The Marx Brothers Council Podcast

Screen icon Elliott Gould joins the guys for a heartwarming and at times profound conversation about his friendship with Groucho. From deli lunches to hospital antics to reflections on Mae West, Erin Fleming, and the meaning of legacy, Elliott offers deeply personal stories with warmth and wit. You'll even learn what Groucho considered Elliott's greatest performance.

We're celebrating the tenth anniversary of Matthew Coniam's “The Annotated Marx Brothers: A Filmgoer's Guide to In-Jokes, Obscure References and Sly Details”. In this retrospective, we explore how the book came to be—and how it ultimately became something quite different from what the title might lead you to expect. What sets it apart from other books on the Marxes? Is an updated edition on the horizon? And does Matthew still hate “Duck Soup”? These and other pressing questions will be lightly dodged before we inevitably try to sell you a copy.

Friend of the podcast Kathy Biehl joins the guys to explore Groucho's only two produced scripts, the 1937 film "The King and the Chorus Girl", and the 1948 play "Time for Elizabeth" - which was later adapted for TV, featuring himself in the lead role. The crew delves into how these collaborations with Norman Krasna mark a conscious shift from Groucho's signature humor, pondering what might have driven him to this new direction. They'll guess which lines bear Groucho's unmistakable stamp, and weigh in on his acting chops in Elizabeth. By the end, you'll have the answer to the big question: Did Groucho need the funny?

With listener insights, we take another look at the film that marked the Marxes' Hollywood debut and stands out as the only one featuring a manicurist we can name. This episode highlights the distinctiveness of Monkey Business, as comments explore how it stands apart from both their earlier work and later films. We'll dive into praise for Thelma Todd and even Zeppo, alongside the random nitpicks Marx fans are famous for. Joe Adamson, Scott Alexander and Eddie Deezen are among those contributing. Jay Hopkins would have as well, if he could figure out how to do it.

By all accounts, the brothers acquired their iconic names in 1914 while playing cards with a performer named Art Fisher…but does this story hold water, or even milk? To get to the bottom of this, we welcome master Marx researcher Pat McCaughey...and without spoiling anything, let's just say, “it's complicated”. We then reflect on the importance of the stage-names, and whether the brothers would have been successful without them. Later, Bob joins in for some manicurist talk, and he and Pat detail obstacles they've encountered while searching for her identity.

Noah and Matthew dive into Robert S. Bader's new book, Zeppo: The Reluctant Marx Brother, the first-ever biography of the universally acknowledged youngest Marx Brother. The guys explore Zeppo's life of career shifts, ties to organized crime, and strained family relationships. They delve into why he didn't bask in the glory of the Marxes' 1960's and 70's resurgence, and find proof of his rumored great wit. Oh, and Matthew discovers a Groucho “Holy Grail” buried in Bader's pages... Not too spoilery, this episode is a must-listen whether you've read the book or not.

Once again, our audience takes centerstage as we respond to listener comments on the Marxes' second (or third) film… How is viewing the restored version akin to seeing the team live onstage? What is “insouciant whimsy”? Why is John Tefteller championing a bootleg? These are just a few of the questions we'll ponder in another meeting of ‘The Matthew Coniam Appreciation Council'. We'll also discuss why Chico arrives with an instrument he doesn't play, and learn what famed comedian is not a fan of Lillian Roth.

Emmy-winning comedy writer and producer Frank Santopadre, renowned for co-hosting the often Marx-focused Gilbert Gottfried's Amazing Colossal Podcast, joins us for an insightful conversation. Frank shares how he first became a fan of the team and reveals his favorite Marx film (it's not Go West, by the way). He also reflects on his time working with Gilbert, including memorable interviews with friends, family, and co-stars of the brothers. Frank illuminates the historical importance of these chats, as the number of people who personally knew or worked with the Marxes is rapidly dwindling. And yes, we'll apologize now for the detour to Skidoo.

David Fleming, Erin's nephew, offers raw and compelling insight into the complex life of Groucho's “secretary.” He recounts visits to his aunt at Groucho's home and encounters with the man himself. We are treated to contemporary letters from Erin, describing life at the Marx house, her relationship with Groucho, and her later descent into madness. David shares firsthand memories of Erin's battle with mental illness in explicit detail, and explains why it was predictable. He also speculates on why Groucho was drawn to Erin. A sympathetic yet unfettered exploration of a tragic story that you won't find anywhere else. NOTE: This episode contains adult language and content.

