Podcasts about late antique

Restoring the Ancient Religion: The Theurgic Orthopraxy of Iamblichus (Palgrave MacMillan, 2026) reconsiders Iamblichus' Response to Porphyry, Late Antiquity's seminal work on theurgy, which is often referred to as De Mysteriis. Was this text intended to be more than just a defense of ritualism or a philosophical crossing of metaphysical wits between Porphyry and Iamblichus? This volume examines whether De Mysteriis constituted a manifesto of restoration, a call to resignify and revive a religion that Iamblichus felt was spiraling into barren traditionalism.Through a nuanced examination of Iamblichus' theurgy, this book shows the emergence of a sophisticated philosophic-ritualistic system, one designed to reform religious practice through divine epiphanies and direct communication with the gods. Using a thorough textual analysis, this book uncovers crucial distinctions between theurgy and magic and explores the mechanics of divine illumination during theurgic rituals in the context of Iamblichus' intricate hierarchy of spiritual beings. In this system, this book demonstrates, material objects could become vessels of divine power and humans could become interlocutors with the divine itself. New Books in Late Antiquity is presented by Ancient Jew Review Marios Koutsoukos received his PhD in Classics from the University of Liverpool, UK. His current research focuses on Late Antique theurgy, hermeticism, Graeco-Egyptian magic, animated statues and the survival of mystery cults beyond the sixth century. He also works as a fiction author, translator and screenwriter. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Restoring the Ancient Religion: The Theurgic Orthopraxy of Iamblichus (Palgrave MacMillan, 2026) reconsiders Iamblichus' Response to Porphyry, Late Antiquity's seminal work on theurgy, which is often referred to as De Mysteriis. Was this text intended to be more than just a defense of ritualism or a philosophical crossing of metaphysical wits between Porphyry and Iamblichus? This volume examines whether De Mysteriis constituted a manifesto of restoration, a call to resignify and revive a religion that Iamblichus felt was spiraling into barren traditionalism.Through a nuanced examination of Iamblichus' theurgy, this book shows the emergence of a sophisticated philosophic-ritualistic system, one designed to reform religious practice through divine epiphanies and direct communication with the gods. Using a thorough textual analysis, this book uncovers crucial distinctions between theurgy and magic and explores the mechanics of divine illumination during theurgic rituals in the context of Iamblichus' intricate hierarchy of spiritual beings. In this system, this book demonstrates, material objects could become vessels of divine power and humans could become interlocutors with the divine itself. New Books in Late Antiquity is presented by Ancient Jew Review Marios Koutsoukos received his PhD in Classics from the University of Liverpool, UK. His current research focuses on Late Antique theurgy, hermeticism, Graeco-Egyptian magic, animated statues and the survival of mystery cults beyond the sixth century. He also works as a fiction author, translator and screenwriter. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Restoring the Ancient Religion: The Theurgic Orthopraxy of Iamblichus (Palgrave MacMillan, 2026) reconsiders Iamblichus' Response to Porphyry, Late Antiquity's seminal work on theurgy, which is often referred to as De Mysteriis. Was this text intended to be more than just a defense of ritualism or a philosophical crossing of metaphysical wits between Porphyry and Iamblichus? This volume examines whether De Mysteriis constituted a manifesto of restoration, a call to resignify and revive a religion that Iamblichus felt was spiraling into barren traditionalism.Through a nuanced examination of Iamblichus' theurgy, this book shows the emergence of a sophisticated philosophic-ritualistic system, one designed to reform religious practice through divine epiphanies and direct communication with the gods. Using a thorough textual analysis, this book uncovers crucial distinctions between theurgy and magic and explores the mechanics of divine illumination during theurgic rituals in the context of Iamblichus' intricate hierarchy of spiritual beings. In this system, this book demonstrates, material objects could become vessels of divine power and humans could become interlocutors with the divine itself. New Books in Late Antiquity is presented by Ancient Jew Review Marios Koutsoukos received his PhD in Classics from the University of Liverpool, UK. His current research focuses on Late Antique theurgy, hermeticism, Graeco-Egyptian magic, animated statues and the survival of mystery cults beyond the sixth century. He also works as a fiction author, translator and screenwriter. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

