Podcasts about two jews

Ok, “There were two Jews, a governor, and a king.” Now, that might sound like the opening line of a joke, but it's not. Instead, it's the title of our sermon today: “Two Jews, a Governor, and a King.” In today's …

Today, The Fellowship's C.J. Burroughs tells the story of a Polish actor who provided refuge for one of his daughter's Jewish friends who had escaped the Warsaw Ghetto.

OLIVER I know what we should call ourselves. Lil JIM Is it in English? OLIVER I am English, you idiot. LIL JIMMY You know what I meant. OLVER I'm sure I don't! STEV/PHEN Okay, genius—what is it you think we should go by? OLIVER The Strike Force Five! [Lightning strikes in the background— SETH runs away to hide under some furniture as the other boys begin to laugh—! SETH Don't laugh! I hate thunder! STEV/PHEN That wasn't thunder! [then, thunder follows] SETH AHH! STEV/PHEN That was Thunder! WHO THE FUCK AM I MISSING That's a good name, I think. JIMMY I You know what, you're right! SETH I hate it. LIL JIMMY (II) You hate everything. SETH I hate you. BIG JIMMY(I) That's perfect! We'll call ourselves— strike force five! thunder and lightning strike at the same time. SETH begins crying. {Enter The Multiverse} CUT TO: JOHNNY CARSON parks his DeLorean on the curb (read: sidewalk) CARSON Well, I'm sauced. L E G E N D S FUCK! Did I forget Steve Allen? wtf am I gonna do with Steve Allen?! Right! Who's the mom?! Not important! Why! You're not a feminist, are you?! Oh GOD, WE'RE GONNA CRASH AND DIE. GOOD. WHAT! I'm immortal, I'll just be—burps—reborn! FUCK THAT. GIMMIE THE WHERL. No, UOU're drunk. UR DRUNK. YEAH, but you were drunk FIRST. OH GOD, FUCK IT, I'll drive! TELSA You have arrived at your destination. Ah, shit, Oh, okay. I forgot I had autopilot enabled. *sleeping* Yikes. Who sent them out for coffee? Beyoncé. They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] Big time boys, And part time girls; Some people go around the back for it Geniuses ride around in private cars; Some people go around the back for it. Fat man goes down fast; two stabs to the back And he's all yours, All arms Some people come around the back for it Others have that charm, Paid an arm and a leg for it But all done now, it's not hard to know you're on a recorded line How does it feel to fall in love And be loved back I wouldn't know, I'm still at the Encore Sure at the show in a soft swung hammock, I don't know Of course, the girl doesn't want it at all Perfect little blonde, she'll get along well off with another one (for the other's it's once in a lifetime, if one.) {Enter The Multiverse} Integrity, you know. The elderly woman leans in over her shouldernat the elderly man. Integrity, puh! Iiiiicing on the cake! And all is well. Sir! “Sir” I beg of you. All nonsense; my cap or my crown? Have ye the strength to bare either? Apparently so. I beg to differ. My cap, then. He dawns the jokers court cap, and in contrast to his robes . Who.:: A whisper. A shadow, soon to vanish— And then, another figure, not parted But hidden, Miraculous gesture, The jester, imprisoned. Please don't do this tonight. If not tonight I don't know when. Whenever else! But not now! EXT. TOM'S RESTAURANT. MANHATTAN. DAY. It is a grey but not dreary day, overcast however with the silverline clouds of an otherwise beautiful sunlit day. [—The Legend Returns] Tales of a Superstwr DJ It's shining like three seeds of pomegranate in my hand— A desolate desert beach amidst a sandstorm, the sun beams down through the barrage of inescapable flying white pellets of sand. FUCK! Dapper gentlemen, All I want to see if your body Make sand stone ground, Clasp to nothing but perhaps, Warm and clean, crisp and fresh linen And I, you, my need Free to your whole body, A feast for the starving; A quest for the wicked. Yes, I need you. Now and forever. I need you. Now and forever. If we made love in the library, Any open book would be of you thereafter— And to give me a guitar would mean, That every note would sing your name. Just then, the Peloton beckoned, or the cleats, anyway, although the bath I'd run just the night before was still full, stone cold by now and just as well the coffee in my tumbler was luke warm, but I had cried myself an entire river the night before, and I was sure the pouting might have even sent me to a seperate dimension. I was being such a baby—and I had never been so upset to have actually gotten what I wanted. The handsome man was a distraction— a welcome one. I didn't want to ask his age, but I knew he was older than me, and he was beautiful. I didn't want to scare him away, but to be honest with myself or anything else, this was the first one I might have wanted in a long time—the first real one, anyway, or, somewhat real. Closer to normal along the spectrum, not some famous celebrity or a delusion of grandeur, but seemingly normal, smart, and handsome. Remember my imaginary friend RiffRaff? Wasn't it a dragon I think so. Huh. Turns out it's a rapper. That's… interesting. Even more odd: look at this. Don't scroll anymore. That is…fantastic. {Enter The Multiverse} It fees too close to home; I took the scenic route. God knows I don't belong here— I don't want to harm you It hits too close to home I have to play the part You just don't know the half of it You just don't know the art “The Scorn of Lorne” LORNE MICHAELS WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. The Complex Collective © -Ū. Then I showed up on the south side Said I was retired but I still ride When I'm in the valley it's g5 Old school soul, it's a G vibe

