Podcasts about joseph mallord william turner

Groussbritannie feiert dëst Joer den 250. Gebuertsdag vu sengem gréisste Moler, den Joseph Mallord William Turner. De Romantiker ass virun allem fir seng Landschaftsbiller a seng dramatesch Duerstellunge vu Stierm a Schëffsaccidenter bekannt. Seng Duerstellung vum Liicht gëtt bis haut nach bewonnert. Mee de Moler war och vill an Europa ënnerwee, woubäi hien och zweemol zu Lëtzebuerg stoe bliwwen ass. D‘Claire Barthelemy vu London

2025 marks the 250th anniversary of the birth of Joseph Mallord William Turner, widely celebrated as Britain's greatest landscape painter. --YOUR NEXT EPISODE:The untold story of Picasso's muses--Yet, beyond the familiar image of the "painter of light", Turner was a complex figure whose radical art often baffled his contemporaries.Tom Gatti meets the New Statesman's art critic, Michael Prodger, to explore why Turner still matters – and how themes in his work like the power of nature, the impact of technology, and national identity resonate profoundly today. READ: The second birth of JMW Turner, by Michael Prodgerhttps://www.newstatesman.com/culture/art-design/2025/04/the-second-birth-of-jmw-turnerLISTEN AD-FREEDownload the New Statesman app: iOS / AndroidSTAY IN TOUCHGet our best writing every weekend in The Saturday Read email newsletterSUBSCRIBEGet full access to the New Statesman by becoming a subscriber Hosted on Acast. See acast.com/privacy for more information.

Der 1775 in London geborene Joseph Mallord William Turner gilt als bedeutendster Maler der englischen Romantik und wichtiges Vorbild nachfolgender Künstlergenerationen. Turners Werke, in denen er Licht und Atmosphäre auf revolutionäre Art und Weise wiedergab, sorgten schon bei seinen Zeitgenoss*innen für Furore und haben ihre Emotion und Modernität bis heute bewahrt. Also war es für Alexander und Herbert Giese selbstverständlich, dass sie die Ausstellung „Turner. Three Horizons“ im Münchner Lenbachhaus zum Anlass für einen Ausflug nehmen. In dieser Folge von „Ausgesprochen Kunst“ berichten sie, was die Ausstellung an ihrem Bild des Künstlers verändert hat und was sie an ihm besonders schätzen. Die in Zusammenarbeit mit der Londoner Tate entstandene Ausstellung ist nur noch bis 10. März zu sehen, nicht verpassen! Kontakt: redaktion@gieseundschweiger.at; Website: https://www.gieseundschweiger.at/ ; Redaktion: Lara Bandion, Fabienne Pohl; Musik: Matthias Jakisic; Sprecherin: Sarah Scherer; Grafische Gestaltung: Studio Riebenbauer Zur Ausstellung: https://www.lenbachhaus.de/entdecken/ausstellungen/detail/turner

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Where did the phrase "That gave me the willies" come from and how did it kick off the American Sublime? And what was the first landscape on Earth? Find out in this week's episode as my guest, collage artist, Todd Bartel joins me to talk about our favorite subjects: Collage and Landscape. Click here to see images of Todd's work: https://www.toddbartel.com/ Click here to read Todd's writings on collage: https://issuu.com/toddbartel Todd Bartel's music (used in this episode): "Several Big Changes" 2009 (intro, musical stings and outro) & "Retinalmade and Readymade" 2020 (musical stings and end music). Listen to these and more here: https://necto.bandcamp.com/ Recommended texts: Leo Marx "The Machine in the Garden: Technology and the Pastoral Ideal in America" Man of Commerce Map, 1889 (LINK) Simon Schama "Landscape and Memory" Kenneth Clark "Landscape Into Art" Kari Jormakka "Theoretical Landscapes—On the Interface Between Architectural Theory and Landscape Architecture" William Shakespeare "Hamlet" Nathaniel Hawthorne "The Scarlet Letter" & "The Ambitious Guest" (a short story inspired by the Willey family tragedy) Amy's segment: Johann Wolfgang von Goethe "Faust" (esp the part about his Faust-y homunculus) More about the Crawford Notch/Willey Family tragedy https://en.wikipedia.org/wiki/Willey_House_(New_Hampshire) Artists mentioned: Hardu Keck, Andre Breton, Max Ernst, Comte de Lautreamont's famous image from Les Chants de Maldoror, Alfred DeCredico, Michael Oatman, Joseph Mallord William Turner, Thomas Cole, Charlie Nevad, Zdeněk Michael František Burian, Rene Magritte's "The Treachery of Images", Burgess Collins aka Jess' "Xrysxrossanthemums" 1978, Amy's segment: Rene Magritte's "The Apparition" and Andre Masson's "Gradiva" Please subscribe to the podcast to get the eps fresh out the oven. Also, don't forget to visit us @peptalksforartists on Instagram to see images associated with this episode (We love a visual aid). Thanks for your ratings and reviews on Apple podcasts! Amy's website: https://www.amytalluto.com/ Thank you Todd! Thank you listeners! See you next time. -------------------------- Other music used was licensed from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

