Podcasts about Clifford Brown

This wonderful episode features three members of the generation that came of age in the 50's and 60s.  They are a shining example of this show's mantra... PROGRESS DESPITE OBSTACLES. They deliver a powerful message to this generation of what life was like for them growing, the obstacles they faced as they reached the pinnacles of success in their lives.Walter Beach was a member of AFL and the NFL. He was the starting cornerback on the 1964 World Champion Cleveland Brown with Jim Brown. But most importantly,  he became a Yale trained lawyer after football.Dr. Richard Allen Williams is a Harvard trained world known cardiologist, who founded the Association of Black Cardiologists. But, he is a professional Jazz trumpeter,  mentored by both Clifford Brown and Miles Davis.Bobby Hunter is a Stanford University train sociologist, who was a member of the world famous Harlem Globetrotters from 1966- 1974. He travel the country speaking at schools, colleges and other youth oriented venues.Their advice based on their education, life experiences and observations should be received with open arms. It is truly a marvelous episode. Don't miss viewing it!

Today we wrap up Jazz Appreciation Month with GlenDronach 12-year scotch and Yamazaki 12-year Japanese whisky, as we share a legend who was gone far too soon- Clifford Brown. Few may know his name, but Brown was perhaps the greatest jazz trumpet player of all time when he was killed in a car accident at the age of 25. Join us as we learn about his life, his lasting legacy, and the music we're lucky enough to enjoy. 

Tonight's Jazz Feature had one of the most widely recorded trumpeters from the 50's and 60's who eventually went into other fields after being a big part of Jazz for so many years. Donald Byrd was one of the many young trumpeters who reflected in their own way the influence of the late Clifford Brown, who died at age 25 in a car crash. Byrd along with Lee Morgan were the young heralds of the trumpet in the 50's and in the 60's Freddie Hubbard was added to that list. Byrd recorded a lot and this is from his period just before he left Jazz for other musical pursuits. This band was one he worked with frequently during the mid-60's. The Jazz Feature album is called "Blackjack" . It spotlights a sextet with Byrd leading alto saxophonist Sonny Red (aka Sylvester Kyner), tenor saxophonist Hank Mobley, pianist Cedar Walton, Walter Booker on bass and the always smiling Billy Higgins on drums. The tunes are mostly original creations by Sonny Red and Donald Byrd. Byrd wrote the title track "Blackjack", a hip funky tune. Enjoy this fine date from Blue Note Records.

Fem un cop d'orella a la programaci

Art Farmer es una “rara avis” en el panorama musical del hard bop de los 50 y 60 del pasado siglo cuando a los trompetistas se les imponía unas capacidades atléticas exorbitantes con sonoridades brillantes y fraseos vertiginosos. En ese panorama desafiante y hostil se abre paso Farmer que, sustituyendo la trompeta por el fliscornio, encuentra su lugar con una sonoridad suave y aterciopelada y con un discurso improvisativo sereno y expresivo, alejado de los excesos y los alardes del be bop. La banda The Jazztet que Farmer co-lidera a finales de la década de los cincuenta, es considerada uno de los conjuntos seminales del hard bop, a pesar de que su música se alejaba de los exigentes estándares impuestos por otros conjuntos como los Jazz Messengers de Art Blakey o el quinteto de Max Roach y Clifford Brown. A pesar de todo, a finales de la década de los sesenta, Farmer se unió a esa legión de jazzmen expatriados que buscaron refugio en Europa, encontrando su hogar en Viena, donde su ya extenso y destacado curriculum, le sirvió de carta de presentación en los escenarios y estudios de grabación del continente y del mundo entero. A partir de la década de los ochenta, con el redescubrimiento del jazz acústico en los Estados Unidos, Farmer disfrutó de un exitoso homecoming, siendo reconocido como una de las grandes leyendas de la historia del jazz moderno, compartiendo, a partir de entonces, su vida y su actividad laboral entre Austria y Estados Unidos. Radio Jazznoend rinde homenaje en nuestro nuevo programa a este maestro de la trompeta, recorriendo sus registros de madurez, efectuados a partir de los años ‘70 para discográficas norteamericanas, europeas y japonesas. Te invitamos a compartir con nosotros una velada mágica iluminada por los destellos del estilo lírico y emocional de Art Farmer y por la conmovedora belleza de su sonido que hicieron de él uno de los más destacados contadores de historias del jazz moderno.