After 72 episodes of you listening to us, today we listen to you, as Council members offer their insights and opinions of the Marxes' first (surviving) film. Are its age and creakiness actually a blessing in disguise? How many tunes named “The Monkey Doodle Doo” did Irving Berlin actually compose? And why is Matthew comparing Oscar Shaw to Pavarotti? All this, and Eddie Deezen…need we say more? A podcast that you won't want to end, and it almost doesn't.

Biographer, cultural critic, and comics veteran Danny Fingeroth joins Noah and Bob for a game of Marx Brothers "What If...?" inspired by the multiverse series Danny worked on in his days at Marvel Comics. They ask, what if Groucho had become a doctor? What if Chico had been good with money? What if Zeppo had been good at...well, performing? Danny also discusses growing up in the Marxes' old New York neighborhood and how Lee Harvey Oswald's killer Jack Ruby helped get Gabe Kaplan to participate in Marxfest.

Matthew and Noah share a few of the most perplexing Marx Brothers mysteries they've encountered in their research, which have remained unsolved despite considerable effort. No, this episode is not about Humor Risk or the manicurist. But Matthew will walk you down winding paths of confusion regarding the authorship of The Big Store and Double Dynamite, and Noah will call your attention to a Marx Bros. Scrapbook anomaly that can only be explained ridiculously.

This month the guys examine the directors of each of the Marx Brothers' films. From Dick Smith of Humor Risk to The Incredible Jewel Robbery's Mitchell Leisen, they discuss each director's qualifications, and (Humor Risk aside) whether they elevated the material, brought their own perspectives, or simply stayed out of the way. Matthew provides detailed and often surprising biographical info, while Noah highlights specific moments where the directors shined—as well as the work of Edward Buzzell.

An in-depth report on Marxfest 2024 with two of Noah's co-organizers, Kathy Biehl and Jonny Porkpie. Detailing each event, they share stories of the fans, presenters and performers who made it an unforgettable time. We'll also share some choice audio clips. Along the way, you'll learn the real reason why Groucho didn't appear on “Welcome Back Kotter”, and hear Josh Max's McCartney-esque version of the “Love Happy” theme. In addition, we are thrilled to present three exclusive Marx Brothers radio excerpts provided by John Tefteller. These clips, from presumed-lost radio shows, premiered at the fest and will be featured in John's upcoming release of restored Marx radio appearances, available (hopefully) later this year.

“The Marx Brothers Miscellany” is not only the name of a new book by our guest, Trav SD, it also aptly describes this episode. We engage in a free-wheeling discussion of numerous Marx topics, including their Vaudeville roots, how Gummo's role in the act and family differed from Zeppo's, and whether the Marxes are really the greatest comedy team. We also discuss the Algonquin Round Table's place in Marx lore, and Trav details how he helped Noah bring “I'll Say She Is” back to life in 2014.

In between episodes, Noah pops in with a few words about MARXFEST, coming to New York City in May of 2024. Tickets and information at marxfest.org.

Well, this one doesn't need much explanation, does it? Muppeteer Eric Jacobson and writer/producer Craig Shemin join us for a look at the intersection of the worlds of the Marx Brothers and the Muppets. We discuss their shared roots in the Vaudeville stage, their utilization of music, and their mutual delight in creating mayhem for mayhem's sake. Eric and Craig also detail their efforts to evolve and modernize the iconic characters while staying true to their Jim Henson heritage, and Noah once again has to defend his criticism of the Punch and Judy scene from “Monkey Business”.

A deep dive into Maxine Marx's 1980 biography of her father, “Growing Up With Chico”. Matthew and Noah discuss the book's honesty in taking on Chico's self-centered lifestyle, while also portraying him in a sympathetic and loving manner. They point out discrepancies in anecdotes told by Maxine as compared to other sources, and are surprised by her willingness to express raw feelings about the rest of the family. Mostly though, the guys enjoy the details that help fill in the cracks of the story of the most interesting, yet elusive brother.

A VERY special episode as we are joined by TV writer, comedian, and Council member Mike Rowe to premiere a previously unheard 1967 interview with Groucho, conducted by the infamous film collector and distributor, Raymond Rohauer. Noah, Matthew, and Mike discuss the interview's numerous departures from oft-told Marx lore, including Minnie's importance to their rise and how the team transitioned from a musical act to a comedic one. We learn which film Groucho thinks is their worst, and what later-effort gets a surprisingly glowing reaction from him. Mike tells of his introduction to the Marx films and his start in the world of comedy, including working with Henny Youngman and Rodney Dangerfield. We get the creation story of his ‘lost' Marx Brothers film "Donkey Shines,” and Mike details meeting the enigmatic Rohauer, who entrusted him with the tape of his Groucho interview.

