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Today on What's My Frame I'm joined by Casting Director, Jesse Griffiths. After more than a decade as an actor, Jesse pivoted to a career in casting, founding Jesse Griffiths Casting (JGC). Jesse's heart for championing inclusion and diversity in the casting process is evident in all facet's of her work. Hosting monthly workshops for the BIPOC Community; creating a safe space for artists to be heard, supported and given the freedom to crate at their highest level and most authentic self. Today Jesse shares the thought he put into crafting his office, from his own experience as an actor. A powerful takeaway from this episode is Jesse's advice for finding freedom in your work and sharing your take on the character. Dedicated to nurturing the next generation of artists, Jesse has taught at colleges and universities across Canada as well as countless other private institutions. He leads a monthly workshop for Toronto's BIPOC community and serves as a mentor at the Canadian Film Centre's Actors Conservatory.Jesse is a member of the Casting Society of America (CSA) the Casting Directors Society of Canada (CDC) and sits on the professional advisory committees for Seneca College, George Brown College, and Toronto Metropolitan University. He serves on the boards of the CDC, the Toronto Gay Hockey Association (TGHA), and Buddies in Bad Times Theatre—the world's longest-running queer theatre.A proud recipient of the ACTRA Toronto Sandi Ross Award, Jesse holds a BFA in Theatre Performance from Toronto Metropolitan University. Now let's get to the conversation! Follow Jesse Griffiths Casting on socials Visit Jesse Griffiths CastingResourcesBlack Screen Office Indigenous Screen OfficeACTRA--What's My Frame, hosted by Laura Linda BradleyJoin the WMF creative community now!Instagram: @whatsmyframeIMDbWhat's My Frame? official siteWhat's My Frame? merch
In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature Village Keeper, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother.Chapman shares her desire to capture "lived-in" moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking.Chapman reflects on the challenges of directing while eight-and-a-half months pregnant, the need for better industry support for mothers and underrepresented filmmakers, and the value of mentorship programs like the Canadian Film Centre and TIFF Talent Lab (which helped shape her career).This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
On this episode of Below the Radar, our host Am Johal is joined by Lisa Jackson, an award-winning filmmaker, whose work spans hybrid documentary, installation, VR, and more. Am and Lisa discuss her latest work, Wilfred Buck, a portrait of Cree Elder Wilfred Buck, an Indigenous star lore expert. They also talk about her time as an undergraduate student at SFU and her journey as a filmmaker. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/261-lisa-jackson.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/261-lisa-jackson.html Resources: Lisa Jackson: https://www.lisajackson.ca/ Door Number 3: https://doornumber3.ca/ Wilfred Buck: https://doornumber3.ca/wilfred-buck/ Transmissions: https://doornumber3.ca/transmissions/ Biidaaban: https://doornumber3.ca/biidaaban-first-light/ Suckerfish: https://www.lisajackson.ca/Suckerfish Bio: Lisa Jackson lives in Toronto and is Anishinaabe from Aamjiwnaang First Nation. Her award-winning work has screened at CPH:DOX, Sundance, Berlinale Forum Expanded, SXSW, Camden, Hotdocs, Tribeca, BFI London, the Melbourne Museum, the Art Gallery of Ontario, and broadcast widely. She's made works ranging from current affairs to IMAX, animation to VR, and even a residential school musical. In 2021 she received the Documentary Organization of Canada's Vanguard Award and in 2022 she was selected for a Chicken & Egg Award. Her 2024 hybrid feature documentary Wilfred Buck premiered in the DOX:AWARD section at CPH:DOX and was a top five audience pick at Hot Docs and won Best Canadian Film at Calgary Film Festival and the Women Inmate Jury Award at RIDM. Her short Lichen screened at Sundance in 2020 and Indictment: The Crimes of Shelly Chartier is one of the top watched documentaries on CBC, won the 2017 imagineNATIVE Best Doc award and was also co-produced by Lisa. Her Webby-nominated VR Biidaaban: First Light premiered at Tribeca Storyscapes in 2018, exhibited internationally to 25,000+ people, and won a Canadian Screen Award (Canada's Oscar), the second time she's received this honour. Transmissions, a 6000-square-foot immersive multimedia installation and sister project to Biidaaban, premiered in Vancouver in 2019 and was featured on the cover of The Georgia Straight. In 2016, she directed the VR Highway of Tears for CBC Radio's The Current which was nominated for a Canadian Association of Journalists award. In 2015 she was drama director for the 8 x 1 hour APTN/ZDF docudrama series 1491: The Untold Story Of The Americas Before Columbus, based on the bestselling book by Charles C. Mann, which was nominated for a Canadian Screen Award. She has an MFA in Film Production from York University (thesis prize) and is an alumna of the TIFF Talent and Writers Labs, Canadian Film Centre's Directors Lab, IDFA Summer School, CFC/NFB/Ford Foundation's Open Immersion VR Lab, and was a Fellow at the MIT Open Doc Lab. Cite this episode: Chicago Style Johal, Am. “Star Stories — with Lisa Jackson.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, February 4, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/261-lisa-jackson.html.
MOVIE DISCUSSION: Kathryn joins Melvin to discuss a late-90's Canadian sci-fi thriller, Cube! Why? Because Melvin has a podcast and he gets to choose what they cover! From talented directing to the intriguing mystery of the cube itself, the two discuss all sorts of exciting material in this episode. Tune in now!Topics:(PATREON EXCLUSIVE) 45-minutes discussing various Google "AI Overview" answers, laughing at their absurdity, and also reviewing how bad AI (or, large language models: LLMs) simply amplify lies, misinformation, or useless search and research practices (PATREON EXCLUSIVE)Kathryn and Melvin agree: the direction behind Cube is immensely impressive.The Canadian Film Centre is a program that helps network industry partners and volunteers with projects they've chosen to support. Cube was one such project. (Source: Sardonicast 150 [timestamp: 00:16:09])There's a perpetual unease and oppression to Cube that meshes well with its pacing.One angle about Cube's story is that of how there are unwitting participants in systematic issues.The characters are all named in reference to prison, although not all the characters are named after prison's, as Kathryn learned down the grapevine.Melvin, "[Cube] at some point is a math movie."Melvin talks about his current fascination with numbers as a definitive thing a world of excessive subjectivities.Because the setting and scenario of the cube is so static, the film allows for complex, dynamic character interactions.Thoughts on the ending, and the cube as a metaphor for life.Recommendations:Authority by Jeff VanderMeer (2014) (Book)Saw (2004) (Movie)MAILBAG: Send questions with your first name and we'll answer them in future episodes! Support the Show.Support on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group
If you're interested in ways a filmmaker's career can advance, this is an episode you won't want to miss! Listen up as multiple award-winning Vancouver writer/director Connor Gaston shares the roots of his fascination with reincarnation, the value of graduating from programs like the Canadian Film Centre and the TIFF Talent Lab, and what ultimately got him meetings in Hollywood that landed him an LA manager.Connor's films have screened in prestigious festivals around the world including TIFF, Busan, Sapporo, Sedona, Newport Beach, Whistler, and Vancouver Film Festival—along the way winning multiple Leos and other awards including a Grand Prix in Paris's Courts Devant short film festival. He won the BC Emerging Filmmaker Award at Vancouver International Film Festival, graduated from Norman Jewison's Canadian Film Centre, and was a member of the 2017 TIFF Talent Lab. He currently teaches at the Vancouver Film School.Mentioned in this episode:Watch The Cameraman on Vimeo: https://vimeo.com/323984793Other films:Watch Encore on Vimeo: https://vimeo.com/601186469Watch Adam in the Wall: https://www.youtube.com/watch?v=cqMx4zJwDu0More about Connor:IMDb: https://www.imdb.com/name/nm4497477/LinkedIn: https://www.linkedin.com/in/connor-gaston-94560068/Instagram: https://www.instagram.com/connorgaston/Facebook: https://www.facebook.com/connor.gastonX: https://twitter.com/connorgastonSubscribe to catch the latest episodes of Push In on Apple Podcasts:https://apple.co/2S5WB7q Podcast Production Team:· Technical Director: Paul Ruta· Sound Editor: Michael Korican· Host, Researcher & copywriter: Joyce Kline· Co-Producers: Joyce Kline, Michael Korican, Paul Ruta
There's certain to be lots that filmmakers and other creatives can relate to in part one of Joyce Kline's two-part interview with Vancouver based, internationally award-winning, writer/director Connor Gaston. With humour and rare honesty, Connor shares the joys and challenges of growing up in a household of writers, adapting his own father's novel, collaborating with his brother Vaughn, directing children, and how he bounces back when something doesn't work. Connor's films have screened in prestigious festivals around the world including TIFF, Busan, Sapporo, Sedona, Newport Beach, Whistler, and Vancouver Film Festival—along the way winning multiple Leos and other awards including a Grand Prix in Paris's Courts Devant short film festival. He won the BC Emerging Filmmaker Award at Vancouver International Film Festival, graduated from Norman Jewison's Canadian Film Centre, and was a member of the 2017 TIFF Talent Lab. He currently teaches at the Vancouver Film School. Mentioned in this episode:Watch The Cameraman on Vimeo: https://vimeo.com/323984793 Other films:Watch Encore on Vimeo: https://vimeo.com/601186469 Watch Adam in the Wall: https://www.youtube.com/watch?v=cqMx4zJwDu0 More about Connor:IMDb: https://www.imdb.com/name/nm4497477/Linked In: https://www.linkedin.com/in/connor-gaston-94560068/Instagram: https://www.instagram.com/p/BJEcaRNBlEw/Facebook: https://www.facebook.com/connor.gastonX: https://twitter.com/connorgaston?lang=en Subscribe to catch the latest episodes of Push In on Apple Podcasts:https://apple.co/2S5WB7q Podcast Production Team:· Technical Director: Paul Ruta· Sound Editor: Michael Korican· Host, Researcher & copywriter: Joyce Kline· Co-Producers: Joyce Kline, Michael Korican, Paul Ruta
Actor Kimberly-Sue Murray joins Becky to discuss the touching 1991 coming-of-age comedies My Girl and Father of the Bride. Kimberly-Sue Murray is a graduate of the prestigious Canadian Film Centre and is best known for her recurring roles in Shadowhunters, V-Wars and Trader. Murray is also a prolific creator, writing and starring in the award winning short films She Came Knocking, Purl and Werewoman. Hosted on Acast. See acast.com/privacy for more information.
On this episode we explore a film that is a haunting love letter to dying way of life. Sweetland is the story of an endangered Newfoundland community and the struggles of one man determined to resist its extinction. Faced with community pressure and offered substantial money, he wants to live out the rest of his life in his home. We interviewed writer and director, Christian Sparkes.Christian Sparkes is an award winning writer and director hailing from Newfoundland, Canada. He has directed numerous episodes of television and his films have screened at the world's top festivals including TIFF, Fantastic Fest and Busan. An alumnus of the prestigious Canadian Film Centre in Toronto, Christian's debut feature Cast No Shadow was nominated for four Canadian Screen Awards including Best Picture. His sophomore feature Hammer starring Will Patton and Mark O'Brien debuted in 2020 and received widespread acclaim from Roger Ebert and The Hollywood Reporter, amongst others. His third and fourth feature films, Sweetland and The King Tide, are set to be released in 2023, the latter of which was selected for TIFF's prestigious Platform Program.The 2023 Atlantic International Film Festival is just around the corner, and with it comes a new line-up of films across a fresh collection of streams. This podcast showcases the voices of filmmakers whose work will feature in the 2023 program, going deep behind the vision and motivation for each film.Find out More:https://atlanticfilmfestival.ca/Produced by Podstarterhttps://www.podstarter.io/
Today on Too Opinionated, actress Kimberly Sue Murray drops in for a visit! A graduate of the Canadian Film Centre's Actors Conservatory, Kimberly-Sue Murray is quickly becoming recognized as a rising star. Murray is most known for her recurring roles in the hit TV show SHADOWHUNTERS as Seelie Queen Amara, the vampire drama V-WARS as Danika Dubov, and series lead in THEWEDDING PLANNERS. She has also starred in shows such as 9 FILMS ABOUTTECHNOLOGY , TITANS, and TRANSPLANT, to name a few. Murray's performance as Gamora in 2021's MARVEL'S GUARDIANS OF THE GALAXY Video Game also received rave reviews, and the game won BEST ENSEMBLE CAST PERFORMANCE at the G.A.N.G. Awards (2021). Upcoming projects include the psychological thriller TRADER, a single-room/single-actor feature film, which earned her the award for Best Lead Performance in a Feature Film, THE MADNESS, and a supporting lead in DIE ALONE, starring Carrie-Anne Moss and Frank Grillo. Murray is also a prolific creator, writing and starring in the award winning short films, SHE CAME KNOCKING (Best Short, CFF17 & Brian Linehan Actors Award, 2018), PURL (2018) and WEREWOMAN, a viral web series pilot that garnered over 1 million views worldwide. Want to watch: YouTube Meisterkhan Pod (Please Subscribe)
Jones Lecturer Georgina Beaty reads “Shelter Seekers,” a story from her recent debut collection The Party is Here, and talks about writing the climate crisis and experimenting with form. Georgina Beaty is the author of the short story collection The Party is Here (Freehand Books, 2021). Her fiction has appeared in New England Review, The Walrus, The New Quarterly, The Fiddlehead, PRISM, and elsewhere. As an actor and playwright, she's worked with theatres across Canada and internationally. A 2020-2022 Stegner Fellow in fiction, she holds an MFA from the University of British Columbia, has been supported by fiction residencies at MacDowell and The Banff Centre, and was a screenwriting resident at the Canadian Film Centre. She's currently a Jones Lecturer in Creative Writing at Stanford University.
