Podcast appearances and mentions of jean yves thibaudet

durée : 01:28:37 - Jean-Yves Thibaudet, grande personnalité et moyens exceptionnels - par : Aurélie Moreau - Chaque concert de Jean-Yves Thibaudet, chaque parution de ses disques suscitent toute l'attention du public et de la presse. Aujourd'hui, « le plus américain des pianistes français », comme le lui a dit le chef d'orchestre Leonard Slatkin.

durée : 01:28:26 - En pistes ! du vendredi 07 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Friedrich Gulda, Alfred Brendel ou Jean-Yves Thibaudet, des grands pianistes d'hier et d'aujourd'hui sont à l'honneur ce matin ! Mais aussi le nouveau disque de Patricia Kopatchinskaja ou des lieder par Christian Immler et Helmut Deutsch

durée : 01:28:26 - En pistes ! du vendredi 07 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Friedrich Gulda, Alfred Brendel ou Jean-Yves Thibaudet, des grands pianistes d'hier et d'aujourd'hui sont à l'honneur ce matin ! Mais aussi le nouveau disque de Patricia Kopatchinskaja ou des lieder par Christian Immler et Helmut Deutsch

Eine neue CD von Jean-Yves Thibaudet - vorgestellt auf NDR Kultur.

Aram Khachaturian galt als Wunderkind und großer Komponist. Die LA Philharmonic unter Gustavo Dudamel und Pianist Jean-Yves Thibaudet haben sein Klavierkonzert aufgenommen.

American conductor Marin Alsop was the first woman to lead major orchestras in the UK, South America and in the United States, becoming principal conductor of the Baltimore Symphony Orchestra in 2007. Nominated for Grammy Awards five times, in 2013 she became the first ever woman to lead the Last Night Of The Proms, and is now regarded as one of the greatest conductors in the world. She talks to John Wilson about her professional musician parents who nurtured her love of music and supported her career choice from the age of 9 when she first revealed she wanted to be a conductor. Marin also talks about Leonard Bernstein, the great American composer and conductor, who inspired her ambitions and later became a mentor to her. She also chooses Carl Jung's work The Archetypes and the Collective Unconscious, and explains how his theories have helped her in leading orchestras around the world.Producer: Edwina PitmanMusic and archive used: Serenade in C major for String Orchestra, Op. 48; Valse, Pyotr Ilyich Tchaikovsky, New York City Ballet Orchestra, 1986 Irish Spring commercial: "Clean as a Whistle" 1980 Leonard Bernstein, Young People's Concerts: "What is Classical Music?", CBS Television, 24 January 1959 Omnibus: Leonard Bernstein's West Side Story, BBC2, 10 May 1985 Archive of Leonard Bernstein and Marin Alsop at the Schleswig-Holstein Musik Festival, 1987 Leonard Bernstein, Young People's Concerts: "What Does Music Mean?", CBS Television, 18 January 1958 Archive of OrchKids concert, Baltimore Symphony Orchestra Woman's Hour, BBC Radio 4, 26 July, 2005 Rhapsody in Blue, George Gershwin, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop Last Night of the Proms, BBC1, 7 September 2013 Symphony No. 2 in C Minor, "Resurrection", Gustav Mahler, Polish National Radio Symphony Orchestra, Marin Alsop

“Jazz and classical music contaminations” Claude Debussy (1862–1918) - n. 6 Golliwogg's Cakewalk from Children's corner Claude Debussy, piano About Children's corner - Le petit nègre, L. 114     (02:45)Jean-Yves Thibaudet, pianforteAbout Le petit nègre******Maurice Ravel (1875 - 1937) – from: Sonata n. 2 in sol maggiore per violino e pianoforte2. Blues, Moderato     (04:29)Renato Donà, violinoAldo Ciccolini, pianoforte About Sonata n. 2 in sol maggiore per violino e pianoforte******Maurice Ravel (1875 - 1937): Concerto in re maggiore per pianoforte e orchestra "per la mano sinistra"Lento (re maggiore) - Andante (mi maggiore) - Lento (re maggiore)       (10:26)Samson François, pianoforteOrchestre de la Société des Concerts du ConservatoireAndré Cluytens, conductor About Concerto in re maggioreQuesto podcast è stato prodotto per scopi esclusivamente didattici e per la diffusione della cultura musicale, senza fini di lucro.

The delicate tinkling of a pianoforte. The clash of cymbals. The soothing strains of a harp. Music in Austen film adaptations performs a variety of functions: it can set the scene, highlight a character's personality, make us laugh, and make us sigh. In this episode, music maven Ruth Mudge joins us to discuss the soundtracks of four screen adaptations we know and love. A cellist, faculty member at the String Academy of Chicago, and assistant principal in the Elmhurst Symphony, Mudge also has her own podcast, World of Soundtracks, where she offers in-depth explorations of famous movie and TV soundtracks.For a transcript, show notes, and guest bio:  https://jasna.org/austen/podcast/ep11Visit our website:  www.jasna.orgFollow us on Instagram and FacebookEmail: podcast@jasna.orgMusic clips included in this episode:"Pride and Prejudice"—Pride and Prejudice by Carl Davis, 1995"Dawn"—Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005"Mrs. Darcy"—Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005"Emma Woodhouse"—Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020"Celery Root"—Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996"Main Titles"—Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996

durée : 00:58:43 - Jean-Yves Thibaudet, grand interprète des œuvres de Ravel - par : Aurélie Moreau - Jean-Yves Thibaudet est un musicien idéal qui mêle une musicalité parfaite et une technique instrumentale fantastique. Son intégrale des œuvres pour piano seul de Maurice Ravel parue en 1992 impressionne par sa clarté et sa précision rares.

Tom Service meets French pianist Jean-Yves Thibaudet during his recital tour where he performs both books of Debussy's Préludes. His 1996 recording of the pieces has just been re-released on vinyl with artwork created by his friend Vivienne Westwood, shortly before she died. Jean-Yves talks to Tom about the need to collaborate, his love of Debussy, Gershwin and Bill Evans, and why challenging conventions and being yourself as an artist are the keys to success and happiness. He also shares his excitement about an upcoming multisensory performance of Alexander Scriabin's 1910 tone poem 'Prometheus, The Poem of Fire' - a collaboration with Cartier in-house perfumer Mathilde Laurent, conductor Esa-Pekka Salonen and San Francisco Symphony which involves not only light and colour in addition to the music, but scent too.Tom talks to pianist Alice Sara Ott and composer Bryce Dessner about a new piano concerto he's written for her, which receives its UK premiere in February. Inspired by Alice's playing, the piece is also dedicated to Bryce's sister Jessica, a dancer and choreographer who has shaped his musical life. Alice talks about her love of Bryce's music and the challenges of getting inside a new piece. Bryce discusses his approach to the concerto, the power of acoustic music and how his work as a composer for the concert hall relates to his life as guitarist and writer in the band The National.