Los comentarios posteriores al decomiso de 9.8 toneladas de cocaína en el puerto de Caucedo cuestionaron más a la autoridad que hizo el decomiso que a los posibles responsables del monumental alijo. Los opinadores clásicos y nuevos de RD evidencian un cambio en su actitud. En el 2005 cuando fue detenido el camión en el que viajaba el coronel Nin Terrero y que llevaba los 1380 kilos de cocaína de Quirino Castillo para algún punto de la región norte, pocos preguntaron porqué la autoridad no permitió que la carga llegara. De hecho el cargamento de Quirino ha provocado una leyenda negra en torno a distintos empresarios de Santiago a pesar que detenido en Villa Altagracia, la droga de Quirino podía ir a cualquier lugar del Nordeste, el Cibao Central o la Línea. A partir de ahí las conversaciones sobre ese caso, hasta ahora, atribuyen la propiedad de esa droga al rico que le caiga mal y el catálogo es amplio. En las próximas horas cuando se conozca la solicitud de medida de coerción de una decena de personas arrestadas por el ministerio público en relación a las casi diez toneladas de cocaina decomisadas en diciembre  aparecerá una gran parte de las respuestas y de seguro habrá sorpresas. Hay dos empresas que fueron allanadas y una ya había sido investigada por vínculos con el narco. El rastreo que ham  hecho las autoridades detalla el movimiento de los contenedores desde que llegaron al país, así como la red de complicidades que permitieron un movimiento de esa magnitud. Si sirve de algo hay que decir que después del famoso decomiso en el país estuvo el director de operaciones de la DEA el señor Luis D Ambrosio, que no vino solo porque también vino  Michael Miranda, Director DEA en el Caribe, Clifford Brown, Sub-Director, Melitón Cordero, Supervisor DEA, República Dominicana, Justin Meadows, Sub-Director de Operaciones Especiales DEA y Ronald Haynes, Coordinador de Operaciones Especiales DEA Washington, DC. A lo mejor fue una visita de cortesía pero a lo mejor no. La semana pasada el director del servicio de alguaciles de los EStados Unidos sacó tiempo de su agenda para visitar el país y felicitar la gestión del director de la DNCD. A lo mejor también vino por una foto. El director de operaciones de la DEA es el número dos, y el señor Ronald DAvis es el número uno de los Marshals y se montan en un avión para tomarse fotos. Eso si usted lo quiere creer. Es probable que en unas horas, cuando tengamos a mano la solicitud de medida de coerción aparezcan las respuestas a las preguntas que pocos hicieron porque igual que con el camión de Quirino hay gente que le teme a la verdad y prefiere especular a conveniencia.

CHARLIE PARKERV.O.A. BROADCAST “CARNEGIE HALL” Los Angeles, August 29, 1952New York, December 25, 1949OrnithologyRed Rodney (tp) Charlie Parker (as) Al Haig (p) Tommy Potter (b) Roy Haynes (d) STORYVILLE CLUB – 1953OrnithologyCharlie Parker Charlie Parker (as) Red Garland (p) Bernie Griggs (b) Roy Haynes (d) MILES DAVIS “SEXTET” New York, January 17, 1951Down, The blue room (bg,sr out)Miles Davis (tp) Bennie Green (tb) Sonny Rollins (ts) John Lewis (p) Percy Heath (b) Roy Haynes (d) SARAH VAUGHAN WITH CLIFFORD BROWN” New York, December 16, 1954Lullaby of BirdlandSarah Vaughan (vcl) acc by Clifford Brown (tp) Herbie Mann (fl) Paul Quinichette (ts) Jimmy Jones (p) Joe Benjamin (b) Roy Haynes (d) THELONIOUS MONK LIVE “FIVE SPOT CAFE” New York, September 11, 1958EpistrophyJohn Coltrane (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (d) ERIC DOLPHY “OUTWARD BOUND” New York, April 1, 1960G.W. Continue reading Puro Jazz 3 de diciembre, 2024 at PuroJazz.

CHARLIE PARKERV.O.A. BROADCAST “CARNEGIE HALL” Los Angeles, August 29, 1952New York, December 25, 1949OrnithologyRed Rodney (tp) Charlie Parker (as) Al Haig (p) Tommy Potter (b) Roy Haynes (d) STORYVILLE CLUB – 1953OrnithologyCharlie Parker Charlie Parker (as) Red Garland (p) Bernie Griggs (b) Roy Haynes (d) MILES DAVIS “SEXTET” New York, January 17, 1951Down, The blue room (bg,sr out)Miles Davis (tp) Bennie Green (tb) Sonny Rollins (ts) John Lewis (p) Percy Heath (b) Roy Haynes (d) SARAH VAUGHAN WITH CLIFFORD BROWN” New York, December 16, 1954Lullaby of BirdlandSarah Vaughan (vcl) acc by Clifford Brown (tp) Herbie Mann (fl) Paul Quinichette (ts) Jimmy Jones (p) Joe Benjamin (b) Roy Haynes (d) THELONIOUS MONK LIVE “FIVE SPOT CAFE” New York, September 11, 1958EpistrophyJohn Coltrane (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (d) ERIC DOLPHY “OUTWARD BOUND” New York, April 1, 1960G.W. Continue reading Puro Jazz 3 de diciembre, 2024 at PuroJazz.

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JEREMY STEIG “FLUTE FEVER” New York, 1963Oleo, Well you needn't, Willow, weep for meJeremy Steig (fl) Denny Zeitlin (p) Ben Tucker (b) Ben Riley (d) HELEN MERRILL “HELEN MERRILL” New York, December 22, 1954Don't explain, Born to be blueHelen Merrill (vcl) acc by Clifford Brown (tp) Danny Bank (fl) Jimmy Jones (p) Barry Galbraith (g) Milt Hinton (b) Osie Johnson (d) Quincy Jones (arr,cond) New York, December 24, 1954What's new ? Continue reading Puro Jazz 10 de septiembre, 2024 at PuroJazz.