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“Sur le motif“ Peindre en plein air 1780 1870à la Fondation Custodia, Parisdu 3 décembre 2021 au 3 avril 2022Interview de Alice-Anne Tod, ancienne conservatrice en formation à la Fondation Custodia et auteure des notices des œuvres du catalogue en ligne,par Anne-Frédérique Fer, à Paris, le 2 décembre 2021, durée 23'05.© FranceFineArt.Communiqué de presseCommissariat :Ger Luijten, directeur de la Fondation Custodia, Collection Frits Lugt, ParisMary Morton, conservatrice et cheffe du département des peintures françaises de la National Gallery of Art de WashingtonJane Munro, conservatrice du département des peintures, dessins et estampes du Fitzwilliam Museum de CambridgeCette exposition , qui réunit plus de cent cinquante études à l'huile appartenant à la Fondation Custodia à Paris, à la National Gallery of Art de Washington, au Fitzwilliam Museum de Cambridge et à une collection particulière, propose une nouvelle approche de la peinture de plein air en Europe entre 1780 et 1870.La pratique est, certes, attestée dès avant le début de cette période. Les expériences italiennes de Claude Lorrain (1600-1682) évoquées par son biographe et le remarquable ensemble d'oeuvres de François Desportes (1661–1743) conservé à Sèvres en témoignent. Ce n'est toutefois qu'à partir de la fin du XVIIIe siècle que l'usage de l'esquisse à l'huile en plein air fit partie intégrante de la formation des paysagistes européens. À la croisée de la peinture et du dessin, ces études de petit format étaient généralement exécutées sur papier. Peintes rapidement sur le motif, elles avaient pour objectif d'exercer l'oeil et la main à saisir les fugitifs effets de lumière et de couleur. Parfois terminées ultérieurement en atelier, elles n'étaient toutefois pas conçues comme des oeuvres finies destinées à être exposées ou vendues. Elles constituaient pour l'artiste de précieuses références sur lesquelles il se basait pour donner à ses travaux plus formels fraîcheur et immédiateté.L'esquisse de plein air à l'huile, sur papier ou sur toile, fut adoptée par des artistes originaires de l'Europe entière, et au-delà. Le visiteur trouvera donc dans l'exposition des oeuvres de Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Rosa Bonheur, John Constable, Joseph Mallord William Turner, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Johann Martin von Rohden, Carl Blechen et bien d'autres encore. Le parcours n'est ni chronologique, ni organisé par écoles, mais se structure autour des motifs abordés : arbres, rochers, l'eau sous ses multiples formes, volcans, ciels, toits, Rome et la Campagne romaine, Capri. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

3) Second episode of two parts! Find the first part here: Spotify: https://open.spotify.com/episode/08wyr9YxZTzuZRERGYUNqS?si=_CWSSBE9S7ed9WcN_rBT2w&dl_branch=1 Soundcloud: https://soundcloud.com/onthegreentrack/travel-and-the-art-of-landscape-paintings Apple Podcast: https://podcasts.apple.com/us/podcast/on-the-green-track/id1581066218 *About Our guest on this episode is tourism professor Colin Michael Hall. The episode is divided into two parts and is a step further on our Green Track. From starting with talking about concrete tourism and travel experiences together with Thor from the Once Upon A Saga project, we now move to the more theoretical and artistic realm. Based on Joseph Mallord William Turner's landscape painting "Snow Storm: Steam-Boat off a Harbour's Mouth" (1842), we discuss why we travel and how our relationship to nature, which is an important asset when travelling for most, is shaped by cultural discourses, trends and also urbanization, which we during the COVID-19 pandemic are being confronted with and impacted by in various of contradicting ways. Link to "Snow Storm: Steam-Boat off a Harbour's Mouth" (1842) https://www.wga.hu/index1.html More about the artist Joseph Mallord William Turner: https://www.nationalgallery.org.uk/artists/joseph-mallord-william-turner Follow professor C. Michael Hall's work Research Gate: https://www.researchgate.net/profile/Colin-Hall-4 Publications: https://www.routledge.com/search?pg=1&pp=12&author=C.%20Michael%20Hall&so=rel&view=grid & https://www.routledge.com/Sense-of-Place-and-Place-Attachment-in-Tourism/Chen-Hall-Prayag/p/book/9780367232740 Social Media LinkedIn: https://www.linkedin.com/in/colin-michael-hall-b9a87619b/ Facebook: https://www.facebook.com/c.michael.hall.5 Stay updated On The Green Track: Instagram: https://www.instagram.com/dikteonthegreentrack/ Facebook: https://www.facebook.com/travelonthegreentrack LinkedIn: https://www.linkedin.com/company/on-the-green-track/?viewAsMember=true Host and Producer: Dikte Grønvold See more: www.Onthegreentrack.dk Illustration: Belén Loaiza Ruiz Follow: https://www.linkedin.com/in/belenloaizaruiz/

