Podcasts about orli

561 – Händel, politiek dier en geniaal musicus Zijn werken zijn al 300 jaar door en door politiek. De opera’s van Georg Friedrich Händel vertellen hoe heersers hun tijd en wereld domineren en hoe zij wijs, mild en rechtvaardig kunnen regeren. Maar ook hoe wreed, normloos en gewetenloos zij vaak zijn. Hoe ze mensen vertrappen, bedriegen en in het verderf storten. Dezer weken is Amsterdam Händel hoofdstad van Europa. Vooral ook door spectaculair optreden van een jonge wereldster die met Julius Caesar zo’n sluwe, wrede en machtige heerser vertolkt. Met deze Poolse countertenor, Jakub Józef Orliński, duiken Jaap Jansen en PG Kroeger in de vele lagen van de meeslepende muziek van Händel (1685 - 1759). In diens tijdloze actualiteit en virtuoze diepte van zijn mensenkennis. Zijn 'Giulio Cesare in Egitto' blijkt een soort kabinetsformatie van twee machtsdieren uit de Oudheid: Cleopatra en Caesar. Een van die cynische, nobele en wrede verhalen over hoe macht, intriges en gerechtigheid met elkaar strijden om de voorrang in het geopolitiek geweld. Net als nu. Hier. Vandaag. *** Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! Steun Greenpeace voor gelijke bescherming, klimaatrechtvaardigheid en de toekomst van ons allemaal. Help met een donatie via: greenpeace.nl/betrouwbarebronnen Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend ons een mailtje en wij zoeken contact. By scrolling down, you will find a text in English. The conversation with Jakub Jozéf Orlínski starts at after about 36 minutes. *** Händel was een Europees fenomeen. Als jong musicus uit Halle in Saksen-Anhalt werd hij al bejubeld in Rome en Venetië. Hij reisde langs alle hoven en concertzalen en belandde in Londen, waar hij de beroemdste componist, organist én kunstpaus werd, ook die voor het koningshuis. Het koninklijk publiek verwachtte dan ook opera's met politieke boodschappen en portretten uit verhalen uit alle eeuwen en windstreken. En Händel leverde. Van stukken uit het oude Rome, Perzië, Mongolië en tot muziektheater dat speelt in de diepste middeleeuwen, aan de Olympus en vertelt uit ridderromans tijdens de Kruistochten. Jakub Józef Orliński levert niet minder. Hij vertelt over zijn visie op 'Cesare' als veroveraar en uitbuiter van het onmetelijk rijke Egypte. En als politiek, militair en amoureus veroveraar van Cleopatra. Die blijkt minstens zo'n politiek dier als hijzelf en heeft haar heel eigen agenda. In Händels beroemdste aria's en duetten ontdekken die twee in het Concertgebouw elkaars ambities, charmes, belangen en 'Wille zur Macht'. Ze sluiten een deal, alsof ze onderhandelen in Davos of Mar-a-Lago. Hij maakt haar Farao, in plaats van haar gemene broer. Zij baart hem de opvolger die hem ontbrak. Orlínski zong in januari bij de Nationale Opera nog een heel andere rol, die van de naïeve prins Athamas. Bij zijn feestelijke royal wedding slaan de wrede goden toe. Of zijn dat de spookbeelden van zijn bruid Semele? Is haar dromen van oppergod Jupiter als haar ware echtgenoot niet ook weer zo'n politiek fata morgana? Zo'n droom van tomeloze macht om te ontsnappen aan dit huwelijk? Desnoods een waaraan zijzelf en de brave Athamas ten onder gaan? Bij Händel draait het steeds weer om macht, wellust, sluwheid en de hoop op oprechte menselijkheid. Zijn opera's worden bevolkt door Poetins, Von der Leyens, Ruttes, Jettens en Wilders uit alle eeuwen. Orlínski droomt van sommige van die rollen voor zijn komende carrière, vertelt hij. Het gesprek met de Poolse barokster gaat over zijn avonturen op het wereldtoneel. De opening van de Olympiade in Parijs van 2024 bijvoorbeeld. Hoe was het om als verrassende breakdancer annex zanger twee miljard kijkers te veroveren, alsof hijzelf een Caesar van de muziek was? Wat maakt dat hij zo dol is op Amsterdam, maar niettemin één dagelijkse ergernis heeft? Orlínski blijkt een zanger die zijn vak buitengewoon professioneel uitdiept. "Ik heb wel zeven lange termijnprojecten voor mezelf en gezelschappen en operahuizen die ik zorgvuldig probeer uit te bouwen." Zo ontstond ook de tournee en straks in Warschau de opname van 'Giulio Cesare', een gedurfde stap. Maar hij noemt zich ook ‘een soort archeoloog’. Met zijn researcher speurt hij in archieven naar verloren gewaande muziek, opera's waarvan we alleen nog de naam kennen. Eén ontdekking van een vergeten stuk is zo'n toekomstproject dat hij hoopt te lanceren als nieuwe opera op het wereldrepertoire. Händels work is deeply political, already 300 years. Händels operas show how rulers dominate their age and world, how to be masters of wisdom, mildness and justice. But no less how cruel and merciless they can be, how they do not shrink to destroy people, fool and ruin them. These weeks Amsterdam is 'the George Frederic Handel capital of Europe'. Most of all thanks to the spectacular musical debut of a young global Baroque-star who will sing such a cunning, cruel and powerful ruler. Julius Caesar, no less. With worldwide recognized Polish countertenor, Jakub Józef Orliński, the hosts of the podcast 'Trusted Sources' look for the many layers of the fabulous music of Händel (1685 - 1759). His "Giulio Cesare in Eigtto' is an opera as a diplomatic summit of two political animals of the Ancient World, Cleopatra and Ceasar. A cynical, noble and cruel tale where power, intrigue and justice are combating for primacy in the geopolitical reality of the day. Like with us, now, here, in the present. Orlínski tells about his take on 'Cesare', the victor and exploiter of immensely rich Egypt. And the political, military and amorous conqueror of its Queen. Cleopatra proofs to be no less a political pro, having a cunning agenda of her own. In aria's and duets these two discover each others ambitions, interests, charms and ruthlessness. As if in Mar-a-Lago or in Davos they strike a deal in Amsterdams Concertgebouw. He makes her Pharao instead of her cruel brother, she bears him the dynastic successor he lacks. In the National Opera Jakub Józef Orliński also sings the naïve prince Athamas, whose exuberant 'Royal Wedding' is ruined by merciless 'divine intervention' of Jove, king of the Gods of Olympus. Is this real or a nightmare of his bride Semele? Is her dream of a God as Lover a way to escape, even as this destroys herself and Athamas' hope of love? Händels operas again and again adress the dilemmas of power, cruelty, lust, mercy and hope for humanity. They are filled with Putins, Melania's, Berlusconi's, Ursula von der Leyens, with you and me. Talking with Orlínski is sharing wonderful stories of his adventures on a world stage. His live role at the Olympics in Paris, watched by an audience of billions around the world. But getting soaking wet there while breakdancing through a French Renaissance aria. His bike in Amsterdam. His ambitions as "almost an archeologist of music", going through archives to dig up unknown diamonds of Baroque music, forgotten over 300 years. The young Pole is a deeply dedicated artist and we can only wish him to entrance audiences for many years with his focus on discoveries and a fresh approach to timeless art. *** Verder kijken Jakub Józef Orliński & Ensemble Fantasticus - Händel - Semele: Your Tuneful Voice | Podium Klassiek Jakub Józef Orliński - He Was Despised (Händel's Messiah) Jakub Józef Orlínski - Händel - Ombra mai fu Jakub Józef Orliński – Händel: "Pena tiranna" (Amadigi di Gaula) Jakub Józef Orlínski - Viens, Hymen - opening Olympische Spelen Parijs 2024 *** Verder luisteren 387 - Niets is zó politiek als opera - 100 jaar Maria Callas207 - Zomer 2021: Boekentips met Händel in London, the making of a genius43 - Kleine Mozart aan het Binnenhof in 1765346 - Beethoven: Alle Menschen werden Brüder!498 - Gustav Mahler en zijn tweede stad Amsterdam531 - Muziek en tirannie: de schrijnende actualiteit van Dmitri Sjostakovitsj 305 - Andrea Wulf, Hoe rebelse genieën eeuwen later nog ons denken, cultuur en politiek beïnvloeden488 - Het Congres van Wenen (1814-1815) als muzikaal feest én briljant machtsspel373 - Nederland en België: de scheiding die niemand wilde Hoe een opera België van Nederland afscheurde 200 - De Heerser: Machiavelli's lessen zijn nog altijd actueel*** Tijdlijn 00:00:00 – Deel 1: Georg Friedrich Händel 00:36:26 – Deel 2: Gesprek met Jakub Józef Orliński 01:07:05 – Deel 3: Gesprek met Jakub Józef Orliński 01:25:50 – Einde See omnystudio.com/listener for privacy information.