Groucho's 1959's autobiography, “Groucho and Me” is delved into, featuring the world's most renowned impressionist of the man, Frank Ferrante. The guys question if the book is truly an autobiography or just a collection of entertaining half-truths. They note the moments of humility and surprising self-awareness by Groucho, while noting that what is left out is as telling as what is included. Frank details how he's mined the book over the years to keep his one-man show fresh, and talks about the joy of bringing Groucho to life as well as his plans for the future. Reading “Groucho and Me” is not a prerequisite for enjoying the discussion, as the guys examine the man as much as what's in the book.

A busy two-fold episode. First the guys deep dive into the world of Marx Brothers movie trailers, exploring their sometimes puzzling approaches, noting unique footage or dialogue, and lamenting those that are missing...one of which we get big news about in mid-show! To follow along, you can view all the trailers at: https://www.youtube.com/watch?v=j39lSdq3M9Q Then (at 1:03:03), actor/writer Jerry Sroka joins the podcast to discuss his new semi-autobiographical film, “Our Almost Completely True Love Story” in which he plays a Marx Brothers fanatic who courts actress Mariette Hartley. Jerry details the genesis of the film, which is laden with Marx references, as well as his real-life marriage to Mariette. He also recalls some hilarious personal and professional encounters with Woody Allen.

This month the guys look at two films with historically-important Marx appearances that were restored and released on a 2020 Blu-ray…now do you get the title? First, Matthew and Noah dissect Harpo's brief supporting turn in the obscure 1925 silent romantic-comedy “Too Many Kisses”. They speculate on how Harpo came to be in the film and point out nuances in his performance that show the Harpo we know and love. Then they examine the ‘Theatrical Agency' scene from the 1931 Paramount promotional film “The House That Shadows Built”. The guys discuss the circumstances which led them to shoot a skit that pre-dates “I'll Say She Is”, and wonder if it's Zeppo's greatest performance.

“30 Rock”, “Only Murders in the Building”, “2 Broke Girls”, “The West Wing”…this is a minuscule sampling of series directed by our guest, director/actor/producer Don Scardino, a rabid Marx Brothers fan since the 1960's. We explore Don's Marx backstory and how they've influenced his work. He talks in-depth about making comedy, with behind-the-scenes tales going back to his days as a performer in the original production of “Godspell”. Don gives his thoughts on what makes a good Marx Brothers director, and why he thinks their later career went the way it did. Don also details his latest film, the soon-to-be-released “Our (Almost Completely True) Love Story” which has a Marx Brothers fanatic at its center…and what it was like to work with thousands of worms in 1976's “Squirm”.

On the occasion of our sixtieth episode (not counting the ones we don't count), we look back at the history of The Marx Brothers Council Podcast. Starting with its origins, as most stories do, we recount memorable moments, surprising guests, and our few regrets...topped off by hopes and plans for the future. And to pay the bills, we also talk some actual Marx Brothers, as we discuss which films we've changed our mind most about over the years. This is our way of thanking you all for sticking with us after the “Skidoo” deep dive.

The lost 1932 Groucho/Chico radio series “Flywheel, Shyster, and Flywheel” has long been a white whale for Marx fans. While the scripts were discovered in 1988, and a few tantalizing recordings have turned up (with more coming soon), it was the 1990-1992 adaptations by Mark Brisenden for the BBC which allowed new generations to enjoy the show. Mark joins us for an oral history of the project, starting with becoming a Marx fan at age six, getting his feet wet writing comedy, and eventually landing at the BBC…where persistence made the “Flywheel” revival a reality. We'll hear of Mark's encounters with original writer Nat Perrin, as well as the legendary Spike Milligan, who was not only a fan of the show, but made a guest appearance.

This month, we welcome back “Schmigadoon!” co-creator/showrunner Cinco Paul to help sift thru the curiosity that is Groucho Marx's final film appearance, the ‘far-out' 1968 comedy, “Skidoo.” You don't need to like (or even have seen) the film to enjoy our discussion of the whats, whys, and what-ifs from a movie that's not quite as half-assed as you expect it to be. What was Groucho thinking? What was Preminger thinking? What does Jackie Gleason sound like after taking LSD? You'll hear our thoughts on these…plus the tragic tale of one of your hosts who, after numerous viewings, is actually starting to like “Skidoo.”

