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Introducing Rob Ruiz Meet Rob Ruiz, a seasoned Senior Full Stack Developer with nearly two decades of expertise in WordPress innovation and open-source magic. As the Lead Maintainer of WP Rig since 2020, Rob has been the driving force behind this groundbreaking open-source framework that empowers developers to craft high-performance, accessible, and progressively enhanced WordPress themes with ease. WP Rig isn’t just a starter theme—it’s a turbocharged toolkit that bundles modern build processes, linting, optimization, and testing to deliver lightning-fast, standards-compliant sites that shine on any device. Show Notes For more on Rob and WP Rig, check out these links: LinkedIn Profile: https://www.linkedin.com/in/robcruiz WP Rig Official Site: https://wprig.io GitHub Repository: https://github.com/wprig/wprig Latest Releases: https://github.com/wprig/wprig/releases WP Rig 3.1 Announcement: https://wprig.io/wp-rig-3-1/ Transcript: Topher DeRosia: Hey everybody. Welcome to Hallway Chats. I’m your host Topher DeRosia, and with me today I have- Rob Ruiz: Rob Ruiz. Topher: Rob. You and I have talked a couple of times, once recently, and I learned about a project you’re working on, but not a whole lot about you. Where do you live? What do you do for a living? Rob: Yeah, for sure. Good question. Although I’m originally from Orlando, Florida, I’ve been living in Omaha, Nebraska for a couple of decades now. So I’m pretty much a native. I know a lot of people around here and I’ve been fairly involved in various local communities over the years. I’m a web developer. Started off as a graphic designer kind of out of college, and then got interested in web stuff. And so as a graphic designer turned future web developer, I guess, I was very interested in content management systems because it made the creating and managing of websites very, very easy. My first couple of sites were Flash websites, sites with macro media Flash. Then once I found content management systems, I was like, “Wow, this is way easier than coding the whole thing from scratch with Flash.” And then all the other obvious benefits that come from that. So I originally started with Joomla, interestingly enough, and used Joomla for about two or three years, then found WordPress and never looked back. And so I’ve been using WordPress ever since. As the years have gone on, WordPress has enabled me to slowly transition from a more kind of web designer, I guess, to a very full-blown web developer and software engineer, and even software architect to some degree. So here we are many years later. Topher: There’s a big step from designer to developer. How did that go for you? I’m assuming you went to PHP. Although if you were doing Flash sites, you probably learned ActionScript. Rob: Yeah. Yeah. That was very convenient when I started learning JavaScript. It made it very easy to learn JavaScript faster because I already had a familiarity with ActionScript. So there’s a lot of similarities there. But yeah. Even before I started doing PHP, I started learning more HTML and CSS. I did do a couple of static websites between there that were just like no content management system at all. So I was able to kind of sharpen my sword there with the CSS and HTML, which wasn’t particularly hard. But yeah, definitely, the PHP… that was a big step was PHP because it’s a proper logical programming language. There was a lot there I needed to unpack, and so it took me a while. I had to stick to it and really rinse and repeat before I finally got my feet under me. Topher: I can imagine. All right. So then you work for yourself or you freelance or do you have a real job, as it were? Rob: Currently, I do have a real job. Currently, I’m working at a company called Bold Orange out of Minneapolis. They’re a web agency. But I kind of bounce around from a lot of different jobs. And then, yes, I do freelance on the side, and I also develop my own products as well for myself and my company. Topher: Cool. Bold Orange sounds familiar. Who owns that? Rob: To be honest, I don’t know who the owners are. It’s just a pretty big web agency out of Minneapolis. They are a big company. You could just look them up at boldorange.com. They work for some pretty big companies. Topher: Cool. All right. You and I talked last about WP Rig. Give me a little background on where that came from and how you got it. Rob: Yeah, for sure. Well, there was a period of time where I was working at a company called Proxy Bid that is in the auction industry, and they had a product or a service — I don’t know how you want to look at that —called Auction Services. That product is basically just building WordPress sites for auction companies. They tasked us with a way to kind of standardize those websites essentially. And what we realized is that picking a different theme for every single site made things difficult to manage and increase tech debt by a lot. So what we were tasked with was, okay, if we’re going to build our own theme that we’re just going to make highly dynamic so we can make it look different from site to site. So we want to build it, but we want to build it smart and we want to make it reusable and maintainable. So let’s find a good framework to build this on so that we can maintain coding standards and end up with as little tech debt as possible, essentially. That’s when I first discovered WP Rig. In my research, I came across it and others. We came across Roots Sage and some of the other big names, I guess. It was actually a team exercise. We all went out and looked for different ones and studied different ones and mine that I found was WP Rig. And I was extremely interested in that one over the other ones. Interestingly enough- Topher: Can you tell me why over the other ones? Rob: That’s a great question. Yeah. I really liked the design patterns. I really liked the focus on WordPress coding standards. So having a system built in that checked all the code against WordPress coding standards was cool. I loved the compiling transpiling, whatever, for CSS and JavaScript kind of built in. That sounded really, really interesting. The fact that there was PHP unit testing built into it. So there’s like a starter testing framework built in that’s easy to extend so that you can add additional unit tests as your theme grows. We really wanted to make sure… because we were very into CICD pipelines. So we wanted to make sure that as developers were adding or contributing to any themes that we built with this, that we could have automated tests run and automated builds run, and just automate as much as possible. So WP rig just seemed like something that gave us those capabilities right out of the box. So that was a big thing. And I loved the way that they did it. Roots Sage does something similar, but they use their blade templating engine built in there. We really wanted to stick to something that was a bit more standard WordPress so that there wasn’t like a large knowledge overhead so that we didn’t have to say like, okay, if we’re bringing on other developers, like junior developers work on it, oh, it would be nice if you use Laravel too because we use this templating engine in all of our themes. We didn’t want to have to worry about that essentially. It was all object-oriented and all that stuff too. That’s what looked interesting to me. We ended up building a theme with WP Rig. I don’t know what they ended up doing with it after that, because I ended up getting let go shortly thereafter because the company had recently been acquired. Also, this was right after COVID too. So there was just a lot of moving parts and changing things at the time. So I ended up getting let go. But literally a week after I got let go, I came across a post on WP Tavern about how this framework was looking for new maintainers. Basically, this was a call put out by Morton, the original author of WP Rig. He reached out to WP Tavern and said, “Look, we’re not interested in maintaining this thing anymore, but it’s pretty cool. We like what we’ve built. And so we’re looking for other people to come in and adopt it essentially.” So I joined a Zoom meeting with a handful of other individuals that were also interested in this whole endeavor, and Morton reached out to me after the call and basically just said, “I looked you up. I liked some of the input that you had during the meeting. Let’s talk a little bit more.” And then that eventually led to conversations about me essentially taking the whole project over entirely. So, the branding, the hosting of the website, being lead maintainer on the project. Basically, gave me the keys to the kingdom in terms of GitHub and everything. So that’s how it ended up going in terms of the handoff between Morton and I. And I’m very grateful to him. They really created something super cool and I was honored to take it over and kind of, I don’t know, keep it going, I guess. Topher: I would be really curious. I don’t think either of us have the answer. I’d be curious to know how similar that path is to other project handoffs. It’s different from like an acquisition. You didn’t buy a plugin from somebody. It was kind of like vibes, I guess. Rob: It was like vibes. It was very vibey. I guess that’s probably the case in an open source situation. It’s very much an open source project. It’s a community-driven thing. It’s for everybody by everybody. I don’t know if all open source community projects roll like that, but that’s how this one worked out. There was some amount of ownership on Morton’s behalf. He did hire somebody to do the branding for WP Rig and the logo. And then obviously he was paying for stuff like the WPrig.io domain and the hosting through SiteGround and so on and so forth. So, we did have to transfer some of that and I’ve taken over those, I guess, financial burdens, if you want to think of it like that. But I’m totally okay with it. Topher: All right. You sort of mentioned some of the things Rig does, compiling and all that kind of stuff. Can you tell me… we didn’t discuss this before. I’m sitting at my desk and I think I want a website. How long does it take to go from that to looking at WordPress and logging into the admin with Rig? Rob: Okay. Rig is not an environment management system like local- Topher: I’m realizing my mistake. Somebody sends me a design in Figma. How long does it take me to go from that to, I’m not going to say complete because I mean, that’s CSS, but you know, how long does it take me to get to the point where I’m looking at a theme that is mine for the client that I’m going to start converting? Rob: Well, if you’re just looking for a starting point, if you’re just like, okay, how long does it take to get to like, okay, here’s my blank slate and I’m ready to start adopting all of these rules that are set up in Figma or whatever, I mean, you’re looking at maybe 5 minutes, 10 minutes, something like that. It’s pretty automated. You just need some simple knowledge of Git. And then there are some prerequisites to using WP Rig. You do have to have composer installed because we do leverage some Composer packages to some of it, although to be honest, you could probably get away with not using Composer. You just have to be okay with sacrificing some of the tools the WP Rig assumes you’re going to have. And then obviously Node. You have to have Node installed. A lot of our documentation assumes that you have NPM, that you’re using NPM for all your Nodes or your package management. But we did recently introduce support for Bun. And so you can use Bun instead of NPM, which is actually a lot faster and better in many ways. Topher: Okay. A lot of my audience are not developers, users, or light developers, like they’ll download a theme, hack a template, whatever. Is this for them? Am I boring those people right now? Rob: That’s a great question. I mean, and I think this is an interesting dichotomy and paradigm in the WordPress ecosystem, because you’ve got kind of this great divide. At least this is something I’ve noticed in my years in the WordPress community is you have many people that are not coders or developers that are very interested in expanding their knowledge of WordPress, but it’s strictly from a more of a marketing perspective where it’s like, I just want to know how to build websites with WordPress and how to use it to achieve my goals online from a marketing standpoint. You have that group of people, and then you have this other group of people that are very developer centric that want to know how to extend WordPress and how to empower those other people that we just discussed. Right? Topher: Right. Rob: So, yeah, that’s a very good question. I would say that WP Rig is very much designed for the developers, not for the marketers. The assumption there is that you’re going to be doing some amount of coding. Now, can you get away with doing a very light amount of coding? Yes. Yes, you can. I mean, if you compare what you’re going to get out of that assumed workflow to something that you would get off like Theme Forest or whatever, it’s going to be a night and day difference because those theme, Forest Themes, have hours, hundreds, sometimes hundreds of hours of development put into them. So, you’re not going to just out of the box immediately get something that is comparable to that. Topher: You need to put in those hundreds of hours of development to make a theme. Rob: As of today, yes. That may change soon though. Topher: Watch this space. Rob: That’s all I’ll say. Topher: Okay. So now we know who it’s for. I’m assuming there’s a website for it. What is it? Rob: Yeah. If you go to WPrig.io, we have a homepage that shows you all the features that are there in WP Rig. And then there’s a whole documentation area that helps people get up and running with WP Rig because there is a small learning curve there that’s pretty palatable for anybody who’s familiar with modern development workflows. So that is a thing. So the type of person that this is designed for anybody that wants to make a theme for anything. Let’s say you’re a big agency and you pull in a big client and that client wants something extremely custom and they come to you with Figma designs. Sure, you could go out there and find some premium theme and try to like child theme and overhaul that if you want. But in many situations, I would say in most situations, if you’re working from a Figma design that’s not based off of another theme already that’s just kind of somebody else’s brainchild, then you’re probably going to want to start from scratch. And so the idea here is that this is something to replace an approach, like underscores an approach. Actually, WP Pig was based off of underscores. The whole concept of it, as Morton explained it to me, was that he wanted to build an underscores that was more modern and full-featured from a development standpoint. Topher: Does it have any opinions about Gutenberg? Rob: It does now, but it did not when I took it over because Gutenberg did not exist yet when I took over WP Rig. Topher: Okay. What are its opinions? Rob: Yeah, sure. The opinion right out of the gate is that you can use Gutenberg as an editor and it has support like CSS rules in it for the standard blocks. So you should be able to use regular Gutenberg blocks in your theme and they should look just fine. There’s no resets in there. It doesn’t start from scratch. There’s not a bunch of styling you have to do for the blocks necessarily. Now, if you go to the full site editing or block-based mentality here, there are some things you need to do in WP Rig to convert the out-of-the-box WP Rig into another paradigm essentially. Right when you pull WP Rig, the assumption is you’re building what most people would refer to as a hybrid theme. The theme supports API or whatever, and the assumption is that you’re not going to be using the site editor. You’re just going to kind of do traditional WordPress, but you might be using Gutenberg for your content. So you’re just using Gutenberg kind of to author your pages and your posts and stuff like that, but not necessarily the whole site. WP Rig has the ability to kind of transform itself into other paradigms. So the first paradigm we built out was the universal theme approach. And the idea there is that you get a combination of the full site editing capabilities. But then you also have the traditional menu manager and the settings customizer framework or whatever is still there, right? These are things that don’t exist in a standard block-based theme. So I guess an easy example would be like the 2025 WordPress theme that comes right out of the box. It comes installed in WordPress. That is a true block-based theme, not a universal theme. So it doesn’t have those features because the assumption there is that it doesn’t need those features. You can kind of transform WP Rig into a universal theme that’s kind of a hybrid between a block-based and a classic theme. And then it can also transform into a strictly block-based theme as well. So following the same architecture as like the WordPress 2025 theme or Ollie or something like that is also a true block-based theme as well. So you can easily convert or transform the starting point of WP Rig into either of those paradigms if that’s the type of theme you’re setting out to build. Topher: Okay. That sounds super flexible. How much work is it to do that? Rob: It’s like one command line. Previously we had some tutorials on the website that showed you step-by-step, like what you needed to change about the theme to do that. You would have to add some files, delete some files, edit some code, add some theme supports into the base support class and some other stuff. I have recently, as of like a year and a half ago or a year ago, created a command line or a command that you can type into the command line that basically does that entire conversion process for you in like the blink of an eye. It takes probably a second to a second and a half to perform those changes to the code and then you’re good to go. It is best to do that conversion before you start building out your whole theme. It’s not impossible to do it after. But you’re more likely to run into problems or conflicts if you’ve already set out building your whole theme under one paradigm, and then you decide how the project you want to switch over to block-based or whatever. You’re likely to run into the need to refactor a bunch of stuff in that situation. So it is ideal to make that choice extremely early on in the process of developing your theme. But either way it’ll still work. That’s just one of the many tools that exist in WP Rig to transform it or convert it in several ways. That’s just one example. There are other examples of ways that Rig kind of converts itself to other paradigms as well. Topher: Yeah. All right. In my development life, I’ve had two parts to it. And one is the weekend hobbyist, or I download cadence and I whip something up in 20 minutes because I just want to experiment and the other is agency life where everything’s in Git, things are compiled, there are versions, blah, blah, blah. This sounds very friendly to that more professional pathway. Rob: Absolutely. Yes. Or, I mean, there’s another situation here too. If you’re a company who develops themes and publishes them to a platform like ThemeForest or any other platform, perhaps you’re selling themes on your own website, whatever, if you’re making things for sale, there’s no reason you couldn’t use WP Rig to build your themes. We have a bundle process that bundles your theme for publication or publishing. Whether you’re an agency or whether you’re putting your theme out for sale, it doesn’t matter, during that bundle process, it does actually white label the entire code base to where there’s no mention of WP Rig in the code whatsoever. Let’s say you were to build a theme that you wanted to put up for sale because you have some cool ideas. Say, page transitions now are completely supported in all modern or in most modern browsers. And when I say print page transitions, for those that are in the know, I am talking about not single page app page transitions, but through website page transitions. You can now do that. Let’s say you were like, “Hey, I’m feeling ambitious and I want to put out some new theme that comes with these page transitions built in,” and that’s going to be fancy on ThemeForest when people look at my demo, people might want to buy that. You could totally use WP Rig to build that out into a theme and the bundle process will white label all of the code. And then when people buy your theme and download that code, if they’re starting to go through and look through your code, they’re not going to have any way of knowing that it was built with WP Rig unless they’re familiar with the base WP Rig architecture, like how it does its object-oriented programming. It might be familiar with the patterns that it’s using and be able to kind of discern like, okay, well, this is the same pattern WP Rig uses, so high likelihood it was built with WP Rig. But they’re not going to be able to know by reading through the code. It’s not going to say WP Rig everywhere. It’s going to have the theme all over the place in the code. Topher: Okay. So then is that still WP Rig code? It just changed its labels? Rob: Yeah. Topher: So, it’s not like you’re