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O septuagésimo sexto episódio do "Podcast Com Morangos" é a conversa com o Miguel Nunes, o ator que interpretou a personagem Duarte na temporada 4 dos Morangos. Ainda te lembras dele? "Podcast com Morangos" é um podcast com um episódio por semana onde se recordam os Morangos com Açúcar. As conversas são conduzidas pelo Tiago Sardo. Segue o nosso canal e acompanha-nos semanalmente no YouTube ou em podcast nas plataformas habituais.
With CHEGA's rapid rise to popularity in the election, and the fear foreigners may have about the party's position and policies on immigration, here's an opportunity to talk direct to a party member and local politician - Miguel Nunes Silva.Let's take a look beyond the soundbite hype and superficial name-calling, let's see if the 'far right' and 'extreme' labels are justified and bring a conversation where there may be conflict and discussion where there could be division.Find out more about Miguel here - www.newthinking.com/contributor/miguel-nunes-silva - and please ask your questions in the chat or via WhatsApp on (00 351) 913 590 303.---Find out more about us, Portugal and moving to Portugal at www.goodmorningportugal.comPlease support our work, this community and learn loads more about Portugal at our Portugal Club - www.gmpvip.comDiscover the D2 'Residency through Investment' Visa - https://d2visaportugal.com/Need to exchange Dollars for Euros? Try https://www.goodmorningportugal.com/support-services/currency-exchangeContact Carl Munson - carl@goodmorningportugal.comWant to create live shows like mine? Try https://streamyard.com/pal/d/4668289695875072Become a supporter of this podcast: https://www.spreaker.com/podcast/the-good-morning-portugal-podcast-with-carl-munson--2903992/support.
Como grandes fãs dessa maravilhosa banda, os tios resolveram fazer uma homenagem.... homenagem? .... resolveram falar sobre o álbum mais controverso do glorioso Van Halen, o Van Halen III! Mais uma participação "especial" do nosso querido amigo Miguel Nunes. Sigam a gente no Instagram em @hostilpodcast !!! Playlist do episódio: https://tinyurl.com/bdd275k9 Indicações do Episódio: @michaeljackson @aliceinchains - Facelift @mestre.paulinhonogueira - Chico Buearque - Primeiras Composições @enslavedofficial - Heimdal @aphorismkvlt @duofel @camaronesorquestra #garycherone #eddievanhalen #alexvanhalen #michaelanthony #vanhalen #vancherone #hardrock #hostil #hostilpodcast #rockfarofa #farofa #maquinamortifera #rock #3 #III
Isabel Rodrigues Costa, Caldas da Rainha, março de 1992. É actriz e encenadora. Trabalha em teatro, cinema e em curadoria de artes visuais e artes performativas. É diplomada em teatro pela Escola Superior de Teatro e Cinema, tendo completado a sua formação na Universidade de Warwick - Reino Unido e na UNIRIO, Brasil - Rio de Janeiro. É membro do colectivo artístico “Os Possessos” desde 2014. Na área da curadoria trabalhou no Paço Imperial, no Rio de Janeiro e na Galeria Luis Serpa. Em 2016 termina o mestrado Eramus Mundus Crossways in Cultural Narratives, tendo passado pela Universidade Nova de Lisboa, pela Universidade de Perpignan, em França, e pela Universidade de Guelph, no Canadá. Em cinema, trabalhou com Miguel Clara Vasconcelos, Miguel Nunes, Guilherme Daniel, Pedro Neves Marques, Leonor Noivo e Susana Nobre. Em 2017 iniciou a criação de projectos a solo, apresenta então a sua primeira criação “Estufa-Fria - A Caminho de uma Nova Esfera de Relações” na Bienal de Jovens Criadores, e a primeira edição do Projeto Manifesta um projecto produzido por Os Possessos. Em 2019 dirige e apresenta as criações “Maratona de Manifestos” e “Salão Para o Século XXI.” Em 2020/21 é curadora do "Ciclo de Reenactments - Performance Arte Portuguesa" e em 2022, assume a co-curadoria com Joana Kramer Horta do ciclo "Sound and Future - Four Tools to Unblock the Present". No final de 2021 é-lhe atribuída a Bolsa de Criação Espaço do Tempo BPI Fundação La Caixa, para o espectáculo "Som e Fúria", que estreou há uma semana, em Março 2023 no Teatro do Bairro Alto.. Actualmente colabora com a Plataforma Revólver e com a revista ArteCapital. Links: http://www.isabeldacosta.com/biografia-e-cv.html https://www.ospossessos.com/ https://teatrodobairroalto.pt/espetaculo/som-e-furia-isabel-rodrigues-costa-20230309/ https://gerador.eu/o-ocio-que-move-o-mundo/ Episódio gravado a23.03.2023 http://www.appleton.pt
Recebemos o Miguel Nunes, no Era o Que Faltava, que nos falou sobre a amizade improvável que fez na quarentena e nos novos projetos que estão a caminho!
