Podcasts about Kenny Dorham

Zev Feldman, a.k.a. the “Jazz Detective,” has turned his crate-digging passion into a career: He tracks down previously unreleased recordings and jumps through the necessary hoops to get them released, often in lavish packages for his label, Resonance Records. This past Record Store Day featured such Feldman finds as live albums from Bill Evans, Freddie Hubbard, Kenny Dorham and Charles Mingus plus a limited-edition double album of previously unreleased Patsy Cline performances, Imagine That: The Lost Recordings (1954-1963). Feldman also co-produced last year's incendiary Blue Note release from McToy Tyner and Joe Henderson, Forces of Nature: Live at Slugs. In this expansive conversation, Feldman tells his Jazz Detective origin story and describes how he finds these recordings (or vice versa), he gets specific about the importance of Record Store Day and these projects' tight margins, and he reveals his white whales. (Photo by Jean-Louis Atlan.)

3e émission de la 62e session...Cette semaine, du vieux mais surtout du post-bop récent! En musique: Kenny Dorham sur l'album Blue Bossa In The Bronx: Live from the Blue Morocco  (Resonance, 2025, enr. 1967); Eric Alexander sur l'album Chicago To New York  (Cellar Music, 2025); Smack Dab feat. David Kikoski sur l'album Pulse  (Fresh Sound New Talent, 2025); Marc Copland sur l'album Dreaming  (innerVoice, 2025); Joe Lovano & Marcin Wasilewski Trio sur l'album Homage  (ECM, 2025); William Doran Quart'et sur l'album Helios-1  (Indépendant, 2025)...

RSD - or Record Store Day for you vinyl virgins- comes but once, er, or twice a year, and while the main focus is who will win the privilege to buy a color-vinyl edition of the Wicked soundtrack, there's a little bit of jazz sprinkled in there, too.  The boys talk about four selections, three recently uncovered live dates on the prolific Resonance Records, and a studio date from German stalwart MPS.  Kenny Dorham  - BLUE BOSSA IN THE BRONX; Charles Mingus – IN ARGENTINA – THE BUENOS AIRES CONCERTS; Freddie Hubbard – ON FIRE: LIVE FROM THE BLUE MOROCCO; Nathan Davis – HAPPY GIRL.

En este episodio de La Montaña Rusa hemos escuchado y comentado los discos:ÁLBUM DESTACADO. Adrián Iaies. Melancolía (2017).Veronika Harcsa & Balint Gyemant. About Time (2022).CLÁSICO DE LA SEMANA. Kenny Dorham. Matador (1962).Mathew Halsall. An Ever Changing View (2023).Ferenc Nemeth. UnStandard (2022).Fire! Testament (2024).Kenny Wheeler. Some days Are Better: The Lost Scores (2025).

ESTÁNDARES SEMANALES.-The Way You Look Tonight.-VINILOS MÍTICOS DEL JAZZ.-Horace Silver - Horace Silver And The Jazz Messengers.-JAZZACTUALIDAD.-INTOKABLE BIG BAND.-A FERRO Horace Silver and the Jazz Messengers es un álbum de Horace Silver and the Jazz Messengers que recopila dos LP de 10" de 1955: Horace Silver Quintet, Vol. 3 (BLP 5058) y Horace Silver Quintet, Vol. 4 (BLP 5062), grabados el 13 de noviembre de 1954 y el 6 de febrero de 1955 respectivamente y lanzados en Blue Note en octubre de 1956, el primer 12" de Silver. El quinteto cuenta con una sección de instrumentos de viento formada por Hank Mobley y Kenny Dorham y una sección rítmica por Doug Watkins y Art Blakey . Una de las canciones más exitosas del álbum, « The Preacher », casi fue rechazada para su grabación por el productor Alfred Lion , quien la consideró «demasiado anticuada», pero fue reincorporada por la insistencia de Blakey y Silver, quienes amenazaron con cancelar la sesión hasta que escribiera otra canción para grabar en su lugar si no la incluían. Según Silver, la canción demostró que la banda podía «remontarse al pasado y conseguir esa sensación de bar de antaño con un toque de ritmo». Estas grabaciones ayudaron a establecer el estilo hard bop . Éstas fueron las primeras sesiones en las que utilizó el formato de quinteto, que utilizaría en gran medida durante el resto de su carrera. Título: A Ferro! Grupo: Intokables Big Band Componentes: Director: Carlos Ferri «Patilla». Saxo Altos: Ivan Albuixech, Marcos, Ferri Nicolás, & Marc Puertes. Saxos tenores: Marc Puertes, Kike Suay, Gerard Vercher y Francisco Blanco Latino. Saxo Barítono: Enrique Tortosa & Francisco Blanco Latino. Trombones: Miki García, Mario Sanchís, Joan Mont, Joan García & Joan Negro. Trompetas: Alex López, Mauro Gozálbez, Pau Sanchis Torno, Vicent Bernabéu, Salvador Garcia y Santiago Torro. Piano: Carlos Botella, Mario Coloma y Kevin Díaz. Congas: Xexu Obrer. Clarinete: Carlos Ferri «Patilla». Teclados: Mario Colona. Guitarra: Antonio Martí & Oscar Albuixech. Batería: Gustau Garcia & Saul Aranzueque. Percusión: Xexu Obrerías, Gustau garcia & Saul Aranzueque. Bajo Eléctrico: Rubén Martí Voz: Miriam Albero y Eva Romero. Fecha de Grabación: 2024. 1, 2 y 3 de Marzo. Lugar de Grabación: Onteniente. Sello Discográfico: Sedajazz Records. Nº de temas: 10. Formato: CD. Instrumento: Big Band. Estilo: Fusión. Nº de Serie: SJ 151. Año de Edición: 2024. Duración: 50:01 Calificación: 3* Comentario: Catorce años después de su primer disco, que tuvo una buena acogida por la critica especializada, Carlos Ferri «Patilla» se vuelve a poner al mando de esta estupenda Big Band, para presentarnos su segundo trabajo. Como bien explica en el libreto interior del disco su director, «A Ferro!», es el resultado de muchos años de esfuerzo colectivo y de sacrifico personal de un grupo de músicos que han crecido, personal y profesionalmente juntos. «Intokables Big Band», se fundó en 2007 para experimentar con un repertorio donde se mezclaba el jazz, por supuesto, el funky, y, como no, el swing para, partiéndooslo de composiciones propias en su gran mayoría, y con los arreglos de destacados músicos, poner en valor el auge del jazz en el entorno que se mueven estos jóvenes músicos —en su gran mayoría—, y que se vienen nucleando alrededor de esa impagable institución valenciana, que es Sedajazz Records. Años después, y demostrando que el proyecto no era flor de un día, se creó en 2021, la «Jove Intokable Big Band», una iniciativa que buscaba preservar el futuro de la «Intocable Big Band» con el correspondiente relevo generacional. Y este segundo disco, responde a ese concepto. «A Ferro!», contiene swing a raudales, los arreglos son muy creativos, y el nivel instrumental de los solistas, estupendos. Música alegre, optimista, viva y fresca, y que bajo la batuta de su director, el maestro «Carlos Ferri «Patilla», nos ofrecen un fresco y renovado repertorio don del swing, es el gran protagonista. Enhorabuena por este gran trabajo que merece ser escuchado una y otra vez.