JEREMY STEIG “FLUTE FEVER” New York, 1963Oleo, Well you needn't, Willow, weep for meJeremy Steig (fl) Denny Zeitlin (p) Ben Tucker (b) Ben Riley (d) HELEN MERRILL “HELEN MERRILL” New York, December 22, 1954Don't explain, Born to be blueHelen Merrill (vcl) acc by Clifford Brown (tp) Danny Bank (fl) Jimmy Jones (p) Barry Galbraith (g) Milt Hinton (b) Osie Johnson (d) Quincy Jones (arr,cond) New York, December 24, 1954What's new ? Continue reading Puro Jazz 10 de septiembre, 2024 at PuroJazz.

Bu bölümde 25 yaşında hayatını kaybetmiş olmasına rağmen kısa ömrüne çok fazla değerli eser kazandıran önemli sanatçı Clifford Brown'ı konu alıyoruz.

Leading off, Nick updates the gang on Neil Young's reluctant return to Spotify and then discusses YouTuber George Collier. A college sophomore, George posts his favorite music or musician's videos from YouTube with the staff notated score as the video's caption. He then offers the sheet music for free in the description. You can find his channel at @GeorgeCollier.Song: Deerhoof - “Scarcity is Manufactured”Greg brings us a brand new Three For Thursday -Trumpet Edition. Celebrating some of the great jazz trumpeters, we begin with Miles Davis, move onto Freddie Hubbard, and end with Clifford Brown.Songs:Miles Davis - “Paraphernalia”Freddie Hubbard - “You're My Everything (from HubTones)”Clifford Brown and Max Roach - “Daahoud”Jay discusses one his favorite 90's band, the Gin Blossoms. New Miserable Experience was one of the first music books he obtained in middle school and the band holds a special place in his heart. Formed in 1987 in Tempe, AZ, the band didn't achieve major success until it shed its founding member and songwriter, Doug Hopkins, in 1992. The band's success grew as Hopkins' mental health and alcoholism declined, ending tragically in his suicide in December 1993.Songs: Gin Blossoms - “Hold Me Down”Gin Blossoms - “Hey Jealousy (Live in Tempe AZ Sept 1989)”

Welcome to the J&J on Jazz Podcast. This podcast was originally released on June 25th, 2021, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #9, should we just sit around all day, and wait for the muse to visit us with great bebop licks? That's how Coltrane and Clifford Brown and McCoy Tyner and Pat Martino did it, right? Well, no. They worked on their craft, which then supported their creativity. Confusing? Let's get it all straighten out today. James and Jeff are here to help. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • J&J on Jazz - Many of the J&J episodes include a PDF (but not all!!). Just write us at J&JonJazz@gmail.com, and we'll offer you the pdf for the episode you're looking for if available (or all PDFs for a small price)! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Keyon Harrold has showcased his trumpet playing for various artists in the studio and on the road, most notable Jay-Z on his 2007 hit “Roc Boys (And the Winner Is).” The trumpeter from Ferguson, Missouri started playing around the age of six studying the greats from Miles Davis to Clifford Brown and Clark Terry. His journey led him to a jazz camp in Colorado when he was a teenager, that's where he met future collaborators Robert Glasper and Terrace Martin. Touring with Common for his breakout album Like Water for Chocolate in the early 2000s. Although grateful for the opportunities to share the studio or stage supporting different artists, he has branched out into his own work. Harrold and his trumpet are back front and center on his third solo project Foreverland.

Air Week: February 5-11, 2024 R&B Influences: Lionel Hampton Lionel Hampton's big band was a training ground for so many of the all-time great musicians: Dizzy Gillespie, Charles Mingus, Dexter Gordon, Joe Morris, Dinah Washington, Wes Montgomery, Little Jimmy Scott and Clifford Brown. His musical education began on drums and piano while attending the Holy […]

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Martin Schack, Jasper Bodilsen, Anders Morgensen, Peter Bernstein: Simple As That; Art Blakey & Jazz Messengers: The Drum Thunder; Clifford Brown, Jay Jay Johnson, Jimmy Heath, John Lewis, Kenny Clarke: Sketch 1; The New Conrad Miller Trio: No Dancing; The New Conrad Miller Trio: Sunday Morning In Granada; The Adam Deitch Quartet, John Scofield: Mushroom […]

In today's podcast, filmmakers Sam Pollard and Ben Shapiro discuss their film “Max Roach: The Drum Also Waltzes.”   In our conversation, they place Max Roach within the context of American culture, emphasizing his legendary status as a drummer, a composer, and a significant figure in Black consciousness and activism.  Sam Pollard shares his 40 year journey in  making this documentary, while Ben Shapiro talks about his own connection to Roach reaching back to a radio documentary. They discuss their coming together and collaboration in making the film, highlighting their complementary skills.  We talk about Roach's musical evolution from a seminal drummer in the bebop era to a soloist and a leader in exploring new dimensions in percussion, the profound impact of Roach's collaboration with Clifford Brown, especially in terms of musical innovation, the toll Brown's early tragic death had on Max, the film's focus on Roach's "Freedom Now Suite"  and its significance in both the music world and social movements, including its impact on the civil rights movement in the USA and anti-apartheid struggles in South Africa. We discuss Max's marriage to Abbey Lincoln, noting her influence on his life and music, and her own significant artistic contributions, how Roach's political activism impacted his music career and his transition into teaching, where he continued to influence younger musicians, emphasizing his continuous evolution as an artist. We also discuss upcoming screenings of the film and upcoming events at NJPAC celebrating Max Roach's centenary. Overall, the interview paints a comprehensive picture of Max Roach's life, his immense contributions to music and social activism, and the journey of creating a documentary that captures his multifaceted legacy.