In this episode of PeaceCast, NJN Director of Prgrams Maxxe Albert-Deitch is joined by comedian and podcast host Orli Matlow (host of War Is Stupid: An Antiwar Podcast About War) Read more about War Is Stupid: An Antiwar Podcast About War: https://warisstupid.substack.com/ Listen to War Is Stupid: https://www.youtube.com/playlist?list=PLNvZw9ofCuL9a0SUDFOJcT_kRAEfYhZ-N  

Druga edycja wydarzenia przełamującego konwencje w prezentowaniu muzyki klasycznej odbędzie się ponownie w malowniczej lokalizacji nad jeziorem i w barokowym pałacu w Otwocku Wielkim. Gościliśmy kompozytora i pianistę - Aleksandra Dębicza oraz kontratenora Jakuba Józefa Orlińskiego, którzy powoli odsłonili karty tworzonego przez nich Festiwalu Break in Classic.

Nekoč je neki kmet šel skozi gozd in našel majhnega orla, ležečega na zemlji. Bil je ranjen in je umiral. Pobral ga je in ga odnesel ...Iz knjige Zgodbe za dušo, ki je izšla pri založbi Ognjišče.

V Gorici v galeriji Katoliške knjigarne Ars na Travniku je še do sobote 29. novembra na ogled dokumentarna razstava z naslovom Rodbina Bratuž Šorli – Etični in kulturni doprinos k pripadnosti slovenskemu narodu. Nastala je v sodelovanju s Pokrajinskim arhivom iz Nove Gorice, nudi pa vpogled v življenje in ustvarjanje dveh zanimivih primorskih družin, družine Bratuž iz Gorice in družine Šorli iz Tolmina. Naša gostja je bila soavtorica, arhivska svetovalka Ivanka Uršič.

Filmově-kritickou dvojici akrobatů Aleše a Martina tentokrát v debutově složené sestavě usměrnil tvůrčí titán Honza. Na menu ve znamení filmového chaosu byla třeba nová série skromného rapera Vince Staplese, nevybíravá freska egyptské politiky a filmové propagandy Orli republiky nebo manýristický flex Edwarda Bergera. Největší pozornost však byla zaměřená na dvojici českých filmů, které ukazují, že i močůvka může být umění.Všechny díly podcastu Čelisti můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Filmově-kritickou dvojici akrobatů Aleše a Martina tentokrát v debutově složené sestavě usměrnil tvůrčí titán Honza. Na menu ve znamení filmového chaosu byla třeba nová série skromného rapera Vince Staplese, nevybíravá freska egyptské politiky a filmové propagandy Orli republiky nebo manýristický flex Edwarda Bergera. Největší pozornost však byla zaměřená na dvojici českých filmů, které ukazují, že i močůvka může být umění.

What happens when you live on a planet where grief rewrites the language of everyday life? Kate Bowler speaks with writer and New York Times editor Sarah Wildman about her daughter Orli’s incandescent life and staggering courage while living with terminal cancer. Together they explore the limits of positivity culture, the fierce tenderness of caregiving, the sacred discomfort of truth-telling, and the love that carries us when nothing adds up. This is a conversation for anyone who has lived inside the ache—and chosen joy anyway. Show Notes: Sarah Wildman’s award-winning writing at The New York Times Leonard Cohen’s “Who By Fire” Jewish practices of grief (shiva) and care (bikur cholim) Blessing for Life After Loss Support Guides: Parenting a Medically-Complicated Child, When Your Child is in Pain, When You’ve Been Diagnosed Orli, in all her joy: @orli_halpern on TikTok For those of us who live on a different planet now: Small Talk Survivor Tee | Mug Kate’s Substack – blessings, reflections, and our tender corner of the internet See omnystudio.com/listener for privacy information.

Anna Wood, Editor at Startups Magazine, speaks to Dr Mark Cox, Co-Founder and CEO of Orli, about the inspiration behind founding Orli after witnessing patient crisis as an NHS doctor, giving children the tools they need to regulate their emotions in a fun way and winning the Social Impact Hero award at the Hustle Awards 2025.  

Anna Wood, Editor at Startups Magazine, speaks to Dr Mark Cox, Co-Founder and CEO of Orli, about the inspiration behind founding Orli after witnessing patient crisis as an NHS doctor, giving children the tools they need to regulate their emotions in a fun way and winning the Social Impact Hero award at the Hustle Awards 2025.  

Anna Wood, Editor at Startups Magazine, speaks to Dr Mark Cox, Co-Founder and CEO of Orli, about the inspiration behind founding Orli after witnessing patient crisis as an NHS doctor, giving children the tools they need to regulate their emotions in a fun way and winning the Social Impact Hero award at the Hustle Awards 2025.  

Razstavo si lahko ogledamo vse do 8. februarja 2026. Gre za prvo postavitev v seriji Predogled, ki zbirko iz muzeja predstavlja kot odprt komentar in ne v klasični kurirani obliki. Tako vidimo na razstavi dokumente, načrte, knjige, časopise, risbe, izjemne fotografije in predmete arhitekta Marjana Šorlija. Letos namreč mineva 110 let odkar se je arhitekt Šorli rodil. Bil je vsestranski ustvarjalec, projektant, urbanist, premišljevalec, predavatelj, publicist, predvsem pa zagovornik in uresničevalec arhitekturnih rešitev po meri človeka, ki naj bi bil povezan z naravnim okoljem in trajnostno naravnan. Razstavo sta pripravila Martina Malešič in Andraž Keršič, pred mikrofon ju je povabila urednica oddaje Tadeja Krečič Scholten.

Pridruži se besplatno u Klub Zdravlja i Dugovječnosti - https://www.humanlabhub.com/klub-zdravlja-i-dugovjecnostiBESPLATNI email tečaj za optimizaciju tvoje svakodnevice HUMAN CODE - https://humanlabhub.com/human-code (30 dana za zdravlje koje funkcionira u stvarnom životu)*Metabolic Friendly* - 10% popusta na specijalistički pregled uz kod: HUMANLAB - https://www.metabolic-friendly.com/Preuzmi *besplatni popis 50 najutjecajnijih knjiga* koje mijenjaju život - https://humanlabhub.com/knjige// POVEŽI SE S MATEOM //Instagram: https://www.instagram.com/mateozx95LinkedIn: https://www.linkedin.com/in/mateo-%C4%87orlukaFacebook: https://www.facebook.com/HumanLABpodcastWeb: https://www.humanlabhub.com*Dobrodošli u Human LAB!*Podcast koji spaja znanost i praktične savjete za zdravlje, dugovječnost i kvalitetu života. Ja sam Mateo Ćorluka, medicinski tehničar i zaljubljenik u dugovječnost, posvećen pružanju znanstveno utemeljenih informacija koje ti pomažu preuzeti kontrolu nad vlastitim zdravljem. Kroz podcast epizode istražujem ključne teme zdravlja, fitnessa, prevencije bolesti i mentalnog blagostanja, s ciljem inspiriranja svakog pojedinca da živi svoj najbolji život. Pridruži mi se u ovoj misiji i otkrij kako znanost može raditi za tebe.#zdravlje #longevity #fitness #podcast Želiš podržati kanal? Napravi jednokratnu donaciju:paypal.me/humanlabpodcastIli posveti mjesečni simbolični iznos:patreon.com/humanlabpodcastVIDEO PRODUKACIJA: 38FILMS, Luka Justinijanović, web: https://38films.eu©Human LAB - Za sve upite i suradnje javiti se na mail: mateo@humanlabhub.com

Zakaj je razstava Marjan Šorli in udomačena arhitektura, ki jo nocoj odpirajo v Muzeju za arhitekturo in oblikovanje (MAO), aktualna danes? Gre za prvo razstavo v novi seriji Predogled, s katero MAO svojo zbirko postopoma predstavlja javnosti. September letos zaznamuje 110-letnico rojstva in 50-letnico smrti arhitekta Marjana Šorlija – projektanta, pisca, misleca, predavatelja in izjemnega avtorja, ki ga je zgodovina arhitekture spregledala. Razstava ni zasnovana kot klasično kuriran pregled, temveč kot odprt komentar k raznolikemu gradivu, ki ga je muzej pravkar pridobil v svojo zbirko. Po besedah kustosov razstave, Martine Malešič in Andraža Keršiča, želi projekt spodbuditi razmislek o Šorlijevem delu in njegovem mestu v arhitekturni zgodovini

''Sonka. Zmierzch Jagiełły” Zuzanny Orlińskiej to poparta rzetelną wiedzą, wciągająca powieść historyczna o czwartej żonie króla Władysława Jagiełły, Zofii Holszańskiej. Autorka pokazuje otoczenie króla Jagiełły od strony politycznej i prywatnej, oddając ze szczegółami realia życia w XV-wiecznej Polsce.