STANDARS SEMANAL.-.WAVE.-VINILOS MITICOS DEL JAZZ.-.Kenny Dorham - Afro-Cuban.-JAZZACTUALIDAD.-.ESTER ANDUAR.-INNER SONGS Afro-Cuban es un álbum del trompetista de jazz estadounidense Kenny Dorham , grabado para Blue Note el 29 de marzo de 1955 y publicado ese mismo año en la Blue Note Modern Jazz Series, poco antes de que el sello descontinuara el formato. Pronto se reeditó en la nueva serie 1500, recopilado con una sesión de una primera encarnación del conjunto, con nueva portada. Recepción Calificaciones profesionales Puntuaciones de la revisión Fuente Clasificación Toda la música [ 3 ] La guía Penguin para grabaciones de jazz [ 4 ] La reseña de AllMusic de Michael G. Nastos afirma: «Una grabación de primera clase para el poco apreciado Dorham; esta debería estar en todas las colecciones de los verdaderos amantes de la música». [ 3 ] Lista de canciones LP de 10", BLP 5065 Todas las pistas están escritas por Kenny Dorham, excepto donde se indique lo contrario. Lado 1 No. Título Fecha de registro Longitud 1. "Afrodisia" 29 de marzo de 1955 5:06 2. "Flor de loto" 29 de marzo de 1955 4:17 Lado 2 No. Título Escritor(es) Fecha de registro Longitud 1. "Vacaciones del menor" 29 de marzo de 1955 4:27 2. "El sueño de Basheer" Gigi Gryce 29 de marzo de 1955 5:03 Inner Songs es el cuarto álbum de Ester Andújar, basado en sus propias composiciones. Jazz, música brasileña y de autora se unen en su música. Su capacidad para interpretar en valenciano, inglés, español y portugués destaca su conexión global y su gran versatilidad vocal Después de 15 años de silencio discográfico, Ester Andújar regresa con Inner Songs, un álbum que destila madurez, valentía y un profundo sentido de identidad artística. Este cuarto trabajo de la cantante valenciana no solo reafirma a Ester como una de las voces más destacadas del jazz español, sino que también redefine el «jazz de autora», entrelazando elementos poéticos, narrativos y texturas sonoras en un viaje íntimo y cautivador. Desde el primer tema, Els somnis, Ester nos invita a un universo donde la frontera entre sueño y realidad se difumina. La riqueza armónica y la conexión entre su voz y los instrumentistas crean una atmósfera mágica. Acompañada por algunos de los mejores músicos de la escena, quienes también participaron en la grabación del disco ??"Albert Palau al piano, Iván Cebrián a la guitarra, Miquel Álvarez al contrabajo, Tico Porcar a la batería y el saxofonista Javier Vercher como invitado especial??", Ester logra que cada nota fluya con naturalidad. Además, su interpretación de scat es exquisita, demostrando no solo su virtuosismo técnico, sino también su capacidad para convertir su voz en un instrumento que dialoga de manera orgánica con la banda. El álbum explora emociones complejas, como en Flor del desierto, una autobiografía que aborda el dolor y la resiliencia. Aquí, Andújar revela sus vulnerabilidades y contrastes, logrando un final catártico que resuena en cada nota. Su voz, rica en matices, equilibra fuerza y fragilidad, convirtiéndose en un vehículo para la reflexión y la conexión emocional. Pero este viaje no es solo introspectivo, sino también social y político. Canciones como República y Las mujeres que nos faltan demuestran el compromiso de Andújar con la memoria histórica y la reivindicación de voces silenciadas. Las mujeres que nos faltan resulta particularmente impactante, ya que da voz a las víctimas de la violencia de género con una sensibilidad y una contundencia que estremecen. Musicalmente, el disco es un mosaico enriquecido por influencias de la música brasileña (Beijo partido), el folklore y el jazz, siempre desde una perspectiva muy personal. Ester canta en valenciano, español, portugués e inglés, y cada idioma aporta una textura diferente, ampliando las emociones que transmite cada canción y mostrando una versatilidad que refuerza su carácter cosmopolita. En Abans de tu, dedicada a su hija, la cantante encapsula su transformación personal en estos años. Con una letra cargada de esperanza y amor, celebra el renacer artístico y vital que la maternidad le ha brindado. Esta conexión entre lo personal y lo artístico atraviesa todo el disco, dándole una autenticidad que conmueve. Inner Songs no es solo un regreso, es una declaración. Es el retrato de una artista que se vació para reconstruirse, que se cuestionó qué quería decir y cómo quería hacerlo. El resultado es un álbum conceptual que cuenta una historia de principio a fin, llena de contrastes, himnos y homenajes que reflejan tanto las luces como las sombras de la vida. Este trabajo es una obra valiente, poética y necesaria. Ester Andújar ha creado un disco que no solo alza su propia voz, sino también la de quienes no pueden hacerlo. Su jazz de autora no es solo música; es narrativa, memoria y emoción. Un imprescindible para quienes aman el jazz y la música con alma.

