Podcasts about Wieden

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Der World Press Photo Award 2025 geht an das Bild des neunjährigen Mahmoud Ajour aus Gaza. Es wurde aufgenommen von Samar Abu El-Urf. Eine russische Fotoserie sorgt für Diskussionen. Sie wird als politisch gefärbt und unvollständig kritisiert. Wieden, Lotta www.deutschlandfunkkultur.de, Kompressor

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Guest Mark Shanley, creative director of Adam and Eve DDB talks us through his impressive career journey, from his early days in Dublin working at DDFH&B to handling major global campaigns for brands like Nike, Bud Light, and Amazon at Wieden and Kennedy in London. We kick off the episode with Marks Career Journey, his beginnings at DDFH&B in Dublin and his transition to London. Mark shares stories from his time at DDFH&B, including working on memorable ads for Fyffes bananas and collaborating with talented creatives. Mark talks about his move to London, his desire to work in top agencies, and the creative opportunities that led him to Wieden and Kennedy. We discover the challenges faced working on high-profile campaigns and how perseverance and hard work paid off, leading to successful ad projects for Nike and others. Mark reflects on the unique culture at Wieden and Kennedy, the intensity of working with prestigious clients like Nike, and the lessons learned.Before he transitioned to Adam and Eve DDB, he had hesitations about working in another agency, but he did join and was involved in some amazing campaigns like John Lewis home insurance ad, with a massive public backlash, that led to a 48% increase in sales. We talk about how a strategic pivot turned it into a memorable and successful ad. Conor and Mark delve into the impact of AI on the creative industry, its current limitations, and the potential future for AI in advertising. A wonderful episode with one of Ireland's top creatives. 00:50 Mark's Move to London and Widen & Kennedy01:15 Campaign Highlights: Nike and More01:53 Creative Work and Collaborations03:43 Ambitions and Global Work12:23 Burnout and Rediscovery During the Pandemic21:28 Pro Bono Work and Special Olympics Campaign23:09 Joining Adam and Eve23:25 First Projects and Initial Challenges24:00 The John Lewis Home Insurance Ad Controversy26:35 Pulled Ads and Their Impact28:24 The Pot Noodle Slurp Campaign31:52 Adapting to Feedback and Making Changes39:47 The Role of AI in Advertising45:56 The Importance of Staying Current Hosted on Acast. See acast.com/privacy for more information.

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Fazit

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

What does your company reject? Karl Lieberman is the Global Chief Creative Officer of Wieden + Kennedy. Wieden is a reference point among creative companies in many industries. For almost 45 years, they'd been impacting culture and driving business for their clients by unlocking the creativity of their people. . Creating the kind of environment in which people feel safe to put all their ideas on the table is the easiest thing to aspire to. And the hardest thing to do, in my experience. It means giving people a voice. It means being open, genuinely open to another way of looking at the world. And to the possibility that being criticized is much more desirable than being ignored. These criteria are at best challenging for most leaders to accept. Control and predict are much more natural. But predictability and conformity are creative kryptonite. To unlock creativity and unleash its power to maximum effect, you have to be willing to break the norms, to encourage the irrational and sometimes even the absurd. You have to reject predictability for possibility. And when you're yelled at, because no one has ever done it like that before, you have to be willing to shrug. You'll hear all that and more in my conversation with Karl.

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

In dieser Folge zu Gast: Lea Halbwidl, Bezirksvorsteherin von Wieden, Wiens 4. Bezirk. Paul Tesarek spricht mit der Bezirkschefin unter anderem über die großen Projekte im Bezirk, wie die Umgestaltung der Argentinierstraße in eine reine Radfahrerstraße und was das für die Bevölkerung bedeutet. Weiters ergeben sich auch interessante Fragen im Hinblick auf die kommenden Gemeinde- und Bezirksvertretungswahlen. Der 4. Bezirk scheint dabei ein sogenannter “Battleground-Bezirk” zu sein, denn bei den letzten Wahlen war Rot relativ knapp vor Grün.