Elisa: Giuseppina Bridelli Seleuce: Melissa Petit Tolomeo: Jakub Józef Orliński Alessandro: Paul-Antoine Bénos-Djian Araspe: Andrea Mastroni Il Pomo d'Oro Conductor: Francesco Corti Katowice 11 May 2023 Broadcast https://parterre.com/2025/08/20/ptolemy-about-it

Shai chats special guest sister and renowned author, Orli Zuravicky, about books' on screen adaptations and which sibling is the favorite child. Shai also happened to finish reading a book and wants a parade.  Follow @floatersmovie for updates! Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: The Red Tent Fund | HIAS | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.  Subscribe and leave a review on IOS or Android at frinightmovie.com.

Czy muzyka klasyczna może konkurować z hip-hopem, metalem i nowoczesnymi brzmieniami? Oczywiście! Dowodem na to jest Break In Classic 2025, nowy festiwal muzyki klasycznej, który odbędzie się w sierpniu w Muzeum Wnętrz w Otwocku Wielkim pod Warszawą, w oddziale Muzeum Narodowego w Warszawie. Wydarzenie, które łączy barokowy styl z nowoczesną energią, zapowiada się jako jedna z najciekawszych imprez muzycznych tego lata w kraju. Za artystyczną dyrekcję festiwalu Break In Classic odpowiadają światowej klasy artyści: Aleksander Dębicz, pianista i kompozytor, oraz Jakub Józef Orliński, kontratenor znany z łączenia muzyki dawnej z popkulturą. Obaj twórcy, znani m.in. ze wspólnej płyty „#LetsBaRock”, zaprosili wybitnych muzyków klasycznych z całej Europy. W rozmowie dyskutujemy też o tym, jak skracać dystans do muzyki klasycznej, czy wypada klaskać między częściami utworu i co wspólnego ma rockandrollowy styl życia z barokiem. A także: co robił Jakub Józef Orliński na koncercie Quebonafide i czy planuje występ na igrzyskach olimpijskich w Los Angeles? Chcesz więcej treści od „Polityki”? Wydarzenia kulturalne, zjawiska i komentarze ekspertów: wszystko, co musisz wiedzieć, w jednym miejscu. Skorzystaj z oferty specjalnej, kup subskrypcję z 30% zniżką na roczną subskrypcję. Aktywuj kod KULTURA30 na stronie www.polityka.pl/kod/kultura30.

W środę w "Onet Rano." przywita się Mikołaj Kunica, którego gośćmi będą: Adam Szłapka, rzecznik rządu; prof. Małgorzata Zachara-Szymańska, amerykanistka, UJ; Jarosław Koliński, Przegląd Sportowy Onet; Ewa Minge, projektantka. W części "Onet Rano. WIEM" gośćmi Odety Moro będą: Jakub Józef Orliński, śpiewak i Aleksander Dębicz, kompozytor.

Warszawska Starówka świętuje 72. urodziny. W programie: 100 wydarzeń przygotowanych przez 33 staromiejskie instytucje, w tym m.in. koncert światowej sławy kontratenora Jakuba Józefa Orlińskiego w duecie z pianistą Michałem Bielem, plenerowy spektakl dla dzieci, potańcówka z orkiestrą Jana Młynarskiego czy silent disco pod gwiazdami.

W Świdnicy trwają przygotowania do 26. edycji Festiwalu Bachowskiego. Wydarzenie co roku przyciąga do miasta miłośników muzyki dawnej i kameralnej. Koncerty odbywać się będą do 3 sierpnia, a na finał tegorocznej wystąpi znakomity kontratenor Jakub Józef Orliński.

Orli Shaham guest hosts with her brother violinist Gil Shaham on this episode dedicated to musical families. We'll meet a bunch of siblings, including Orli's own sons. We'll enjoy performances of Dvořák, Schumann, and a new work by a young composer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hoy en día la música se escribe para ser oída, para acompañarnos como algo adicional a nuestro consumo diario, bien en la radio, bien como soporte a la imagen. Sin embargo, existe otra música que va más allá de esta frivolidad y que aspira a ocupar un espacio por mérito propio. Es música hecha para escuchar. slowave, Arnaud Roy, José Luis Serrano Esteban, Digitonal, Sean Tinnion & Buddha Code, Coen Bais, Coen Bais & Tom Barlage, Rival Consoles, Jakub Józef Orliński & Aleksander Debicz, Laurent Dury, René Aubry, Rodrigo Leão, David Helpling & Eric "the" Taylor, J.T. Peterson, Ryan Taubert, Angus MacRae. 🎧 El playlist detallado: lostfrontier.org/t29.html#1049.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Katarzyna Janowska zaprasza na nowy odcinek programu "Rezerwacja”. Gośćmi są laureaci O!lśnień - Jakub Józef Orliński i Aleksander Dębicz oraz pisarz i publicysta - Krzysztof Varga. Jakub Józef Orliński i Aleksander Dębicz zdobyli najwięcej głosów w plebiscycie O!lśnienia 2025 i dwie nagrody - w kategorii Muzyka Klasyczna, Opera i Jazz oraz nagrodę główną za album "LetsBaRock". Krzysztof Varga wydał nową książkę "Śmiejący się pies". To niezwykła opowieść o mężczyźnie, którego pies jest towarzyszem życia i powiernikiem. Paweł Tworek przygotował relację z planu filmu "Ministranci" w reżyserii Piotra Domalewskiego.

Er ist einer der begehrtesten Countertenöre weltweit - und nebenbei Breakdancer: Jakub Józef Orliński. Wie es ihm gelingt, trotz seines enormen Erfolgs auf dem Boden zu bleiben, wie er neues Publikum für die Klassik gewinnt, was ihm der Breakdance gibt und wie es war, bei der Eröffnung der Olympischen Spiele in Paris aufzutreten, erzählt er in diesem Podcast.

Sarah Wildman's daughter Orli died from cancer when she was 14. "She would sometimes ask me, 'What do you think I did to deserve this?' And of course, that's not an answerable question," Wildman says. The NYT Opinion writer spoke with Terry Gross about her daughter's treatment and death and living with grief.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sarah Wildman's daughter Orli died from cancer when she was 14. "She would sometimes ask me, 'What do you think I did to deserve this?' And of course, that's not an answerable question," Wildman says. The NYT Opinion writer spoke with Terry Gross about her daughter's treatment and death and living with grief.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Wyspiański, Wajda, ale też Orliński, muzyka współczesna i młody polski komiks. Od marca do listopada potrwa Sezon Kulturalny Polska - Wielka Brytania 2025, w którym jest ponad 100 wydarzeń. Instytut Adama Mickiewicza uruchomił też kulturalny program towarzyszący polskiej prezydencji w Radzie Europy. Część oferty dostępna jest również online, w streamingu. "Powinniśmy spotykać ludzi tam, gdzie oni są, więc nie możemy udawać, że wszystkich spotkamy w filharmonii czy w galerii sztuki" - mówi w RMF FM Olga Brzezińska, wicedyrektorka IAM.

Jakub Józef Orliński hat gemeinsam mit dem Kollegen Aleksander Dębicz Musik von Händel, Monteverdi und Vivaldi neu arrangiert.

"Neokolonialna mentalność w polskim Sejmie" - W dzisiejszym programie m.in. o depenalizacji aborcji, komisjach śledczych, wyborach prezydenckich w Polsce i Stanach Zjednoczonych. M. Bosacki, D. Gosek-Popiołek, R. Fritz, K. Lipiec, A. Orliński

Hania Rani, utalentowana i wrażliwa pianistka, kompozytorka i wokalistka. Z rozbrajającym uśmiechem mówi, że w Polsce „nikt jej nie zna”, czego dowodem są reakcje publiczności za każdym razem, gdy dostaje Fryderyka. Przyznaje, że tworzy dla inteligentnych słuchaczy i że rynek muzyczny w naszym kraju jest niewielki. Jak zaczęła się jej zagraniczna kariera? Skąd zna Jakuba Józefa Orlińskiego? Dlaczego nie słucha Dawida Podsiadło? Hania opowie nam o miejscach, w których grała, o tym, jakim jest szefem i dlaczego Męskie Granie to dla niej kompromis artystyczny. Dowiemy się, dlaczego zainteresowała się muzyką Ciechowskiego, skąd u niej pasja do Beatlesów i co zawdzięcza rodzicom, a co pierwszej pani profesor, która powtarzała, że „pianista nie gra tylko w dniu, w którym nie je”. Zapraszamy na rozmowę z Hanią Rani, która odbyła się w Muzeum Sztuki Nowoczesnej w Warszawie. Partnerem odcinka jest Invest Komfort #płatnawspółpraca    #wojewódzkikędzierski #haniarani #podcast 

Moiya tells comedian Orli Matlow about Henrietta Swan Leavitt, the deaf legend who figured discovered Cepheid variables.     Guest Star Orli Matlow is a comedian and writer from Toronto, Canada. Learn more about her work at orlimatlow.com and follow her at @hiremeimfunny Messages Get your Pale Blue Pod Merch to stay warm this cozy season Listen to Spirits every Wednesday  Become a star and support us on patreon at patreon.com/palebluepod!   Find Us Online Website: palebluepod.com Patreon: patreon.com/palebluepod Twitter: twitter.com/PaleBluePod Instagram: instagram.com/palebluepod Credits Host Dr. Moiya McTier. Twitter: @GoAstroMo, Website: moiyamctier.com Editor Mischa Stanton. Twitter: @mischaetc, Website: mischastanton.com Cover artist Shae McMullin. Twitter: @thereshaegoes, Website: shaemcmullin.com Theme musician Evan Johnston. Website: evanjohnstonmusic.com About Us Pale Blue Pod is an astronomy podcast for people who are overwhelmed by the universe but want to be its friend. Astrophysicist Dr. Moiya McTier and comedian Corinne Caputo demystify space one topic at a time with open eyes, open arms, and open mouths (from so much laughing and jaw-dropping). By the end of each episode, the cosmos will feel a little less “ahhh too scary” and a lot more “ohhh, so cool!” New episodes every Monday. Pale Blue Pod is a member of the Multitude Collective.

