelő Olga, Délkelet-Európa első trollja A Real Madrid BL-győztes legendája a futball utáni életről: Sokat kell taxisként dolgoznom A Real Madrid az Arsenal helyett mégis a Liverpoolt rabolhatja le Térképeken a markáns időjárási fordulat: így árasztja el a hideg Közép-Európát A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Megvonja Ruszin-Szendi Romulusz rangját és tartalékosi szerződését a honvédelmi miniszter Hadházy kiállította az összetört Dustert Az ukrán vezérkar térképet tett közzé a Magyarország felől érkező drónok berepüléséről Állandósultak a tüntetések Olaszországban – Egyre többen vonulnak utcára országszerte Nem önszántukból, de szinte ingyen adják nekünk a románok az áramot Csillogás és pompa: így ünnepli a V12-est a Mercedes-Maybach Ez ám a Haladás! – nyugati befektető vásárolja be magát a szombathelyi sportklubba „Lakájként szolgáljátok a Kremlt” – üzente Szijjártó Péternek az ukrán külügyminiszter Közel kétszázezer autóját hívja vissza a BMW - nagyon súlyos dologra derült fény Olajat kerestek, helyette gyógyító kincset találtak Cserkeszőlőn Monumentális szobor a vásárhelyi erdő mélyén: elkészült Ölelő Olga, Délkelet-Európa első trollja A Real Madrid BL-győztes legendája a futball utáni életről: Sokat kell taxisként dolgoznom A Real Madrid az Arsenal helyett mégis a Liverpoolt rabolhatja le Térképeken a markáns időjárási fordulat: így árasztja el a hideg Közép-Európát A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ça vient d'où la devise du Québec : Je me souviens. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: La devise québécoise «Je me souviens», par Gaston Deschênes http://www.ameriquefrancaise.org/fr/article-518/La_devise_québécoise_«Je_me_souviens».html Ville de Québec, Parlement de la province de Québec https://www.ville.quebec.qc.ca/citoyens/patrimoine/quartiers/saint_jean_baptiste/interet/parlement_province_quebec.aspx Je me souviens https://fr.wikipedia.org/wiki/Je_me_souviens Tricentenaire de Québec, Denis Racine, Numéro 118, été 2014 Cap-aux-Diamants https://www.erudit.org/fr/revues/cd/2014-n118-cd01462/72109ac.pdf Monument en hommage aux femmes en politique https://www.patrimoine-culturel.gouv.qc.ca/rpcq/detail.do?methode=consulter&id=195528&type=bien Sculpture (Samuel de Champlain) https://www.patrimoine-culturel.gouv.qc.ca/rpcq/detail.do?methode=consulter&id=109580&type=bien Autres références disponibles sur demande. #histoire #documentaire #quebec #jemesouviens

Monument du cinéma pour Le Monde, La Croix évoque sa voix rauque, ses yeux noirs et son tempérament de feu, et Le Figaro s'incline devant une star qui ne se prenait pas pour une diva Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Fruita Monument Cameron Ross - Week 5 by MBC Grand, Inc.

Yolanda Barnard oor die Kruger 200 Presidensiële Partytjie by die Voortrekker Monument in Pretoria.

Beyond Boston: Epic Day Trips & Weekend Getaways in New EnglandBoston is amazing, but here's the thing: sometimes you've gotta escape the city limits to really soak in New England magic. Lucky for us wanderers, Boston sits at the heart of some of the coolest, quirkiest, most historic little towns in the U.S. We're talking witch trials, fishing villages, patriotic battlegrounds, and even beachy boardwalk sunsets.Grab a rental car (yes, it's finally worth it outside the city), load up on Dunkin' iced coffee, and let's road trip Travel Brats style. Here are the best day trips and weekend escapes from Boston that'll make you fall in love with New England all over again. Salem: Witches, Ghosts & Seaside VibesAbout an hour north of Boston, Salem is basically Halloween Town year-round. It's spooky, historic, and surprisingly charming.Walking Route to Hit the HighlightsGedney House (21 High St) – One of the oldest timber-frame homes in Salem, creaky and full of character.Salem Jail (50 St. Peter St) – Atmospheric and eerie; you'll feel like you've stepped into a gothic novel.Broad Street Cemetery – Quiet, haunting, and beautiful.The Witch House (310 Essex St) – Former home of Judge Jonathan Corwin from the witch trials. Legit spooky.Ropes Mansion (318 Essex St) – Movie fans, this is Allison's house from Hocus Pocus. The gardens are gorgeous.Salem Witch Museum (Washington Sq.) – Dramatic, theatrical, and totally worth it for the immersive history lesson.Optional extra: Max & Dani's House (Ocean Ave) from Hocus Pocus. It's a bit of a trek, but fangirls/fanboys, this is your moment.Afternoon Treat: Schooner Fame CruiseFor a change of pace, hit the water on the Schooner Fame. You can help hoist the sails, steer the ship, and pretend you're a pirate for the afternoon. Way more interactive than your average harbor cruise.Eats in SalemVillage Tavern – Cozy, hearty, and pub-y.Longboards – Chill vibe, seafood-heavy menu.Oneil's – Local classic. Lexington & Concord: Where the Revolution BeganIf you geek out on history (hi, it's me ✋), this one's a must. Just 30 minutes from Boston, these twin towns are where the Revolutionary War kicked off.Drive between the sites because they're spread out, but don't expect Uber to save you here—it's not very ride-share friendly.Highlights:Lexington Battle Green – Where the “shot heard 'round the world” was fired.Minute Man National Historical Park – Scenic walking trails + reenactments.Concord's North Bridge – Stand where the colonists forced the British to retreat.Orchards & Farms – Depending on the season, you can go apple picking or just sip hot cider.It's basically a living history lesson, except with better snacks.Walden Pond: Nature Meets LiteratureWalden Pond is the kind of place that makes you want to throw your phone into the lake and live like Thoreau (minus the whole no-WiFi situation).For history lovers: This is where Henry David Thoreau lived in his tiny cabin and wrote Walden.For nature lovers: It's a gorgeous, swimmable pond surrounded by peaceful hiking trails.Pro tip: Visit in the morning to beat the crowds, especially in the fall when the foliage is next-level. Cape Cod & Martha's Vineyard: Beachy BlissAbout 90 minutes south of Boston, Cape Cod is summer in postcard form: sandy beaches, salty air, and clapboard houses.Cape HighlightsHyannisport – Kennedy family stomping grounds.Sandwich Boardwalk – Walk this at sunset for pure magic.From here, hop a ferry to Martha's Vineyard. Yes, it takes planning—parking, ferry tickets, bus passes—but it's worth every ounce of effort. Once you're there, rent bikes or hop the island buses to explore:Oak Bluffs – Cute gingerbread houses.Edgartown – Upscale shops and restaurants.Beaches – All of them. Pack snacks and beach hop.It's laid-back, stunning, and gives you all the coastal New England vibes. Gloucester & Rockport: Fishermen & Art LoversNorth of Boston, you'll find Gloucester, one of America's oldest fishing ports.Fishermen's Memorial – A powerful tribute with the names of those lost at sea.Harbor Walk – Scenic and lively with boats everywhere.Nearby Rockport is like a tiny storybook village with shops, art galleries, and ocean views for days. Perfect for an afternoon stroll with an ice cream cone in hand. Portsmouth, New Hampshire: A Seaport SurpriseDrive about an hour north and boom—you're in Portsmouth, NH. This little town is buzzing with cool restaurants, historic homes, and waterfront charm.Perfect for:A dinner out with fresh seafood.Wandering cobblestone streets.Starting a mini New England road trip if you're heading toward Maine. Foxborough: Patriots NationIf you're into football, a trip to Gillette Stadium in Foxborough is basically a pilgrimage.Training Camp (summer) is free, but it gets packed.Patriot Place is like an entertainment complex on steroids—restaurants, shops, and a museum.Even if you're not a Pats fan, the energy is infectious. Plymouth: Pilgrims, Lobster Rolls & Shimmer by the SeaWelcome to America's hometown—the landing spot of the Mayflower. And yes, the infamous Plymouth Rock is here (spoiler: it's… underwhelming).How to Spend a Day in PlymouthBreakfast at Café Nicole – Fuel up for exploring.See the Mayflower II – A replica of the original ship.Tavern on the Wharf – Grab a lobster roll for lunch.Shimmer by the Sea cocktail – Sparkly, fun, and Instagram-worthy.Monument to the Forefathers – Bigger than you'd expect.Cupcake Charlie's – Sweet pit stop.Shopping – Fave stores: Soft as a Grape & Fidel's.First Church in Plymouth – Founded in 1606.Marina Walkway – Perfect for catching the sunset.Dinner at 71 West – End with waterfront dining.It's touristy, yes, but in the best way. Bonus: Manchester, NH & Fall LeavesIf you're visiting in the fall, New England's foliage is basically the main event. A quick drive up to Manchester, NH, or even deeper into the White Mountains, will blow your mind with fiery reds, golden yellows, and Instagram gold. Bring a sweater, a thermos of cider, and your camera. Final ThoughtsBoston is the hub, but the real magic happens when you venture just beyond. From spooky Salem to sun-soaked Cape Cod, every trip feels like stepping into a different story. The best part? You don't have to pick just one. With a car, a little caffeine, and a sense of adventure, you can road trip your way through history, beaches, and small-town charm—all within a couple of hours of the city.So, next time you're in Boston, don't stop at the Freedom Trail. Go beyond. The witches, patriots, and fishermen are waiting. 

