Podcasts about recording project

Willow Waters songs reflect personal issues she has worked through. Her new project is called I Rise I Fall, and it also includes some of Willow's original instrumental music. Audiences can take in Willow's new music next Thursday, July 25 at the Cedar Cultural Center in Minneapolis. The doors open at 7, with the concert beginning at 7:30. In a conversation with Phil Nusbaum, Willow reflected on the process of creating the songs on the project.

Taylor Swift's re-recording project causes label upset - get the details from your Daily Lowdown from HELLO! Hosted on Acast. See acast.com/privacy for more information.

With (very) special guest, Yippie Dawg!

Listening to tracks from Shamindran this week for our final Manus reocrding project show. Finishing while the song Cruel Policy by Farhad Bandesh https://farhadbandesh.bandcamp.com/track/cruel-policy  Listening to the archieves from the Manus recording project. This week we are starting to listen to the "How are you today" recordings from 2018. .These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane. Some have gained safety in other counrties also.  We have played a selection from "How are you today?"https://manusrecordingproject.com

Listening to the archieves from the Manus recording project. This week we are starting to listen to the "How are you today" recordings from 2018. .These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane. Some have gained safety in other counrties also.  We have played a selection from "How are you today?"https://manusrecordingproject.com

Listening to the archieves from the Manus recording project. This week we are starting to listen to the "How are you today" recordings. .These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane. Some have gained safety in other counrties also.  We have played a selection from "How are you today?"https://manusrecordingproject.com

Listening to the archieves from the Manus recording project.Throughout August 2020, subscribers received a text message every day with a new ten-minute audio recording from Farhad Bandesh, Farhad Rahmati, Samad Abdul, Shamindan Kanapathi, Thanush Selvraj or Yasin Abdallah.These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane. We have played a slection from Where are you today? https://manusrecordingproject.comAlso a recording from Manus MEtal man playing guiatr after 7 years being denied access to a guitar! 

Listening to the archieves from the Manus recording project. Throughout August 2020, subscribers received a text message every day with a new ten-minute audio recording from Farhad Bandesh, Farhad Rahmati, Samad Abdul, Shamindan Kanapathi, Thanush Selvraj or Yasin Abdallah.These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane. We have played a slection from Where are you today? https://manusrecordingproject.com 

The guys discuss the different roles that DIY musicians have to play throughout the course of a recording project. Thinking clearly about these roles and drawing bright lines between each will help you get the most out of your sessions - even if you're playing all of them!

Joe Traina sits down with Pete McGuinness to discuss his work on Joe's latest project, Tip of the Hat. You can find Joe at: joetrainamusic.com This podcast was produced by Caroline Voigt of CVPromotions. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Many musicians are writing music relating to the strange time defined by Covid-19. Two local songwriters, Ted Hajnasiewicz and Ryan Ruud are among them. They got together virtually, and then their project grew. As we listen to a singer who goes by Waltzing on Waves, Ted told Phil Nusbaum about writing with Ryan.

Acknowledgement of country News headlines with Cait Kelly We hear part of a webinar discussion hosted by Melbourne Law School - Black Lives Matter. The discussion is facilitated by Larissa Behrendt and features Alison Whittaker, Eddie Cubillo Amy McQuire and George Newhouse speaking about campaigns to stop Aboriginal deaths in custody, the media's role in supporting the Blak Lives Matter movement and reflections on the legal profession's role in changing the criminal justice system Max speaks with journalist Royce Kurmelovs on the flaws and dangers of the Australian Government's COVIDSafe contact tracing app.  We hear a recording by Samad Abdul from the Manus Recording Project Collective's new project 'Where are you today?' Every day for a month, beginning on 1 August, subscribers will receive a text message with a new ten-minute audio recording from Farhad Bandesh, Farhad Rahmati, Samad Abdul, Shamindan Kanapathi, Thanush Selvraj or Yasin Abdallah. These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane. You can subscribe to the project by texting "Hello" to 0488 845 951 We hear audio from a Free Palestine Melbourne forum on the Palestinian Struggle in the Era of Annexation that took place on July 22nd. We'll listen to excerpts from analyst and former legal advisor Diana Buttu; writer and academic-activist Dr Yara Hawari both live from Palestine, as well as Melbourne or Narrm based journalist Maher Mughrabi.SongsJessB - Shut up!Kee’ahn - Better Things 