Restoring the Ancient Religion: The Theurgic Orthopraxy of Iamblichus (Palgrave MacMillan, 2026) reconsiders Iamblichus' Response to Porphyry, Late Antiquity's seminal work on theurgy, which is often referred to as De Mysteriis. Was this text intended to be more than just a defense of ritualism or a philosophical crossing of metaphysical wits between Porphyry and Iamblichus? This volume examines whether De Mysteriis constituted a manifesto of restoration, a call to resignify and revive a religion that Iamblichus felt was spiraling into barren traditionalism.Through a nuanced examination of Iamblichus' theurgy, this book shows the emergence of a sophisticated philosophic-ritualistic system, one designed to reform religious practice through divine epiphanies and direct communication with the gods. Using a thorough textual analysis, this book uncovers crucial distinctions between theurgy and magic and explores the mechanics of divine illumination during theurgic rituals in the context of Iamblichus' intricate hierarchy of spiritual beings. In this system, this book demonstrates, material objects could become vessels of divine power and humans could become interlocutors with the divine itself. New Books in Late Antiquity is presented by Ancient Jew Review Marios Koutsoukos received his PhD in Classics from the University of Liverpool, UK. His current research focuses on Late Antique theurgy, hermeticism, Graeco-Egyptian magic, animated statues and the survival of mystery cults beyond the sixth century. He also works as a fiction author, translator and screenwriter. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed. New Books in Late Antiquity is Presented by Ancient Jew Review Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts. Michael Motia teaches Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed. New Books in Late Antiquity is Presented by Ancient Jew Review Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts. Michael Motia teaches Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed. New Books in Late Antiquity is Presented by Ancient Jew Review Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts. Michael Motia teaches Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed. New Books in Late Antiquity is Presented by Ancient Jew Review Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts. Michael Motia teaches Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed. New Books in Late Antiquity is Presented by Ancient Jew Review Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts. Michael Motia teaches Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed. New Books in Late Antiquity is Presented by Ancient Jew Review Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts. Michael Motia teaches Classics and Religious Studies at UMass Boston

Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed. New Books in Late Antiquity is Presented by Ancient Jew Review Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts. Michael Motia teaches Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

In the writings of ancient Christians, the near-ubiquitous references to the "fear of God" have traditionally been seen as a generic placeholder for piety. Focusing on monastic communities in late antiquity across the eastern Mediterranean, Fear of God: Practicing Emotion in Late Antique Monasticism (U California Press, 2025) by Dr. Daniel Eastman An explores why the language of fear was so prevalent in their writings and how they sought to put it into practice in their daily lives. Drawing on a range of evidence, including sermons, liturgical prayers, and archaeological evidence, Dr. An explores how the languages monastics spoke, the socioeconomic settings they inhabited, and the visual spaces in which they prayed came together to shape their emotional horizons. By investigating emotions as practices embedded in the languages, cultures, and sensorial environments of late antiquity, this book offers new insights into the spiritual world of Christian monasteries. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the writings of ancient Christians, the near-ubiquitous references to the "fear of God" have traditionally been seen as a generic placeholder for piety. Focusing on monastic communities in late antiquity across the eastern Mediterranean, Fear of God: Practicing Emotion in Late Antique Monasticism (U California Press, 2025) by Dr. Daniel Eastman An explores why the language of fear was so prevalent in their writings and how they sought to put it into practice in their daily lives. Drawing on a range of evidence, including sermons, liturgical prayers, and archaeological evidence, Dr. An explores how the languages monastics spoke, the socioeconomic settings they inhabited, and the visual spaces in which they prayed came together to shape their emotional horizons. By investigating emotions as practices embedded in the languages, cultures, and sensorial environments of late antiquity, this book offers new insights into the spiritual world of Christian monasteries. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the writings of ancient Christians, the near-ubiquitous references to the "fear of God" have traditionally been seen as a generic placeholder for piety. Focusing on monastic communities in late antiquity across the eastern Mediterranean, Fear of God: Practicing Emotion in Late Antique Monasticism (U California Press, 2025) by Dr. Daniel Eastman An explores why the language of fear was so prevalent in their writings and how they sought to put it into practice in their daily lives. Drawing on a range of evidence, including sermons, liturgical prayers, and archaeological evidence, Dr. An explores how the languages monastics spoke, the socioeconomic settings they inhabited, and the visual spaces in which they prayed came together to shape their emotional horizons. By investigating emotions as practices embedded in the languages, cultures, and sensorial environments of late antiquity, this book offers new insights into the spiritual world of Christian monasteries. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