In today's podcast, filmmakers Sam Pollard and Ben Shapiro discuss their film “Max Roach: The Drum Also Waltzes.”   In our conversation, they place Max Roach within the context of American culture, emphasizing his legendary status as a drummer, a composer, and a significant figure in Black consciousness and activism.  Sam Pollard shares his 40 year journey in  making this documentary, while Ben Shapiro talks about his own connection to Roach reaching back to a radio documentary. They discuss their coming together and collaboration in making the film, highlighting their complementary skills.  We talk about Roach's musical evolution from a seminal drummer in the bebop era to a soloist and a leader in exploring new dimensions in percussion, the profound impact of Roach's collaboration with Clifford Brown, especially in terms of musical innovation, the toll Brown's early tragic death had on Max, the film's focus on Roach's "Freedom Now Suite"  and its significance in both the music world and social movements, including its impact on the civil rights movement in the USA and anti-apartheid struggles in South Africa. We discuss Max's marriage to Abbey Lincoln, noting her influence on his life and music, and her own significant artistic contributions, how Roach's political activism impacted his music career and his transition into teaching, where he continued to influence younger musicians, emphasizing his continuous evolution as an artist. We also discuss upcoming screenings of the film and upcoming events at NJPAC celebrating Max Roach's centenary. Overall, the interview paints a comprehensive picture of Max Roach's life, his immense contributions to music and social activism, and the journey of creating a documentary that captures his multifaceted legacy.

Join us in this episode as we delve into the vibrant world of urban development and investment in Detroit with Clifford Brown, the visionary President and CEO of Woodborn Partners. Tune in for a fascinating exploration of the synergy between urban development and community growth, as Clifford Brown sheds light on the intricate dance between investment and inclusivity. Whether you're a seasoned real estate enthusiast or someone passionate about the future of cities, this episode promises valuable insights into the dynamic world of urban development, all from the perspective of a leader dedicated to Detroit's resurgence. If you're struggling, consider therapy with our sponsor BetterHelp. Go to https://betterhelp.com/focusup for a 10% discount on your first month of therapy with a licensed professional specific to your needs. --- Support this podcast: https://podcasters.spotify.com/pod/show/deiontae-nicholas/support

On this episode of Riffin on Jazz, we continue our interview with Jazz legend Wynton Marsalis. In this episode we dive into his mastery of the Trumpet and highlight other great trumpet players like Louis Armstrong, Clifford Brown and more.

Tonoght's Jazz Show celebrates the Birthday Anniversary of a trumpet player who gave a whole generation of younger players the basis for their style and approach to the trumpet/ Even though Clifford Brown died in a car crash at age 25 on June 26, 1956, his trumpet work is still the standard for most young players to strive to attain. Tonight's Jazz Feature spotlights the Clifford Brown/Max Roach Quintet at it's best that was done in the optimum conditions of the recording studio during the time the Quintet was performing at New York's leading Jazz club, Basin Street in February 1956. The Quintet had jelled to perfection and their newest member, the great tenor saxophonist Sonny Rollins and Brown made a coherent and perfectly blended front line. The rest of the bad consisted of Richard Powell on piano, George Morrow on bass and Rollins, Brown and drum great Max Roach. This recording marks the last studio performance of the Roach/Brown Quintet at their best with great arrangements by their pianist Richard Powell. This band was one of the very finest in their day and their music still remains fresh and exciting. Happy Birthday Anniversary to Clifford Benjamin Brown (Oct 30, 1930/ June 26,1956).

Playlist: Roy Hargrove Quintet: Strasbourg/St. Denis; Mingus Bigband 93: Moanin'; John Coltrane: Equinox; John Coltrane: Giant Steps; Clifford Brown, Max Roach quintet: Cherokee; Dubbelaar: Miles Davis quintet: Freddie Freeloader; Jon Hendricks, Bobby McFerrin, Al Jarreau, George Benson: Freddie Freeloader; Dave Brubeck: Blue Rondo a la Turk. Lees verder →

Fred Paci is a Canadian trumpeter, guitarist and music producer. Some notable accomplishments and highlights include playing trumpet with Aretha Franklin, Sarah McLauchlan, served 23 years in the Canadian Armed Forces as a musician and currently plays in various orchestras around Ottawa such as the National Arts Centre Orchestra, the Ottawa Jazz Orchestra, the Orpheus Musical Theatre Orchestra, jazz combos, and more.Since 2020, Fred has been releasing original music on digital streaming platforms, garnering a plethora of Spotify and Apple Music Editorial adds. With currently over 20 million streams worldwide, he continues to solidify his presence in the global Lofi/Chillhop music scene, with a signature laid back lyrical style and boppy improvisation reminiscent of the late Clifford Brown and Chet Baker.On today's episode we discuss:- Fred's experience growing up in an extremely music family- Career opportunities that exist for instrumentalists- Fred's experience as a trumpeter in the Canadian Armed ForcesConnect with Fred Paci on Instagram: @fredpacimusicThank you for being a part of our unique lofi and chillhop community! These developmental conversations and educational episodes would not be possible without your support. The Chilled Samples Podcast was created and is designed to help artists in our community grow their projects, accomplish their artistic goals, and to provide a platform for leading lofi and chillhop artists to share their thoughts, knowledge, and individual perspectives.If you have further questions I'd love to help you grow your project: @chilledsamplesThis episode is sponsored by Staub Audio Engineering:Staub Audio Engineering WebsiteInstagram: @staubaudio_sterilone