Jones Lecturer Georgina Beaty reads “Shelter Seekers,” a story from her recent debut collection The Party is Here, and talks about writing the climate crisis and experimenting with form. Georgina Beaty is the author of the short story collection The Party is Here (Freehand Books, 2021). Her fiction has appeared in New England Review, The Walrus, The New Quarterly, The Fiddlehead, PRISM, and elsewhere. As an actor and playwright, she's worked with theatres across Canada and internationally. A 2020-2022 Stegner Fellow in fiction, she holds an MFA from the University of British Columbia, has been supported by fiction residencies at MacDowell and The Banff Centre, and was a screenwriting resident at the Canadian Film Centre. She's currently a Jones Lecturer in Creative Writing at Stanford University.
Episode 388."FROM"Actor: Kaelen Ohm (Maryelle)You can currently find Kaelen Ohm in "FROM" on MGM+. Kaelen and I talk about her musical and acting careers, all things "FROM" including Mary's relationship with Kristi and Kenny's horrible luck and more!Kaelen Ohm is an actor, award winning filmmaker and musician. After graduating with honors from the Vancouver Film School's Film Production Program in 2005 she went on to travel the world as a director, cinematographer and editor, creating music videos, fashion films and short documentaries for various bands, brands and socially active organizations. She attended the highly coveted Canadian Film Centre's Actor's Conservatory in 2018 and currently resides in Toronto.Welcome, Kaelen Ohm.Monday Morning Critic: Instagram, TiKTok, YouTube and Facebook.www.imdb.com/title/tt12597724/www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com
Click here to download your FREE gratitude journal to improve all areas of your life, including a stronger immune system. In this episode, Tika shares how she healed through community and how you can too. TiKA is a multi-disciplinary artist, film composer, artistic director, cultural curator, consultant, and activist. TiKA added film scoring to her repertoire in 2019 after graduating from the Canadian Film Centre in 2021. To date, she has scored 8 short films, 4 cartoon series, and 4 feature films and is the 2022 Canadian Academy Award Winner for best original music in the film “Learn To Swim.” Last year, TiKA started her first not-for-profit organization, StereoVisual, which aims to teach marginalized musicians and producers how to transition into making music for film in an effort to create equity in the film industry. As a musician, TiKA has opened for major R&B heavyweights like John Legend + NAO and is listed by Complex Magazine as “One of the most prolific creatives in Toronto.” TiKA's debut album was released in the Spring of 2021 titled “Anywhere But Here.” In addition, TiKA was the only Canadian musician to model for Sephora 2 years in a row. Her billboards can be seen all across Canada. We discussed: Why shaving her head after a sexual assault was cathartic How the traumatic event forced her to slow down in life and reevaluate her circle Finding solace in herself and God How scary it is to open up and be vulnerable How therapy and alternative medicine has helped ...and much more! Stay connected with Tika online: Website Instagram Stay connected with us online: A Walk In My Stilettos Legacy Leavers Media Facebook Instagram Twitter Youtube LinkedIn Books Subscribe to our newsletter if you love the value and free stuff! Send feedback/questions to info@awalkinmystilettos.com Submit guest suggestions HERE
TRU Beauty Confessions is a part of the EcoParent Podcast Network: www.ecoparent.ca/podcasts About the Episod: Why do we lock eyes with another as we come down the escalator? Why do we come back to these people even after years pass? What does it mean to curate your own swag? Emmanuel discusses the human experience through several of his film project and what it means to become, how we see ourselves, and how we see others as beautiful. How being authentic supports our personal evolution. Raquel explores where her sense of self was curated during a challenging accident as a child, and what her priorities are in life. Both touch on how they keep themselves accountable to show up as their whole self in each day. Emmanuel talks about how he compromised himself in the name of a look on the Chateau Laurier, and it's not what you think! We all share some hair shame together. Stay tuned to find out who of this couple wins our first ever ‘Guess that Chemical' Podcast Game Series. Guest Bios:Emmanuel Kabongo was born in Congo, spent time in South Africa before growing up in Toronto. As a teenager, Emmanuel focused on sports with siblings, specifically basketball. After playing on the varsity team at George Brown College, Emmanuel decided to pursue an acting career. Emmanuel is an alumnus of the Canadian Film Centre, a two-time CSA and nominee. Emmanuel is recognized for his works in the series “21 Thunder”, and the web series “Teenagers”. Coming up for Emmanuel is a part in the Netflix series “Outer Banks”, the Canadian series Chateau Laurier, the feature film “Write Place, Write Time”, and the feature film “Hello Stranger”. Emmanuel resides between Los Angeles and Toronto.Raquel Melnichuk-Kabongo is an award-winning Realtor in Toronto and the GTA. She prefaced her Real Estate career with custom home building which led her to her real estate career. Links:Instagram: @emmkabInstagram: @theraquelchukAbout Your Host Michelle Rosetta (Clinical Herbalist and Owner of BEE23 Natural Beauty):Michelle is a mother of four with over 20 years of experience in the health and beauty industry, inspired by her own sensitivities to synthetic ingredients in personal care products and a deep need to be good to the environment we share this world with. She has served customers stretching around the world with her all natural non-toxic BEE23 Natural Beauty line of products, specializing in maturing skin, eczema and sensitive skin issues. As a Clinical Herbalist she works to support our natural beauty not only from the outside but from the inside-out focusing on reducing internal inflammation. She enjoys freelance writing encompassing tips for positive and ‘green' skin care health to the deeply emotional, philosophical and energetic relationship we have with our physical aesthetic, while reconciling this with the love of self which lies far deeper than reaching for the latest cosmetic cream.Links for Michellewww.bee23.caInstagram @hottybalmInstagram @michelle_rosettahttps://www.facebook.com/HottyBalmAbout the EcoParent Podcast Network:The EcoParent Podcast Network helps busy families live a healthier, greener lifestyle. Our host experts are imperfect, real, busy parents just like you who share ways to lower our collective carbon footprint and practical strategies that make a difference to your family's health, the planet and to our children's future. We offer raw, honest conversations and actionable advice in the following six areas: pregnancy & birth, pediatric wellness, kids nutrition, healthy home, beauty, and parenting. Join us and get inspired to live a more sustainable, healthy life! www.ecoparent.ca/podcastsCredits: Audio magic on this episode was performed by Carlay Ream-Neal. This episode was edited by Emily Groleau.
Johnny Kalangis (he/him) is a multi-award-winning film director, installation artist, and digital media creative from Toronto/T'karonto, Canada. He is a first-generation white settler of Greek descent. His first feature film, the anti-romantic micro-budget comedy Jack & Jill, premiered at the Toronto International Film Festival (1999) and was executive produced by Atom Egoyan. His second film, Love Is Work, won the People's Choice Award at the Whistler International Film Festival (2005) and was the closing gala at the Canadian Film Festival in Toronto. His horror-comedy, The Mad (2007), starring Billy Zane, opened the Canadian Film Festival (Toronto) and enjoys cult classic status. Johnny has done interactive, narrative film art installations at Toronto's Nuit Blanche on three occasions. The pieces Road Trips, Road Trips (1984), and, Airwaves allowed visitors to interact with their physical space to create and collaborate on their narrative experiences. Johnny is currently the VP of Digital at Toronto's Cream Productions. He executive produced CNN's Behind The Desk, The Story of Late Night (WINNER! 2022 Webby Award) podcast, and the A Ghost Ruined My Life with Eli Roth (Discovery) podcasts. He also creates interactive digital media projects in augmented and virtual reality. He has designed games and game narratives and, this year, is also the executive producer on an album release. In the past, he was a producer and executive at CBC Digital/TV and VP, Creative Director, Digital, and the multi-award-winning company, marblemedia. He studied English, film theory and criticism, filmmaking, and interactive digital media at Western University, New York University, and the Canadian Film Centre. --- Support this podcast: https://podcasters.spotify.com/pod/show/experimentalfilmpodcast/support
Lisa Rose Snow was named by Women In View as one of Canada's top 3 emerging female directors in 2017. Her writing won the Telefilm New Voices Award in 2018, and she received a WIFT Award for Women Making Waves. Born and raised on the East Coast of Canada, Lisa Rose began her career in front of the camera. A graduate of the Dalhousie University Acting Program, she has appeared onscreen in film and television in numerous projects including TIFF Discovery Award winning All the Wrong Reasons, recurring on Sex and Violence, Haven, Saving Hope, and This Hour Has 22 Minutes. In 2013 she was accepted into the AFCOOP FILM5 program where she wrote and directed her first short, Two Penny Road Kill. TPRK went on to win Best Canadian Short at the Silver Wave Film Festival, Best Juried Short at the Parrsboro Film Festival, Bronze for Best Film in The Coast Weekly, and appeared on CBC's Short Film Face Off. Lisa Rose was then awarded the NSI Drama Prize for her short film When Fish Fly, which had a strong international festival showing including playing at TIFF Kids and won Audience Choice at the San José Short Film Festival. She then moved to Toronto to participate in the Canadian Film Centre's Cineplex Screenwriting Program. As her focus shifted to primarily writing and directing, she has been in the writing room for major networks including Netflix, ABC, CBC, and HBO Max. Her work as a television director can be seen on BBC Kids, PBS, Amazon Prime, Makeful, and includes Emmy winning Odd Squad and Dino Dana. She directed Lockdown from her living room during the Covid-19 pandemic for YouTube Studios (1 million + views). In February 2021 season two of Odd Tube, which she directed, won the Kidscreen Award for Best Web Series - Branded, against Lucas Films and Mattel. Most recently she directed Under the Christmas Tree, Lifetime's first lesbian holiday romance movie. She continues to live and create in Toronto.