Depuis leur rencontre il y a 25 ans, ils sont devenus Inséparables. Déjà cinq films en commun et 5 spectacles. Dont Un pas de côté, actuellement à l'affiche du théâtre de la Renaissance. L'histoire d'une échappée belle : quand sur un banc public, un homme et une femme se rencontrent puis se retrouvent. Des rendez-vous qui embellissent leur routine quotidienne.

durée : 01:02:49 - Les Nuits de France Culture - par : Albane Penaranda - Quel est le rapport entre André Malraux, écrivain et ministre, et le Palais du Facteur Cheval ? Celui-ci a été classé Monument historique grâce à Malraux. En 2008, François Chaslin consacre deux numéros de "Métropolitains" sur l'action du ministre envers l'architecture et sa conservation. - réalisation : Virginie Mourthé - invités : Henri Godard Auteur , professeur à la Sorbonne, spécialiste du roman français du XX° siècle; Maryvonne de Saint Pulgent autrice, présidente de section honoraire au Conseil d'État, ancienne directrice du patrimoine au Ministère de la Culture (1993-1997); François Loyer Historien de l'art et de l'architecture des XIX° et XX° siècles, de l'Art nouveau, de Paris, des questions patrimoniales; André Malraux Écrivain et homme politique français

Wiltshire, ein früher Morgen: Nebel liegt über den Feldern, am Horizont ragen gewaltige Steine auf, die seit Jahrtausenden Rätsel aufgeben – Stonehenge. Errichtet in der Jungsteinzeit, mindestens 3000 v. Chr., besteht das Monument aus tonnenschweren Quadern, deren Transport bis heute ein ungelöstes Geheimnis bleibt. Zur Sommersonnenwende fällt ein Lichtstrahl exakt auf den Opferstein – ein astronomisches Phänomen, das Pilger bis heute anzieht. Mythen erzählen, der Zauberer Merlin habe die Steine aus Irland herbeigezaubert oder Riesen hätten sie aufgestellt. Wissenschaftlich gilt Stonehenge als Begräbnisstätte, Ritualort und Kalender zugleich – und als das bekannteste Wahrzeichen einer Grafschaft, die weit mehr zu bieten hat. -- In dieser Folge BRITPOD nehmen Euch Alexander-Klaus Stecher und Claus Beling mit nach Wiltshire, die Region mit der größten Dichte prähistorischer Monumente weltweit. Neben Stonehenge besuchen sie das Dorf Avebury mit seinem noch größeren Steinkreis, durch den man bis heute frei spazieren kann. Sie entdecken die weißen Pferde, die im 18. Jahrhundert in die Kreidehügel gescharrt wurden und bis heute die Identität der Region prägen. Und sie erzählen von der majestätischen Kathedrale von Salisbury, einem architektonischen Wunder, das Ken Follett zu „Die Säulen der Erde“ inspirierte und die Magna Carta beherbergt – jenes Dokument, das als Grundlage moderner Demokratie gilt. -- Wiltshire ist auch ein Ort der Zeitreisen: In Castle Combe und Lacock scheint die Zeit stehen geblieben zu sein. Mittelalterliche Gassen, einst durch die Wollindustrie wohlhabend, heute weltbekannte Drehorte für Filme wie Harry Potter und Downton Abbey. Dazu Bradford on Avon, oft „Mini-Bath“ genannt, mit seinen engen Brücken und Fachwerkhäusern. Wer das Land auf andere Weise erkunden will, fährt auf einem Narrowboat über den Kennet-&-Avon-Kanal, einst Handelsweg, heute ein stilles Band durch die Landschaft. Alexander-Klaus Stecher und Claus Beling nehmen Euch mit in eine Grafschaft, in der Geschichte, Natur und Magie bis heute untrennbar verbunden sind. BRITPOD – England at its best! -- WhatsApp: Du kannst Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. -- Ein ALL EARS ON YOU Original Podcast.