Based off of Blood on My Hands

Have you ever thought about recording your own album or EP but didn't know where to begin? This week, Karen talks to us about demystifying the process and the steps you can take to start creating your own project. It's important to know that you can start at anytime and that a project like this is simply a timestamp of where you are at a certain point in your life. You don't need to be at the peak of your career and no one needs to give you permission. You have the rest of your life to create more projects but if you want to start now, do it!The first step is creating a project like this is to have any idea and to decide what you want this to look like in the end. Will it be a tribute? Classical? New Music? Jazz? Original works? You're only job is to find the question and answer it yourself. The next step is to figure out the financials. Will this be a crowdfunded project or will it be something that you finance yourself? Regardless of your method, it is imperative that you know exactly how much you will actually need to fund this project. By working backwards and determining every factor, you can find a number that works for you and go from there. Karen finds that most artist tend to run out of money when it comes to marketing their project so to remember to incorporate that aspect when crunching the cost of your project. Once you have figured out the financial details, you must figure out the timeline of payments. Most projects of this sort don't happen all at once, so it is necessary to ensure that the funds needed will be there when you need them over the span of the project. Setting a date for the release of your project have a number of benefits. On your end, it provides a deadline and keeps you accountable for yourself and your timeline. As for your audience, it gives them a build up and time to get excited about what you're working on and will ultimately release for their enjoyment. Having a team to work with can make something like this much more manageable and realistic. Karen has found that the bigger and the more competent the team, the better the results.If recording in a studio is a new experience for you, it is important to prepare yourself and expect the unexpected. It can be highly stressful and uncomfortable for some to record in a studio or professional environment for the first time so you should always remember that you won't always be perfect and that it is okay to feel vulnerable. Finally, Karen stresses the importance of a marketing campaign. Having a clear vision and portrayal of what your audiences can expect can make all the difference in the world. You want your audience to know what they are getting excited about. Using social media and email campaigns is free and simple and can be the difference between a successful launch and one that is missed completely. You need to be intentional with every step of the process and have a strategy that will gain you a following and a final product that you can be proud of. On a closing side note, don't be afraid of physical CDs! Even though most people don't have CD players in their homes anymore, these can still be a great memento and business card to represent you and your work. If you have an idea, get started! The time is now!

Flute 360 | Episode 59: “Flute Studio Highlights with Dr. Cobus du Toit” (53:01) In today’s episode, Heidi talks with Cobus du Toit who is the flute professor at UMass, Amherst, Massachusetts. He shares past, current, and future projects that are in the works: UMass Flute Day, Castérède Recording Project, #webringflowers, and Vocabulary of Emotion. Check out today’s episode to hear topics around the creative process, collaboration, and recruitment. Episode 59 – Main Points: 0:24 – Gold Sponsor: Interactive Flute Retreat, South Haven, MI 1:10 – Welcome! 1:15 – Today’s topics include: Flute Studio Highlights at UMass (Amherst), Castérède Recording Project, UMass’ Flute Day, and #webringflowers! 1:40 – Cobus’ Biography 2:28 – Cobus’ Texas Residency – March 2019 2:42 – Tarleton State University & The University of North Texas 2:58 – Wm.S. Haynes Company 3:12 – #HaynesGivesBack 3:56 – Dr. Lisa Garner Santa, flutist & teacher 5:23 – Robert Aitken, Icicle for Solo Flute 5:56 – Debussy, Syrinx for Solo Flute 6:00 – Clarke, Zoom Tube for Solo Flute 6:27 – Question: Can you please talk about doubling your flute studio size? 6:45 – Cobus’ Answer 11:55 – “I believe that’s why we do music is to build community and friendship around music.” – Cobus 13:21 – Cobus talks about the logistics of organizing a flute festival. 13:38 – Jonathan Keeble, flutist & teacher 14:29 – Summary of UMass Flute Day. 19:00 – Referring back to the recruitment question. 19:42 – Silver Sponsor: J&K Productions 20:43 – Topic: Inclusion 21:49 – Heidi: Please tell the audience about your Castérède Recording Project. 21:52 – Cobus’ Answer 27:04 – Topic: Changing Hats 28:46 – “The only difference between a student and a seasoned professional is experience.” – Cobus 29:45 – Heidi: Let’s talk about #webringflowers. 29:57 – Cobus’ Answer 36:38 – Question: Any special student projects that you would like to mention? 36:44 – “That is the goal. That through your example you can inspire something even greater than what you are doing!” – Cobus 37:53 – Topic: Ripple Effect 38:18 – “I am a firm believer in measuring success in a different way. Maybe fulfillment is a better word. I think we tend to think of success as very tangible things.” – Cobus 38:38 – Are you musically fed? By doing this you will find your musical home. 39:11 – If you are passionate about the projects you do, you will attract the same type of people. Good things will come because of that. 40:34 – Teaching at the collegiate level. 41:12 – Grant Writing 42:41 – Final Thoughts 42:46 – Cobus’ next project is titled: “Vocabulary of Emotion.” 46:44 – Use other people as soundboards. 51:32 – NFA’s Flute Festival – Salt Lake City, UT 40:02 – Bronze Sponsor: J&K Productions Episode 59 – Resources Mentioned: Flute 360 – Dr. Heidi Kay Begay’s Website Dr. Cobus du Toit, flutist Wm.S. Haynes’ Artists UMass at Amherst, Flute Studio Episode 59 – Sponsors: Gold: Interactive Flute Retreat, South Haven, MI Silver & Bronze: J&K Productions’ Website