In the writings of ancient Christians, the near-ubiquitous references to the "fear of God" have traditionally been seen as a generic placeholder for piety. Focusing on monastic communities in late antiquity across the eastern Mediterranean, Fear of God: Practicing Emotion in Late Antique Monasticism (U California Press, 2025) by Dr. Daniel Eastman An explores why the language of fear was so prevalent in their writings and how they sought to put it into practice in their daily lives. Drawing on a range of evidence, including sermons, liturgical prayers, and archaeological evidence, Dr. An explores how the languages monastics spoke, the socioeconomic settings they inhabited, and the visual spaces in which they prayed came together to shape their emotional horizons. By investigating emotions as practices embedded in the languages, cultures, and sensorial environments of late antiquity, this book offers new insights into the spiritual world of Christian monasteries. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In the writings of ancient Christians, the near-ubiquitous references to the "fear of God" have traditionally been seen as a generic placeholder for piety. Focusing on monastic communities in late antiquity across the eastern Mediterranean, Fear of God: Practicing Emotion in Late Antique Monasticism (U California Press, 2025) by Dr. Daniel Eastman An explores why the language of fear was so prevalent in their writings and how they sought to put it into practice in their daily lives. Drawing on a range of evidence, including sermons, liturgical prayers, and archaeological evidence, Dr. An explores how the languages monastics spoke, the socioeconomic settings they inhabited, and the visual spaces in which they prayed came together to shape their emotional horizons. By investigating emotions as practices embedded in the languages, cultures, and sensorial environments of late antiquity, this book offers new insights into the spiritual world of Christian monasteries. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Apocalypse of Pseudo-Methodius was one of the medieval world's most popular and widely translated texts. Composed in Syriac in Mesopotamia in the seventh century, this supposed revelation presented a new, salvific role for the Roman Empire, whose last emperor, it prophesied, would help bring about the end of the ages. In this first book-length study of Pseudo-Methodius, Christopher J. Bonura uncovers the under-appreciated Syriac origins of this apocalyptic tract, revealing it as a remarkable response to political realities faced by Christians living under a new Islamic regime. Tracing the spread of Pseudo-Methodius from the early medieval Mediterranean to its dissemination via the printing presses of early modern Europe, Bonura then demonstrates how different cultures used this new vision of empire's role in the end times to reconfigure their own realities. The book also features a new, complete, and annotated English translation of the Syriac text of Pseudo-Methodius. New books in Late Antiquity is Presented by Ancient Jew Review. Christopher J. Bonura is Assistant Professor of History at Mount St. Mary's University in Maryland, and Visiting Assistant Professor Costigan Distinguished Lecturer at the University of Washington. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Apocalypse of Pseudo-Methodius was one of the medieval world's most popular and widely translated texts. Composed in Syriac in Mesopotamia in the seventh century, this supposed revelation presented a new, salvific role for the Roman Empire, whose last emperor, it prophesied, would help bring about the end of the ages. In this first book-length study of Pseudo-Methodius, Christopher J. Bonura uncovers the under-appreciated Syriac origins of this apocalyptic tract, revealing it as a remarkable response to political realities faced by Christians living under a new Islamic regime. Tracing the spread of Pseudo-Methodius from the early medieval Mediterranean to its dissemination via the printing presses of early modern Europe, Bonura then demonstrates how different cultures used this new vision of empire's role in the end times to reconfigure their own realities. The book also features a new, complete, and annotated English translation of the Syriac text of Pseudo-Methodius. New books in Late Antiquity is Presented by Ancient Jew Review. Christopher J. Bonura is Assistant Professor of History at Mount St. Mary's University in Maryland, and Visiting Assistant Professor Costigan Distinguished Lecturer at the University of Washington. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

The Apocalypse of Pseudo-Methodius was one of the medieval world's most popular and widely translated texts. Composed in Syriac in Mesopotamia in the seventh century, this supposed revelation presented a new, salvific role for the Roman Empire, whose last emperor, it prophesied, would help bring about the end of the ages. In this first book-length study of Pseudo-Methodius, Christopher J. Bonura uncovers the under-appreciated Syriac origins of this apocalyptic tract, revealing it as a remarkable response to political realities faced by Christians living under a new Islamic regime. Tracing the spread of Pseudo-Methodius from the early medieval Mediterranean to its dissemination via the printing presses of early modern Europe, Bonura then demonstrates how different cultures used this new vision of empire's role in the end times to reconfigure their own realities. The book also features a new, complete, and annotated English translation of the Syriac text of Pseudo-Methodius. New books in Late Antiquity is Presented by Ancient Jew Review. Christopher J. Bonura is Assistant Professor of History at Mount St. Mary's University in Maryland, and Visiting Assistant Professor Costigan Distinguished Lecturer at the University of Washington. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

