Podcasts about moving brands

Tu peux soutenir sur le podcast sur KissKissBankBank ou en mettant 5⭐️ sur Apple Podcasts ou Spotify !Arthur est Creative Director chez Koto.Lorsqu'il était enfant, Arthur faisait des montages photos sur son ordinateur. Arthur n'aime pas l'école, mais après le bac - qu'il n'a pas eu - il rejoint une école d'arts et se spécialise la communication visuelle.Rapidement, Arthur veut travailler, mais également apprendre l'anglais. Il rejoint alors, en stage, l'agence Landor Associate à San Francisco. Il y découvrir le branding et tombe amoureux de ce métier. Au départ, il travaille dans le studio photo de l'agence. Très motivé, il évolue rapidement, fait du graphisme et commence à prendre certains sujets en main.A la fin de ses études, Arthur fait un deuxième stage dans l'agence londonienne Pentagram. Mais, il découvre un fonctionnement à l'opposé de Landor : il ne travaille que sur un projet à la fois, dans une équipe attitrée, et doit se confronter au “style” Pentagram. L'expérience s'arrêtera plus rapidement que prévue et Arthur en ressort avec le sentiment de ne pas être fait pour ce métier.Contacté par une petite agence, Arthur rebondit et lui permet de reprendre confiance en lui. Mais, rapidement, il réalise qu'il a des envies de plus et souhaite rejoindre une plus grosse structure.Il rejoint alors studio Moving Brands et découvre d'autres branches du design : le motion design et l'UI Design. Au quotidien, il travaille à la création de branding pour différentes entreprise, comme il le fait depuis le début de sa carrière.Après 2 ans chez Moving Brands, la mission d'Arthur est arrêtée sans préavis. C'est un encore un gros coup au moral pour Arthur… Qui rebondit rapidement et rejoint en tant que freelance l'agence branding MultiAdaptor.Arthur fini par entendre parler d'une petite agence de branding qui est en train de monter : Koto. Au départ, il hésite mais finit par y postuler, car en adéquation totale avec les valeurs de l'agence. Il rejoint l'agence en janvier 2017.Arthur va gravir les échelons de l'agence en commençant comme Senior Designer, puis évoluant vers le poste de Design Director puis de Creative Director avant d'ouvrir l'antenne new-yorkaise de l'agence. Au cours de l'épisode, Arthur revient sur son parcours chez Koto, les différents rôles qu'il a occupé et ce sur quoi il a travaillé - car Arthur est derrière le branding d'une multitudes marques : BlaBlaCar, Back Market, Foodvisor, Fiverr ou encore Sonos.On aborde également Koto en général : où se trouvent les studios dans le monde, qui sont les clients, ce qu'ils attendent de l'agence, etc… Arthur nous livre la sauce secrète qui fait le succès planétaire du studio !Enfin, Arthur nous parle de son aventure américaine avec l'ouverture du studio new-yorkais. Il nous explique les étapes par lesquelles il est passé pour monter cette antenne et comment il l'a fait grandir au quotidien.Les ressources de l'épisodeKotoLes autres épisodes de Design JourneysCase Study #1, La nouvelle identité de marque de Malt avec Loïc GuayPour contacter ArthurLinkedInInstagramXHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Tu peux soutenir sur le podcast sur KissKissBankBank ou en mettant 5⭐️ sur Apple Podcasts ou Spotify !Arthur est Creative Director chez Koto.Lorsqu'il était enfant, Arthur faisait des montages photos sur son ordinateur. Arthur n'aime pas l'école, mais après le bac - qu'il n'a pas eu - il rejoint une école d'arts et se spécialise la communication visuelle.Rapidement, Arthur veut travailler, mais également apprendre l'anglais. Il rejoint alors, en stage, l'agence Landor Associate à San Francisco. Il y découvrir le branding et tombe amoureux de ce métier. Au départ, il travaille dans le studio photo de l'agence. Très motivé, il évolue rapidement, fait du graphisme et commence à prendre certains sujets en main.A la fin de ses études, Arthur fait un deuxième stage dans l'agence londonienne Pentagram. Mais, il découvre un fonctionnement à l'opposé de Landor : il ne travaille que sur un projet à la fois, dans une équipe attitrée, et doit se confronter au “style” Pentagram. L'expérience s'arrêtera plus rapidement que prévue et Arthur en ressort avec le sentiment de ne pas être fait pour ce métier.Contacté par une petite agence, Arthur rebondit et lui permet de reprendre confiance en lui. Mais, rapidement, il réalise qu'il a des envies de plus et souhaite rejoindre une plus grosse structure.Il rejoint alors studio Moving Brands et découvre d'autres branches du design : le motion design et l'UI Design. Au quotidien, il travaille à la création de branding pour différentes entreprise, comme il le fait depuis le début de sa carrière.Après 2 ans chez Moving Brands, la mission d'Arthur est arrêtée sans préavis. C'est un encore un gros coup au moral pour Arthur… Qui rebondit rapidement et rejoint en tant que freelance l'agence branding MultiAdaptor.Arthur fini par entendre parler d'une petite agence de branding qui est en train de monter : Koto. Au départ, il hésite mais finit par y postuler, car en adéquation totale avec les valeurs de l'agence. Il rejoint l'agence en janvier 2017.Arthur va gravir les échelons de l'agence en commençant comme Senior Designer, puis évoluant vers le poste de Design Director puis de Creative Director avant d'ouvrir l'antenne new-yorkaise de l'agence. Au cours de l'épisode, Arthur revient sur son parcours chez Koto, les différents rôles qu'il a occupé et ce sur quoi il a travaillé - car Arthur est derrière le branding d'une multitudes marques : BlaBlaCar, Back Market, Foodvisor, Fiverr ou encore Sonos.On aborde également Koto en général : où se trouvent les studios dans le monde, qui sont les clients, ce qu'ils attendent de l'agence, etc… Arthur nous livre la sauce secrète qui fait le succès planétaire du studio !Enfin, Arthur nous parle de son aventure américaine avec l'ouverture du studio new-yorkais. Il nous explique les étapes par lesquelles il est passé pour monter cette antenne et comment il l'a fait grandir au quotidien.Les ressources de l'épisodeKotoLes autres épisodes de Design JourneysCase Study #1, La nouvelle identité de marque de Malt avec Loïc GuayPour contacter ArthurLinkedInInstagramX