Em vésperas do Campeonato da Europa, o 5 para 4 chamou à conversa João Miguel Nunes, da RTP, para falar um pouco do que vai ser a competição. Naturalmente, abordou-se a seleção lusa e ainda os grandes adversários à possível conquista de mais um título internacional
O protagonista da primeira série portuguesa na Netflix, "Glória", passou pela Epopeia e falou de toda a experiência.
Exercício ficcional com os atores em estúdio e o convidado Miguel Nunes. Uma grande produção.
Todos os verdadeiros apreciadores do bom e velho rock'n'roll já se depararam com esta frase uma vez em suas carreiras de velhas e velhos resmungões: "Ah, mas tal banda era melhor antigamente". Eu sei, você sabe, nós sabemos, que toda banda que amamos já lançaram umas porcarias aqui e ali, e tudo bem, faz parte do espetáculo. Neste episódio os tios se juntam a Miguel Nunes, um de nossos mais antigos e (mal) humorados ouvintes para falar mal de disco ruim das bandas que curtimos. Em um papo despretensioso e bem humorado, os tios relembram alguns álbuns mais ou menos de nossas bandas favoritas. Xinguem-nos no twitter ou no instagram em @hostilpodcast. Podem mandar e-mail também, mas não tem graça pois só nós leremos: hostilpodcast@gmail.com Indicações do Episódio: Sepultura - Sepulquarta Temperance Movement Albert King with Stevie Ray Vaughn - In Session Birth of Joy Metá Metá #velho #ranzinza #ironmaiden #metallica #podcast #deeppurple #redhotchillipeppers #bandaruim #velhocomorgulho #podosfera #musica #music #musicpodcast #podcastdemusica #albumruim #discoruim #metallica #ironmaiden #ozzy #nomorelieschegadementira #sertanejo #xitaozinhoexororo
António Tavarez & Miguel Nunes of VANENO chat with Jon about Orange amps, new merch on Bandcamp, cheesecake brownies; two tracks 'Deceiver', 'Nightrider' and their latest EP, Struggle Through Absurdity. 'Nightrider' https://youtu.be/2uVDlO7ETkg Find out more about VANENO at: https://vaneno.bandcamp.com/ -------------------------------------------------------------------------------------------------------------------------- Jon Harris of The Rock Metal Podcast interviews rock and metal bands to get the scoop on their latest two songs and news! Want to be on The Rock Metal Podcast? Email Jon at TheRockMetalPodcast@gmail.com Want to support The Rock Metal Podcast? Donate here: https://www.paypal.me/JonJHarris Want to be on our newsletter list? Provide your email address at https://mailchi.mp/af7a2332e334/therockmetalpodcastnewsletter
Escoltada por Flàvio César Massene y Luís Miguel Nunes, Carminho entra en Abierto hasta las 2 para repasar, en acústico, parte del repertorio que mostrará en el VIII Festival Internacional de Fado de Madrid (24 de junio, Teatro Nuevo Apolo). Miguel Ángel Hoyos analiza en su perfil sonoro el resurgir que esta música tradicional protagonizó a partir de 1999. A él asistieron generaciones en las que se incluye Misia y Katia Guerreiro, que también figuran en el cartel del festival y que no podían faltar en esta madrugada, junto a Álvaro Covões, productor y promotor de este evento. Además de Teresa Siqueira, fadista y madre de Carminho; su padrino Esteban; Carmo Mineiro, una de sus mejores amigas; el armonicista Antonio Serrano; los músicos brasileños Jaques Morelenbaum y Paulo Jobim; y el español Pablo Alborán. En cuanto a nuestros habituales, Impromadrid nos regala una leyenda marinera con ratón incluido; y Patricia Costa cierra el local con las últimas preguntas, formuladas por seguidores y colegas. Escuchar audio
In part three of our discussion discussing innovations in the world of Always On, Always Connected* PCs powered by the Qualcomm Snapdragon Mobile PC Platform, we learn how Windows 10 on Snapdragon devices are engineered to go beyond nice-to-haves and raise the bar on our mobile computing experiences. Our resident experts Miguel Nunes and Peter Burns share how Qualcomm Technologies is committed to a world where future generations never know "the struggle" of slow connections. They also may never know the loud sound of a spinning fan that legacy laptop processors need to keep cool, since PCs powered by the Snapdragon mobile PC platform are designed to run cool so they won’t need fans. We also talk about how the integrated platform approach and optimized performance of the platform means the time is right for this new category of mobile laptops. And Miguel pitches a second job for host PJ Jacobowitz. *requires a network connection Qualcomm Snapdragon is a product of Qualcomm Technologies, Inc.