Film preservationist and collector Eric Grayson joins us to examine the 2023 state of the Marx Brothers' catalog. We discuss which films have missing, damaged, or subpar footage (and we don't mean “Go West”), and whether there is any hope for upgrades. Eric gets into the weeds with info that will surprise even the most knowledgeable fan. We'll also examine the copyright issues that the Marx films will soon face, and look forward to how AI technology may help in restoration efforts. Finally, you'll find out what happens when we have a guest who's never heard our podcast.

Once again we dip into the mailbag for questions and comments from our loyal listeners. Bob joins us to serve as quizmaster, as we discuss subjects such as post-Duck Soup Freedonia/Sylvania relations, Marx pets, Matthew's and Noah's book sale numbers, and Groucho's connection to the Chicago 7 trial. Of course, we can't ignore the um, er…well, let's just say the recently discovered “Horse Feathers” stills. Talk about pre-code!

What if Eddie Buzzell directed “Horse Feathers”? What if the Marxes did a film with Mae West? What if Harpo and Chico made shorts in the 1940's?… And what if Matthew and Noah did an episode pondering these questions and more? Yep, your Marx Brothers daydreams are this month's topic, as the guys give into baseless speculation sure to please everyone…or not. Later, they are joined by musician Dan O'Farrell, who performs his self-penned tune, “Zeppo Speaks”.

Piggybacking on Robert Bader's superb “Groucho & Cavett” documentary, we are joined by Brett Leveridge, Marxfest co-host and house manager for Noah's “I'll Say She Is” revival, for an in-depth look at more of Groucho's late-career talk and game show appearances. Groucho's wonderfully disruptive guest shots on “What's My Line?” “The Tonight Show” and “The Dating Game” are dissected, as well as his surprisingly serious and thoughtful debate with William F. Buckley, Jr. on “Firing Line.” We also examine Groucho's fascinating “Dick Cavett Show” encounter with Dan Rowan. …and don't worry; all of these clips are available for viewing on our blog at marxbrotherscouncilpodcast.com In addition, Brett tells his backstory of becoming a Marx fan in Oklahoma City, and we pay tribute to the late Richard J. Anobile.

With Matthew and Nick's book “The Annotated Abbott & Costello” hitting the shelves, it is the perfect time to debate the duo's appeal…or lack thereof, to Marx Brothers fans. We almost entitled this ep, “Nick & Matthew Meet the Skeptic: Noah Diamond” as he has been resistant to Abbott & Costello's charms so far. The guys put Noah to the test with choice clips to gauge his reaction (sorry folks, no “Who's on First?”). Will his preconceptions be shattered? The guys also discuss the differences between the two teams, try to decipher exactly what is going on in Bud Abbott's head...and wonder if Bud, in fact, was the funnier of the pair. We know you'll enjoy this as sure as 7 x 13 = 28.

Director/writer/producer Brian Levant (“Happy Days” “Beethoven” “The Flintstones” “Still The Beaver”) discusses his Marx-inspired career and new book “My Life and Toys”; a compilation of photos of his memorabilia collection…including unique Marx Brothers and classic comedy items. Brian recalls his discovery of the team under trying circumstances, his two first-hand encounters with Groucho, and the time when George Fenneman met Fonzie! Brian also gives his thoughts on each Marx film…and where they went astray. And stay tuned after the end song for details on our upcoming Patreon venture, and the special rewards that could be yours.

Film educator Hannah Mira returns for a deep dive into Susan Fleming Marx's long-awaited memoir, brought to fruition by Robert Bader.

We're taking the month off from our normal festivities, but here's an important update on our plans going forward, followed by a resolution to a “Room Service” mystery.

Our final plunge into the official Marx canon brings us to “Animal Crackers” and Bob's favorite non-manicuring gal, Heidi, joins us for the ride. Your hosts have made no secret that this stands atop their ranking of Marx films, and here we go in-depth why…while also admitting it's not really a good film at all. We discuss the differences with the original Broadway play, and compare the movie to their maiden film voyage, “The Cocoanuts”. We laud “Animal Crackers” stellar writing, supporting cast, and even the sets, but have nary a good word for Art Garfunkel…or whatever his name is. So, if you can stand a couple of hours of us slobbering over this film, you're in for a treat.