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Have you seen - the Jason Kelce ads with the B-Dubs buffalo at the bar? Or maybe you've seen something a little more “pinkies out” such as the holiday campaign for Tiffany & Co featuring Anya Taylor Joy. Do you like Super Bowl commercials? If any of these interest you, then today is your day, cause we're talking to industry pro - Mike Byrne, Founding Partner and Global Chief Creative Officer of Anomaly. Anomaly has in their portfolio: THIRTY-ONE Super Bowl commercials - with more on the way. Budweiser, the Lance Armstrong Live Strong campaign, Buffalo Wild Wings, Top Golf, so much Nike, Converse, SONY, Six offices around the world and 800+ employees - ALL with Mike at the helm.Look up Anomaly.  Look up Mike. This is a good one. Mike Byrne is a founding partner of Anomaly and Global Creative Chief, where he helped lead Anomaly to Agency of the Year in 2022, Ad Age A-list #1 in 2017 as well as seven top ten placements seven years in a row. He helped lead Anomaly to two-time Fast Company Most Innovative Companies on top of other industry accolades.He spent his formative years in advertising at Wieden & Kennedy NY then Portland where he served as the co-creative chief for the agency's cornerstone Nike Account from 2000 – 2006. **During his tenure, W+K Portland amassed more awards than any other agency in the United States. W+K Portland was Agency of the Year two times in this tenure. While at W+K, Mike managed creative development for Nike in the US, Latin America and Europe.Mike has been recognized throughout his career for creative excellence, being awarded numerous Grand Prix at Cannes International Advertising Festival, D&AD, The One Show, Art Directors Club, Clios, and CA amongst others. Mike is also a multiple Emmy award winner.Beyond advertising, Mike has helped launch multiple companies spanning, from cannabis to fashion brands to food and beverage.Some of Mike's WorkNike TagNike Angry ChickenNike MoveJW Gentleman's Wager II "The race"Converse "Made By You"Budweiser "Best Buds"Budweiser "Prohibition"Sony "This is 3DTV"Dick's Sporting Goods Every PitchConverse Lunch MoneyEpisode Edited by Dylan Giovanetto@dylangio  |  Dylangio.comIf you want a shoutout in a future episode please leave us a written review on Apple podcasts. From CRY, a Creative, Production, and Post house based in New York City. Brought to you by CRY www.filmcry.com Intro mixed by Micheal Hartman - michaelhrtmn4@gmail.com

In dieser Episode von “Ein Glas mit Lars” erzählt Susanne Bei der Wieden, Kirchenpräsidentin für Ostfriesland, wie sie die Kirche in Zeiten des Wandels leitet. Im Gespräch mit Lars Reckermann spricht sie über ihre Ansichten zu Mitgliederschwund, Digitalisierung und der Rolle der Kirche in der Gesellschaft. Ein spannender Einblick in die Herausforderungen und Chancen der reformierten Kirche.

Wieden. Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Marques Gartrell is Co-Chief Creative Officer of Wieden + Kennedy New York, where he leads Wieden's largest office alongside creative partner Brandon Henderson and president Jiah Choi.  Prior to his role as CCO, Gartrell was global ECD of McDonald's, where he and his partner Brandon helped reinvigorate cultural relevance for the brand through iconic work like the Famous Orders platform, Menu Hacks, the adult happy meal, and Grimace's Birthday— including a purple milkshake-turned viral TikTok trend. He and his team's work has led to explosive growth and recognition for McDonald's, including being named Effie's Most Effective Brand in 2022, and earning the Most Effective Campaign distinction for Famous Orders in 2023. Throughout his career, Gartrell has led award-winning creative platforms on behalf of a number of other household name brands, including Delta, Vitaminwater, HBO, Duracell, Reebok, Busch, Budweiser, DIRECTV and the NFL. Before coming to Wieden, Marques spent time at Deutsch NY, BBDO, Grey, TBWAChiatDay, Saatchi&Saatchi and Fallon.

