Podcasts about orli shaham

John Forsyte has led Pacific Symphony since 1998, during which time it has emerged as the largest orchestral institution founded in the U.S. in the past 50 years. Under his leadership, the Symphony has grown in national and international stature. Pacific Symphony made its debut at Carnegie Hall in 2018 as one of two orchestras invited to perform in Philip Glass' 80th birthday celebration. That same year, the Symphony embarked on its first tour of China, performing in five major cities. The 2017-18 season culminated with the Symphony's first nationally televised appearance on PBS's Great Performances. During the COVID-19 pandemic, Forsyte spearheaded innovative community engagement efforts, including hundreds of video productions for schoolchildren and nonprofit partners. The Symphony also launched Symphony on the Go, a mobile stage concert series offering free performances in neighborhoods throughout the region. For its dedication to serving the community during this challenging time, Pacific Symphony was recognized as the Nonprofit of the Year for the Central/South Orange County region. Forsyte's decades-long collaboration with Music Director Carl St.Clair has pioneered new concert formats and audience engagement methods, helping build an audience base that better reflects the demographics of Orange County. These initiatives include semi-staged opera productions, annual children's offerings, the innovative Café Ludwig chamber music series with Orli Shaham and Pacific Symphony principal musicians. A major milestone in Forsyte's tenure was the creation of the American Composers Festival (ACF). The festival has featured thematic and contextual programs, world premieres, commissioned works, and performances of rarely heard pieces, highlighting the Symphony's commitment to innovative and compelling programming. Over the years, the ACF has garnered critical acclaim and featured prominent composers such as John Adams, Philip Glass, and William Bolcom, and has attracted a wide range of audiences, further solidifying Pacific Symphony's reputation as a leader in promoting American music. During Forsyte's tenure, Pacific Symphony became the only orchestra in California to receive a James Irvine Foundation New California Arts Fund Grant. This supported the creation of the Building Communities Concert Series, featuring cultural celebrations such as Lunar New Year, Nowruz, and a free family festival around the Lantern Festival, further expanding the Symphony's engagement with the region's diverse communities. Pacific Symphony has expanded its community engagement programs, creating transformative initiatives like arts-X-press (a middle school arts immersion camp), Heartstrings (a partnership with 47 nonprofit organizations), the free Lantern Festival, Strings for Generations in partnership with the South Coast Chinese Cultural Center, and Santa Ana Strings. Under Forsyte's guidance, the Symphony's award-winning music education offering, the Freida Belinfante Class Act program, has grown from 7 to 30 schools. A strategic priority during Forsyte's tenure has been the expansion of the Pacific Symphony Youth Ensembles program. This initiative now includes four distinct groups: Pacific Symphony Youth Orchestra, Pacific Symphony Youth Wind Ensemble, Pacific Symphony Santiago Strings, and Pacific Symphony Youth Concert Band. Together, these ensembles serve over three hundred students annually, offering exceptional training and performance opportunities for young musicians across Southern California. The program's transformative impact is demonstrated by the high rate of students accepted into leading music conservatories and universities. Under Forsyte's leadership, Pacific Symphony has maintained a balanced budget for more than two decades while significantly increasing its fundraising efforts. Contributed income has grown fivefold, and the organization has raised an additional $35 million for its endowment during this period. Forsyte's contributions to the arts have been widely recognized. He has been honored with the Helen M. Thompson Award from the American Symphony Orchestra League and the Helena Modjeska Cultural Legacy Award by Arts Orange County. He currently serves on the Chief Executive Roundtable at UC Irvine and the boards of Arts Orange County and Orange County Music and Dance. -- Critical Mass Business Talk Show is Orange County, CA's longest-running business talk show, focused on offering value and insight to middle-market business leaders in the OC and beyond. Hosted by Ric Franzi, business partner at REF Orange County.