2) First episode of two parts! Our guest on this episode is tourism professor Colin Michael Hall. The episode is divided into two parts and is a step further on our Green Track. From starting with talking about concrete tourism and travel experiences together with Thor from the Once Upon A Saga project, we now move to the more theoretical and artistic realm. Based on Joseph Mallord William Turner's landscape painting "Snow Storm: Steam-Boat off a Harbour's Mouth" (1842), we discuss why we travel and how our relationship to nature, which is an important asset when travelling for most, is shaped by cultural discourses, trends and also urbanization, which we during the COVID-19 pandemic are being confronted with and impacted by in various of contradicting ways. Link to "Snow Storm: Steam-Boat off a Harbour's Mouth" (1842) https://www.wga.hu/index1.html More about the artist Joseph Mallord William Turner: https://www.nationalgallery.org.uk/artists/joseph-mallord-william-turner Follow professor C. Michael Hall's work Research Gate: https://www.researchgate.net/profile/Colin-Hall-4 Publications: https://www.routledge.com/search?pg=1&pp=12&author=C.%20Michael%20Hall&so=rel&view=grid & https://www.routledge.com/Sense-of-Place-and-Place-Attachment-in-Tourism/Chen-Hall-Prayag/p/book/9780367232740 Social Media LinkedIn: https://www.linkedin.com/in/colin-michael-hall-b9a87619b/ Facebook: https://www.facebook.com/c.michael.hall.5 Stay updated On The Green Track: Instagram: https://www.instagram.com/dikteonthegreentrack/ Facebook: https://www.facebook.com/travelonthegreentrack LinkedIn: https://www.linkedin.com/company/on-the-green-track/?viewAsMember=true Host and Producer: Dikte Grønvold See more: www.Onthegreentrack.dk Illustration: Belén Loaiza Ruiz Follow: https://www.linkedin.com/in/belenloaizaruiz/

The paintings and drawings Joseph Mallord William Turner (1775–1851) produced from 1835 to his death are seen by many as his most audacious and compelling work, a highly personal final vision that ranks with the late styles of the greatest artists. In this study, Sam Smiles shows how a richer account of Turner's achievement can be presented once his historical circumstances are given proper attention. He discusses the style and subject matter of Turner's later oil paintings and watercolours, his commercial dealings and his relations with patrons; he examines the artist's critical reception and scrutinises accounts of his physical and mental health to see what can be reliably said about this last phase of creative endeavour. Emerging from this study is an artist who used his final years to consolidate the principles that had motivated him throughout his career. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Welcome back! In this episode, recorded during a hurricane (!!), Neysa and Jocelyn talk about STDs and other boy-related drama, a single episode of Family Guy, and we try to figure out where a restaurant Neysa visited was. Featured Artists we talk about are English Romantic landscape painter Joseph Mallord William Turner (1775 - 1851) and French Impressionist painter Berthe Morisot (1841 – 1895). Check out our instagram page for the pieces we mention (link below). Is this audio sounding any better? I don't know how to get completely rid of that hiss still. IG: @iminoredinarthistorypod Music Creds: intro is edited Regina Spektor, outro is original audio by Nic Hamersly Some audio edited with Auphonic --- Support this podcast: https://podcasters.spotify.com/pod/show/iminoredinarthistorypod/support

En este episodio hablaremos sobre una de las mayores donaciones que ha recibido la National Gallery en Londres, a cargo del artista Joseph Mallord William Turner.