Originally recorded in May 2020, this is a wonderfully refreshing and inspiring conversation about strategy and Wieden's approach to it. We hear about the importance of breaking institutional practices as a way to unearth opportunity hidden by "scar tissue." About the history of what defines Nike over time and the brand truth in everything it undertakes. And we talk about iconic Levis work. Thanks to The Master of Advertising Effectiveness Program (MAE) for making this episode possible. Lean more about this amazing online program at www.mae.academy.

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Tech editor Lucy Shelley and media editor Beau Jackson talk through the biggest news of the week with the view from their news desks.As 4 July looms closer, broadcasters, advertisers and the country are gearing up for the UK general election. Beau discusses why Channel 4 has halted nighttime ads on its channels this week and what the media industry thinks of this. Plus we talk through the broadcaster's "lazy" Channel 4th rebrand encouraging people to vote and BBC's "It's your election" campaign by BBC Creative.In other Channel 4 news, Lynsey Atkin, executive creative director at 4Creative, has moved to McCann London taking the role of chief creative officer.Also in this episode, Lucy walks through Elon Musk onstage at Cannes Lions with WPP's chief executive Mark Read with views from the adland on whether it was right for the holdco to platform the controversial figure.Finally, Beau discusses the shortlist for the Ebay global media pitch, an account worth an estimated £305m ($385m), and gives her view on what the media pitching landscape looks like right now.Further reading:Mother hires ECD from Wieden & Kennedy LondonDentsu Creative parts ways with Caroline Pay and Theo Izzard-BrownM&C Saatchi promotes Jo Bacon to UK group CEO amid further change at the topIPG turns down investor who made approach to buy MullenLoweFormer Dentsu media CEO Hamish Nicklin takes new advisory roleCampaign podcast: behind the scenes of the Cannes Lions Film and Outdoor juriesDetails of our subscriptions are available at campaignlive.co.uk/membership. Hosted on Acast. See acast.com/privacy for more information.

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

This week, we caught Scott ‘The Boom' to shake-shake-shake the room.  Cutting his teeth at Saatchi and Saatchi, Scott Morrison has run the Nike business at Wieden and Kennedy, and been CMO and Commercial Director at Levi's, Activision and Diesel. Now he brings the Boom! to brands and leaders to Unblock, Unlock and Unleash commercial, creative or cultural impact that transforms business and individuals. Strap in as we wag chins on picking tomatoes, the power of stating intent, the magic of positive disruption, and the art of creating a movement. Scott's not just about making noise - he's about making a real impact. From quiet leadership lessons inspired by Nelson Mandela to the bold moves that drive businesses forward, Scott's got the playbook for success. Listen quick. Tic-tic-tic-tic... Follow Scott on LinkedIn, Twitter and Instagram  Find out more about the Boom!  Here's the Boom! Book Club  Read 10 ways future-thinking clients are bringing the Boom! to Business Unusual Scott's ISOLATED Talk Leadership Lessons from Marvin and Mandela Timestamps 02:07 - Quickfire questions  03:40 - His early jobs and career path 06:19 - Importance of being open to serendipity in career choices 13:39 - The importance of positive disruption in business 21:29 - The "unblock, unlock, unleash" approach 25:40 - Defining success and unblocking obstacles 33:24 - Stating intent as a powerful leadership tool 36:52 - Characteristics of impactful leaders and the concept of learning fast 41:25 - Impactful leadership styles and the balance between quiet and loud impact 45:37 - Listener questions  51:38 - 4 pertinent posers  Scott's book recommendations are:  The Mountain is You by Brianna Wiest  The Ego is the Enemy by Ryan Holiday The Obstacle is the Way by Ryan Holiday  The Road Less Stupid by Keith Cunningham

Campaign's deputy editor Gemma Charles chats to editor Maisie McCabe and premium content editor Nicola Merrifield to find out what's new in this year's School Reports.They discuss the agencies that received the highest scores, why Campaign is highlighting the shops that are Living Wage Foundation accredited and those that are All In Champions, plus why some agencies only received a provisional mark.We also hear from agency bosses at Spark Foundry, Mother, Wieden & Kennedy, Goodstuff Communications and Dentsu Creative on two issues explored in new Campaign features: how to deal with the loss of a major client, and the ways agencies can grow their workforce sustainably.Further reading:School Reports 2024: A-ZSchool Reports 2024: Economic headwinds slow agency billings growthSchool Reports 2024: One step forward, two steps back for diversityNow takes ‘heart-breaking' decision to close after 13 years Hosted on Acast. See acast.com/privacy for more information.