Hope Thompson is a graduate of the Canadian Film Centre's Feature Writing Program and UBC's Creative Writing MFA program. She writes for stage, film, and television and her work explores the queer experience through history and genre. She's written on two seasons of CBC's Baroness Von Sketch Show, teaches screenwriting and co-hosts the crime fiction reading series Noir @ The Bar.In this episode of Playwright's Spotlight Hope and I discuss gender roles within genres, finding representation, if acting can help writing, creating conflict, and what's missing in modern theatre. To watch the video version of this episode, please follow the link below - https://youtu.be/cxckvU7XDFoLinks discussed in this episode - Noir @ The Bar - There is no official website for Noir @ the Bar. Each city has its own site or facebook page. To see if Noir at the Bar occurs in your city give a Google search. Was hoping they were linked together. Submittable.com - The site is a bit confusing and misleading by not seeming to revolve around writers but rather social impact. I found an article that describes more of how it relates to writers HERE.Buddies in Bad Times - https://buddiesinbadtimes.comCanadian Play Outlet -https://www.canadianplayoutlet.comHope Thompson - www.hopethompson.netPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightWriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
On this episode of Finding Your Bliss Judy Librach is joined by Canadian music industry royalty, Amy Sky and Marc Jordan. Born in Toronto, Amy Sky is an award-winning Singer/Songwriter with 13 solo CDs to her credit. As an artist, Amy is one of the most familiar voices on Canadian Radio. Her hit songs, which include some of Judy
The landscape of Canadian cinema has changed drastically over the years, with our homegrown talent getting more international recognition for their unique and impactful work. In this episode, we sit down with three women who are changing the rules of the game in Canadian cinema and advocating for representation of diverse voices in today's film and TV industry. Gloria Kim, Supinder Wraich, and Mary Galloway are all graduates from the Canadian Film Centre and have been making waves with their recent projects. In 2019, Gloria Kim released her feature film Queen of the Morning Calm, which garnered rave reviews for its stylistic and aesthetic excellence. Supinder Wraich won an international Emmy in 2013 for her web series Guidestones, since then, she has released another web series, The 410. Mary Galloway made her directorial debut in 2017 with her film Unintentional Mother. Since then, she has worked on numerous projects, with an Indigi-Queer focus, and in 2019 The Hollywood Reporter listed her as one of 15 “Breakouts Making an Impact on Hollywood”. Don't miss this insightful conversation, and join us in celebrating our homegrown Canadian talent! A podcast hosted by Marriska Fernandes, produced by The Brand is Female and powered by Telefilm Canada. ... Learn more about Maple Popcorn
Author Ira Wells spent three years working on "Norman Jewison: A Director's Life." A full year of that was pouring over Jewison's papers, annotated scripts and other manuscripts at Victoria College at the University of Toronto -- where Wells is an assistant professor of literature.He writes that Jewison's 24 feature films "could just as easily have been a dozen, or three or none." Despite directing two films -- "In the Heat of the Night" and "Moonstruck"-- to Best Picture Oscar wins, landing the next film deal never got any easier. It helped that behind Jewison's nice guy, all-Canadian persona, beats the heart of a lion. As Burt Reynolds once mused, "He must be able to kick the shit out of people in meetings."Jewison's other talent was to be the director he needed to be in relation to the talent at hand. He could be, as Wells describes him, "a nurturing father figure, a wise older brother, on old fling." Sometimes he was all three on the same film, as he was on the set of "Agnes of God."Wells goes through Jewison's diverse catalogue -- "The Russians Are Coming...," "The Thomas Crown Affair," "Fiddler on the Roof," "Rollerball," "A Soldier's Story" and "The Hurricane," among others. He takes us through the director's early days at the CBC in Toronto as well as directing superstars such as Judy Garland and Harry Belafonte in American television. He addresses Jewison's passion for mentoring the next generations of filmmakers with the Canadian Film Centre.The title of Jewison's own 2004 autobiography is "This Terrible Business Has Been Good to Me" and he meant it. As Wells writes, "The image that emerges from the thousands of pages of letters, contracts, memos, production schedules, casting notes, draft screenplays and countless other documents is of a director fighting for every frame of his vision."
Annelise comes from a background as an independent producer, with training at such prestigious institutions at the Canadian Film Centre (Producer's Lab) and Banff Centre for the Arts (Electronic and Film Media). Since 1995 she has been working in the field of online marketing and has always been an avid gamer and consumer of digital content. She works extensively with government organizations and production companies in the film, television and interactive industries in North America. Her focus is helping content creators and storytellers to use the power of online language and data to define, find, attract and engage their audiences and work toward strategic and sustainable digital business models. She has sat on the Interactive Fund jury for BC Film + Media, the Experimental Stream jury for the CMF has taught across the country on behalf of such organizations as Telefilm Canada, the Canadian Film Centre, Women in Film, and the National Screen Institute, and is a highly sought after speaker for media festivals and conferences. Annelise has developed and implemented marketing strategies and gathered and analyzed online data for digital and screen media products as diverse as social TV apps, transmedia experiences, webisode series, feature films, television series and production companies themselves. She has worked with over 30 filmmaking teams as an instructor or Digital Marketing Expert for the Telefilm Talent to Watch Program (formerly Micro-Budget Production Program). Her ground-breaking online course Becoming a Storypreneur has been taught to media storytellers across Canada and in conjunction with Boost Hbg in Sweden. Websites: https://www.storypreneursunite.com https://veria.ca Follow Annelise on these social media platforms: Twitter Facebook Instagram LinkedIn
Lindy Davies has worked as a Director, Actress, Actor Trainer and Performance Consultant, winning awards and nominations for performance, direction and inspirational leadership. Her contributions to our cultural heritage and stages are remarkable and many. Lindy Davies was a founding member of La Mama in Melbourne; a company that forged a new wave of theatre writing and performance in Australian theatre.Her work as an actress includes film and theatre. She was awarded the A.F.I as Best Supporting Actress for the film Malcolm. And on stages has mesmerised in Scenes from an Execution (Belvoir), The Seagull, Who’s Afraid of Virginia Woolf? and Wild Honey (SATC), Upside Down at the Bottom of the World, World is Made of Glass, Buried Child (Playbox); and with Rex Cramphorn's Actor's Development Stream: Antony and Cleopatra, Britannicus, Hamlet, Not Suitable for Adults and Every Good Boy Deserves Favour.Lindy Davies has worked extensively as a performance consultant in film in Toronto, Vancouver, New York, London and Sydney. She conducted Performance workshops for actors, writers and directors at the Canadian Film Centre from 2010 - 2019.Lindy worked with Julie Christie on Robert Redford’s The Company You Keep and Catherine Hardwicke’s Red Riding Hood. Previously she worked with Julie on Stephen Poliakoff’s Glorious '39 and Sarah Polley’s Away From Her for which Julie won a National Board of Review Award, a Critics’ Circle Award, a Screen Actor's Guild Award and a Golden Globe Award for Best Actress. Julie Christie was also nominated for an Academy Award for this performance.Lindy's work as a Director includes productions in Europe and Australia. For the National Theatre of Slovenia: Scenes From an Execution and The Changeling. Old Times at the Moscow Maly Theatre. At Wyndham's Theatre in London’s West End: Old Times (with Julie Christie, Leigh Lawson and Dame Harriet Walter) and Hedda Gabler at Chichester Festival Theatre (with Dame Harriet Walter, Nicholas Le Prevost and Phyllida Law). At the Sydney Theatre Company she has directed Three Days of Rain, A Month in the Country and Old Times. With Bell Shakespeare; As You Like It and at Belvoir Street; Scenes from an Execution.Lindy has also been involved in Actor Training for thirty years. She was Head of the School of Drama at the former Victorian College of the Arts from 1995 to 2007 and also held the position of Head of Acting at the Victorian College of the Arts from 1979 to1982.She is presently writing a book on her Approach to Performance: The Intuitive Actor... a path to Autonomy.The STAGES podcast is available from Apple podcasts, Whooshkaa and Spotify. Also from where you find your favourite podcasts. www.stagespodcast.com.au
The Canadian Film Centre has a new boss and she wants your e-mails about your stories; "It's like painting using music as a canvas": GTA K-Pop dancers using dancehall moves in on-line sessions.
I finally learn how to spell his name and then he retires! Slawko Klymkiw has spent over 40 years towering over the media landscape in Canada. His list of acheivements are many, starting in news at CBC and working his way up to head of programming and entertainment. Shows such as The Rick Mercer Report and Da Vinci's Inquest flourished under his watch. Not everything he tried worked, but every time I would point out a misstep from my perch as TV critic at The Toronto Sun, Klymkiw would call me over to CBC headquarters in Toronto and point out all the things I didn't get right.What emerged was an understanding of the multi-level chess game that was all part of the job of running the public broadcaster -- and what a good sport I found in Klymkiw.After 25 years at CBC he moved on to have an even greater impact as head of The Canadian Film Centre. The past 16 years, Klymkiw took a visionary approach to managing the CFC, broadening the scope of the institution Norman Jewison built to include mentorship programs in television as well as in film. He was also responsible for helping to raise an estimated $150 million in funds for the Centre, a legacy that will continue to inspire and help educate the next generation of Canadian media storytellers.
This week, we have Shernold Edwards on the beat! SHERNOLD EDWARDS is an award-winning film and TV writer with roots in genre/sci-fi and family drama. Shernold adapted the acclaimed novel A Day Late And A Dollar Short by Terry McMillan (Waiting To Exhale) into a TV movie for Lifetime starring Whoopi Goldberg and Ving Rhames. For that project, she received the 2015 NAACP Image Award for Outstanding Writing in a Television Movie or Mini-Series. Shernold has also written for the final three seasons of SyFy's Haven, was a Producer on the third season of Fox's Sleepy Hollow, a Producer on season two of Amazon's Hand of God (starring Ron Perlman and Dana Delany) and a Consulting Producer on the powerful CBS limited series THE RED LINE, exec produced by Ava DuVernay and Greg Berlanti, that debuted in early 2019. She was most recently a Co-Executive producer on season three of Netflix's Anne With An E (based on the novel Anne of Green Gables) and is writing a TV pilot for eOne adapted from the bestselling Fiona Griffiths mystery novel series from Harry Bingham. Shernold is currently a Co-Executive Producer on the new hit CBS series ALL RISE that premiered in September 2019. Prior to writing, Shernold was a production/development executive at CTV Network (Canada) where her projects included award-winning TV movies and series like Degrassi: The Next Generation. She attended the Canadian Film Centre's Professional Screenwriting Program and has a Screenwriting MFA from Columbia University. We talk about: the difference between Canadian and American writer's rooms why writers need to speak up and advocate for themselves why it is helpful for screenwriters should talk about how much money they make how a near death experience may have helped her land a writer's job the "staff writer's slump"- you need to know this! what it was like writing on some of my favorite shows: Instant Star, Degrassi, and Anne with an E and more! Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier. If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to hi@thebeatsheet.co! You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher! You can click here to subscribe to the podcast everywhere via this RSS feed! The official hashtag for the podcast is #beatsheetpod Please be sure to follow us on social media as well! You can find the show everywhere: Instagram | @beatsheetpod Twitter | @beatsheetpod Facebook | The Beat Sheet
This week on the beat, Motion Braithwaite is our guest! We talk about: How her love of poetry helped in her screenwriting journey The major differences between playwriting and screenwriting The plays she reads to study storytelling structure What makes a play becomes a successful film adaptation How to co-write a film successfully And more! Wendy MOTION Brathwaite motionlive.com | @motionlive Motion is a playwright, screenwriter, poet and emcee, fusing word, sound & drama for the stage and screen. A Canadian Film Centre alumna, she is currently a writer and Executive Story Editor on CBC's hit drama series, Coroner (Back Alley/Muse). She is also developing series with production companies Darius Films and Sphere Media. Motion is the co-writer of Akilla's Escape (Canesugar Films), a feature film with director Charles Officer, to be released in 2020. She is also writer of ReelWorld Award-winning short film A Man's Story (Bravofact), which has screened in film festivals in London, Ghana, Belgium, Zanzibar and Toronto. Her most recent production for the stage is Oraltorio: A Theatrical Mixtape with DJ L'Oqenz. Premiering to critical acclaim, it has been remounted at Toronto's Soulpepper/Obsidian Theatre, CINARS in Montreal, and the groundbreaking Chale Wote Festival in Ghana. Her other works include Aneemah's Spot (Summerworks), Loveleigh's Logue (50in50/Billie Holiday Theatre, NYC), and the Dora- nominated Nightmare Dream (IFT Theatre/Obsidian). She is also published in Motion in Poetry (Women's Press), Everything Remains Raw (GooseLane), and The Black Notes (Insomniac Press). Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier. If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to hi@thebeatsheet.co! You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher! You can click here to subscribe to the podcast everywhere via this RSS feed! The official hashtag for the podcast is #beatsheetpod Please be sure to follow us on social media as well! You can find the show everywhere: Instagram | @beatsheetpod Twitter | @beatsheetpod Facebook | The Beat Sheet