A look at the Marx Brothers' relationship with intellectuals, focusing on Harpo's friendship with writer Alexander Woollcott. Council member and Woollcott authority Brad Sohlo joins us to decipher just why sophisticates were attracted to the team...and not always vice versa. Brad explains why it was the carefree Harpo and not the well-read Groucho who was embraced by the Algonquin Round Table. We discuss what Woollcott and Harpo saw in each other and why their curious friendship endured. And if you're worried that the conversation may be too high-brow, don't worry, we're treated to typical ‘Harpo gets naked' stories…

With the imminent arrival of Susan Marx's memoir, “Speaking of Harpo”, it's the perfect time to celebrate the (not) mute, (not) red-haired, (not) second-born, (not) Adolph Marx. Noah leads an examination of both the man and character, including the invaluable “Harpo Speaks”. We look at the evolution of his stage and screen persona, speculate if Harpo could have succeeded on his own, and explore the passion for his namesake instrument. We then have some fun giving Harpo “hot takes,” before naming our favorite performances and other oddities. You'll be left speechless. Name dropped in this episode: Steve Carrell, Bernie Goldstein, Richard Kiel

Not a fan of the Marx Brothers' “Go West”? Wish it had been written by the guys behind “Duck Soup”? Well, that was the original plan. Acclaimed screenwriter Scott Alexander returns to help us examine the film's early scripts, as penned by the legendary team of Bert Kalmar and Harry Ruby. Groucho as a leering divorce lawyer, Chico as a phony fortune teller, Harpo chasing women and actually acting like Harpo...who couldn't love that? Apparently, MGM couldn't; as they eventually changed everything...including the century in which the film takes place. Scott gives us a screenwriter's perspective on what happened, theorizes why Kalmar, Ruby, and their work were discarded…and portrays Margaret Dumont in a possible career-changing turn. Need we say more?

WARNING: The following podcast includes explicit descriptions of subpar screenwriting, overwrought direction, and all-around lousy decision-making. ———————————————— Admittedly not our favorite Marx Brothers film, but one we sure had fun talking about. We explore whether the problem is the material or just our expectations. We ask if the road tour actually helped, why they switched Dan Wilsons, and how come MGM didn't spend $4000 to save $50,000. Along the way, we are joined by the late June MacCloy, who played the whore Lulubelle, with juicy excerpts from a 1999 interview. Like prospectors in the old west, we sift thru the dreck to find nuggets of gold…or in this case, smaller pieces of dreck. Expect our trademark misguided insight and lame sarcasm peppered with way too many references to the Three Stooges.

If you prefer your film history told alphabetically, then this is the episode for you! Glenn Mitchell, author of The Marx Brothers Encyclopedia, as well as similar volumes on Laurel & Hardy and Charlie Chaplin, joins us to not only tell the story of his fact-based books, but also grace us with some actual opinions. We learn his favorite Marx films, his least favorites, and the one he likes but can't sit all the way through. Glenn details how his books came to be, why they stopped, and what the next one would have been. He reveals rare discoveries made in the days of pre-internet research, as well as his take on the current state of Marx fandom…including an encounter with a guy who couldn't comprehend the team's name. Glenn also touches on the uncut version of “Horse Feathers,” answers questions from the Facebook group, and gives Bob a surprising answer to his predictable manicurist inquiry.

We are joined by self-proclaimed Muppet geek and co-host of the “Movin' Right Along” podcast, Anthony Strand, for a look at two of Groucho's solo efforts, “Double Dynamite” and “A Girl in Every Port. Despite the episode's title, we think these films are just fine…where else can you see the world's greatest comedian and the world's greatest singer do a duet on a treadmill, or watch the dad from “Hazel” cheat on the sister of Groucho's future wife. Along the way, we dump on Jane Russell, exalt Marie Wilson, and somehow claim Frank Sinatra is miscast as a character who's described as looking like Frank Sinatra. So, if you want to learn who ‘Icy Knockers' is, or the only performer besides Groucho to appear in both films, join us…you're as sick as we are.

A supersized deep dive into “You Bet Your Life.” First, Marx Brotherhood founder Jay Hopkins joins us to talk about the origins of the series, its unique and sometimes controversial way of production, and how Groucho wanted and needed to evolve from his screen persona. We also discuss the show's most famous moment…which likely didn't happen at all. Later, we are treated to a never-before-heard interview (and scrumptious meal) with Jay and “You Bet Your Life” head writer Bernie Smith from 1979. Bernie gives a frank firsthand account of working on the show, and isn't afraid to ruffle a few feathers…including the duck's.