In this episode, we discuss recordings of “#LetsBaRock” (Erato) by Jakub Józef Orliński & Aleksander Dębicz, “Unplayed Stories ... in 40 Fingers” (Hyperion) by Multipiano Ensemble, Rundfunk-Sinfonieorchester Berlin / Ivor Bolton, “Milestones” (Warner Classics) by Quatuor Ebène, “Black Seeds” (MiRR) by Benjamin Sanz Directions, “Ofrenda” (Posi-Tone) by Diego Rivera, and “Portrait” (Verve) by Samara Joy.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 186 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “#LetsBaRock” (Erato) Jakub Józef Orliński, Aleksander Dębicz https://open.spotify.com/album/4s2WoKal82N1vroBCYG5uZ https://music.apple.com/us/album/letsbarock/1755876395 https://music.amazon.com/albums/B0D8YBJJ7M   “Unplayed Stories ... in 40 Fingers” (Hyperion) Multipiano Ensemble, Rundfunk-Sinfonieorchester Berlin / Ivor Bolton https://open.spotify.com/album/1ADOuzUn8OVTEovv9oRNtP https://music.apple.com/us/album/unplayed-stories-in-40-fingers/1763057354 https://music.amazon.com/albums/B0DD8RSCBN   “Milestones” (Warner Classics) Quatuor Ebène https://open.spotify.com/album/1ZGuZ8gERxynLvCSWUj7wd https://music.apple.com/us/album/milestones-the-jazz-album/1761457334 https://music.amazon.com/albums/B0DCD8NZ97   “Black Seeds” (MiRR)  Benjamin Sanz Directions https://open.spotify.com/album/4WmLGgTomCRiHAlVLG48ol https://music.apple.com/us/album/black-seeds/1759592271 https://music.amazon.com/albums/B0DB919TWW   “Ofrenda” (Posi-Tone) Diego Rivera https://open.spotify.com/album/2hnLcktskJywTgFRoMyDPW https://music.apple.com/us/album/ofrenda/1766131979 https://music.amazon.com/albums/B0DG3VZPH5   “Portrait” (Verve) Samara Joy https://open.spotify.com/album/7sH4icMotSET9zBcbR5Gz4 https://music.apple.com/us/album/portrait/1761436800 https://music.amazon.com/albums/B0DCF53W27

W poniedziałek w "Onet Rano." gośćmi Odety Moro byli: Marcin Bosacki - Koalicja Obywatelska; Urszula Struzikowska-Marynicz - psycholożka; Wojciech Orliński - nauczyciel, badacz popkultury; Marcin Wyrostek - akordeonista; Jan Wieczorkowski - aktor. Natomiast w części "Onet Rano. WIEM" gościem Bartosza Węglarczyka był: Jerzy Owsiak - Wielka Orkiestra Świątecznej Pomocy.

Orli Haras es una guía en un viaje de autodescubrimiento y transformación. A través de poderosas técnicas de Access Consciousness, desbloquea el potencial creativo y elimina las creencias limitantes que impiden alcanzar los sueños. Bajo su asesoramiento las personas aprenden a vivir una vida más plena, abundante y alineada con su propósito. Suscribete y Visitanos en: www.RecetaDelExito.com Apple Podcast (iTunes): https://apple.co/2Igcnoh Listo para Crear tu Podcast?  www.CursoDePodcastGratis.com Twitter Handle:  @alexdalirizo Facebook Page:  https://www.facebook.com/recetadelexito/ RDExito:  http://recetadelexito.com  Instagram:  https://www.instagram.com/recetadelexito/ Instagram: https://www.instagram.com/alexdalirizo/ Spotify:  https://spoti.fi/3cmJqVs