É num momento histórico e de muita violência em diversas geografias que a arte e as instituições culturais devem tomar posição e assumir o seu “papel eminentemente político”, defende Tiago Guedes, o director artístico da Bienal de Dança de Lyon. Trata-se de um dos acontecimentos mais importantes da dança a nível mundial e posiciona-se como “um espelho do que se passa no mundo através dos corpos em cena”. A bienal arrancou a 6 de Setembro e decorre até 28 de Setembro, em Lyon, com 40 espectáculos de 14 países e muitos eventos paralelos. Fomos conversar com Tiago Guedes sobre esta 21ª edição. Esta é a primeira edição da Bienal de Dança de Lyon assinada a 100% por Tiago Guedes, o seu director artístico, que assume que a arte e as grandes instituições culturais têm um “papel eminentemente político”. Aqui dança-se, mas não se está alheado ao mundo e há uma vontade de dessacralizar o lado institucional. O trabalho tem vindo a ser feito desde que começou a dirigir a bienal, há dois anos. O objectivo continua a ser o de “abrir o máximo de portas possíveis” para os artistas, para o público e para a dança. Tiago Guedes trouxe cinco curadores de cinco continentes para pensar outras formas de se fazer a dança. O português, que também lidera a Maison de la Danse e está na co-direcção da Bienal de Arte de Lyon, faz questão de sublinhar que convida artistas ainda desconhecidos dos programadores. Também gosta da ideia de os espectáculos ocuparem praças, museus e espaços menos comuns para palcos tradicionais. Quer, ainda, que o público veja, participe e conheça os nomes que estão a escrever a história contemporânea da dança. Este ano, o programa tem espectáculos de 14 países, incluindo de vários artistas brasileiros, numa edição que coincide com a temporada cruzada Brasil-França. Também há peças de dois coreógrafos portugueses, Marco da Silva Ferreira e Tânia Carvalho, e do moçambicano Ídio Chichava. RFI: A equipa e os artistas desta edição criaram um manifesto intitulado “Face à violência que atravessa o mundo, a dança como acto de liberdade”. Quer resumir-nos a mensagem deste manifesto? Tiago Guedes, o director artístico da Bienal de Dança de Lyon: “Sentimos necessidade de sublinhar que a dança, pela sua forma dialéctica, sem necessidade de tradução, sem necessidade de legendas, é uma linguagem universal que se pode conectar com toda a gente, e que os coreógrafos têm um espaço, um terreno para fazerem o que quiserem, serem influenciados pelo que quiserem e olharem para o mundo actual e transformá-lo de uma forma ou mais poética ou mais violenta, mas com uma linguagem universal. É importante também sublinhar que nós passamos um momento histórico, um momento político, geopolítico, onde os corpos estão em perigo em vários sítios, em várias geografias. Nós temos um Foco Brasil este ano, aliás, há um espectáculo de David Pontes e de Wallace Ferreira que fala sobre um corpo que tem de estar constantemente a defender-se, o que é ainda uma realidade muito presente no Brasil, nomeadamente em relação aos corpos trans. A Bienal tem muito este discurso, este olhar sobre o que se passa hoje em dia. Então, achámos por bem fazer um texto que fala sobre isso, sobre essa liberdade. Um texto que sublinha também que, nestes grandes eventos, nós dançamos, mas não estamos alheados do mundo, antes pelo contrário. A dança deve ser um espelho do que se passa no mundo através dos corpos em cena. Esse texto ajudou-nos também ao que nós defendemos: estar do lado correcto, de onde as grandes instituições culturais também têm que estar, porque elas têm um poder de comunicação, de alerta, de influência e eu acho que é importante, nós temos o papel da arte que é um papel eminentemente político também.” Falou na questão dos corpos, da necessidade de autodefesa, por exemplo. Que outros temas vão compondo esta Bienal que, este ano, é 100% assinada por si? “A Bienal não é temática em si, não há um só tema. Ela é muito grande, ela tem na sua missão mostrar a grande diversidade que é a dança contemporânea, a dança que se faz hoje. A dança que se faz hoje é conectada com os dias de hoje e os dias de hoje têm uma abordagem muito diferente. Não é só uma abordagem política, é também os dias de hoje artísticos. Por exemplo, quando nós vemos um artista como o Christian Rizzo a fazer uma peça onde o que ele está interessado é de voltar a uma escrita coreográfica e super poética, super delineada, onde a intenção política não é de sublinhar um contexto social ou um contexto geográfico, mas - o que é bastante político, a meu ver - dar um tempo de suspensão às pessoas para elas poderem acalmar, pensar e poderem fazer um ‘reset' nelas próprias também. Isso é altamente político numa sociedade completamente contaminada por informação, por imagens e tudo isso. Então, o que é bastante interessante é estas várias portas de entrada. Depois há aqui também vários espectáculos – o que tem a ver também com a nossa organização que organiza a Bienal de Arte Contemporânea e de Dança - espectáculos que cruzam disciplinas e, nomeadamente, se cruzam com as artes visuais, onde as matérias coreográficas coabitam com as matérias visuais. Por exemplo, o espectáculo ‘Monument 0.10', da artista húngara Eszter Salomon, que faz o seu espetáculo no TNP, mas que apresenta também uma instalação vídeo aqui na CIG. Ou o espectáculo da Lia Rodrigues, que trabalha só com matérias, não compraram nada, ou seja, esta ideia também de reciclagem. Todos os materiais da peça, os materiais coreográficos e os materiais físicos são reciclados, é só o que eles tinham à volta deles ou dentro deles. Ou, por exemplo, a performance-instalação da Clarice Lima, que se chama ‘Bosque', no espaço público, onde os corpos são suportes de uma imagem visual completamente conectada uns com os outros. Uma ideia de bosque, uma ideia de árvores que se conectam às outras. É uma paisagem que é colocada no espaço público, mas feita através do corpo. Portanto, mesmo quando há uma relação muito visual nestes projectos, o corpo está sempre muito presente e o corpo é o suporte de todas estas coisas.” Ainda há espaço na Bienal de Dança de Lyon de se darem a conhecer novos nomes? Numa das conferências, ouvi a crítica que as bienais convidam programadores, mas estes já estão a apoiar espectáculos e acaba por ser tudo um pouco ensimesmado… “Não só há espaço, como faz parte da nossa missão, em cada edição, apresentar novos artistas. Há mesmo uma linha do nosso programa que se chama ‘New Voices' que são quatro jovens coreógrafos que se apresentam pela primeira vez na Bienal e em que o público de Lyon e os programadores não os conhecem. Em cada Bienal nós lançamos novos nomes e novos coreógrafos.” O espaço Fórum também constitui o ADN da Bienal de Tiago Guedes. O que é que o Fórum trouxe? “O Fórum é um projeto idealizado quando eu fiz a minha candidatura para Lyon, há três anos, e ele partiu desta ideia de que a Bienal de Dança é uma bienal europeia, eurocentrada - no bom sentido, até pelo contexto onde ainda se pode produzir com apoios, com uma força e uma pujança - mas ela olha o mundo a partir do centro da Europa. A dança está em todo o lado. Está nas cidades, está nas aldeias, está nos territórios autóctones, está em sítios o mais remotos possível. E eu achei que seria muito interessante a Bienal se poder inspirar de outras práticas e de outras visões do mundo, de outros artistas, de outros curadores que trabalham localmente num contexto muito afastado do contexto europeu. Quando tu trazes uma companhia como Marrugeku, uma companhia aborígene da Austrália, a relação que eles têm com o tempo, com as instituições, com o dinheiro, é muito diferente. Ou, por exemplo, o colectivo Bomber Crew, um colectivo de artistas brasileiros que trabalham num estado completamente periférico, o estado do Piauí, onde cruzam também um trabalho muito coreográfico, mas também de vídeo e também de skate, sobre questões de ocupação social, ocupação habitacional. É muito interessante. São outras narrativas e outros discursos que na Europa não estamos habituados e o Fórum foi um bocadinho esta ideia de imaginar um evento que se instala na Bienal, mas que a organização da Bienal não tem mão nele. E isso é muito interessante. Ou seja, imaginar os contextos em cadeia de reacção. O meu papel foi imaginar teoricamente o que poderia ser este projecto. Ele é muito diferente hoje do que eu pensei quando fiz a minha candidatura. O único gesto que eu fiz - assisti a várias conversas, mas sempre de uma forma muito discreta - foi convidar cinco curadores de cinco territórios diferentes, cinco continentes, Austrália, Taiwan, Moçambique, Brasil e Estados Unidos. Depois, cada um deles convidou os seus artistas, imaginaram as suas temáticas, imaginaram o que é que seria a ocupação deste sítio com encontros, conferências, experiências sensoriais, instalações. Eu estou muito contente porque esse projecto deu uma textura à bienal que a bienal não tinha, a bienal era muito centrada nos espectáculos, e fez com que o público e os curadores pudessem ocupar também o seu dia com outras formas de descobrir obras coreográficas, não através do que vêem nos palcos, mas através do que podem assistir num filme, do que podem discutir numa conferência através de troca de ideias, do encontro com os artistas de outra forma. Isso é mesmo o projecto que nós queremos desenvolver e tornar um pilar da Bienal de Lyon.” Na Bienal de 2027, quem serão os curadores? “Não posso dizer ainda, não está decidido.” A ideia de ocupação que falou é uma ideia que parece cara ao Tiago Guedes. Esta ideia de não se restringir à bela sala de teatro é para manter? O que é que representa? “Ela representa uma abertura da Bienal, uma dessacralização da Bienal, uma abertura a todos os públicos. A Bienal é paradoxal no bom sentido. Ela é muito popular com a sua enorme Parada de abertura, com vários projectos que nós apresentamos no espaço público, vários projectos também participativos, onde as pessoas podem participar, mas depois ela também tem um lado de pesquisa, muito de descobrir novas criações, de lançar novos artistas e é neste equilíbrio que ela tem que se encontrar. O que nós estamos a tentar fazer nesta edição de uma forma até por vezes caótica, no bom sentido, para mim, é abrir o máximo de portas possíveis e pôr o máximo de ‘layers', camadas possíveis na Bienal, para podermos fazer uma reflexão sobre o que há a burilar. Sabendo nós que ela terá sempre estes quatro eixos principais: os espectáculos; a reflexão com o Fórum; a formação, algo muito importante para nós. Nesta edição, temos 20 acções que os jovens bailarinos e bailarinas podem fazer com os coreógrafos desde masterclasses, workshops e muitas outras coisas. Podem fazer aulas de manhã com um coreógrafo da Bienal e à noite ir ver o seu espectáculo. E a parte do lado participativo, ou seja, projectos artísticos onde o público possa entrar nesse universo de outra forma. Estes quatro eixos vão ser eixos a desenvolver nos próximos anos.”

