Podcasts about Tartu

Millised võimalused annab juurde Epler&Lorenzi uus ohtlike jäätmete põletustehas, mis ületab vana võimsuse seitsmekordselt. Kuhu tuleb Tartu uus politseimaja ja mis seisab Tartu õhtumelu ning ööelu strateegiast, mis praegu volikogus arutelul?

Tartu Ülikooli kunstimuuseumis avati uus näitus "Ühe kümnendi nägu.

Martin, Petra www.deutschlandfunk.de, Sonntagsspaziergang

En Estonie, les députés vont voter pour entériner le transfert de prisonniers suédois vers des prisons estoniennes qui sont vides. Les premiers prisonniers sont attendus pour le mois d'août. Ils seront 600 en tout. C'est le nombre de places libres dans la prison de Tartu. Ce serait une première en Estonie, qui avait déjà évoqué le transfert de prisonniers britanniques sans que le projet n'aboutisse.  Notre correspondante dans la région, Marielle Vitureau, a pu se rendre dans la prison de Tartu, dans le sud du pays, là où leur accueil se prépare. De notre envoyée spéciale à Tartu, Dans la zone commerciale de Tartu, les cubes de béton gris font plus penser à une usine qu'à une prison. C'est là que les détenus suédois viendront purger leurs peines, à quelques mètres de magasins d'outillage. À l'intérieur, toute une aile leur sera réservée. « On va repeindre le couloir avec une couleur plus relaxante, le violet n'est pas la meilleure. Il y a deux places par cellule. Les Suédois auront la télévision. La surface est d'environ 10 mètres carrés et il y a des sanitaires », détaille Merle Ulst, la toute nouvelle directrice, qui fait la visite. L'idée de louer les prisons estoniennes à un autre État est née du constat qu'elles étaient vides. Moins de 1 500 personnes sont incarcérées en Estonie. Il y a 25 ans, elles étaient 5 000. Une baisse considérable liée à l'introduction de peines alternatives, comme le bracelet électronique. Le député Madis Timson, à la tête de la commission Justice au Parlement, trouve que la location est une bonne idée : « Nous avons trois prisons modernes en Estonie. Ce serait logique d'en fermer une car nous n'avons pas assez de prisonniers. Garder un bâtiment vide coûte aussi de l'argent. Si nous louons le bâtiment, nous pouvons créer 250 emplois. » La Suède versera 30 millions d'euros par an à l'Estonie, plus 8 500 euros chaque mois pour chaque prisonnier. La question n'est pas trop débattue dans l'espace public, mais ce transfert inédit suscite tout de même des interrogations, rappelle Anna Markina, professeur de droit criminel : « Dans la population, l'inquiétude la plus grande est que des criminels venant de l'étranger arrivent dans notre société. Comme criminologue, je me demande comment la socialisation de ces prisonniers venant de Suède va se faire. » Le député Madis Timpson se veut rassurant : « L'Estonie ne recevra pas de mineurs, de personnes âgées, de femmes, de chefs d'organisations criminelles, de terroristes et d'extrémistes. » Les détenus viendront de toutes les régions de Suède. Ils seront surveillés par des Estoniens qui parleront anglais avec eux. Ils auront certains avantages par rapport aux prisonniers estoniens. « J'espère qu'ils ne seront pas totalement contre l'idée de venir, car sinon, cela va causer des problèmes. Nos collègues suédois nous ont dit qu'ils auront la possibilité de se servir d'ordinateurs portables, c'est mieux qu'en Suède », explique Merle Ulst, la directrice. Le Parlement suédois a déjà ratifié l'accord. Les Estoniens le feront dans quelques jours. Il sera en vigueur pendant cinq ans, avec la possibilité de prolonger. À lire aussiEnvoyer ses détenus dans des prisons étrangères: une idée en vogue en Scandinavie

En Estonie, les députés vont voter pour entériner le transfert de prisonniers suédois vers des prisons estoniennes qui sont vides. Les premiers prisonniers sont attendus pour le mois d'août. Ils seront 600 en tout. C'est le nombre de places libres dans la prison de Tartu. Ce serait une première en Estonie, qui avait déjà évoqué le transfert de prisonniers britanniques sans que le projet n'aboutisse.  Notre correspondante dans la région, Marielle Vitureau, a pu se rendre dans la prison de Tartu, dans le sud du pays, là où leur accueil se prépare. De notre envoyée spéciale à Tartu, Dans la zone commerciale de Tartu, les cubes de béton gris font plus penser à une usine qu'à une prison. C'est là que les détenus suédois viendront purger leurs peines, à quelques mètres de magasins d'outillage. À l'intérieur, toute une aile leur sera réservée. « On va repeindre le couloir avec une couleur plus relaxante, le violet n'est pas la meilleure. Il y a deux places par cellule. Les Suédois auront la télévision. La surface est d'environ 10 mètres carrés et il y a des sanitaires », détaille Merle Ulst, la toute nouvelle directrice, qui fait la visite. L'idée de louer les prisons estoniennes à un autre État est née du constat qu'elles étaient vides. Moins de 1 500 personnes sont incarcérées en Estonie. Il y a 25 ans, elles étaient 5 000. Une baisse considérable liée à l'introduction de peines alternatives, comme le bracelet électronique. Le député Madis Timson, à la tête de la commission Justice au Parlement, trouve que la location est une bonne idée : « Nous avons trois prisons modernes en Estonie. Ce serait logique d'en fermer une car nous n'avons pas assez de prisonniers. Garder un bâtiment vide coûte aussi de l'argent. Si nous louons le bâtiment, nous pouvons créer 250 emplois. » La Suède versera 30 millions d'euros par an à l'Estonie, plus 8 500 euros chaque mois pour chaque prisonnier. La question n'est pas trop débattue dans l'espace public, mais ce transfert inédit suscite tout de même des interrogations, rappelle Anna Markina, professeur de droit criminel : « Dans la population, l'inquiétude la plus grande est que des criminels venant de l'étranger arrivent dans notre société. Comme criminologue, je me demande comment la socialisation de ces prisonniers venant de Suède va se faire. » Le député Madis Timpson se veut rassurant : « L'Estonie ne recevra pas de mineurs, de personnes âgées, de femmes, de chefs d'organisations criminelles, de terroristes et d'extrémistes. » Les détenus viendront de toutes les régions de Suède. Ils seront surveillés par des Estoniens qui parleront anglais avec eux. Ils auront certains avantages par rapport aux prisonniers estoniens. « J'espère qu'ils ne seront pas totalement contre l'idée de venir, car sinon, cela va causer des problèmes. Nos collègues suédois nous ont dit qu'ils auront la possibilité de se servir d'ordinateurs portables, c'est mieux qu'en Suède », explique Merle Ulst, la directrice. Le Parlement suédois a déjà ratifié l'accord. Les Estoniens le feront dans quelques jours. Il sera en vigueur pendant cinq ans, avec la possibilité de prolonger. À lire aussiEnvoyer ses détenus dans des prisons étrangères: une idée en vogue en Scandinavie

Millised loomad aitavad hooldada Tartu haljasalasid? Kus toimub esimest korda profiratturite Tour of Estonia proloog? Millistel teedel sõidavad Tartu Rattarallist osavõtjad ja mis mahub Eesti lennupäevade programmi?

Tartu Folgiklubis astub üles noor muusik ja laulukirjutaja Reti Noorhani. Temaga vestleb Ants Johanson.