Fem una passejada saxofon

ABBEY LINCOLN “ABBEY IS BLUE” New York, 1959 Afro blue, Let up, Laugh, clown, laughAbbey Lincoln (vcl) acc by Tommy Turrentine (tp) Julian Priester (tb) Stanley Turrentine (ts) Cedar Walton (p) Bobby Boswell (b) Max Roach (d) Third's child, Lonely houseAbbey Lincoln (vcl) acc by Kenny Dorham (tp) Wynton Kelly (p) Les Spann (g) Sam Jones (b) Philly Joe Jones (d) LARRY GOLDINGS “I WILL” Live Sam First, Los Angeles, October 8, 2023 & April 11, 2024Somewhere, Mambo InnLarry Goldings (p) Karl McComas-Reichl (b) Christian Euman (d) DAYNA STEPHENS “HOPIUM” Brooklyn, NY Mayo, 2022 lanzamiento febrero 7, 2025Drive north to find the oranges out west, Jump start, HopiumDayna Stephens (as,ts) Aaron Parks (p) Charles Altura (g-1) Ben Street (b) Greg Hutchinson (d) Continue reading Puro Jazz 14 de abril, 2025 at PuroJazz.

ABBEY LINCOLN “ABBEY IS BLUE” New York, 1959 Afro blue, Let up, Laugh, clown, laughAbbey Lincoln (vcl) acc by Tommy Turrentine (tp) Julian Priester (tb) Stanley Turrentine (ts) Cedar Walton (p) Bobby Boswell (b) Max Roach (d) Third's child, Lonely houseAbbey Lincoln (vcl) acc by Kenny Dorham (tp) Wynton Kelly (p) Les Spann (g) Sam Jones (b) Philly Joe Jones (d) LARRY GOLDINGS “I WILL” Live Sam First, Los Angeles, October 8, 2023 & April 11, 2024Somewhere, Mambo InnLarry Goldings (p) Karl McComas-Reichl (b) Christian Euman (d) DAYNA STEPHENS “HOPIUM” Brooklyn, NY Mayo, 2022 lanzamiento febrero 7, 2025Drive north to find the oranges out west, Jump start, HopiumDayna Stephens (as,ts) Aaron Parks (p) Charles Altura (g-1) Ben Street (b) Greg Hutchinson (d) Continue reading Puro Jazz 14 de abril, 2025 at PuroJazz.

