Podcasts about wings press

G.R. Kramer reads his poem, "Traffic Light," and John C. Mannone reads his poem, "Second Thoughts," from our current Summer issue. G. R. Kramer grew up in Canada, Kenya and the U.S., the child of refugees from fascism and communism. A lawyer by vocation, his passion for writing poetry has rekindled in late middle-age. His first poetry chapbook is forthcoming from Finishing Line Press. Go to https://blueguitar58.wixsite.com/website-1 for more. John C. Mannone has poems in North Dakota Quarterly, Poetry South, Windhover, Braided Way, Spirit Fire Review, Credo Espoir, Heart of Flesh Literary Journal, and Scriblerus Arts Journal. He has collections: Disabled Monsters (Linnet's Wings Press, 2015), Flux Lines: The Intersection of Science, Love, and Poetry (Linnet's Wings Press, 2021), Sacred Flute (Iris Press, 2022), and Song of the Mountains (Middle Creek Publishing, 2023). A retired professor of physics living in Knoxville, Tennessee, he edits poetry for Abyss & Apex, Silver Blade, Liquid Imagination, and American Diversity Report. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vita-poetica/message Support this podcast: https://podcasters.spotify.com/pod/show/vita-poetica/support

Poet Lorna Dee Cervantes is considered one of the major voices in contemporary Chicana literature. Growing up, she was encouraged to only speak English in order to avoid racism in her California community. As a writer, her experiences as a woman of Mexican and Indigenous American descent fuel her work, which often explores loss of language, questions of identity, and dichotomies of acceptance and resistance. In this installment of Lyric World for Town Hall's In the Moment podcast, Program Director Shin Yu Pai interviews Cervantes about her newest collection of poetry, April on Olympia. Lorna Dee Cervantes is a XicanIndx (Chumash/Purepacha) author of five award-winning books of poetry: Emplumada (Pitt Poetry Series 1981); From the Cables of Genocide: Poems on Love and Hunger (Arte Publico Press 1991); Ciento: 100 100-Word Love Poems (Wings Press 2011); Drive: The First Quartet (Wings Press 2005); and Sueño (Wings Press 2013). The founder of MANGO Publications (first to publish Sandra Cisneros), Cervantes is also the recipient of two NEA grants, two Pushcart Prizes, a Lila Wallace Readers Digest grant, and three state arts poetry fellowships. She presented twice at the Library of Congress as well as hundreds of universities, colleges, and other venues. The former Director of Creative Writing at CU Boulder, where she was a professor for 20 years, she moved to Olympia, WA in 2014 and now lives and writes in Seattle. Shin Yu Pai is Program Director for Town Hall. She is the author of eleven books of poetry. From 2015 to 2017, she served as the fourth poet laureate of the City of Redmond. Her work has appeared in publications throughout the U.S., Japan, China, Taiwan, the United Kingdom, and Canada. Presented by Town Hall Seattle. To become a member or make a donation click here. 

Poet Lorna Dee Cervantes is considered one of the major voices in contemporary Chicana literature. Growing up, she was encouraged to only speak English in order to avoid racism in her California community. As a writer, her experiences as a woman of Mexican and Indigenous American descent fuel her work, which often explores loss of language, questions of identity, and dichotomies of acceptance and resistance. In this installment of Lyric World for Town Hall's In the Moment podcast, Program Director Shin Yu Pai interviews Cervantes about her newest collection of poetry, April on Olympia. Lorna Dee Cervantes is a XicanIndx (Chumash/Purepacha) author of five award-winning books of poetry: Emplumada (Pitt Poetry Series 1981); From the Cables of Genocide: Poems on Love and Hunger (Arte Publico Press 1991); Ciento: 100 100-Word Love Poems (Wings Press 2011); Drive: The First Quartet (Wings Press 2005); and Sueño (Wings Press 2013). The founder of MANGO Publications (first to publish Sandra Cisneros), Cervantes is also the recipient of two NEA grants, two Pushcart Prizes, a Lila Wallace Readers Digest grant, and three state arts poetry fellowships. She presented twice at the Library of Congress as well as hundreds of universities, colleges, and other venues. The former Director of Creative Writing at CU Boulder, where she was a professor for 20 years, she moved to Olympia, WA in 2014 and now lives and writes in Seattle. Shin Yu Pai is Program Director for Town Hall. She is the author of eleven books of poetry. From 2015 to 2017, she served as the fourth poet laureate of the City of Redmond. Her work has appeared in publications throughout the U.S., Japan, China, Taiwan, the United Kingdom, and Canada. Presented by Town Hall Seattle. To become a member or make a donation click here. 