När Augustus grep makten under den utdragna maktkampen i spåren av mordet Julius Caesars genomlevde Rom en djup identitetskris. Republiken hade kollapsat, och ett nytt imperium växte fram – styrt av en man som vägrade titulera sig kung, men ändå utövade envälde i praktiken. För att befästa sin ställning och skapa den långvariga freden – Pax Romana – insåg Augustus att han behövde kontrollera mer än armén och senaten; han måste också forma romarnas värderingar, livsstil och kultur. Men han lyckades inte kontrollera sin egen dotter Julia.I det sjätte och avslutande avsnittet i Historia Nu:s sexdelade serie om Romarriket samtalar Urban Lindstedt med Ida Östenberg, professor i antikens kultur och samhällsliv vid Göteborgs universitet.Ett av de tydligaste uttrycken för detta var Augustus försök att kontrollera det privata livet – särskilt äktenskap, sexualitet och kvinnlig dygd. Genom lagar som Lex Iulia de maritandis ordinibus (18 f.Kr.) och Lex Iulia de adulteriis coercendis (17 f.Kr.) ville Augustus återupprätta så kallade romerska dygder. Gifta medborgare – särskilt från överklassen – förväntades föda fler barn och leva moraliskt. Ogifta kunde drabbas av ekonomiska straff, och äktenskapsbrott blev ett offentligt brott. Kvinnor hamnade i fokus för regleringen: lojalitet, trohet och moderskap framhölls som ideal. Ironiskt nog drabbades hans egen dotter Julia – landsförvisad år 2 f.Kr. för påstått omoraliskt leverne – vilket innebar ett officiellt bakslag för hans moralism.Samtidigt kultiverade han en ny kulturell identitet genom att skydda och uppmuntra den latinska poesin – det som kom att kallas "det gyllene århundradet". Poeter som Horatius, Vergilius och, inledningsvis, Ovidius var nära kopplade till hans hov. Aeneiden av Vergilius blev ett epokgörande nationalepos som förenade myt, historia och Augustusrötter och kopplade honom till guden Venus genom Aeneas släktlinje. Ovidius, vars verk som Metamorfoser och Ars Amatoria klantades med kärlek och förförelse, förvisades till Svarta havets kust år 8 e.Kr. – i ett tydligt tecken på kulturens spänning under Augustus regim.En av hans mest konkreta kvarlevor är byggnadsverk. Augustus återuppbyggde gamla tempel, lät uppföra nya offentliga byggnader och förskönade stadens infrastruktur – allt vitalt för att skapa ett värdigt Rom. I Res Gestae Divi Augusti sammanfattar han sin insats: “Jag tog över en stad av tegel och lämnade en av marmor.” Monument som Ara Pacis och Mars Ultors tempel på Forum Augustum manifesterade hans roll som fredsstiftare och Caesars arvtagare – och fyllde stadsrummet med arkitektonisk symbolik, arbetstillfällen och belöningar för lojalitet. Det nya Rom – mjukgatad i marmor – blev ett monument över hans makt.Omslag: Bröderna Tiberius och Gaius Gracchus var romerska folktribuner som verkade för omfattande jord- och samhällsreformer till förmån för de fattiga klasserna. En skulpterad framställning från 1800‑talet föreställande de två bröderna Gracchus, utförd av Jean‑Baptiste Claude Eugène Guillaume. Idag uppställd vid Musée d'Orsay i Paris. Wikipedia. Public Domain.Musik: Cinematic Grand Opening In Rome av Nick Battle, Storyblock AudioLyssna också på Slaget vid Teutoburgerskogen som befriade germanerna.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Aujourd'hui je vous raconte l'histoire de l'artiste Patricia Cronin et sa sculpture Memorial To A Marriage. Cette oeuvre, la première dédiée au mariage pour tous, est aujourd'hui menacée.Pour envoyer une histoire ou un vocal, allez sur le site du Love GangAbonnez-vous à la newsletter du Love Gang : tous les mois, un podcast de récap culturel (livres, films, articles...) et un texte sur l'amour ! C'est 5 euros et un super moyen de me soutenir.La musique est de Timothy Infinite, remixée par Nahaa. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