Christian Sparkes, Mark O’Brien and Face2Face host David Peck talk about Hammer family, wholeness and healing, personal crises, inclusion versus exclusion, relational shorthand and things you never should say.TrailerSynopsis:Parents will go to great lengths to protect their kids and that’s exactly what happens to a father and son in the new film Hammer. A father faces a personal crisis when he discovers his estranged son fleeing a botched drug deal. The two men embark on a violent odyssey that grapples with themes of fatherhood, family and fate.It’s the story of a young man that is put in a terrible position after a deal goes sideways – a deal between him, a young woman, and a local criminal. Fleeing for his life, he finds himself turning to the only person willing to help him at any cost—his father. With his family’s life in jeopardy, he and his dad have to figure out how to fix everything and bring it all home while dealing with a murderous criminal that is willing to get blood on his hands.The film stars Will Patton, Mark O’Brien, and Ben Cotton, Patton is a character actor probably best known for his roles in films such as Remember the Titans and Armageddon.O’Brien is one of the more underrated actors working today, with great performances in the TV series Halt & Catch Fire, as well as films such as Marriage Story and Ready or Not.Christian Sparkes wrote and directed Hammer. The filmmaker previously directed the 2014 film, Cast No Shadow.About Christian and Mark:Christian Sparkes is an award winning writer and director of film and television hailing from Newfoundland, Canada. His films have screened at various festivals around the world including TIFF, Fantastic Fest and Cannes and are typically revered for their unique blend of fantasy and drama along with a classical shooting style.Christian recently won the Best Atlantic Director prize for his debut feature Cast No Shadow. The film was also nominated for four Canadian Screen Awards including Best Picture. Sparkes is a recent alumnus of the Canadian Film Centre's Director's Lab in Toronto.Mark O'Brien is an award-winning actor and filmmaker. He is an English major with a Bachelor of Arts from Memorial University of Newfoundland. His mother was a nurse and his father a truck driver. Mark also has three older sisters. He married actress Georgina Reilly on January 6, 2013 after meeting on the set of the hit show Republic of Doyle.With thanks to IMDBImage Copyright and Credit: Christian Sparkes and A71.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
Recorded February 18, 2020 at Nerd Nite in the Backstage Theatre, Edmonton, Alberta. Slides available at: https://www.slideshare.net/GregoryPang/nerd-nite-edmonton-how-to-prosecute-thanos. Special thanks to Joshua Gilliland of The Legal Geeks: http://thelegalgeeks.com/. Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com This episode is brought to you by the Canadian Film Centre: http://www.cfccreates.com/ © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
Rebecca Everett is currently composing and recording for TV, film, theatre, records and performing in Toronto and internationally Victoria bred and Toronto-based musical artist Rebecca Everett has a keen melodic sense, which is ideal for a working songwriter and composer. Bespoke songs crafted for scenes in film along with her orchestral background and cinematic feel is a perfect match for her songwriting and composition sensibility Since her relocation to Toronto, she's been busy co-writing and was an in-house writer for OLD. She collaborated with many different writers in Canada, the US and Europe. Some highlights are the radio single ‘I Remember' on Shiloh's JUNO nominated album ‘Picture Imperfect' and a song on Jimmy Rankin's, Forget About the World (JUNO nomination). Rebecca's songs have turned up on TV with placements on Degrassi: The Next Generation, Lost Girl, CH Live, CBC and Next Star and on many upcoming film releases Her most recent award was being granted a Residency with the Slaight Music Residency at the prestigious Canadian Film Centre for 2016 - 2017. The residency was a micro-lab of songwriting and composing for films by Canada's top, upcoming directors, producers and writers Rebecca's eclectic experience as a professional violinist, singer and multi-instrumentalist has brought a rich tapestry of sound in a diaspora of genres to her songwriting and compositions. Rebecca Everett Website Master Of Your Crafts is a conversational podcast with individuals who have and are working towards mastering a craft. They have harnessed and taken ownership of a gift, talent or skill that is so innate to them. We uncover the inner dialogue, actions and life circumstances, all combined in a deep conversation to offer you words of wisdom to empower and guide you to be your own Master Of Your Crafts.
Affidavits are annoying and producers have to deal with them and, normally, meet lawyers or notaries public to get them commissioned. Then, COVID-19 changed all of that. Find Avnish Nanda at http://www.nandalaw.ca/ and https://twitter.com/avnishnanda Notaries and Commissioners Act, SA 2013, c N-5.5, Commissioners for Oaths Act, RSA 2000, c C-20, (REPEALED) Alberta Ministerial Orders regarding virtual commissioning: https://open.alberta.ca/publications/ministerial-order-008-2020-service-alberta https://open.alberta.ca/publications/ministerial-order-29-2020-jsg Ontario Commissioners for Taking Affidavits Act, RSO 1990, c C.17, Law Society of Ontario’s messaging on virtual commissioning: https://lso.ca/covid-19-response/faqs/practice-management#can-a-lawyer-or-paralegal-use-virtual-commissioning-in-the-context-of-covid-19--5 Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com This episode is brought to you by the Canadian Film Centre: http://www.cfccreates.com/ © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
On this episode, we talk with Ana Serrano and Shabnam Tashakor about the role of the community in responding to coronavirus, and the values they hope will characterize our future society. Serrano holds leadership positions with the Canadian Film Centre and Open Democracy Project, and Tashakor is a member of the Bahá'í Continental Board of Counsellors for the Americas.
Join host David Gale as we have a wonderful chat with the ACTRA Award-winning Cara Ricketts! Listen as Cara chats about life during COVID-19, reflects on her background in theatre, her time at the Canadian Film Centre, her award-winning role on Anne with an E, being second on the call sheet on Street Legal, video game performance in Far Cry, and more.
Invoking force majeure clauses and the doctrine of frustration of contracts during events like this crazy pandemic that has caused the film industry to grind to a halt. Show notes: Playback’s list of Canadian film industry events and productions impacted by COVID-19: https://playbackonline.ca/2020/04/07/events-impacted-by-covid-19/ (link may change as it gets updated, go to https://playbackoneline.ca for more information) Naylor Group Inc v Ellis-Don Construction Ltd, 2001 SCC 58 (CanLII), [2001] 2 SCR 943, And Greg was wrong: Hawkins Cheezies are not from a town called Hawkins (this ain't Stranger Things), they're made in Belleville, Ontario. Also the CBC comedy Greg refers to but forgot the title to is Baroness Von Sketch. This podcast is brought to you by AMPIA and its professional development team. Special thanks to our audio editor Jane Toogood, courtesy of AMPIA. Visit: https://ampia.org/ This episode is brought to you by the Canadian Film Centre. Visit http://cfccreates.com/programs/cineplexfilmprogram Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
Teyama Alkamli and Andrew Moir and Face2Face host David Peck talk about their new film Hockey Mom, Syria, motherhood and refugees, new Canadians, survival jobs, and something called the newcomer kitchen .TrailerWatch it here. Synopsis:Hockey Mom is an intimate, character-driven film that follows a single Syrian mother and her young son rebuilding their life in Toronto with the support of Canada’s private refugee sponsorship program. When the Syrian war tore her life apart, Fatma bravely seized the opportunity to build a new life for herself on her own terms. Twenty days after she arrived in Toronto from a refugee camp, Fatma fulfilled a years-long wish: she left her husband. For the past two years, Fatma and her son, Majed, have been living with their sponsors on Vermont Avenue, a friendly street in Toronto. On the surface, their new life in Canada seems fine, but Majed hasn’t made friends and is routinely suspended from school for unruly behaviour. She decides that a change of address might be the solution to his problems. Determined to provide Majed with everything he needs, Fatma finds an apartment in a nearby suburb. But the move makes matters worse and Fatma encounters obstacles every step of the way. Majed’s school suspensions continue, leaving Fatma with no time to look for a job. When the sponsors tell her that their financial support will soon run out, and with no job prospects in sight, she feels like a failure. Nowhere left to turn, Fatma digs deep to take ownership of her choices and finds the courage to face them. HOCKEY MOM is more than just a story about a Syrian mother trying to make a new life with her son; it’s a story about a brave woman learning to trust herself.About the Directors:Teyama Alkamli was born in Aleppo and raised in Dubai, Teyama Alkamli is currently a proud Torontonian. Her visually tender and deeply human films deal predominantly with issues of identity, sexuality, displacement and migration. Alkamli’s short films have screened at festivals worldwide, including Doclisboa and FECIBogotá.She is an alumna of DocNomads, the European Mobile Film School, Hot Docs Emerging Filmmaker Lab, and the Canadian Film Centre's Director Lab. Hockey Mom is her first mid-length documentary. She is currently developing her narrative feature debut, My Name is Jala. Andrew Moir’s documentaries leave you thinking long after watching them. The intricate maneuvers he manages while integrating himself into each subject's life, often spanning years, is remarkable. Working with small crews or often alone, audiences have been truly touched by Andrew’s films. He has seen great success at film festivals where four of his short films premiered at Hot Docs Canadian Documentary Film Festival. Other festivals who have featured his films include Sheffield Doc/Fest, AFI Fest, and DOC NYC. His production company, Hands Up Films, produces his docs and he is currently working on his first feature-length film, Bedside Bride, which will be released in 2020. Image Copyright: CBC. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
Iain MacLeod is a writer, filmmaker and film educator originally from New Glasgow, Nova Scotia. Educated at York University and the Canadian Film Centre, Iain started his career in the Nova Scotia film industry writing and directing short films before transitioning to television where he wrote on CBC's Street Cents, and for six seasons on the Showcase, cult hit Trailer Park Boys.Iain has written and directed two feature films, Your Money or Your Wife and You Ruined Our Life, and co-written three others, Beat Down, Relative Happiness and Hopeless Romantic as well as story editing multiple projects. He also recently earned a Master of Education degree from Mount Saint Vincent University in Lifelong Learning and is the programs coordinator at the Atlantic Filmmakers Co-operative (AFCOOP) in Halifax, working on various film education initiatives, including teaching and mentoring emerging screenwriters.
Best known as the writer of the original cult horror film, Ginger Snaps, award-winning writer-producer Karen Waltonhas developed original and adapted film projects in almost every genre with top producers in Canada, the UK and the American studio system for almost twenty years.The episode starts with… homework! For the first time, Gray assigns a book to read – The TV Writer’s Workbook, by Emmy-nominated writer Ellen Sandler – as he’ll be talking to Ellen on April 1st, and wants to solicit informed questions about her book.Then on to the interview with Karen Walton…After graduating from the Canadian Film Centre, Karen wrote a critically acclaimed independent horror film, Ginger Snaps, that has become a cult hit, and is listed by many critics on their all-time top 10 lists of high school horror films.This film led to many years of assignment writing, and Karen shares the differences between writing an independent feature versus feature development in the studio system.Karen has also written critically acclaimed TV movies, including the Gemini-winning The Many Trials of One Jane Doe, and she talks about the challenges of adapting true events, writing socially and morally conscious material, and writing a movie within the confines of the television format.Karen has also been busy in series television, including freelance episodes of CBC’s Straight Up and CTV’s The Eleventh Hour, being a executive story editor on Showtime’s Queer as Folk, and just recently, she has started as a writer-supervising producer on season 4 of CTV’s Flashpoint, which airs on CBS in the US.But wait, there’s more… Karen is the executive producer of the successful web series for tweens, Ruby Skye P.I.; has an original paranormal series currently optioned; is an active member of the Writer’s Guild of America – West, Canada, and Quebec’s SARTEC; and if that’s not enough… is the founder and current editor of the online writer’s community Ink Canada.Follow Karen Walton on Twitter: @inkcanadaBuy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.First published March 4, 2011.
He moved permanently to Los Angeles! And then the phone started ringing for Canadian jobs… Award-winning Canadian TV & feature writer-producer Wil Zmak is sure to win records for the longest commute!Wil Zmak grew up in Toronto, and studied film at Toronto’s York University (around the same time Gray was there), as well as the Canadian Film Centre. Then, his wife’s career demanded a move to the US, and it was off to Los Angeles!Now permanently planted in L.A., Wil was offered the first of many Canadian jobs, that would see him travel to Canada for several months at a time, flying home on weekends to be with his family. Since then, Wil has worked as a writer, producer, and story editor on several Canadian television series, including The Listener (CTV, FOX International), The Aladdin Project (CTV), Stone Undercover (Tom Stone – CBC / US syndication), Jinnah on Crime (CBC), and Being Erica (CBC).Hear the fascinating story of how a conversation with director Paul Fox on the state of film storytelling resulted in Wil writing the script for the 2005 thriller The Dark Hours, which has won fifteen awards at international festivals, including seven for Best Feature.Wil has also worked in development for both TV and features, and offers many helpful tips, including the best way to adapt novels to the screen; what adaptations can teach you about your original material; targeted networking; and why you shouldn’t limit yourself to the hero’s journey and commonly taught story structures.Follow Wil Zmak on Twitter: @wilzmakBuy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.First published March 27, 2011.