The Apocalypse of Pseudo-Methodius was one of the medieval world's most popular and widely translated texts. Composed in Syriac in Mesopotamia in the seventh century, this supposed revelation presented a new, salvific role for the Roman Empire, whose last emperor, it prophesied, would help bring about the end of the ages. In this first book-length study of Pseudo-Methodius, Christopher J. Bonura uncovers the under-appreciated Syriac origins of this apocalyptic tract, revealing it as a remarkable response to political realities faced by Christians living under a new Islamic regime. Tracing the spread of Pseudo-Methodius from the early medieval Mediterranean to its dissemination via the printing presses of early modern Europe, Bonura then demonstrates how different cultures used this new vision of empire's role in the end times to reconfigure their own realities. The book also features a new, complete, and annotated English translation of the Syriac text of Pseudo-Methodius. New books in Late Antiquity is Presented by Ancient Jew Review. Christopher J. Bonura is Assistant Professor of History at Mount St. Mary's University in Maryland, and Visiting Assistant Professor Costigan Distinguished Lecturer at the University of Washington. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

The Apocalypse of Pseudo-Methodius was one of the medieval world's most popular and widely translated texts. Composed in Syriac in Mesopotamia in the seventh century, this supposed revelation presented a new, salvific role for the Roman Empire, whose last emperor, it prophesied, would help bring about the end of the ages. In this first book-length study of Pseudo-Methodius, Christopher J. Bonura uncovers the under-appreciated Syriac origins of this apocalyptic tract, revealing it as a remarkable response to political realities faced by Christians living under a new Islamic regime. Tracing the spread of Pseudo-Methodius from the early medieval Mediterranean to its dissemination via the printing presses of early modern Europe, Bonura then demonstrates how different cultures used this new vision of empire's role in the end times to reconfigure their own realities. The book also features a new, complete, and annotated English translation of the Syriac text of Pseudo-Methodius. New books in Late Antiquity is Presented by Ancient Jew Review. Christopher J. Bonura is Assistant Professor of History at Mount St. Mary's University in Maryland, and Visiting Assistant Professor Costigan Distinguished Lecturer at the University of Washington. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

The Apocalypse of Pseudo-Methodius was one of the medieval world's most popular and widely translated texts. Composed in Syriac in Mesopotamia in the seventh century, this supposed revelation presented a new, salvific role for the Roman Empire, whose last emperor, it prophesied, would help bring about the end of the ages. In this first book-length study of Pseudo-Methodius, Christopher J. Bonura uncovers the under-appreciated Syriac origins of this apocalyptic tract, revealing it as a remarkable response to political realities faced by Christians living under a new Islamic regime. Tracing the spread of Pseudo-Methodius from the early medieval Mediterranean to its dissemination via the printing presses of early modern Europe, Bonura then demonstrates how different cultures used this new vision of empire's role in the end times to reconfigure their own realities. The book also features a new, complete, and annotated English translation of the Syriac text of Pseudo-Methodius. New books in Late Antiquity is Presented by Ancient Jew Review. Christopher J. Bonura is Assistant Professor of History at Mount St. Mary's University in Maryland, and Visiting Assistant Professor Costigan Distinguished Lecturer at the University of Washington. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

How did the expansion of Islam out of the Arab peninsular affect Gaza in the seventh century? Who was ‘Amr ibn al-As and how did he ambush the Byzantines in Gaza? Why is the Islamic Conquest described as the “invisible conquest” by some historians?  William and Anita are joined once again by Peter Sarris, Professor of Late Antique, Medieval and Byzantine Studies at the University of Cambridge, to discuss the Arab Conquest of Gaza in the seventh century.  Join the Empire Club: Unlock the full Empire experience – with bonus episodes, ad-free listening, early access to miniseries and live show tickets, exclusive book discounts, a members-only newsletter, and access to our private Discord chatroom. Sign up directly at empirepoduk.com  For more Goalhanger Podcasts, head to www.goalhanger.com. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Assistant Producer: Becki Hills Producer: Anouska Lewis Executive Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

How did Gaza become a centre of learning and festivals during the Byzantine era? Who was St. Porphyrius of Gaza, and why did he destroy pagan temples in the city? Why is the Early Christian period considered a Golden Age for Gaza? Anita and William are joined by Peter Sarris, Professor of Late Antique, Medieval and Byzantine Studies at the University of Cambridge, to discuss Byzantine Gaza and the rise of Christianity in the region. Join the Empire Club: Unlock the full Empire experience – with bonus episodes, ad-free listening, early access to miniseries and live show tickets, exclusive book discounts, a members-only newsletter, and access to our private Discord chatroom. Sign up directly at empirepoduk.com  For more Goalhanger Podcasts, head to www.goalhanger.com. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Assistant Producer: Becki Hills Producer: Anouska Lewis Executive Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

In our Season 2 finale, we learn about Christian women from late antiquity who sought to transform their bodies inside and out: ascetics and monastics. From fasting to renouncing sexual “appetites” to special clothing—there were lots of things that marked a monk. Dr. Rebecca Krawiec explains all of this and more.Why did women join monasteries? What do we do with those extreme stories of saints punishing their bodies? How can letters give us a more full understanding of women monastics? Who were Tappole and her sister Tsophia? Access full transcript and episode show notesWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.Music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler's work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler's book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes. Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern. Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler's work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler's book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes. Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern. Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler's work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler's book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes. Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern. Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler's work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler's book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes. Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern. Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler's work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler's book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes. Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern. Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College.