LF58 is the collaborative consciousness of techno maestro Neel and sonic explorer Filippo Scorcucchi. Initially beginning the project with a blissful release on Auxiliary, the duo has since gone on to release three legendary albums on Astral Industries. The modular synth masters are revered for their ability to sculpt sound into expansive, architectural forms, building entire worlds from celestial drones and intricate textures. This mix is music for the deep cosmos of the mind; an ambient transmission designed to dissolve time and space. Patient and deep, the set serves as a soundtrack for drifting through the quiet solitude of space, floating in a sonic vessel built by two masters of atmosphere. Follow: https://www.instagram.com/lf58music/ https://soundcloud.com/user-441961898 https://www.facebook.com/LF58music https://www.instagram.com/filipposcorcucchi/ https://soundcloud.com/neel https://www.facebook.com/neeldj https://www.instagram.com/neelrome/ Photo - Jason Leung

Fruita Monument Cameron Ross - Week 4 by MBC Grand, Inc.

durée : 00:04:17 - Le monument préféré des Français sera connu ce soir, on en parle avec … Stephane Bern Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

[SPONSORISÉ] Classée au patrimoine mondial par l'UNESCO, la Tour de Londres accueille aujourd'hui les joyaux de la Couronne britannique : elle est un détour incontournable pour les touristes du monde entier. Mais les visiteurs ne sont pas les seuls à arpenter les vingt et une tours du palais médiéval… Quand les allées se vident et que les lumières artificielles s'éteignent, d'étranges habitants sont parfois entraperçus. Les témoignages d'apparitions diaphanes, de bruits mystérieux ou d'odeurs venues de nulle part ne manquent pas, et sont chroniqués dès le XIIIe siècle. La Tour de Londres serait un repère de célébrités historiques, passées depuis longtemps dans l'au-delà…

We can't escape history. We're born into a world full of it, and we're making it as we go from day to day. But how are we at preserving history? There's been a lot of concern this year that the administration of President Donald Trump is altering, if not entirely trying to erase, history. But can that actually be done? The National Park Service, often called the nation's storyteller, has been interpreting history for more than a century, and some of that interpretation revolves around sites that have lost their physical structures over the decades. Today's guest is Monica Rhodes,  an internationally-recognized leader, advisor, and influencer who has directed preservation activities in 46 states and completed projects in more than 100 national parks. Today, she advises and partners with cites, universities, and other institutions to revitalize and leverage historic sites and communities to ensure a vibrant future for these places.

"Music's too fun not to have fun making music." In this episode, I talk with Chris Andrews, a seasoned producer, mix, and mastering engineer who has worked with artists across the globe. From his Dolby-approved Atmos studio, Monument Sound, nestled at 7,400 feet in the Rocky Mountains of Colorado, Chris delivers stunning immersive mixes that compete at the highest level of the music industry. His story begins in a basement studio in Virginia and evolves through years of military service, technical refinement, and relentless creativity. We talk about Chris's current studio setup, his go-to tools like the SSL Sigma, and how Forte AI and Soundflow are revolutionizing his workflow. He shares advice for audio professionals on avoiding debt, maximizing creativity, and treating music as both an art and a business. This one's packed with insight and inspiration! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chris Andrews, a 25-year veteran producer, mix, and mastering engineer based in Monument, Colorado. He got his start running TBR Studio—The Basement Recording Studio—for seven years before moving to Denver in 2007, where he balanced a day job while refining his craft by night. That dedication led to the creation of Monument Sound, a private studio set 7,400 feet up in the foothills of the Rocky Mountains. In 2022, he leveled up his studio with a Dolby-approved ATMOS mixing room, allowing him to deliver immersive, three-dimensional mixes that help artists compete in today's evolving audio world. While he's worked with artists all over the globe across many genres, his heart is in rock, pop, and country. And when he's not mixing music, he's lending his post-audio talents to indie film projects. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Apple Music: STEREO: https://music.apple.com/us/playlist/monument-sound-mix-master/pl.u-XkD0vN0C2vbYx3g ATMOS: https://music.apple.com/us/playlist/chris-andrews-atmos-mixes/pl.u-zPyLl9LCer95vy8 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/523

Fruita Monument Cameron Ross - Week 3 by MBC Grand, Inc.