Paul Williamson is featured in this podcast, performing excerpts from Beethoven's Piano Sonatas 22-28. Named one of CBC Music's “30 under 30” Canadian classical musicians, Paul Williamson is a first prize winner of the piano category of the Canadian national music festival (2014), the Canadian Federation of Music Teachers' Association national piano competition (2017), and a prizewinner of the WMC McLellan Competition (2020) and the Shean Piano Competition (2022). As a soloist, he has appeared with the Winnipeg Symphony Orchestra. the University of Manitoba Symphony Orchestra, and the Fraser Valley Symphony Orchestra. He has performed alongside Julian Pellicano, Alexander Mickelthwate, Aiyun Huang, Orli Shaham, and Jim Walker. He has appeared at Morningside Music Bridge, Orford, Kneisel Hall, Aspen, Hornby, Scotia, Agassiz, and has held residency at the Avaloch Farm Music Institute. Paul holds a Bachelor of Music degree from the University of Manitoba and a Master of Music degree from the Colburn Conservatory of Music, where he continues to study with Fabio Bidini in the Artist Diploma program. Most recently, Paul returned to the University of Manitoba to serve on the faculty as a piano instructor for the 2022 Winter term. His other musical influences include David Moroz and Jean-Yves Thibaudet. Paul is grateful for the support of the BC Arts Council. Over more than two decades, Mark Travis has served as a writer, producer, broadcaster, lecturer, podcaster, voiceover artist, multi-cam director, video editor, and audio engineer. Currently Director of Media Production for the New York Philharmonic, he has directed the Orchestra's broadcasts, hosted by Alec Baldwin, since 2003. The concert was recorded on October 26, 2022, at St Leo Auditorium in Bonita Springs, FL.

durée : 00:24:09 - Disques de légende du vendredi 26 janvier 2024 - Sonate pour violoncelle de Grieg par Truls Mørk et Malinconia de Sibelius par Truls Mørk et Jean-Yves Thibaudet

SynopsisOn today's date in 1932, an all-Maurice Ravel concert was given in Paris by the Lamoureux Orchestra at the Salle Erard. Ravel was on hand, conducting some of his works, including the premiere of his new Piano Concerto in G with pianist Marguerite Long the soloist.The critics were enthusiastic about the music, but less so about Ravel's conducting skills.“Once again,” one wrote, “I wish to protest against the habit, more and more frequently indulged in, of attempting at all costs to bring a composer before the public in a part which he is incapable of filling. Monsieur Ravel is continually brought out as a pianist or as a conductor, whilst he cannot shine in either of these two specialties. ... His Pavane was unutterably slow, his Bolero dry and badly timed, and the accompaniment of the concerto lacked clarity and elasticity. ... But there can only be praise for the composer of all these delicate, subtle works, the orchestration of which abounds in amusing and profound inventions. ... The new concerto,” the review concludes, “is worthy of the other masterpieces we owe to Ravel.”Music Played in Today's ProgramMaurice Ravel (1875-1937) Piano Concerto in G; Jean-Yves Thibaudet, piano; Montréal Symphony; Charles Dutoit, cond. London 452 448

This week's guest is an Emmy winner, a Grammy winner, and a nine-time Oscar nominee, whose scores have graced the big and small screens since the 1980s. James Newton Howard is the voice of many of your favorite scores, from co-scoring the Dark Knight Trilogy with Hans Zimmer to his Oscar-nominated score for Paul Greengrass' News of the World. Now, he's back with several new projects, some of which hearken back to music he has written in the past.   Howard's latest solo album, Night After Night, is a beautiful look back at his eight-film partnership with filmmaker M. Night Shyamalan, recontextualizing some of his most intriguing melodies from that longtime collaboration into piano-driven suites performed by virtuoso musicians, including concert pianist Jean-Yves Thibaudet.   On the small screen, Howard recently completed a lush, yearning score for Netflix's new miniseries All the Light We Cannot See, based on the acclaimed novel by Anthony Doerr and directed by Shawn Levy. Plus, after nearly a decade away from Panem, Howard resumes his collaboration with director Francis Lawrence for the Hunger Games prequel The Ballad of Songbirds and Snakes. Now, Howard is here on the pod to talk about all of these projects and more.   You can find James Newton Howard at his official website here.   Night After Night is currently available on vinyl or your preferred streaming service, courtesy of Sony Masterworks.  Same with All the Light You Cannot See, courtesy of Netflix Music, and The Ballad of Songbirds and Snakes, care of Sony Music.

New Classical Tracks - James Newton Howard by James Newton Howard – Night After Night (Sony Classical), featuring pianist Jean-Yves Thibaudet, violinist Hilary Hahn and cellist Maya Beiser“I've been so lucky,” composer James Newton Howard says. “I've done over 140 movies at this point. Things for television, record and producing. I've been so lucky to get all these ideas writing concert music. I may have checked all the boxes that go on a bucket list with music, and I just want to keep going. I guess that's my bucket list: It's to have remaining and continuing passion for what I do.”Newton Howard is a composer and pianist who made a name for himself in the late ‘70s by touring with and orchestrating for Elton John. He made his way into film score composition at a time when the field was wide open. He's scored more than 140 movies, from Pretty Woman to the Hunger Games franchise. His latest passion project features eight suites from all the films he's scored for M. Night Shyamalan, a director known for his emotional thrillers.How would you describe your signature style?“Strong melody is part of my signature. But I think also, and I say this with tremendous humility — although it may not sound like humility — that I'm very versatile. I think I've done a lot of successful romantic comedies, from Pretty Woman to My Best Friend's Wedding to Dave and all that. So when you do that, you become the ‘rom-com' guy. And then I did The Fugitive, and I became the action guy. I suppose the clearest thing that I get back from people is my more emotional interior music.”In an interview that you did a few years ago you admitted to being a little arrogant on occasion early in your career, and then you said you became a good listener. What happened that allowed you to become a good listener?“Yeah, I was arrogant because I was always coming up with ideas and then I was just running into situations where I was getting a lot of rewriting requests from the director. And some of the rewrites that were getting made were really good ideas. And then it just occurred to me that the director might actually have important things to say to me. I'm much more collaborative now, and that's really the nature of the game; it's all down to being part of a team.”You've collaborated with director M. Night Shyamalan on at least eight films, and you've now taken music from those films and turned them into suites.“Night makes films that are about things that really interest me, such as revelation, catharsis, love, courage and triumph. There's always an element of these very strong emotions. That's what really appealed to me. But, surprisingly, all these ideas and feelings took place in movies that were somewhat creepy. But then there's a very emotional core to it. I had never encountered that before.“And so, I took the scores, I took out all the scary bits and made it quite meditative. I got Jean-Yves Thibaudet to play the piano on every track. Hilary Hahn came in and revisited my score for The Village and played the beautiful violin solos throughout that piece.“But what I love about Night was the closeness of our collaboration and his appreciation for what I was doing. We just ended up having this connection from the very beginning where I felt challenged and I felt inspired and he felt inspired, and we worked so closely together that it just was kind of a dream relationship.” Listen on YouTubeTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesJames Newton Howard – Night After Night (Amazon)James Newton Howard – Night After Night (Sony Classical)James Newton Howard (official site) Related Items Listen: Acclaimed classical pianist surprises with Elton John

On Friday, August 18th, Andris Nelsons will conduct The Boston Symphony Orchestra in a program featuring works by Saint-Saëns, Simon, and Gershwin featuring soloist Jean-Yves Thibaudet on piano in The Shed at Tanglewood in Lenox, Massachusetts.The “Simon” of those listed composers is Carlos Simon and his piece, “Four Black American Dances,” is a BSO commission. The piece celebrates the composer's heritage and the presence of dance in Black culture as a medium for ritual, worship, celebration, and social connectivity.

Two of today's most celebrated artists, Jean-Yves Thibaudet and Michael Feinstein join forces for the first time at Tanglewood on Friday night in "Two Pianos: Who Could Ask for Anything More?," an innovative program celebrating the music of George Gershwin and his world performing with the Boston Pops and Keith Lockhart conducting.