Summer Series - Revisiting critical conversations from 2018Acknowledgement of CountryGabby Alamin, Saharawi member of Australian Western Sahara Association, talks about Morocco's colonisation of the Saharawi people and the film Rifles or GraffitiRacerage, an emerging politi-cute queer post-internet rapper based on Wurundjeri country.Jules Kim, CEO of Scarlett Alliance talking about the problems with the My Health Record system (centralised online summary of your key health information), including how the current opt-out system will affect sex workers. NOTE since the interview the OPT OUTperiod has been extended to Jan 31st  2019Andre Dao, writer, lawyer, editor and co- founder of Behind the Wire, about the Manus Recording Project Collective and the work 'How are you today?' which was on  the Ian Potter Museum of Art In 2018Raquel Willis. African American writer, editor, and transgender rights activist, Raquel Willis was in Melbourne town for FLCC’s Transforming Democracy 2018  and joined 3CR Breakfast  over a number of weeks for a broad discussion of rights including colonisation, race, gender and abolition.  At the time of interview she was a national organizer for the Transgender Law Center. Raquel is now the executive editor of Out Magazine(The original broadcast on 855am and 3CR digital contained the following music tracks - removed owing to no music license for podcasting)SONG: Cheikh Lo Degg Gui feat. Flavia Coelho & Fixi, Cheiko LoSONG: Racerage: BurnSONG: Racerage: Violence and SapphiresSONG : The Merindas  - We Sing Until SunriseSONG: Sophiegrophy Purple Swag

Thursday Breakfast 25 October 2018with Em, Katia and Scheherazade7.00am Acknowledgement of Country7.03am VRY BLK, Jamila Woods ft. Noname7.07am Blk Girl Soldier, Jamila Woods7.09am Alternative news - new NSW drug laws ignore harm reduction measures and adversely affect party goers at festivals7.19am Doing me, RAY BLK7.24am Sowia, Porier ft. Samito 7.33am News headlines - Corporatisation of health care for young people in Victoria's prisons; new court hurdle by Coalition government to transfer ill children from offshore detention to Australia; Indigenous deaths in custody still not implemented; report on sexual assault at music events released. 7.39am Em speaks to Andre Dao, writer, lawyer, editor and co founder of Behind the Wire, about the Manus Recording Project Collective and the work 'How are you today?' on now at the Ian Potter Museum of Art. 8.00am  Em speaks to Dr Beth O'Connor, psychiatrist with Medecins Sans Frontieres (MSF), about the health of asylum seekers and refugees on Nauru and about MSF's  condemnation of Nauru’s decision to cease mental health care.    8.13am  Scheherazade speaks to Tamar Hopkins, PHD candidate at UNSW and founding lawyer of the Police Accountability Project, about the Police Stop Survey.8.28am Wrap up 

German/English Language Program. Cultural exchange - Carrum Primary School and Schubart-Gymnasium Aalen. This broadcast features students from Carrum PS presenting a radio program that showcases their interests and culture. This is Recording Project 2 of 3.