Kes astuvad üles Tartu võimlemispeol ning millal on vabariigi võimlejate ja rahvatantsijate ühisüritus VÕRAFEST? Mis mahub Tartu Seikluspargi uude hooaega ning kelle jaoks valmib Tartu kolahoov ja kuidas saab rahvas sellele kaasa aiadata?

Muuseumi esimesel korrusel avaneb näitus "Köögikunst.

Europe – and the rest of the world – is currently undergoing profound change. The (geo)political landscape is shifting, raising questions about what Europe is. During the European Literature Night, we invite six authors from across the continent to reflect on what it means to transform.Europe will have to define its culture, its values and its future, a future that will hopefully be shaped and informed by taking into account as many voices as possible. It is the very reason the network of European national cultural organisations, EUNIC Netherlands, is inviting six authors from across Europe to De Balie in Amsterdam during Europe Day. In their work, these authors explore what transformation means, within literature, within society and within themselves.About the writers:Małgorzata Lebda (Nowy Sącz, Poland, 1985) is well-known as a poet, with six collections to her name. Among other major accolades, she won the prestigious Wisława Szymborska Award in 2022. Voracious, the winner of Empik's Best Newcomer in Poland and shortlisted for the Conrad, and Angelus and NIKE Prize, is her debut novel. Małgorzata Lebda is also a photographer and marathon runner. She is at the European Literature Night at the invitation of Polish Culture NL. Carolina Pihelgas (Talinn, Estonia, 1986) is an Estonian writer, poet, translator, and editor. Her collection of prose poems Valgus kivi sees (The Light within the Stone, 2019) received the Estonian Cultural Endowment Award for the best poetry book of the year. In 2020, she was appointed Tartu's City Writer Laureate. The author of seven collections of poetry published her first novel Vaadates ööd (Watching the Night) in 2022. The short novel The Cut Line is her second work of prose and her first work to be translated into English and published in February 2026. She is at the European Literature Night at the invitation of the Estonian Embassy in the Netherlands. Artem Chapeye (Kolomyia, Ukraine, 1981) is a Ukrainian writer, translator, reporter and traveller. As a translator of Mahatma Gandhi's texts and believer in non-violent political change, he took up arms and now defends Ukraine. He is author of both creative non-fiction and popular fiction. Four of Chapeye's books were shortlisted for the BBC Ukraine Book of the Year Award: Journey with “Mamayota in Search of Ukraine” in 2011, “The Red Zone” (his debut in fiction) in 2014, “Overrun” in 2015, and “The Ukraine” in 2018. He is at the European Literature Night at the invitation of the Ukrainian Embassy. Iulian Bocai (Oltenië, Romania, 1986) studied Comparative Literature at the University of Bucharest. He has a PhD in intellectual history. He has published five books and dabbles both in literature and nonfiction. His first novel, Ciudata și înduioșătoarea viață a lui Priță Barsacu (The Weird and Endearing Life of Priță Barsacu) won multiple national and international awards and came out in a Dutch translation in 2025 by Charlotte van Rooden. Before going into writing, he spent a decade translating mainly novels and children books from English, French and German into Romanian and has seen literature from both sides of the fence, working both as a writer and editor/translator. He likes writing better. He is at the European Literature Night at the invitation of the Romanian Cultural Institute for the Benelux. Amanda Michalopoulou (Athens, Greece, 1966) is the author of eight novels, three short story collections, a theater play and a novella. She has been a contributing editor at Kathimerini in Greece and Tagesspiegel in Berlin. She is a winner of the Revmata Award (1994), the Diavazo Award for her novel Jantes (1996) and the Academy of Athens Prize for her short story collection “Bright Day” (2013). The American translation of her book I'd Like won the International Literature Prize by NEA in the US (2008) and the Liberis Liber Prize of the Independent Catalan Publishers (2012). Her stories and essays have been translated into twenty languages. Her novels Why I killed my best friend and God's Wife, were short-listed for the ALTA National Translation Award in the US. Her short story Mesopotamia was selected for Best European Fiction 2018 (Dalkey Archive). She is at the European Literature Night at the invitation of the Greek Embassy in the Netherlands. Dmitrij Kapitelman (Kiev, Ukraine, 1986) came to Germany with his family at the age of eight as a “contingent refugee”. He studied political science at Leipzig University and graduated from the German School of Journalism in Munich. He works as a freelance journalist. He is at the European Literature Night at the invitation of the Goethe Institute. In collaboration with: EUNIC NetherlandsProgramme editor: Veronica BaasModerator: Viola Karsten and Veronica BaasZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Mida näitas vabariigi lasteaialaste liikumisuuring ja milline on olukord Tartus? Kuidas on arenenud kahekümneseks saav asutus Tartu Sport, mis on plaanis ning mis mahub perepäeva programmi ja kellele jagas kevadvoorus toetusi Tartu Filmifond?

18. aprillil sai Malmös kokku 130 Põhjala-Balti regiooni noort, sest pärast mõningat pausi leidis taas aset konverents Nordic Convention on International Affairs, mis kandis maailmaolukorrale vastatalt pealkirja “The Role of the Nordic-Baltic Region in a Changing World Order”. Milline on Balti- ja Põhjamaade vaheline dünaamika ning mis saab Põhja-Balti koostööst tulevikust? Mis on Põhjamaade Nõukogu ja millist rolli mängivad selles võrrandis autonoomsed piirkonnad nagu Gröönimaa, Fääri saared ja Ahvenamaa? Konverentsil kõlama jäänud mõtete üle arutlevad saates Karl, Annabel, Kärt, Hilda, Kristofer ja Sigrid RSR-ist, saate lõikas kokku Helari. Arutelu käigus kuuleb ka intervjuusid ekspertidega: sõna saavad Morten Schiøtz (Föreningen Nordeni poliitikaosakonna juht), Amanda Wollstad (Rootsi Atlandi Nõukogu asedirektor) ning rahvusvaheliste üliõpilasorganisatsioonide tudengid Lukas Idman, Anton Golovko Hjälm ja Adam Mansyah.2019. aastal alguse saanud Nordic Convention on International Affairs (NCIA) on noorte juhitud algatus, mille eesmärk on tuua kokku rahvusvahelistest suhetest huvitatud noored, et üheskoos globaalsete arengute üle arutleda. RSR on konverentsi kaaskorraldajaks olnud ka varem ning meil oli suur rõõm ürituse õnnestumisele taas kord kaasa aidata.Oleme südamest tänulikud Tartu Ülikooli üliõpilasesindusele, kes meie reisi Malmösse toetas!