Synopsis The Russian émigré composer and pianist Sergei Rachmaninoff was himself the soloist on today's date in 1927 in the first performance of his Piano Concerto No. 4 with the Philadelphia Orchestra, conducted by Leopold Stokowski. Rachmaninoff had premiered his Third Concerto in New York in 1909, and he'd been thinking about writing another one for over a decade. In the meantime, his life had been disrupted by both the Russian Revolution and the exhausting business of earning a living as a touring virtuoso pianist. In 1926, Rachmaninoff finally felt he could afford to take some time off and put a Fourth Piano Concerto down on paper. In its original form, it turned out to be a much longer work than even Rachmaninoff thought practical. He joked to a friend that its movements would have to be "performed on successive nights, like Wagner's Ring operas." Rachmaninoff made a number of cuts before the Philadelphia premiere, but even so, the new work was not well received, and so Rachmaninoff kept cutting. Audiences and critics still remained cool, and Rachmaninoff eventually shelved the work for a time—quite a time. In 1941 he prepared a "final cut" version, which ended up considerably shorter than his other three Piano Concertos, and recorded it with Eugene Ormandy and the Philadelphia Orchestra. Music Played in Today's Program Sergei Rachmaninoff (1873 - 1943) Piano Concerto No. 4 Jean-Yves Thibaudet, piano; Cleveland Orchestra; Vladimir Ashkenazy, conductor. London 458 930

durée : 00:58:33 - Jean-Yves Thibaudet, personnalité flamboyante et intensité musicale - par : Aurélie Moreau - Jacques Longchampt sur le pianiste Jean-Yves Thibaudet : « La merveille de ce jeu est d'allier la suggestion mystérieuse la plus debussiste à une grande simplicité : jamais Thibaudet ne cherche à se singulariser, mais il touche juste ». Le Monde.

 The prolific French composer Camille Saint Saens composed five concertos for piano and orchestra, of which we would listen to the Second with pianist Jean-Yves Thibaudet.

Martin Fondse, de Componist Des Vaderlands, vertelt over zijn liefde voor de jazz en over zijn vroegste muzikale herinneringen. Zijn muzikale keuze deze zondagavond: Joe Zawinul en Olivier Messiaen. Nog meer Fondse-keuzes vind je op de website van Radio 4. En verder: de Japanse, London-based, stemkunstenaar Hatis Noit creëert een hypnotiserende klankwereld. 23.04 CD Brahms Trio Sonatas (Alpha Classics 648) Johannes Brahms: Altviooltrio in a-klein, opus 114 - I Allegro Miguel da Silva [altviool]; Xavier Phillips [cello]; François-Frédéric Guy [piano] 2'00” 23.10 eigen opname www.youtube.com/watch?v=yPx_sg2lkdo Pauline Viardot-Garcia: Sérénade Cécile Turby [piano] 0'30” CD Sonatori De La Gioiosa Marca (Decca 455-981-2) Pauline Viardot-Garcia: Hai luli Cecilia Bartoli [mezzosopraan]; Jean-Yves Thibaudet [piano] 0'30” 23.14 CD Heavy Weather (Columbia 34418) Joe Zawinul: A remark you made Weather Report 3'35” CD Stories of the Danube (Philips 454 143-2) Joe Zawinul: Stories of the Danube - The Beginning - Gypsy Intro Arto Tuncboyaciyan [slagwerk, zang]; Joe Zawinul [toetsen]; Czech State Philharmonic Orchestra Brno olv Caspar Richter 9'10” CD Messiaen Turangalîla Symphony (Warner Classics 50999 4 33309 2 8) Olivier Messiaen: Turangalîla 3 Yvonne Loriod [ondes martenot]; London Symphony Orchestra olv André Previn 5'24” 23.39 eigen opname Maarten Regtien: Preludium XIII Laura Sandee [piano] 2'24” 23.43 CD Aura (Erased Tapes Records z.nr.) tr 8 Hatis Noit: Sir Etok Hatis Noit 6'36” CD Aura (Erased Tapes Records z.nr.) track 7 Hatis Noit: Inori Hatis Noit 8'37”

The venerated pianist Jean-Yves Thibaudet joins us to talk about his most personal album to date, called Carte Blanche, a collection of encores – each of which have a connection to the people and events that have shaped him as an artist. Released in celebration of Thibaudet's 60th birthday and longtime association with Decca Records, Carte Blanche features beautiful and stunning transcriptions of piano favorites which cross genres, cultures, and centuries, all of them never-before recorded by Thibaudet.

In this episode, we look at the soundtrack of the 2005 movie Pride and Prejudice by Dario Marianelli. We explore the themes that describe Elizabeth's emotional journey as well as how the rest of the music sets the world and mood in this adaptation. Music Featured: "Dawn" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Mrs Darcy" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 Piano Sonata No. 3 in C Major, Op. 2, No. 3: II. Adagio - by Ludwig Van Beethoven and performed by Mari Kodama, 2008 "Stars and Butterflies" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Arrival at Netherfield" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "The Secret Life of Daydreams" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Liz on Top of the World" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Darcy's Letter" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Your Hands are Cold" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 Abdelazer, Z. 570 "Moor's Revenge": Rondeau - "Purcell: Theatre Music", music by Henry Purcell and performed by Academy of Ancient Music & Christopher Hogwood, 1990 "A Postcard to Henry Purcell" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Meryton Townhall" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 "Another Dance" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Can't Slow Down" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 "The Militia Marches In" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 Piano Concerto No. 1 in C major, Op 15: I. Allegro con brio - "Complete Piano Concertos" - Music by Ludwig van Beethoven and performed by Krystian Zimerman, London Symphony Orchestra & Sir Simon Rattle, 2021 "Leaving Netherfield" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Georgiana" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "The Living Sculptures of Pemberley" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "World of Soundtracks" - music by Edith Mudge

Jess Gillam and cellist Edgar Moreau share some of the music they love, with shimmering piano pieces by Debussy and Rachmaninov, and epic emotion from Serge Reggiani and Dusty Springfield. Abdullah Ibrahim is playing the soprano saxophone and Edgar takes us back to his very first orchestral experience with Tchaikovsky's Fifth Symphony. Playlist: Debussy - Suite bergamasque for piano: Clair de lune Jean-Yves Thibaudet (piano) Offenbach - Harmonies des bois, Op. 76; No. 3 Les Larmes de Jacqueline Mischa Maisky (cello), Dania Hovora (piano) Abdullah Ibrahim - Ishmael Abdullah Ibrahim (soprano saxophone), Cecil McBee (double bass), Roy Brooks (drums) Serge Reggiani - Ma fille Bremer/McCoy - Ordet Rachmaninov - Suite No 1 op 5 Fantaisie Tableaux, Barcarolle Martha Argerich, Alexandre Rabinovitch (piano) Dusty Springfield – You Don't Have to Say You Love Me Tchaikovsky - Symphony No. 5 in E Minor, Op. 64; II. Andante cantabile… Berliner Philharmoniker, Kirill Petrenko

Steinway Artist Jean-Yves Thibaudet discusses his latest album, CARTE BLANCHE, his ultimate goal of making the piano sing, and the utility of the sostenuto pedal.

To mark a milestone birthday and celebrate a new chapter in his relationship with the label, French pianist Jean-Yves Thibaudet was given “carte blanche” by the Decca classical label to choose personal music that he has never recorded before—a selection that reflects on the people and pieces that have impacted his life as an artist while expanding his already diverse repertoire in new directions. Mr. Thibaudet's choices on his disc each have a unique story, and he shares the best with host John Pitman in the recorded conversation, which includes brief musical samples. Some pieces were specially arranged for the pianist, such as “Pride and Prejudice” by Dario Marianelli; others arranged by Thibaudet's teachers (Elgar's Salut d'amour one example); and still others were arranged by the pianist himself, including an astounding piano version of Barber's Adagio. Thibaudet's recording is as much a gift to us as it is to himself and will enhance playlists for years to come.