exporting HTML, CSS and JavaScript? The underlying Rig framework is still there. Rob: Yeah. During the bundle process, it is bundling CSS and HTML. Well, HTML in the case of a block-based theme. But, yeah, it is bundling your PHP, your CSS, your JavaScript into the theme that you’re going to let people download when they buy it, or that you’re going to ship to your whatever client’s website. But all that code is going to be transpiled. In the case of CSS and JavaScript, there’s only going to be minified versions of that code in that theme. The source code is not actually going to be in there. Topher: This sounds pretty cool. You mentioned some stuff might be coming. You don’t have to tell me what it is, but do you have a timeline? When should we be watching for the next cool thing from Rig? Rob: Okay, cool. Well, I’m going to keep iterating on Rig forever. Regardless of any future products that might be built on WP Rig, WP Rig will always and forever remain an open source product for anybody to use for free and we, I, and possibly others in the future will continue to update it and support it over time. We just recently put out 3.1. You could expect the 3.2 anytime in the next six months to a year, probably closer to six months. One feature I’m looking at particularly closely right now is the new stuff coming out in version 6.9 of WordPress around the various APIs that are there. I think one of them is called the form… There’s a field API and a form API or view API or something like that. So WP Rig comes with a React-based settings framework in it. So if you want your theme to have a bunch of settings in it to make it flexible for whoever buys your theme, you can use this settings framework to easily create a bunch of fields, and then that framework will automatically manage all your fields and store all the data from those fields and make it easy to retrieve the values of the input on those fields, without knowing any React at all. Now, if you know React, you can go in there and, you know, embellish what’s already there, but it takes a JSON approach. So if you just understand JSON, you can go in and change the JSON for the framework, and that will automatically add fields into the settings framework. So you don’t even have to know React to extend the settings page if you want. That will likely get an overhaul using these new APIs being introduced into Rig. Topher: All right. How often have you run into something where, “Oh, look, WordPress has a new feature, I need to rebuild my system”? Rob: Over the last four or five years, it’s happened a lot because, yeah, I mean, like I said, when I first took this thing over, Gutenberg had not even been introduced yet. So, you had the introduction of Gutenberg and blocks. That was one thing. Then this whole full site editing became a thing, which later became the site editor. So that became a whole thing. Then all these various APIs. I mean, it happens quite frequently. So I’ve been working to keep it modern and up to date over the past four years and it’s been an incredible learning experience. It not only keeps my WordPress knowledge extremely sharp, but I’ve also learned how various other toolkits are built. That’s been the interesting thing. From a development standpoint, there’s two challenges here. One of the challenges is staying modern on the WordPress side of things. For instance, WordPress coding standards came out with a version 3 and then a version 3.1 about two years ago. I had to update WP Rig to leverage those modern coding standards. So that’s one example is as WordPress changes, the code in WP Rig also needs to change. Or for instance, if new CSS standards change, right, new CSS properties come out, it is ideal for the base CSS in WP Rig, meaning the CSS that you get right out of the box with it, comes with some of these, for instance, CSS grid, Flexbox, stuff like that. If I was adopting a theme framework to build a theme on, I would expect some of that stuff to be in there. And those things were extremely new when I first took over WP Rig and were not all baked in there essentially. So I’ve had to add a lot of that over time. Now there’s another side to this, which is not just keeping up with WordPress and CSS and PHP, 8. whatever, yada yada yada. You’ve also got the toolkit. There are various node packages and composer packages of power WP Rig and the process in which it does the transpiling, the bundling, the automated manipulation of your code during various aspects of the usage of WP Rig is a whole nother set of challenges because now you have to learn concepts like, well, how do I write custom node scripts? Right? Like there were no WP CLI commands built into WP Rig when I first took it over. Now there’s a whole list. There’s a whole library of WP CLI commands that come in Rig right out of the gate. And so I’ve had to learn about that. So just various things that come with knowing how do you automate the process of converting code, that’s something that was completely foreign to me when I first took over WP Rig. That’s been another incredible learning experience is understanding like what’s the difference between Webpack and Gulp. I didn’t know, right? I would tell people I’m using Gulp and WP Rig and they would be like, “Well, why don’t you just use Webpack?” and I would say, “I don’t know. I don’t know what the difference is.” So over time I could figure out what are the differences? Why aren’t we using Webpack? And I’m glad I spent some time on that because it turns out Webpack is not the hottest thing anymore, so I just skipped right over all that. When I overhauled for version 3, we’re now not using Gulp anymore as of 3.1. We’re now using more of a Vite-like process, far more modern than Webpack and far better and faster and sleeker and lighter. I had to learn a bunch about what powers Vite. What is Vite doing under the hood that we might be able to also do in WP Rig, but do it in a WordPress way. Because Vite is a SaaS tool. If you’re building a SaaS, like React with a… we’re not a SaaS. I guess a spa is a better term to use here. If you’re building a single page application with React or view or belt or whatever, right, then knowing what Vite is and just using Vite right out of the box is perfect. But it doesn’t translate perfectly to WordPress land because WordPress has its own opinions. And so I did have to do some dissecting there and figure out what to keep and what to not keep to what to kind of set aside so that WordPress can keep doing what WordPress does the way WordPress likes to do it, but also improve on how we’re doing some of the compiling and transpiling and the manipulation of the code during these various. Topher: All right. I want to pivot a little bit to some personal-ish questions. Rob: Okay. Topher: This is a big project. I’m sure it takes up plenty of your time. How scalable is that in your life? Do you want to do this for the rest of your life? Rob: That’s a fantastic question. I don’t know about the rest of my life. I mean, I definitely want to do web development for the rest of my life because the web has, let’s be honest, it’s transformed everyone’s way of life, whether you’re a web developer or not. You know, the fact that we have the internet in our pocket now, you know, it has changed everything. Apps, everything. It’s all built on the web. So I certainly want to be involved in the web the rest of my life. Do I want to keep doing WordPress the rest of my life? I don’t know. Do I want to keep doing WP Rig the rest of my life? I don’t know. But I will say that you bring up a very interesting point, which is it does take up a lot of time and also trust in open source over the past four or five years I would argue has diminished a little bit as a result of various events that have occurred over the past two or three years. I mean, we could cite the whole WP Engine Matt Mullerwig thing. We can also cite what’s going on with Oracle and JavaScript. Well, I mean, there’s many examples of this. I mean, we can cite the whole thing that happened… I mean, there’s various packages out there that are used and developed and open source to anybody, and some of them are going on maintained and it’s causing security vulnerabilities and degradation and all this stuff. So it’s a very important point. One thing I started thinking about after considering that in relation to WP Rig was I noticed that there’s usually a for-profit arm of any of these frameworks that seems to extend the lifespan of it. Let’s just talk about React, for example, React is an open source JavaScript framework, but it’s used by Facebook and Facebook is extremely for-profit. So companies that are making infrastructural or architectural decisions, they will base their choice on whether or not to use a framework largely on how long they think this framework is going to remain relevant or valid or maintained, right? A large part of that is, well, is there a company making money off of this thing? Because if there is, the chances- Topher: They’re going to keep doing that. Rob: They’re going to keep doing it. It’s going to stay around. That’s good. I think that’s healthy. A lot of people that like open source and want everything to be free, they might look at something like that and say like, well, I don’t want you to make a paid version of it or there shouldn’t be a pro version. I think that’s a very short-sighted way of looking at that software and these innovations. I think a more experienced way of looking at it is if you want something to remain relevant and maintained for a long period of time, having a for-profit way in which it’s leveraged is a very good thing. I mean, let’s be real. Would WordPress still be what it is today if there wasn’t a wordpress.com or if WooCommerce wasn’t owned by Automattic or whatever, right? They’ll be on top. I mean, it’s obviously impossible to say, but my argument would be, probably not. I mean, look at what’s happened to the other content management systems out there. You know, Joomla Drupal. They don’t really have a flourishing, you know, paid pro service that goes with their thing that’s very popular, at least definitely not as popular as WordPress.com or WordPress VIP or some of these other things that exist out there. And so having something that’s making and generating money that can then contribute back into it the way Automattic has been doing with WordPress over these years has, in my opinion, been instrumental. I mean, people can talk smack about Gutenberg all they want, but let’s be real, it’s 2025, would you still feel that WordPress is an elegant solution if we were still working from the WYSIWYG and using the classic editor? And I know a lot of people are still using the classic editor and there’s classic for us, the fork and all that stuff. But I mean, that only makes sense in a very specific implementation of WordPress, a very specific paradigm. If you want to explore any of these other paradigms out there, that way of thinking about WordPress kind of falls apart pretty quickly. I, for one, am happy that Gutenberg exists. I’m very happy that Automattic continues. And I’m grateful, actually, that Automattic continues to contribute back into WordPress. And not just them, obviously there’s other companies, XWP, 10Up, all these other companies are also contributing as well. But I’m very grateful that this ecosystem exists and that there’s contribution going back in and it’s happening from companies that are making money with this. And I think that’s vital. All that to say that WP Rig may and likely will have paid products in the future that leverage WP Rig. So that’s not to say that WP Rig will eventually cost money. That’s just to say that eventually people can expect other products to come out in the future that will be built on WP Rig and incentivize the continued contributions back into WP Rig. The open source version of WP Rig. Topher: That’s cool. I think that’s wise. If you want anything to stay alive, you have to feed it. Rob: That’s right. Topher: I had some more questions but I had forgotten them because I got caught up in your answer. Rob: Oh, thank you. I’ll take that as a compliment. I mean, my answer was eloquent. But I’m happy to expand on anything, know you, WordPress related, me related, you know, whether it comes to the ecosystem in WordPress, the whole WordCamp meetup thing is very interesting. I led the WP Omaha meetup for many years here in Omaha, Nebraska and I also led the WordCamp, the organizing of WordCamp here in Omaha for several years as well. That whole community, the whole ecosystem, at least in America seems to have largely fallen apart. I don’t know if you want to talk about that at all. But yeah, I’m ready to dive into any topics. Topher: I’m going to have one more question and then we’re going to wrap up. And it was that you were talking about all the things you had to learn. I’m sure there were nights where you were looking at your computer thinking, “Oh man, I had it working, now I gotta go learn a new thing.” I would love for you to go back in time and blog all of that if you would. But given that you can’t, I would be interested in a blog moving forward, documenting what you’re learning, how you’re learning it and starting maybe with a post that’s summarizes all of that. Obviously, that’s up to you and how you want to spend your time, but I think it’d be really valuable to other people starting a project, picking up somebody else’s project to see what the roadmap might look like. You know what I mean? Rob: For sure. Well, I can briefly summarize what I’ve learned over the years and where I’m at today with how I do this kind of stuff. I will say that a lot of the improvements to WP Rig that have happened over the last year or two would not be possible without the advent of AI. Topher: Interesting. Rob: That’s a fancy way of saying that I have been by coding a lot of WP Rig lately. If you know how to use AI, it is extremely powerful and it can help you do many things very quickly that previously would have taken much longer or more manpower. So, yeah, perhaps if there was like five, six, seven people actively, excuse me, actively contributing to WP Rig, then this type of stuff would have been possible previously, but that’s not the case. There is one person, well, one main contributor to WP Rig today and you’re talking to them. There are a handful of other people that have been likely contributing to WP Rig over the versions and you can find their contributions in the change log file in WP Rig. But those contributions have been extremely light compared to what I’ve been doing. I wouldn’t be able to do any of it without AI. I have learned my ability to learn things extremely rapidly has ramped up tenfold since I started learning how to properly leverage LLMs and AI. So that’s not to say that like, you know, WP Rig, all the code is just being completely written by AI and I’m just like. make it better, enter, and then like WP Rig is better. I wish it was that easy. It’s certainly not that. But when I needed to start asking some of these vital questions that I really didn’t have anyone to turn to to help answer them, I was able to turn to AI. For instance, let’s go back to the Webpack versus Gulp situation. Although Gulp is no longer used in WP Rig, you know, it was used in WP Rig until very recently. So I had to understand like, what is this system, how does it work, how do I extend it and how do I update it and all these things, right? And why aren’t we using WebPack and you know, is there validity to this criticism behind you should use webpack instead of Gulp or whatever, right? I was able to use AI to ask these questions and be able to get extremely good answers out of it and give me the direction I needed to make some of these kind of higher level decisions on like architecturally where should WP Rig go? It was through these virtual conversations with LLMs that I was able to refine the direction of WP Rig in a direction that is both modern and forward-thinking and architecturally sound. I learned a tremendous amount from AI about the architecture, about the code, about all of it. My advice to anybody that wants to extend their skill set a little bit in the development side of things is to leverage this new thing that we have in a way that is as productive as possible for you. So that’s going to vary from person to person. But for me, if I’m on a flight or if I’m stuck somewhere for a while, like, let’s say I got to take my kid to practice or something and I’m stuck there for an hour and I got to find some way to kill my time 9 times out of 10, I’m on my laptop or on my phone having conversations with Grok or ChatGPT or Gemini or whatever. I am literally refining… I’m just sitting there asking it questions that are on my mind that I wish I could ask somebody who’s like 10 times more capable than me. It has been instrumental. WP Rig wouldn’t be where it is today if it wasn’t for that. I would just say to anybody, especially now that it’s all on apps and you don’t have to be on a browser anymore, adopt that way of thinking. You know, if you’re on your lunch break or whatever and you have an hour lunch break and you only take 15 minutes to eat, what could you be doing with those other 45 minutes? You could just jump on this magical thing that we have now and start probing it for questions. Like, Hey, here’s what I know. Here’s what I don’t know. Fill these knowledge gaps for me.” And it is extremely good at doing that. Topher: So my question was, can you blog this and your answer told me that there’s more there that I want to hear. That’s the stuff that should be in your book when you write your book. Rob: I’m flattered that you would be interested in reading anything that I write. So thank you. I’ve written stuff in the past and it hasn’t gotten a lot of attention. But I also don’t have any platforms to market it either. But yeah, no, I made some… I’m sorry. Topher: I think your experience is valuable far beyond Rig or WordPress. If you abstract it out of a particular project to say, you know, I did this with a project, I learned this this way, I think that would be super valuable. Rob: Well, I will say that recently at my current job, I was challenged to create an end to end testing framework with Playwright that would speed up how long it takes to test things and also prevent, you know, to make things fail earlier, essentially, to prevent broken things from ending up in the wild, right, and having to catch them the hard way. I didn’t know a lot about Playwright, but I do know how toolkits work now because of WP Rig. And I was able to successfully in a matter of, I don’t know, three days, put together a starter kit for a test framework that we’re already using at work to test any website that we create for any client. It can be extended and it can be hooked into any CI CD pipeline and it generates reports for you and it does a whole bunch of stuff. I was able to do this relatively quickly. This knowledge, yes, does come in handy in other situations. Will I end up developing other toolkits like WP Rig in the future for other things? I guess if I can give any advice to anybody listening out there, another piece of advice I would give people is, you know, especially if you’re a junior developer and you’re still learning or whatever, or you’re just a marketing person and just want to have more control over the functionality side of what you’re creating or more insight into that so you could better, you know, manage projects or whatever. My advice would be to take on a small little project that is scoped relatively small that’s not too much for you to chew and go build something and do it with… Just doing that will be good. But if you can do it with the intent to then present it in some fashion, whether it be a blog article or creating a YouTube video or going to a meetup and giving a talk on it or even a lunch and learn at work or whatever, right, that will, in my experience, it will dramatically amplify how much you learn from that little pet project that’s kind of like a mini learning experience. And I highly encourage anybody out there to do that on the regular. Actually, no matter what your experience level is in development, I think you should do these things on a regular basis. Topher: All right. I’m going to wrap this up. I got to get back to work. You probably have to get back to work. Rob: Yeah. Topher: Thanks for talking. Rob: Thanks for having me, Topher. Really appreciate it. Topher: Where could people find you? WPrig.io?  Rob: Yeah, WPrig.io. WP rig has accounts on all of the major platforms and, even on Bluesky and Mastodon. You can look me up, Rob Ruiz. You can find me on LinkedIn. You can find me on all of those same platforms as well. You can add me on Facebook if you want, whatever. And I’m also in the WordPress Slack as well as Rob Ruiz. You can find me in the WordPress Slack. And then I’m on the WordPress Reddit and all that stuff. So yeah, reach out. If anybody wants to have any questions about Rig or anything else, I’m happy to engage.  Topher: Sounds good. All right, I’ll see you. Rob: All right, thanks, Topher. Have a good day. Topher: This has been an episode of the Hallway Chats podcast. I’m your host Topher DeRosia. Many thanks to our sponsor Nexcess. If you’d like to hear more Hallway Chats, please let us know on hallwaychats.com.