Demand Art for Hispanic Heritage Month #Art4HHM. Read more: https://www.tonydiaz.net/blog/demand-art-for-hispanic-heritage-month-art4hhm Tony Diaz, El Librotraficante and the Nuestra Palabra Crew talk to Amalia Ortiz about her new book "THE CANCIÓN CANNIBAL CABARET & OTHER SONGS", Patricia Coral about her poetry, and Natalia Treviño reads from her collection VIRGINX and gives un update on Macondo 2019. Click her to donate to Nuestra Palabra: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9CPLMM88TF5BS Bios: Amalia Leticia Ortiz is a Tejana actor, writer, and activist who appeared on three seasons of Russell Simmons Presents Def Poetry on HBO, and has toured colleges and universities as a solo artist and with performance-poetry troupes Diva Diction, The Chicano Messengers of Spoken Word, and the Def Poetry College Tour. Her debut book of poetry, Rant. Chant. Chisme., (Wings Press), won the 2015 Poetry Discovery Prize from the Writers’ League of Texas Book Awards and was selected by NBC Latino as one of the “10 Great Latino Books of 2015.” A CantoMundo Fellow and Hedgebrook Writer-In-Residence alumna, she received the 2002 Alfredo Cisneros Del Moral Foundation Award, which was founded by Sandra Cisneros, and her poem “These Hands Which Have Never Picked Cotton” was nominated for the 2012 Pushcart Prize. Her MFA is in Creative Writing from the University of Texas Río Grande Valley. Patricia Coral was born in Puerto Rico, where she obtained an MA in Spanish literature and linguistics. In 2014 she moved to Houston, where the adventure of writing in a borrowed language began. She is a writer of creative nonfiction and poetry, but frequently her words find their home in-between. In 2017, she cofounded Fuente Collective, an organization devoted to experimentation, collaboration and hybridity in writing and other arts. Her English-language work has been published in Yellow Chair Review and Crab Fat Magazine. Her most recent work is forthcoming in the bilingual anthologies Una realidad mas amplia/A Larger Reality and Women Poets of the Americas. Born in Mexico, Natalia Treviño is the author of the chapbook, VirginX. which was a finalist for the open chapbook contest with Finishing Line press. A professor of English in San Antonio, she learned English from Sesame Street's Bert and Ernie. Her awards include the Alfredo Cisneros del Moral Award, the San Antonio Arts Foundation Literary Award, the Menada Literary Award at the Ditet E Naimit Poetry Festival in Macedonia and several others. Her first book,Lavando La Dirty Laundry, was a national and international awards finalist. Natalia's poems appear in Bordersenses, Borderlands, The Taos Journal of Poetry and Art, and other journals and anthologies. NP Radio airs live Tuesdays 6pm-7pm cst 90.1 FM KPFT Houston, TX. Livestream www.KPFT.org. More podcasts at www.NuestraPalabra.org. The Nuestra Palabra Radio Show is archived at the University of Houston Digital Archives. Our hard copy archives are kept at the Houston Public Library’s Special Collections Hispanic Archives. Producers: Leti Lopez & Marlen Treviño. Board operator: Terrell Quillin Tony Diaz Sundays, Mondays, & Tuesdays & The Other Side Sun 7am "What's Your Point" Fox 26 Houston Mon Noon "The Cultural Accelerator" at www.TonyDiaz.net Tues 6pm NP Lit Radio 90.1 FM KPFT, Houston www.NuestraPalabra.org 24/7 The Other Side TV www.TheOtherSideTele.com

Celeste Guzmán Mendoza (San Antonio, Texas, 10 may 1975) es poeta, dramaturga y actriz, con estudios en Teatro y Literatura inglesa de Barnard College y Columbia University. Es co-fundadora de “CantoMundo, taller internacional para poetas latinas/os.” y ha participado en el taller Macondo Writers y en Hedgebrook. Su primer poemario es Beneath the Halo(Wings Press en el 2013) y otros de sus trabajos han aparecido en: Entre Guadalupe and Malinche: Tejanas in Literature and Art (University of Texas Press: 2016); Her Texas: Story, Image, Poem and Song (Wings Press: 2016); Goodbye Mexico: Poems of Rememberance (Texas Review Press: 2015).