Elias and I talk about a few of the great performing pianists. Part 2 we discuss modern and currently performing pianists. https://www.eapettersson.com/ Here is a list of pianists we discuss and think you should listen to: Alfred Brendel (b. 1931) Vladimir Ashkenazy (b. 1937) Martha Argerich (b. 1941) Maurizio Pollini (b. 1942) Nelson Freire (b. 1944) Ursula Oppens (b. 1944) Maria João Pires (b. 1944) Radu Lupu (b. 1945) Murray Perahia (b. 1947) Mitsuko Uchida (b. 1948) *Håkon Austbø (b. 1948) Grigory Sokolov (b. 1950) Santiago Rodriguez (b. 1952) András Schiff (b. 1953) Krystian Zimerman (b. 1956) *Dang Thai Son (b. 1958) Yefim Bronfman (b. 1958) *Sara Davis Beuchner (b. 1959) *Stephen Prutsman (b. 1960) *Paul Stewart (b. 1960) *Sergei Babayan (b. 1961) Casadesus (1st), Hamamatsu (1st), Scottish (1st), Busoni (3rd), Honens (4th) Stephen Hough (b. 1961) Jean-Yves Thibaudet (b. 1961) *Frederic Chiu (b. 1964) *Pavel Nersessian (b. 1964) *Alexander Korsantia (b. 1965) Sydney (1st) Rubinstein (1st) Leif Ove Andsnes (b. 1970) *Stanislav Ioudenitch (b. 1971) Evgeny Kissin (b. 1971) Arcadi Volodos (b. 1972) Nikolai Lugansky (b. 1972) Simone Dinnerstein (b. 1972) Valentina Lisitsa (b. 1973) *Antonio Pompa-Baldi (b. 1974) Long-Thibaud (3rd), Cleveland (1st), Cliburn (2nd) Ning An (b. 1976) *Roberto Plano (b. 1978) American Prize, Cleveland (1st), Cliburn (finalist) *Andrius Žlabys (b. 1978) “There is no better time to do the best work of your life than right now” Spencer Myer (b. 1978/9) Sa Chen (b. 1979) Alexander Kobrin (b. 1980) Alexandre Moutouzkine (b. 1980) Yundi Li (b. 1982) Lang Lang (b. 1982) *Boris Giltburg (b. 1984) (Beethoven Sonatas) Santander (2nd=1st), Queen Elisabeth (1st), Rubinstein (2nd) Evgheny Bozhanov (b. 1984) Cliburn (finalist), Queen Elisabeth (2nd), Chopin (4th-refused) Ingolf Wunder (b. 1985) *Rafał Blechacz (b. 1985) Chopin (1st) *Yeol Eum Son (b. 1986) Tchaikovsky (2nd) Vadym Kholodenko (b. 1986) *Vitaly Pisarenko (b. 1987) Liszt (1st), Leeds (3rd) Adam Golka (b. 1987) Yuja Wang (b. 1987) *Sean Chen (b. 1988) American Prize, Cliburn (3rd) *Yekwon Sunwoo (b. 1989) Sendai (1st), Cliburn (1st) *Charles-Richard Hamelin (b. 1989) Seoul (3rd), Montréal (2nd), Chopin (2nd) *Haochen Zhang (b. 1990) China Piano Competition (1st) Avery Fisher Grant, Cliburn (1st) *Claire Huangci (b. 1990) ARD Munich (2nd), Geza Anda (1st) *Lukas Geniušas (b. 1990) Bachauer (1st), Scottish (2nd), Chopin (2nd), Tchaikovsky (2nd) *Daniil Trifonov (b. 1991) Chopin (3rd), Rubinstein (1st), Tchaikovsky (1st) (also composer) *Kenny Broberg (b. 1993) Cliburn (2nd), Tchaikovsky (3rd), American Prize *Beatrice Rana (b. 1993) Montréal (1st), Cliburn (2nd) *Seong-Jin Cho (b. 1994) Hamamatsu (1st), Tchaikovsky (3rd), Rubinstein (3rd), Chopin (1st), DAEWON Music Awards *Kate Liu (b. 1994) NY International (1st), Hilton Head (6th), Montréal (finalist), Chopin (3rd) *Do-Hyun Kim (b. 1994) Gilmore Fellow, Vendome (2nd), Young Concert Artist Auditions (1st) Drew Peterson (b. 1994) American Prize, Avery Fisher Grant,  *Syzmon Nehring (b. 1995) Rubinstein (1st) *Eric Lu (b. 1997) Minnesota E-Comp. (1st), Chopin (4th), German Piano Award (1st), Leeds (1st) Tony Yike Yang (b. 1998) Chopin (5th-age of 16!) *Alexander Malofeev (b. 2001) China (1st), winner of youth competitions…career exploded (a la Kissin)

Jean-Yves Thibaudet – Carte Blanche (Decca) Jump to giveaway form French pianist Jean-Yves Thibaudet celebrated his 60th birthday with a trip to Hawaii in September. He also marked the occasion with the release of his new recording, Carte Blanche. “This was an album where I was given literally carte blanche,” Thibaudet said. “I could choose whatever. It might not have happened without the pandemic, and I did it with the greatest love and joy. I had such a good time doing it. The variety and choice of pieces on this album shows my personality.” The recording opens with the suite from Pride and Prejudice, and it features important moments. How did you decide which ones to highlight? “This is something I did with Dario Marianelli. He is an extraordinary composer, and that score is very important and special in my life. That is why I wanted it not only to be on the record, but also start it. “That piece has opened many doors in my life. It has reached so many people in the world, and I cannot tell you how many people still go to my concerts because of it. I also have people coming to me at the end of the concert to say hi and tell me that that was their first concert. They would say, ‘I just came because I saw your name and your the guy from Pride and Prejudice. I love that score so much.'” Why did you choose The Lady and the Nightingale, by Enrique Granados, to honor Spanish pianist Alicia de Larrocha? “She owned that repertoire completely. It's such beautiful music. The chords are so wonderful. I love the effects of trills mimicking birds. I think it's really beautiful and fun to play. I had to do something from Larrocha because I have such great admiration for her.” Did you dedicate a piece to Renée Fleming? “My playing is in honor of her, because I've learned so much as a an artist from Fleming. It has been the greatest lesson playing with all the other wonderful singers. She has beautiful control of breathing, the legato and of phrasing. “There is a little story to one of the pieces — my transcription of ‘When You Wish Upon a Star' from Disney's Pinocchio. We actually did a PBS program for New Year's Eve, United in Song: The Resilience of American People. She chose to do ‘When You Wish Upon a Star,' which has the most touching and beautiful theme. “I just adore that piece so much. I was thinking, ‘God, I need to play it just for my own pleasure.' I started incorporating, yet again, the singing line into the piano. I was making progress and I finally came up with the arrangement on this album. It gave me so much joy that I wanted to share it, and that certainly is a special gift for Fleming.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Jean-Yves Thibaudet – Carte Blanche (Amazon) Jean-Yves Thibaudet – Carte Blanche (Decca Store) Jean-Yves Thibaudet (official site)

durée : 01:57:50 - invité : Jean-Yves Thibaudet, pianiste - par : Lionel Esparza - Aujourd'hui dans Relax!, nous recevons le pianiste Jean-Yves Thibaudet pour évoquer la récente sortie de son album Carte Blanche, le 10 septembre dernier sur le label Decca. Dans Disques de légende, nous écoutons Paul Paray diriger Chabrier, avec l'Orchestre Symphonique de Détroit pour Mercury. - réalisé par : Antoine Courtin

French born pianist Jean Yves Thibaudet has performed in Pittsburgh in at least three visits with Mariss Jansons, Charles Dutoit and Marek Janowsky.   He was scheduled for a return when the pandemic hit but promises to back soon. Fom his home in LA, he spoke with Jim Cunningham about his new cd Carte Blanche with 24 tracks of very personal favorites, arrangements, encores, music from the film score for Pride and Prejudice, Pierre Sancan, Morton Gould, Chopin, Couperin.  He's done 50 cds for Decca, so the company said you've got Carte Blanche to record what you like and he went to work just this past May at the Colburn School in Los Angeles. Renee Fleming interviewed Jean Yves for the notes and he discusses their work together on a PBS special broadcast just this past New Year's Eve 2020.  Jean Yves has a special memory of playing an encore for Mariss Jansons and he had to include something for his Mom on the play list.