Our guest on the podcast this week is Arthur Foliard, a creative director originally from Paris who is currently based in New York City. Arthur has travelled the world since he accepted an internship at Landor Associates in San Francisco over a decade ago. He later moved to London and worked for Pentagram before joining Moving Brands for a couple of years, rising from junior to senior designer. In 2016, Arthur tried his hand at freelancing for under a year but then was snapped up by the London design agency Koto – becoming its Design Director in 2017. He's still there today but has recently moved to the States to head up its new studio in New York. Although Arthur predominantly works in graphic design, he is also renowned for his illustration work – often merging the two disciplines to deliver stunning identities for the likes of Backmarket, Meatable, and Yubo. His illustration work, meanwhile, is instantly recognisable – often spotted on walls and billboards across London. In this episode, we talk about his adventures around the world. And what "home" means to him when he's not in Paris – how all these other places where he's lived differ from one another; their various cultures and ways of doing business. He also shares how he found himself in San Francisco straight after college. And how he coped with not being able to speak a word of English. We delve into his time at Koto and what it's like to be head of its new office in New York, which isn't even a year old. There's a bit of juicy insight into the studio's culture, how they might follow London's example and how it looks after its people. And Arthur shares why he believes everyone should be together, collaborating and supporting one another in the same room. It's a fun chat with someone who clearly isn't afraid of the future and doesn't dwell too much on the past – something many of us will find comforting during these rocky and uncertain times.