Kitty Reads Lit for Peace: Edith Wharton – 12/30/25 (The 'Seventies) plus The Next Peacelands This episode features a New Year's-season reading from Edith Wharton's story “New Year's Day — The 'Seventies,” part of her 1924 collection Old New York. In this piece, Wharton examines memory, reputation, and the quiet consequences of a life lived under the watchful eye of society. Kitty reads a short excerpt that brings out Wharton's signature blend of precision, empathy, and moral insight. Kitty O'Compost continues warming up her reporter voice for the forthcoming Peace Is Here series The Peace Experiments exploring peace, AI, and the commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the Winter Holiday Reading list with links to the full stories: www.aviskalfsbeek.com/holiday Get Avis's books: www.AvisKalfsbeek.com Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Upcoming series: The Peace Experiments Edith Wharton – New Year's Day (The 'Seventies) on Gutenberg: https://www.gutenberg.org/ebooks/61321

Kitty Reads Lit for Peace: Henry David Thoreau – A Winter Walk plus The Next Peacelands This episode features a reflective reading from Henry David Thoreau's 1843 essay A Winter Walk—a quiet meditation on landscape, attention, and the moral clarity that comes from observing nature with patience. Kitty reads a short excerpt that highlights Thoreau's deliberate pace and his belief that paying attention is its own form of ethical living. Kitty O'Compost continues warming up her reporter voice for the forthcoming Peace Is Here series The Peace Experiments exploring peace, AI, and the commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the Winter Holiday Reading list with links to the full stories: www.aviskalfsbeek.com/holiday Get Avis's books: www.AvisKalfsbeek.com Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Upcoming series: The Peace Experiments • Henry David Thoreau – A Winter Walk on Gutenberg: https://www.gutenberg.org/cache/epub/9846/pg9846-images.html#chap05