The venerated pianist Jean-Yves Thibaudet joins us to talk about his most personal album to date, called Carte Blanche, a collection of encores – each of which have a connection to the people and events that have shaped him as an artist. Released in celebration of Thibaudet's 60th birthday and longtime association with Decca Records, Carte Blanche features beautiful and stunning transcriptions of piano favorites which cross genres, cultures, and centuries, all of them never-before recorded by Thibaudet.

The venerated pianist Jean-Yves Thibaudet joins us to talk about his most personal album to date, called Carte Blanche, a collection of encores – each of which have a connection to the people and events that have shaped him as an artist. Released in celebration of Thibaudet's 60th birthday and longtime association with Decca Records, Carte Blanche features beautiful and stunning transcriptions of piano favorites which cross genres, cultures, and centuries, all of them never-before recorded by Thibaudet.

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To celebrate his 60th birthday – and his first album for Decca in a decade – Jean-Yves Thibaudet has programmed a beautiful solo recital full of works with strong personal connections for him. Called ‘Carte blanche', it ranges from Couperin to a Charles Trenet transcription, and is out today. Editor Martin Cullingford caught up with the pianist for this week's Gramophone Podcast

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

durée : 00:20:11 - Disques de légende du vendredi 07 mai 2021 - Le chef d'orchestre italien Riccardo Chailly enregistre en 1993 la Turangalila-Symphonie d'Olivier Messiaen, avec l'Orchestre du Concertgebouw d'Amsterdam, Jean-Yves Thibaudet au piano et Takashi Harada aux ondes Martenot. Une version absolument admirable.

durée : 00:59:13 - Jean-Yves Thibaudet, l'excellence et l'humanité - par : Aurélie Moreau - « L'un des meilleurs pianistes du monde », Jean-Yves Thibaudet a été intronisé en 2010 dans le Hollywood Bowl of Fame (célébrité) pour son accomplissement musical. - réalisé par : Vivian Lecuivre

Programmation musicale : Maurice RAVEL - Le premier mouvement du Concerto pour piano en sol majeur . Pierre-Laurent Aimard & Cleveland Orchestra sous la direction de Pierre Boulez . DG 4778770 . Erik SATIE - Gnossiennes n°2 à 4 . Jean-Yves Thibaudet . DECCA 4736212 . Gabriel FAURE - Le premier mouvement du Quintette à clavier n°1 en ré mineur opus 89 . Eric Lesage et le Quatuor Ebène. Alpha 602. Daniel CAPELLETTI - Tango pour accordéon, violon, piano, deux guitares et contrebasse. Ensemble Soledad. Virgin 5455032. César FRANCK - Les deuxième et troisième mouvements de la Sonate en la majeur pour violon et piano . Vadim Repin et Nikolai Lugansky. DG 00289 477 8794.

Being in a quartet is like being in a marriage, says Milena Pajaro-van de Stadt, violist and founding member of the world renowned award-winning Dover Quartet & our guest for Episode 5 of the So This Is My Why Podcast. Holding dual citizenship in the US and the Netherlands, Milena considers herself to have grown up “a little bit of everywhere” including in Oxford (UK), Baltimore and Jacksonville. Her father taught her the piano before, feeling fed up with the instrument, she chose the violin as her next musical endeavour. An instrument she picked up after hearing a musician busk on the streets of Oxford. At the age of 10 years old, having moved back to Jacksonville by then, she picked up the trombone and also (eagerly!) volunteered to play the viola when her younger brother wanted to form a quartet. We explore all that including a pivotal moment in the summer of 2005, where she met and learned from Michael Klotz, violist of Amernet Quartet & her first viola teacher, at the Bowdoin International Music Festival. A meeting that resulted in her “ sudden immersion in the viola world ”. *Curtis Institute of Music* We also discuss the considerations she had in place when applying for music schools and how she dropped all other applications the moment she got into her dream school - the Curtis Institute of Music! There, she studied with the likes of Michael Tree (of the Guarneri Quartet) & Roberto Diaz (President & CEO of the Curtis Institute of Music). It was also at Curtis that the members of what would be the Dover Quartet came together - not unlike the tentative start of a budding relationship! They bonded so well, one of their teachers, Shmuel Ashkenasi (Vermeer Quartet) asked them, “Have you considered getting married (to each other)?” because you're always together. To which Milena said: We could not have been more giddy than when he said that to us because we had looked up to him so much and he notoriously is one of the most demanding coaches we've ever had. And so to get that kind of encouragement from someone we looked up to… I think that definitely had a huge thing to do with our morale and decision to be kind of brave enough to commit to one another. From there, they decided to show “commitment” to each other by attending the graduate residency program at Rice University's Shepherd School of Music as a quartet. *Realities of Life As a String Quartet Member* The life of a string quartet member is so very unique & some of the things we explore include: * What is your schedule like as a string quartet? How often are you on the road? * What was it like participating in competitions (e.g. Fischoff Competition) and in particular, your memories of those incredible wins at the Banff Competition 2013 which launched the Dover Quartet into the spotlight? * Importance of competitions to the careers of string quartets * Ways of dealing with disagreements between quartet members, particularly in musical interpretations of pieces * Managing personal space while on the road; * Staying in touch with loved ones while on the road * Collaborations with other musicians & how that comes about * Giving live performances versus making studio recordings; * The role of social media & the power of collaborations - e.g. with Avi Avital, Edgar Meyer, Ray Chen, Roomful of Teeth & the Brooklyn Duo; * The Importance of public speaking as a means of connecting with the audience; * Dealing with concert reviews * Giving back to the community through Music For Food ( https://musicforfood.net/index.php/artist/dover-quartet/ ) ; and * “Balancing” a solo career with being in a quartet. *String Instruments* As the instrument itself is so important to a musician, we talk about: * The two violas she plays on & their different purposes * Modern v old instruments - which is better? Does it even matter? * How do you choose your violin? * Are violins with an unknown maker a good investment? * Impact of COVID-19 on her personal life & the life of the Dover Quartet *Role of Parents in a Child's Education* For parents with young kids or those thinking of pursuing music, we also deal with questions on: * Should all children be exposed to music / have music lessons? * How should parents handle children who don't want to practice, especially if they want to just quit after trying it for a short while? * At what age should a child learn a musical instrument? * What should people looking to pursue music think about & do? *Show notes:* https://www.sothisismywhy.com/5/ ** *Official Bio of the Dover Quartet* The phenomenal Dover Quartet catapulted to international stardom following a stunning sweep of the 2013 Banff Competition, at which they won every prize. Named the Cleveland Quartet Award-winner, and honored with the coveted Avery Fisher Career Grant, the Dover has become one of the most in-demand ensembles in the world. The Quartet's rise from up-and-coming young ensemble to occupying a spot at the top of their field has been “practically meteoric” ( Strings ). With its burnished warmth, incisive rhythms, and natural phrasing, the Quartet's distinctive sound has helped confirm its status as “the young American string quartet of the moment” ( New Yorker ). The Quartet serves as the quartet-in-residence for the Bienen School of Music at Northwestern University, Chamber Music Northwest, Artosphere, the Amelia Island Chamber Music Festival, and Peoples' Symphony in New York, and was recently named the first-ever quartet-in-residence for the Kennedy Center. In 2018-19 the Dover Quartet performs more than a hundred concerts around North America, including performances at the Kennedy Center, San Francisco Performances, the Philadelphia Chamber Music Society, Spivey Hall, Boston's Celebrity Series, the Chamber Music Society of Detroit, and Carnegie Hall. In addition, the Dover's season features tours of Hong Kong, Europe, and Australia, collaborations with Emanuel Ax, Inon Barnatan, Peter Serkin, Anthony McGill, and Roomful of Teeth, and premieres of new works by Caroline Shaw and Matan Porat. The Quartet was thrilled to be invited by the maverick filmmaker and cultural icon David Lynch to be featured at his Los Angeles Festival of Disruption. Cedille Records released the Quartet's sophomore album, entitled Voices of Defiance: 1943, 1944, 1945 in October 2017. The recording takes listeners on a powerful journey through works written during World War II by Viktor Ullmann, Dimitri Shostakovich, and Simon Laks. The 2016-17 season saw the release of its all-Mozart debut recording on the Cedille label, a nod to the 1965 debut album of the Guarneri Quartet, whose founding violist, the late Michael Tree, joined the Dover Quartet on the recording. In addition, the group has participated in three complete Beethoven quartet cycles, including the University at Buffalo's famous “Slee Cycle” – which has presented annual Beethoven quartet cycles since 1955 and has featured the likes of the Budapest, Guarneri, and Cleveland Quartets – and will record the cycle over the next three seasons. The group's world-class collaborators have included pianists Anne-Marie McDermott, Emanuel Ax, Marc-André Hamelin, Jean-Yves Thibaudet, Peter Serkin, and Jon Kimura Parker; violists Roberto Díaz and Cynthia Phelps; bassist Edgar Meyer; and the Pacifica and Escher Quartets. In the spring of 2016, the Dover Quartet was recognized with the Hunt Family Award, one of the inaugural Lincoln Center Emerging Artist Awards, and in past years has taken top prizes at the Fischoff Competition and the Wigmore Hall International String Quartet Competition. All four Quartet members are consummate solo artists: first violinist Joel Link took first prize at the Menuhin Competition; violinist Bryan Lee and violist Milena Pajaro-van de Stadt have appeared as soloists with the Philadelphia Orchestra and Tokyo Philharmonic, respectively; and cellist Camden Shaw released a solo album debut on the Unipheye Music label. As Strad observes, “With their exceptional interpretative maturity, tonal refinement, and taut ensemble,” the Dover Quartet is “pulling away from their peers.” Hailed as “the next Guarneri Quartet” ( Chicago Tribune ), the Dover Quartet draws from the lineage of that distinguished ensemble, as well that of the Cleveland and Vermeer Quartets; its members studied at the Curtis Institute of Music and Rice University's Shepherd School of Music, where they were mentored extensively by Shmuel Ashkenasi, James Dunham, Norman Fischer, Kenneth Goldsmith, Joseph Silverstein, Arnold Steinhardt, Michael Tree, and Peter Wiley. It was at Curtis that the Quartet first formed, and its name pays tribute to Dover Beach by fellow Curtis alumnus Samuel Barber. The group has since returned for residencies to Rice in 2011-13, and to Curtis, where it became the conservatory's first Quartet-in-Residence, in 2013-14. In addition, in 2015 the Dover was appointed the first Resident Ensemble of Peoples' Symphony Concerts in the 116-year history of New York City's oldest concert series. The Dover Quartet is dedicated to sharing its music with under-served communities and is actively involved with Music for Food, an initiative enabling musicians to raise resources and awareness in the fight against hunger. The Dover Quartet plays on the following instruments: *Joel Link* : Jean-Baptiste Vuillaume, Paris circa 1857, on loan by Desirée Ruhstrat *Bryan Lee* : Riccardo Antoniazzi, Milan 1904 *Milena Pajaro-van de Stadt* : Michele Deconet, Venice, 1780, the ‘Kroyt,' generously on loan from the grandson of Boris Kroyt of the Budapest Quartet *Camden Shaw:* Frank Ravatin, France, 2010