Ever had one of those “I'm a total failure, and I'm never going to be invited to play with these folks again” moments?In this month's chat, pianist Orli Shaham shares a deeply personal story about a performance at the Spoleto Festival in Italy, where rehearsals went so badly, that the piece she prepared was pulled from the program. It felt like a “complete failure” at the time, but the experience prompted her to evaluate her preparation process. Which eventually led to one of her career highlights - a performance of John Adams's first piano concerto, in Carnegie Hall, where Adams came onstage during the applause and gave her the greatest compliment she could have asked for, as he said “You got it. You really got it.”If you've ever struggled with feeling out of your depth, this episode is for you.Get all the nerdy details right here:Orli Shaham: On Overcoming Setbacks and Learning to Trust the Process* * *Have you ever wondered why it is exactly that things often sound better at home than they do on stage? If you've been confused (and frustrated) by the inconsistency of your performances, I put together a FREE 4-minute quiz called the Mental Skills Audit, which will help you pinpoint your mental strengths and weaknesses, and figure out what exactly to adjust and tweak in your preparation for more consistently optimal performances. It's 100% free, takes only 4 minutes, and you'll get a downloadable PDF with a personalized breakdown of where you stand in six key mental skill areas. You'll also get the Pressure Proof Practice Challenge, a free 7-day email course where you'll learn specific practice strategies that will help you perform your best, even under pressure. Take the quiz here: bulletproofmusician.com/msa

We're celebrating a musical Thanksgiving with guest host Orli Shaham. Get ready to gobble up some wonderful performances of Tchaikovsky and Chopin by some remarkable teens.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Today, we're recognizing the gift of music to inspire and bring people together with guest host Orli Shaham. Settle in for some fantastic performances of Beethoven, Debussy, and more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A 17-year-old violist performs a moving Brahms Sonata with guest host Orli Shaham and we meet a talented teenage pianist who plays one of Liszt's great works for piano. More at: https://fromthetop.org/show/show-450/Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Pianist Orli Shaham meets an 11-year-old violinist who moved from Sydney to New York to pursue music and collaborates with a gifted teen on Rebecca Clarke's viola sonata. Finally, we meet a pianist who tells us about Chopin's mazurkas and life at his New England boarding school. More at: https://fromthetop.org/show/show-450/Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

If you've spent time in classical music circles, you've heard this discussion. It's about whether classical music is about the give up the ghost. But people have been asking that question for decades, at the very least, and the market share of classical music has been steady as long as that question's been around. Orli Shaham is a pianist who performs with major orchestras around the world. She teaches at Juilliard, and she's started multiple programs to introduce classical music to more general audiences. She's not worried, because, as she puts it, “As a species we look for meaning. We want to understanding something that is beyond us, or that speaks to our emotions in ways we can't articulate.” What we call “classical” music does that, and she believes people will continue to see it out. This week, WFIU Music Director Aaron Cain talks with Orli Shaham about helping people find their way toward classical music, music students' internalized pressure to get all the notes right, and how cassette tapes made music precious in a way that's maybe been lost in the days of streaming.

Paul Williamson is featured in this podcast, performing excerpts from Beethoven's Piano Sonatas 22-28. Named one of CBC Music's “30 under 30” Canadian classical musicians, Paul Williamson is a first prize winner of the piano category of the Canadian national music festival (2014), the Canadian Federation of Music Teachers' Association national piano competition (2017), and a prizewinner of the WMC McLellan Competition (2020) and the Shean Piano Competition (2022). As a soloist, he has appeared with the Winnipeg Symphony Orchestra. the University of Manitoba Symphony Orchestra, and the Fraser Valley Symphony Orchestra. He has performed alongside Julian Pellicano, Alexander Mickelthwate, Aiyun Huang, Orli Shaham, and Jim Walker. He has appeared at Morningside Music Bridge, Orford, Kneisel Hall, Aspen, Hornby, Scotia, Agassiz, and has held residency at the Avaloch Farm Music Institute. Paul holds a Bachelor of Music degree from the University of Manitoba and a Master of Music degree from the Colburn Conservatory of Music, where he continues to study with Fabio Bidini in the Artist Diploma program. Most recently, Paul returned to the University of Manitoba to serve on the faculty as a piano instructor for the 2022 Winter term. His other musical influences include David Moroz and Jean-Yves Thibaudet. Paul is grateful for the support of the BC Arts Council. Over more than two decades, Mark Travis has served as a writer, producer, broadcaster, lecturer, podcaster, voiceover artist, multi-cam director, video editor, and audio engineer. Currently Director of Media Production for the New York Philharmonic, he has directed the Orchestra's broadcasts, hosted by Alec Baldwin, since 2003. The concert was recorded on October 26, 2022, at St Leo Auditorium in Bonita Springs, FL.