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston

Based on an understanding of scholasticism as a cross-cultural phenomenon, undertaken by rabbinic, Graeco-Roman, and Christian scholars in late antiquity, this book examines the development of Palestinian rabbinic compilations from social-historical and literary-historical perspectives. Rabbinic Scholarship in the Context of Late Antique Scholasticism: The Development of the Talmud Yerushalmi (Bloomsbury, 2024) focuses on the compilation of the Talmud Yerushalmi in the context of late antique scholarly practice aimed at preserving past knowledge for future generations. This book provides insight into how rabbinic scholarship in the Land of Israel participated in the wider intellectual practices of Roman-Byzantine times. Beginning with the social, educational, and legal contexts that generated rabbinic knowledge. Catherine Hezser goes on to investigate the oral and written transmission of rabbinic traditions to eventually examine the compilation of the Talmud Yerushalmi with a comparative and redaction-historical approach. Integrating Palestinian rabbinic education and scholarship into the context of late antique Graeco-Roman and Byzantine Christian scholarly practices, Catherine Hezser demonstrates how rabbinic compilatory techniques resembled but also differed from.those of Hellenistic, Roman, and Christian scholars. The book highlights how rabbinic compilations are idiosyncratic and create a distinct rabbinic identity. Overall, Hezser argues that rabbinic scholarship was an integral part of late antique intellectual life in the Near Middle East and should be recognized as an Eastern equivalent to Western, paideia-based forms of scholarship in the Roman-Byzantine period and beyond. Catherine Hezser is Professor of Jewish Studies at SOAS University of London, UK. Michael Motia teaches in Religious Studies and Classics at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Based on an understanding of scholasticism as a cross-cultural phenomenon, undertaken by rabbinic, Graeco-Roman, and Christian scholars in late antiquity, this book examines the development of Palestinian rabbinic compilations from social-historical and literary-historical perspectives. Rabbinic Scholarship in the Context of Late Antique Scholasticism: The Development of the Talmud Yerushalmi (Bloomsbury, 2024) focuses on the compilation of the Talmud Yerushalmi in the context of late antique scholarly practice aimed at preserving past knowledge for future generations. This book provides insight into how rabbinic scholarship in the Land of Israel participated in the wider intellectual practices of Roman-Byzantine times. Beginning with the social, educational, and legal contexts that generated rabbinic knowledge. Catherine Hezser goes on to investigate the oral and written transmission of rabbinic traditions to eventually examine the compilation of the Talmud Yerushalmi with a comparative and redaction-historical approach. Integrating Palestinian rabbinic education and scholarship into the context of late antique Graeco-Roman and Byzantine Christian scholarly practices, Catherine Hezser demonstrates how rabbinic compilatory techniques resembled but also differed from.those of Hellenistic, Roman, and Christian scholars. The book highlights how rabbinic compilations are idiosyncratic and create a distinct rabbinic identity. Overall, Hezser argues that rabbinic scholarship was an integral part of late antique intellectual life in the Near Middle East and should be recognized as an Eastern equivalent to Western, paideia-based forms of scholarship in the Roman-Byzantine period and beyond. Catherine Hezser is Professor of Jewish Studies at SOAS University of London, UK. Michael Motia teaches in Religious Studies and Classics at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Based on an understanding of scholasticism as a cross-cultural phenomenon, undertaken by rabbinic, Graeco-Roman, and Christian scholars in late antiquity, this book examines the development of Palestinian rabbinic compilations from social-historical and literary-historical perspectives. Rabbinic Scholarship in the Context of Late Antique Scholasticism: The Development of the Talmud Yerushalmi (Bloomsbury, 2024) focuses on the compilation of the Talmud Yerushalmi in the context of late antique scholarly practice aimed at preserving past knowledge for future generations. This book provides insight into how rabbinic scholarship in the Land of Israel participated in the wider intellectual practices of Roman-Byzantine times. Beginning with the social, educational, and legal contexts that generated rabbinic knowledge. Catherine Hezser goes on to investigate the oral and written transmission of rabbinic traditions to