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

April is Jazz Appreciation Month, and we’re celebrating just as we always do, by chasing down live music and supporting the scene. But we’re also looking ahead to Record Store Day, which falls on April 12. It will bring a fresh bounty of new releases —including a customary haul of archival discoveries in deluxe editions. So for this episode, we’re talking all about RSD: the ins and outs, the ups and downs. We’ll get into this year’s bonanza, with a particular focus on two amazing albums recorded by leading trumpeters at the Blue Morocco in 1967: Kenny Dorham’s Blue Bossa in the Bronx and Freddie Hubbard’s On Fire. This episode might just put a dent in your record budget. Don’t say we didn’t warn you! The Late Set is made possible by the members of WRTI. The best way to support us is to become a WRTI member. Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

Welcome to the J&J on Jazz Podcast. This podcast was originally released on May 6th, 2022, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #37, It's Dominant over Minor . . .  That almost sounds like BBQ sauce over ice cream, right? How can that even work? Well, our heroes (Cannonball, Kenny Dorham, Oscar Peterson and on and on) use this idea all the time. Today James and Jeff pull back the curtain on playing killer bebop lines over a minor chord. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • J&J on Jazz - Many of the J&J episodes include a PDF (but not all!!). Just write us at J&JonJazz@gmail.com, and we'll offer you the pdf for the episode you're looking for if available (or all PDFs for a small price)! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

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I fredags kunne den legendariske trompetist og komponist Kenny Dorham være fyldt 100 år, og derfor dykker vi denne morgen ned i "Quiet Kenny" og hans musik. Vært og tilrettelægger: Julian Svejgaard. Redaktør: Kasper Overby. Skriv til Snooze med din morgenstemning eller med et bud på den bedste morgenmusik: Mail: p8jazz@dr.dk SMS: 1212, skriv jazz, mellemrum og din besked

Tonight's Jazz feature spotlights the perennially underrated trumpeter Kenny Dorham. His Birthday Anniversary was August 30, 1924 in Fairfield, Texas and he died of kidney disease in New York on December 5,1972 at age 48. Dorham now his the recognition and the honors that eluded him in his lifetime like many music and artistic masters. Tonight's Jazz Feature is by a short lived group that Kenny Dorham formed in early 1956 called "The Jazz Prophets" and this album was their first recorded outing and it's one fine debut. 4 of the 5 tunes are Dorham compositions as well and the slow ballad feature is the Billie Holiday classic "Don't Explain" soulfully interpreted by Kenny. The people involved here are Kenny Dorham on trumpet, J.R. Monterose on tenor saxophone, Dick Katz on piano, Sam Jones on bass and Arthur Edgehill on drums. In honor of Kenny Dorham The Jazz Show presents The Jazz Prophets......enjoy!

На обложке альбома Elias Haslanger Meets Mike Sailors фото двух музыкантов, но на самом деле это квинтет, в записи которого принимали участие, кроме ритм-секции, еще три пианиста. Давние друзья - саксофонист и трубач, арендовали студию для записи своих оригиналов. Шесть написал саксофонист Elias Haslanger, три трубач Mike Sailors и добавили одну пьесу саксофониста Clifford Jordan (1931–1993). По стилистике в каталоге AppleMusic значится как #contemporaryjazz - современный джаз. Но, с самого начала понятно, что это хороший бибоп. То есть, у ребят за плечами более 30 лет работы на джазовой сцене, понимание друг-друга и сыгранность очень хорошая. Чувствуется так же особый стиль и старая школа.  Кумирами саксофониста были - John Coltrane, Sonny Rollins и Charlie Parker. А трубача - Kenny Dorham, Clifford Brown и Leroy Jones. К стати, Лирой Джонс еще жив и играет. Он родился в 1958 году, то есть, мой ровесник. Да, Сонни Роллинс тоже живой (скажут знатоки), но ему сейчас 93 и он закончил выступать в 2014 году. Elias Haslanger - saxophone, composition  Mike Sailors - trumpet, composition  Ryan Hagler - bass  Daniel Dufour - drums  Andy Langham - piano 3,4,7,9,10 Eddy Hobizal - piano 1,6, mixing & mastering  Ross Margitza - piano 2,5,8 Charile Kramsky - studio engineer  Recorded at Estuary Studio, Austin, TX Released July 20, 2024 СЛУШАТЬ АЛЬБОМ - https://album.link/i/1743059962 Лучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #bop

Underappreciated alto sax player Ernie Henry's last recordings before his premature death in 1957. . .featuring his Octet (with Lee Morgan, Melba Liston, Benny Golson and Cecil Payne), quintet (with Kenny Dorham) and quartet - also the Kenny Dorham Quartet . . groups including Wynton Kelly, Kenny Drew, Wilbur Ware, Paul Chambers, Philly Joe Jones and Art Taylor --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

In this episode, Shawn and Craig explore two fascinating albums that showcase the breadth and diversity of musical talent across genres. Craig spotlights Joe Henderson's "Page One," a classic jazz album that marks the debut of the tenor saxophonist. He discusses Henderson's innovative playing and the contributions of jazz greats like Kenny Dorham and McCoy Tyner. Craig discusses how "Page One" has cemented its place in jazz history with its sophisticated compositions and timeless appeal.Shawn shifts the focus to Drugdealer's "Hiding In Plain Sight," an album that blends modern indie rock with a nostalgic nod to the past. He examines the creative vision of Michael Collins (Drugdealer) and the album's rich tapestry of sounds. Shawn also explores the exciting collaborations with artists like Kate Bollinger and Weyes Blood, discussing how these partnerships enhance the album's eclectic and immersive quality. Join them as they dive into the world of jazz legends and contemporary indie rock, offering insights and appreciation for the artistry behind these remarkable records.