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Wayne Lehrer is an author, coach and teacher who leads a yoga class at the USC Leonard Davis School. He joined us to talk about his book, The Art of Conscious Aging and how to redefine yourself and find fulfillment as you age.  Transcript I hear all the time, I used to do yoga, but now my body doesn't like it. Well, find a new yoga class. If you remember how it made you feel, then doing it in a new way, maybe a gentler class, maybe a hot yoga class that's in the dark, that's slow, where you hold the poses and no one's looking at you because you may be self-conscious, maybe that's the answer to it. But not doing it is only going to make your life collapse. And I believe that one of the biggest problems with aging is people's worlds get smaller and smaller. Orli Belman (00:00): From the USC Leonard Davis School of Gerontology, this is Lessons in Lifespan Health, a podcast about the science and scientists improving how we live and age. I'm Orli Belman, Chief Communications Officer. On today's episode, how teacher and coach Wayne Lehrer found purpose in aging and is working to help others do the same. Lehrer is the author of The Art of Conscious Aging, the Operating Manual for an Extraordinary Third Act. He also leads a weekly yoga class here at the USC Leonard Davis School. Welcome to our podcast, Wayne, and thank you for being here today. Wayne Lehrer (00:39): Oh, thank you for the opportunity. Orli Belman (00:41): I think it would be helpful to start with some definitions. Let's begin with the terms in your book title. What is conscious aging? Wayne Lehrer (00:48): Well, conscious aging is accepting the fact that it happens for everybody. That's the conscious part of it. You know, most of us live most of our lives under the assumption that we're never going to age, certainly, that we're never going to be old or get older. So conscious aging is how we approach the process and the practice of aging. It's just basically becoming mindful of all of the elements that go into the process of aging, whether it's exercise and diet, sleep, or the subtler things like stress, poor relationships, you know, creating value in the world. So conscious aging is showing up for your life in a way that your life creates value for you and others. Orli Belman (01:32): That's a wonderful idea. And what is the third act? Wayne Lehrer (01:36): So historically, you know, what people normally now refer to as the third act is retirement. Historically, you know, the average lifespan in 1900 was 47 years. So, there wasn't really a third act. You know, people were children, they went to work and then they passed away, basically. And around 1950, with the onset of Social Security and Medicare and all of the other elements that increased life expectancy: the fitness revolution, psychological help, retirement funds, a little bit more disposable income available and a less stressful life, people began to live long enough to have a third act. So basically, life in three acts is the first act of childhood–which I say basically goes from zero to 20–is a time of exploring, discovering who you are, gathering information, finding how you fit into your world and the world. And that's also a period of dependency, could be categorized. Wayne Lehrer (02:42): The second act, starting in your twenties, and for most of, us going to our mid-fifties or 60 years, so about 35 or 40 years, the second act is a time of independence. We develop the ego, the separate self, we explore the world as an individual. We acquire, achieve, build, collect, succeed, compete. And during that time we, you know, sort of begin to build the separate self and what is mine, which could be, you know, my profession, my identity, my family, my place in my community. And then what's historically happened is that 55 or 60 people began to retire. They began to get phased out of their jobs. Empty nest happened and all of a sudden, they're left alone. And historically what happened is people went into a period referred to as retirement, which was really a period of on the highest-level seeking comfort and serenity. Wayne Lehrer (03:41): But on the lower levels what it happened to be was security, being less engaged in life, withdrawing, you know, that just started changing. Now that people have a period of time of 30 or 40 years from the time of retirement–if you retire at 55 or 60 with the average life expectancy rising above 90–there's a good chance you're going to have 30, 40, maybe even 50 more years of life. And so it's as long as the period of the second act. And historically that was seen as a time where you just withdrew and you know, kind of went on this long slow decline towards oblivion, you know. And now for the first time, you know, their health is better, they have some money in the bank, some sense of ways of creating new value and transforming themselves, so it's what I call the new third act. And the new third act is a period of time where you look at how you're going to create value, become an elder, give back, build community and collaboration. Also, if you think about it in the theater or in the film historically, you know, the second act is where all the drama happens. The third act is where the hero rises from the ashes, pulls all the diverse parts of themselves together, finds a new level of who they are, and really makes a difference and redeems themself. At least in the better stories. Orli Belman (05:02): And you've advocated for a different word for retirement. What do you call this new third act instead of retirement and how would you describe it? Wayne Lehrer (05:12): Well, the woman who created AARP called it refirement, but I really think it's a time of reinventing ourselves. You know, where we're looking at all of the gifts we have, all of the professions we've participated in, what we're passionate about and what talks to us in the world, what speaks to us that we feel like we may be the answer to, or we may be able to make a contribution in regard to. And so we have to basically, you know, reimagine, recreate, redesign and reinvent who we are and then reboot as that person. So, you know, I think it's a time of reinvention and reimagining. Orli Belman (05:54): These ideas, are they based on your own personal experience? Wayne Lehrer (05:58): Both my own, those of a lot of my friends. Obviously, I'm in a number of communities right now of people that are, you know, my age or entering into their third act or deep into their third act. And when I look around at the people that are happy and that are actually where they feel that they're in the sweetest point in their life, they're actually in the sweet spot, all of those people are people that have made this transition. And I think the transition is the hardest thing because historically also there's been no role models for a healthy third act. So part of it is observation. A lot of reading. There's a lot of good new research out there. You know, that longtime Harvard study that talks about people that have been, you know, where they followed people for I think 75 years and they found that the people that had long-term relationships, the people that found ways to continue to create value in later life. So yeah, and I also think it's indicative of our time period. So it's really an observation of both our time period and those people that are around me and then my own process of moving through this transition. Orli Belman (07:06): And can you talk a little bit about your own process? I know you've had several careers and maybe you could give some advice to people who finished their first career. Is there anything to take away from your example about restarting, investing yourself and even becoming an entrepreneur? Wayne Lehrer (07:22): It's challenging, especially challenging to do something maybe you've never done before. I put myself in a position or feel called to be in a position where I'm having to use skills I never developed before but based upon all of these other things that I'm very passionate about. So, you know, when I was younger, I studied Oriental medicine, I invented medical machinery, I had a whole life as a designer. I designed theme parks, museums, and world's fairs. I was an IMAX and computer graphics filmmaker, have taught yoga and meditation now for 25 years. So, I've had this full life and, and multiple different experiences and what was in common to all of them. And I believe that this is a case for everybody when they start to approach their third act, is that each of us sort of has a core way we meet the world. Wayne Lehrer (08:12): So, for me, my gift was creating immersive, transformative, spiritually uplifting experiences. So whether it's a yoga class or meditation or it's a ride in a theme park. If you take my ride in the theme park, you're going to be swept away. You know, it's not just going to be a thrill ride; you're going to be pulled into another world. So I think one of the things that a lot of people are maybe terrified or feel really challenged about making a transition out of the career they've had is first assessing and acknowledging the skills that they've actually developed and not seeing a single job as they had, as something that wasn't something that brought them a skillset, brought them a new way to know themselves and have something to offer. And then also, and this I think is particularly indicative of the third act, it's very important at this age to look into the world and see what the things are that you respond to. Wayne Lehrer (09:07): So you know, the most obvious examples would be Mother Teresa said, Oh, somebody needs to take care of the lepers in Calcutta. And Jimmy Carter, who may be one of the better examples of somebody who has a way more profound third act than his first or second act went and started Habitat for Humanity or what Clinton did. And these are skill sets that yes, they had all of the diverse pieces for, you know, they could talk to world leaders, they could get in the door, they'd work with health people and that kind of stuff. But it was also them each being entrepreneurial, you know, actually being the spearhead of those things. And I know for me personally, you know, I've written this book and I feel that it's a message that I've been given to share and that really no one is talking about in the way that I am. As a result of that, I have to learn technology, the most dreaded thing that anybody in their seventies can have to do, you know. And I have to practice social media; you know, I'm a really warm and friendly person. I talk to everybody on the street and at Starbucks, but have me post on Facebook and you know, I shiver. You know, so I'm having to learn all these things and, and the thing that's allowing me to do it is my passion for the thing that I'm doing. Orli Belman (10:21): And you've spent some time around our school over the years, and you know that we are focused on healthy aging and there are a number of scientific studies that show measurable benefits of practices like yoga, meditation, gratitude. We have a course on the mind-body connection, and I'm sure none of these positive findings are a surprise to you. How did you come to these practices and what do you see people getting out of them, particularly as they age? Wayne Lehrer (10:49): That's a great question, and I think it's important to say that even in my book, anybody can start conscious aging at the age of 20. So I started doing yoga and meditation in my twenties. Now that, you know, gave me a bit of a head start, but that was my natural inclination. I was not so drawn to a professional career as I was to the life of a seeker, let's say. So as people age though, they need ways to disengage from their story. You know, if you notice a lot of older people, their stories, you know, the story you tell is the life you're living. And if you're telling a story that's 30 or 40 years old and may not even be true anymore and might not have even been true when you started telling it, may have only been from your trauma point of view, then you need all the help you can get to get free of that, if you want to reinvent yourself in your third act. Wayne Lehrer (11:43): So meditation is one of the ways of doing that. As we get older, if we look metaphorically at aging, part of what happens for people as they age is they become rigid in their thinking emotionally. You know, they limit their emotional life. They don't read new things; they don't go to new places as much. If they go to a new place, it's in the safe confines of a luxury cruise or whatever it is. And same thing happens in the physical body. So any kind of exercise like yoga or tai chi or qigong that's fluid and flowing is going to exercise and lubricate the joints. They actually have, you know, done research and they found out that the synovial fluid, it just needs movement and regular and it'll actually come back. So these are really simple and obvious things, and part of that has to do with the fact that you're only going to notice that if you're paying attention to your experience in the body that you have and in the mind that you have when you're in your sixties or seventies. If you're not paying attention to it, and you still think, oh I can play basketball, I can stay up till one o'clock at night and not pay for it the next day or the next two days. Wayne Lehrer (12:54): You know, so if you're paying attention and you actually have valuing that feedback system, then there's a great chance that you're going to start making the quality of choices that are going to lead you to things like yoga. And you're going to listen to those podcasts and those scientists and the people at the Davis School of Gerontology that are telling you about intermittent fasting. You know, all of these things that are all incredibly valuable that may not have been at all a part of your world while you were striving to earn a living and you know, build your home and your family and your business. Orli Belman (13:29): Can you tell me a little bit more about this feedback system that develops as we age? Wayne Lehrer (13:34): Yeah. When we're younger, we can get away with everything and anything. You know, when you're in your twenties, you want to stay up all night, no problem. You want to stay up two nights and then do a presentation for work? No problem. You want to eat french fries? No problem. Exercise until you drop? No problem. But when you get older, those things are not negotiable anymore; there's a very narrow window. Most people look at that in a negative way. They think, oh I can't do this and I can't do that anymore. But the truth is that you finally have a feedback system that scientists have always had. And the only way that science moves ahead is by having a ground zero or placebo study to go against. All of a sudden you recognize that if I do this, for example, if I say I want to write a book and yet I have an allergy to wheat and I eat wheat and I'm foggy the next day, then I can't write that book. Wayne Lehrer (14:27): And if I'm committed to that thing I'm passionate about, then I'll take a look at what it's going to take for me to accomplish that. Same thing with any dietary thing or exercise element. All of a sudden I have a feedback system because my body will let me know right away and my mind will let me know and I'll know emotionally this person is somebody I'm not comfortable about. I feel toxic after I hang out with them. This is how much time I can do that for. And the value of that is it really makes us more conscious beings, so we have finally have something to measure against that allows us to grow and actually become aware and cognizant of that fine-tuned area called quality of life or wellbeing. Orli Belman (15:12): So you're saying there's a real benefit that we get to be more in tune with ourselves and know what works for us and what doesn't. Wayne Lehrer (15:19): Absolutely. Orli Belman (15:20): And you mentioned earlier this idea of contributing or doing something of value as being important as people enter their third act. And this is also a big concept in the field of gerontology: this idea that there is a benefit to living with purpose. And that's something you're obviously doing. And what do you think about the importance of purpose and the role it plays in your life? Wayne Lehrer (15:45): Well, one of the things that you see really common in people as they age is they begin to feel devalued. If you've been at a job for 20 or 30 years and all of a sudden that job's over and you derived your value from showing up at the job and that's gone, that takes a toll. Now none of these things may individually take you down, but all of a sudden there are five or 200 people every day that you're not seeing either. And so the value that they have for you and that you have for them, that's gone. Your children have moved out and you're not