El programa explora cómo los grandes finales de era en la historia transforman el mundo de forma imperceptible para sus habitantes. Se repasan las últimas horas del Tercer Reich y la caída del Titanic, ejemplo de soberbia tecnológica y social. También se analiza la aparente calma europea antes de la Primera Guerra Mundial, la conversión de Constantino al cristianismo, que redefine el Imperio Romano, y la llegada de Cortés a México, que pone fin al Imperio Azteca e inicia una nueva era. La imprenta de Gutenberg revolucionó el conocimiento. Hoy, internet y la inteligencia artificial disuelven modos de vida tradicionales, marcando un profundo cambio. Se subraya que, aunque celebremos el fin de año, los verdaderos cambios de era a menudo suceden sin que nos demos cuenta.

Kitty Reads Lit for Peace: Sarah Orne Jewett – “Aunt Cynthy Dallett” plus The Next Peacelands This episode features a winter excerpt from Sarah Orne Jewett's “Aunt Cynthy Dallett,” published in her 1899 collection The Queen's Twin and Other Stories. Set in the snowy Maine hill country, the story offers a calm, closely observed portrait of kinship, hospitality, and the quiet bonds that hold a community together even in the most isolated seasons. Kitty O'Compost continues warming up her reporter voice for the forthcoming Peace Is Here series The Peace Experiments exploring peace, AI, and the commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the Winter Holiday Reading list with links to the full stories: aviskalfsbeek.com/holiday Get Avis's books: AvisKalfsbeek.com Music: “The Red Kite” by Javier “Peke” RodriguezBandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Upcoming series: The Peace Experiments Sarah Orne Jewett – “Aunt Cynthy Dallett” on Gutenberg:https://www.gutenberg.org/cache/epub/74980/pg74980-images.html#Page_279

Kitty Reads Lit for Peace: John Burroughs – Winter Sunshine plus The Next Peacelands This episode features a winter selection from John Burroughs' 1875 essay collection Winter Sunshine—a calm, observant reflection on landscape, weather, and the steadying practice of paying close attention. Kitty reads a short excerpt that highlights Burroughs' quiet conviction that nature offers both clarity and companionship. Kitty O'Compost continues warming up her reporter voice for the forthcoming Peace Is Here series The Peace Experiments exploring peace, AI, and the commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the Winter Holiday Reading list with links to the full stories: www.aviskalfsbeek.com/holiday Get Avis's books: www.AvisKalfsbeek.com Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Upcoming series: The Peace Experiments John Burroughs – Winter Sunshine on Gutenberg (various editions): https://www.gutenberg.org/cache/epub/4279/pg4279-images.html

Kitty Reads Lit for Peace: Kate Douglas Wiggin – The Birds' Christmas Carol plus The Next Peacelands This episode features a warm, humane reading from Kate Douglas Wiggin's 1886 novella The Birds' Christmas Carol—a tender holiday story shaped by Wiggin's early work as a teacher and social reformer. Kitty reads a short excerpt that highlights Wiggin's belief in community care and the quiet dignity of everyday kindness. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons through grounded storytelling and thoughtful reflection. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the Winter Holiday reading list with links to full stories: www.aviskalfsbeek.com/holiday  Get the Avis's books: www.AvisKalfsbeek.com Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Upcoming series: The Peace Experiments Kate Douglas Wiggin – The Birds' Christmas Carol on Gutenberg: https://gutenberg.org/cache/epub/721/pg721-images.html

Merry Christmas! In between looking at houses to rent and packing up the Granger house in Oklahoma City, Nick and John put together this yuletide conversation about perhaps the most neglected of Rowling's influences, Dodie Smith's I Capture the Castle. John was a reluctant reader, but, while listening to the audio book, reading the Gutenberg.com file on his computer, and digging the codex out of his packed boxes of books, the author of Harry Potter's Bookshelf was totally won over to Nick's enthusiasm for Castle.In fact, John now argues that, even if Rowling didn't read it until she was writing Goblet of Fire as some have claimed, I Capture the Castle may be the best single book to understand what it is that Rowling-Galbraith attempts to do in her fiction. Just as Dodie Smith has her characters explain overtly and the story itself delivers covertly, When Rowling writes a story, like Smith it is inevitably one that is a marriage of Bronte and Austen, wonderfully accessible and engaging, but with important touches in the ‘Enigmatist' style of Joyce and Nabokov, full of puzzles and twists in the fashion of God's creative work (from the Estecean logos within every man [John 1:9] continuous with the Logos) rather than a portrait of creation per se. Can you say ‘non liturgical Sacred Art'?And if you accept, per Nick's cogent argument, that Rowling read Castle many times as a young wannabe writer? Then this book becomes a touchstone of both Lake and Shed readings of Rowling's work — and Smith one of the the most important influences on The Presence.Merry Christmas, again, to all our faithful readers and listeners! Thank you for your prayers and notes of support and encouragement to John and for making 2025 a benchmark year at Hogwarts Professor. And just you wait for the exciting surprises we have in hand for 2026!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.The Twelve Questions and ‘Links Down Below' Referred to in Nick and John's I Capture the Castle Conversation:Question 1. So, Nick, we spoke during our Aurora Leigh recording about your long term project to read all the books that Rowling has admitted to have read (link down below!), first question why? and secondly how is that going?Rowling's Admitted Literary InfluencesWhat I want is a single internet page reference, frankly, of ‘Rowling's Admitted Literary Influences' or ‘Confessed Favorites' or just ‘Books I have Read and Liked' for my thesis writing so I needn't do an information dump that will add fifty-plus citations to my Works Cited pages and do nothing for the argument I'm making.Here, then, is my best attempt at a collection, one in alphabetical order by last name of author cited, with a link to at least one source or interview in which Rowling is quoted as liking that writer. It is not meant as anything like a comprehensive gathering of Rowling's comments about any author; the Austen entry alone would be longer than the whole list should be if I went that route. Each author gets one, maybe two notes just to justify their entry on the list.‘A Rowling Reading of Aurora Leigh' Nick Jeffery Talking about ‘A Rowling Reading of Aurora Leigh' Question 2. ... which has led me to three works that she has read from the point of view of writers starting out, and growing in their craft. Which leads us to this series of three chats covering Aurora Leigh by Elizabeth Barrett Browning, I Capture the Castle by Dodie Smith and the Little Women series by Louisa May Alcott. I read Castle during the summer. Amid all the disruptions at Granger Towers, have you managed to read it yet? How did you find it?Capturing Dodie Smith's I Capture the Castle: Elizabeth Baird-Hardy (October 2011)Certain elements of the story will certainly resonate with those of us who have been to Hogwarts a fair few times: a castle with an odd combination of ancient and modern elements, but no electricity; eccentric family members who are all loved despite their individual oddities (including Topaz's resemblance to Fleur Delacour); travel by train; a character named Rose who may have been one of the reasons Rowling chose the name for Ron and Hermione's daughter; descriptions of food that make even somewhat questionable British cuisine sound tasty; and inanimate objects that have their own personalities (the old dress frame, which Rose and Cassandra call Miss Blossom, is voiced by Cassandra and sounds much like the talking mirror in Harry's room at the Leaky Caldron).But far more than some similar pieces, I Capture the Castle lends something less tangible to Rowling's writing. The novel has a tone that, like the Hogwarts adventures, seamlessly winds together the comic and the crushing in a way that is reflective of life, particularly life as we see it when we are younger. Cassandra's voice is, indeed, engaging, and readers will no doubt see how the narrative voice of Harry's story has some of the same features.A J. K. Rowling Reading of I Capture the Castle: Nick Jeffery (December 2025)Parallels abound for Potter fans. The Mortmain's eccentric household mirrors the Weasleys' chaotic warmth: loved despite quirks, from Topaz's nude communing with nature (evoking a less veiled Fleur Delacour) to Mortmain's intellectual withdrawal. Food descriptions—meagre yet tantalising—prefigure Hogwarts feasts, turning humble meals into sensory delights. Inanimate objects gain voice: the family dress-frame “Miss Blossom” offers advice, akin to the chatty mirrors or portraits in Rowling's world. Even names resonate—Rose Mortmain perhaps inspiring Ron and Hermione's daughter—and train journeys punctuate the plot.The Blocked Writer: James Mortmain, a father who spent his fame early and now reads detective novels in an irritable stupor, mirrors the “faded glory” or “lost genius” archetypes seen in Rowling's secondary characters, such as Xenophilius Lovegood and Jasper Chiswell.The Bohemian Stepmother: Topaz, who strides through the countryside in only wellington boots, shares the whimsical, slightly unhinged energy of a character like Luna Lovegood or Fleur Delacour.Material Yearning: The desperate desire of Cassandra's sister, Rose, to marry into wealth reflects the very real, non-magical pressures of class and poverty that Rowling weaves into Harry Potter, Casual Vacancy, Strike and The Ickabog.Leda Strike parallels: Leda Fox-Cotton the bohemian London photographer, adopts Stephen, the working-class orphan, and saves him from both unrequited love and the responsibility that comes with the Mortmain family.Question 3. [story of finishing the book last night by candle light in my electricity free castle] So, in short Nick, I thought it astonishing! I didn't read your piece until I'd finished reading Capture, of course, but I see there is some dispute about when Rowling first read it and its consequent influence on her as a writer. Can you bring us up to speed on the subject and where you land on this controversy?* She First Read It on her Prisoner of Azkaban Tour of United States?tom saysOctober 21, 2011 at 4:00 amIf I recall correctly, Rowling did not encounter this book until 1999 (between PoA & Goblet) when, on a book tour, a fan gave her a copy. This is pertinent to any speculation about how ‘Castle' might have influenced the Potter series.* Rowling Website: “Books I Read and Re-Read as a Child”Question 4. Which, when you consider the other books on that virtual bookshelf -- works by Colette, Austen, Shakespeare, Goudge, Nesbit, and Sewell's Black Beauty, something of a ‘Rowling's Favorite Books and Authors as a Young Reader' collection, I think we have to assume she is saying, “I read this book as a child or adolescent and loved it.” Taking that as our jumping off place, John, and having read my piece, do you wish you had read it before writing Harry Potter's Bookshelf?Harry Potter's Bookshelf: The Great Books behind the Hogwarts Adventures John Granger 2009Literary Allusion in Harry Potter Beatrice Groves 2017Question 5. So, yes, I certainly do think it belongs -- with Aurora Leigh and Little Women -- on the ‘Rowling Reader Essential Reading List.' The part I thought most interesting in your piece was, of course, the Shed elements I missed. Rowling famously said that she loved Jo Marsh in Little Women because, in addition to the shared name and the character being a wannabe writer, she was plain, a characteristic with which the young, plain Jane Rowling easily identified. What correspondences do you think Little Jo would have found between her life and Cassandra Mortmain's?* Nick Jeffery's Kanreki discussion of Rowling's House on Edge of Estate with Two Children, Bad Dad ‘Golden Thread' (Lethal White)Question 6. Have I missed any, John?* Rockefeller Chapel, University of ChicagoQuestion 7. Forgive me for thinking, Nick, that Cassandra's time in church taking in the silence there with all her senses may be the biggest take-away for the young Rowling; if the Church of England left their chapel doors open in the 70s as churches I grew up in did in the US, it's hard to imagine Jo the Reader not running next door to see what she felt there after reading that passage. (Chapter 13, conversation with vicar, pp 234-238). The correspondence with Beatrice Groves' favorite scene in the Strike novels was fairly plain, no? What other scenes and characters do you see in Rowling's work that echo those in Castle?* Chapter 13, I Capture the Castle: Cassandra's Conversation with the Vicar and time in the Chapel vis a vis Strike in the Chapel after Charlotte's Death* Beatrice Groves on Running Grave's Chapel Scene: ‘Strike's Church Going'Question 8. I'm guessing, John, you found some I have overlooked?Question 9. The Mortmain, Colly, and Cotton cryptonyms as well as Topaz and Cassandra, the embedded text complete with intratextuual references (Simon on psycho-analysis), the angelic servant-orphan living under the stairs (or Dobby's lair!) an orphan with a secret power he cannot see in himself, the great Transformation spell the children cast on their father, an experiment in psychomachia a la the Shrieking Shack or Chamber of Secrets, the hand-kiss we see at story's end from Smith, love delayed but expressed (Silkworm finish?), the haunting sense of the supernatural everywhere especially in the invocation that Rose makes to the gargoyle and Cassandra's Midsummer Night's Eve ritual with Simon, the parallels abound. Ghosts!* Please note that John gave “cotton” a different idiomatic meaning than it has; the correct meaning is at least as interesting given the Cotton family's remarkable fondness for all of the Mortmains!* Kanreki ‘Embedded Text' Golden Thread discussion 1: Crimes of Grindelwald* Kanreki ‘Embedded Text' Golden Thread discussion 2: Golden Thread Survey, Part II* Rose makes an elevated Faustian prayer to a Gargoyle Devil: Chapter IV, pp 43-46* Cassandra and Simon celebrate Midsummer Night's Eve: Chapter XII, pp 199-224Let's talk about the intersection of Lake and Shed, though, the shared space of Rowling's bibliography, works that shaped her core beliefs and act as springs in her Lake of inspiration and which give her many, even most of the tools of intentional artistry she deploys in the Shed. What did you make of the Bronte-Austen challenge that Rose makes explicitly in the story to her sister, the writer and avid reader?“How I wish I lived in a Jane Austen novel.” [said Rose]I said I'd rather be in a Charlotte Bronte.“Which would be nicest—Jane with a touch of Charlotte, or Charlotte with a touch of Jane?”This is the kind of discussion I like very much but I wanted to get on with my journal, so I just said: “Fifty percent each way would be perfect,” and started to write determinedly.Question 10. So, I'm deferring to both Elizabeth Barrett Browning and J. K Rowling. Elizabeth Barrett Browning valued intense emotion, social commentary, and a grand scope in literature, which led her to favour the passionate depth of the Brontës over the more restrained, ironical style of Jane Austen. Rowling about her two dogs: “Emma? She's a bundle of love and joy. Her sister, Bronte, is a bundle of opinions, stubbornness and hard boundaries.”Set in the 30s, written in the early 40s, but it seems astonishingly modern. Because her father is a writer, a literary novelist of the modern school, do you think there are other more contemporary novelists Dodie Smith was engaging than Austen and Bronte?Question 11. Mortmain is definitely Joyce, then, though Proust gets the call-out, and perhaps the most important possible take-away Rowling the attentive young reader would have made would have been Smith's embedded admiration for Joyce the “Enigmatist” she puts in Simon's mouth at story's end (Chapter XVI, pp 336-337) and her implicit criticism of literary novels and correction of that failing. Rowling's re-invention of the Schoolboy novel with its hidden alchemical, chiastic, soul-in-crisis-allegories and embedded Christian symbolism can all be seen as her brilliant interpretation of Simon's explanation of art to Cassandra and her dedication to writing a book like I Capture the Castle.* Reference to James Joyce by Simon Cotton, Chapter IX, p 139:* The Simon and Cassandra conversation about her father's novels, call it ‘The Writer as Enigmatist imitating God in His Work:' Chapter XVI, pp 331-334* On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtSacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”I want to close this off with our sharing our favorite scene or conversation in Castle with the hope that our Serious Reader audience will read Capture and share their favorites. You go first, Nick.* Cassandra and Rose Mortmain, country hicks in the Big City of London: Chapter VI, pp 76-77Question 12. And yours, John?* Cassandra Mortmain ‘Moat Swimming' with Neil Cotton, Chapter X, 170-174* Cassandra seeing her dead mother (think Harry before the Mirror of Erised at Christmas time?): Chapter XV, pp 306-308Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Johannes Gutenberg invented the movable type printing press. The mass production of books and other printed texts revolutionized the world. Gutenberg created a transformation in knowledge acquisition and communication. This kicked off the first information age. The printing press had a bigger effect on the world than the computer or the internet.