Catch up on the first part of our conversation with Miguel Nunes, Senior Director of Product Management, about his secret Windows 10 on Snapdragon PC prototype, then join us to learn more about this new category of Always On, Always Connected* devices, powered by the Qualcomm Snapdragon 835 Mobile PC Platform. We learn about embedded SIM (or eSIM) and how easy it can be to get super-fast LTE connectivity, and how having Qualcomm technology behind every significant component in the mobile platform means device manufacturers can create innovative form factors with bigger batteries and unprecedented thin design. We also discover how host PJ Jacobowitz should never be put in charge of quality control (hint: if you see a driver named G*PJ*U you know who was responsible). *requires a network connection Qualcomm Snapdragon is a product of Qualcomm Technologies, Inc.
In this episode our host PJ Jacobowitz, a long-time Windows super fan, tries to act casual when he learns that Miguel Nunes, Senior Director of Product Management at Qualcomm Technologies, has been working on an in-development “super-secret” prototype of an Always Connected* PC, running Windows 10 on Snapdragon. We’re also joined by Peter Burns in Product Marketing to help walk us through this new category of 2:1 PCs that brings what you love about your smartphone to the PC — all in a thin, light, sleek, highly portable device with astounding battery life. *requires a network connection Qualcomm Snapdragon is a product of Qualcomm Technologies, Inc.
Photo credit: Véro Boncompagni Check out the trailer of their new NFB film Ninth Floor making its world premiere at TIFF 2015. Synopsis of Film It started quietly when a group of Caribbean students, strangers in a cold new land, began to suspect their professor of racism. It ended in the most explosive student uprising Canada had ever known. Over four decades later, Ninth Floor reopens the file on the Sir George Williams Riot – a watershed moment in Canadian race relations and one of the most contested episodes in the nation’s history. It was the late 60s, change was in the air, and a restless new generation was claiming its place– but nobody at Sir George Williams University would foresee the chaos to come. On February 11, 1969, riot police stormed the occupied floors of the main building, making multiple arrests. As fire consumed the 9th floor computer centre, a torrent of debris rained onto counter-protesters chanting racist slogans – and scores of young lives were thrown into turmoil. Making a sophisticated and audacious foray into meta-documentary, writer and director Mina Shum meets the original protagonists in clandestine locations throughout Trinidad and Montreal, the wintry city where it all went down. And she listens. Can we hope to make peace with such a painful past? What lessons have we learned? What really happened on the 9th floor? In a cinematic gesture of redemption and reckoning, Shum attends as her subjects set the record straight – and lay their burden down. Cinematography by John Price evokes a taut sense of subterfuge and paranoia, while a spacious soundscape by Miguel Nunes and Brent Belke echoes with the lonely sound of the coldest wind in the world. Mina Shum: Biography Born in Hong Kong and raised in Canada, Mina Shum is an independent filmmaker and artist. “I’m the child of the Praxis Screenwriting Workshop, Cineworks Independent Film Co-op, the Canadian Film Centre and working class immigrant parents,” she says. With Ninth Floor, a production of the National Film Board of Canada, Shum has written and directed her fourth feature film and first feature documentary. Her first feature Double Happiness (1994) – developed while she was resident director at the