Bienvenidos amantes la música, Joe Henderson es un sonado Saxo Tenor de toda la vida, especialmente por sus famosas colaboraciones con Horace Silver en el LP "Song for my Father", "The Real McCoy" de McCoy Tyner y "The Sidewinder" de Lee Morgan entre otras. Pero la conexión más larga vendría de la mano de su colega y amigo trompetista Kenny Dorham con quien grabó 5 álbumes. Y quién además le regalaría una composicón que desde su grabación sería su sello, el tema "Blue Bossa", en el disco "Page One" que fue la primera página de una larga y fructífera carrera. A pesar de ello su legado no es tan apreciado y reconocido por los aficionados al Jazz. Desde nuestra humilde tribuna queremos recordar su música para hacerle algo de justicia. Les invitamos a una selección de su disco debut como líder para el sello Blue Note. Qué lo disfruten! Los temas son: 1. Homestretch 2. Blue Bossa 3. Jinrikisha *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

RON BLAKE MISTAKEN IDENTITY New York ?, c. 2023Stablemates (1) Is that so ? (1), No hype blues (1)Ron Blake (ts,bar) Bobby Broom (g) Nat Reeves (b-1) Reuben Rogers (b-2) Kobie Watkins (d) LISA SOKOLOV PRESENCE New York, May 2002 & Tampere, Finland, November 3, 2002Presence, You do something to me, Hard being human, Home on the rangeLisa Sokolov (vcl,keyboards) acc by John Di Martino (p ) Cameron Brown (b) Gerry Hemingway (d) KENNY DORHAM JAZZ CONTRASTS New York, May 21 & 27 (1) 1957Falling in love with love, La rue (1) (sr out) My old flame (1,2)Kenny Dorham (tp) Sonny Rollins (ts-2) Hank Jones (p) Betty Glamann (harp-1) Oscar Pettiford (b) Max Roach (d)New York ?, c. Continue reading Puro Jazz 22 Mayo 2024 at PuroJazz.

RON BLAKE MISTAKEN IDENTITY New York ?, c. 2023Stablemates (1) Is that so ? (1), No hype blues (1)Ron Blake (ts,bar) Bobby Broom (g) Nat Reeves (b-1) Reuben Rogers (b-2) Kobie Watkins (d) LISA SOKOLOV PRESENCE New York, May 2002 & Tampere, Finland, November 3, 2002Presence, You do something to me, Hard being human, Home on the rangeLisa Sokolov (vcl,keyboards) acc by John Di Martino (p ) Cameron Brown (b) Gerry Hemingway (d) KENNY DORHAM JAZZ CONTRASTS New York, May 21 & 27 (1) 1957Falling in love with love, La rue (1) (sr out) My old flame (1,2)Kenny Dorham (tp) Sonny Rollins (ts-2) Hank Jones (p) Betty Glamann (harp-1) Oscar Pettiford (b) Max Roach (d)New York ?, c. Continue reading Puro Jazz 22 Mayo 2024 at PuroJazz.

Rather than discuss a single Jazz standard, this episode of Same Difference is all about the trumpet, and we've invited our friend and professional Jazz trumpeter, Mike Sailors, to join the fun. In fact, we had so much fun recording this, we've broken it into 2 full shows! In this part one, join us as the three of us listen to and discuss music by Louis Armstrong, Chet Baker, and Kenny Dorham.

Abrimos con el estupendo descubrimiento de un nuevo nombre al vibráfono, el de la taiwanesa residente en New York, Yuhan Su que a finales del 2023 publicó su nuevo álbum, Liberated Gesture. También escuchamos la música del pianista Gordan Spasovski y su trio, con Light Pillar, de 2021. Nuestro Clásico de la Semana fue el trompetista Kenny Dorham, al que escuchamos en Quiet Kenny, publicado en 1961 para New Jazz. Seguir leyendo La Montaña Rusa 17.2024. Yuhan Su. Gordan Spasovski Trio. Kenny Dorham. Eucalyptus. Erik Truffaz. Auster Loo Collective. Gyan Riley. en La Montaña Rusa Radio Jazz.

Saxophonist/composer Joe Henderson (born April 24, 1937) was an eclectic performer, recording over thirty albums on Blue Note records, raging from straight ahead sessions with Horace Silver to more avant-guard outings with Andrew Hill, always sounding like himself in every setting. He recorded with Herbie Hancock and even spent a period of time with Blood, Sweat and Tears. The bulk of the material we'll play is drawn from the seminal recordings he made with trumpeter Kenny Dorham in the 1960s, many of the tunes this group recorded have become jazz standards.

  | Kenny Dorham  | Blue Spring Shuffle | Milt Jackson  | Sam Sack | Diana Krall  | Temptation | Colmam Brothers  | Some other wonder | Cheo Feliciano  | Esto Es Es Guanguanco | Eddie Palmieri  | Helado De Chocolate | Butcher Brown  | Tidal Wave | Hadley Caliman  | Cigar Eddie | Jack McDuff  | Cant get Satisfied | George Benson  | This Masquerade | Donald Fagen  | Good Stuff 