German/English Language Program. Cultural exchange - Carrum Primary School and Schubart-Gymnasium Aalen. This broadcast features students from Carrum PS presenting a radio program that showcases their interests and culture. This is Recording Project 1 of 3.

German/English Language Program. Cultural exchange - Carrum Primary School and Schubart-Gymnasium Aalen. This broadcast features students from Carrum PS presenting a radio program that showcases their interests and culture. This is Recording Project 3 of 3.

Apostle SB Barber talks GMSbuzz with "Tenishia Toussaint" shares Testimony Unleashed!. Tenishia was nominated Female Gospel Artist of the year by both the National Music Awards of the Gulf Coast as well as by The Kingdom Image Awards of Cleveland Ohio! 2014, Tenishia auditioned for 'Sunday Best' in Atlanta, considering it to be an opening to a greater horizon. She has Ministered at the pretigious Praise Fest in New Orleans, LA under the direction of Bishop Ryan Warner of Versatile Entertainment. Tenishia is now working on her own Recording Project. For Guest|Programming Booking eMail: gracemediaservices@yahoo.com Follow http://tobtr.com/sbbarbermorningshow; iTunes/sbbarbermorningshow; Twitter@GMNetwork; Youtube/GMNLiveTv; Facebook@GMNLiveTv; Instagram@GMNLIVETV.

Welcome to Secrets of Organ Playing Podcast #67! http://www.organduo.lt/podcast Today's guest is Dr. James Kibbie who is Chair of the Organ Department and University Organist at the University of Michigan. He also maintains a full schedule of concert, recording, and festival engagements throughout North America and Europe, including appearances at the Cathedral of Notre Dame in Paris, Royal Festival Hall in London, Dvořak Hall in Prague, and Lincoln Center in New York. During his month-long concert tour of the Soviet Union in 1991, Pravda hailed him as “a marvelous organist, a brilliant interpreter.” A frequent jury member of international organ competitions, he has himself been awarded the Grand Prix d'Interprétation at the prestigious International Organ Competition of Chartres, France, and is also the only American to have won the International Organ Competition of the Prague Spring Festival in the former Czechoslovakia. James Kibbie's performances have been broadcast on radio and television in the USA, Canada and Europe. His extensive discography includes “Merrily on Hill,” performed on the famed Skinner organ in Hill Auditorium, Ann Arbor, works of Dieterich Buxtehude recorded on the historic 1687 Schnitger organ of Norden, Germany, and discs of music by Bach, Franck, Alain, Tournemire, Sowande, Buck, Morrison, and contemporary Czech composers. Dr. Kibbie's “audio holiday cards,” recorded on the Létourneau organ in his residence and issued as free internet downloads, are a popular annual tradition. James Kibbie is internationally renowned as an authority on the organ music of Johann Sebastian Bach. He has performed the complete cycle of Bach organ works in a series of eighteen recitals and is in constant demand as a Bach recitalist and clinician. His recent recordings of the complete Bach works on historic baroque organs in Germany have been welcomed with enthusiastic critical and audience acclaim. Thanks to generous support from Dr. Barbara Furin Sloat in honor of J. Barry Sloat, the University of Michigan is offering Dr. Kibbie's recordings of all 270 Bach works as free internet downloads at www.blockmrecords.org/bach. ​James Kibbie's students perform frequently in concerts, competitions and workshops in the USA and abroad. His former students hold key positions in college teaching and church music nationally. Among the honors he has received, Dr. Kibbie is particularly proud of the James Kibbie Scholarship, endowed in perpetuity by the University of Michigan to support students majoring in organ performance and church music. In this conversation Dr. Kibbie talks about his project to record all of Bach's organ works on historical instruments in Germany and put it online to listen and download for free. Enjoy and share your comments below. ​ And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. Thanks for caring. Related links: More information about Dr. Kibbie: ​http://www-personal.umich.edu/~jkibbie/biography.html​ The Bach recordings are available for free download at: http://www.blockmrecords.org/bach

Teaching Artist: Hector Morales Arts Organization: Arts Horizons This is a GarageBand recording project I did at the Englewood Public Library during the 2010 Summer Camp with a group of about 15 kids (ages 8 - 14). This song features the students playing different percussion instruments as well as them singing rhymes they composed for this project. We also used some loops we picked from the GB's loops library. We hope you enjoy it! Hector