Margaret Randall is a feminist poet, writer, photographer and social activist. Born in New York City in 1936, she has lived for extended periods in Albuquerque, New York, Seville, Mexico City, Havana, and Managua. Shorter stays in Peru and North Vietnam were also formative. In the turbulent 1960s she co-founded and co-edited EL CORNO EMPLUMADO / THE PLUMED HORN, a bilingual literary journal which for eight years published some of the most dynamic and meaningful writing of an era. From 1984 through 1994 she taught at a number of U.S. universities and college, including Trinity College. Margaret was privileged to live among New York’s abstract expressionists in the 1950s and early ’60s, participate in the Mexican student movement of 1968, share important years of the Cuban revolution (1969-1980), the first four years of Nicaragua’s Sandinista project (1980-1984), and visit North Vietnam during the heroic last months of the U.S. American war in that country (1974). Her four children—Gregory, Sarah, Ximena and Ana—have given her ten grandchildren: Lia, Martin, Daniel, Richi, Sebastian, Juan, Luis Rodrigo, Mariana, Eli, and Tolo. She has lived with her life companion, the painter and teacher Barbara Byers, for almost a quarter century. Among Margaret’s more than 80 published books, some titles still in print are CUBAN WOMEN NOW, SANDINO’S DAUGHTERS, SANDINO’S DAUGHTER REVISITED, CHRISTIANS IN THE NICARAGUAN REVOLUTION, RISKING A SOMERSAULT IN THE AIR, THE SHAPE OF RED (with Ruth Hubbard), DANCING WITH THE DOE, THIS IS ABOUT INCEST, WALKING TO THE EDGE: ESSAYS OF RESISTANCE, HUNGER’S TABLE: WOMEN, POLITICS & FOOD, THE PRICE YOU PAY: THE HIDDEN COST OF WOMEN’S RELATIONSHIP TO MONEY, WHEN I LOOK INTO THE MIRROR AND SEE YOU: WOMEN, TERROR & RESISTANCE, NARRATIVE OF POWER: ESSAYS FOR AN ENDANGERED CENTURY, WHERE THEY LEFT YOU FOR DEAD / HALFWAY HOME, INTO ANOTHER TIME: GRAND CANYON REFLECTIONS, STONES WITNESS, TO CHANGE THE WORLD: MY YEARS IN CUBA, THEIR BACKS TO THE SEA and MY TOWN. AS IF THE EMPTY CHAIR / COMO SI LA SILLA VACIA (bilingual poetry, Wings Press) and FIRST LAUGH (essays, University of Nebraska Press) will be out in Spring 2011, RUINS (poems, University of New Mexico Press), SOMETHING’S WRONG WITH THE CORNFIELDS (poems, Skylight Press), MORE THAN THINGS (essays, University of Nebraska Press), CHE ON MY MIND (Duke University Press), THE RHIZOME AS A FIELD OF BROKEN BONES (poems, Wings Press), and DAUGHTER OF LADY JAGUAR SHARK (poem, Wings Press). Ask for them at your local bookstore, or order through Amazon.com. In 1984, Margaret came home to the United States, only to be ordered deported when the government invoked the 1952 McCarran-Walter Immigration and Nationality Act, judging opinions expressed in some of her books to be "against the good order and happiness of the United States." The Center for Constitutional Rights defended her and many writers and others joined in an almost five-year battle for reinstatement of citizenship. She won her case in 1989. In 1990 she was awarded the Lillian Hellman and Dashiell Hammett grant for writers victimized by political repression; and in 2004 was the first recipient of PEN New Mexico’s Dorothy Doyle Lifetime Achievement Award for Writing and Human Rights Activism. In 2009 two of her photographs were accepted into the Capitol Arts Foundation permanent collection of work by New Mexican artists on display at the State capitol. For more, visit: www.margaretrandall.org

Texas poet/author/historian Dave Oliphant‘s KD: A Jazz Biography (Wings Press, 2012) is a poetic tribute to the life of Jazz trumpeter and one of the original Jazz Messengers, Kenny Dorham. Dorham, who played with some of the jazz greats like Dizzy Gillespie, Charlie Parker, Art Blakey, Monk and many, many others, is less well known than many of his contemporaries, but Oliphant’s highly allusive and alliterative rhythms and rhymes open one’s ears, eyes and heart to the Texas-born and raised trumpet player. Oliphant describes Dorham’s small town roots: Ken’s prodigious ear at five years old Could pick out keyboard boogies cold & from Sis’s 78s he could already tell Louie on trumpet an equal of Gabriel Oliphant also describes touches on Dorham’s gigs and experiences in New York City, the West Coast, Paris, South America, Scandinavia, and his untimely death from kidney disease at the age of 48 in 1972. a brain filled with unseen notes heard within his inner ears then out of tubes & a gold or silver bell the valve lubes had speeded along Messengers’ word a prophetic phrase blues or bossa beat a chase or a smoky-toned running line to blend with any instrument compete with none but under the brothers’ sign KD: A Jazz Biography is also a trove of takes on Dorham’s performances. Readers will find themselves downloading songs and comparing Oliphant’s insights with their own. There are also comparisons to Dorham’s trumpet player peers, in particular, Clifford Brown. For those who take pride in the diversity of their jazz libraries, this is a book that is as unique, original and dignified as Dorham himself. Oliphant weaves his own extended literary, historical, biologic, poetic, and popular culture knowledge into this extended poem about one of jazz’s lesser-known but nonetheless highly talented and original players. Learn more about your ad choices. Visit megaphone.fm/adchoices