Wieden, Lotta www.deutschlandfunkkultur.de, Kulturpresseschau

Jimmy Smith is the dopest storyteller I know. No. Really. He is. Founder of Amusement Park Entertainment (APE), he is an advertising legend who has been in the game since 1985. Jimmy got his start working on the Nike ‘Just Do It' campaign and his career has included stints at Wieden & Kennedy, where he created ‘Book of Dimes', an ad starring LeBron James and Bernie Mac for Nike; BBDO, where he served as Executive Creative Director for Motorola; and TBWA/Chiat/Day L.A., where he was Group Creative Director for Gatorade. In this episode of Kindness Warriors we talk about passions, sports, barriers to entry in adland, breaking down walls, playing the long-game with GREAT creative ideas, & origin stories. How wonderful life is with hearts & minds like Jimmy's in this world.

Wieden, Lottawww.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lottawww.deutschlandfunkkultur.de, Fazit

Wieden, Lottawww.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lottawww.deutschlandfunkkultur.de, Kulturpresseschau

SynopsisWolfgang Mozart died on Dec. 5, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the count's 20-year-old wife, Anna, who had died earlier that year.Mozart's wife, Constanza, arranged for some of Mozart's pupils to complete the unfinished Requiem and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband.But just five days after Mozart's death in 1791, the portions of the Requiem that Mozart had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder.Schikaneder was the librettist for Mozart's opera The Magic Flute and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart's Magic Flute had premiered, and it was Schikaneder's musicians who performed parts of Mozart's Requiem for the first time on today's date in 1791, at St. Michael's Church in the center of Vienna.Music Played in Today's ProgramWolfgang Mozart (1756-1791) Requiem

Wieden, Lottawww.deutschlandfunkkultur.de, Kulturpresseschau

Wieden, Lottawww.deutschlandfunkkultur.de, KulturpresseschauDirekter Link zur Audiodatei

GUEST OVERVIEW: Livio Sanchez is an award winning editor, producer and director with a progressive approach to storytelling. His passion for visual and emotional resonance has been influenced by collaborations with a varied crop of notable directors, extending across an immensely diverse and distinguished body of work including documentaries, commercials, music videos, feature films and 360°/VR experiences. He has worked with numerous world-renowned Advertising Agencies, Brands, Studios and Foundations including Saatchi & Saatchi, TBWAChiatDay, Wieden & Kennedy, Google, General Motors, Microsoft, Nike, PBS, The New York Times, Amazon Studios and Netflix. Livio's work has earned top industry honors including a Cannes Entertainment Lion Grand Prix, AICP Most Next Award, and Television Academy Honors.  GUEST OVERVIEW: With a masterful ability to compose powerful protest songs, Five Times August's hit track "Sad Little Man" soared to the top of multiple charts, captivating the attention of millions. Despite encountering suppression on platforms such as YouTube and Facebook, their music videos have amassed a substantial number of views.

Wieden, Lottawww.deutschlandfunkkultur.de, KulturpresseschauDirekter Link zur Audiodatei

It's Megha Desai Day is on the podcast! Megha is a corporate advertising powerhouse turned President of The Desai Foundation. After years working at some of the top advertising agencies—like BBH, Anomaly, and Wieden & Kennedy—Megha decided to join her family's foundation to help them grow and increase their reach in meaningful ways. The Desai Foundation is an organization that empowers women and children through community programming to elevate health, livelihood and menstrual equity in rural India. They inspire women and children to dream beyond! NEXT STEPS: — Follow Megha on Instagram. — Follow The Desai Foundation on Instagram. — Learn more about The Desai Foundation on Youtube. — Watch the Heroes for Humanity Film. ___________________________________________ Reach out to us anytime and for any reason at hello@letsgiveadamn.com. Follow Let's Give A Damn on Facebook, Instagram, & Twitter to keep up with everything. We have so much planned for the coming months and we don't want you to miss a thing! If you love what we're doing, consider supporting us on Patreon! We can't do this without you. Lastly, leave us a 5-star rating and review on Apple Podcasts! Have an amazing week, friends! Keep giving a damn. Love y'all!1