SynopsisOn today's date in 2011, the Saint Louis Symphony under David Robertson premiered a new piano concerto by the American composer Steven Mackey. The soloist was Orli Shaham, Robertson's wife, to whom the new work was dedicated.The new concerto had an odd title, “Stumble to Grace,” which Mackey explained:“There is a narrative running through the piece … the piano is all thumbs … as it stumbles in its first entrance, playing naïve and awkward plinks and plunks. By [the end], the piano plays sophisticated, virtuosic and, at times, graceful contrapuntal music—a fugue, in fact …“The inspiration … came from observing my now two-and-a-half year old toddler learning to become human … I wanted to open my compositional process to incorporate some of the whimsy and exuberance that he brings to his exploration of the world.”Mackey concludes, “A preoccupation with one's children is common among most new parents but this seemed particularly appropriate … for a piece written for Orli Shaham. She and her conductor husband, David Robertson, have twins less than a year older than my son and we've had play dates and shared narrations about new parenthood.”Music Played in Today's ProgramStephen Mackey (b. 1956) Stumble to Grace Orli Shaham, p; Los Angeles Philharmonic; David Robertson, cond. Canary Classics CC-11

Orli Shaham — Mozart: Piano Sonatas Vol. 2 & 3 (Canary Classics) Jump to giveaway form New Classical Tracks - Orli Shaham by “Through the course of this project, I got a taste of what it would have felt like to be Mozart,” pianist Orli Shaham said about recording all 18 of Mozart's piano sonatas. “It was probably exhausting because he had so many ideas running through his system all the time. It must have been a difficult brain to live in.” Continuing her Mozart project, Shaham has released the latest addition, Mozart: Piano Sonatas Vol. 2 & 3. Volumes four, five and six will come out later this year.  Why is it important for you to record all of Mozart's piano sonatas? “When I realized what the totality of the complete works signifies, a journey through his entire life, I was fascinated to see that journey. I've learned so much from this project that I would never have learned if I had just done a few sonatas.” What have you discovered about yourself during this project? “I'm from the school of classical piano. I play the notes that are on the page. That's how I was taught and raised. Then people talked about improvising. I never really understood what that meant. In doing 18 sonatas and adding a little ornamentation to every repeat, except for the ones that were already busy, I've gained so much experience. “It's completely transformed my way of looking at it. I feel informed by jazz musicians today who are always pushing boundaries and trying to figure out what fits without breaking the initial mold.” Can you talk about how Mozart brings the best out of performers? “Those first six sonatas have very different styles from each other. I didn't know this before, but they had been written as a set for his first big European tours. Something about the fourth one is intimate and simple, yet lyrical and beautiful. You can't help but be drawn toward the opening of the work. Once you're sucked in — he's got you.” How did you make these sonatas your own? “If I'm making a complete set, there should be at least one example of how to go wild. There's a deceptive quality to Sonata No.16. It's not as simple as it seems at first glance. The third movement is the precise repetition of the same simple idea. We know that Mozart would never have precisely repeated anything. But I just decided that if he were in a good mood at a party, he would not have held back.” What is interesting to you about Sonata No. 11? “I find the first movement of the sonata so special. It's very unusual when Mozart writes a siciliana in variations. The first movement is the only one in variation form where he can plummet into the depths of our humanity.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on Orli Shaham New Classical Tracks: Pianist Orli Shaham finds joy in Mozart amid pandemic New Classical Tracks: Orli Shaham, 'Brahms Inspired' Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Orli Shaham — Mozart: Piano Sonatas Vol. 2 & 3 (Amazon) Orli Shaham (official site)

Star harpist Yolanda Kondonassis celebrates the centennial of Argentine composer Alberto Ginastera's birth with a new album, Ginastera: One Hundred. The recording features guest appearances by the violin/piano duo of Gil and Orli Shaham plus guitarist Jason Vieaux, as well as a centerpiece of Yolanda's repertoire over the years, Ginastera's Harp Concerto.

New Classical Tracks: Orli Shaham

Orli Shaham speaks about her Bach Yard series, as well as her experiences teaching at the Juilliard School.