This week we meet another writer who has done it all… Toronto-based writer Andrea Moodie has worked in features, scripted dramatic television, documentaries, reality and lifestyle television, interactive games, and web series. She has a lot of tips on writing for these different mediums, and the differences between them!Most writers interrupt their lives to write — Andrea interrupts her writing for life. Writing in all forms consumes her, and so it’s not surprising she’s written material for many mediums, and many of her projects have won awards and critical acclaim.You might recognize some of the titles of shows she’s written for — Property Virgins, Animals at Work, The List, the sci-fi drama Psi Factor, and webisode missions for SyFy’s Sanctuary, among many others.A graduate of Queens University Film Studies, The Drama Studio London USA, and the Canadian Film Centre, Andrea is an active member of the writing community as a juror for the Dora, Gemini and Writers Guild Top Ten Awards.Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.First published May 21, 2011.
She won an International Emmy Award for her series Dark Oracle, and received 16 Gemini Awards for her series Being Erica. This week, we meet Canadian series creator and showrunner Jana Sinyor!After attending McGill for religious studies, it was an epiphany after a tough shift at a call center that led Jana Sinyor to pursue writing for the screen.In her interview, Jana shares how her time at the Canadian Film Centre and attending screenwriting functions and parties led to her first freelance script for ‘Degrassi: The Next Generation,’ to writing for a children’s series, and then to create her own original series, ‘Dark Oracle,’ which won an International Emmy Award for Best Youth Drama.Next Jana created the CBC critically-acclaimed one hour drama ‘Being Erica,’ on which she served as Executive Producer and Showrunner. Temple Street Productions produced the series, which subsequently sold to ABC Soapnet and many territories around the world. Being Erica has been nominated for 16 Gemini Awards – winning three. Jana is in active development on a new one hour series for ABC, as well as a new show for CBC with collaborator Aaron Martin.Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.First published May 15, 2012.
She won an International Emmy Award for her series Dark Oracle, and received 16 Gemini Awards for her series Being Erica. This week, we meet Canadian series creator and showrunner Jana Sinyor! After attending McGill for religious studies, it was an epiphany after a tough shift at a call center that led Jana Sinyor to pursue writing for the screen. In her interview, Jana shares how her time at the Canadian Film Centre and attending screenwriting functions and parties led to her first freelance script for ‘Degrassi: The Next Generation,' to writing for a children's series, and then to create her own original series, ‘Dark Oracle,' which won an International Emmy Award for Best Youth Drama. Next Jana created the CBC critically-acclaimed one hour drama ‘Being Erica,' on which she served as Executive Producer and Showrunner. Temple Street Productions produced the series, which subsequently sold to ABC Soapnet and many territories around the world. Being Erica has been nominated for 16 Gemini Awards – winning three. Jana is in active development on a new one hour series for ABC, as well as a new show for CBC with collaborator Aaron Martin. Buy Gray's book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews. Didn't get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray's YouTube channel. First published May 15, 2012.
This week we meet another writer who has done it all… Toronto-based writer Andrea Moodie has worked in features, scripted dramatic television, documentaries, reality and lifestyle television, interactive games, and web series. She has a lot of tips on writing for these different mediums, and the differences between them! Most writers interrupt their lives to write — Andrea interrupts her writing for life. Writing in all forms consumes her, and so it's not surprising she's written material for many mediums, and many of her projects have won awards and critical acclaim. You might recognize some of the titles of shows she's written for — Property Virgins, Animals at Work, The List, the sci-fi drama Psi Factor, and webisode missions for SyFy's Sanctuary, among many others. A graduate of Queens University Film Studies, The Drama Studio London USA, and the Canadian Film Centre, Andrea is an active member of the writing community as a juror for the Dora, Gemini and Writers Guild Top Ten Awards. Buy Gray's book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews. Didn't get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray's YouTube channel. First published May 21, 2011.
He moved permanently to Los Angeles! And then the phone started ringing for Canadian jobs… Award-winning Canadian TV & feature writer-producer Wil Zmak is sure to win records for the longest commute! Wil Zmak grew up in Toronto, and studied film at Toronto's York University (around the same time Gray was there), as well as the Canadian Film Centre. Then, his wife's career demanded a move to the US, and it was off to Los Angeles! Now permanently planted in L.A., Wil was offered the first of many Canadian jobs, that would see him travel to Canada for several months at a time, flying home on weekends to be with his family. Since then, Wil has worked as a writer, producer, and story editor on several Canadian television series, including The Listener (CTV, FOX International), The Aladdin Project (CTV), Stone Undercover (Tom Stone – CBC / US syndication), Jinnah on Crime (CBC), and Being Erica (CBC). Hear the fascinating story of how a conversation with director Paul Fox on the state of film storytelling resulted in Wil writing the script for the 2005 thriller The Dark Hours, which has won fifteen awards at international festivals, including seven for Best Feature. Wil has also worked in development for both TV and features, and offers many helpful tips, including the best way to adapt novels to the screen; what adaptations can teach you about your original material; targeted networking; and why you shouldn't limit yourself to the hero's journey and commonly taught story structures. Follow Wil Zmak on Twitter: @wilzmak Buy Gray's book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews. Didn't get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray's YouTube channel. First published March 27, 2011.
Best known as the writer of the original cult horror film, Ginger Snaps, award-winning writer-producer Karen Walton has developed original and adapted film projects in almost every genre with top producers in Canada, the UK and the American studio system for almost twenty years. The episode starts with… homework! For the first time, Gray assigns a book to read – The TV Writer's Workbook, by Emmy-nominated writer Ellen Sandler – as he'll be talking to Ellen on April 1st, and wants to solicit informed questions about her book. Then on to the interview with Karen Walton… After graduating from the Canadian Film Centre, Karen wrote a critically acclaimed independent horror film, Ginger Snaps, that has become a cult hit, and is listed by many critics on their all-time top 10 lists of high school horror films. This film led to many years of assignment writing, and Karen shares the differences between writing an independent feature versus feature development in the studio system. Karen has also written critically acclaimed TV movies, including the Gemini-winning The Many Trials of One Jane Doe, and she talks about the challenges of adapting true events, writing socially and morally conscious material, and writing a movie within the confines of the television format. Karen has also been busy in series television, including freelance episodes of CBC's Straight Up and CTV's The Eleventh Hour, being a executive story editor on Showtime's Queer as Folk, and just recently, she has started as a writer-supervising producer on season 4 of CTV's Flashpoint, which airs on CBS in the US. But wait, there's more… Karen is the executive producer of the successful web series for tweens, Ruby Skye P.I.; has an original paranormal series currently optioned; is an active member of the Writer's Guild of America – West, Canada, and Quebec's SARTEC; and if that's not enough… is the founder and current editor of the online writer's community Ink Canada. Follow Karen Walton on Twitter: @inkcanada Buy Gray's book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews. Didn't get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray's YouTube channel. First published March 4, 2011.
A candid conversation with Christina Jennings, CEO and founder of Shaftesbury and Chair of the Canadian Film Centre. As she reveals in this podcast, Jennings took an unconventional path to the top. She didn't eat the other guy's lunch, she made the sandwich. One of the savviest visionaries in television, she combines a genuine passion for Canadian stories with a wide open worldview.
This is a special joint interview with our friend Becky Shrimpton at the Royal Canadian Movie Podcast, i.e. RCMPod! You can find the RCMPod on your favourite podcast catcher and at: http://www.rcmpodcast.com/ https://twitter.com/rcmpod https://twitter.com/leshrimpton This podcast is brought to you by AMPIA and its professional development team. Special thanks to our audio editor Jane Toogood, courtesy of AMPIA. Visit: https://ampia.org/ This episode is brought to you by the Canadian Film Centre. Visit http://cfccreates.com/programs/cineplexfilmprogram Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
This is part 3 of 3 of our drones, film and the law series! In this part, we provide an update on that pilot who was charged for illegally flying his drone over the Toronto Raptors' championship parade. We also have a special sponsor insert being an interview with Cory Angeletti-Szasz of the Canadian Film Centre! Show notes/links: https://www.cbc.ca/news/canada/toronto/raptors-celebration-drone-footage-1.5189772 https://www.cbc.ca/news/canada/toronto/drone-operator-toronto-raptors-fined-1.5264970 https://www.cbc.ca/news/canada/toronto/toby-gu-hong-kong-1.5296008 https://ca.gofundme.com/f/raptors-drone-footage-legal-fund https://w2klradio.com/not-your-playground-toronto-vlogger-slammed-for-violent-hong-kong-protest-video This podcast is brought to you by AMPIA and its professional development team. Special thanks to our audio editor Jane Toogood, courtesy of AMPIA. Visit: https://ampia.org/ This episode is brought to you by the Canadian Film Centre. Visit http://cfccreates.com/programs/cineplexfilmprogram Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
This was fun! A sort of "reverse interview" with friend of the podcast Anne Marie Murphy all about title searches for film productions. Find Anne Marie Murphy at: www.easternscript.com incoming@easternscript.com Ph: 1.844.842.3999 Twitter: @easternscript This podcast is brought to you by AMPIA and its professional development team. Special thanks to our audio editor Jane Toogood, courtesy of AMPIA. Visit: https://ampia.org/ This episode is brought to you by the Canadian Film Centre. Visit http://cfccreates.com/programs/cineplexfilmprogram Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
For part 2 of our drones, film and the law series, we interview professional drone pilot Mat Matthews to talk about the practical aspects of using drones in film. https://blackhawkaeronautical.com/ https://twitter.com/BlackHawkAero https://www.instagram.com/blackhawkuav/ https://www.facebook.com/blackhawkaeronautical/ This podcast is brought to you by AMPIA and its professional development team. Special thanks to our audio editor Jane Toogood, courtesy of AMPIA. Visit: https://ampia.org/ This episode is brought to you by the Canadian Film Centre. The deadline for their 2020 Cineplex Film Program is Jan. 13, 2020 @ 5pm ET. Visit http://cfccreates.com/programs/cineplexfilmprogram Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
Do you use drones or are thinking of using drones to capture film footage? Michelle and Greg speak about drones, film and the law in this first part of our miniseries on drones. Regulations Amending the Canadian Aviation Regulations (Remotely Piloted Air Systems), SOR/2019-11http://www.gazette.gc.ca/rp-pr/p2/2019/2019-01-09/html/sor-dors11-eng.html Flying your Drone Safely and Legallyhttps://www.tc.gc.ca/en/services/aviation/drone-safety/flying-drone-safely-legally.html#legal R v Jarvis, 2019 SCC 10. https://scc-csc.lexum.com/scc-csc/scc-csc/en/item/17515/index.do This podcast is brought to you by AMPIA and its professional development team. Special thanks to our audio editor Jane Toogood, courtesy of AMPIA. https://ampia.org/ This episode is brought to you by the Canadian Film Centre. The deadline for their 2020 Cineplex Film Program is Jan. 13, 2020 @ 5pm ET. Visit http://cfccreates.com/programs/cineplexfilmprogram Greg: greg@legalcutpro.com and on Twitter @cyclaw Michelle: michelle@legalcutpro.com and Instagram @michellemolineux http://www.legalcutpro.com © 2020 RedFrame Law. Some rights reserved. This podcast episode is licensed to you under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 licence. Details of this licence are available at https://creativecommons.org/licenses/by-nc/4.0/.