For a special one-hour program beginning at 4:30pm, Larry showcases the talents of gay composers Gian Carlo Menotti, Reynaldo Hahn, and Michael Tippett. Also featured are Peter Pears, Nathan Lane, Josephine Baker, Donald Gramm, and pianists, Earl Wild, Jean-Yves Thibaudet, and more. The post A Program for Gay Pride Weekend appeared first on WFMT.

Saxophonist Jess Gillam is joined by composer Dani Howard, and between them they swap music by Thomas Adès, Anna Thorvaldsdottir and Fats Waller. Track we played today... Thomas Ades - In Seven Days: iv. Stars - Sun - Moon Nicolas Hodges (piano) London Sinfonietta, Thomas Ades Toshio Hosokawa - Japanese folksongs: no.2; Itsuki no komori uta (Lullaby of Itsuki) Emmanuel Pahud (flute) Christian Rivet (guitar) Steve Reich – Variations for Vibes, Pianos and Strings: I. Fast London Sinfonietta, Alan Pierson Anna Thorvaldsdottir - In The Light of Air (Existence) International Contemporary Ensemble Robert Schumann - Fantasiestücke, Op. 73; III. Rasch und mit Feuer Sol Gabetta (cello) Hélène Grimaud (piano) Fats Waller – Two Sleepy People Rae Morris - Do it (Acoustic Version) Satie - 3 Gymnopedies for piano, no.1 in D major; Jean-Yves Thibaudet (piano)

With a style that has been described as “passionate,” “fiercely vigorous,” and even “humorous,” Brad Edwards has appeared as a soloist before audiences in the United States and Europe. His solo credits include radio and television broadcasts, premieres of new music, guest recitals at colleges and regional workshops, and concertos with student and professional orchestras and wind ensembles. He has twice been featured as a soloist with “Pershing’s Own” Army Band at the American Trombone Workshop in Washington D.C. As a member of the Air Force Concert Band he was twice featured as a soloist.             His CD, “Trombone And…” features concert duets pairing the trombone with other instruments.  It includes several works written for and premiered by him as well as one of his own compositions, Five American Folksong Sketches. Of this recording, Audiophile magazine wrote, “Trombonist Brad Edwards is an accomplished musician. The performances are all excellent, and the pairings with other instruments, particularly the marimba are quite interesting.”             Dr. Edwards began teaching trombone at Arizona State University in Fall, 2016. Previously, he  taught at the University of South Carolina and the University of Northern Iowa. Other teaching positions have included Franklin and Marshall University and Kinhaven Music School. Reecently, he has begun teaching at the Raphael Mendez Brass Institute and performing there with the Summit Brass Ensemble.             He is best known for his pedagogical books including Patterns and Snippets, Lip Slurs, Lip Slur Melodies as well as the Trombone Craft and Simply Singing for Winds series.  His latest book is The Intermediate Trombonist. He has published a number of pieces through the International Trombone Association Press (available from Warwick Music) including Blue Wolf which has been recorded three times and Four Impromptus for Low Bone Alone, which was selected for the national solo competition of the American Trombone Workshop. He has composed a set of 176 one-minute audition solos for all woodwinds and brass. These solos have been adopted for all-state auditions in South Carolina and Utah. These solos are available for free download at the his companion website, AuditionSolos.com. In 2018 he composed a set of 24 concert pieces for trombone and piano targeted at the intermediate-advanced ability level. His recordings of these pieces, play-along including versions with the piano part alone, will become available in 2020.             In addition to the Air Force Band, Dr. Edwards has held positions as Principal Trombonist of the South Carolina Philharmonic, Symphony Orchestra Augusta and the Waterloo/Cedar Falls Symphony. He has also been the bass trombonist of the Cedar Rapids Symphony and the Arlington Symphony in Virginia. He has performed with such ensembles as the Phoenix Symphony, Baltimore Symphony, the Kennedy Center Opera Orchestra, the brass choir of the National Symphony, Hartford Symphony, the Charleston Symphony, the Charlotte Symphony and the Baltimore Opera Orchestra as well as the Wintergreen and Cabrillo Festival Orchestras. He has shared the stage with such diverse artists as Al Jarreau, Ray Charles, Dave Brubeck, Wycliffe Gordon, Ben Folds, Jean-Yves Thibaudet, Olivia Newton John, Bela Fleck, the Gatlin Brothers, Robert Merrill, Big Bad Voodoo Daddy and Roger Daltry. In 2007, he was selected to be participant at the prestigious Alessi Seminar in New Mexico.             Dr. Edwards holds degrees from the Peabody Institute of Johns Hopkins University, the Cincinnati College-Conservatory of Music and the Hartt School of Music. His primary teachers have been Jim Olin, Tony Chipurn, Ronald Borror and Henry Schmidt. He has also studied with Joseph Alessi, Arnold Jacobs, Dave Fedderly and Milt Stevens.