Texas poet/author/historian Dave Oliphant‘s KD: A Jazz Biography (Wings Press, 2012) is a poetic tribute to the life of Jazz trumpeter and one of the original Jazz Messengers, Kenny Dorham. Dorham, who played with some of the jazz greats like Dizzy Gillespie, Charlie Parker, Art Blakey, Monk and many, many others, is less well known than many of his contemporaries, but Oliphant’s highly allusive and alliterative rhythms and rhymes open one’s ears, eyes and heart to the Texas-born and raised trumpet player. Oliphant describes Dorham’s small town roots: Ken’s prodigious ear at five years old Could pick out keyboard boogies cold & from Sis’s 78s he could already tell Louie on trumpet an equal of Gabriel Oliphant also describes touches on Dorham’s gigs and experiences in New York City, the West Coast, Paris, South America, Scandinavia, and his untimely death from kidney disease at the age of 48 in 1972. a brain filled with unseen notes heard within his inner ears then out of tubes & a gold or silver bell the valve lubes had speeded along Messengers’ word a prophetic phrase blues or bossa beat a chase or a smoky-toned running line to blend with any instrument compete with none but under the brothers’ sign KD: A Jazz Biography is also a trove of takes on Dorham’s performances. Readers will find themselves downloading songs and comparing Oliphant’s insights with their own. There are also comparisons to Dorham’s trumpet player peers, in particular, Clifford Brown. For those who take pride in the diversity of their jazz libraries, this is a book that is as unique, original and dignified as Dorham himself. Oliphant weaves his own extended literary, historical, biologic, poetic, and popular culture knowledge into this extended poem about one of jazz’s lesser-known but nonetheless highly talented and original players. Learn more about your ad choices. Visit megaphone.fm/adchoices

Texas poet/author/historian Dave Oliphant‘s KD: A Jazz Biography (Wings Press, 2012) is a poetic tribute to the life of Jazz trumpeter and one of the original Jazz Messengers, Kenny Dorham. Dorham, who played with some of the jazz greats like Dizzy Gillespie, Charlie Parker, Art Blakey, Monk and many, many others, is less well known than many of his contemporaries, but Oliphant’s highly allusive and alliterative rhythms and rhymes open one’s ears, eyes and heart to the Texas-born and raised trumpet player. Oliphant describes Dorham’s small town roots: Ken’s prodigious ear at five years old Could pick out keyboard boogies cold & from Sis’s 78s he could already tell Louie on trumpet an equal of Gabriel Oliphant also describes touches on Dorham’s gigs and experiences in New York City, the West Coast, Paris, South America, Scandinavia, and his untimely death from kidney disease at the age of 48 in 1972. a brain filled with unseen notes heard within his inner ears then out of tubes & a gold or silver bell the valve lubes had speeded along Messengers’ word a prophetic phrase blues or bossa beat a chase or a smoky-toned running line to blend with any instrument compete with none but under the brothers’ sign KD: A Jazz Biography is also a trove of takes on Dorham’s performances. Readers will find themselves downloading songs and comparing Oliphant’s insights with their own. There are also comparisons to Dorham’s trumpet player peers, in particular, Clifford Brown. For those who take pride in the diversity of their jazz libraries, this is a book that is as unique, original and dignified as Dorham himself. Oliphant weaves his own extended literary, historical, biologic, poetic, and popular culture knowledge into this extended poem about one of jazz’s lesser-known but nonetheless highly talented and original players. Learn more about your ad choices. Visit megaphone.fm/adchoices