You know what time it is everyone!! That time of the week where we take a look back onto something awesome, with our pop culture classic episode! For this episode we take a look all way back to 1997! We review the Canadian Film Centre movie, by Jim Henson, Cube! This movie has gained a crazy cult status, and has spawned a sequel, and a prequel! If you're not familiar with this movie.......first, stop reading, and go watch this crazy horror film! It's about a small group of strangers, who are trapped in a giant cube, with a bunch of smaller, cubed rooms inside of it. PLUS, some of these rooms are randomly trapped with ways that might kill you! Whether you're sprayed in the face with acid, or sliced into tons of pieces, you have to figure out how to get to the exit, and possibly survive! Remember, we are ALWAYS looking for feedback from our listeners! Whether you want to talk to us about a topic we spoke about on a show, or want to bring up your own topics, you can let your opinion/voice be heard! You can send your emails HERE. The conversation doesn't just end on the shows either, hopefully you'll engage with us on Facebook, Twitter, and our Instagram pages!. If you like what you hear, be sure to leave us a review on iTunes, Spotify, or your favorite podcast catcher!! If you want to lend your voice to the show on a certain topic, you can ALSO leave us voicemail!!! Call the Michael Kuyrk memorial 970-573-6148 and leave us a hilarious message!!! PLUS FOR AS LITTLE AS $1/MONTH you can support us on Patreon!! A lot of cool extras on there for those who support!! Our YouTube Our Stitcher Our iTunes Patreon Amazon Credit - Doyle Daniels, Juan Muro, Gabe Llanas, Tim Huskey
An award-winning performer and 12 season veteran of the hit Canadian series Trailer Park Boys (Barb Lahey), Thompson trained at the UK’s Royal Academy of Dramatic Art, the Canadian Film Centre (2015), and was one of the eight Women In the Director’s Chair - Story & Leadership program (2016/17).She has played roles at the UK’s Royal National Theatre, in London’s West End and British regional Theatres; at the Shaw Festival and across Canada at major theatres. Recent on-screen work Includes Web series like the groundbreaking Tokens (2019); recent television includes the Trailer Park animation and Diggstown (2019). Film work, including working with Jim Henson on Labyrinth, also includes recent award-winning performances in Michael Melski’s The Child Remains and Splinters by Thom Fitzgerald.Thompson has begun a transition to writer/director, with her short films included in festivals across North America and Europe. Her short Pearls played at over 30 festivals worldwide, winning awards and nominations. Duck Duck Goose, the winner of the FIN Best Atlantic Short accolade for 2018, addresses the culture of fear perpetrated by school lockdowns, and was selected for Telefilm’s Not Short On Talent at Clermont - Ferrand, and for the CBC’s Short Film Faceoff (June 2019) as well as playing major festivals across North America (Miami International FF, Sarasota, Canadian and Kingston Film Festivals) and Europe.Thompson has been developing TV series with the support of NS producer Terry Greenlaw, who is also producing Thompson’s first dramatic feature, shooting in Nova Scotia in the summer of 2020 - Dawn, Her Dad & The Tractor. The script for DHD &TT won the $200K WIDC Feature Film award in 2018, was selected by the WIFT NYC Writer’s lab supported by Meryl Streep and Nicole Kidman, and the Breaking Through The Lens Initiative in Cannes.Based in Halifax/Dartmouth, Thompson is parent to singer/songwriter T. Thomason, and a champion of LGBTQ issues.Check her out @ShelleyThompsonYou can always watch this episode on our YouTube channel. Be sure to subscribe so you don’t miss any episode.
Emily Piggford is a Canadian Screen Award nominated actress born in Victoria, British Columbia, based in Toronto, and of Japanese and British descent. Directly following university, Emily starred in the short film Frost, which premiered at TIFF and was nominated for Best Live Action Short at the inaugural Canadian Screen Awards. Since then, Emily has recurred in two Netflix Original series (Hemlock Grove and The Umbrella Academy), appeared in Niels Arden Oplev’s remake of Flatliners (Columbia Pictures), recurred in series such as The Girlfriend Experience (STARZ), Killjoys (Space/SYFY), and lent her voice to several animated characters, including two in the hilarious CSA-nominated series, Gary and His Demons (CBC/VRV). Emily also produced and starred in D.W. Waterson’s award-winning digital series, That’s My DJ, which has screened at festivals across the globe. Her roots in theatre have taken her to Belgium, New York and Los Angeles with the revolutionary film noir play, Helen Lawrence. Emily holds a BFA in theatre from the University of Victoria and is a graduate of the Canadian Film Centre’s CBC Actors Conservatory. Look for Emily next in Hudson & Rex (CityTV) and starring in the action-fantasy series, WARIGAMI (CW/CBC). Photo courestey of CBC
In this episode Sarah Taylor interviews Toronto based editor Bryan Atkinson. Bryan has been a passionate student of film since the age of 14, and an award-winning editor of motion pictures for the last fifteen years. Sarah and Bryan talk about his time at the Vancouver Film School, the Canadian Film Centre and discuss his work on Closet Monster, Mary Goes Round and Paper Year as well as the critically acclaimed short film Hole. Check out some of Bryan's work below! Hole Heritage Minutes: Lucy Maud Montgomery Heritage Minutes: Jim Egan
Mike Peterson just won two awards for his feature film "Knuckleball" starring Michael Ironside: Best Director and Best Editor. He's written, directed, and produced everything from short films, to commercials, to documentaries, music videos, and feature films. But as you'll soon learn it hasn't always been a clear path; from struggling in school, to finding his purpose it's been a helluva ride. His story is a rebellious journey that even has him on stage as a punk singer opening for The Smalls. LINKS MENTIONED IN THIS PODCASTMike Peterson on IMDB; Joan Darling; Trailer: Lloyd the Conqueror; Trailer: Fake Blood; Trailer: Knuckelball; Canadian Film Centre; Book: The Blade Itself; The Smalls SPECIAL THANKSThank you to our RebelRebel show sponsors Make More Creative: Doing cool and weird stuff with cool and weird people. Friday Sock Company: Ethically Made, Purposeful Mismatched Socks RebelRebel Theme Song by EMRE CORDS
In this episode Sarah Taylor interviews Toronto based editor Pauline Decroix. Pauline and Sarah talk about her journey from Paris to now Toronto, her time at the Canadian Film Centre and her work on the feature documentary Sans Maman. Pauline shares with us some great insight into her world of editing.
Our condolences. Canadian pop duo join Barry and Matt in studio to discuss how the loss of a family member led to the creation of a wonderful song. “Best Time,” a celebration of life, is the song in question and Ashley and Timon talk about its genesis and how it felt recording something as personal as a song about the death of your mother. The two are open and affable and chat about how they linked up and the process involved in writing music together. From placements on Canadian TV to working with the Canadian Film Centre, the two are busy creating unique and beautiful music. The boys discuss New Kids on The Block and tackle cannabis and spiders on Crazy Stories. A Pause For Thought talks The Dark Knight. In My Life is about replacements. All that and much more. It’s Friday and weed is legal in Canada! Time for a Session?
Liam Maloney, Carolin Wiedemann, Sophie Schulenburg At the intersection of journalism and VR, the concepts of Image and Truth are imbued with new perceptive qualities. When Virtual meets Reality, the space is fraught with questions of representation, manipulation, complicity and consent, on both sides of the technological lens. This panel of journalists and VR experts convenes to discuss the frontlines of their work and exposes some of the cracks in our 360 degrees of enthusiasm. VR:RV is a project by the Goethe-Institut, realized with the support of the Federal Foreign Office of Germany and in collaboration with MUTEK_IMG, re:publica, the National Film Board of Canada, the Canadian Film Centre, ARTE Germany, Eye Steel Film, Mozilla Foundation, Doc Circuit Montréal, SODEC and Retune.
Paul Feigelfeld, Liam Maloney, Tess Takahashi, Christiane Miethge, Paula Reissig, Ricardo Gehn, Lindsey Drury, Daniel Wetzel, Marcel Karnapke VR:RV The VR:RV project pairs leading thinkers and journalists with professional VR creators, artists and producers from Canada and Germany with the aim of fostering self-reflective works in virtual reality that explore the creative frontiers of the medium. VR:RV intends to provoke conversations, and ultimately VR-works, that challenge, expose, critique and problematise the digital society by using immersive technologies to address the deep web, artificial intelligence, algorithms, neural tracking, digital security, and the future of the internet.VR:RV is a project by the Goethe-Institut, realized with the support of the Federal Foreign Office of Germany and in collaboration with MUTEK_IMG, re:publica, the National Film Board of Canada, the Canadian Film Centre, ARTE Germany, Eye Steel Film, Mozilla Foundation, Doc Circuit Montréal, SODEC and Retune.Performersion: State of the Tech Implementing independent Performing Arts In Berlins independent Performing Arts Scene, digital technologies such as VR, AR and MR were used in increasingly daring formats last year, helped by the innumerable experts in the Indiegame Scene, the backyard fab-labs, the corporate-critical tech-theorists, the film students and so many more. Immersion is thought and planned here from the story and themes. The technologies with their new production paths and fluid frontiers are medium in the service of content. In short presentations, lead thinkers of the VR:RV project to discuss how their research translated into virtual worlds during the VR:RV workshops. Defining artists from Performersion present their current work with VR, AR and MR applications and teaser planned projects.
Chris Köver, Nyla Innuksuk, Etienne Turpin This panel examines perspective in VR and which codes are embedded in the way these stories are told. A constellation of all star artists and VR creators from diverse backgrounds address the question of who creates content and who and how we intake content in the era of empathy VR. Together, they argue that, by breaking open the codes of how we understand story, we can expand the potential of VR to bear witness, to establish a common language, and to reinterpret our present-day operating systems. VR:RV is a project by the Goethe-Institut, realized with the support of the Federal Foreign Office of Germany and in collaboration with MUTEK_IMG, re:publica, the National Film Board of Canada, the Canadian Film Centre, ARTE Germany, Eye Steel Film, Mozilla Foundation, Doc Circuit Montréal, SODEC and Retune.
Liam Maloney, Carolin Wiedemann, Sophie Schulenburg At the intersection of journalism and VR, the concepts of Image and Truth are imbued with new perceptive qualities. When Virtual meets Reality, the space is fraught with questions of representation, manipulation, complicity and consent, on both sides of the technological lens. This panel of journalists and VR experts convenes to discuss the frontlines of their work and exposes some of the cracks in our 360 degrees of enthusiasm. VR:RV is a project by the Goethe-Institut, realized with the support of the Federal Foreign Office of Germany and in collaboration with MUTEK_IMG, re:publica, the National Film Board of Canada, the Canadian Film Centre, ARTE Germany, Eye Steel Film, Mozilla Foundation, Doc Circuit Montréal, SODEC and Retune.