OLIVER I know what we should call ourselves. Lil JIM Is it in English? OLIVER I am English, you idiot. LIL JIMMY You know what I meant. OLVER I'm sure I don't! STEV/PHEN Okay, genius—what is it you think we should go by? OLIVER The Strike Force Five! [Lightning strikes in the background— SETH runs away to hide under some furniture as the other boys begin to laugh—! SETH Don't laugh! I hate thunder! STEV/PHEN That wasn't thunder! [then, thunder follows] SETH AHH! STEV/PHEN That was Thunder! WHO THE FUCK AM I MISSING That's a good name, I think. JIMMY I You know what, you're right! SETH I hate it. LIL JIMMY (II) You hate everything. SETH I hate you. BIG JIMMY(I) That's perfect! We'll call ourselves— strike force five! thunder and lightning strike at the same time. SETH begins crying. {Enter The Multiverse} CUT TO: JOHNNY CARSON parks his DeLorean on the curb (read: sidewalk) CARSON Well, I'm sauced. L E G E N D S FUCK! Did I forget Steve Allen? wtf am I gonna do with Steve Allen?! Right! Who's the mom?! Not important! Why! You're not a feminist, are you?! Oh GOD, WE'RE GONNA CRASH AND DIE. GOOD. WHAT! I'm immortal, I'll just be—burps—reborn! FUCK THAT. GIMMIE THE WHERL. No, UOU're drunk. UR DRUNK. YEAH, but you were drunk FIRST. OH GOD, FUCK IT, I'll drive! TELSA You have arrived at your destination. Ah, shit, Oh, okay. I forgot I had autopilot enabled. *sleeping* Yikes. Who sent them out for coffee? Beyoncé. They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] Big time boys, And part time girls; Some people go around the back for it Geniuses ride around in private cars; Some people go around the back for it. Fat man goes down fast; two stabs to the back And he's all yours, All arms Some people come around the back for it Others have that charm, Paid an arm and a leg for it But all done now, it's not hard to know you're on a recorded line How does it feel to fall in love And be loved back I wouldn't know, I'm still at the Encore Sure at the show in a soft swung hammock, I don't know Of course, the girl doesn't want it at all Perfect little blonde, she'll get along well off with another one (for the other's it's once in a lifetime, if one.) {Enter The Multiverse} Integrity, you know. The elderly woman leans in over her shouldernat the elderly man. Integrity, puh! Iiiiicing on the cake! And all is well. Sir! “Sir” I beg of you. All nonsense; my cap or my crown? Have ye the strength to bare either? Apparently so. I beg to differ. My cap, then. He dawns the jokers court cap, and in contrast to his robes . Who.:: A whisper. A shadow, soon to vanish— And then, another figure, not parted But hidden, Miraculous gesture, The jester, imprisoned. Please don't do this tonight. If not tonight I don't know when. Whenever else! But not now! EXT. TOM'S RESTAURANT. MANHATTAN. DAY. It is a grey but not dreary day, overcast however with the silverline clouds of an otherwise beautiful sunlit day. [—The Legend Returns] Tales of a Superstwr DJ It's shining like three seeds of pomegranate in my hand— A desolate desert beach amidst a sandstorm, the sun beams down through the barrage of inescapable flying white pellets of sand. FUCK! Dapper gentlemen, All I want to see if your body Make sand stone ground, Clasp to nothing but perhaps, Warm and clean, crisp and fresh linen And I, you, my need Free to your whole body, A feast for the starving; A quest for the wicked. Yes, I need you. Now and forever. I need you. Now and forever. If we made love in the library, Any open book would be of you thereafter— And to give me a guitar would mean, That every note would sing your name. Just then, the Peloton beckoned, or the cleats, anyway, although the bath I'd run just the night before was still full, stone cold by now and just as well the coffee in my tumbler was luke warm, but I had cried myself an entire river the night before, and I was sure the pouting might have even sent me to a seperate dimension. I was being such a baby—and I had never been so upset to have actually gotten what I wanted. The handsome man was a distraction— a welcome one. I didn't want to ask his age, but I knew he was older than me, and he was beautiful. I didn't want to scare him away, but to be honest with myself or anything else, this was the first one I might have wanted in a long time—the first real one, anyway, or, somewhat real. Closer to normal along the spectrum, not some famous celebrity or a delusion of grandeur, but seemingly normal, smart, and handsome. Remember my imaginary friend RiffRaff? Wasn't it a dragon I think so. Huh. Turns out it's a rapper. That's… interesting. Even more odd: look at this. Don't scroll anymore. That is…fantastic. {Enter The Multiverse} It fees too close to home; I took the scenic route. God knows I don't belong here— I don't want to harm you It hits too close to home I have to play the part You just don't know the half of it You just don't know the art “The Scorn of Lorne” LORNE MICHAELS WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. The Complex Collective © -Ū. Then I showed up on the south side Said I was retired but I still ride When I'm in the valley it's g5 Old school soul, it's a G vibe