Two Jews and an Brit celebrate Christmas and ring in the new year with our Marx Brothers hot takes! We like a film that most don't, dis a famous artist, and suggest changes that will make you dance barefoot in our lemonade. And as a special treat, Noah tells how he risked his sanity and marriage to prepare for this episode. So, if you want to hear well-developed opinions combined with half-baked ideas, you've come to the right place! Name dropped in this episode: Richard Pryor, Rudolf Nureyev, Danny Kaye

Adam Gopnik, New Yorker writer and editor of “S.J. Perelman: Writings” joins us for an exhaustive look at the Marx Brothers' 1932 classic, “Horse Feathers.” Adam discusses Perelman's influence and tries to pinpoint his specific lines, Noah is skeptical that “Horse Feathers” owes anything to the brothers' vaudeville school act, Matthew keeps track of the differences between the film and shooting script, while Bob constantly derails the conversation with trivial observations. Singing the film's praises, we can't help but lament the mangled version history has left us with…we talk about what's missing and why. We also touch upon Chico's limp, Thelma Todd's traveling birthmark, and how Harpo isn't a mime at all. Discussion more than twice the length of the movie with 1/10th the entertainment value!

Renowned film writer Nell Minow joins us to discuss her longtime love affair with the Marxes, her first-hand encounters with two of the brothers, her famous dad's round of golf with another, and her grandmother's friendship with two of their spouses! Nell also details the origin and mission of her “Movie Mom” franchise , and discusses the difficulty in getting young people to watch and appreciate classic films these days. You'll learn the surprising connection between Nell and one of your hosts, as well as what she has in common with Andy Marx…and perhaps John Tefteller…and maybe even Steve Stoliar. A snappy, commute-sized episode! Name dropped in this podcast: Marlo Thomas, William F. Buckley, Superman

This month, we take a deep dive into Richard J. Anobile's controversial work from 1973, “The Marx Brothers Scrapbook”. Joining us is performer/writer/director Nick Santa Maria, who (like Bob) got the book when it first came out, has some deep insight, and (like Groucho) eye-opening opinions. We examine Groucho's shocking and explicit comments, his mindset, and inconsistent cooperation. We discuss the Scrapbook's other interviews, which are almost as provocative as Groucho's…and often more informative. Later, we delve into the firestorm of controversy which greeted the book upon publication. We pay sincere tribute to Anobile, for his persistence and thick skin, and we lament Zeppo, who comes across as the sourest (and unfunniest) person on Earth. NOTE: “The Marx Brothers Scrapbook” contains very explicit language, and we oft-times quote or paraphrase passages, so be aware that this episode is not for sensitive listeners.

And now for something completely different... We are joined by educator Hannah Mira, who details her fascinating story of screening Marx Brothers (and other classic) films for incarcerated teenagers, and their surprisingly positive response. A lifelong Marx fan, Hannah uses the brothers' antics not only as entertainment, but as a springboard to introspection. We learn what the most popular gags and scenes are with her students, as well as whom their favorite brother is (spoiler: it ain't Zeppo). Hannah also tells of a surprising encounter with a Harpo painting. We really like this one and hope you will too.

We are honored to welcome Steve Stoliar, author of the iconic “Raised Eyebrows: My Years Inside Groucho's House”. Outspoken as ever, Steve is as entertaining as he is candid. But what do you ask a guy who's been interviewed on just about every podcast known to man (including ours)? Well, we didn't know either, so we farmed the questions out to our loyal listeners. Steve updates us on the “Raised Eyebrows” movie, and you won't believe who stays up at night thinking about the casting. He further details life with Erin Fleming, and Groucho's taste in music, movies, and tv…including a trip to a rock concert. And if you've ever wondered what happens when Steve and DIck Cavett get together with a whoopee cushion, wonder no longer! To get a personally autographed copy of "Raised Eyebrows", go to stevestoliar.com/shop

DISCLAIMER: Since producer Lester Cowan defied contractual agreements and billed this as starring “The Marx Brothers”, we are obligated to do an episode about it. The brothers search for jewels as we search for laughs…and though it's not top-tier Marx, there is still plenty to enjoy as well as plenty to ponder. Matthew tells how Chico was the first to agree to appear in a Harpo solo film, Noah is baffled by how the jewels got into a sealed sardine can, and Bob goes off on Marilyn Monroe. You'll learn about the two versions of the film, and why the shorter, less funny one is most likely what you've seen. You'll learn why Groucho and Chico never appear onscreen together…but you won't learn what those penguins are saying. Seriously, it's not a bad film…wish we could promise the same about this podcast.