VIDEO: https://www.youtube.com/watch?v=1la7vIDGcIQ&t=288s Segments: 1. Intro: 0:11 2. Tel Malish: 0:44 3. I Smart, I Read Headlines, I Caveman: 1:45 4. Get Polarized Bruh: 2:45 5. Bizarro Brown Squad: 5:30 6. Doppelschemers: 6:49 7. Comment, Like, Subscribe: 8:48 8. Statlines: 10:59 9. Shaqs of Sunset: 13:14 10. What's Your Autograph Policy: 15:43 11. Celebrity Sightings: 16:37 12. The Aziz Ansari Story: 17:02 13. The Russell Peters Story: 18:10 14: Outro: 22:29 In Episode 3, the Scheme Team discusses their various interactions with celebrities living in both New York and Orlando, including David Schwimmer (Ross, yes... that Ross), Shaquille O'Neal, Aziz Ansari, Louis CK, and Russell Peters. Also, Swoop goes on a date, Flat realizes he has doppelgangers in both a Bollywood movie and Star Wars, and Nyle finds his twin brother. SUBSCRIBE | COMMENT | LIKE | PENNSYLVANIA Turn on your post notifications for next week’s episode! Youtube: https://www.youtube.com/watch?v=1la7vIDGcIQ&t=288s iTunes: https://itunes.apple.com/us/podcast/scheme-team-podcast/id1340043827?mt=2 Instagram: @schemeteam_ Twitter: @schem3team Passwords: carrottop345... WOOPS... eh don't worry about the passwords ha ha (nervous laugh) === FLAT === instagram: @faisteam twitter: @faisteam === NYLE === instagram: khandid_camera === SWOOP=== snapchat: @smandani instagram: @afoxsshadow Attributions: News End Signature jingle created by mansardian copyrighted under the Creative Commons Attribution 3.0 License with no modifications made from original: https://freesound.org/people/mansardian/sounds/61322/ City Ambience created by knufds copyrighted under the Creative Commons Attribution 3.0 License with no modifications made from original: https://freesound.org/people/knufds/sounds/345948/ Sax-Phrase sound effect created by xserra copyrighted under the Creative Commons Attribution 3.0 License with no modifications made from original: https://freesound.org/people/xserra/sounds/204182/ Beat 100 Loop 1 created by Spol copyrighted under the Creative Commons Attribution 3.0 License with no modifications made from original: https://freesound.org/people/Spol/sounds/78014/ Tarantella sourced from SmartSound (http://www.smartsound.com/royalty-free-music/+Public+Domain/Italian/International+Traditions/Tarantella/) and marked for public domain use. Shaquille O’Neal pictures taken by Keith Allison, slgckgc, and Swing by Swing and are under the Attribution ShareAlike 2.0 Creative Commons License. Aziz Ansari 2011 Shankbone picture taken by David Shankbone and is under the Attribution 2.0 Generic Creative Commons license: https://tinyurl.com/y8649t6p CFC in LA 2012 15 picture taken by Canadian Film Centre and is under the Attribution 2.0 Generic Creative Commons license: https://tinyurl.com/y9nmhqg6 Shot by : Scheme Team TV For sponsorship, interviews, and collaborations, email: donttellauntie@gmail.com
Kathleen Hepburn and Face2Face host David Peck talk about a Mother’s strength, life and the Canadian landscape, empathy, coming of age, Parkinson’s disease and death as a beautiful part if life. Biography Kathleen Hepburn is a Vancouver born writer and director who holds an MFA in Creative Writing, and a BFA in Film Production from the Universities of Guelph and Simon Fraser respectively, and is a graduate of the Canadian Film Centre's Writer's Lab. Her debut feature, NEVER STEADY, NEVER STILL is a film that exposes the tenderness that exists within struggle, and our ineffable connection to the landscape around us. Her most recent short film of the same name was included in TIFF's Canada's Top Ten, and was awarded Leo's for Best Dramatic Short and Best Direction, and Most Promising Canadian Director at VIFF 2015. Synopsis The feature film debut of writer/director Kathleen Hepburn, NEVER STEADY, NEVER STILL is a tender and heart-breaking story of a physically disabled mother and discontent son each alienated from their world and struggling to manage in the face of grief, guilt and chronic disease. The film is set in the rugged and unforgiving rural north of British Columbia, Canada and the story spans an entire year in the lives of the characters. Having lived with Parkinson’s disease for almost two decades, Judy is faced with the heightened challenges of daily life when her husband and caregiver dies of a sudden heart attack on their isolated property on the shores of Stuart Lake. Meanwhile, her teenage son Jamie pushed by his father to get a job on the oil fields, is terrified by the idea of filling his shoes at too young an age, and grappling with the daunting task of becoming a man in world that has no apparent room for weakness. Trailer ---------- For more information about David Peck's podcasting, writing and public speaking please visit his site here or check out the site of his podcast on film, social change and much more. With thanks to producer Josh Snethlage and Mixed Media Sound. Image Copyright: Kathleen Hepburn and Christie Street Creative. Used with permission. ---------- Rabble blurbs: See acast.com/privacy for privacy and opt-out information.
Sarah Polley began her career in film at the age of four, appearing in the Disney movie ONE MAGIC CHRISTMAS. After her roles in Atom Egoyan’s THE SWEET HEREAFTER, Terry Gilliam’s THE ADVENTURES OF BARON MUNCHAUSEN and Doug Liman's GO gained her attention as an emotionally intuitive and intelligent young actor, she attended the Director’s Lab at the Canadian Film Centre in 2001. Polley’s first feature AWAY FROM HER, an adaption of the Alice Munro short story “The Bear Came over the Mountain,” which she wrote and directed, nabbed her a nomination for “Best Adapted Screenplay” at the 2008 Academy Awards. Her follow-up films, 2011’s TAKE THIS WALTZ and the 2012 documentary STORIES WE TELL (all of which have premiered at TIFF) have cemented the filmmaker as one of Canada’s most indelible auteurs. In this episode of TIFF Un/cut, you’ll hear Sarah Polley interviewed onstage by documentary programmer Thom Powers in a discussion originally conducted for the 2012 Industry Doc Conference when STORIES WE TELL premiered at TIFF. They discuss the knotty complexities of revealing family secrets, how to show many sides of one story, and why documentary is her favourite medium. Sarah Polley’s newest project, a forthcoming miniseries adaptation of Margaret Atwood’s 1996 novel ALIAS GRACE on which she serves as showrunner and executive producer, will premiere at TIFF ‘17 with the series’ star Sarah Gadon and director Mary Harron in attendance.
An in-depth panel moderated by Patrick McGuire, Head of Content at VICE Canada, and featuring Loc Dao (Chief Digital Officer of the National Film Board of Canada), Yelena Rachitsky (Creative Producer and Head of Education, Oculus Story Studio), Ryan Oliver (Lead Producer, Developer-Owner, Pinnguaq Technology Inc.), and Ana Serrano (Chief Digital Officer, Canadian Film Centre). Patrick McGuire Head of Content, VICE Canada Patrick McGuire is a journalist and documentary producer who is currently Vice Canada's Head of Content. As Vice launched their Canadian TV network VICELAND this year, Patrick has been overseeing original television production as well as the brand's the youth-targeted digital and print journalism, which spans a network of 10 online channels and a monthly print magazine. He is also the producer of Vice Canada's first VR project, Cut-Off. Yelena Rachitsky Creative Producer and Head of Education at Oculus Story Studio Yelena Rachitsky is a Creative Producer at Oculus, pushing forward the efforts on creative outreach initiatives as well as sourcing and producing experiences for the Oculus platform. Prior to Oculus, she was the Creative Producer of the annual Future of Storytelling (FoST) Summit, an invitation-only event that gathers top executives, marketers, creatives, and technologists with the vision and influence to change how people communicate and tell stories in the digital age. Rachitsky is also a consultant for the Sundance Film Festival’s New Frontier program and spent four years in the documentary division at Participant Media, working on Food, Inc. and Waiting for Superman. Loc Dao Chief Digital Officer, National Film Board of Canada Loc Dao is co-founder of the groundbreaking NFB Digital and CBC Radio 3 studios and Chief Digital Officer of the National Film Board of Canada. The combination of his experience in digital strategy, editorial, web development, content production and architecting large-scale internet delivery systems brings a rare multi-dimensional approach that pushes the boundaries of what can be done with story, form and platform. Dao has received over 60 awards, including Canada's Top Digital Producer for 2011 at the Digi Awards, nine Webby Awards, two New York Festivals Grand Prizes, three Online Journalism Awards, a Prix Italia, the FWA Site of the Year 2012 and a Cannes Cyber Lion. His NFB credits include the interactive documentaries Bear 71, Welcome to Pine Point, Circa 1948, Waterlife, The Last Hunt and Cardboard Crash VR which have been credited with inventing the new form of the interactive documentary. Ana Serrano Chief Digital Officer, Canadian Film Centre Ana Serrano is the Chief Digital Officer of the CFC and Founder of CFC Media Lab, the world-renowned institute for interactive storytelling created in 1997. Most recently, she launched Canada's first digital entertainment accelerator, IDEABOOST, and serves as its Managing Director. To date, Serrano has directed the development of over 130 digital media projects and mentored over 50 start-ups. She has received numerous awards from the digital media, film, and theatre industries in both Canada and the US, including a Digital Media Trailblazing Award in 2015 from the Academy of Canadian Cinema & Television. Ryan Oliver Lead Producer, Developer, and Owner at Pinnguaq Ryan Oliver is Lead Producer and Developer of Pinnguaq Technology Inc. Based in Toronto, Iqaluit and Vancouver, Pinnguaq — which means “play” in Inuktitut — creates unique and exciting experiences that push the boundaries of cultural expression and technology. Focusing on film, virtual reality, gaming, education and app development, they combine a passion for culture and technology in projects that seek to both stimulate and entertain.
In collaboration with THE VERGE. Supported by: Anne-Marie Canning In July, we are delving into the incredible power of VR to put people in other people's lives. And also the challenges and questions that come with that power. Storytellers are only beginning to explore the potential for virtual reality to put people inside other perspectives — and other lives. In our second POP, you'll get the chance to experience some of the best work that's been done to date, and also to question the limits of the technology and the ethical questions it raises. From escapist fun (take a drive around Mars! Wander an alien world!) to crushing and immersive VR documentaries to a one-of-a-kind room-scale augmented reality experience, you will leave this installation with some new views on things. ROSS MILLER CO-FOUNDER AND MANAGING EDITOR, THE VERGE Ross Miller is a cofounder and Managing Editor of The Verge. For over a decade, he has covered technology, gaming, entertainment, and all aspects of modern storytelling. He has followed virtual reality since early 2012 when John Carmack showed him a very early Oculus Rift prototype. He honestly didn't get it at the time. He's also really bad at writing bios, especially in the third person. ADI ROBERTSON SENIOR REPORTER, THE VERGE Adi Robertson is a Senior Reporter for The Verge. She has followed virtual reality since the original Oculus Rift’s unveiling in 2012, and her work includes a definitive oral history of VR, along with coverage of the medium’s science, technology, and culture. Besides VR, she also writes about video games, biohacking, science fiction, policy, and gender. SPEAKERS PAUL RAPHAËL CO-FOUNDER/CREATIVE DIRECTOR, FELIX & PAUL STUDIOS Paul is a filmmaker and visual artist based in Montreal. With a combined passion for cinematic storytelling, visual effects and technology, he teamed up with collaborator Félix Lajeunesse and created award-winning stereoscopic 3D films, multimedia installations and commercials presented across the world. The two directors founded Felix & Paul Studios, now recognized as a pioneer and key player in the fast-growing industry of virtual reality content. LISA JACKSON FILMMAKER Lisa Jackson comes from a documentary background and her work has played at festivals internationally — including the Berlinale, SXSW, London BFI, HotDocs, and Edinburgh — and been broadcast on CBC, CTV, TMN, Bravo!, Knowledge, SCN, and APTN. Jackson’s films have garnered numerous awards and in 2012 the ReelWorld Festival named her a Trailblazer. She is Anishinaabe, has a BFA in Film Production from Simon Fraser University, has completed the Canadian Film Centre’s Directors’ Lab, and works in both fiction and documentary. She is the Director Mentor for the National Screen Institute's Aboriginal Documentary Training Program. ALEX WILLIAMS FILMMAKER Alex Williams is a Toronto-based multi-disciplinary artist, working in documentary and narrative film, theatre, and still photography. His most recent film, The Pass System, is an investigative documentary into an illegal segregationist practice of the Canadian government that has played widely in festivals and communities across Canada, and was broadcast on CBC and APTN. Alex teaches video design at the National Theatre School of Canada, is a member of Canadian Actor’s Equity Association, the Documentary Organization of Canada. He is President of the artist-run centre Charles Street Video, and sits on the boards of Indigenous Theatre Company Article 11, and the Toronto Media Arts Centre (TMAC).