Bienvenidos amantes de la música. El trompetista Kenny Dorham estuvo en bandas de renombre desde muy joven. Con apenas 21 años empezó a aparecer en las bandas de Billy Eckstine y Dizzy Gillespie. Reemplazó a Miles Davis en la banda de Charlie Parker, formó parte de la primera versión de los Jazz Messengers de Horace Silver y Art Blakey. Tras la muerte del trompetista Clifford Brown se integra al famoso quinteto de Max Roach. Impulsó la carrera de jóvenes figuras como Joe Henderson, el saxo tenor, que después le incluiría en su disco debut "Page One" donde Dorham compuso uno de sus standards inmortales, "Blue Bossa". Miles Davis quien era bastante mezquino a la hora de elogiar a sus colegas, reconoció la calidad e influencia de Kenny Dorham. Les invitamos a una pequeña revisión de su música e interpretación. Los temas son: 1. Night Watch 2. Mamacita (extracto) 3. The Fox. *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Bienvenidos amantes de la música, la carrera de más de 60 años del pianista Steve Kuhn, es algo que nos sorprende y no podemos dejar de revisar en el programa. Algunos de sus compañeros musicales han sido grandes lumbreras de la música, como Art Farmer, Stan Getz, Kenny Dorham, o el mismísimo John Coltrane. Y por supuesto aquí vale mencionar a su "hermano que nunca tuvo" según sus propias palabras, el bajista Steve Swallow con quien se conocen hace más de 50 años, cuando ambos tocaban con Art Farmer. El álbum que vamos a revisar hoy está homenajeando al trompetista compositor del tema que da nombre al disco "Wisteria" grabado en formato trío para el sello ECM. Esperamos que lo disfruten! Los temas son: 1. Chalet 2. Wisteria 3. Good Lookin' Rookie *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

durée : 00:59:39 - Centenaires 2024 (4/5) : Dinah Washington, Kenny Dorham, Bill Perkins - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe.

durée : 00:59:39 - Centenaires 2024 (4/5) : Dinah Washington, Kenny Dorham, Bill Perkins - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe.

Great early bop sessions led by the innovative drummer including Fats Navarro, Kenny Dorham, Benny Bailey and Howard McGhee on trumpets, Julius Watkins on french horn, Sonny Stitt, John Brown, Jimmy Heath and Hubert Fol on altos, Jimmy Powell, Billy Mitchell and Ray Abrams on tenors, Eddie De Verteuil and Cecil Payne on baris, John Lewis and Bud Powell on piano, John Collins on guitar and Al Hall, Curly Russell and Al McKibbon on basses . . 1946-49 --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on July 24th, 2020, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #163, Jeff shares a deep secret that players like Sonny Stitt and Kenny Dorham and Oscar Peterson shared . . . the idea that playing "sorta kinda diatonic" can sound amazing! Let's figure out what this is, why it works, and how to do it ourselves. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

"Blue Bossa" es una composición de jazz del trompetista Kenny Dorham. Fue introducida en el álbum Page One de 1963 de Joe Henderson. Una mezcla de hard bop y bossa nova, la melodía ha sido grabada numerosas veces por diferentes artistas, lo que la convierte en un standard del jazz. Hoy escuchamos, entre otras, las versiones de: Joe Henderson, Dexter, Eddie Daniels, Rosenberg, Martino, Corea. Hosted on Acast. See acast.com/privacy for more information.

September is Hispanic Heritage Month, and throughout the month, we'll be spotlighting the contributions Avenue musicians made to Latin Music. On this week's show, we'll share Latin-inspired music from the iconic Naptown trombonist J.J. Johnson. Throughout his career, Johnson recorded with prominent Latin percussionists, including Sabu Martinez, Mongo Santamaria, Patato Valdes, and Ray Barretto. Johnson also appeared on landmark Latin jazz recordings, including Dizzy Gillespie's “Afro”, and Kenny Dorham's “Afro-Cuban”.

Our Jazz Feature takes you back to tan important center of Jazz action in New York in the mid-50`s. The Cafe Bohemia located in Greenwich Village. The band is the first group that master trumpeter Kenny Dorham put together. he called it ``The Jazz Prophets``. Kenny Dorham is one of the finest and original of the early Modern Jazz trumpeters. He came to maturity in the early 1950`s and was a charter member of Art Blakey`s Jazz Messengers. In 1956 he formed The Jazz Prophets. Sadly it was short-lived but made several fine recordings including this one. Kenny Dorham put together J.R. Monterose on tenor saxophone and a very young 19 year old Bobby Timmons on piano, Sam Jones is on bass and the tasty and swinging Arthur Edgehill is on drums. They play a variety of original and standard materiel in this set and are joined on the last tune, Dizzy Gillespie`s ``A Night in Tunisia`` by guitarist Kenny Burrell. All live at The Cafe Bohemia on May 31,1956. Kenny Dorham, tonight`s Jazz Feature artist.