Helen Haas speaks with political scientist Sean Lee about the changing relationship between majorities and minorities in the Middle East, the collapse of the post-October 2023 regional order, and why questions of citizenship, identity, and political power remain at the centre of conflicts from Syria and Lebanon to Israel–Palestine. In this episode of the Nordic Asia Podcast, Dr. Sean Lee, Assistant Professor of Political Science at the American University in Cairo, discusses the evolving relationship between majority and minority groups in the Middle East. He argues that the minority question is not simply about ethnic or religious groups themselves, but about how political power, history, and institutions shape the categories of majority and minority. These identities are not fixed; they change depending on political and historical circumstances. Using examples from Syria, Lebanon, Israel–Palestine, and other regional conflicts, Lee explains how civil wars and political violence reshape social boundaries and reinforce divisions between communities. In Syria, for example, the post-war political transition has intensified tensions between Sunni Arab majorities and minority groups such as the Druze, Kurds, and Alawites. Lee also highlights how outside powers increasingly use minority groups as instruments in regional politics. A major theme of the discussion is the breakdown of the liberal international order after October 2023. According to Lee, this has weakened international law and increased instability in the region. He suggests that unresolved questions about citizenship and equal rights, especially in Israel and Palestine, continue to fuel conflict and resistance. Drawing comparisons beyond the Middle East, Lee argues that similar dynamics can be observed globally, particularly with the rise of ethnonationalism and populism. He concludes that long-term stability depends on moving away from systems based on ethnic or religious identity and toward citizenship-based political systems in which all individuals enjoy equal rights regardless of background. Helen Haas is a Middle East researcher at the Faculty of Theology and Religious Studies and the Middle East Coordinator at the Asia Centre, University of Tartu. Her research focuses on the diversity of Islam. She teaches Turkish and courses on Islamic history and culture, and works as an interpreter and translator of Turkish literature. She is the managing editor of the Usuteaduslik Ajakiri (Journal of Religion). Sean Lee is an assistant professor of political science at The American University in Cairo. His research focuses on political violence and social movements in the Levant. He is currently completing a book manuscript on minoritized communities during the civil wars in Lebanon and Syria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Helen Haas speaks with political scientist Sean Lee about the changing relationship between majorities and minorities in the Middle East, the collapse of the post-October 2023 regional order, and why questions of citizenship, identity, and political power remain at the centre of conflicts from Syria and Lebanon to Israel–Palestine. In this episode of the Nordic Asia Podcast, Dr. Sean Lee, Assistant Professor of Political Science at the American University in Cairo, discusses the evolving relationship between majority and minority groups in the Middle East. He argues that the minority question is not simply about ethnic or religious groups themselves, but about how political power, history, and institutions shape the categories of majority and minority. These identities are not fixed; they change depending on political and historical circumstances. Using examples from Syria, Lebanon, Israel–Palestine, and other regional conflicts, Lee explains how civil wars and political violence reshape social boundaries and reinforce divisions between communities. In Syria, for example, the post-war political transition has intensified tensions between Sunni Arab majorities and minority groups such as the Druze, Kurds, and Alawites. Lee also highlights how outside powers increasingly use minority groups as instruments in regional politics. A major theme of the discussion is the breakdown of the liberal international order after October 2023. According to Lee, this has weakened international law and increased instability in the region. He suggests that unresolved questions about citizenship and equal rights, especially in Israel and Palestine, continue to fuel conflict and resistance. Drawing comparisons beyond the Middle East, Lee argues that similar dynamics can be observed globally, particularly with the rise of ethnonationalism and populism. He concludes that long-term stability depends on moving away from systems based on ethnic or religious identity and toward citizenship-based political systems in which all individuals enjoy equal rights regardless of background. Helen Haas is a Middle East researcher at the Faculty of Theology and Religious Studies and the Middle East Coordinator at the Asia Centre, University of Tartu. Her research focuses on the diversity of Islam. She teaches Turkish and courses on Islamic history and culture, and works as an interpreter and translator of Turkish literature. She is the managing editor of the Usuteaduslik Ajakiri (Journal of Religion). Sean Lee is an assistant professor of political science at The American University in Cairo. His research focuses on political violence and social movements in the Levant. He is currently completing a book manuscript on minoritized communities during the civil wars in Lebanon and Syria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Helen Haas speaks with political scientist Sean Lee about the changing relationship between majorities and minorities in the Middle East, the collapse of the post-October 2023 regional order, and why questions of citizenship, identity, and political power remain at the centre of conflicts from Syria and Lebanon to Israel–Palestine. In this episode of the Nordic Asia Podcast, Dr. Sean Lee, Assistant Professor of Political Science at the American University in Cairo, discusses the evolving relationship between majority and minority groups in the Middle East. He argues that the minority question is not simply about ethnic or religious groups themselves, but about how political power, history, and institutions shape the categories of majority and minority. These identities are not fixed; they change depending on political and historical circumstances. Using examples from Syria, Lebanon, Israel–Palestine, and other regional conflicts, Lee explains how civil wars and political violence reshape social boundaries and reinforce divisions between communities. In Syria, for example, the post-war political transition has intensified tensions between Sunni Arab majorities and minority groups such as the Druze, Kurds, and Alawites. Lee also highlights how outside powers increasingly use minority groups as instruments in regional politics. A major theme of the discussion is the breakdown of the liberal international order after October 2023. According to Lee, this has weakened international law and increased instability in the region. He suggests that unresolved questions about citizenship and equal rights, especially in Israel and Palestine, continue to fuel conflict and resistance. Drawing comparisons beyond the Middle East, Lee argues that similar dynamics can be observed globally, particularly with the rise of ethnonationalism and populism. He concludes that long-term stability depends on moving away from systems based on ethnic or religious identity and toward citizenship-based political systems in which all individuals enjoy equal rights regardless of background. Helen Haas is a Middle East researcher at the Faculty of Theology and Religious Studies and the Middle East Coordinator at the Asia Centre, University of Tartu. Her research focuses on the diversity of Islam. She teaches Turkish and courses on Islamic history and culture, and works as an interpreter and translator of Turkish literature. She is the managing editor of the Usuteaduslik Ajakiri (Journal of Religion). Sean Lee is an assistant professor of political science at The American University in Cairo. His research focuses on political violence and social movements in the Levant. He is currently completing a book manuscript on minoritized communities during the civil wars in Lebanon and Syria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Helen Haas speaks with political scientist Sean Lee about the changing relationship between majorities and minorities in the Middle East, the collapse of the post-October 2023 regional order, and why questions of citizenship, identity, and political power remain at the centre of conflicts from Syria and Lebanon to Israel–Palestine. In this episode of the Nordic Asia Podcast, Dr. Sean Lee, Assistant Professor of Political Science at the American University in Cairo, discusses the evolving relationship between majority and minority groups in the Middle East. He argues that the minority question is not simply about ethnic or religious groups themselves, but about how political power, history, and institutions shape the categories of majority and minority. These identities are not fixed; they change depending on political and historical circumstances. Using examples from Syria, Lebanon, Israel–Palestine, and other regional conflicts, Lee explains how civil wars and political violence reshape social boundaries and reinforce divisions between communities. In Syria, for example, the post-war political transition has intensified tensions between Sunni Arab majorities and minority groups such as the Druze, Kurds, and Alawites. Lee also highlights how outside powers increasingly use minority groups as instruments in regional politics. A major theme of the discussion is the breakdown of the liberal international order after October 2023. According to Lee, this has weakened international law and increased instability in the region. He suggests that unresolved questions about citizenship and equal rights, especially in Israel and Palestine, continue to fuel conflict and resistance. Drawing comparisons beyond the Middle East, Lee argues that similar dynamics can be observed globally, particularly with the rise of ethnonationalism and populism. He concludes that long-term stability depends on moving away from systems based on ethnic or religious identity and toward citizenship-based political systems in which all individuals enjoy equal rights regardless of background. Helen Haas is a Middle East researcher at the Faculty of Theology and Religious Studies and the Middle East Coordinator at the Asia Centre, University of Tartu. Her research focuses on the diversity of Islam. She teaches Turkish and courses on Islamic history and culture, and works as an interpreter and translator of Turkish literature. She is the managing editor of the Usuteaduslik Ajakiri (Journal of Religion). Sean Lee is an assistant professor of political science at The American University in Cairo. His research focuses on political violence and social movements in the Levant. He is currently completing a book manuscript on minoritized communities during the civil wars in Lebanon and Syria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Helen Haas speaks with political scientist Sean Lee about the changing relationship between majorities and minorities in the Middle East, the collapse of the post-October 2023 regional order, and why questions of citizenship, identity, and political power remain at the centre of conflicts from Syria and Lebanon to Israel–Palestine. In this episode of the Nordic Asia Podcast, Dr. Sean Lee, Assistant Professor of Political Science at the American University in Cairo, discusses the evolving relationship between majority and minority groups in the Middle East. He argues that the minority question is not simply about ethnic or religious groups themselves, but about how political power, history, and institutions shape the categories of majority and minority. These identities are not fixed; they change depending on political and historical circumstances. Using examples from Syria, Lebanon, Israel–Palestine, and other regional conflicts, Lee explains how civil wars and political violence reshape social boundaries and reinforce divisions between communities. In Syria, for example, the post-war political transition has intensified tensions between Sunni Arab majorities and minority groups such as the Druze, Kurds, and Alawites. Lee also highlights how outside powers increasingly use minority groups as instruments in regional politics. A major theme of the discussion is the breakdown of the liberal international order after October 2023. According to Lee, this has weakened international law and increased instability in the region. He suggests that unresolved questions about citizenship and equal rights, especially in Israel and Palestine, continue to fuel conflict and resistance. Drawing comparisons beyond the Middle East, Lee argues that similar dynamics can be observed globally, particularly with the rise of ethnonationalism and populism. He concludes that long-term stability depends on moving away from systems based on ethnic or religious identity and toward citizenship-based political systems in which all individuals enjoy equal rights regardless of background. Helen Haas is a Middle East researcher at the Faculty of Theology and Religious Studies and the Middle East Coordinator at the Asia Centre, University of Tartu. Her research focuses on the diversity of Islam. She teaches Turkish and courses on Islamic history and culture, and works as an interpreter and translator of Turkish literature. She is the managing editor of the Usuteaduslik Ajakiri (Journal of Religion). Sean Lee is an assistant professor of political science at The American University in Cairo. His research focuses on political violence and social movements in the Levant. He is currently completing a book manuscript on minoritized communities during the civil wars in Lebanon and Syria.