This week The Times of Israel Podcast is bringing you a sneak peak at a new album, Mozart Complete Piano Sonatas Volume 1, recorded by Israeli-American performer, Orli Shaham. Shaham was born in Jerusalem, but following in the footsteps of her big brother, the violinist Gil Shaham, she quickly found her way to New York where she began training at the Juilliard School. Today she teaches the next generation of artists there, and performs internationally with major orchestras. Shaham recorded Mozart’s Complete Piano Sonatas during the coronavirus crisis lockdown, and is in the process of releasing five discs on the new Canary Classics label. Vol. 1 was released in October. We'll hear excerpts of the new album before and throughout our conversation. Stay tuned at the end of our interview for the final movement of Sonata No. 17. We’ll speak about Mozart the improvisor, being a musician during the coronavirus, and how to inspire the next generation to add to Classical music to their playlists.

Gershwin's Rhapsody in Blue is a favorite of many, and this week we have a brilliant performance of this work by two young marimba players. Listen also for a 14-year-old pianist performing Rachmaninoff, and a stunning performance of Brahms by a young violist. Guest Hosted by Orli Shaham.

Gershwin's Rhapsody in Blue is a favorite of many, and this week we have a brilliant performance of this work by two young marimba players. Listen also for a 14-year-old pianist performing Rachmaninoff, and a stunning performance of Brahms by a young violist. Guest Hosted by Orli Shaham.

Pianist Orli Shaham returns to host From the Top and shares her Mozart expertise with two young musicians. We also meet a 14-year-old violinist with dreams of going to space, a dazzling young pianist who performs Liszt, and a teenage flutist who discusses her passion for the Supreme Court.

Pianist Orli Shaham returns to host From the Top and shares her Mozart expertise with two young musicians. We also meet a 14-year-old violinist with dreams of going to space, a dazzling young pianist who performs Liszt, and a teenage flutist who discusses her passion for the Supreme Court.

On today’s date in 2011, the Saint Louis Symphony under David Robertson premiered a new piano concerto by the American composer Steven Mackey. The soloist was Orli Shaham, Robertson’s wife, to whom the new work was dedicated. The new concerto had an odd title, “Stumble to Grace,” which Mackey explained: “There is a narrative running through the piece … the piano is all thumbs … as it stumbles in its first entrance, playing naïve and awkward plinks and plunks. By [the end], the piano plays sophisticated, virtuosic and, at times, graceful contrapuntal music—a fugue, in fact … “The inspiration … came from observing my now two-and-a-half year old toddler learning to become human … I wanted to open my compositional process to incorporate some of the whimsy and exuberance that he brings to his exploration of the world.” Mackey concludes, “A preoccupation with one’s children is common among most new parents but this seemed particularly appropriate … for a piece written for Orli Shaham. She and her conductor husband, David Robertson, have twins less than a year older than my son and we’ve had play dates and shared narrations about new parenthood.”

On today’s date in 2011, the Saint Louis Symphony under David Robertson premiered a new piano concerto by the American composer Steven Mackey. The soloist was Orli Shaham, Robertson’s wife, to whom the new work was dedicated. The new concerto had an odd title, “Stumble to Grace,” which Mackey explained: “There is a narrative running through the piece … the piano is all thumbs … as it stumbles in its first entrance, playing naïve and awkward plinks and plunks. By [the end], the piano plays sophisticated, virtuosic and, at times, graceful contrapuntal music—a fugue, in fact … “The inspiration … came from observing my now two-and-a-half year old toddler learning to become human … I wanted to open my compositional process to incorporate some of the whimsy and exuberance that he brings to his exploration of the world.” Mackey concludes, “A preoccupation with one’s children is common among most new parents but this seemed particularly appropriate … for a piece written for Orli Shaham. She and her conductor husband, David Robertson, have twins less than a year older than my son and we’ve had play dates and shared narrations about new parenthood.”

It was last summer that Orli Shaham began recording the complete Mozart piano sonatas. The new album is still in the works, but ever since April, she’s been offering special sneak previews. Every Wednesday, you can hear a selection from the album - available for one week only. It’s called MidWeek Mozart, and Shaham’s hoping it brings just a little more beauty into the world. Usually she shares a single movement, but all throughout July, Shaham’s making an entire sonata available for free online listening. This week’s selection is Sonata No 3 in B-flat major, a piece that Mozart wrote when he was 19, traveling a lot and encountering all sorts of new musical styles and instruments. Orli Shaham’s recording of Mozart’s piano sonata no 3 is available for one week only. You can find a link at wqxr.org/Concerwatch.