Kitty Reads Holiday Lit for Peace: Charles Dickens – The Story of the Goblins Who Stole a Sexton plus The Next Peacelands  This episode offers a lively seasonal reading from Charles Dickens' 1836 tale The Story of the Goblins Who Stole a Sexton—a Christmas Eve story and an unmistakable early predecessor to A Christmas Carol. Kitty reads a short excerpt that highlights Dickens' blend of humor, social conscience, and supernatural moral instruction. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com  Contact Avis: Contact Me Here Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com  Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Upcoming series: The Peace Experiments  Dickens – The Story of the Goblins Who Stole a Sexton on Gutenberg: https://www.gutenberg.org/ebooks/580 

Kitty Reads Holiday Lit for Peace: William Dean Howells – Christmas Every Day plus The Next Peacelands This episode includes a warm, lightly satirical reading from William Dean Howells' 1892 story Christmas Every Day—a playful tale about abundance, boredom, and the difference between holiday sentiment and daily kindness. Kitty reads a short portion that highlights Howells' realist clarity and gentle humor. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com  Contact Avis to say hello or share how to say “Peace is Here” in your language: Contact Me Here Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com  Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments (Season Zero) William Dean Howells – Christmas Every Day on Gutenberg: https://www.gutenberg.org/ebooks/22519 

Kitty Reads Holiday Lit for Peace: Nathaniel Hawthorne – The Christmas Banquet plus The Next Peacelands This episode includes a grounded reading from Nathaniel Hawthorne's 1844 story The Christmas Banquet—a reflective and morally serious tale that examines sorrow, companionship, and the possibility of renewal. Kitty reads just enough to bring out Hawthorne's characteristic clarity about conscience and community. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com  Contact Avis to say hello or share “Peace is Here” in your language: Contact Me Here Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com  Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments (Season Zero) Nathaniel Hawthorne – The Christmas Banquet on Gutenberg: https://www.gutenberg.org/ebooks/9228 

Today's guest is David McWilliams, an economist, podcast host and author. David worked at the Central Bank of Ireland, UBS and BNP Paribas and is the founder of the Kilkenomics Festival, a unique blend of economics and stand-up comedy. His book is called The History of Money: A Story of Humanity, which is my favorite book from 2025. In today's episode, David walks through the evolution of money over the last 5,000 years. He explains why money is a foundational social technology that is central to every aspect of our civilization, from the political to the artistic. He delves into historical anecdotes—from clay tablets in Mesopotamia to Gutenberg's printing press to Martin Luther's disruptive influence on the church. Throughout the episode, he emphasizes that economists need to do a better job helping people understand money and its role in navigating modern economic principles. (0:00) Starts (1:26) David explains the Kilkenomics Festival (3:41) David McWilliams on "Money, The History of Money, A Story of Humanity" (9:55) Evolution and trust in money throughout history (26:28) Impact of the Gutenberg printing press and Martin Luther (36:42) Historical perspectives on speculation and losing money (43:18) Future of economics, storytelling, and equity culture differences (49:18) Educating youth on finance and investing ----- Follow Meb on X, LinkedIn and YouTube For detailed show notes, click here To learn more about our funds and follow us, subscribe to our mailing list or visit us at cambriainvestments.com ----- Sponsor: Learn more about Alpha Architect and important information about the fund: funds.alphaarchitect.com/aaua  Follow The Idea Farm: X | LinkedIn | Instagram | TikTok ----- Interested in sponsoring the show? Email us at Feedback@TheMebFaberShow.com ----- Past guests include Ed Thorp, Richard Thaler, Jeremy Grantham, Joel Greenblatt, Campbell Harvey, Ivy Zelman, Kathryn Kaminski, Jason Calacanis, Whitney Baker, Aswath Damodaran, Howard Marks, Tom Barton, and many more.  ----- Meb's invested in some awesome startups that have passed along discounts to our listeners. Check them out here!  ----- Editing and post-production work for this episode was provided by The Podcast Consultant (https://thepodcastconsultant.com). ----- Ad Disclaimer: This information does not constitute advice or a recommendation or offer to sell or a solicitation to deal in any security or financial product. Certain information contained herein has been obtained from third party sources and such information has not been independently verified by The Idea Farm. No representation, warranty, or undertaking, expressed or implied, is given to the accuracy or completeness of such information by The Idea Farm or any other person. While such sources are believed to be reliable, The Idea Farm does not assume any responsibility for the accuracy or completeness of such information. The Idea Farm does not undertake any obligation to update the information contained herein as of any future date. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kitty Reads Holiday Lit for Peace: Louisa May Alcott – A Christmas Dream, and How It Came True plus The Next Peacelands This episode features a gentle excerpt from Louisa May Alcott's short holiday story A Christmas Dream, and How It Came True, a reflective tale about a child who learns that the real richness of Christmas comes from generosity, attention, and shared joy. Kitty reads just enough to let Alcott's calm moral clarity come through. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons. For this holiday edition of The Next Peacelands, Avis Kalfsbeek shifts focus away from warzones and arms suppliers to reflect on the quieter, relational work of peace—care, generosity, and the everyday choices that shape a humane world. Get Avis Kalfsbeek's books: www.AvisKalfsbeek.com  Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments Louisa May Alcott – A Christmas Dream, and How It Came True on Gutenberg: https://www.gutenberg.org/cache/epub/40682/pg40682-images.html#a-christmas-dream