This episode is sponsored by The Great Courses Plus. Get a FREE month of unlimited access to over 10,000 lectures presented by engaging, award-winning experts on everything from art to physics, interior design and world languages. Sign up today at thegreatcoursesplus.com/ART.  In 19th century England, landscape painting transitioned into being something lovely and comparatively calm, and transformed into a personal and stylistic battleground. Landscape: pristine and idealized, or rough, ready, and turbulent? Which one would better express the heart of 19th century British painting? Please  SUBSCRIBE and REVIEW our show on Apple Podcasts! Twitter / Facebook/ Instagram Episode Credits This is the second of three episodes in collaboration with Sartle. Sartle encourages you to see art history differently, and they have a plethora of incredibly fun and informative videos, blog posts, and articles on their website. Production and Editing by Kaboonki. Theme music by Alex Davis.  Social media assistance by Emily Crockett.  ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle. Additional music credits "Western Tanager" by Chad Crouch is licensed under BY-NC 3.0; "Not the end" by Alan Špiljak is licensed under BY-NC-ND 4.0; "More Than Friendship - Geglaettet (ID 814)" by Lobo Loco  is licensed under BY-NC-ND 4.0; "Fuzzy Lines" by Yan Terrian is licensed under BY-SA 4.0; "Full of Stars" by Philipp Weigl is licensed under BY 4.0; "Phase 1" by Xylo-Ziko is licensed under  BY-NC-SA 4.0; "Whimsical Theme #2" by David Hilowitz is licensed under BY-NC 4.0; Ad Music: "Repeater Station - Observation (ID 204)" by Lobo Loco is licensed under  BY-NC-ND 4.0; "Electric Silence" by Unheard Music Concepts is licensed under BY 4.0 Links and further resources Memoirs of the Life of John Constable, C.R. Leslie John Constable: A Kingdom of His Own, Anthony Bailey The Life of J.M.W. Turner, Volume 2, Walter Thornbury Turner: The Extraordinary Life and Momentous Times of JMW Turner, Franny Moyle Standing in the Sun: A Life of JMW Turner, Anthony Bailey The Daily Mail: "Why Britain's Two Greatest Painters Hated Each Other's Guts: And now Turner and Constable Are Going Toe-to-Toe Once More" The Telegraph: "JMW Turner's Feud with John Constable Unveiled at Tate Britain"   Joseph Mallord William Turner, Self-Portrait, c. 1799 John Constable, Self-Portrait, c. 1799-1804 John Constable, The Hay Wain, 1821 JMW Turner, Rain, Steam and Speed, 1844 John Constable, The Opening of Waterloo Bridge, 1832 JMW Turner, Helvoetsluys, 1832 Learn more about your ad choices. Visit megaphone.fm/adchoices

Joseph Mallord William Turner was quite a painter and quite a character. He's described as vulgar, uncouth, unsophisticated and cheap. And yet, he became one of England's most beloved artists through his groundbreaking vision and skill. We'll see how his interest in the Industrial Revolution and love of the natural world come together in this dazzling image and take a look at how he created something so gorgeous yet ominous. See the artwork at https://alonglookpodcast.com/11-keelmen-heaving-in-coals-by-moonlight-turner/ SHOW NOTES “A Long Look” theme is “Ascension” by Ron Gelinas youtu.be/jGEdNSNkZoo Episode theme is “The Hebrides (Fingal's Cave), Op. 26” by Felix Mendelssohn https://musopen.org/music/306-the-hebrides-fingals-cave-op-26/ Turner information https://www.nga.gov/collection/highlights/turner-keelmen-heaving-in-coals-by-moonlight.html https://www.nga.gov/collection/art-object-page.1225.html#overview The post 11 Keelmen Heaving in Coals by Moonlight – Turner appeared first on A Long Look.

This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.

This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.

This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.

In Episode 6 The Sunflowers have been taking a look at Turner's The Fighting Temeraire! Joseph Mallord William Turner was a really famous artist who lived from 1775 - 1851. He was especially famous for his paintings of dramatic skies and weather. He even went on trains and ships to study the movement of the sky and how to create it using paint!  See omnystudio.com/listener for privacy information.

In un oceano sconfinato una nave fa naufragio... Pennellate veloci, senza corpo ma piene di colore riescono a raccontarci la forza della natura e la piccolezza dell'uomo. Fabio, Alessandro e Davide leggono: Joseph Mallord William Turner "Naufragio del Negriero" 1798 Olio su tela cm 170.5 x 241.5 Londra, Tate Gallery Le musiche di sottofondo sono coperte da licenza Creative Commons e possono essere ascoltate su http://www.jamendo.com/it/

Joseph Mallord William Turner (1775-1851) est, avec John Constable, son contemporain, le plus grand peintre anglais du XIXe siècle. Fils d'un barbier-perruquier...