Helen Haas speaks with political scientist Sean Lee about the changing relationship between majorities and minorities in the Middle East, the collapse of the post-October 2023 regional order, and why questions of citizenship, identity, and political power remain at the centre of conflicts from Syria and Lebanon to Israel–Palestine. In this episode of the Nordic Asia Podcast, Dr. Sean Lee, Assistant Professor of Political Science at the American University in Cairo, discusses the evolving relationship between majority and minority groups in the Middle East. He argues that the minority question is not simply about ethnic or religious groups themselves, but about how political power, history, and institutions shape the categories of majority and minority. These identities are not fixed; they change depending on political and historical circumstances. Using examples from Syria, Lebanon, Israel–Palestine, and other regional conflicts, Lee explains how civil wars and political violence reshape social boundaries and reinforce divisions between communities. In Syria, for example, the post-war political transition has intensified tensions between Sunni Arab majorities and minority groups such as the Druze, Kurds, and Alawites. Lee also highlights how outside powers increasingly use minority groups as instruments in regional politics. A major theme of the discussion is the breakdown of the liberal international order after October 2023. According to Lee, this has weakened international law and increased instability in the region. He suggests that unresolved questions about citizenship and equal rights, especially in Israel and Palestine, continue to fuel conflict and resistance. Drawing comparisons beyond the Middle East, Lee argues that similar dynamics can be observed globally, particularly with the rise of ethnonationalism and populism. He concludes that long-term stability depends on moving away from systems based on ethnic or religious identity and toward citizenship-based political systems in which all individuals enjoy equal rights regardless of background. Helen Haas is a Middle East researcher at the Faculty of Theology and Religious Studies and the Middle East Coordinator at the Asia Centre, University of Tartu. Her research focuses on the diversity of Islam. She teaches Turkish and courses on Islamic history and culture, and works as an interpreter and translator of Turkish literature. She is the managing editor of the Usuteaduslik Ajakiri (Journal of Religion). Sean Lee is an assistant professor of political science at The American University in Cairo. His research focuses on political violence and social movements in the Levant. He is currently completing a book manuscript on minoritized communities during the civil wars in Lebanon and Syria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Mida soovitavad Tartu Ülikooli sporditeadlased laste ja noorte liikumisaktiivsuse tõstmiseks ning milline on olukord Emajõelinnas? Kui palju on Tartus kogukonnaaedu ja mida näitab uus hooaeg ning millest kutsub muuseumiööl osa saama Tartu Linnamuuseum?

“Kinnisvarajutud” podcasti 292. osas on meil külas hiljuti oma teadliku investeerimise 10. tegutsemisaasta juubelit tähistanud, kinnisvararütmis elav mees Martti Rooba, kes on kinnisvaraga nii flippijana kui üüriinvestorina tõsiselt tegelenud umbes pool sellest ajast. Marttil on portfellis kümmekond üürikorterit üle Eesti (Tallinn, Tartu, Rapla ja Paide), kuid tehinguid on nende aastate jooksul tulnud kõvasti rohkem ning paljude puhul on loomulikult rääkida ka erinevaid huvitavaid lugusid. Juttu tuleb ehitajatest, "raha lõhnast", endale turu ette tegemisest, prussakatest, FOMO-st ja paljust muust põnevast. Kuigi Martti lubas naisele, et kümne korteri juures tõmbab ta pidurit, siis saadet kuulates tundub, et need pidurid liiga hästi vist ei tööta ning mehel silmad endiselt säravad, et uusi objekte ette võtta. Samas tahaks Martti edasi teha võib-olla midagi teistmoodi kui seni. --- Podcast “Kinnisvarajutud” võtab luubi alla Eesti kinnisvaraturu ning üritab erinevad teemad sügavuti lahti võtta. Eesmärk on rääkida kinnisvarast kui varaklassist (väike)investori vaatenurgast ning olla valdkonnast huvitatutele abimeheks ja meelelahutuseks. Saatejuhid on investor ja kinnisvarahuviline Siim Semiskar ning Uus Maa Pro partner ja kinnisvaramaakler Algis Liblik. Kuulajad saavad kaasa rääkida, küsimusi küsida või saate kohta tagasisidet anda Facebooki grupis Kinnisvarajutud. Jälgi meid ka Instagramis: www.instagram.com/kinnisvarajutud/ Toeta meie tegemisi Patreonis ja saa ligipääs boonusepisoodidele ja muule lisamaterjalile: www.patreon.com/kinnisvarajutud

Kadri Lepasson on Eesti pärimusmuusik ja pilliõpetaja, kes on tuntud eelkõige kandletraditsiooni hoidjana. Temaga vestleb Ants Johanson.Saate toimetab Liina Vainumetsa.

Vanemuise sümfooniaorkester lõpetab hooaja Ardo Ran Varrese esiettekandega Ardo Ran Varrese sümfooniline poeem "Tartu aastatuhande kajad" on inspireeritud Tartu linna ajaloolisest ja kultuurilisest arengust.