Kitty Reads Holiday Lit for Peace: O. Henry – A Chaparral Christmas Gift plus The Next Peacelands This episode features a short reading from O. Henry's 1907 western holiday story A Chaparral Christmas Gift—a tale of grudges, frontier character, and the unexpected small mercies that can surface at Christmastime. Kitty reads a brief excerpt that highlights O. Henry's sharp attention to human behavior and his clear, unsentimental style. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com  Contact Avis to say hello or share “Peace is Here” in your language: Contact Me Here Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com  Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW  Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments (Season Zero) O. Henry – A Chaparral Christmas Gift on Gutenberg: https://gutenberg.org/cache/epub/1595/pg1595-images.html#chap20 

Kitty Reads Holiday Lit for Peace: Anthony Trollope – Christmas at Thompson Hall plus The Next Peacelands This episode features a short reading from Anthony Trollope's 1876 holiday comedy Christmas at Thompson Hall—a story full of winter travel mishaps, sharp observation, and the small dramas that arise when families try to reach home in the busiest season of the year. Kitty reads just enough to reveal Trollope's signature blend of social insight and quiet humor. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or share how to say “Peace is Here” in your language: Contact Me Here Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com  Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments (Season Zero) Anthony Trollope – Christmas at Thompson Hall on Gutenberg: https://www.gutenberg.org/ebooks/58558 

Kitty Reads Holiday Lit for Peace: Arthur Conan Doyle – The Adventure of the Blue Carbuncle plus The Next Peacelands This episode features a brief seasonal reading from Arthur Conan Doyle's 1892 mystery The Adventure of the Blue Carbuncle, one of the few Sherlock Holmes stories set at Christmastime. Kitty offers a short excerpt that highlights Doyle's distinctive blend of sharp observation, social awareness, and moral inquiry beneath the mechanics of a crime story. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series exploring peace, AI, and the cultural commons through grounded reporting and thoughtful storytelling. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com  Contact Avis to say hello or share “Peace is Here” in your language: Contact Me Here Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com  Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments (Season Zero) Arthur Conan Doyle – The Adventure of the Blue Carbuncle on Gutenberg: https://www.gutenberg.org/ebooks/48320 

In Episode 89, Brennan is joined by Broadway's Russell Daniels as they talk about his journey from a degree in Music Education to being Josh Gad's standby in Gutenberg on Broadway! From sketch comedy, to hit parody shows, to Broadway itself, Russell has made a name for himself as one of the best comedic actors in the biz, and has a lot of wisdom to share of how he did it!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Kitty Reads Holiday Lit for Peace: L. Frank Baum – A Kidnapped Santa Claus plus The Next Peacelands This episode features a short, spirited reading from L. Frank Baum's 1904 holiday tale A Kidnapped Santa Claus, in which Baum explores what happens when the world's bringer of joy is interrupted by creatures who cannot tolerate generosity. Kitty offers only a brief portion—just enough to reveal how Baum used fantasy to examine moral courage, communal responsibility, and the fragile work of keeping goodwill alive in a troubled world. Kitty O'Compost continues warming up for The Peace Experiments (Season Zero), the forthcoming Peace Is Here series investigating peace, AI, and the cultural commons through grounded reporting and thoughtful storytelling. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com  Contact Avis to say hello or share how to say “Peace is Here” in your language: Contact Me Here Music: “The Red Kite” by Javier “Peke” Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com  Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Intro Music: PulseBox on Pixabay Peace Is Here upcoming series: The Peace Experiments (Season Zero) L. Frank Baum – A Kidnapped Santa Claus on Gutenberg: https://www.gutenberg.org/ebooks/520 

Kitty Reads Lit for Peace: Charles Dickens – A Christmas Carol plus The Next Peacelands In today's holiday edition, Kitty O'Compost reads a short, seasonally grounded passage from Charles Dickens' A Christmas Carol—his mid-career meditation on generosity, personal transformation, and the moral imagination required to change one's life. Kitty offers only a brief excerpt, enough to settle listeners into the thoughtful clarity Dickens brought to questions of compassion and social responsibility. These December readings are part of Kitty's warm-up for The Peace Experiments: Experiment Zero, the new Peace Is Here series launching on New Year's Day. The episode closes with a special holiday version of The Next Peacelands. Instead of the usual real-time list of warzones and weapons suppliers, this month's practice offers the names of spiritual and humanitarian organizations working quietly and steadily for peace around the world—an invitation to join your intention with theirs during this reflective season. Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or let her know how to say “Peace is Here” in your language: Contact Me Here The Next Peacelands source: Armed Conflict Location & Event Data Project (ACLED) and the Stockholm Internation Peace Research Institute's Arms Transfers Database [as updated on Wikipedia. Music: "The Red Kite" by Javier "Peke" Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW?si=uszJs37sTFyPbXK4AeQvow Intro Music: PulseBox on Pixabay Peace is Here podcast series Coming Soon!: The Peace Experiments (Season Zero) Charles Dickens – A Christmas Carol  on Gutenberg: https://www.gutenberg.org/ebooks/19337 

Kitty Reads Lit for Peace: Leo Tolstoy – Letter to a Hindu plus The Next Peacelands This episode includes a short reading from “Tolstoy's Letter to a Hindu,” a late-life reflection on nonviolence, conscience, and the moral strength of ordinary people. Kitty offers only a brief portion, giving listeners a steady moment inside Tolstoy's clear-hearted thinking. Kitty O'Compost warms up for The Peace Experiments, the upcoming Peace Is Here series exploring peace, AI, and the commons. For this special holiday edition of The Next Peacelands, Avis Kalfsbeek changes her focus from the factual grounding of warzones and arms suppliers to highlight the spiritual organizations and networks actively building peace around the world. Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or let her know how to say “Peace is Here” in your language: Contact Me Here Music: "The Red Kite" by Javier "Peke" Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW?si=uszJs37sTFyPbXK4AeQvow Peace is Here podcast series Coming Soon!: The Peace Experiments Leo Tolstoy Letter to a Hindu on Gutenberg: https://www.gutenberg.org/files/7176/7176-h/7176-h.htm

Kitty Reads Lit for Peace: Edgar Allan Poe – The Unparalleled Adventure of One Hans Pfaall plus The Next Peacelands This episode features a short reading from Edgar Allan Poe's playful tale “The Unparalleled Adventure of One Hans Pfaall,” a story that steps away from his darker moods and into a world of odd inventions and improbable journeys. Kitty offers just a brief excerpt, giving listeners a light, curious moment inside Poe's imaginative side. Kitty O'Compost warms up for The Peace Experiments (Season Zero) , the upcoming Peace Is Here series exploring peace, AI, and the commons. The episode closes with The Next Peacelands, where Avis Kalfsbeek reads a real-time list of global warzones and major arms suppliers—an honest grounding in the world as it is, and an invitation to practice peace with intention. Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or let her know how to say “Peace is Here” in your language: Contact Me Here The Next Peacelands source: Armed Conflict Location & Event Data Project (ACLED) and the Stockholm Internation Peace Research Institute's Arms Transfers Database [as updated on Wikipedia. Music: "The Red Kite" by Javier "Peke" Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW?si=uszJs37sTFyPbXK4AeQvow Peace is Here podcast series Coming Soon!: The Peace Experiments (Season Zero) Edgar Allan Poe – The Unparalleled Adventure of One Hans Pfaall  on Gutenberg: https://www.gutenberg.org/files/2147/2147-h/2147-h.htm 

In this episode, Johanne Courtright chats with Nathan Wrigley about her journey in WordPress development, focusing on enhancing the block editor (Gutenberg). She discusses her project, Groundworx, which adds features and custom blocks tailored for agencies and advanced users, such as improved breakpoints, colour palettes, and navigation options. They explore the challenges of shifting to full site editing, the 80/20 rule in WordPress Core, and the evolving ecosystem for block-based business models. Johanne also emphasises the need for better plugin discoverability and user experience in the WordPress directory. Whether you're a developer eager to modernise your workflow, or just curious about extending Gutenberg for real-world use, this episode is for you.

Kitty Reads Lit for Peace: Thomas Carlyle – Sartor Resartus plus The Next Peacelands This episode features a brief reading from Thomas Carlyle's Sartor Resartus, a playful and philosophical work that blends commentary, imagination, and the search for meaning. Kitty offers only a small portion, giving listeners a gentle, thoughtful moment inside Carlyle's unusual world. Kitty O'Compost warms up for The Peace Experiments (Season Zero) , the upcoming Peace Is Here series exploring peace, AI, and the commons. The episode closes with The Next Peacelands, where Avis Kalfsbeek reads a real-time list of global warzones and major arms suppliers—an honest grounding in the world as it is, and an invitation to practice peace with intention. Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or let her know how to say “Peace is Here” in your language: Contact Me Here The Next Peacelands source: Armed Conflict Location & Event Data Project (ACLED) and the Stockholm Internation Peace Research Institute's Arms Transfers Database [as updated on Wikipedia. Music: "The Red Kite" by Javier "Peke" Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW?si=uszJs37sTFyPbXK4AeQvow Peace is Here Podcast Series Coming Soon!: The Peace Experiments Carlyle – Sartor Resartus on Gutenberg: https://www.gutenberg.org/cache/epub/1051/pg1051-images.html

In this episode, Johanne Courtright chats with Nathan Wrigley about her journey in WordPress development, focusing on enhancing the block editor (Gutenberg). She discusses her project, Groundworx, which adds features and custom blocks tailored for agencies and advanced users, such as improved breakpoints, colour palettes, and navigation options. They explore the challenges of shifting to full site editing, the 80/20 rule in WordPress Core, and the evolving ecosystem for block-based business models. Johanne also emphasises the need for better plugin discoverability and user experience in the WordPress directory. Whether you're a developer eager to modernise your workflow, or just curious about extending Gutenberg for real-world use, this episode is for you.

Daniel Defoe – The Life and Adventures of Robinson Crusoe plus The Next Peacelands This episode includes a brief excerpt from Daniel Defoe's The Life and Adventures of Robinson Crusoe, offering a small step into the early moments of the novel's world. Kitty reads just enough to catch Defoe's plainspoken tone and the quiet sense of possibility that opens the story. Kitty O'Compost warms up for The Peace Experiments (Season Zero) , the upcoming Peace Is Here series exploring peace, AI, and the commons. The episode closes with The Next Peacelands, where Avis Kalfsbeek reads a real-time list of global warzones and major arms suppliers—an honest grounding in the world as it is, and an invitation to practice peace with intention. Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or let her know how to say “Peace is Here” in your language: Contact Me Here The Next Peacelands source: Armed Conflict Location & Event Data Project (ACLED) and the Stockholm Internation Peace Research Institute's Arms Transfers Database [as updated on Wikipedia. Music: "The Red Kite" by Javier "Peke" Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW?si=uszJs37sTFyPbXK4AeQvow Peace is Here podcast series Coming Soon!: The Peace Experiments (Season Zero) Daniel Defoe – The Life and Adventures of Robinson Crusoe on Gutenberg: https://www.gutenberg.org/ebooks/521