Photo credit: Véro Boncompagni Check out the trailer of their new NFB film Ninth Floor making its world premiere at TIFF 2015. Synopsis of Film It started quietly when a group of Caribbean students, strangers in a cold new land, began to suspect their professor of racism. It ended in the most explosive student uprising Canada had ever known. Over four decades later, Ninth Floor reopens the file on the Sir George Williams Riot – a watershed moment in Canadian race relations and one of the most contested episodes in the nation’s history. It was the late 60s, change was in the air, and a restless new generation was claiming its place– but nobody at Sir George Williams University would foresee the chaos to come. On February 11, 1969, riot police stormed the occupied floors of the main building, making multiple arrests. As fire consumed the 9th floor computer centre, a torrent of debris rained onto counter-protesters chanting racist slogans – and scores of young lives were thrown into turmoil. Making a sophisticated and audacious foray into meta-documentary, writer and director Mina Shum meets the original protagonists in clandestine locations throughout Trinidad and Montreal, the wintry city where it all went down. And she listens. Can we hope to make peace with such a painful past? What lessons have we learned? What really happened on the 9th floor? In a cinematic gesture of redemption and reckoning, Shum attends as her subjects set the record straight – and lay their burden down. Cinematography by John Price evokes a taut sense of subterfuge and paranoia, while a spacious soundscape by Miguel Nunes and Brent Belke echoes with the lonely sound of the coldest wind in the world. Mina Shum: Biography Born in Hong Kong and raised in Canada, Mina Shum is an independent filmmaker and artist. “I’m the child of the Praxis Screenwriting Workshop, Cineworks Independent Film Co-op, the Canadian Film Centre and working class immigrant parents,” she says. With Ninth Floor, a production of the National Film Board of Canada, Shum has written and directed her fourth feature film and first feature documentary. Her first feature Double Happiness (1994) – developed while she was resident director at the Canadian Film Centre – premiered at the Toronto International Film Festival, where it won a Special Jury Citation for Best Canadian Feature Film and the Toronto Metro Media Prize. It went on to win Best First Feature at the Berlin Film Festival and the Audience Award at the Torino Film Festival. Following its American premiere at Sundance, it was released theatrically in the U.S. by Fine Line/New Line Features. It was nominated for multiple Genie Awards, Canada’s top film honour, winning Best Actress for Sandra Oh, and Best Editing for Alison Grace. Shum’s second and third features – Drive, She Said (1997) and Long Life, Happiness and Prosperity (2002) – also premiered at the Toronto Film Festival. Long Life, Happiness and Prosperity was subsequently invited to both Sundance and the Vancouver Film Festival, where it won a Special Citation for Best Screenplay (shared with co-writer Dennis Foon). It was released theatrically in Canada and the U.S. Shum’s short films include Shortchanged; Love In; Hunger; Thirsty; Me, Mom and Mona, which won a Special Jury Citation the 1993 Toronto Film Festival; Picture Perfect, nominated for Best Short Drama at the Yorkton Film Festival; and most recently I Saw Writer’s Guild Award. Her TV work ranges from Mob Princess, a TV movie produced for Brightlight Pictures/W Network, to episodic directing on About A Girl, Noah’s Arc, Exes and Oh’s, Bliss, The Shield Stories and Da Vinci’s Inquest. Shum’s interests extend beyond film and television. Her immersive video installation You Are What You Eat was held over at the Vancouver Centre for Contemporary Asian Art, Centre A, and her cinematic theatre piece All, created in collaboration with the Standing Wave Music Ensemble, was presented at the 2011 Push Festival. She has hosted sold-out events for the experimental Pecha Kucha program, and her Internet hit Hip Hop Mom was featured in Calgary’s official Canada Day celebrations. In 2004 she was invited to deliver the inaugural UBC/Laurier Institute Multicultural Lecture, entitled New Day Rising: Journey of a Hyphenated Girl, and in 2011 she was the recipient of the Sondra Kelly Writer’s Guild of Canada Award. She is currently preparing her next feature, Meditation Park. Selwyn Jacob: Biography Selwyn Jacob was born in Trinidad and came to Canada in 1968 with the dream of becoming a filmmaker. It was a dream that wouldn’t die: he became a teacher and eventually a school principal but eventually chose to leave the security of that career to educate a wider audience through film. He has been a producer with the National Film Board of Canada since 1997. His early work as an independent director includes We Remember Amber Valley, a documentary about the black community that existed near Lac La Biche in Alberta. Prior to joining the NFB, he directed two award-winning NFB releases – Carol’s Mirror, and The Road Taken, which won the Canada Award at the 1998 Gemini Awards. In 1997 he joined the NFB’s Pacific & Yukon Studio in Vancouver, and has gone on to produce close to 50 NFB films. Among his many credits are Crazywater, directed by the Inuvialuit filmmaker Dennis Allen; Hue: A Matter of Colour, a co-production with Sepia Films, directed by Vic Sarin; Mighty Jerome, written and directed by Charles Officer; and the digital interactive project Circa 1948, by Vancouver artist Stan Douglas. Released in 2010, Mighty Jerome addresses issues of race and nationalism while paying tribute to Harry Jerome, one of the most remarkable athletes in Canadian history. The film went on to win multiple honours, including a Leo Award for Best Feature Length Documentary and the 2012 Regional Emmy Award for Best Historical Documentary. See acast.com/privacy for privacy and opt-out information.
Photo credit: Véro BoncompagniListen in today as these filmmakers, Mina Shum and Selwyn Jacobs, talk about Canada’s hidden history, implicit and explicit racism, why we need to listen to others and why they’re confident we can overcome our fears.Check out the trailer of their new NFB film Ninth Floor making its world premiere at TIFF 2015.Synopsis of FilmIt started quietly when a group of Caribbean students, strangers in a cold new land, began to suspect their professor of racism. It ended in the most explosive student uprising Canada had ever known. Over four decades later, Ninth Floor reopens the file on the Sir George Williams Riot – a watershed moment in Canadian race relations and one of the most contested episodes in the nation’s history.It was the late 60s, change was in the air, and a restless new generation was claiming its place– but nobody at Sir George Williams University would foresee the chaos to come.On February 11, 1969, riot police stormed the occupied floors of the main building, making multiple arrests. As fire consumed the 9th floor computer centre, a torrent of debris rained onto counter-protesters chanting racist slogans – and scores of young lives were thrown into turmoil. Making a sophisticated and audacious foray into meta-documentary, writer and director Mina Shum meets the original protagonists in clandestine locations throughout Trinidad and Montreal, the wintry city where it all went down. And she listens. Can we hope to make peace with such a painful past? What lessons have we learned? What really happened on the 9th floor?In a cinematic gesture of redemption and reckoning, Shum attends as her subjects set the record straight – and lay their burden down. Cinematography by John Price evokes a taut sense of subterfuge and paranoia, while a spacious soundscape by Miguel Nunes and Brent Belke echoes with the lonely sound of the coldest wind in the world.Mina Shum: BiographyBorn in Hong Kong and raised in Canada, Mina Shum is an independent filmmaker and artist. “I’m the child of the Praxis Screenwriting Workshop, Cineworks Independent Film Co-op, the Canadian Film Centre and working class immigrant parents,” she says.With Ninth Floor, a production of the National Film Board of Canada, Shum has written and directed her fourth feature film and first feature documentary.Her first feature Double Happiness (1994) – developed while she was resident director at the Canadian Film Centre – premiered at the Toronto International Film Festival, where it won a Special Jury Citation for Best Canadian Feature Film and the Toronto Metro Media Prize. It went on to win Best First Feature at the Berlin Film Festival and the Audience Award at the Torino Film Festival. Following its American premiere at Sundance, it was released theatrically in the U.S. by Fine Line/New Line Features. It was nominated for multiple Genie Awards, Canada’s top film honour, winning Best Actress for Sandra Oh, and Best Editing for Alison Grace.Shum’s second and third features – Drive, She Said (1997) and Long Life, Happiness and Prosperity (2002) – also premiered at the Toronto Film Festival. Long Life, Happiness and Prosperity was subsequently invited to both Sundance and the Vancouver Film Festival, where it won a Special Citation for Best Screenplay (shared with co-writer Dennis Foon). It was released theatrically in Canada and the U.S.Shum’s short films include Shortchanged; Love In; Hunger; Thirsty; Me, Mom and Mona, which won a Special Jury Citation the 1993 Toronto Film Festival; Picture Perfect, nominated for Best Short Drama at the Yorkton Film Festival; and most recently I Saw Writer’s Guild Award.Her TV work ranges from Mob Princess, a TV movie produced for Brightlight Pictures/W Network, to episodic directing on About A Girl, Noah’s Arc, Exes and Oh’s, Bliss, The Shield Stories and Da Vinci’s Inquest.Shum’s interests extend beyond film and television. Her immersive video installation You Are What You Eat was held over at the Vancouver Centre for Contemporary Asian Art, Centre A, and her cinematic theatre piece All, created in collaboration with the Standing Wave Music Ensemble, was presented at the 2011 Push Festival. She has hosted sold-out events for the experimental Pecha Kucha program, and her Internet hit Hip Hop Mom was featured in Calgary’s official Canada Day celebrations.In 2004 she was invited to deliver the inaugural UBC/Laurier Institute Multicultural Lecture, entitled New Day Rising: Journey of a Hyphenated Girl, and in 2011 she was the recipient of the Sondra Kelly Writer’s Guild of Canada Award.She is currently preparing her next feature, Meditation Park.Selwyn Jacob: BiographySelwyn Jacob was born in Trinidad and came to Canada in 1968 with the dream of becoming a filmmaker. It was a dream that wouldn’t die: he became a teacher and eventually a school principal but eventually chose to leave the security of that career to educate a wider audience through film. He has been a producer with the National Film Board of Canada since 1997.His early work as an independent director includes We Remember Amber Valley, a documentary about the black community that existed near Lac La Biche in Alberta. Prior to joining the NFB, he directed two award-winning NFB releases – Carol’s Mirror, and The Road Taken, which won the Canada Award at the 1998 Gemini Awards.In 1997 he joined the NFB’s Pacific & Yukon Studio in Vancouver, and has gone on to produce close to 50 NFB films. Among his many credits are Crazywater, directed by the Inuvialuit filmmaker Dennis Allen; Hue: A Matter of Colour, a co-production with Sepia Films, directed by Vic Sarin; Mighty Jerome, written and directed by Charles Officer; and the digital interactive project Circa 1948, by Vancouver artist Stan Douglas.Released in 2010, Mighty Jerome addresses issues of race and nationalism while paying tribute to Harry Jerome, one of the most remarkable athletes in Canadian history. The film went on to win multiple honours, including a Leo Award for Best Feature Length Documentary and the 2012 Regional Emmy Award for Best Historical Documentary. See acast.com/privacy for privacy and opt-out information.
The Empire Club of Canada Presents: Piers Handling, Director and Chief Executive Officer, TIFF With TIFF Takes on the World Piers Handling is the Director and Chief Executive Officer of TIFF. He has held this position since 1994, responsible for leading both the operational and artistic growth of the organization. TIFF has a $33 million annual operating budget and employs more than 150 full time staff. For the last four years, TIFF has been named one of the Greater Toronto Area's Top Employers. Under Handling's direction, the organization has grown to become an internationally institution. In 2010 TIFF opened its own permanent home which presents daily programming. TIFF Bell Lightbox, houses five cinemas, two exhibition galleries, and educational and learning studios. He led the $196 million fundraising campaign. Handling has curated numerous film retrospectives and presented programmes of Canadian cinema at The Sundance Film Festival, the British Film Institute, the Havana Film Festival and sat on festival juries including Cannes, Tokyo, Rotterdam, San Sebastian, Torino, and Istanbul. Prior to joining the Toronto International Film Festival in 1982, Handling began his career at the Canadian Film Institute, ultimately becoming Deputy Director. After leaving the CFI, he taught Canadian cinema at Carleton University in Ottawa and Queen's University in Kingston. He has published extensively on Canadian cinema and edited numerous books. Handling has been honoured with the Chevalier des Arts et des Lettres, France's highest cultural insignia. In 2003, he was named CEO of the Year by the Canadian Public Relations Society. He holds three Honorary Doctorates from Ryerson University, York University and OCAD University, and has sat on a number of Boards and advisory Councils including Festivals and Major Events, the Canadian Film Centre, Tafelmusik, Luminato, Telefilm Canada's Feature Film Advisory Committee, and Ontario's Minister of Culture's Advisory Council for Arts and Culture Speaker: Piers Handling, Director and Chief Executive Officer, TIFF *The content presented is free of charge but please note that the Empire Club of Canada retains copyright. Neither the speeches themselves nor any part of their content may be used for any purpose other than personal interest or research without the explicit permission of the Empire Club of Canada.* *Views and Opinions Expressed Disclaimer: The views and opinions expressed by the speakers or panelists are those of the speakers or panelists and do not necessarily reflect or represent the official views and opinions, policy or position held by The Empire Club of Canada.*
Someone how cooler than Ice Cube is now, but not as cool as he was in the 80's and 90's. Figure that one out!Cube is a 1997 Canadian science-fiction horror film directed and co-written by Vincenzo Natali.[6] A product of the Canadian Film Centre's First Feature Project,[7] the film follows a group of people as they cross industrialized cube-shaped rooms, some rigged with various traps designed to kill.Watch Cube on Tubi: https://tubitv.com/movies/316459/cube?utm_campaign=web-sharing --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/whatthesuck/message Support this podcast: https://anchor.fm/whatthesuck/supportSupport this podcast at — https://redcircle.com/what-the-suck/donations