Adam and The Dadley Boyz discuss who needs to move in WWE's upcoming draft...Are champions moving brands?Which NXT stars could be called up?Who will be the #1 picks?How will this affect Hell In A Cell?Could RETRIBUTION be drafted?!ENJOY!Follow us on Twitter:@AdamWilbourn@MichaelHamflett@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe See acast.com/privacy for privacy and opt-out information.

In the words of founder and CEO Jordan Gal, CartHook is “expanding the canvas on which a brand can operate.” That means a customizable checkout for better customer experiences all the way through the journey. CartHook has evolved alongside the DTC market, and this conversation is loaded with tips for community-building, upselling, creating great landing pages, and more.

Today's guest is Jim Bull. He is the CCO and CoFounder at Moving Brands out of San Francisco CA. During this episode we talk about:-his early days growing up on the Isle of White. Yeah, feel free to google it. -the beginnings of Moving Brands and expanding the company to 4 different locations. San Francisco, New York, London, and Zurich.-the economic downturn they experienced in the early days of Moving Brands and how they got through it. -a funny story about working with Jamie Oliver. @Jamieoliver-the Nokia project that they won, how they won it, and why it is so special to him. -working on the Netflix word mark. I really enjoyed chatting with Jim and I know you will love this conversation. He has lots to share and his humour makes it fun. @movingbrands @jamesmbull

Today's guest is Jim Bull. He is the CCO and CoFounder at Moving Brands out of San Francisco CA. During this episode we talk about:-his early days growing up on the Isle of White. Yeah, feel free to google it. -the beginnings of Moving Brands and expanding the company to 4 different locations. San Francisco, New York, London, and Zurich.-the economic downturn they experienced in the early days of Moving Brands and how they got through it. -a funny story about working with Jamie Oliver. @Jamieoliver-the Nokia project that they won, how they won it, and why it is so special to him. -working on the Netflix word mark. I really enjoyed chatting with Jim and I know you will love this conversation. He has lots to share and his humour makes it fun. @movingbrands @jamesmbull

In this episode we speak with Neil Mendoza, self-described "maker of stuff," about his humorous art inventions which poke fun and draw attention to contemporary culture and social issues. These include a fish-controlled hammer that smashes miniatures of human things, a knife orchestra, and a hamster powered drawing machine just to name a few. Tune in to hear more about Neil's wacky inventions and his reflections on tech art and contemporary culture.-About Neil Mendoza-Neil Mendoza’s work combines sculpture, electronics and software to bring inanimate objects and spaces to life. By decontextualizing objects with technology and vice versa, the constituent parts of his work can be looked at in a new ways. Using this medium, he explores themes of the absurd, the humorous, the futile and the surreal. He has an MA in math and computer science from Oxford University and an MFA in design media art from UCLA and has taught classes on art and technology at Stanford and UCLA.His artwork has been exhibited by AND Festival, Arena 1 Gallery, The Barbican, BBC Big Screens, The Children’s Museum of Pittsburgh, Currents New Media Festival, The Exploratorium, ISEA, Kinetica, Minnesota Street Projects, Oi Futuro, PICNIC Festival, The Museum of London, The Nottingham Playhouse, YouFab, Young Projects Gallery, The Science Museum, The V&A and Watermans among others.He has created digital artworks and installations for a wide range of clients including Accenture, Adidas, Adobe, AntiVJ, Arcade Studios, Audi, Bentley, Brother, Burton Snowboards, Doritos, Ford, Guild LA, HTC, IBM, Jason Bruges Studio, LCF, The Light Surgeons, Local Projects, Moving Brands, New Angle, Nokia, Nuit Sonores, O2, Orange, Poke, Swatch, Universal Everything, Wieden & Kennedy and Wired Magazine. He also co-founded the art collective is this good?.Learn more at http://www.neilmendoza.com/Follow him @neilmendoza

There is a lot of disruption in the world of ‘mobility’ – but what does that actually mean? What does it take to launch a ‘mobility’ product? How will marketing teams encourage consumers to adopt new platforms and travel methods, including autonomous vehicles? And what do these innovations mean for traditional car and transport brands, other types of businesses, and society at large? Mat Heinl, CEO of Moving Brands, talks cars, sandwiches, horses and ice cream vans with Andrew and Jane.