With a style that has been described as “passionate,” “fiercely vigorous,” and even “humorous,” Brad Edwards has appeared as a soloist before audiences in the United States and Europe. His solo credits include radio and television broadcasts, premieres of new music, guest recitals at colleges and regional workshops, and concertos with student and professional orchestras and wind ensembles. He has twice been featured as a soloist with “Pershing’s Own” Army Band at the American Trombone Workshop in Washington D.C. As a member of the Air Force Concert Band he was twice featured as a soloist.             His CD, “Trombone And…” features concert duets pairing the trombone with other instruments.  It includes several works written for and premiered by him as well as one of his own compositions, Five American Folksong Sketches. Of this recording, Audiophile magazine wrote, “Trombonist Brad Edwards is an accomplished musician. The performances are all excellent, and the pairings with other instruments, particularly the marimba are quite interesting.”             Dr. Edwards began teaching trombone at Arizona State University in Fall, 2016. Previously, he  taught at the University of South Carolina and the University of Northern Iowa. Other teaching positions have included Franklin and Marshall University and Kinhaven Music School. Reecently, he has begun teaching at the Raphael Mendez Brass Institute and performing there with the Summit Brass Ensemble.             He is best known for his pedagogical books including Patterns and Snippets, Lip Slurs, Lip Slur Melodies as well as the Trombone Craft and Simply Singing for Winds series.  His latest book is The Intermediate Trombonist. He has published a number of pieces through the International Trombone Association Press (available from Warwick Music) including Blue Wolf which has been recorded three times and Four Impromptus for Low Bone Alone, which was selected for the national solo competition of the American Trombone Workshop. He has composed a set of 176 one-minute audition solos for all woodwinds and brass. These solos have been adopted for all-state auditions in South Carolina and Utah. These solos are available for free download at the his companion website, AuditionSolos.com. In 2018 he composed a set of 24 concert pieces for trombone and piano targeted at the intermediate-advanced ability level. His recordings of these pieces, play-along including versions with the piano part alone, will become available in 2020.             In addition to the Air Force Band, Dr. Edwards has held positions as Principal Trombonist of the South Carolina Philharmonic, Symphony Orchestra Augusta and the Waterloo/Cedar Falls Symphony. He has also been the bass trombonist of the Cedar Rapids Symphony and the Arlington Symphony in Virginia. He has performed with such ensembles as the Phoenix Symphony, Baltimore Symphony, the Kennedy Center Opera Orchestra, the brass choir of the National Symphony, Hartford Symphony, the Charleston Symphony, the Charlotte Symphony and the Baltimore Opera Orchestra as well as the Wintergreen and Cabrillo Festival Orchestras. He has shared the stage with such diverse artists as Al Jarreau, Ray Charles, Dave Brubeck, Wycliffe Gordon, Ben Folds, Jean-Yves Thibaudet, Olivia Newton John, Bela Fleck, the Gatlin Brothers, Robert Merrill, Big Bad Voodoo Daddy and Roger Daltry. In 2007, he was selected to be participant at the prestigious Alessi Seminar in New Mexico.             Dr. Edwards holds degrees from the Peabody Institute of Johns Hopkins University, the Cincinnati College-Conservatory of Music and the Hartt School of Music. His primary teachers have been Jim Olin, Tony Chipurn, Ronald Borror and Henry Schmidt. He has also studied with Joseph Alessi, Arnold Jacobs, Dave Fedderly and Milt Stevens.

Avec ce soir le second volet de notre portrait consacré au pianiste Jean-Yves Thibaudet.

Artiste associé de l’Orchestre National de Lyon. Après avoir évoqué l’Amérique et sa complicité avec le chef Leonard Slatkin, ce lyonnais exilé à Los Angeles nous a reçu une nouvelle fois dans sa loge pour évoquer cette fois toute la musique qu’il aime, et sa rencontre précoce avec le nouveau directeur musical de l’Orchestre National de Lyon, Nikolaj Szeps-Znajder, avec qui il s’apprête à partir en tournée en Russie. Bienvenue dans l’intimité d’un grand pianiste.

Lyonnais de naissance, il vit aujourd'hui depuis plus de 20 ans à Los Angeles en Californie, et parcourt le monde entier aux côtés des plus grands chefs. Il nous raconte en exclusivité son enfance de musicien à Lyon, sa curiosité insatiable pour tous les types de musique, da la musique de films à l'opéra, et sa complicité de longue date avec Leonard Slatkin, chef honoraire de l'ONL avec qui il viendra jouer le concerto en fa de Gershwin en juin prochain à l'Auditorium.

Un épisode exceptionnel consacré au pianiste associé de l'ONL Jean-Yves Thibaudet, rencontré dans sa loge avant son dernier concert à l'Auditorium pour un entretien exclusif.

For a special one-hour program beginning at 4:30pm, Larry showcases the talents of gay composers Gian Carlo Menotti, Reynaldo Hahn, and Michael Tippett. Also featured are Peter Pears, Nathan Lane, Josephine Baker, Donald Gramm, and pianists, Earl Wild, Jean-Yves Thibaudet, and more. The post A Program for Gay Pride Weekend appeared first on WFMT.

Am 27./28. Juni ist der Pianist Jean-Yves Thibaudet zu Gast beim Symphonieorchester des BR und spielt unter der Leitung von Daniel Harding das brillante G-Dur-Klavierkonzert von Maurice Ravel. Mit BR-KLASSIK hat Thibaudet darüber gesprochen, wieviel Jazz in Ravel steckt.

durée : 01:59:13 - Musique matin du jeudi 13 juin 2019 - par : Saskia De Ville - Création de l’Orchestre Philharmonique de Radio France : « Eros Athanatos » — une fantaisie concertante dédiée à Gautier Capuçon et Jean-Yves Thibaudet — par Richard Dubugnon, sera retransmise ce soir en direct de l’Auditorium de Radio France sur France Musique ! - réalisé par : Davy Travailleur

durée : 01:00:09 - Hôtel California - par : Lionel Esparza - Le pianiste Jean-Yves Thibaudet et le chef d'orchestre Jean-Claude Casadesus sont les invités du Classic Club ce soir, en direct et en public depuis le bar de l'Hôtel Bedford à Paris. - réalisé par : Antoine Courtin

About the Performance: Every detail of Olivier Messiaen's sensual and opulent orchestral lovefest will be delineated by Susanna Mälkki – an unforgettable and overwhelming sonic experience. Program: Kaija SAARIAHO : Trans for harp and orchestra (U.S. premiere) Intermission MESSIAEN : Turangalîla Symphony  Artists: Los Angeles Philharmonic Susanna Mälkki conductor Xavier de Maistre harp Jean-Yves Thibaudet piano Cynthia Millar ondes martenot FRI / JAN 18, 2019 - 8:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

About the Performance: Don't miss the iconic energy and inexorable power of Beethoven's Fifth Symphony, preceded by the extraordinary Jean-Yves Thibaudet performing Saint-Saëns' elegantly glittering Fifth Piano Concerto. Program: KNUSSEN: O Hototogisu! fragment of a Japonisme(U.S. premiere) SAINT-SAËNS: Piano Concerto No. 5, “Egyptian” Intermission BEETHOVEN: Symphony No. 5 Artists: Los Angeles Philharmonic Paolo Bortolameolli conductor Jean-Yves Thibaudet piano Kiera Duffy soprano Denis Bouriakov flute SAT / OCT 27, 2018 - 8:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