Tonight`s Jazz Feature can be deemed a classic. It was the second album under Sonny Rollins` name since his return to the Jazz scene in late 1955 as a new member of the legendary band, the Max Roach/Clifford Brown Quintet. It was decided by Rollins and Prestige Records owner that Sonny could record with the Max Roach/Clifford Brown group with musical choices by Rollins and with Rollins` name on the album title. Hence ``Sonny Rollins Plus 4``. Sonny picked 3 standard tunes that were not part of the Roach/Brown repertoire and wrote two original compositions that entered into that band`s repertoire. ``Valse Hot`` and ``Pent-Up House`` were the two intriguing Rollins` originals and the other 3 standards were quite obscure as Rollins always liked odd and lesser known tunes. Sad to say this turned out to be the very last studio recording by the Roach/Brown band. It was recorded on March 22, 1956 and Brown and pianist Richard Powell were killed in an auto crash in June of 1956. The trauma reverberated in the Jazz community as much as Charlie Parker`s death the year before. The people involved here are Sonny Rollins on tenor saxophone, Clifford Brown on trumpet, Richie Powell on piano, George Morrow on bass and Max Roach on drums. A classic Jazz Feature tonight!

Welcome to a brand new feature of the podcast, Trumpet Icons!From jazz virtuosos to classical maestros, explore a curated collection of iconic trumpet players who have left an indelible mark on the world of music.To suggest a trumpeter that should be included in this series, or if you believe information shared about a previous player needs to be corrected, simply visit https://trumpetdynamics.com/icons. All suggestions and/or corrections will be read and adjusted as necessary!

I Remember Clifford Brown | Vocalese Part 2. We dive into more Manhattan Transfer's Vocalese album and hear some Clifford Brown.

Ten Years After "I May Be Wrong, But I Won't Be Wrong Always"The Pogues "White City"Ruth Brown "It's All In Your Mind"Eilen Jewell "Silver Wheels and Wings"Tommy Tucker "Hi-Heel Sneakers"Adam Faucett "Day Drinker"Country Jim "Sad And Lonely"Buddy Emmons "Witchcraft"Twain And The Deslondes "Run Wild"Nappy Brown "The Right Time"Loretta Lynn "The Darkest Day"Furry Lewis "Casey Jones"She & Him "I Could've Been Your Girl"Bing Crosby "Where the Blue of the Night (Meets the Gold of the Day)"Otis Redding "Try a Little Tenderness"Bob Dylan "Floater (Too Much to Ask)"Oscar 'Papa' Celestin And His New Orleans Band "Didn't He Ramble"Valerie June "Shakedown"Jimmy "Duck" Holmes "It Had to Be the Devil"The Breeders "Saints"Tom Waits "Get Behind the Mule"Ella Fitzgerald "In the Still of the Night"John Prine "Often Is a Word I Seldom Use"Annisteen Allen "Fujiyama Mama"Fastbacks "In the Summer"The Replacements "Left Of The Dial"Bob Wills & His Texas Playboys "Milk Cow Blues"Gordon Lightfoot "The Wreck of the Edmund Fitzgerald"Clifford Brown & Max Roach "I GET A KICK OUT OF YOU"Elvis Costello & The Attractions "Every Day I Write the Book"ZZ Top "Waitin' for the Bus"ZZ Top "Jesus Just Left Chicago"George Lewis "Burgundy Street Blues"Webb Pierce "Slowly"Gang of Four "Armalite Rifle"J Mascis + The Fog "Ammaring"Gillian Welch "Tennessee"Lucero "Nothing's Alright"Drag the River "Tobacco Fields"Pretenders "Mystery Achievement"John Coltrane "Ev'ry Time We Say Goodbye"

El 26 de junio de 1956, con apenas 25 años, fallecía en un trágico accidente de tráfico el trompetista Clifford Brown. Aunque este fatal accidente frustró el prometedor futuro de aquel gran artista, lo bien cierto es que tan solo cuatro años de carrera profesional le habían bastado para cambiar las estructuras del jazz de su época, creando un nuevo paradigma que rompía con las agotadas formulas del bebop clásico para alcanzar nuevos horizontes estilísticos, técnicos e improvisativos. Y de esa breve carrera musical los dos últimos años al lado del batería Max Roach, escribieron una parte fundamental de las sagradas escrituras del hard bop, un libro de texto del que han aprendido en mayor o menor medida todos los músicos que les siguieron hasta el día de hoy y muy especialmente los trompetistas de todas las épocas y estilos para los que Clifford Brown, su sonido y su estilo improvisativo, es una referencia necesaria y permanente fuente de inspiración. En Radio Jazznoend recorreremos en nuestro nuevo programa, la discografía de aquel legendario quinteto que en su breve existencia, cambió el jazz para siempre.