En direct de Florence, on se pose la question: qu'est-ce que c'est que la Renaissance italienne et comment ça s'est déployé ? Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Montage: Diane, Artémis Production | artemisproduction.framer.website 00:00 Introduction 02:14 Qu'est-ce que la Renaissance 06:03 Humanisme et philosophie 09:29 Néoplatonisme et culte de la beauté 13:19 Sciences et découvertes 17:27 Peinture et perspective 25:57 Corps et beauté 34:01 L'Italie Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: ANTONETTI, Pierre. Les Médicis. Paris, PUF, 1997. ARASSE, Daniel, L'Homme en perspective - Les primitifs d'Italie, Paris, Hazan, 2008 ARASSE, Daniel et A. TONNESMANN. La Renaissance maniériste. Paris, Gallimard, 1997. BARBIER, Frédéric. L'Europe de Gutenberg, le livre et l'invention de la modernité occidentale (XIIIe-XVIe siècle). Paris, Belin, 2006. BAXANDALL, Michael. L'œil du Quattrocento. Paris, Gallimard, 1985. BAXANDALL. M. Les humanistes à la découverte de la composition en peinture, 1340-1450. Paris, Seuil, 1989. BENNASSAR, Bartolomé et Jean Jacquart, Le 16e siècle, Paris, Armand Colin, 2002 (1972). BONNEY, Richard. The European Dynastic States, 1494-1660. Oxford, Oxford University Press, 1991. BLOCH, Ernst. La philosophie de la Renaissance. Paris, Payot, 2007 (1972). BRIOIST, Pascal, La Renaissance, 1470-1570, Paris, Atlande, 2003. BURKE, Peter, La Renaissance européenne, Paris, Le Seuil, 2000. CHASTEL, André. Art et humanisme à Florence au temps de Laurent le Magnifique. Paris, PUF, 1959. CHASTEL, André. Le geste dans l'art. Paris, Liana Levi, 2001. CASSAN, Michel, L'Europe au XVIe siècle, Paris, Armand Colin, 2008. CONSTANT, Jean-Marie. Naissance des États modernes. Paris, Belin, 2000. CLOULAS, Ivan (dir.). et al. L'Italie de la Renaissance, un monde en mutation 1378-1494. Paris, Fayard, 1990. CROUZET-PAVAN, Élisabeth, Venise, une invention de la ville XIIIe-XVe siècle, Seyssel, Champ Vallon, 1997. DAMISH, H. L'origine de la perspective. Paris, Flammarion, 1987. DAUMAS, Maurice, Images et sociétés dans l'Europe moderne, 15e-18e siècle, Paris, Armand Colin, 2000. DAUSSY Hugues, Patrick Gilli et Michel Nassiet, La Renaissance (vers 1470-vers 1560), Paris, Belin, 2003 DELUMEAU, Jean. La civilisation de la Renaissance. Paris, Arthaud, 1967. DELUMEAU, Jean. L'Italie de la Renaissance à la fin du XVIIIe siècle. Paris, Armand Colin, 1997 (1974). DUPRAT, Annie, Images et Histoire. Outils et méthodes d'analyse des documents iconographiques, Paris, Belin, 2007. LEBRUN, François, L'Europe et le monde, XVIe, XVIIe, XVIIIe siècle, Paris, Armand Colin, 1997. GARIN, Eugenio. L'humanisme italien. Paris, Albin Michel, 2005 (1947). GOLDWAITE. R.A. The building of Renaissance Florence. An Economic and Social History. Baltimore and London, The John Hopkins University Press, 1980. GUENÉE, B. L'Occident aux XIVe et XVe siècles. Paris, PUF, 1998. HAVELANGE, Carl. De l'œil et du monde. Une histoire du regard au seuil de la modernité. Paris, Fayard, 1998. HALE, John Rigby. La civilisation de l'Europe à la Renaissance. Paris, Perrin, 1998. HEERS, Jacques. Les temps dits « de transition » (1300 à 1520 environ). Paris, Mentha, 1992. HEERS, Jacques. La vie quotidienne à la cour pontificale au temps des Borgia et des Médicis (1420-1520). Paris, Hachette, 1986. HÉLIE, Jérôme. Petit Atlas historique des temps moderne, Paris, Armand Colin, 2016 (2000). JAHAN, Sébastien. Les renaissances du corps en occident : 1450-1650. Paris, Belin, 2004. JONES-DAVIS, Marie-Thérèse (dir.). L'oisiveté au temps de la Renaissance, Paris, PUPS, 2002 MANDROU, Robert. Introduction à la France moderne, 1500-1640, Essai de psychologie historique. Paris, Albin Michel, 1988 (1961). MUCHEMBLED, Robert (dir.), Les XVIe et XVIIe siècles, histoire moderne, Paris, Bréal, 1995. PERONNET, M. et L. Roy, Le XVIe siècle, 1492-1620, Paris, Hachette, 2005. POUSSOU, J.P. (dir.), Le Renaissance. Enjeux historiographiques, méthodologie, bibliographie commentée, Paris, Armand Colin, 2002. SALLMANN, Jean-Michel. Géopolitique du XVIe siècle, 1490-1618, Paris, Seuil, 2003. TENENTI, Alberto, Florence à l'époque des Médicis, de la cité à l'État, Paris, Flammarion, 1968. ZIMMERMAN, Susan and R.F.E. WEISSMANN. Urban Life in the Renaissance. Newark, University of Delaware Press, 1988. Autres références disponibles sur demande. #histoire #documentaire #renaissance #florence #italy #italie

Kitty Reads Lit for Peace: Washington Irving – Rip Van Winkle plus The Next Peacelands   This episode features a brief passage from Washington Irving's Rip Van Winkle, offering a small step into one of America's classic folk tales. Kitty reads just enough to feel the gentle rhythm of Irving's storytelling and the quiet magic he wove into everyday life.   Each day's reading continues to serve as Kitty's warm-up for CTRL–AI–DISARM, the upcoming Peace Is Here series exploring truth, power, and the systems shaping our shared future.   The episode closes with The Next Peacelands, where Avis Kalfsbeek reads a real-time list of global warzones and major arms suppliers—an honest grounding in the world as it is, and an invitation to practice peace with intention.   Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or let her know how to say “Peace is Here” in your language: Contact Me Here Rip Van Winkle by Washington Irving on Gutenberg: https://www.gutenberg.org/files/60976/60976-h/60976-h.htm The Next Peacelands source: Armed Conflict Location & Event Data Project (ACLED) and the Stockholm Internation Peace Research Institute's Arms Transfers Database [as updated on Wikipedia. Music: "Dalai Llama Riding a Bike" by Javier "Peke" Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW?si=uszJs37sTFyPbXK4AeQvow Peace is Here podcast series Coming Soon!: CTRL-AI-DISARM

The newest episode of the Gutenberg Changelog podcast, #125, features hosts Birgit Pauli-Haack and JC Palmes discussing a major trio of releases: WordPress 6.9, Gutenberg 22.1, and Gutenberg 22.2. JC highlights several exciting features in WordPress 6.9, focusing on significant developer and editor experience improvements, including the full iframe editor, routing, DataViews, the Interactivity API, pattern logic and content-only mode, and the Abilities…

Au cœur du XVe siècle, Gutenberg révolutionne la diffusion du savoir en inventant l'imprimerie à caractères mobiles métalliques. Entre Strasbourg, où il développe son premier prototype, et Mayence, où il imprime sa célèbre Bible, cet orfèvre visionnaire combine ingénieusement les techniques. Grâce à lui, des exemplaires reliés vont circuler dans toute l'Europe. Découvrez le parcours de l'homme qui a changé à jamais le rapport à la connaissance. Crédits : Lorànt Deutsch, Bruno Calvès. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

La véritable histoire derrière la la chanson de Roland, les frasques du pire pape de notre histoire, les origines de Thanksgiving... Découvrez le programme de la semaine du 24 au 28 novembre 2025. Chaque dimanche dans un podcast inédit, au micro de Chloé Lacrampe, Lorànt Deutsch présente le programme à venir dans "Entrez dans l'Histoire". Retrouvez l'émission du lundi au vendredi, de 15h à 15h30 sur RTL. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Peter St Onge joins the Bitcoin Infinity Show to reveal how Bitcoin shatters 1,000-year empire money cycles, exposes fiat collapse, and flips inflation theft via Cantillon effects—plus Europe's looming 2025 meltdown and Bitcoin as the ultimate escape. As an Austrian economist, he demystifies why governments bungled banning Bitcoin, why hard money empowers the poor, and how tech like the internet echoes Gutenberg 2.0 for liberty. Dive into praxeology, statism critiques, and why Bitcoin reduces violence incentives in this must-watch for sovereign individuals. Connect with Peter St Onge:  https://x.com/profstonge  Connect with Us: https://www.bitcoininfinityshow.com/ https://bitcoininfinitystore.com https://primal.net/infinity https://primal.net/knut https://primal.net/luke https://twitter.com/BtcInfinityShow https://twitter.com/knutsvanholm https://twitter.com/lukedewolf Join the Bitcoin Infinity Academy at our Geyser page: https://geyser.fund/project/infinity  Thanks to our sponsors - check out their websites for info: BitVault: https://bitvault.sv/ - Use Code INFINITY for 10% off!  BitBox: https://bitbox.swiss/infinity - Use Code INFINITY for 5% off!  Bitcoin Adviser: https://content.thebitcoinadviser.com/freedom ShopInBit: https://shopinbit.com/bitcoininfinity - Use code INFINITY for a €5 discount!  The Bitcoin Infinity Show is a Bitcoin podcast hosted by Knut Svanholm and produced by Luke de Wolf.

The conversation explores the profound impact of adoption stories on individuals and communities. Matthew Decker shares his experiences of discussing a play about adoption, revealing how it has encouraged others to open up about their own adoption stories. The dialogue highlights the beauty of connection and the emotional resonance of shared experiences among adoptees.Theatre Horizon presents Wishing to Grow Up Brightly, a genre-defying new musical co-created by Amanda Morton (The Color Purple, A New Brain, Into the Woods, Broadway's Maybe Happy Ending, Gutenberg! The Musical! and KPOP) with longtime collaborator Theatre Horizon's multi-time Barrymore Award-winning Interim Artistic Director Matthew Decker (The Few, A New Brain, Into the Woods, Broadway's upcoming La La Land), Josh Totora, and Brenson Thomas. In this surreal and heartfelt story, South Korean adoptee Amanda Newton returns to her white childhood home after her father's death. There, she discovers her father's preserved memories through a futuristic service called reMemorex, launching her on a time-bendingjourney through grief, identity, sitcom nostalgia, and long-silenced questions. Morton, a three-time Barrymore Award recipient for Outstanding Music Direction for productions at Theatre Horizon and Wilma Theater, inspired this story, and Decker directs. Wishing to Grow Up Brightly has been supported by The Pew Center for Arts & Heritage. Performances run November 5 to November 23, 2025.FOR TICKETS AND INFORMATION: https://theatrehorizon.org

In episode 124 of the Gutenberg Changelog podcast, Birgit Pauli-Haack and guest Ellen Bauer discuss the latest WordPress and Gutenberg updates, including the upcoming WordPress 6.9 release and Gutenberg 22.0. Highlights include insights on AI-powered site building, the importance of collaboration tools like block comments, new blocks such as accordion and stretchy text, and the enhanced plugin security review. …

In this follow-up episode of Building Better Developers, Wes Towers returns to share his hands-on approach to WordPress SEO for developers. From choosing lean tools like Kadence and Rank Math to using AI for faster content creation, Wes explains how developers can simplify design, speed up performance, and stay visible in an AI-driven search world. Key Idea: Smart WordPress SEO for developers isn't about more plugins—it's about clarity, speed, and content that stands out across search and AI platforms. About the Guest — Wes Towers Wes Towers is the founder of Uplift 360, a Melbourne-based digital agency that helps builders and trades turn websites into trusted, lead-generating tools. With over 20 years of hands-on experience, Wes focuses on authenticity, clear strategy, and measurable growth — no fluff, just results. Through his work and podcast appearances, he shares practical insights on niching for developers, SEO, and building trust in an AI-driven world.