a parent anymore. So the value you got from parenting, from making a contribution to somebody, that's gone. So it's not so much that we need it more in later life, it's that a lot of the sources of value we've had have inadvertently–and not so necessarily obviously–disappeared. Wayne Lehrer (16:38): That said, there's also, I believe, a natural thing that happens in India. They talk about three stages of life and the third stage. And you know, you go from being a householder to somebody who gives back, also sometimes known as a forest dweller. But somebody who becomes a seeker and moves into a more spiritual stage of life where they're making a contribution. So I believe it's a natural thing that actually elevates, if we're getting our value from what we do in the world and all of a sudden we're not doing as much in the world and we need to find a new way to get our value. And it may not be as much from what we do in the world as from actually going inside. Because those jobs that we got in the world, a lot of the jobs that people have for 30 or 40 years weren't jobs that they really chose. Wayne Lehrer (17:25): They were jobs that they were shuttled into by school, by parents, by opportunities that were purely monetary. So all of a sudden, when that's taken away and you become the person that makes the choice over what you want to do with the rest of your life, you have to look inside. And that is where the real value comes. Not just the looking inside, but looking inside and coming up and saying, wait a second, this in the world really matters to me. Like it became obvious to me that I had a contribution to make because those things I started at 20 that had to do with healthy aging, I kept doing them. And so all of a sudden all my friends were saying, oh my God, you're the youngest 73-year-old, we know. You should write a book. And I thought, yeah, that'd be nice. Wayne Lehrer (18:07): And then all of a sudden it, you know, just kept occurring to me. And next thing you know, I felt a calling because I saw a lot of people struggling, making a transition from their second to their third act. So I think a lot of people, it's almost a necessity that they find value because lack of value could result in what most people term depression, isolation, loneliness. These are all the natural things that happen for a lot of people as they age. And a lot of that has to do with that. They haven't found a place to be in the world. And our value comes from multiple places. So our communities have disappeared when we get older because we're not at work, we're not at school, you know, our kids aren't there. So we're not in the family as much. Our communities have disappeared. That's a place we get value. Wayne Lehrer (18:49): A lot of our relationships change. People move away or die. All of a sudden a place that we get value in, intimate relationships is gone. We're not doing our work. So the value we're creating as a worker or as somebody making a contribution that's been taken away, I believe, it's essential on multiple levels. Not the least of which has to do with, I believe, it's the period in our life when it's our job to give back. You know, historically, in other cultures there's a tradition called the elder, you know? And the elder was valued for the lifetime's worth of wisdom and experiences that they'd had, that they could relate to others, to help others avoid the pitfalls and the pain and the struggling and the suffering. That's not a common part of our society at this time. Orli Belman (19:38): Yeah, I think what you're talking about is something that many of our faculty talk about, which is this concept of generativity. A concern for guiding and giving back to the next generation, and that certainly comes across in what you're talking about and in your book. And why do you think that is something that plays such an important role in aging? Wayne Lehrer (19:59): Well, we're tribal. You know, we're part of a society now that's all filled with individuality and ego and a separate self. And a lot of us have benefited from being masterful, in going after things on our own and achieving things. But what has taken us to is the brink in a lot of different places. And that idea of generating value for society and for others is really essential to the very nature of who we are as people, which is we are not individuals. We're part of the human family, we're part of a planet and we're at a stage now that all of those things breaking down has become cumulatively painful to us if we don't stay in denial of it. And a lot of people do stay in denial of it because they don't want to face that pain, and they don't want to face the responsibility. But as you wake up to what your value is and what value you want to create in the world, I think that whatever value that most of the people are orienting their third acts around see as their contribution actually becomes something that contributes to the momentum of future generations. And turning things around for the collectivity. Orli Belman (21:15): And we've been talking about the third act, and which is the focus of your book and your work. But at our school, we're educating so many students of all ages and some of them as young as 18. And are there any lessons that they can apply to their own lives? Wayne Lehrer (21:31): Well, first of all, I have to say that I lived my whole life bulletproof. I had no physical problems. I didn't go to a doctor for like, 30 years, so I wasn't aware. And almost everyone I know, I talk to 57-year-olds who think that I'm exaggerating certain things because they haven't actually hit the transition from their second to third act. The reality of mortality, the reality of a body that doesn't always get fixed, the reality of being able to go out and get a new job, those things haven't really hit them yet. So they haven't been – I talk about in the book ­­— as being shattered. So for younger people, since that's not part of the reality, and most of us put off this idea that it's ever going to come, the best thing you can do is live well. Now, you know, the greatest contribution you can make to your own wellbeing as a 60, 70, or 80-year-old is to pay attention to these things that now surround us. Wayne Lehrer (22:27): You know, I mean, fitness didn't exist until the ‘50s. Psychology is only 50 or 100 years old, really. You know, or at least in the common parlance. It also kind of came in in the ‘50s. Retirement wasn't ever a possibility. So all of these things are new things. So, you know, to prepare yourself for a life that's going to go beyond just what you're doing now and just what you're attempting to achieve. Because you talk about an 18-year-old, they're at the beginning of their second act and all they see is, you know, the people that they admire, the role models in the second act. They see few role models in their third act. You know, the few people like, let's say, Jimmy Carter may be people that are sparking on one or two cylinders. But what about the people that are still healthy? Still can run a marathon? That have found ways to, you know, generate whole new fields of study. Wayne Lehrer (23:22): As I said, I think the most important thing that a young person can do, whether they're in the field of gerontology or not, is to really pay attention to what is required to live a healthy, well-balanced life, that's going to lead to a quality of living that's going to last you into your eighties or nineties or a hundred years old. Because a lot of the stuff that you lose, you can't get back. Now, a lot of it you can. I mean, I teach yoga to people that are incredibly inflexible, that start at 60 or 70. And if I watch a 50% turnaround in their flexibility, that means that the next 10 or 20 years of their life are going to be a lot better. Not just minimally better, but they're going to be a lot better. They're going to wake up in the morning and not immediately have to take some sort of medicine that's going to numb them out a little bit because they're in pain all day. And we know that a lot of people that age are doing that. Yeah, so the best medicine is doing it in advance. Orli Belman (24:21): And on the flip side, are there any lessons you think that people in their third act can draw from young people today? Any things that they're doing in their own lives that could be beneficial as we age? Wayne Lehrer (24:33): That's a really great question. And I know it's been really challenging for me and a lot of the people I know, one of the greatest qualities of young people, in fact, when we talk about old people, a lot of times what we say is they're stuck. They're rigid, they're not interested in new things. And if we talk about somebody that's young, curious to become curious again, that's an amazing quality that you can get from hanging around kids. And I think it's a lot of the thing that so many people in their third act love about being with their grandchildren. You know, you hang out with your grandchild for a couple hours and it's like, why? What? How come, you know? So I think curiosity is one of those things. Doing new things, you know, it's a chapter in my book. It's really important because what happens is you find a lot of older people and they say, oh, I've been there, I've done that. Wayne Lehrer (25:26): I don't like that anymore. Rather than look at maybe there's a new way to do that thing that you don't like, that could be incredibly joyful at this stage of your life. The other thing that young people I think can teach to older people is to really be willing to just live with your fears. Like I know at 30 I went back to school to become a filmmaker. My first job out of film school was directing the top newscaster in the world. That was my first job. I didn't think anything about it. And here I am, starting this whole new thing and I've got to learn all of these new things. It's no different than I did 40 years ago. And yet I want to admit, I feel terror often now, you know. Feel the fear and do it anyway is what you do when you're younger. Wayne Lehrer (26:12): Even if you're feeling the fear, most young people are in denial of it. But most of the time it's just like, okay, well, you know, what's the worst that can happen? When an old person says, what's the worst that can happen? They come up with a litany of worst-case scenarios, maybe only one or two of which actually were horrible and even happened. So I think that's another great thing, you know, to do new things, remain curious, investigate. Oh, finally be playful. You know, I have a group of guys that are between 30 and I'm the oldest and we go to the beach, and we meet at the beach in the morning. We meditate on the sand, and then we body surf. You want to turn into an 8-year-old boy? Go to the beach with a bunch of guys and at 6:30 in the morning, jump in the ocean and body surf. That just changes the quality and tenor of the rest of my day. A little bit of playfulness, a little bit of curiosity, a little bit of willingness to do things that I'm terrified of, all are reinvigorating me. And I believe that when you hear a lot of people say, this is the best time of their life, they're all probably have those qualities happening. Orli Belman (27:18): That's really wonderful advice. What would you say to people on this idea of trying new things? Who say, I can't do yoga, I'm not able to do that, I don't want, I'm not interested in meditation. How do you convince people to try something new? Wayne Lehrer (27:34): Well, I think it's really valuable to look around. You know, there's a saying, if you want to stop doing heroin, stop hanging out with heroin addicts. [laughs] You know, if you want to do these things, start hanging out with people that are living that new third act. So what happens to a lot of older people is they stay in the same circles. You know, I know that almost everybody that's in my life right now, of any age or people that inspire me, I don't really hang out with anybody that doesn't inspire me anymore. And so now obviously some people say, well, family, okay, so put family aside if they don't inspire you. But I think that it's essential to look around and see the people that you admire the most, that have aged the best, who you think have a real quality of life and do what they do. Wayne Lehrer (28:19): You know? And the other thing is, again, if you're doing new things and you're curious. You know, I hear all the time, I used to do yoga, but now my body doesn't like it. Well find a new yoga class. If you remember how it made you feel, then doing it in a new way, maybe a gentler class, maybe a, a hot yoga class that's in the dark, that's slow, where you hold the poses and no one's looking at you because you may be self-conscious. Maybe that's the answer to it. But not doing it is only going to make your life collapse. And I believe that one of the biggest problems with aging is people's worlds get smaller and smaller. Orli Belman (28:58): And just on an actual like, practical level, if you know someone in your life who says, I'm not going to try yoga. What's a way to convince them to give it a try? Wayne Lehrer (29:07): Like anything, tell them how it makes you feel. You know, share your enthusiasm, share your joy. Share the difference it's made for you. Whether it's meditation–I mean, so many people I know that are older, because I teach meditation and yoga, you know, they'll say to me, I say, well try this class or go there. And once I get a taste of it, there's a song by a friend of mine and he's got a line in it. He says, I've just had a taste of something fine. I think if you can get somebody to just try something, you know, so that may be part of your negotiating with them is like, just try it. If you don't like it, you never need to do it again. But what do you have to lose? Because the downside is, I joke in my yoga class all the time, I said, okay, so you're 40 years old and you can't do the splits. What if it takes you 40 years to be able to do the splits? That means at 80 years old, you're going to be doing the splits. You're going to be the hottest person in your senior housing place. People are going to be knocking on your door at 11 o'clock at night. Orli Belman (30:04): [laughs] Well, being curious and playful and active and flexible. That is all really wonderful advice. And is there anything you want to add that we haven't talked about? Wayne Lehrer (30:16): Yeah, I think one of the things that I didn't know when I started writing my book and what caused me to write it, what inspired it was that I got moderately depressed. Which is, you know, I got depressed, you know, and I didn't know what it was about. So I went to a psychotherapist who specialized in gerontology, and while I was working with him, he kept working on my depression. And after a couple months there, I realized that depression wasn't my problem. My problem was that I was stuck in this, what I call second act operating system of achieving and acquiring and accumulating and building and competing when in fact, that's not what I was doing anymore. So I was defining myself. I was in a losing proposition. And I think a lot of people when they get into their fifties, sixties, and seventies, keep defining themselves by their second act, body, minds, jobs. Wayne Lehrer (31:08): And so making that transition is one of the most challenging things. So historically we had the, you know, what's called an identity crisis. Which was between 20 and 21, you know, somewhere, you know, between your first and your second act. Tons of role models, easy transition. You went to college, you got a job, you know, decided on a profession, you got married. These are all natural things that, what do you do? What does someone do? Going from not working, from working every day, having kids at home, and all of a sudden all of that's gone? There are no role models for it. So it's a very challenging proposition. You need to find healthy communities, you need the help of, whether it's a therapist who specializes in this or somebody who coaches you through this transition process. I believe it's the biggest challenge that anyone's going to face as they enter into old age, which is learning to redefine themselves by a new operating system. Orli Belman (32:05): Well, thank you so much for being that role model. Our podcast is called Lessons in Lifespan Health, and you've certainly given us so many lessons to learn from today. So thank you so much for joining us. Wayne Lehrer (32:17): Oh, it was such a pleasure. Thank you, Orli. Orli Belman (32:19): That wraps up this Lesson in Lifespan Health. Thank you to Wayne Lehrer for his time and expertise, and to all of you for choosing to listen. Join us next time for another Lesson in Lifespan Health and please subscribe to our podcast at lifespanhealth.usc.edu. Lessons in Lifespan Health is supported by the Ney Center for Healthspan Science.