Andy assigns Jeremy: Royal Roost Bop by Charlie Parker. Jeremy assigns Andy: Clifford Brown and Max Roach by Clifford Brown and Max Roach. AAJLTM Theme Music by Ryan Robinson. Follow him here: https://www.instagram.com/ryrobraw/ AAJLTM Original Images by Jade Armstrong. Follow her here: https://www.instagram.com/mintybxbe

Can AJ find us a version of "Smoke Gets In Your Eyes" that doesn't have any strings? Tune in to this episode of Same Difference and find out! Johnny and AJ will listen to and discuss versions of this beautiful Jazz standard by Dinah Washington, Sarah Vaughan, Nat King Cole, Clifford Brown, The Platters, Coleman Hawkins, and new-to-us artist Cait And The Critters.

The AMPire Diaries Episode 89: The Originals - “Rebirth” AMPies, The Originals Season 1 may have been messy (and, well, bad), but we are FINALLY covering Season 2! Get into it. Because this week, your favorite Vampire Diaries rewatch-slash-first-time watch (and mostly spoiler-free) combination podcast is discussing The Originals' “Rebirth” (Season 2, Episode 1). Which means we're talking: - Our thoughts on New Finn, New Kol, and New Esther. Get ready, sisters. - Grey Damon and so many stars and shows of “his” era. - Our public apology to Thierry, who may have been… talented? - Going all-in on Artist Klaus. - Real Estate Dealz. - NO. THRUSTING. - Mikey Mike and Davina

Known as one of the most eclectic trumpet players in New York City, Bailey is an in-demand musician and teaching artist on call for everything from traditional jazz to R&B and Pop, to classical. He became a member of The Buddy Rich Band while still in college, and his career has included long-running gigs with Ray Charles, master conguero and bandleader Ray Barretto, The Woody Herman Orchestra, and Frank Sinatra, Jr. His work with Latin Jazz innovator Arturo O'Farrill won two Grammy awards for the albums The Offense of the Drum and Cuba - The Conversation Continues. He has played on more than 70 albums and, as a jazz educator, has taught at the University of Miami and Florida International University. A trumpet prodigy, Bailey's spectacular gifts began to be noticed as a high school musician in 1984 when DownBeat Magazine cited him in its annual Student Music Awards for outstanding performances in both the classical and jazz trumpet categories, noting “Shades of Wynton!” The same year, he was a finalist in the National Foundation for Advancements in the Arts (NFAA) Arts Recognition and Talent Search, along with Donny McCaslin and Bill Charlap; and won the National Association of Jazz Educators' Youth Talent Contest. Later, as a senior at the Eastman School of Music, he won DownBeat's Best Instrumental Soloist award. Looking back, he says, “It all started for me when I discovered Clifford Brown. Clifford was the centerpiece of the golden era of jazz trumpet, and a great place to begin my lifelong study of the instrument. He was influenced by everyone before him, and became an influence on everyone after.” Bailey, who continues to teach privately, believes that educating the next generation of musicians is essential for any artist. “In American culture, where the arts are often ignored or deemphasized in both schools and the mainstream media, it is up to us, the artists, to inspire an appreciation for great art,” he says. “By keeping performance standards as high as possible and sharing our devotion with others, especially children, we enrich countless lives.” In this episode, John shares his background, education, and musical journey.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Filmmakers Lynn Novick and Sarah Botstein tell us about their Ken Burns documentary, “The U.S. & the Holocaust,” ahead of the upcoming WABE panel discussion at The Temple. Plus, Cory Atkinson, the co-owner of the Zero Co. Shop, and The Zero Proof CEO and co-founder Sean Goldsmith discuss “Dry January” with “City Lights” producer Summer Evans. And H. Johnson stops by to teach us about trumpeter Clifford Brown.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Reverend Charlie Jackson "Something To Think About"The Yardbirds "Heart Full of Soul"Clem Snide "Let's Explode"Lucky Millinder "I Want A Tall Skinny Papa (02-18-42)"Hank Williams "(I Heard That) Lonesome Whistle"Gladys Bentley Quintet "Boogie'n My Woogie"Bob Dylan "Everything Is Broken"Jelly Roll Morton "Sidewalk Blues"Johnny Cash "This Train Is Bound for Glory (with The Carter Family)"Duke Ellington "Money Jungle"Joan Shelley "Something Small"Bob Wills and His Texas Playboys "Rosetta"Louis Armstrong "Beau Koo Jack"Guy Clark "The Waltzing Fool"Lil Green "Romance In the Dark"Allen Toussaint "Whirlaway"S.G. Goodman "When You Say It"Sister O.M. Terrell "I'm Going to That City"Hank Ballard "Sunday Morning Coming Down"Pete Johnson "Death Ray Boogie"Peter Case "Ain't Gonna Worry No More"Jessie Mae Hemphill "Train Train"Fats Waller & His Rhythm "Armful Of Sweetness"John Moreland "Break My Heart Sweetly"Chick Webb "F.D.R Jones"Elvis Costello & Allen Toussaint "Who's Gonna Help Brother Get Further"Clifford Brown "Mildama"Loretta Lynn "Portland Oregon"Johnny Dodds "New St. Louis Blues"Albert King "I'll Play the Blues for You"Otis Redding "Shake"Valerie June "Shakedown"The Prisonaires "Just Walkin' in the Rain"Willie Nelson & Leon Russell "Trouble In Mind"Robert Wilkins "Old Jim Canan's"Allen Toussaint "Just a Closer Walk with Thee"B.B. King "My Own Fault, Baby Aka It's My Fault"Sidney Bechet "Strange Fruit"Nina Simone "Blues for Mama"Cab Calloway & His Orchestra "Six or Seven Times"Mississippi Fred McDowell "Red Cross Store"Billie Holiday "It's Easy To Blame the Weather"Hayes Carll "Another Like You"Sleepy John Estes "Drop Down Mama"Benjamin Booker "Violent Shiver"Aretha Franklin "Since You'Ve Been Gone"John R. Miller "Relaxation"