In this WP Tavern Jukebox podcast episode, Nathan Wrigley talks with Joshua Bryant about how Dow Jones uses WordPress in a headless setup to power major news sites like the Wall Street Journal. Joshua shares how his team decoupled the Gutenberg editor, embedding it in a React application for super-fast, distraction-free publishing, crucial for breaking news. He explains the technical process, challenges faced, and the benefits for editorial workflows, highlighting the importance of time-saving and adaptability for large-scale, enterprise publishing environments. If you're interested in headless WordPress, editorial workflows at scale, or how enterprise newsrooms leverage open-source tech for real-world speed, this episode is for you.

In this conversation, Amanda Morton shares her personal journey of adoption and how it shapes her identity. She discusses the process of returning home to help her mother pack up childhood belongings after a loss, which leads to profound realizations about her past and the universal nature of such experiences.WISHING TO GROW UP BRIGHTLYBook by Amanda Morton, Matthew Decker & Brenson ThomasMusic by Josh TotoraLyrics by Amanda Morton and Josh TotoraDirected by Matthew DeckerA bold new musical inspired by the real-life story of Amanda Morton (The Color Purple, Broadway's Gutenberg! The Musical!, KPOP), co-created with longtime collaborator and Theatre Horizon co-founder Matthew Decker, alongside Josh Totora and Brenson Thomas. After the death of her father, Amanda Newton—a Korean-American adoptee—returns to her childhood home to help her mother pack up. There, she discovers a trove of his preserved memories, created by a tech company called reMemorex, and is pulled into a surreal and intimate journey through loss, identity, and the questions that have quietly shaped her life. As Amanda searches for connection in the fragments he left behind, she begins to confront a deeper longing: how do you create a sense of home when it was taken from you before you even knew what it was?Wishing to Grow Up Brightly has been supported by The Pew Center for Arts & Heritage.FOR MORE INFORMATION: https://theatrehorizon.org

In this podcast episode, host Michelle Frechette chats with developer Mark Westguard about the new Image Roulette plugin, which randomizes images on WordPress sites while keeping alt text and captions for accessibility. The plugin was inspired by Michelle's need to display randomized Speed Networking conversation cards.They demonstrate how it works, discuss potential eCommerce uses, and share experiences using AI tools like Claude to speed up development. The episode also highlights collaboration, creativity, and fun within the WordPress community.Top Takeaways:Image Roulette Plugin: Michelle's accessibility challenge inspired Mark to create a plugin that randomizes images while preserving alt text and captions. Within hours, he developed a fully functional prototype that later became a public WordPress plugin.Accessibility at the Core: The plugin automatically uses each image's existing media library fields (alt text, title, caption), ensuring accessibility is built-in rather than an afterthought — aligning with WordPress's broader emphasis on inclusive design.Simplicity and Versatility: Image Roulette works via both a Gutenberg block and a shortcode, making it compatible with different site builders. It's ideal not only for random prompts but also for creative and commercial applications, such as eCommerce product showcases.Mentioned In The Show:MooImage RouletteInsta WPClaudeCursorAngieWP World

In this WP Builds podcast episode, Nathan Wrigley chats with Amadeu Arderiu about three innovative WordPress AI projects: ploogins.com, an AI-powered search engine for both free and premium plugins. Joinchat, a plugin that adds an AI chatbot to your site, answering queries using your website's content. And Suggerence, an experimental tool that lets users interact with, and build inside, the Gutenberg block editor using AI-driven natural language and even drawings! They discuss technical challenges, future possibilities, monetisation, and the evolving role of AI in WordPress. Go listen...

At the Gutenberg Moment: How AI is Reshaping Faith, Technology, and Kingdom ImpactJoin host Justin Forman for a pivotal conversation with Pat Gelsinger in Boulder, Colorado, exploring how faith-driven leaders can steward the most transformative technology cycle of the modern era. From his 45 uninterrupted years in tech to his transition into investing and leading Gloo, Pat shares profound insights on navigating seasons of life, building the faith technology platform, and positioning the church to ride—not watch—the AI wave.This episode tackles critical questions about fragmentation in the faith ecosystem, the power of unified action, and why showing up "bigger" matters for Kingdom influence. Pat unpacks Gloo's mission to make AI suitable and trustworthy for the faith community, the surprising results of flourishing AI benchmarks, and his audacious vision: educating every child on the planet within the next 10-15 years.Key Topics:The painful yet purposeful transition from 45 years at Intel to a new season of investing and impactWhy next-generation entrepreneurs are "spiritual but not religious" and what that means for businessGloo's mission: Building the faith technology platform at a Gutenberg momentHow AI can accelerate mission—from conquering 7,000 languages to custom education for every childThe flourishing AI benchmarks: Measuring models against human flourishing (and why DeepSeek leads)Why the church is the "largest fragmented industry on planet Earth" and how to show up biggerTransforming the Bay with Christ (TBC): 900 churches united in one of America's least churched regionsThe critical shift from "for Christ" to "with Christ" in transformation workNotable Quotes:"We're at a Gutenberg moment. Will we the church be captivated, accelerated, mission empowered by AI? Or will we sit on the outside watching?" - Pat Gelsinger"Next-generation entrepreneurs—they're not religious, but they're spiritual. There's a deeper spiritual expectation and they really care about the soul implications of business success." - Pat Gelsinger"If we educate the 300 million children living in poverty today, I think I will have done more to eliminate poverty than any other single thing you could do—and I believe we can do that in the next decade." - Pat Gelsinger

In this episode, Birgit Pauli-Haack and Isabel Brison dive into WordPress 6.9 and Gutenberg 21.9. They discuss major updates such as collaborative block-level comments (notes), expanded template management, the new command palette, and foundational block visibility features. New blocks like the accordion, math, and terms query block are highlighted, alongside enhancements in typography and time-to-read.…

In this episode of WP Tavern, Seth Rubenstein from Pew Research Center talks with host Nathan Wrigley about advanced WordPress development, focusing on block composability in Gutenberg. Seth explains how new APIs, Block Bindings, Block Bits, and the Interactivity API, are making WordPress more powerful, enabling developers and editors to build dynamic web applications, like complex quizzes, directly in the block editor. They discuss the potential for easier UI interfaces and the promising future of WordPress as a flexible platform for interactive content, while touching on performance improvements and upcoming needs like responsive blocks. Whether you're a developer curious about the future of Gutenberg or an editor dreaming of more drag-and-drop web app power, this episode is for you.

Thanks to his invention of Europe's first typographic printing method, and his pioneering work on the first printed Bible, the fifteenth-century German inventor Johannes Gutenberg has a fame and reputation that continues to this day. In 1997, Time magazine credited him with the most important innovation of the past one thousand years. However, due to scant and vague documentation, Gutenberg's actual life and career have been clouded in myth and speculation. In this episode, Jacke talks to scholar Eric Marshall White about his new book, Johannes Gutenberg: A Biography in Books, which seeks to correct the record by analyzing Gutenberg and the books that remain his lasting monument. PLUS HOL pays tribute to Lolita, Vladimir Nabokov's beautifully told tale of a dark and ugly obsession (and #14 on the list of the Greatest Books of All Time), by repeating excerpts from three previous interviews, in which Jenny Minton Quigley, Jim Shepard, and Joshua Ferris talk about Nabokov and his highly controversial novel. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I'm excited to share that a new Broadway Drumming 101 podcast episode with Larry Lelli will be re-released soon. I originally sat down with Larry back on December 16, 2021, and since then, his career has kept growing in remarkable ways.Larry isn't just a veteran Broadway drummer—he's now also a Broadway producer. He's gone on to co-produce Water for Elephants (opened March 21, 2024), Gutenberg! The Musical! (opened October 12, 2023), and most recently Waiting for Godot (opened September 28, 2025).Before stepping into producing, Larry built a career most musicians dream of. He's played drums and conducted for over 40 Broadway shows, including The Producers, Assassins, How To Succeed In Business, and Million Dollar Quartet. His list of collaborations is just as impressive—Melissa Etheridge, Josh Groban, Audra McDonald, Patti LuPone, Bernadette Peters, Nick Jonas, Vanessa Williams, Jerry Lee Lewis, and even the New York Philharmonic.Larry is also a clinician with Yamaha Drums and Sabian Cymbals, and you can currently catch him performing in the Tony Award-winning hit Come From Away.In our conversation, we dug into:* Growing up in the Midwest playing in baton and drum corps* Touring with country star Doug Stone after moving to Nashville* How a jazz cruise changed his life and led him to New York City* Why subbing for Michael Hinton on Miss Saigon was his big break* Learning from legends like Paul Gemignani* How he approaches learning an entire Broadway showLarry's story is a masterclass in building a long, versatile career in music—and now he's added producing to his list of achievements.Stay tuned for the re-release of this edited Broadway Drumming 101 episode. It's one you won't want to miss.https://www.larrylelli.comClayton Craddock is the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows like Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis. www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

OCTOBER 3 HEADLINESSamsung adds Coinbase crypto access for 75M Galaxy usersFGNX stock, tokenized on Ethereum by SecuritizeAvalanche Treasury Co. coming via $675M SPAC (with Foundation support)Mantle, an Ethereum Layer-2 network, is generating strong bullish sentiment due to several catalysts.Bitcoin hits $120,000; Street targets creep higherStablecoin market cap tops $300B amid reboundWe also hear from OpenSea CMO Adam Hollander about their rewards program running until October 15.LITTLE BITSMoonbirds' BIRB Token Lands on Solana — The NFT community's BIRB token launches on Solana, fueling a comeback in the NFT + token hybrid play.New York Lawmakers Push Higher Taxes on Bitcoin Miners — Legislation proposed to increase tax burdens for mining operations operating in the state.Nomura-Owned Laser Digital Eyes Crypto License in Japan — Japanese firm Laser Digital (via Nomura) is applying for full crypto regulatory approval to expand in Asia.WHERE TO FIND DCNdailycryptonews.nethttps://twitter.com/DCNDailyCryptoEMAIL or FOLLOW the HostsQuileEmail: kyle@dailycryptonews.netX: @CryptoQuile——————————————————————***NOT FINANCIAL, LEGAL, OR TAX ADVICE! JUST OPINION! WE ARE NOT EXPERTS! WE DO NOT GUARANTEE A PARTICULAR OUTCOME. WE HAVE NO INSIDE KNOWLEDGE! YOU NEED TO DO YOUR OWN RESEARCH AND MAKE YOUR OWN DECISIONS! THIS IS JUST EDUCATION & ENTERTAINMENT. Hosted on Acast. See acast.com/privacy for more information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Michael Eric Dyson.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Michael Eric Dyson.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Michael Eric Dyson.

Episode: 1449 Another look at image and reality: Fake Triceratops and manuscript books.  Today, more on images and reality.

1115. This week, we talk with Keith Houston about his book, "The Book." We look at how writing technology evolved from clay tablets and bamboo slips to papyrus and paper. He shares some surprising facts, including why books are rectangles, how museums try to deacidify books, and how printing was once political.Keith Houston - Shadycharacters.co.ukKeith's book - "Face with Tears of Joy"