Poslušajte novu epizodu podkasta Iza vesti sa Slavišom Orlićem.

In this episode of the One Thing podcast, Dr. Peter discusses the profound impact of her father's experiences as a Holocaust survivor on her life and career as a trauma psychologist. The conversation delves into the effects of generational trauma, the physiological and psychological responses to significant traumatic events, and the steps taken to aid survivors of the recent October 7th attacks in Israel. Dr. Peter highlights her work with the Israel Healing Initiative, emphasizing the importance of neurostimulation in trauma treatment and her ongoing efforts to provide support across affected communities, including Jewish, Palestinian, Bedouin, and Druze populations. The discussion includes poignant survivor stories and touches upon the broader implications of trauma within a global context. The conversation highlights, stories of heroism during October 7, the importance of social support, the difference between real trauma and perceived trauma, and the need for practical solutions to promote post-traumatic growth. The episode provides invaluable knowledge on trauma response, the use of vagal nerve stimulation, neurostimulation, and ways to support continued efforts in mitigating trauma's impact on both Israeli and Palestinian communities. Here are some of the topics we cover: Father's Journey and Influence 9/11 and Global Reactions Understanding Trauma and PTSD October 7th Events and Initial Reactions Personal Stories of Survival Neurostimulation and Trauma Treatment Scaling Up Nonprofit Efforts Treating Trauma with Vagus Nerve Stimulators Personal Stories of Trauma and Healing Understanding the Physical Impact of Trauma The Role of Neurostimulation in Post-Traumatic Growth Supporting the Israel Healing Initiative About Dr. Peter: As the daughter of a Holocaust survivor, Dr. Peter has devoted her three-decade career to providing specialized treatment to survivors worldwide. Her experience spans diverse communities, including Iranian refugees, residents of the Qalandia refugee camp, and individuals from Arab, Druze, and Jewish Israeli backgrounds in the aftermath of the war. She has also provided support to witnesses of the 9/11 attacks. Previously holding the role of associate professor of psychology at Mount St. Mary's University in Los Angeles, Dr. Peter oversaw the Psychology Graduate Programs and served as acting Chair of the Psychology Department. Dr. Peter's academic journey culminated in a Ph.D. from the University of California at Berkeley, followed by three postdoctoral fellowships in clinical psychology, social psychology, and neuropsychology. Her dedication led to diplomate status in Clinical Psychology from the American Board of Psychological Specialties. Her expertise is deepened by her studies with pioneers in the field of Interpersonal Neurobiology, such as UCLA professors Allan Schore and Dan Siegel. This expertise allows her to effectively apply these principles in helping traumatized individuals regulate their emotions. Her certification in Homeland Security by the American Board of Psychological Specialties speaks to her expertise in trauma-related research and treatment. Her consultancy with the RAND Corporation on terrorism research demonstrates her commitment to understanding and addressing the psychological impact of traumatic events. Dr. Peter is the Vice President of Free Hearts Free Minds, an organization that provides trauma counseling and support to free-thinking ex-Muslims who have faced or are at risk of persecution from their families or communities. Socials Israel Healing Initiative Facebook Page Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/onethingpod/support

In this episode, Rosalind and Domagoj have an enlightening discussion demystifying Tantra. They explore how Tantra is a path to freedom that teaches you to fall in love with life. Tantra aims to help one realize everything is infinite and discover naturalness, spontaneity and openness to the mystery of life.   Rituals in Tantra go hand in hand with meditation and realization of the teachings within oneself. The goal is freedom and absolute independence. They talk about transcending duality between matter and spirit, external rituals and internal experiences, embracing life and relationships as they are.      They discuss:   - The importance of modernizing and adapting tantric rituals and practices to suit the practitioners rather than just following fixed external instructions.    - How Tantric philosophy sees matter and spirit as one, both being divine.    - The interplay and correlation between external tantric rituals and internal meditations and realizations.   - How intimacy, relationships and embracing life and others enables easy ascent of energy compared to forced individual practices. Loving presence effortlessly moves energy.   - How Tantra teaches one to fall in love with life just as it is - overwhelming, enormous and mysterious.    - The role of a Tantric guru and how the teacher principal always exists within and guides one's own direct experience.    Favorite phrases:   "The teachings are like gold jewelry, you receive a lump of gold and you must hammer it into a jewelry for yourself."   "If the doors of perception were cleansed, then everything would appear to men as it is - infinite."   Timestamps:   [00:00] Introducing the topics of discussion [00:39] The essence of tantric rituals being inner experience vs outer form  [02:28] Correlating external rituals and internal realizations in tantra [05:19] Embracing life effortlessly moves energy compared to forced practices    [09:10] William Blake on seeing matter and spirit as one   [14:50] Falling in love with life as the essence of tantra [18:45] The role of a tantric teacher and physical vs inner gurus [21:20] Domagoj shares about his tantric guru [28:04] Closing chant  

W 87 odcinku podcastu jedziemy do Paryża na uroczystość otwarcia IO. Będzie o muzyce, o ludziach, którzy wystąpili, a niektórzy z nich mierzą się teraz z obrzydliwym rasistowskim, homofobicznym czy ksenofobicznym hejtem i są podejrzewani o Satanizm i związki z diabłem. Aya Nakamura, Jakub Józef Orliński, Gojira, Celine Dion, Barbara Butch, Philippe Katerine. Będzie też o tym, co zrobiła była polska olimpijka na kilka dni przed rocznica Powstania Warszawskiego. Czyli co nawywijała w muzeum powstania Zofia Klepacka. Będzie też arcyciekawa książka o tym, dlaczego warto mówić o Sinead O'Connor wydana u nas w pierwszą rocznicę śmierci tej artystki. Patroni od progu 25 mają dzisiaj aż dwa newslettery: jeden z podcastu, a drugi to pomocnik o tym, co oglądać latem w kinie i na streamingach ;) Podcast powstaje dzięki Patronite: https://patronite.pl/karolinakp