Kenny Dorham's life and music represent the essence of jazz itself—dynamic, inventive, and deeply rooted in tradition. His enduring influence on the genre, his exceptional trumpet prowess, and his legacy as a composer and mentor ensure that his name will forever be etched in the annals of jazz history, serving as an enduring source of inspiration for generations of musicians and jazz aficionados alike.Welcome to a brand new feature of the podcast, Trumpet Icons!From jazz virtuosos to classical maestros, explore a curated collection of iconic trumpet players who have left an indelible mark on the world of music.To suggest a trumpeter that should be included in this series, or if you believe information shared about a previous player needs to be corrected, simply visit https://trumpetdynamics.com/icons. All suggestions and/or corrections will be read and adjusted as necessary!

Con Carlos López I Joe Henderson no pudo elegir mejor título para su primera grabación como líder. Este primer capítulo llegó a lo grande, con un sello importante, Blue Note, que no le quitaba ojo desde que grabara con el trompetista Kenny Dorham y que, por cierto, presta dos temas de su autoría que abren este álbum de su colega Henderson. Después de ello, cuatro composiciones más firmadas por el saxofonista tenor, completan uno de los discos más atemporales de la historia del jazz, uno de los trabajos más aclamados por la crítica y uno de nuestros imprescindibles que, en los albores de su 60 aniversario, no podíamos dejar en la recámara, porque compartiéndolo, nos suena mucho mejor.

Blues, Bebop ve Gospel stillerinden özellikler taşıyan Hard Bop stili Caz dünyasını 1950'lerde derinden etkileyen bir stil olarak yerini aldı. Müzik dünyasında iz bırakan değerli caz müzisyenlerini konu alan bu programda Ahenk Meşinci'nin sunumuyla, bu bölümde, bu stilin kökenlerine inip Art Blakey and the Jazz Messengers, Miles Davis Quintet, John Coltrane ve Kenny Dorham'ın kayıtlarıyla geçmişe kısa bir yolculuk yapıyoruz. Yaşar Üniversitesi Radyosu'nda canlı yayınlanan bu programı ve daha fazlasını takip etmek için⁠: https://radyu.yasar.edu.tr

On June 27, 2022 we welcomed Tampa Bay area guitarist and educator, JJ Patishall, back to CJH's Young Lions Jazz Master "Virtual" Sessions. To watch this Full Session visit www.clearwaterjazz.com/education and click on THE STUDIO. You can learn more at www.clearwaterjazz.com about CJH events, the annual Clearwater Jazz Holiday music festival tradition and Clearwater Jazz Holiday Foundation's year-round Education & Outreach.

马上又要到圣诞节了。对于我来说，圣诞节是跟朋友一起度过的节日。每年圣诞节我和朋友们都会聚在一起，喝酒吃饭，更主要的是聊聊天。聊聊这一年发生的事，和对未来的憧憬。每当这个时候都需要一些背景音乐，而每年为圣诞节选歌单都是我的工作。今年我为大家只做了一张“小众”的圣诞歌单。如果不嫌弃的话，可以在圣诞节聚会的时候播放这期节目，作为你们的背景音。[圣诞歌单]()（有几首找不到我做了替代）————————————Playlist of the show:[00:03:56] Christmas in New Orleans – Louis Armstrong[00:08:18] Christmas Waltz - Chet Baker & Wolfgang Lackerschmid[00:17:11] Angels We Have Heard on High & Joy to the World - Joe Pass[00:22:48] White Christmas - Charlie Parker & Kenny Dorham[00:28:30] Christmas Island – Ella Fitzgerald[00:31:46] Merry Christmas Baby - Ramsey Lewis Trio [00:37:04] Christmas Time is Here - Vince Guaraldi[00:43:46] Silent Night - The Singers Unlimited [00:48:18] Jesu, Joy of Man's Desiring - Classical Jazz Quartet

This special edition of MUSICWOMAN Radio features two sultry songwriters whose music plays in rotation in my car, day after day, week after week, month after month. Sharon Rae North released Silhouette in 2022. I put the CD that she mailed to me in June in my CD player and let it play throughout July, August, and September. The songs crept into my subconcious mind and I found myself singing them in my sleep! Douyé sent her CD Journey to me several years ago. I played it over and over in my car, which had a magnificent sound system. At the beginning of October, I began listening to it, again, and the same thing happened. I'm singing her songs in my head, night after night, waking up to her music in my head. Also, she recorded Blue Bossa by Kenny Dorham with my lyrics! So, they are my guests and we will discuss their songwriting process. You may listen to them on Spotify, YouTube, iTunes, Amazon, and wherever else you listen to streamed music. Love and Music, Dr. Diva JC https://www.sharonraenorth.com https://douyemusic.com http://joancartwright.com http://wijsf.org      