What does it mean to follow Jesus in a culture obsessed with self-fulfillment? John Mark explores Jesus' words in Luke 9, where He calls His disciples to “take up your cross and follow me.” Contrasting the way of self-denial at the heart of apprenticeship to Jesus with the modern pursuit of personal satisfaction, John Mark encourages us to embrace the cruciform life that leads to our deepest satisfaction in God.Key Scripture Passages: Luke 9v18-24; Galatians 5v16-24; Luke 9v57-62; Luke 14v25-33; Luke 18v18-23; Matthew 13v44This podcast and its episodes are paid for by The Circle, our community of monthly givers. Special thanks today goes to Loida from Santander, Spain; Ashley from Greensboro, North Carolina; Kara from Cincinnati, Ohio; Kalani from Fargo, North Dakota; and Katherine from Monument, Colorado. Thank you all very much! If you'd like to pay it forward and contribute toward future resources, you can learn more at practicingtheway.org/give.

When OK EG enters Varden it's 8:30PM on Sunday. It's been a slow and steady build during the day, much slower than the day before, people have been given time to rest properly from a late night on Saturday. This is the journey. The ebb and flow of the forest. It's their job to get the crowd going for the last couple of interval sprints. They are well rested and ready. OK EG's expansive sound is deep and diverse. Their compositions display a range that shifts between delicate, textural soundscapes, and spiralling, mesmerizing, mind-trip techno. They first went to Monument festival in 2024, taking a break from a residency at EMS in Stockholm to spend a weekend in the forest. They brought a field recorder with them and spent time on the riverbank recording the sound of stones and water. And listen to this level of dedication; while preparing for their live set in 2025, they used those recordings to write a closing track called Monument Stone. This is what they said about it. ”In the moment of performing it at the festival, we felt that everything came together. The crowd, the music and the site connected and it happened just as we'd imagined it.” During their set day turns to dusk. We transition together, ready for the night - the sound, nature, forest and lights. Hand in hand. Follow https://soundcloud.com/okegmusic https://www.instagram.com/okegmusic/

Guitar: Dylan Vocals: mat, greg, matt, drew, paul Mixed by Matt Mastered by Paul

Fruita Monument Cameron Ross - Week 2 by MBC Grand, Inc.

This week, we're scratching The Itch to make waves! Nathan Aurora of Aurorawave joins us for the second time this calendar year to discuss the band's new album Monument, how his vision for the year has become reality, and how The Itch played a role! It's a fun conversation that touches on genre-crossing guest spots, goal setting, and splitting time between two very different musical worlds. Plus, Nathan now has an audience of two tiny ones, and The Itch gets a hint about some possible future Aurorawave collabs. Enjoy. If you like what you hear, you can hear more of us every Sunday night broadcasting rock to the masses from 6-9pm CST on KCLC-FM. If you're not in the St. Louis area, you can stream the show from 891thewood.com, TuneIn, Radio.net, and OnlineRadioBox! And if you have the itch to hear some of the best new tracks in rock, follow our New Rock Roundup playlist! For any and all friendship, questions, inquiries, and offers of pizza, The Itch can be found at the following: Website: itchrocks.com Facebook: Facebook.com/itchrocks Instagram: Instagram.com/itchrocks Email: itchrocks@gmail.com Thank you so much for listening. If you like what you hear, please subscribe and leave a positive review and rating on Apple Podcasts, Spotify, or Podchaser to help our audience grow. If you don't like what you hear, please tell us anyway to help our skills grow. Our theme song "Corrupted", is used with permission from the amazing Skindred. All other content is copyright of The Itch. All rights reserved, including the right to rock on.

Send us a textIn this episode, we explore the rise of the Este family and the transformation of Ferrara into a vibrant Renaissance court. From Niccolò III's political maneuvering to Leonello's humanist vision and groundbreaking artistic patronage, we trace how the Este shaped culture and power in northern Italy. We then turn to Borso d'Este's reign, examining his use of art and spectacle to project authority, including his enthroned bronze statue. Along the way, we uncover surprising details—like a controversial monument restoration—and set the stage for Ercole I's ambitious ducal legacy. Support/Watch/Follow: https://linktr.ee/italian_renaissance_podcastImages DiscussedPisanello, Portrait of Leonello d'Este, 1441-44 https://www.wga.hu/html_m/p/pisanell/1paintin/este.htmlPisanello, Medal of John VIII, 1438 https://www.wga.hu/html_m/p/pisanell/2medals/palaeol.htmlPisanello, Medal of Leonello d'Este, ca. 1444 https://www.wga.hu/html_m/p/pisanell/2medals/leonell1.htmlAntonio di Cristoforo, Niccolo Baroncelli, and Leon Battista Alberti, Equestrian Monument to Niccolo III,  1441 https://equestrianstatue.org/nicolo-lll/Niccolo Barroncelli, Monument to Borso d'Este, ca. 1452 https://commons.wikimedia.org/wiki/Category:Monument_to_Borso_d%27Este_(Ferrara)Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

On 1st September 1599, Dorcas Martin — translator, bookseller, Puritan, and wife of Sir Richard Martin, twice Lord Mayor of London — was laid to rest at All Hallows, Tottenham. Though she lived much of her life in her husband's shadow, Dorcas carved out a place of her own in Elizabethan London. She acted as a bookseller during the fierce “pulpit wars” between Puritan preacher Thomas Cartwright and John Whitgift, and her translations of prayers and psalms appeared in "The Monument of Matrones" (1582) — the very first anthology of women's writing published in England. In this podcast, I explore the life of Dorcas Martin: - Her family and marriage to Sir Richard Martin, Master of the Mint and Lord Mayor. - Her bold role in circulating controversial Puritan texts. - Her translations and inclusion among the first printed voices of English women. - Her enduring legacy, remembered in epitaphs and dedications. Dorcas may not have been a queen or martyr, but her voice shaped Elizabethan religious culture. It's time to remember her. If you enjoy stories of overlooked Tudor women, don't forget to subscribe and hit the so you don't miss future episodes. And thank you to my channel members for supporting my work — you make podcasts like this possible! #TudorHistory #Elizabethan #WomensHistory #Puritans #OnThisDay

WBBM political editor Geoff Buchholz takes a closer look at Chicago's Haymarket Monument, honoring victims of a violent blast during a labor rally in 1886.

WBBM political editor Geoff Buchholz takes a closer look at Chicago's Haymarket Monument, honoring victims of a violent blast during a labor rally in 1886.

WBBM political editor Geoff Buchholz takes a closer look at Chicago's Haymarket Monument, honoring victims of a violent blast during a labor rally in 1886.