I programmet diskuteras bl.a. Tjajkovskijs första symfoni, mezzo-sopranen Elina Garanca som sjunger blandade arior, moderna solocellotoner med Natalie Clein och Berios Sinfonia med BBCs symfoniker. I panelen Evert van Berkel, Sofie Almroth, och Tebogo Monnakgotla som tillsammans med programledaren Johan Korssell betygsätter följande skivor: PETER TJAJKOVSKIJ Symfoni nr 1 Vinterdrömmar, Stormen Orchestra of Saint Lukes Pablo Heras-Casado, dirigent Harmonia Mundi HMC 902220 Referensen Johan jämför och refererar till en inspelning från 1994 av Tjajkovskijs Stormen med Berlins filharmoniker under ledning av Claudio Abbado på skivmärke DG. REVIVE Arior ur bl.a. Trojanerna, Mignon och La Bohème Elina Garanca, mezzo-sopran Orchestra de la Comunitat Valenciana Roberto Abbado, dirigent DGG 479 5937 LUCIANO BERIO GUSTAV MAHLER Sinfonia 10 Frühe Lieder Matthias Goerne, baryton The Synergy Vocals BBC symfoniorkester Josep Pons, dirigent Harmonia Mundi HMC 902180 BLOCH - DALLAPICCOLA LIGETI Solocellosviter Chaconne, Intermezzo o Adagio Solocellosonat Natalie Clein, cello Hyperion CDA 68155 Johans val Johan spelar valda delar ur ett album innehållande Leonard Bernsteins första och andra symfoni med Baltimores symfoniorkester under ledning av Marin Alsop. Vidare medverkar mezzosopranen Jennifer Johnson Cano (symf nr 1) samt pianisten Jean-Yves Thibaudet (symf nr 2). Inspelningen är gjord på Naxos.  Andra i programmet nämnda eller rekommenderade inspelningar: Tjajkovskijs första symfoni med Bostons symfoniorkester under Michael Tilson Thomas på DG; Liverpools symfoniorkester dirigerad av Vasily Petrenko på Onyx. Tjajkovskijs tredje, fjärde och sjätte symfonier med Liverpools symfoniorkester under ledning av Vasily Petrenko på Onyx (vilken snart kommer att höras i Musikrevyn). Berios Sinfonia med Franska nationalorkestern dirigerad av Pierre Boulez på Erato; New Yorks filharmoniker under Luciano Berio själv inspelad på Columbia; Concertgebouw-orkestern ledd av Riccardo Chailly på Decca samt med Finska radions symfoniorkester under ledning av Hannu Lintu på Ondine. Svepet Johan sveper över en CD utgiven på Bis med musik av Mozart: Marscher nr 1 och 2 K.335, Posthornsserenaden samt Eine kleine Nachtmusik. Det är Die Kölner Akademie som spelar och dirigentens namn är Michael Alexander Willens.

In a program from November of 2009, Andrew Patner's guest is French-born pianist Jean-Yves Thibaudet [...]

I’m excited to share a new mix I’ve curated with dublab for the organization’s upcoming event Sleepless: The Music Center After Hours at the Dorothy Chandler Pavilion in Los Angeles. This set traverses many eras, weaving together decades in an exhibition of classical ambient music’s various roots and branches. From the awesome folks at dublab: “Travel through the Light Lock corridor as it is transformed by a dublab produced soundtrack of “furniture music.” Considered as the origins of ambient music and coined by French composer Erik Satie, this soundtrack along with lighting inspired by the work of James Turrell will be the perfect passage between the Grand Stern Hall and the Founders Room.” Tracklist below. Overture: Claude Debussy – Prelude to the Afternoon of a Faun: Très Modéré (Herbert Von Karajan, Berliner Philharmoniker) (c. 1894) - First Movement: Frédéric Chopin – Nocturne No. 11 in G minor Op. 7 No. 1 – Andante sostenuto (Nelson Freire, piano) (c. 1840), Erik Satie – Gnossienne No. 5 (Jean-Yves Thibaudet, piano) (c. 1889), John Cage – In a Landscape (c. 1948), Max Richter – Written on the Sky (c. 2004), Sylvain Chauveau – Nuage II, Nuage III (c. 2007), David Lang – Memory Pieces: III. Wed (Lisa Moore, piano) (c. 2005), Erik Satie – Trois Gymnopédies (Jean-Yves Thibaudet, piano) (c. 1888), Arvo Pärt – Spiegel Im Spiegel (Angèle Dubeau, violin; La Pietà orchestra with piano) (c. 1978), Federico Mompou – Mùsica Callada, Cuaderno Uno (Herbert Henck, piano) (c. 1974), Ólafur Arnalds – Romance (c. 2009), Nils Frahm – Over There, It’s Raining (c. 2013), Jóhann Jóhannsson – Melodia(III) (c. 2008), Erik Satie – Vexations (Excerpt) (Ars Nova Ensemble) (c. 1894), Toru Takemitsu – Uninterrupted Rest I-II (Yuji Takahashi, piano) (c. 1973), Hauschka (Volker Bertelmann) – Alma (c. 2008), John Cage – Dream (Hildegard Kleeb, piano; Roland Dahinden, trombone) (c. 1948), Erik Satie – Gnossiennes No.1-4 (Jean-Yves Thibaudet, piano) (c. 1890-91), Federico Mompou – Mùsica Callada, XXIII. Calme-XXIV. Moderato (Herbert Henck, piano) (c. 1974), Hauschka (Volker Bertelmann) – Early in the Park (c. 2010) Second Movement: Greg Haines – Two Rotations (c. 2011), Bang On a Can All-Stars – 1/1 (c. 1978, Brian Eno/Robert Wyatt; arr. Michael Gordon), Olivier Messiaen – Fête des Belles Eaux (Ensemble d’Ondes de Montreal, ondes martenot) (c. 1937), Arnold Schoenberg – III. Farben (from Five Orchestral Pieces) (Berliner Philharmoniker) (c. 1909), Gustav Mahler – Adagietto: Sehr Langsam (Gunther Herbig, conductor) (c. 1902), Kronos Quartet – Spem in Alium (c. 1570, Thomas Tallis), Erik Satie – Tapestry of Wrought Iron (Ars Nova Ensemble) (c. 1917), Max Richter – Sunlight (Louisa Fuller, violin) (c. 2006), Arthur Russell – Tower of Meaning – 2 (c. 1981), Brian Eno/Johann Pachelbel – French Catalogues (Variation on the Canon in D Major) (c. 1975; c. 1696) Finale: Gavin Bryars – Jesus’ Blood Never Failed Me Yet (Excerpt) (c. 1971), Morton Feldman – Rothko Chapel: V (c. 1971)

Jean Yves Thibaudet - October 5, 2015 by WRCJ 90.9 FM

WPAS speaks with Gustavo Dudamel, Music Director of the Los Angeles Philharmonic, about their May 17 program for WPAS at the Kennedy Center - Tchaikovsky's Symphony No. 6 and Bernstein's Symphony No. 2, featuring pianist Jean-Yves Thibaudet.

WPAS speaks with conductor Charles Dutoit about his upcoming Washington appearance with The Philadelphia Orchestra and pianist Jean-Yves Thibaudet on June 3rd, 8pm at the Kennedy Center. They'll perform Piano Concerto for the Left Hand and La Valse by Ravel, Rachmaninoff's Symphonic Dances and Liszt's Totentanz. Tickets at 202-785-WPAS or WPAS.org.