eventually examine the compilation of the Talmud Yerushalmi with a comparative and redaction-historical approach. Integrating Palestinian rabbinic education and scholarship into the context of late antique Graeco-Roman and Byzantine Christian scholarly practices, Catherine Hezser demonstrates how rabbinic compilatory techniques resembled but also differed from.those of Hellenistic, Roman, and Christian scholars. The book highlights how rabbinic compilations are idiosyncratic and create a distinct rabbinic identity. Overall, Hezser argues that rabbinic scholarship was an integral part of late antique intellectual life in the Near Middle East and should be recognized as an Eastern equivalent to Western, paideia-based forms of scholarship in the Roman-Byzantine period and beyond. Catherine Hezser is Professor of Jewish Studies at SOAS University of London, UK. Michael Motia teaches in Religious Studies and Classics at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Based on an understanding of scholasticism as a cross-cultural phenomenon, undertaken by rabbinic, Graeco-Roman, and Christian scholars in late antiquity, this book examines the development of Palestinian rabbinic compilations from social-historical and literary-historical perspectives. Rabbinic Scholarship in the Context of Late Antique Scholasticism: The Development of the Talmud Yerushalmi (Bloomsbury, 2024) focuses on the compilation of the Talmud Yerushalmi in the context of late antique scholarly practice aimed at preserving past knowledge for future generations. This book provides insight into how rabbinic scholarship in the Land of Israel participated in the wider intellectual practices of Roman-Byzantine times. Beginning with the social, educational, and legal contexts that generated rabbinic knowledge. Catherine Hezser goes on to investigate the oral and written transmission of rabbinic traditions to eventually examine the compilation of the Talmud Yerushalmi with a comparative and redaction-historical approach. Integrating Palestinian rabbinic education and scholarship into the context of late antique Graeco-Roman and Byzantine Christian scholarly practices, Catherine Hezser demonstrates how rabbinic compilatory techniques resembled but also differed from.those of Hellenistic, Roman, and Christian scholars. The book highlights how rabbinic compilations are idiosyncratic and create a distinct rabbinic identity. Overall, Hezser argues that rabbinic scholarship was an integral part of late antique intellectual life in the Near Middle East and should be recognized as an Eastern equivalent to Western, paideia-based forms of scholarship in the Roman-Byzantine period and beyond. Catherine Hezser is Professor of Jewish Studies at SOAS University of London, UK. Michael Motia teaches in Religious Studies and Classics at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Based on an understanding of scholasticism as a cross-cultural phenomenon, undertaken by rabbinic, Graeco-Roman, and Christian scholars in late antiquity, this book examines the development of Palestinian rabbinic compilations from social-historical and literary-historical perspectives. Rabbinic Scholarship in the Context of Late Antique Scholasticism: The Development of the Talmud Yerushalmi (Bloomsbury, 2024) focuses on the compilation of the Talmud Yerushalmi in the context of late antique scholarly practice aimed at preserving past knowledge for future generations. This book provides insight into how rabbinic scholarship in the Land of Israel participated in the wider intellectual practices of Roman-Byzantine times. Beginning with the social, educational, and legal contexts that generated rabbinic knowledge. Catherine Hezser goes on to investigate the oral and written transmission of rabbinic traditions to eventually examine the compilation of the Talmud Yerushalmi with a comparative and redaction-historical approach. Integrating Palestinian rabbinic education and scholarship into the context of late antique Graeco-Roman and Byzantine Christian scholarly practices, Catherine Hezser demonstrates how rabbinic compilatory techniques resembled but also differed from.those of Hellenistic, Roman, and Christian scholars. The book highlights how rabbinic compilations are idiosyncratic and create a distinct rabbinic identity. Overall, Hezser argues that rabbinic scholarship was an integral part of late antique intellectual life in the Near Middle East and should be recognized as an Eastern equivalent to Western, paideia-based forms of scholarship in the Roman-Byzantine period and beyond. Catherine Hezser is Professor of Jewish Studies at SOAS University of London, UK. Michael Motia teaches in Religious Studies and Classics at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices

Based on an understanding of scholasticism as a cross-cultural phenomenon, undertaken by rabbinic, Graeco-Roman, and Christian scholars in late antiquity, this book examines the development of Palestinian rabbinic compilations from social-historical and literary-historical perspectives. Rabbinic Scholarship in the Context of Late Antique Scholasticism: The Development of the Talmud Yerushalmi (Bloomsbury, 2024) focuses on the compilation of the Talmud Yerushalmi in the context of late antique scholarly practice aimed at preserving past knowledge for future generations. This book provides insight into how rabbinic scholarship in the Land of Israel participated in the wider intellectual practices of Roman-Byzantine times. Beginning with the social, educational, and legal contexts that generated rabbinic knowledge. Catherine Hezser goes on to investigate the oral and written transmission of rabbinic traditions to eventually examine the compilation of the Talmud Yerushalmi with a comparative and redaction-historical approach. Integrating Palestinian rabbinic education and scholarship into the context of late antique Graeco-Roman and Byzantine Christian scholarly practices, Catherine Hezser demonstrates how rabbinic compilatory techniques resembled but also differed from.those of Hellenistic, Roman, and Christian scholars. The book highlights how rabbinic compilations are idiosyncratic and create a distinct rabbinic identity. Overall, Hezser argues that rabbinic scholarship was an integral part of late antique intellectual life in the Near Middle East and should be recognized as an Eastern equivalent to Western, paideia-based forms of scholarship in the Roman-Byzantine period and beyond. Catherine Hezser is Professor of Jewish Studies at SOAS University of London, UK. Michael Motia teaches in Religious Studies and Classics at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In this episode of Talking History - the story of Caracalla and Geta, the two emperors who share power in the new Gladiator 2 film, how their father Severus transformed Rome, and how their dynasty ended in violence and murder. Patrick Geoghegan is joined by Dr David Woods, Head of the Department of Classics at UCC; Prof Mark Humphries, Professor of Ancient History, Swansea University; and Dr Rebecca Usherwood, Assistant Professor in Late Antique and Early Byzantine Studies at Trinity College Dublin.

We discuss how Platonist philosophical teaching played out at Alexandria before Justinian's edict of 529 and in its aftermath. Featuring cameo appearances from the fall of the western Roman empire and Horapollo's Hieroglyphika.