Pacific Islands Heritage Marine National Monument: For over a decade, these waters stood as one of the largest no-take zones on Earth, safeguarding corals, fish, and migratory species. But on day one of his presidency, Donald Trump erased the U.S. commitment to 30x30 and soon after issued Proclamation 10918, opening parts of the monument to commercial fishing. Marine conservation at risk: The rollback sparked lawsuits and reignited the debate over whether U.S. marine protections are too vulnerable to political swings. Just two weeks ago, a court overturned Trump's proclamation on a technicality, reclosing the area to fishing. In this episode, we break down what happened, what's at stake, and how the U.S. can rebuild trust in its marine conservation commitments. The future of 30x30: We explore the tension between conservation science, fishing industry pressure, and fragile presidential protections. The conversation highlights why codifying protections into law may be the only way forward to safeguard biodiversity hotspots like Wake, Johnston, and Jarvis. Join the Undertow: https://www.speakupforblue.com/jointheundertow Connect with Speak Up For Blue Website: https://bit.ly/3fOF3Wf Instagram: https://bit.ly/3rIaJSG TikTok: https://www.tiktok.com/@speakupforblue Twitter: https://bit.ly/3rHZxpc YouTube: www.speakupforblue.com/youtube    

Fruita Monument Cameron Ross - Week 1 by MBC Grand, Inc.

Fruita Monument Cameron Ross - Week 0 by MBC Grand, Inc.

Noor Amylia Hilda takes us to the outskirts of Beirut to visit a monument for peace constructed from instruments of war.See omnystudio.com/listener for privacy information.

What determines who gets memorialized in our public spaces? Why do some histories endure while others are erased? Dan Hicks, professor of contemporary archaeology at Oxford University and curator at the Pitt Rivers Museum, answer these questions today on the Artalogue. In today's episode, we talk about Hicks' new book, Every Monument Will Fall, his research and how he navigates complex histories of colonialism and cultural heritage from within the institution. Every Monument Will Fall examines our memory culture: who we choose to remember through monuments and museum collections, and whose stories remain untold. Hicks challenges the notion that removing colonial monuments constitutes "erasing history," arguing instead that it creates space for different memories to emerge. "To shift a memory culture isn't to cancel history," he notes. "It's actually to decide that we want, as a society, to remember somebody else."Particularly eye-opening is Hicks' critique of major museums' lack of transparency about their collections. We chat about some museums poor record keeping, some with millions of objects (including human remains) hidden away in storage and undocumented. On the politics surrounding restitution, he asks of museums, "how can you be looking after something if you don't even have a list of what you've got?" This powerful conversation forces us to confront the uncomfortable truths about whose heritage we preserve and whose we neglect.Whether you're interested in museums, public history, or how societies remember and forget, this episode offers profound insights into how we might reimagine our memory culture for the 21st century. It packs a lot in just 25 minutes - prepare to learn! Follow Dan Hicks on social media @ProfDanHicks and discover his books "The Brutish Museums" and the forthcoming "Every Monument Will Fall." Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Host: Dave Fishell Guest: Terry Ahern Air date: Aug 14, 2025

Unlock the secrets to optimal health and movement with expert insights on natural practices and regenerative techniques.   In this episode of The MOVEMENT Movement, Steven Sashen speaks with Dr. Grove Higgins, Owner and Chiropractor at Neuroathlete Clinic, who delves into the profound connection between natural movement and overall well-being. They explore the importance of learning from indigenous tribes' functional health practices, the impact of sensory awareness on movement quality, and the revolutionary regenerative techniques transforming orthopedics. Through insightful discussions on biomechanics, brain-body connections, and the power of embracing ancestral wisdom, listeners are invited to rethink conventional approaches to physical health and movement for a more vibrant and sustainable life.   Key Takeaways: → Natural movement is crucial for efficient movement and overall well-being. → Tai Chi improves balance, sensory awareness, and response time. → Humans evolved to run on natural terrains, not artificial surfaces like roads. → Environmental factors significantly impact foot development and morphology. → Regenerative techniques like shockwave therapy offer non-invasive solutions for structural restoration and tissue regrowth in orthopedic care.   Dr. Grove Higgins has dedicated nearly 30 years to the health field, starting as a physical therapy assistant in the early '90s and eventually earning a doctorate in Chiropractic medicine. With a private practice and corporate consulting experience, Dr. Higgins helps companies prevent loss from repetitive strain disorders. His mission has always been to help patients exceed their expectations of health. In 2010, Dr. Higgins co-founded LifeQuest Transitions, a non-profit supporting wounded soldiers in their transition to civilian life, impacting over 2,500 veterans. After the non-profit dissolved in 2012, Dr. Higgins returned to private practice, later reuniting with Lt. Col. Patrick Marques to develop the NeuroAthlete program and clinic. This led to the opening of a new facility in Monument, CO, designed to provide tailored care for clients in person and online. Dr. Higgins enjoys hiking, backpacking, and community involvement with his wife and three children, two of whom are pursuing military careers.   Connect With Dr. Grove Higgins:   Website Instagram Facebook LinkedIn   Connect with Steven: Website Xero Shoes Join the MOVEMENT Movement X Instagram Facebook

LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featured  Chris Markowski takes aim at Barack Obama's presidential library, blasting its design as a Mordor-style monstrosity and highlighting how the project is driving up rents and displacing longtime South Side residents. From ugly architecture to broken promises—from “Recovery Summer” to foreign policy disasters—Chris argues the Obama legacy is more eyesore than inspiration.

Alison drops new music from RL Grime, Disco Lines, Jon Casey, Ninajirachi, Ship Wrek, Pauline Herr and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @awonderland #RADIOWONDERLANDTracklist:RADIO WONDERLAND OPENER 00:00Mau P - TESLA 00:41Disco Lines & Ship Wrek - I Don't Trust A Soul 05:20Pauline Herr - LOSE YOURSELF 08:5833 Below & RL Grime - Look For My Love 11:09Ninajirachi - Delete 14:52Alison Wonderland - iwannaliveinadream 18:35KLAXX & yetep ft. Aviella - STARLIGHT 21:05Ninajirachi - Battery Death 24:12Easton - Visions (Taylor Kade Remix) 27:24Dabow & eliderp - Monument 30:36Just A Gent & Slowboy - Gates 32:22INZO & Blookah - Lights Off 34:56Jon Casey - WAITING ROOM 37:34Hex Cougar - FANTASY 40:39Jon Casey & PEEKABOO - GO! 43:38St. Mary & Misdom - Take Me Away 45:41Emma Louise & Flume - Shine, Glow, Glisten 48:17Disco Lines & Tinashe - No Broke Boys (AVELLO Remix) 51:20So Sus & Shmani - Puppy 53:46YDG - Me N You 56:00Alison Wonderland - Good Enough 58:31

When Hu Yaobang died in April 1989, throngs of mourners converged on the Martyrs' Monument in Tiananmen Square to pay their respects. Following Hu's 1987 ouster by party elders, Chinese propaganda officials had sought to tarnish his reputation and dim his memory, yet his death galvanized the nascent pro-democracy student movement, setting off the dramatic demonstrations that culminated in the Tiananmen massacre. Guest: Robert L. Suettinger (Author of The Conscience of the Party: Hu Yaobang, Chinas Communist Reformer) Interviewer: Professor James Leibold (Politics, La Trobe University) Recorded 16th June, 2025.