This week we finish up our series on the great Clifford Brown with an etude written over his composition, 'Joy Spring'. Hope you enjoy and get something from this month long series on one of the greatest musicians in jazz history! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

This week we take a look at what Clifford Brown does over an extended period of a single chord happening. I believe Clifford might be the best of all time at this and we can take many things from his teachings and put it into our own playing for awesome benefits. Enjoy the episode! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

Welcome to the second episode in our series on the legendary, Clifford Brown. This week we dive into some harmonic devices that Brown uses regularly. Specifically, delayed resolution tactics and how they make his lines extremely interesting. Enjoy the episode! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

New month, new series! This month we are taking a look at another bebop master, trumpeter, Clifford Brown. we'll start by taking a look at how Clifford uses horizontal playing to great effect and how his playing differs a bit from Bird's. In the other episodes this month, we'll dive a little deeper into the actual harmonic language of his playing. Enjoy the episode! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

Peter Straub was the best selling author of novels, short stories, novellas and essays. He passed away earlier this month at the age of 79. Peter started out with dreams of writing poetry and literary fiction. After publishing his first two novels, and two books of poetry, he finally asked himself the question that so many artists find themselves asking: how do I make a living at this? An agent suggested he try writing a “gothic novel”, advice that reoriented him for much of the rest of his career. His natural ability to write novels that, as he said, would be appealing to people who love Philip Roth and those who love Stephen King, connected with a huge audience that picked up what he was putting down over the course of many years.  But before he became a writer in earnest he was a jazz lover. He discovered jazz as a boy growing up in Milwaukee in the late 1950s. He gravitated toward Dave Brubeck & Paul Desmond, Clifford Brown, Bill Evans and Miles.  While the hip, swinging sounds of his favorite soloists followed him from stage to stage and page to page, there was something else that stayed with him as well: the darker moments of his childhood. A car accident that shaped his first years in school and left him alone and isolated in a body cast and a wheelchair, just as he was learning to read. He recovered, but it turned out to be a kind of catalyst for his career as a writer. And there was an even darker secret that he somehow managed to hide from even himself well into adulthood. In our conversation, originally recorded in 2017, we explored all of this. The through line of jazz and fiction, improvisation and writing, how the past stays with us into the present, and how watching his Norwegian farmer relatives taught him to write diligently. www.third-story.com www.wbgo.org/studios www.patreon.com/thirdstorypodcast

After more than two years, a Strong Songs jazz mystery is finally solved.Thanks to listener (and outro soloist) Jeff Bean, who finally cracked the case of the mysterious lick played by Clifford Brown, Lee Morgan, and may others. I can finally sleep at night.FEATURED ON THIS EPISODE:"Moanin" by Bobby Timmons recorded by Art Blakey and the Jazz Messengers for Moanin', 1958"Jordu" by Duke Jordon recorded by the Clifford Brown quintet, 1954"Seranade to a Cukoo" by the Rahsaan Roland Kirk quartet from I Talk With Spirits, 1964"All This and Heaven Too" by Jimmy Van Heusen with lyrics by Eddie Delange, performed by the Tommy Dorsey ORchestra feat. Frank Sinatra in 1940“Fly Me To The Moon” by Bart Howard, recorded by Frank Sinatra with the Count Basie Orchestra on It Might As Well Be Swing, 1964-----LINKS-----SUPPORT STRONG SONGSPaypalme/kirkhamiltonmusic | Patreon.com/strongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmTHE STRONG SONGS PLAYLISTSpotify | Apple Music | YouTube Music

Trumpeter Art Farmer was in France and Sweden with the Lionel Hampton Orchestra in the Fall of 1954 and recorded with several groups, including two under his own name . . these sides feature Clifford Brown, Jimmy Cleveland, Anthony Ortega and Clifford Solomon from the Hampton band as well as Swedish stars Ake Persson, Bengt Hallberg, Arne Domnerus and Lars Gullin playing Quincy Jones arrangements and blending the hard bop and cool styles --- Support this podcast: https://anchor.fm/john-clark49/support