Canadian Film Centre – premiered at the Toronto International Film Festival, where it won a Special Jury Citation for Best Canadian Feature Film and the Toronto Metro Media Prize. It went on to win Best First Feature at the Berlin Film Festival and the Audience Award at the Torino Film Festival. Following its American premiere at Sundance, it was released theatrically in the U.S. by Fine Line/New Line Features. It was nominated for multiple Genie Awards, Canada’s top film honour, winning Best Actress for Sandra Oh, and Best Editing for Alison Grace. Shum’s second and third features – Drive, She Said (1997) and Long Life, Happiness and Prosperity (2002) – also premiered at the Toronto Film Festival. Long Life, Happiness and Prosperity was subsequently invited to both Sundance and the Vancouver Film Festival, where it won a Special Citation for Best Screenplay (shared with co-writer Dennis Foon). It was released theatrically in Canada and the U.S. Shum’s short films include Shortchanged; Love In; Hunger; Thirsty; Me, Mom and Mona, which won a Special Jury Citation the 1993 Toronto Film Festival; Picture Perfect, nominated for Best Short Drama at the Yorkton Film Festival; and most recently I Saw Writer’s Guild Award. Her TV work ranges from Mob Princess, a TV movie produced for Brightlight Pictures/W Network, to episodic directing on About A Girl, Noah’s Arc, Exes and Oh’s, Bliss, The Shield Stories and Da Vinci’s Inquest. Shum’s interests extend beyond film and television. Her immersive video installation You Are What You Eat was held over at the Vancouver Centre for Contemporary Asian Art, Centre A, and her cinematic theatre piece All, created in collaboration with the Standing Wave Music Ensemble, was presented at the 2011 Push Festival. She has hosted sold-out events for the experimental Pecha Kucha program, and her Internet hit Hip Hop Mom was featured in Calgary’s official Canada Day celebrations. In 2004 she was invited to deliver the inaugural UBC/Laurier Institute Multicultural Lecture, entitled New Day Rising: Journey of a Hyphenated Girl, and in 2011 she was the recipient of the Sondra Kelly Writer’s Guild of Canada Award. She is currently preparing her next feature, Meditation Park. Selwyn Jacob: Biography Selwyn Jacob was born in Trinidad and came to Canada in 1968 with the dream of becoming a filmmaker. It was a dream that wouldn’t die: he became a teacher and eventually a school principal but eventually chose to leave the security of that career to educate a wider audience through film. He has been a producer with the National Film Board of Canada since 1997. His early work as an independent director includes We Remember Amber Valley, a documentary about the black community that existed near Lac La Biche in Alberta. Prior to joining the NFB, he directed two award-winning NFB releases – Carol’s Mirror, and The Road Taken, which won the Canada Award at the 1998 Gemini Awards. In 1997 he joined the NFB’s Pacific & Yukon Studio in Vancouver, and has gone on to produce close to 50 NFB films. Among his many credits are Crazywater, directed by the Inuvialuit filmmaker Dennis Allen; Hue: A Matter of Colour, a co-production with Sepia Films, directed by Vic Sarin; Mighty Jerome, written and directed by Charles Officer; and the digital interactive project Circa 1948, by Vancouver artist Stan Douglas. Released in 2010, Mighty Jerome addresses issues of race and nationalism while paying tribute to Harry Jerome, one of the most remarkable athletes in Canadian history. The film went on to win multiple honours, including a Leo Award for Best Feature Length Documentary and the 2012 Regional Emmy Award for Best Historical Documentary. See acast.com/privacy for privacy and opt-out information.