“I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of human lives as if the boundary between a subject and an object is one that is permeable, not in a sort of positive way, but in a more sinister way. There is a long history of people being treated as things.”In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with Dan Hicks about the present's responsibility to itself. How do not only monuments, but also the very idea of monumentality, serve to mystify and perpetuate beliefs that maintain social orders that deserve to be strenuously re-evaluated? Archaeologist and anthropologist Dan Hicks traces the development of a particularly virulent strain of monument-worship, that which emerges out of what he calls “militarist realism,” which harnesses technologies of war, particularly colonial, white supremacist war, to build institutions, disciplines, museums in its image in order to permanently maintain a border between those deemed human subjects and the object-worlds of the non-human—which includes racial others. Rather than grant the past immunity, Hicks argues that we need to decide for ourselves what we chose to remember, and what deserves to be forgotten.Dan Hicks is Professor of Contemporary Archaeology at Oxford University, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College. He has written widely on art, heritage, museums, colonialism, and the material culture of the recent past and the near-present. Dan's books include The Brutish Museums: the Benin Bronzes, colonial violence and cultural restitution (Pluto 2020) and Every Monument Will Fall: a story of remembering and forgetting (Hutchinson Heinemann 2025). Bluesky/Insta: @ProfDanHicks www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of human lives as if the boundary between a subject and an object is one that is permeable, not in a sort of positive way, but in a more sinister way. There is a long history of people being treated as things.”In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with Dan Hicks about the present's responsibility to itself. How do not only monuments, but also the very idea of monumentality, serve to mystify and perpetuate beliefs that maintain social orders that deserve to be strenuously re-evaluated? Archaeologist and anthropologist Dan Hicks traces the development of a particularly virulent strain of monument-worship, that which emerges out of what he calls “militarist realism,” which harnesses technologies of war, particularly colonial, white supremacist war, to build institutions, disciplines, museums in its image in order to permanently maintain a border between those deemed human subjects and the object-worlds of the non-human—which includes racial others. Rather than grant the past immunity, Hicks argues that we need to decide for ourselves what we chose to remember, and what deserves to be forgotten.Dan Hicks is Professor of Contemporary Archaeology at Oxford University, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College. He has written widely on art, heritage, museums, colonialism, and the material culture of the recent past and the near-present. Dan's books include The Brutish Museums: the Benin Bronzes, colonial violence and cultural restitution (Pluto 2020) and Every Monument Will Fall: a story of remembering and forgetting (Hutchinson Heinemann 2025). Bluesky/Insta: @ProfDanHicks www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of human lives as if the boundary between a subject and an object is one that is permeable, not in a sort of positive way, but in a more sinister way. There is a long history of people being treated as things.”In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with Dan Hicks about the present's responsibility to itself. How do not only monuments, but also the very idea of monumentality, serve to mystify and perpetuate beliefs that maintain social orders that deserve to be strenuously re-evaluated? Archaeologist and anthropologist Dan Hicks traces the development of a particularly virulent strain of monument-worship, that which emerges out of what he calls “militarist realism,” which harnesses technologies of war, particularly colonial, white supremacist war, to build institutions, disciplines, museums in its image in order to permanently maintain a border between those deemed human subjects and the object-worlds of the non-human—which includes racial others. Rather than grant the past immunity, Hicks argues that we need to decide for ourselves what we chose to remember, and what deserves to be forgotten.Dan Hicks is Professor of Contemporary Archaeology at Oxford University, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College. He has written widely on art, heritage, museums, colonialism, and the material culture of the recent past and the near-present. Dan's books include The Brutish Museums: the Benin Bronzes, colonial violence and cultural restitution (Pluto 2020) and Every Monument Will Fall: a story of remembering and forgetting (Hutchinson Heinemann 2025). Bluesky/Insta: @ProfDanHicks www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

perpetuate beliefs that maintain social orders that deserve to be strenuously re-evaluated? Archaeologist and anthropologist Dan Hicks traces the development of a particularly virulent strain of monument-worship, that which emerges out of what he calls “militarist realism,” which harnesses technologies of war, particularly colonial, white supremacist war, to build institutions, disciplines, museums in its image in order to permanently maintain a border between those deemed human subjects and the object-worlds of the non-human—which includes racial others. Rather than grant the past immunity, Hicks argues that we need to decide for ourselves what we chose to remember, and what deserves to be forgotten.Dan Hicks is Professor of Contemporary Archaeology at Oxford University, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College. He has written widely on art, heritage, museums, colonialism, and the material culture of the recent past and the near-present. Dan's books include The Brutish Museums: the Benin Bronzes, colonial violence and cultural restitution (Pluto 2020) and Every Monument Will Fall: a story of remembering and forgetting (Hutchinson Heinemann 2025). Bluesky/Insta: @ProfDanHicks 

This week we are joined by Locust to discuss KRS-One's classic 1993 album Return of the Boom Bap.You can find all things Locust here:https://www.instagram.com/plain_old_mike_and_locust_/If you want to hear full episodes it is $1 a month at our patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also upgrade to a higher tier to get exclusive content and video⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can find our music here:Zilla Rocca:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Curly Castro:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alaska:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/

Duchess Satine arrives on Coruscant and pleads for Mandalore's neutrality while Death Watch plots with Count Dooku to engineer a Republic invasion in this episode of The Clone Wars.   In this fully armed and operational episode of Podcast Stardust, we discuss: Our overall thoughts on this episode of The Clone Wars, The plot that Death Watch and Count Dooku to engineer opposition to Duchess Satine and the Republic, The altered message from Deputy Minister Jerec and the Senate's vote to occupy Mandalore, The banter and bickering between Satine and Jedi Master Obi-Wan Kenobi, Satine's efforts to uncover the truth behind the message, and Some trivia behind Monument plaza. For more discussion of The Clone Wars, check out episode 915.   Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts.   Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram.   Join us for real time discussion on the RetroZap Discord Server here: RetroZap Discord. Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.