Milliseid linnaruumi ja ettevõtluse arendamise kogemusi annab üle võtta Jaapanist ning milliseid võimalusi pakuvad rahvusvahelised koostöövõrgustikud? Kuidas aitavad korraldajad harrastajatel valmistuda Tartu maastikumaratoniks ja teisteks liikumisüritusteks ning kuidas noored ja lapsevanemad saavad osaleda Tartu noorte vaba aja uuringus? Saatejuht on Madis Ligi.

This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan. Drawing on Chen's teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period. Chen emphasises that understanding Taiwan's cinema requires strong historical awareness, as film history closely mirrors Taiwan's broader political and social development. Unlike other East Asian film industries, Taiwan's cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness. Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences. Chen also discusses King Hu's films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible. Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema. Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as Historical Memory and National Identity in Taiwan Cinema. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema". Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan. --- Chen's selection of films for introducing yourself to the history of Taiwan cinema: The Mountain (1962) depicts young people living under a repressive atmosphere. Raining in the Mountain (by King Hu, 1979) Super Citizen Ko (by Wan Jen, 1995) Dust in the Wind (by Hou Hsiao-hsien, 1986) The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries. The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres. As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan. Drawing on Chen's teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period. Chen emphasises that understanding Taiwan's cinema requires strong historical awareness, as film history closely mirrors Taiwan's broader political and social development. Unlike other East Asian film industries, Taiwan's cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness. Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences. Chen also discusses King Hu's films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible. Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema. Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as Historical Memory and National Identity in Taiwan Cinema. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema". Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan. --- Chen's selection of films for introducing yourself to the history of Taiwan cinema: The Mountain (1962) depicts young people living under a repressive atmosphere. Raining in the Mountain (by King Hu, 1979) Super Citizen Ko (by Wan Jen, 1995) Dust in the Wind (by Hou Hsiao-hsien, 1986) The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries. The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres. As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan. Drawing on Chen's teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period. Chen emphasises that understanding Taiwan's cinema requires strong historical awareness, as film history closely mirrors Taiwan's broader political and social development. Unlike other East Asian film industries, Taiwan's cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness. Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences. Chen also discusses King Hu's films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible. Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema. Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as Historical Memory and National Identity in Taiwan Cinema. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema". Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan. --- Chen's selection of films for introducing yourself to the history of Taiwan cinema: The Mountain (1962) depicts young people living under a repressive atmosphere. Raining in the Mountain (by King Hu, 1979) Super Citizen Ko (by Wan Jen, 1995) Dust in the Wind (by Hou Hsiao-hsien, 1986) The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries. The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres. As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan. Drawing on Chen's teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period. Chen emphasises that understanding Taiwan's cinema requires strong historical awareness, as film history closely mirrors Taiwan's broader political and social development. Unlike other East Asian film industries, Taiwan's cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness. Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences. Chen also discusses King Hu's films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible. Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema. Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as Historical Memory and National Identity in Taiwan Cinema. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema". Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan. --- Chen's selection of films for introducing yourself to the history of Taiwan cinema: The Mountain (1962) depicts young people living under a repressive atmosphere. Raining in the Mountain (by King Hu, 1979) Super Citizen Ko (by Wan Jen, 1995) Dust in the Wind (by Hou Hsiao-hsien, 1986) The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries. The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres. As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan. Drawing on Chen's teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period. Chen emphasises that understanding Taiwan's cinema requires strong historical awareness, as film history closely mirrors Taiwan's broader political and social development. Unlike other East Asian film industries, Taiwan's cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness. Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences. Chen also discusses King Hu's films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible. Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema. Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as Historical Memory and National Identity in Taiwan Cinema. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema". Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan. --- Chen's selection of films for introducing yourself to the history of Taiwan cinema: The Mountain (1962) depicts young people living under a repressive atmosphere. Raining in the Mountain (by King Hu, 1979) Super Citizen Ko (by Wan Jen, 1995) Dust in the Wind (by Hou Hsiao-hsien, 1986) The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries. The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres. As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986)

Kuidas edenevad Tartu südalinna kultuurikeskuse Siuru ettevalmistustööd, mida leidsid arheoloogid kaevamistel ja mis tuleb Siuru parki, milline saab olema uus hooaeg Emajõel ning millised volbrikombed on au sees ka tänavu ja mis on vajunud ajahõlma?

Räägime erakordsest ja enneolematust unihiir lagritsa taasasustamise projektist, mis sel suvel Pakri saarel aset leiab. Stuudios on sel korral Tartu Ülikooli zooloogia osakonna nooremteadur ja lagritsa taasasustamise ettevõtmise eestvedaja Auli Veske, kes räägib viimastest ettevalmistustöödest ja ootustest laiemalt. Saadet juhib Rein Pärn.

Mis tuleb Tartu uude Port Athena kvartalisse, kus oli esimene sarikapidu? Mis iseloomustab tänavust maamessi ning mida Tartu Näitused veel plaanivad korraldada ja mis mahub Supilinna päevade programmi?

In this episode, we explore how governments can enable innovation by adapting regulation to keep pace with technological change. Johanna-Kadri Kuusk speaks with Olari Püvi and Oliver Rätsep from Accelerate Estonia about how regulatory barriers are identified and redesigned to help new ideas reach the market. The episode also features insights from Sidsel Bülow Skovborg, Digitalisation Councillor at the Danish Embassy of London, recorded at the Global Government Forum in London. Together, the discussions highlight how small states can act as testing grounds for scalable solutions, why public–private cooperation matters, and how trust, infrastructure, and clear strategy shape successful digital governance.We've also got a quick invitation: Digit x PyCon 2026, a one-day software engineering conference, takes place in Tartu on October 9. The event brings together talks, workshops, and hands-on sessions focused on how AI and LLMs are changing software development in practice. More information: digit.dev.

Krista Citra Joonas on Tartust pärit muusik, kelle põhipilliks on saanud Indiast pärit bambusflööt bansuri. Temaga vestleb Ants Johanson.

Kuidas sündis üldrahvalikus ühistöös Eesti raamatu juubeli auks vaip ja kus seda näha saab, mis mahub Eesti Rahva Muuseumi aastapäeva ning kuidas läheb edasi mäluasutuste digiprojekt ja kes said innustust Tartu avatud tehaste projektist?

Tänast saadet alustame Anthropicu uue Claude Mythos nime kandva AI-agendiga, mis on avastanud hulgaliselt seni peidus olnud turvaauke. Räägime Gemini uutest oskustest Google Pixeli nutikelladel. Tartu linn plaanib eksperimenteerida EL-i uute droonilennutamise reeglitega. Pikemalt võtame oma kogemuste põhjal teemaks, kuidas enda e-postile ja domeenile tasuta kodu leida. Kuulakirjade rubriigis vaatame veel korra otsa ohuteavitustega seotud segadusele ning vastame küsimustele, miks Digisaade võib hetkel mõnest podcasti-äpist puudu olla.Saate teemad:Anthropic Mythos on ülinutikas koodipureja.Pixel Watch sai uusi funktsioone.Tartu plaanib testida segasevõitu droonireegleid.Glen ei tahtnud enam veebihostingu eest maksta.Kuulajakirjad: Veel ohuteavitustest ja probleemid Digisaate kuulamisega.Kui sul on meile küsimusi või tahad jagada oma kogemusi tehnikamaailmas, kirjuta meile: digisaade@geenius.ee.Saadet teevad Hans Lõugas, Glen Pilvre ja Meelis Väljamäe.Tunnusmuusika: Glen Pilvre, Paul Oja.