Photo credit: Véro BoncompagniListen in today as these filmmakers, Mina Shum and Selwyn Jacobs, talk about Canada’s hidden history, implicit and explicit racism, why we need to listen to others and why they’re confident we can overcome our fears.Check out the trailer of their new NFB film Ninth Floor making its world premiere at TIFF 2015.Synopsis of FilmIt started quietly when a group of Caribbean students, strangers in a cold new land, began to suspect their professor of racism. It ended in the most explosive student uprising Canada had ever known. Over four decades later, Ninth Floor reopens the file on the Sir George Williams Riot – a watershed moment in Canadian race relations and one of the most contested episodes in the nation’s history.It was the late 60s, change was in the air, and a restless new generation was claiming its place– but nobody at Sir George Williams University would foresee the chaos to come.On February 11, 1969, riot police stormed the occupied floors of the main building, making multiple arrests. As fire consumed the 9th floor computer centre, a torrent of debris rained onto counter-protesters chanting racist slogans – and scores of young lives were thrown into turmoil. Making a sophisticated and audacious foray into meta-documentary, writer and director Mina Shum meets the original protagonists in clandestine locations throughout Trinidad and Montreal, the wintry city where it all went down. And she listens. Can we hope to make peace with such a painful past? What lessons have we learned? What really happened on the 9th floor?In a cinematic gesture of redemption and reckoning, Shum attends as her subjects set the record straight – and lay their burden down. Cinematography by John Price evokes a taut sense of subterfuge and paranoia, while a spacious soundscape by Miguel Nunes and Brent Belke echoes with the lonely sound of the coldest wind in the world.Mina Shum: BiographyBorn in Hong Kong and raised in Canada, Mina Shum is an independent filmmaker and artist. “I’m the child of the Praxis Screenwriting Workshop, Cineworks Independent Film Co-op, the Canadian Film Centre and working class immigrant parents,” she says.With Ninth Floor, a production of the National Film Board of Canada, Shum has written and directed her fourth feature film and first feature documentary.Her first feature Double Happiness (1994) – developed while she was resident director at the Canadian Film Centre – premiered at the Toronto International Film Festival, where it won a Special Jury Citation for Best Canadian Feature Film and the Toronto Metro Media Prize. It went on to win Best First Feature at the Berlin Film Festival and the Audience Award at the Torino Film Festival. Following its American premiere at Sundance, it was released theatrically in the U.S. by Fine Line/New Line Features. It was nominated for multiple Genie Awards, Canada’s top film honour, winning Best Actress for Sandra Oh, and Best Editing for Alison Grace.Shum’s second and third features – Drive, She Said (1997) and Long Life, Happiness and Prosperity (2002) – also premiered at the Toronto Film Festival. Long Life, Happiness and Prosperity was subsequently invited to both Sundance and the Vancouver Film Festival, where it won a Special Citation for Best Screenplay (shared with co-writer Dennis Foon). It was released theatrically in Canada and the U.S.Shum’s short films include Shortchanged; Love In; Hunger; Thirsty; Me, Mom and Mona, which won a Special Jury Citation the 1993 Toronto Film Festival; Picture Perfect, nominated for Best Short Drama at the Yorkton Film Festival; and most recently I Saw Writer’s Guild Award.Her TV work ranges from Mob Princess, a TV movie produced for Brightlight Pictures/W Network, to episodic directing on About A Girl, Noah’s Arc, Exes and Oh’s, Bliss, The Shield Stories and Da Vinci’s Inquest.Shum’s interests extend beyond film and television. Her immersive video installation You Are What You Eat was held over at the Vancouver Centre for Contemporary Asian Art, Centre A, and her cinematic theatre piece All, created in collaboration with the Standing Wave Music Ensemble, was presented at the 2011 Push Festival. She has hosted sold-out events for the experimental Pecha Kucha program, and her Internet hit Hip Hop Mom was featured in Calgary’s official Canada Day celebrations.In 2004 she was invited to deliver the inaugural UBC/Laurier Institute Multicultural Lecture, entitled New Day Rising: Journey of a Hyphenated Girl, and in 2011 she was the recipient of the Sondra Kelly Writer’s Guild of Canada Award.She is currently preparing her next feature, Meditation Park.Selwyn Jacob: BiographySelwyn Jacob was born in Trinidad and came to Canada in 1968 with the dream of becoming a filmmaker. It was a dream that wouldn’t die: he became a teacher and eventually a school principal but eventually chose to leave the security of that career to educate a wider audience through film. He has been a producer with the National Film Board of Canada since 1997.His early work as an independent director includes We Remember Amber Valley, a documentary about the black community that existed near Lac La Biche in Alberta. Prior to joining the NFB, he directed two award-winning NFB releases – Carol’s Mirror, and The Road Taken, which won the Canada Award at the 1998 Gemini Awards.In 1997 he joined the NFB’s Pacific & Yukon Studio in Vancouver, and has gone on to produce close to 50 NFB films. Among his many credits are Crazywater, directed by the Inuvialuit filmmaker Dennis Allen; Hue: A Matter of Colour, a co-production with Sepia Films, directed by Vic Sarin; Mighty Jerome, written and directed by Charles Officer; and the digital interactive project Circa 1948, by Vancouver artist Stan Douglas.Released in 2010, Mighty Jerome addresses issues of race and nationalism while paying tribute to Harry Jerome, one of the most remarkable athletes in Canadian history. The film went on to win multiple honours, including a Leo Award for Best Feature Length Documentary and the 2012 Regional Emmy Award for Best Historical Documentary. See acast.com/privacy for privacy and opt-out information.