The piano. A seemingly normal instrument. But where did it come from, and how did it get here? Is it a percussion or a string instrument? Is it safe for young people, or will it influence your child to become interested in (gasp!) music, like it did one Orli Shaham? In this episode, Shaham describes how she was helplessly lured by the piano, as well as how this instrument wound up in peoples' homes. She also talks about its repertoire, and how your child can start playing. Listen at your own peril.

durée : 01:57:57 - En pistes ! du mercredi 05 février 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : Mozart, avec le 17ème Concerto pour piano par Orli Shaham et un arrangement du Quatuor n°15 pour le quintette à vent québécois Pentaèdre, la 4ème Symphonie de Mahler sous la baguette du finlandais Osmo Vänskä, un album Beethoven par les chambristes de la WDR de Cologne... - réalisé par : Olivier Guérin

durée : 01:57:57 - En pistes ! du mercredi 05 février 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : Mozart, avec le 17ème Concerto pour piano par Orli Shaham et un arrangement du Quatuor n°15 pour le quintette à vent québécois Pentaèdre, la 4ème Symphonie de Mahler sous la baguette du finlandais Osmo Vänskä, un album Beethoven par les chambristes de la WDR de Cologne... - réalisé par : Olivier Guérin

In our second 2019 episode from Portland, Maine, guest host, pianist Orli Shaham introduces us to a fantastic crew of young musicians

In our second 2019 episode from Portland, Maine, guest host, pianist Orli Shaham introduces us to a fantastic crew of young musicians

Pianist Orli Shaham hosts the first of two From the Top episodes in Portland, Maine.

Pianist Orli Shaham hosts the first of two From the Top episodes in Portland, Maine.

This week, your Rochester Philharmonic Orchestra welcomes a new maestro and the return of a fan favorite. Conductor David Danzmayr and pianist Orli Shaham combine forces with the RPO for a concert of two temperamentally different symphonies and a songbird's concerto. Julia Figueras sat down in our studios to talk about the pieces, programming, and the power of music for our youngest listeners in Orli's Bach Yard.

Guest host Orli Shaham's complete break piece recorded during From the Top Episode 361, Brunswick, ME.

Guest host Orli Shaham's complete break piece recorded during From the Top Episode 361, Brunswick, ME.

Concert pianist Orli Shaham guest hosts this week's From the Top from Brunswick, Maine! We'll hear her talk shop with a superb teenage pianist who performs the music of Brahms, meet a violinist from Maine who happens to do serious biomedical research when he's not in the practice room, and a very young, very fun brother-sister guitar duo plays contemporary music from Brazil. *PERFORMERS* 16-year-old cellist Jiaxun "Caroline" Yao from Flushing, NY performing: I. Prologue: Lent, sostenuto e molto risoluto from the Sonata for Cello and Piano by Claude Debussy with Orli Shaham, piano || Davisson Guitar Duo: Elle Davisson, 10, and Jack Davisson,13, from Palo Alto, CA performing: "Jongo" by Paulo Bellinati || 17-year-old bassoonist Aaron Brown from Shapleigh, ME performing: I. Vivace from the Sonata for Bassoon and Piano by William Hurlstone, with Orli Shaham, piano. || 17-year-old pianist Avery Gagliano from Philadelphia, PA performing: I. Intermezzo in A minor and III. Ballade in G minor from 6 Klavierstücke, Op.118 by Johannes Brahms || 17-year-old violinist Brandon Aponte from Blue Hill, ME performing: "Méditation" from Thaïs by Jules Massenet, with Orli Shaham, piano || Finale: All performers with Orli Shaham perform VI. Le Pas Espagnol from Dolly Suite, Op.56 by Gabriel Fauré (1845-1924), arr. by Simon Frisch