Patrick Grant is an award-winning British menswear designer and a champion of British manufacturing. In 2005, he quit a career in engineering, remortgaged his house and sold his car to buy Norton & Sons, a failing Savile Row tailoring house. He’s since transformed it into one of the Row’s most elegant and successful bespoke tailors.He went on to establish E.Tautz, a modern British sportswear brand that’s informed by its rich history of clothing innovation. Most recently, he founded Community Clothing, a design co-operative that makes clothes for men and women using British factories, and supporting local communities in the process. To do this, he’s developed a new retail model to create high quality clothes that can compete with fast fashion in terms of price.He speaks to Aleks about how he’s broken the mould, and why we all need to think differently about where our clothes are made.***This episode of HandCut Radio is sponsored by Floris. Visit www.handcutradio.com/floris and enter your details for a chance to be sent a sample of their new fragrance Vert Fougère.***Show Notes:Patrick Grant — Instagram | Website[04:54] Norton & Sons[08:04] Community Clothing[09:47] Grey[09:49] Wieden + Kennedy[12:47] E. Tautz[14:02] Harrods[14:54] BBC, Savile Row New Blood[14:55] Ian Denyer[15:04] Harris Tweed[17:09] John Blashford Snell[18:10] Kim Jones[18:47] Central Saint Martins[20:12] Lee McQueen[20:17] Christopher Kane[20:45] Christian Louboutin[21:12] Moving Brands[25:15] Hardy Amies[25:57] Vans[26:06] Tricker’s[26:22] Red Wings[27:20] E. Tautz Field Trousers[28:16] Nick Wooster on Blamo![34:11] Hammond & Co[34:29] Beams Japan[45:04] Marks & Spencer[58:22] Patrick Grant’s TED TalkHandCut Radio is produced in collaboration with Birch, a London and New York based creative agency. Our theme music is by Joe Boyd.

Camilla Grey Petty is an independent strategy director who's walked the halls of London's Wolff Olins, Brand Union, and Moving Brands, and is now three years into a freelance lifestyle. We discuss: - How people make the freelance decision - What people don't think about before going freelance - What's good and not so good about freelance - How to charge and get paid - Camilla's strategy email newsletter You can find Camilla at http://www.oddkid.co and http://twitter.com/camillaxgrey. You can find her article "How to get a job as a brand strategist" here: https://medium.com/open-strategy/career-planning-for-brand-strategists-getting-into-strategy-roles-in-agencies-start-ups-and-a2754d362e8e ---- Internets: New Skillshare strategy class: http://skl.sh/markpollard Articles: http://www.markpollard.net Community: http://www.sweathead.co Twitter: http://www.twitter.com/markpollard Instagram: http://www.instagram.com/markpollard

Academy of Art University's School of Graphic Design Presents: James Bull, Founder of Moving Brands

Google + no termina de despegar. Moving Brands, una agencia multidisciplinar adaptada a los nuevos tiempos. Optimismo, capacidad cr

In 1998 James Bull founded, together with Ben Wolstenholme and Joe Sharpe, the branding agency Moving Brands, after they graduated in Graphic Design from Central Saint Martins. Moving Brands is an independent brand and digital agency with offices in London, Tokyo, Zurich and San Francisco, and has a lot of clients outside the UK. James explains that a lot of their clients come to London to get the best of design. So you get a lot of global stuff. And therefore London feels less local to him. We talk about how you could define British Design. A melting pot of an extremely diverse and mixed up culture. ‘Britishness’ is probably the best word for it. James also talks to us about the difference between advertising, branding and design. About their Weare project, and on how Moving Brands approaches this vision. Recorded at the European Design Awards 2010 in Rotterdam. Moving Brands :: James Bull interview/bio :: Moving Brands Flickr :: Moving Brands Vimeo :: Weare project :: File Download (26:07 min / 36 MB)