Staging the Sacred: Performance in Late Ancient Liturgical Poetry (Oxford UP, 2023) examines the importance of Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity through the lenses of performance, entertainment, and spectacle. Laura Lieber proposes an account of hymnody as a performative and theatrical genre, combining religious and theatrical studies to examine how performers creatively engaged their audiences, utilized different modes of performance, and created complex characters through their speeches. To truly consider performance and engage with these poems fully, Lieber urges readers to imagine the world beyond the page. While poetry and hymnody from Late Antiquity are usually presented in textual form, Lieber moves away from studying the text on its own, engaging instead with how these poems would have been performed and acted. The specific literary techniques associated with oratory and acting in Late Antiquity, such as apostrophe and vivid imagery, help craft a more accurate idea of liturgical presentations. Lieber suggests ways that these ancient poets could have used their physical spaces of performance by borrowing from the gestures and body language of oratory, mime, and pantomime. A highly interdisciplinary study that will appeal to scholars across religion, theatre, literature, and beyond, Staging the Sacred proposes a novel interpretation of Late Antique hymnody and poetry as a performative genre, akin to oratory, theatre, and other modes of public performance, placing these works in their wider societal context. New Books in Late Antiquity is presented by Ancient Jew Review. Laura S. Lieber is the inaugural chair and Professor of the Transregional History of Religion at the University of Regensburg in Germany. Michael Motia in a Lecturer in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Staging the Sacred: Performance in Late Ancient Liturgical Poetry (Oxford UP, 2023) examines the importance of Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity through the lenses of performance, entertainment, and spectacle. Laura Lieber proposes an account of hymnody as a performative and theatrical genre, combining religious and theatrical studies to examine how performers creatively engaged their audiences, utilized different modes of performance, and created complex characters through their speeches. To truly consider performance and engage with these poems fully, Lieber urges readers to imagine the world beyond the page. While poetry and hymnody from Late Antiquity are usually presented in textual form, Lieber moves away from studying the text on its own, engaging instead with how these poems would have been performed and acted. The specific literary techniques associated with oratory and acting in Late Antiquity, such as apostrophe and vivid imagery, help craft a more accurate idea of liturgical presentations. Lieber suggests ways that these ancient poets could have used their physical spaces of performance by borrowing from the gestures and body language of oratory, mime, and pantomime. A highly interdisciplinary study that will appeal to scholars across religion, theatre, literature, and beyond, Staging the Sacred proposes a novel interpretation of Late Antique hymnody and poetry as a performative genre, akin to oratory, theatre, and other modes of public performance, placing these works in their wider societal context. New Books in Late Antiquity is presented by Ancient Jew Review. Laura S. Lieber is the inaugural chair and Professor of the Transregional History of Religion at the University of Regensburg in Germany. Michael Motia in a Lecturer in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Staging the Sacred: Performance in Late Ancient Liturgical Poetry (Oxford UP, 2023) examines the importance of Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity through the lenses of performance, entertainment, and spectacle. Laura Lieber proposes an account of hymnody as a performative and theatrical genre, combining religious and theatrical studies to examine how performers creatively engaged their audiences, utilized different modes of performance, and created complex characters through their speeches. To truly consider performance and engage with these poems fully, Lieber urges readers to imagine the world beyond the page. While poetry and hymnody from Late Antiquity are usually presented in textual form, Lieber moves away from studying the text on its own, engaging instead with how these poems would have been performed and acted. The specific literary techniques associated with oratory and acting in Late Antiquity, such as apostrophe and vivid imagery, help craft a more accurate idea of liturgical presentations. Lieber suggests ways that these ancient poets could have used their physical spaces of performance by borrowing from the gestures and body language of oratory, mime, and pantomime. A highly interdisciplinary study that will appeal to scholars across religion, theatre, literature, and beyond, Staging the Sacred proposes a novel interpretation of Late Antique hymnody and poetry as a performative genre, akin to oratory, theatre, and other modes of public performance, placing these works in their wider societal context. New Books in Late Antiquity is presented by Ancient Jew Review. Laura S. Lieber is the inaugural chair and Professor of the Transregional History of Religion at the University of Regensburg in Germany. Michael Motia in a Lecturer in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Staging the Sacred: Performance in Late Ancient Liturgical Poetry (Oxford UP, 2023) examines the importance of Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity through the lenses of performance, entertainment, and spectacle. Laura Lieber proposes an account of hymnody as a performative and theatrical genre, combining religious and theatrical studies to examine how performers creatively engaged their audiences, utilized different modes of performance, and created complex characters through their speeches. To truly consider performance and engage with these poems fully, Lieber urges readers to imagine the world beyond the page. While poetry and hymnody from Late Antiquity are usually presented in textual form, Lieber moves away from studying the text on its own, engaging instead with how these poems would have been performed and acted. The specific literary techniques associated with oratory and acting in Late Antiquity, such as apostrophe and vivid imagery, help craft a more accurate idea of liturgical presentations. Lieber suggests ways that these ancient poets could have used their physical spaces of performance by borrowing from the gestures and body language of oratory, mime, and pantomime. A highly interdisciplinary study that will appeal to scholars across religion, theatre, literature, and beyond, Staging the Sacred proposes a novel interpretation of Late Antique hymnody and poetry as a performative genre, akin to oratory, theatre, and other modes of public performance, placing these works in their wider societal context. New Books in Late Antiquity is presented by Ancient Jew Review. Laura S. Lieber is the inaugural chair and Professor of the Transregional History of Religion at the University of Regensburg in Germany. Michael Motia in a Lecturer in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

A roundtable discussion of how the study of ancient pathogen DNA intersects with the study of disease in late antiquity. Can laboratory scientists and cultural historians find ways to interface given their different methods, data, concepts, and conclusions? The discussion was organized by Tina Sessa (The Ohio State University) and Tim Newfield (Georgetown University), and moderated by Dionysios Stathakopoulos (University of Cyprus). In addition to Tina and Tim, participants include Kyle Harper (University of Oklahoma), Marcel Keller (University of Basel and University of Tartu), and Maria Spyrou (University of Tübingen). A transcript of the discussion will appear in the journal Studies in Late Antiquity.

A roundtable discussion of how the study of ancient human DNA intersects with the study of migration in late antiquity. Can laboratory scientists and primarily textual historians find ways to interface given their different methods, data, concepts, and conclusions? The discussion was organized by Tina Sessa (The Ohio State University) and Tim Newfield (Georgetown University), and moderated by Anthony Kaldellis (University of Chicago). Participants include Patrick Geary (Institute for Advanced Study, Princeton, emeritus), Janet Kay (Princeton University), István Koncz (Eötvös Loránd University), Hannah Moots (University of Chicago), Brian Swain (Kennesaw State University), and Krishna Veeramah (Stony Brook University). A transcript of the discussion will appear in the journal Studies in Late Antiquity.

A conversation with Michele Salzman (University of California, Riverside) about the resilience shown by the city of Rome and its ability to recover from crisis during the fifth-seventh centuries. These recoveries were usually spearheaded by the Senate of Rome, which continued to invest in the city and its institutions even after the emperors ceased to reside there full-time. The conversation is based on Michele's recent book, The Falls of Rome: Crises, Resilience, and Resurgence in Late Antiquity (Cambridge University Press, 2021).