Latvijos roko sostine vadinama Liepoja kitąmet taps Europos kultūros sostine. Pasimokiusi iš šį titulą neseniai turėjusio Kauno ir Estijos miesto Tartu, Liepoja ketina akcentuoti savuosius kontrastus ir paradoksus bei kurti naują miesto tapatybę.„Aš sakau: nenorėkit, kad jūsų darbai iš karto būtų it Faberžė kiaušinis, tačiau, kai ateisit į parodą ar muziejų ir pamatysite užrašą „emalis“, jau žinosite, kas tai per daiktas", – kalba emalio meno galeriją ir studiją Vilniuje atidariusi Marytė Dominaitė.Neuroarchitektūra – sritis, kuri jungia architektūrą, neuromokslą ir psichologiją. Lietuvoje ši tema dar labai nauja, tačiau vis aktualesnė, ypač kalbant apie perdegimą, nerimą, nemigą ir gyvenimą įtampoje. Šį mėnesį Kaune vyks neuroarchitektūros temai skirta konferencija NIEKO RIBA.Pasaulio kultūros įvykių apžvalgoje apie Estijoje archeologų atrastą naują ir neįprastą piliakalnį, Libane ant sprogdinimų nusiaubtų pastatų sienų grafičius piešiantį vietos menininką bei Meksikos kultūrinės bendruomenės protestą prieš siekį išvežti Fridos Kahlo meno kūrinius į Ispaniją.„Apranga, kurią paviršutiniškas žvilgsnis dažnai nurašo, politinių krizių metu tampa tuo, kuo ji istoriškai visada buvo – paveikiu komunikacijos kodu“, – komentare sako mados žurnalistė Deimantė Bulbenkaitė.Lietuvos kino teatruose pradedamas rodyti naujas režisierės Aistės Žegulytės dokumentinis filmas „Dulkės, kaulai ir stebuklai“, kurio personažais tapo mikroskopiniai grybai, dar vadinami biodestruktoriais.„Jeigu skaitau naujienas ir domiuosi tuo, kas vyksta, negaliu dirbti, todėl kartais renkuosi užsidarymą dirbtuvėje, kur kuriu, bet nebandau atkartoti aplinkinio pasaulio“, – pasakoja tarp Vilniaus ir Berlyno kurianti Agnė Juodvalkytė. Spalvingus, didžiulio formato tapybos darbus kurianti menininkė Vilniaus galerijoje „Drifts“ pristato parodą „Sūkuriai“Ved. Marius EidukonisRed. Indrė Kaminckaitė

Tartu Ülikooli meedia ja sotsiaalmeedia ekspertide Inger Klesmenti, Maria Murumaa-Mengeli ja Killi Aguri koostöös on valminud digiturvalisuse raamat "Suur digiseiklus," mis on suunatud lastele ja noortele, kes internetis esimesi samme teevad.

The team had the pleasure of speaking with Dr. Ivar Kruusenberg about clean mobile power generation and as per usual, accidentally stepped into the zeitgeist, rediscovering those deep bonds between green molecules and energy security.Ivar has discovered a “niche” market that is actually quite large and has built a rapidly growing business, raising capital last December in a market that is reportedly “dead”. Ivar is a unique leader but perhaps one of the bright lights paving the way forward in hydrogen. About Dr. Ivar Kruusenberg:Ivar is a serial entrepreneur, Founder and CEO of PowerUP Energy Technologies. He holds a PhD in chemistry with a focus on fuel cells from the University of Tartu, completed postdoctoral work at UC Berkeley, and has nearly two decades of experience in the field. Dr. Kruusenberg works closely with governments on hydrogen strategy development and previously founded the successful scale-up UP Catalyst. Before his work in deep tech, Ivar was an Estonian national snowboarding champion.About PowerUp:Estonia-headquartered PowerUP Energy Technologies develops and manufactures hydrogen fuel cell generators that provide clean, silent, and reliable power for off-grid, backup, and portable applications. The products replace polluting diesel generators with zero-emission alternatives that can integrate seamlessly with renewable energy sources such as wind turbines and solar power. PowerUP's product range is commercially available and actively deployed across the marine, healthcare, telecom, construction, and defence sectors.PowerUP was founded in California in 2016, has raised over US$10 million and employs approximately thirty people. --LinksPowerUP Site - https://powerup-tech.com/PowerUP Blog - https://powerup-tech.com/news/

As a special partnership with Somerville College Oxford, it was my huge pleasure to be able to interview three of their Sanctuary Scholars - young academics displaced by conflict now pursuing their studies in Oxford, but at the same time making change in their own countries - rewriting the future. Dr. Hadeel Abdelseid  Hadeel was still a medical student in Sudan when the civil war broke out again in 2023. She went straight from attending lectures to treating gunshot wounds in improvised PPE, using tutorials shared via smartphone. Hadeel has since gone on to become a Director of Sudro, a developmental network providing rapid, tech-enabled health programmes to relieve crises in Sudan and across Africa as they occur. The recent projects on which Hadeel has led or contributed include treating gender-based violence during the conflict and training volunteer counsellors working with children orphaned and severely traumatised by the conflict. Despite experiencing acute trauma herself, Hadeel is a beacon of warm humanity, humour and resilience, who somehow manages to organise her directorship of Sudro and managing a network of over 80,000 Sudanese volunteer emergency care-givers all while conducting a full-time MSc in International Health and Tropical Medicine! Nikita Vorobiov Nikita (Mykyta) Vorobiov is an Oxford-based political writer of Ukrainian-Russian origin, reading for an MSc in Russian and East European Studies as an EAA Qatar Sanctuary Scholar. Nikita has previously studied at the Universities of Zagreb, Tartu and Bard College, Berlin, where he gained a BA in Ethics and Politics and specialised in Russian visual propaganda. Since 2021, Nikita has been working as a political writer, publishing more than fifty op-eds for leading US think tanks, contributing monthly articles to the Center for European Policy Analysis (CEPA) and serving from 2023 to 2025 as Senior Editor at JURIST, where he helped launch the Balkan Dispatch and subsequently received the 2025 Wolmuth Award for extraordinary dedication. Nikita's research focuses on political psychology, nationalism, and military propaganda, where his Russian-Ukrainian background has enabled him to contribute in-depth analysis of highly nuanced topics and to collaborate the European Journalism Observatory (EJO), Amnesty International's Mnemonics Project and the Tamizdat Project, among others. Sonita Alizadeh At the age of 16, Sonita Alizadeh found out that she was to be sold into marriage. Facing the threat of forced marriage for the second time in her life – the first time had been when she was 10 years-old – Sonita felt compelled to do something to publicise her experience and the experiences of other women around her. The young Afghani woman turned to rap music and gained worldwide attention with her 2014 single ‘Daughters for Sale'. Her story was documented in the Sundance award-winning film Sonita, and she was offered a student visa to come and study in the United States by the Strongheart Group. In 2023, Sonita graduated from Bard College and she won a Rhodes Scholarship to study at the University of Oxford. Alizadeh is the co-founder of Arezo and The Dreams Book, a secret school for Afghan girls deprived of education under Taliban rule. The first professional Afghan rapper, Sonita uses her music and her convictions to fight for the rights of women and girls all over the world. Find out about Hadeel's work here: https://sudro.org Follow Sonita on Instagram: instagram.com/sonitalizadeh/ More of Nikita's work here: cepa.org/author/mykyta-vorobiov/ If you would like to support this podcast please consider taking out a paid subscription to my Substack arthursnell.substack.com or if you don't want the hassle of a subscription you can buy me a coffee! ko-fi.com/snellarthur Thank You! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Autotund on tagasi värskete lugude ja kogemustega. Näiteks leidsime Bali saarelt midagi väga erilist. Õigemini isegi mitu erilist asja, aga üks neist ikka kohe vau!  Lisaks võtame kokku meie kaks suurt elektriautode testi, kus külma ilmaga panime Tartu poole ajama ja püüdsime tagasigi jõuda. Seda muuseas ka Hiina autodega. Räägime ka pistikhübriidide akuprobleemidest ning noppeid mujaltki! Saatejuhid on Margus Pipar ja Tarmo Tähepõld Geeniuse autoportaalist.