The architect Brad Cloepfil views his work as less of a job and more of a calling. Sites speak to him. He listens with his eyes. When embarking on a project, Cloepfil slowly feels out the place, studying its particularities closely in order to understand its truest, deepest nature. He and his Portland, Oregon- and Brooklyn-based firm, Allied Works, craft buildings as much as they design them. His are finely tuned, well-wrought structures, elegantly proportioned, and unforgettable in their tactility, visual wonder, and reverence for their sites and surroundings.From the Portland, Oregon, headquarters of the advertising agency Wieden+Kennedy (2000); to Denver's Clyfford Still Museum (2011); to, more recently, the U.S. embassy in Mozambique (2021), Allied Works sculpts spaces of meaning and feeling that also serve pragmatic functions. Not surprisingly, the firm has become renowned for its designs of museums and arts institutions, including the Contemporary Art Museum St. Louis (2003).On this episode of Time Sensitive, Cloepfil talks with Spencer about his multisensorial approach to design and making; how reading, writing, and poetry have shaped his perspectives on the built world; and why all of his buildings are on some level about “amplifying and elevating the idea of service.”Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Brad Cloepfil[23:46] Allied Works[07:26] Wieden and Kennedy[45:29] Portland Institute for Contemporary Art[48:01] Maryhill Overlook[48:20] Sitings Project[51:40] Contemporary Art Museum St. Louis[53:30] Museum of Arts and Design[55:37] Duchess County Guest House[55:58] University of Michigan Museum of Art[58:38] Clyfford Still Museum[01:07:43] Eleven Madison Park[01:08:43] National Music Centre of Canada[01:11:41] National Veterans Memorial and Museum

One thing that strikes me, in all these episodes of Decoder, is how little any of us really pay attention to the advertising industry, and how deeply connected it is to almost other every modern business. After all you can start a company and invent a great product, but you still need to market it: you need to tell people about it, and eventually convince them to buy it. And so you take out an add on a platform and, well, the platform companies we all depend on mostly run on ads. Google's entire consumer business is ads. Meta's entire business is ads. And when we talk to creators, they're even more tied to ads: their distribution platforms like TikTok and YouTube are all ad-supported, and a huge portion of their revenue is ads.  This week I'm talking to Neal Arthur, the CEO of Weiden and Kennedy, one of the few independent major ad agencies in the world, and maybe the coolest one? It's got a rep. Weiden is the agency that came up with Just Do It for Nike and Bud Light Legends for Bud Light. They've done campaigns for Coke, Miller, Microsoft, ESPN – you name it. Coming off our conversation last week with Katie Welch about building a brand from the ground up using influencer marketing and potentially never hiring an ad agency, I wanted to get a view from the other side: how does a big ad agency work? Where does their money come from? So many of the big agencies are merging into what are called holding companies – why is Wieden still independent? Links: Bud Light puts creative account up for review after years with Wieden+Kennedy Mover Over Millennials -- Here Comes Gen Z How Selena Gomez's Rare Beauty Goes Viral, With CMO Katie Welch Mad Men (TV Series 2007-2015) Transcript: https://www.theverge.com/e/23081723 Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Today's episode was produced by Creighton DeSimone and Jackie McDermott. It was edited by Callie Wright. And researched by Liz Lian. The Decoder music is by Breakmaster Cylinder. Our Sr Audio Director is Andrew Marino. Our Editorial Director is Brooke Minters. And our Executive Producer is Eleanor Donovan. Learn more about your ad choices. Visit podcastchoices.com/adchoices