Concert pianist Orli Shaham guest hosts this week's From the Top from Brunswick, Maine! We'll hear her talk shop with a superb teenage pianist who performs the music of Brahms, meet a violinist from Maine who happens to do serious biomedical research when he's not in the practice room, and a very young, very fun brother-sister guitar duo plays contemporary music from Brazil. *PERFORMERS* 16-year-old cellist Jiaxun "Caroline" Yao from Flushing, NY performing: I. Prologue: Lent, sostenuto e molto risoluto from the Sonata for Cello and Piano by Claude Debussy with Orli Shaham, piano || Davisson Guitar Duo: Elle Davisson, 10, and Jack Davisson,13, from Palo Alto, CA performing: "Jongo" by Paulo Bellinati || 17-year-old bassoonist Aaron Brown from Shapleigh, ME performing: I. Vivace from the Sonata for Bassoon and Piano by William Hurlstone, with Orli Shaham, piano. || 17-year-old pianist Avery Gagliano from Philadelphia, PA performing: I. Intermezzo in A minor and III. Ballade in G minor from 6 Klavierstücke, Op.118 by Johannes Brahms || 17-year-old violinist Brandon Aponte from Blue Hill, ME performing: "Méditation" from Thaïs by Jules Massenet, with Orli Shaham, piano || Finale: All performers with Orli Shaham perform VI. Le Pas Espagnol from Dolly Suite, Op.56 by Gabriel Fauré (1845-1924), arr. by Simon Frisch

Star harpist Yolanda Kondonassis celebrates the centennial of Argentine composer Alberto Ginastera's birth with a new album, Ginastera: One Hundred. The recording features guest appearances by the violin/piano duo of Gil and Orli Shaham plus guitarist Jason Vieaux, as well as a centerpiece of Yolanda's repertoire over the years, Ginastera's Harp Concerto.

It’s summertime, and the classical musicians have all disappeared. No, it’s not a classical music-specific alien body snatching situation. It’s just that they’re all at music festivals! Because we miss them, we’ve decided to follow the musicians to a different fest each summer. This year, we head to the Aspen Music Festival! In our four-show miniseries, we’ll be interviewing festival leaders and musicians. In this, the second episode of our miniseries, we spoke with pianist and awesome person, Orli Shaham. We find out what she’s up to in Aspen, and she teaches us about music by living composers that is inspired by Brahms. Music in this episode (all from Orli Shaham’s CD, “Brahms Inspired”): – Johannes Brahms – Op. 118 (Intermezzo in A major) – Bruce Adolphe – My Inner Brahms (an intermezzo) – Avner Dorman – After Brahms (Allegro con molto appassionato) – Arnold Schoenberg – Six little piano pieces, Op. 19 – Brett Dean – Hommage a Brahms (Engelsflugel 1) – Johannes Brahms – Op. 119 (Intermezzo in B minor – Adagio) Orli Shaham. Photo by Christian Steiner. Courtesy of the artist’s website. Audio production by Todd “The Great Toddsby” Hulslander with green lights from Dacia Clay and editing by Mark DiClaudio. For more about Orli Shaham: www.orlishaham.com For more about the Aspen Music Festival: www.aspenmusicfestival.com

Last week, Michael Tilson Thomas was conducting the New World Symphony in Miami when he stopped the concert in its tracks. A fidgety child and her mother were in his line of sight, and he reportedly asked them to change seats. Some details remain unclear but the mom and child did more than that – they left the hall. The incident caused quite a sensation on the Internet and raised questions: What is the appropriate age for kids to start attending grown-up concerts? And how do you prepare them for the experience? In this podcast, we get three views, from Orli Shaham, a pianist, mother of twins and artistic director of Baby Got Bach, a concert series intended for kids ages 3 to 6; Sedgwick Clark the editor of Musical America and a steadfast concert-goer around New York; and Susan Fox, a founder and publisher of the online forum Park Slope Parents. In the first part of the segment we ask whether young children should attend concerts: Clark says an affirmative "no." Fox contends that "you need to be willing to jump ship" if your child can no longer sit still through the music. And Shaham notes that concert-going requires careful preparation. Host Naomi Lewin also asks for tips for parents who are considering bringing their children to a concert. Responses include "find an aisle seat near a door," "give them some chewing gum," "start with shorter concerts" and simply, "teach them to sit with boredom." Listen to the full segment above and tell us in the comments box below: how do you prepare kids for a concert? Would you want to sit next to a young child at a concert? Orchestra Minimum Age Requirements | Create Infographics