Bob Mover is a virtuosic saxophonist who performed with Chet Baker, Charles Mingus, Lee Konitz and countless others over a long career. Visit https://www.bobmoverjazz.com/ to sign up for Bob Mover's weekly online masterclass sessions every Saturday. List of names mentioned: Charlie Parker, Roland Kirk, Bill Evans, Roy Eldridge, Richie Kamuca, Ira Sullivan, Walter Piston, Gerry Mulligan, Chet Baker, Stan Getz, Zoot Sims, Wynton Kelly, Kenny Dorham, Sonny Rollins, Lee Konitz, Jaki Byard, Al Cohn, Phil Woods, Bud Powell, Thelonius Monk, Jimmy Lyons, Cecil Taylor, Saul Frompkin, Don Byas, Coleman Hawkins, Art Tatum, Bud Powell, Hank Jones, Al Haig, Dodo Marmarosa, Joe Albany, Albert Dailey, Kenny Barron, Warne Marsh, Lennie Tristano, Lester Young, Count Basie, Jerry Coker, Allen Rock, Duffy Jackson, Bill Pierce, Mark Colby, Melton Mustafa, Ramblerny Music camp, Roger Rosenberg, Mike Brecker, Randy Brecker, Eddie Cleanhead Vinson, Shelly Manne, Brooks Kerr, Tony Castellano, Mulgrew Miller, Walter Davis Junior, John Bennett, Bernie Senensky, Cory Weeds, Sam Noto, Isaac Raz, Antoine Drye, Steve Kenyon, Emily Mover, Danny Kaye

Kenny Dorham fue llamado el rey sin corona, no conoció el éxito ni la fama. Sin embargo su estilo cool, moderno, minimalista, señaló en su época, un camino diferente para la trompeta en el jazz moderno. Su genio como compositor nos dejó clásicos intemporales que han sido interpretados por varias generaciones de artistas a lo largo de los años. Y aunque no recibió del público la atención que sin duda hubiera merecido, fue un músico de músicos, reconocido por muchos como una de sus más grandes influencias. Radio Jazznoend te invita a recorrer la carrera de este héroe no cantado, desde sus comienzos en el Nueva York de los años cuarenta al lado del saxofonista Charlie Parker, hasta sus incursiones en la vanguardia del jazz de mediados de los años sesenta. Un viaje apasionante jalonado por sesiones de grabación legendarias que dejaron una huella indeleble en la historia del jazz y que hoy recuperamos para nuestros fieles oyentes.

Some lazy summer jazz tunes for the hot, climate-change weather right now. Hope everyone is safe and staying as cool as possible! Appreciate all the listeners. More Knowledge Breaks mixes coming sometime soon, they just take a lot longer to put together but are on the way! Tracklist: Joe Pass, Don Randi, Joe Torres, Zimbo Trio, Kenny Dorham, Joe Bonner

Two Brothers - the Adderley brothers, Cannonball and Nat in their first recordings in the summer of 1955. Featuring Kenny Clarke, Horace Silver, Hank Jones, Jerome Richardson, Kenny Dorham, Roy Haynes and Paul Chambers --- Support this podcast: https://anchor.fm/john-clark49/support

Woodlore - Phil Woods' first recordings! 1954-57 with the Hall Overton Quartet, George Wallington Quartet, Jimmy Raney Quintet and the first under his own name (featuring the pre-Star Wars John Williams on piano!). Also with Kenny Dorham, John Wilson, Knobby Totah, Nick Stabulas, Teddy Kotick. --- Support this podcast: https://anchor.fm/john-clark49/support

En esta cuarta entrega enfocada a la trompeta redondeamos los especialistas en hiperagudos con Maynard Ferguson y Arturo Sandoval. Y volvemos a la cronologia con la trompeta de bop: Dizzy, Howard McGee, Fats Navarro, Kenny Dorham, Miles. Y entramos al cool de Miles, Chet Baker y Art Farmer.

James Moody and Art Blakey - early Bop/Cool/Hard Bop from Blue Note, 1947 and 48. Larger bands featuring Moody, Blakey, David Burns, Kenny Dorham, Ernie Henry, Sahib Shihab, Musa Kaleem, Cecil Payne and others - arrangements by Payne, Dorham, and Gil Fuller. --- Support this podcast: https://anchor.fm/john-clark49/support

Today our Jazz Feature celebrates the Birthday of one of the pioneers of Modern Jazz and it's leading drummer, Maxwell Lemuel Roach. Max Roach was born in North Carolina on Jan 10, 1924 and raised in New York. He lived to 83, passing away on August 16,2007. Max had formed one of the leading bands of the 1950's with trumpeter Clifford Brown. They toured and recorded some iconic records but tragedy struck in June of 1956 and Brown and the band's pianist/arranger Richard Powell died in a car accident on their way to a gig. After a suitable period of mourning and a commitment by the band's saxophone star, Sonny Rollins and the band's bassist George Morrow, Roach reformed the band with stellar trumpeter Kenny Dorham and pianist Ray Bryant. Max Roach's first album after the tragedy was this one, "Max Roach Plus Four". It is a wonderful date and demonstrates the new found chemistry and cohesion in this band. Six tunes are featured, 2 originals by Roach and one by George Russell and one by Dizzy Gillespie and a ballad. Happy Birthday Mr. Roach!