Episode Notes Support the Mandolins and Beer Podcast at my Patreon page! My guest this week is Carter Shilts. Carter plays with The Honeygoats and has also been filling in with Chicken Wire Empire. He's a great player, and has a really great right hand! Be sure to head over and follow Carter on his rad Instagram!   As always, a HUGE THANK YOU to my sponsors! Mandolin Cafe Peghead Nation Northfield Mandolins Pava Mandolins  Ellis Mandolins Siminoff Books Straight Up Strings Elderly Instruments         Song clips featured in this episode Dandelion Wine by The Honeygoats (Four Years in Three Days)  Dear Hearts and Gentle People by Bing Crosby (20th Century Grt Hits) Jordu by Clifford Brown and Max Roach (Same) Cant' Stop Now by New Grass Revial (Greatest Hits) Hummingbird by The Honeygoats (Four Years in Three Days) Old Fashioned  by The Honeygoats (Four Years in Three Days) Swing 42 by Django Reinhardt (The Essential Django Reinhardt)

Saxophone great Big Chief Donald Harrison Jr. joins the Iguanas and Emmy-winning Hawaiian filmmaker and festival producer Kenny Martinez-Burgmaier to reflect on the triumphant return of the Big Island Jazz and Blues Festival after a 2-year hiatus. Donald discusses his mentoring a teenage Notorious B.I.G. and hanging out at home with Miles Davis. Kenny recounts his rise from child cook to impresario. The star-studded lineup and spectacular locale stand in contrast to a persistent ennui for which there is no geographic solution. Troubled in Paradise? You could put it like that. Topics include the Mauna Kea Beach Resort, caloric intake, Eric Marienthal, Wayne Toups, supplements, Skip Martin, positivity, a Mexican restaurant, car sales, Jazz Alley TV, film school, video production, Pancho Sanchez, 2nd lines, a unified musical approach, Clifford Brown, artistic longevity, boxing acuity, Mike Tyson, an extended stay, Aloha spirit, royal lineage, a canoe, and much more. Intro music: "The Trucker Takes A Wife" by Styler/Coman Break music: "Oye Mi Cumbia" from "Sin To Sin" by the Iguanas Outro music: "When the Weather Breaks" from "Juarez" by the Iguanas Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook Big Island Jazz and Blues Festival Big Island Jazz and Blues Festival Facebook Jazz Alley TV Facebook Donald Harrison Homepage

Thomas Mirus goes solo in this episode to talk about how his relationship to music was completely transformed in his late teens, by exposure to the music of alto saxophonist Charlie Parker. Before he had used music to stimulate an emotional response, but soon he found himself listening for the sake of musical beauty itself, regardless of emotions or lack thereof. This quickly opened up a whole world of contemplation (musical and otherwise). After discussing this deeper way of listening to music, Thomas explains how to follow the musical form of a jazz performance, and introduces the music of Charlie Parker and the new form of jazz he pioneered in the 1940s and early 50s, known as bebop. If you want to listen more extensively to the jazz artists heard in this episode, check out these albums (no links because these things are always going in and out of print in different compilations): Charlie Parker, listen to the complete Savoy and Dial master takes in whatever compilation you can find Bud Powell, Jazz Giant Clifford Brown and Max Roach at Basin Street Sonny Rollins Plus Four Music heard in this episode: Blind Lemon Jefferson, “Rising High Water Blues” https://www.youtube.com/watch?v=fsFNi0ZVzj4 Charlie Parker, “Perhaps” https://www.youtube.com/watch?v=8LOOvq1sJvw Charlie Parker, “Blues for Alice” https://www.youtube.com/watch?v=G7USMqAH8qk Charlie Parker, “Parker's Mood” https://www.youtube.com/watch?v=6Wa7El-k3jQ Charlie Parker, “Anthropology” https://www.youtube.com/watch?v=3HkFBT4h190 Bud Powell, “So Sorry Please” from Jazz Giant https://www.youtube.com/watch?v=x-IoDXFWr1c&list=PL9C4lRUjCkCt_oXThX81D3LhhRIUXVDqb&index=6 Clifford Brown and Max Roach, “Gertrude's Bounce” from At Basin Street https://www.youtube.com/watch?v=UQ7TdrmmDkc&list=PLUJ7V33M1wR3yDePSuvG8W1LmV3uuPg-S&index=8 Sonny Rollins, “Pent-Up House” from Plus Four https://www.youtube.com/watch?v=INeqyCTvm4s&list=OLAK5uy_k6jR4wR5XEIyRL95Ov95VXhkYkAKQZIfw This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

Today is CYBER MONDAY! All courses and course memberships are 50% off. Today only! Visit Open Studio. • Meaningful  mean·ing·ful /ˈmēniNGfəl/: having a serious, important, or useful quality or purpose.• Melody  mel·o·dy /ˈmelədē/: a sequence of single notes that is musically satisfying. Adam and Peter have some thoughts on getting the best of your melodies, breaking down Stevie Wonder's "My Cherie Amour" and Clifford Brown's "Joy Spring" Watch Peter's deep analysis of Stevie Wonder HERE Have a question for us? Leave us a SpeakPipe Support the pod by spreading the word with the link youllhearit.com  Learn more about Open Studio Pro: openstudiojazz.com/pro Interested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐  review, or head over to our YouTube channel.Follow us on Twitter | Instagram