Autotund on tagasi värskete lugude ja kogemustega. Näiteks leidsime Bali saarelt midagi väga erilist. Õigemini isegi mitu erilist asja, aga üks neist ikka kohe vau!Lisaks võtame kokku meie kaks suurt elektriautode testi, kus külma ilmaga panime Tartu poole ajama ja püüdsime tagasigi jõuda. Seda muuseas ka Hiina autodega.Räägime ka pistikhübriidide akuprobleemidest ning noppeid mujaltki!Saatejuhid on Margus Pipar ja Tarmo Tähepõld Geeniuse autoportaalist.

Tartu Folgiklubi külaline on muusik Jaak Sooäär. Temaga vestleb Ants Johanson.

„Millalgi selle sajandi alguses – see võis olla 2001. või 2002. aastal – läksin ma noore ettevõtjana Ameerika konsultandi David Neenani kursusele „Äri ja sina““, meenutas Alar Tamming Tähenduse teejuhtide 263. vestlusringis (41. minut). Esimesel päeval räägiti vasaku ja parema ajupoolkera koostööst, tegime mitmesuguseid harjutusi. See kõik oli tore, aga suures plaanis ei midagi uut. Teise päeva õhtul korjati meilt käekellad ära, jagati viie- ja kuueliikmelistesse gruppidesse ja öeldi, et nüüd läheb aega. Meie grupis oli neli meest ja kaks naist. Oleksime loogikas ja ratsionaalsuses kõigile teistele pika puuga ära pannud. Meile anti aga teine ülesanne: pidime üheskoos tundma tundeid – usaldust, armastust, andestust, terviklikkust... Me pidime neid tundeid mitte üksnes tundma, vaid ka teistele näitama. See kestis tunde ja läks meil väga vaevaliselt – meile öeldi: te näitlete väga hästi, aga mingeid tundeid teil tegelikult ei ole – lõpuks hakkasid osad nutma, tunded hakkasid välja tulema. Lõpetasime hommikul kella viie-kuue paiku, saime viimaks läbi suure häda oma eksami tehtud. Lõpus õõtsusime kõik koos käed üksteise õlgadel Bette Midleri „The Rose'i“ saatel. Paljudel olid pisarad silmis. Ma vaatasin seda kõike distantsilt ja ei tundnud suurt midagi. Järgmisel päeval oli mul tunne, et ma olen sattunud Ameerika telešõusse: naised hüppasid üksteise järele üles ja teatasid, et nemad enam vana elu ei ela, ütlevad ülemusele välja, mis nad temast arvavad jne. Vaatasin seda pealt nagu hullumaja peaarst – nüüd toimub küll suur avanemine. Pärast koolitust istusin autosse ja panin mängima ühe Leonard Coheni laulu – ja siis ühtäkki juhtus minuga midagi: mõtete voog seiskus, mulle langes osaks niivõrd täiuslik, terviklik ja erakordne psüühiline seisund, kuhu ma oleks tahtnud jäädagi. See kestis võib-olla viisteist minutit. Ma ei saanud üldse aru, mis minuga toimus, see kogemus lihtsalt ei mahtunud olemasolevasse raami. Mõni aeg hiljem sattusin ma ühele soomekeelsele muutunud teadvusseisundeid käsitlevale artiklile. Ma polnud sellisest terminist oma Tartu Ülikooli psühholoogiaõpingute kestel veel kuulnud. Lugesin artikli läbi ja mõistsin, et see oli just see, mis minuga oli toimunud, ja et selliseid seisundeid uuritakse ka teaduslikult. Otsisin just sel ajal oma magistritöö teemat ja sealt ma selle leidsingi.“Kolmepäevaselt koolituselt „Äri ja sina“ algas Alari eneseotsingute tee, mis on kulgenud läbi psühhedeelsete tseremooniate, vabastava hingamise ja Gurdžijevi õpetuse omaenda terviklikuma versiooni poole. Teekonda tähistavad muuhulgas raamatud „Jalutuskäik iseendasse“, „Jalutuskäik raha alkeemiasse“ ning „Teadvuse sünd“. 263. saatesse tõi meid kokku neist viimane.„Mul plahvatas Tabasalus jalutades järsku ulmejutu süžee. See tõi mu depressioonist paugupealt välja. Panin need mõtted kirja ja natukese aja pärast andsin Claude'ile ülesande: kirjutame väikese jutukese. Nii sündis „Teadvuse sünni“ esimene sosistus,“ valgustas Alar raamatu sünnilugu (19. minut). Järgneva sajakonna minuti vältel oli tehisaru kõrval teiseks oluliseks päevakangelaseks vast Rudolf Steiner, keda tunneb hästi teine saatekülaline Heiki Jürissaar. „Jõudsin vaimsesse maailma seetõttu, et ma põlesin läbi,“ rääkis Heiki oma lugu (30. minut). „Sattusin umbes kolmekümneaastasena mitmesuguste tervendajate kätte ja avastasin, et lisaks teaduspõhilisele meditsiinile on meil veel iseäralike võimetega inimesed. Liikusin šamanismi, joogafilosoofiasse ja teistesse new age'likke praktikatesse. Jõudsin oma katsetuste varal järeldusele, et new age'is on palju tõdesid, pooltõdesid ja valesid. Neid serveeritakse tihtipeale väga erinevates kastmetes ja lõpuks võib nendega päris rappa põrutada. Õnneks kinkis sõber mulle ühe Rudolf Steineri raamatu.“ Heiki sõnul hoiatab Steiner meid new age'like kiirteede ohtude eest. Seejärel peatusime pikemalt oma isiklikel kogemustel new age'i valguse ja varjuga.Hardo Hosted on Acast. See acast.com/privacy for more information.