Texas poet/author/historian Dave Oliphant‘s KD: A Jazz Biography (Wings Press, 2012) is a poetic tribute to the life of Jazz trumpeter and one of the original Jazz Messengers, Kenny Dorham. Dorham, who played with some of the jazz greats like Dizzy Gillespie, Charlie Parker, Art Blakey, Monk and many, many others, is less well known than many of his contemporaries, but Oliphant’s highly allusive and alliterative rhythms and rhymes open one’s ears, eyes and heart to the Texas-born and raised trumpet player. Oliphant describes Dorham’s small town roots: Ken’s prodigious ear at five years old Could pick out keyboard boogies cold & from Sis’s 78s he could already tell Louie on trumpet an equal of Gabriel Oliphant also describes touches on Dorham’s gigs and experiences in New York City, the West Coast, Paris, South America, Scandinavia, and his untimely death from kidney disease at the age of 48 in 1972. a brain filled with unseen notes heard within his inner ears then out of tubes & a gold or silver bell the valve lubes had speeded along Messengers’ word a prophetic phrase blues or bossa beat a chase or a smoky-toned running line to blend with any instrument compete with none but under the brothers’ sign KD: A Jazz Biography is also a trove of takes on Dorham’s performances. Readers will find themselves downloading songs and comparing Oliphant’s insights with their own. There are also comparisons to Dorham’s trumpet player peers, in particular, Clifford Brown. For those who take pride in the diversity of their jazz libraries, this is a book that is as unique, original and dignified as Dorham himself. Oliphant weaves his own extended literary, historical, biologic, poetic, and popular culture knowledge into this extended poem about one of jazz’s lesser-known but nonetheless highly talented and original players. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Midsummer 2008 with a story from William Russeth Always great to hear from you! Email garyandruth@celticmythpodshow.com, or call us using Speakpipe More resources over at our main Website at http://celticmythpodshow.com Show Summary: We celebrate the Midsummer Festival with a massive offering of goodies. The second half contains an amazing poem called The Shadow House of Lugh, a story from The Fire of Belenus by William Russeth and some music. Running Order: Intro 0:40 News & Views 1:37 The Shadow House of Lugh by Ethna Carberry 2:50 The Fires of Belenus by William Russeth 6:07 Tuttle Caislean an Oir by Cady Finlayson 33:03 Listener Feedback 36:01 Outtakes 39:34 We hope you enjoy it! Gary & Ruthie x x x     News & Views We talk about Stonehenge's new visitor centre and the Cerne Abbas giant's new haircut!   The Shadow House of Lugh by Ethna Carberry This poem is a translation of an 8th Century Irish verse. It was translated by Ethna Carberry and published in Padraic Colum's (1881–1972) Anthology of Irish Verse, 1922. Lugh is the Celtic divinity whose name is most widely known. In mythology he is the Sun God. In the mythological cycle he is the deliverer of the De Danaans from the Fomorian oppression. He is the slayer of Balor, the glance of whose eye is death. But Lugh is also kin to Balor, his mother being Eithlinn, the daughter whom Balor had immured like Danae in a tower. There are actually another two verses to this poem, but the version we found and recorded didn't have them. So here are the extra two verses for your pleasure. This version can be found at Bartleby's.  He plays for her soothing the Slumber-song: Fine and faint as any dream it glides along: She sleeps until the magic of his kiss shall rouse;     And all her world is quiet in the Shadow-house. His days glide to night, and his nights glide to day: With circling of the amber mead, and feasting gay; In the yellow of her hair his dreams lie curled, And her arms make the rim of his rainbow world.   The Fires of Belenus by William Russeth A thousand years before the Romans, Celtic people cultivated the Rhone Valley. Celtic languages were spoken from Asia Minor to Spain and from Northern Italy to Ireland. By the third century BC, their culture had evolved into a complex civilization with sophisticated social structures, laws, and folklore that are the roots of modern European culture. But the Celtic world was a violent world, controlled by mystical Druids and warrior chieftains, ready to take the heads of their rivals over the most trifling insult. Fires of Belenus is a romantic tale, that tantalizes readers with rational portrayals of mythical events found in the CuChulainn and Arthurian legends. Written by William Russeth, the chapter we read is exciting and contains wonderful symbology. Many, many thanks to William for allowing us to present Chapter Thirty-Six. The Sword in the Stone, Lady of Lake, and CuChulainn's stand at the river ford are brought to life in plausible new ways that make the work unique. It is a tale of Historical Fantasy, made believable by accurately portraying ancient Celtic culture. Available from Wings Press and Amazon. Find out more about William in our Contributor pages.   