In part one of this two part episode, Rosalind is joined by Domagoj Orlić to demystify tantra, a profoundly misunderstood spiritual tradition.   As both a scholar and practitioner of Tantra, Domagoj sheds light on what Tantra actually is, its key principles and aims, and how it differs from the "Neo-Tantra" appropriated in the West. They explore Tantra's emphasis on liberation through feeling unity with the divine feminine, why ritual and initiation by a guru matters, and how Tantra can help overcome conditioning to realize inherent power.   Domagoj clarifies Tantra's nuanced relationship with sexuality and why it has been misportrayed. Far from just exotic techniques, traditional Tantra offers potent tools for those called to dive deep into self-realization and awakening through embodied practice.      They discuss: - What is Tantra? Defining the principles, aims and practices of traditional Tantra vs Neo-Tantra   - Why guru, lineage and transmission matters in Tantra     - Tantra as a monistic spiritual path emphasizing unity with the divine feminine     - Ritual, puja and worship of deities to receive empowerment   - Tantra's goal of deconditioning the mind and realizing power      - Clarifying Tantra's nuanced relationship with sexuality      - Tantra's influence on Yoga - integrating mantra, yantra, embodied ritual   - Adapting traditional Tantra wisdom for the modern world and individual need     Favorite phrases:   "Tantra teaches us that we actually are very powerful and we have the power of Shakti to change reality, to change whatever we want to change and live our full human potential. That's the basic premise of Tantra."     "The idea of the Tantric practice is to viscerally feel that I am one with the divine feminine...this can be called motherly love, which is the same as compassion, which is love generally, our ability to actually love life and love ourselves and love other people and love all creation." Timestamps:   [1:00] Domagoj introduces his background in Tantra as a scholar, practitioner and teacher    [3:00] What is Tantra? Domagoj reads his definition   [5:00] Explaining the core elements: guru, lineage, student effort     [7:00] How traditional Tantra differs from modern and Neo-Tantra    [12:00] Clarifying Tantra's nuanced relationship with sexuality    [15:00] Discussing themes from Passage to India that reveal Western misunderstandings of Tantra   [17:00] Krishnamacharya's veiled tantric influences    [21:00] Tantra's influence on Yoga - integrating ritual, mantra, deity    [25:00] Yoga as a means to directly experience the ideals of religion   [27:00] Tantra's monistic view of unity with the divine feminine as heretical   [32:00] Tantra's emphasis on deconditioning to uncover power    [34:00] Bringing tantra wisdom into the modern world   [36:00] End of part 1   

Evo nove epizode podkasta pod zaštitom Međunarodnog PEN centra "Dobar loš zao", kad joj vreme nije - u sred epskih uspeha Srbije na EP u fudbalu. Nenad Kulačin i Marko Vidojković pozdravili su navijanje kojim je, zaštićen Kobrama, u Nemačkoj upravljao princ Danilo, zabrinuli su se minimalno zbog Orlićevog napradovanja u službi, a malo više zbog toga što će Srbija možda postati džinovski rudnik bez uslova za život ljudskih bića. Gost, pravo iz oslobođenog Niša, bivši gradonačelnik tog grada, ali i bivši predsednik Vlade Srbije, Zoran Živković! Uvek vickat i oštar na jeziku, Živković nije štedeo reči da opiše šta je bojkot izbora napravio u Srbiji. Zoran ima spreman plan kako se organizovati u daljoj borbi protiv srpskog hibridno-mafijaškog režima, a bilo je i emotivnih uspomena na doba kada je demokratija pobeđivala u Srbiji. Pa i poneka lepa reč za naše sportiste. U Magarećem kutku videćete kako iste fore ne stoje predsednikovom imitatoru i predsedniku.

Ispostavilo se da su sve teme prethodne nedelje bile jedan veliki #nijenjuz, tako da u ovom izdanju podkasta imate spoj rubrika Kolegijum i Nije Njuz. Pričali smo o Svesrpskom saboru i ko nam krade i svojata zastavu? Komentarisali smo razloge zašto je predsednik Vučić ljut na RTS i da li je baš on zaslužan za nastup Jokića za reprezentaciju Srbije na OI u Parizu. Nismo zaboravili ni skandal sa (ne)izborom Slaviše Orlića za dekana FPN. I ne možemo da ne spomenemo našeg kolegu Miroslava Vujovića Gravu koji je napravio pravu pometnju sa izmenjenim logom kompanije Lacosta, povodom Novakove povrede i odustajanja na RG. Vidimo se 24. juna od 18h u Aranđelovcu, u Kavani!

Follow the show: Apple Podcasts | Spotify | Google Podcasts | Everywhere else On this week's episode of the podcast, I chat with Orli Cotel from Moms First about the urgent need for systemic changes to support working moms. We dive into the shocking fact that one in four women return to work just two weeks after giving birth due to the lack of paid family leave, and we cover the importance of advocating for better workplace policies, cultural shifts, and legislative changes. Orli shares personal stories and practical steps for driving change, making this episode a must-listen for anyone passionate about supporting working moms. Topics in this episode:Lack of paid family leave in the U.S. High return-to-work rates for new moms after childbirth. Need for better workplace policies and childcare benefits. Cultural shifts to support working parents. Advocacy tips from Orli Cotel. Show Notes & References:This podcast is on YouTube! Check it out by clicking here: https://www.youtube.com/channel/UCPZA5JKXYxjCMqodh4wxPBg Find Orli on LinkedIn here: https://www.linkedin.com/in/orlicotel/ Follow Moms First on Instagram: https://www.instagram.com/momsfirstus/ Follow Moms First on LinkedIn: https://www.linkedin.com/company/momsfirst/ Learn more about coaching with me by clicking here: https://www.rebeccaolsoncoaching.com/aligning-motherhood-program Want ongoing support as a working mom? Sign up for the free 19-day audio series: How to be a present and connected mom. Each day you will receive an email with a downloadable audio of 5 minutes or less that will teach you a tool or strategy for being more present and in the moment. Click here to sign up and receive the first audio: https://www.ambitiousandbalanced.com/be-present-optinEnjoying the podcast?Make sure you don't miss a single episode! Subscribe on Apple Podcasts, Spotify, Google Podcasts, or where ever you listen to podcasts. Leave a rating and review...

durée : 01:27:57 - En pistes ! du mercredi 22 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ils sont au programme du jour : la violoniste baroque Rachel Podger et son ensemble Brecon Baroque, le pianiste Laurent Wagschal, l'Orchestre symphonique de Londres dirigé par Gianandrea Noseda, le contre-ténor Jakub Józef Orliński aux côtés de Stefan Plewniak et son ensemble Il Giardino d'amore...

durée : 00:14:57 - Le Disque classique du jour du mercredi 15 mai 2024 - Le contreténor polonais Jakub Jozef Orlinski nous présente une nouvelle interprétation de l'Orphée & Eurydice de Gluck, un opéra devenu sa pièce maîtresse sur les scènes mondiales

durée : 01:28:11 - En pistes ! du mercredi 15 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce mercredi matin : les œuvres de Gershwin, Milhaud, Chostakovitch, Liszt, Haydn et Johan Helmich Roman, nous entendrons également le contre-ténor Jakub Józef Orliński dans sa version de l'Orphée & Eurydice de Gluck

Countertenor Jakub Józef Orliński hat seine eigenen Ideen zu Glucks Klassiker als Produzent und künstlerischer Co-Leiter verwirklicht.

Il Giustino RV 717 is a 1724 opera by Vivaldi set to a libretto by Nicolò Beregan, also set by Albinoni and Handel. The opera was composed for the 1724 carnival season in Rome and premiered at the Teatro Capranica.The aria of Anastasio, Vedrò con mio diletto, has become a famous piece sung at concerts and on recordings by countertenors such as Philippe Jaroussky and Jakub Józef Orliński and by contraltos as Sonia Prina. Sinfonia of Act I, Scene V, is also used by Vivaldi as the main motif of the first movement of La Primavera ("Spring") from his concerti The Four Seasons.The opera was revived in modern times in 1985 in a production directed by Alan Curtis and performed at the Teatro Olimpico in Vicenza, at the Opéra Royal of the Palace of Versailles, and at the Teatro La Fenice in Venice. According to data reported by Le magazine de l'opéra baroque, a subsequent performance in concert form was held at the Mégaron Musikis in Athens in 2007, while a further revival on stage, for a total of twelve performances, took place, between 2008 and 2009, at the Oldenburgisches Staatstheater.In July 2018, a concert performance was given at the Festival International d'Opéra Baroque de Beaune — with the Accademia Bizantina conducted by Ottavio Dantone. In August 2018, a full costume version of Il Giustino, directed by Deda Cristina Colonna and conducted by Peter Spissky and the Camerata Øresund, figured as one of the central pieces in the Næstved Early Music Festival.