Support the show to get full episodes, full archive, and join the Discord community. The Transmitter is an online publication that aims to deliver useful information, insights and tools to build bridges across neuroscience and advance research. Visit thetransmitter.org to explore the latest neuroscience news and perspectives, written by journalists and scientists. Read more about our partnership. Sign up for Brain Inspired email alerts to be notified every time a new Brain Inspired episode is released. To explore more neuroscience news and perspectives, visit thetransmitter.org. Jaan Aru is a co-principal investigator of the Natural and Artificial Intelligence Lab at the University of Tartu in Estonia, where he is an associate professor. Jaan's name has kept popping up on papers I've read over the last few years, sometimes alongside other guests I've had on the podcast, like Matthew Larkum and Mac Shine. With those people and others, he has co-authored papers exploring how some of the pesky biological details of brains might be important for our subjective conscious experience, details like dendritic integration, and loops between the cortex and the thalamus. Turns out a recurring theme in his work is to connect lower-level nitty gritty biological details with higher level cognitive functioning. And he has some thoughts about what that might mean for the prospects of consciousness in artificial systems. And we also touch on his more recent interest in understanding the brain basis of insight and creativity, connecting some of the more mundane kinds of insights during problem solving, for example, with some of the more profound kinds of insights during mystical and psychedelic experiences, for example. Natural & Artificial Intelligence Lab Social: @jaanaru.bsky.social Related papers The feasibility of artificial consciousness through the lens of neuroscience On biological and artificial consciousness: A case for biological computationalism Cellular mechanisms of conscious processing. Realization experiences: a convergent account of insight and mystical experiences. 0:00 - Intro 4:21 - Jaan's approach 8:51 - Likelihood of machine consciousness 18:58 - Across-levels understanding 30:23 - Intelligence vs consciousness 36:27 - Connecting low-level implementation to cognition 45:42 - Organization and constraints 52:28 - Thalamocortical loops 1:04:18 - Artificial consciousness 1:14:34 - Theories of consciousness 1:23:16 - Creativity and insight 1:37:26 - Science research in Estonia

Sellest saab veebruari alguses 33 aastat, kui Kaunimate Aastate Vennaskond esimest korda Vanemuise väikese maja ovaalsaalis publikut hurmas. "Aastad muutuvad üha kaunimaks, vennaskond ei väsi ja publik on endiselt lummatud," usub Tartu teatrimees Andres Dvinjaninov.

Turpinām sarunu par drošību internetā. Pērn interneta un telefona krāpnieku ķēriens Latvijā vien krietni pārsniedza 20 miljonus eiro. Diemžēl arī 2026. gads noziedzniekiem ir sācies labi. Par šobrīd izplatītākajām krāpšanas metodēm un drošības uzlabojumiem elektroniskā paraksta jomā runājam raidījumā Kā labāk dzīvot. Skaidro kiberincidentu novēršanas institūcijas "CERT.LV" kiberdrošības eksperts Gints Mālkalnietis, programmatūras inženieris Elviss Strazdiņš un Latvijas Radio un televīzijas centra pārstāve Vineta Sprugaine. Vineta Sprugaine stāsta, ka jau kopš pagājušā gada novembra LVRTC ir ieviesis jaunu drošības funkciju eParaksts mobile lietotājiem. Tagad, apliecinot e-Identitāti ar eParaksts mobile, pārlūkprogrammā jāievada unikāls trīsciparu kods, kas attēlojas eParaksts mobile lietotnē. Viņa neslēpj, ka lietotāji iebilst, bet tas ir svarīgi drošībai, jo ir jau bijuši gadījumi, kad arī šo drošības kodu cilvēki nodod krāpniekiem.   "Vienmēr neizdosies pasargāt, jo vājākais ķēdes posms ir pats cilvēks. Nekādas tehnoloģijas nepasargās, ja cilvēks svešiniekam, kurš zvana un uzdodas par kaut ko, atdod savas digitālās pases, identitāti un parakstu," uzskata Vineta Sprugaine. Viņa arī norāda, ka no 2026. gada februāra, lai izmantot e-parasts mobile, Android telefoniem būs nepieciešama 10. versija, bet iOS - 16. versija. Elviss Strazdiņš atklāj, ka Tartu universitātes veiktā pētījumā secināts, ka arī bankas Baltijas valstīs savā ziņā nevārīgi izturas  pret drošību, jo kā prioritāti izvirza ērtības. Konkrēti viņš norāda, ka bankās būtu nepieciešams ieviest Smart ID trīs skaitļu funkcionalitāti.  Vēl viņš aicina nelietot vienu un to pašu PIN kodu telefonam un Smart ID, kā arī neizmantot ekrānā uznirstošos Smart ID paziņojumus. Gints Mālkalnietis atgādina, ka cilvēku slinkums darbojas krāpnieku labā.  Smart ID trīs skaitļu funkcionalitāti ir izveidojis jau pirms vairākiem gadiem, bet cilvēki izvēlas to nelietot.  "Ir daudz tehnoloģiski labu mehānismu, kurus nelieto, jo ir slinkums, jo lietotāju pieredze nav tāda. Bankas nevēlas, lai klientiem būtu kāds apgrūtinājums. Es viņus saprotu, bet no drošības viedokļa riski ir gana lieli un cilvēki īsti nesaprot, ar ko viņi riskē dažu lieku klikšķu dēļ," papildina Gints Mālkalnietis.

Tartu Folgiklubis esineb Taavet Niller, temaga vestleb Ants Johanson.

On the 16th day of beervent, Higher Gravity gave to us...Imperial Extra Double StoutHarvey & Sons (Lewes) LTD. -- Lewes, East Sussex BN7 2AH, EnglandUnder the supervision of the board of trustees of A. Le Coq and Tartu Brewery, EstoniaABV: 9%"After the import traffic increased dramatically in the early 1900's. A. Le Coq was invited by the Tsarist government to brew his legendary Imperial Extra Double Stout within the Russian Empire. In 1912 the first Imperial Extra Double Stout left the Brewery in Tartu, the former province of Livonia, now Estonia. World War I and the Russian Revolution, however, brought a dramatic end to A. Le Coq's venture. Production ceased until 1921 and his brewery was nationalised by the Bolshevik government. The Facsimile label on each bottle of Imperial Extra double Stout pays homage to A. Le Coq without whom this classic style would never have reached its legendary place in the world of beers."The style Imperial Russian Stout and the name Albert Le Coq are synonymous. In the early 1800's the Belgian A. Le Coq exported Imperial Stout from England to Russia and the Baltic area. ***// About the Craft Parenting Podcast

Researchers from the University of Tartu found that nearly 90% of 186 common medications affected gut composition, and almost half left long-lasting microbial changes that persisted years after use ended Antibiotics caused the strongest and most persistent gut disruption, with measurable microbial shifts still evident six months after use and cumulative effects worsening with each additional treatment course Non-antibiotic drugs like benzodiazepines, beta-blockers, glucocorticoids, and proton pump inhibitors also altered microbial composition Long-term medication use explained more variation in gut microbiome composition than current prescriptions. This shows that the gut retains a biological "memory" of past pharmaceutical exposures Restoring gut health starts by reducing unnecessary medications, avoiding vegetable oils, and eating whole foods that help beneficial bacteria recover and rebuild balance over time

The University library in Tartu, in Estonia, is a large brutalist complex, surrounded by concrete water fountains and futuristic steel sculptures. But inside this unassuming building lies a hidden treasure: rare books worth thousands. In April 2022, some of these books were stolen, including historic editions by Alexander Pushkin. According to Europol, the European law enforcement agency, this theft was part of a criminal operation that targeted national libraries in 12 countries, including the Baltic states, Poland, Finland, Germany and France. It's been described as Europe's largest book heist since War World Two. Who was behind it? My colleague Nina Nazarova from BBC Russian has been investigating this story. Plus, 7-year-old Nigerian online musical sensation Emmanuel plays keyboards and drums, and has been captivating audiences online, as BBC Pidgin's Adesola Ikulajolu reports. This episode of The Documentary comes to you from The Fifth Floor, the show at the heart of global storytelling, with BBC journalists from all around the world. This is an EcoAudio certified production. (Photo: Faranak Amidi. Credit: Tricia Yourkevich.)