Tuttle Caislean an Oir by Cady Finlayson Called “one of America’s top Celtic fiddlers” by New Age Voice magazine and “bursting with pure and natural talent” by HotIndieNews.com, Cady Finlayson offers a spirited fiddle show with a global twist. Cady’s music blends traditional Irish tunes with worldbeat rhythms and American folk, creating a signature sound that appeals to a variety of audiences. “I love to bring Irish music to people who might not normally hear it,” she says. "I was in Limerick, Ireland in 2003, where I had the chance to meet some of the great Irish fiddle players. What impressed me the most was how individual each person's style was, and how "tradition" meant different things to different people."   Listener Feedback Cory, Ancestral Celt We talk about the dates of Midsummer and an answer from Ancestral Celt. Thanks to Cory for her wonderful email and link to Wikipedia. You can download The Ladychant that we made with the children if you'd like a copy.   Get EXTRA content in the Celtic Myth Podshow App for iOS, Android & Windows Contact Us: You can leave us a message by using the Speakpipe Email us at: garyandruth@celticmythpodshow.com. Facebook fan-page http://www.facebook.com/CelticMythPodshow, Twitter (@CelticMythShow) or Snapchat (@garyandruth), Pinterest (celticmythshow) or Instagram (celticmythshow)   Help Spread the Word: Please also consider leaving us a rating, a review and subscribing in iTunes or 'Liking' our Facebook page at http://www.facebook.com/CelticMythPodshow as it helps let people discover our show - thank you :) If you've enjoyed the show, would you mind sharing it on Twitter please? Click here to post a tweet! Ways to subscribe to the Celtic Myth Podshow: Click here to subscribe via iTunes Click here to subscribe via RSS Click here to subscribe via Stitcher   Special Thanks For incidental music: Diane Arkenstone The Secret Garden. See the Contributor page for details. Emery Stains and In The Beginning from the In The Beginning EP by Adrian Charkman. See the Contributor page for details. UT by VS from the No Tomorrow EP. See the Contributor page for details.   For our Theme Music: The Skylark and Haghole, the brilliant Culann's Hounds. See their Contributor page for details.   Additional Sources And, of course, the Awen - inspiration and imagination!   Extra Special Thanks for Unrestricted Access to Wonderful Music (in Alphabetic order) Anne Roos Extra Special thanks go for permission to use any of her masterful music to Anne Roos. You can find out more about Anne on her website or on her Contributor page. Caera Extra Special thanks go for permission to any of her evocative harping and Gaelic singing to Caera. You can find out more about Caera on her website or on her Contributor Page. Celia Extra Special Thanks go for permission to use any of her wonderful music to Celia Farran. You can find out more about Celia on her website or on her Contributor Page. Damh the Bard Extra Special thanks go to Damh the Bard for his permission to use any of his music on the Show. You can find out more about Damh (Dave) on his website or on his Contributor page. The Dolmen Extra Special thanks also go to The Dolmen, for their permission to use any of their fantastic Celtic Folk/Rock music on the Show. You can find out more about The Dolmen on their website or on our Contributor page. Keltoria Extra Special thanks go for permission to use any of their inspired music to Keltoria. You can find out more about Keltoria on their website or on their Contributor page. Kevin Skinner Extra Special thanks go for permission to use any of his superb music to Kevin Skinner. You can find out more about Kevin on his website or on his Contributor page. Phil Thornton Extra Special Thanks go for permisssion to use any of his astounding ambient music to the Sonic Sorcerer himself, Phil Thornton. You can find out more about Phil on his website or on his Contributor Page. S.J. Tucker Extra Special thanks go to Sooj for her permission to use any of her superb music. You can find out more about Sooj on her website or on her Contributor page. Spiral Dance Extra Special thanks go for permission to use Adrienne and the band to use any of their music in the show. You can find out more about Spiral Dance on their website or on their Contributor page. We'd like to wish you 'Hwyl fawr!', which is Welsh for Goodbye and have fun, or more literally Wishing a Good Mood on you!       Save