OLIVER I know what we should call ourselves. Lil JIM Is it in English? OLIVER I am English, you idiot. LIL JIMMY You know what I meant. OLVER I'm sure I don't! STEV/PHEN Okay, genius—what is it you think we should go by? OLIVER The Strike Force Five! [Lightning strikes in the background— SETH runs away to hide under some furniture as the other boys begin to laugh—! SETH Don't laugh! I hate thunder! STEV/PHEN That wasn't thunder! [then, thunder follows] SETH AHH! STEV/PHEN That was Thunder! WHO THE FUCK AM I MISSING That's a good name, I think. JIMMY I You know what, you're right! SETH I hate it. LIL JIMMY (II) You hate everything. SETH I hate you. BIG JIMMY(I) That's perfect! We'll call ourselves— strike force five! thunder and lightning strike at the same time. SETH begins crying. {Enter The Multiverse} CUT TO: JOHNNY CARSON parks his DeLorean on the curb (read: sidewalk) CARSON Well, I'm sauced. L E G E N D S FUCK! Did I forget Steve Allen? wtf am I gonna do with Steve Allen?! Right! Who's the mom?! Not important! Why! You're not a feminist, are you?! Oh GOD, WE'RE GONNA CRASH AND DIE. GOOD. WHAT! I'm immortal, I'll just be—burps—reborn! FUCK THAT. GIMMIE THE WHERL. No, UOU're drunk. UR DRUNK. YEAH, but you were drunk FIRST. OH GOD, FUCK IT, I'll drive! TELSA You have arrived at your destination. Ah, shit, Oh, okay. I forgot I had autopilot enabled. *sleeping* Yikes. Who sent them out for coffee? Beyoncé. They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] Big time boys, And part time girls; Some people go around the back for it Geniuses ride around in private cars; Some people go around the back for it. Fat man goes down fast; two stabs to the back And he's all yours, All arms Some people come around the back for it Others have that charm, Paid an arm and a leg for it But all done now, it's not hard to know you're on a recorded line How does it feel to fall in love And be loved back I wouldn't know, I'm still at the Encore Sure at the show in a soft swung hammock, I don't know Of course, the girl doesn't want it at all Perfect little blonde, she'll get along well off with another one (for the other's it's once in a lifetime, if one.) {Enter The Multiverse} Integrity, you know. The elderly woman leans in over her shouldernat the elderly man. Integrity, puh! Iiiiicing on the cake! And all is well. Sir! “Sir” I beg of you. All nonsense; my cap or my crown? Have ye the strength to bare either? Apparently so. I beg to differ. My cap, then. He dawns the jokers court cap, and in contrast to his robes . Who.:: A whisper. A shadow, soon to vanish— And then, another figure, not parted But hidden, Miraculous gesture, The jester, imprisoned. Please don't do this tonight. If not tonight I don't know when. Whenever else! But not now! EXT. TOM'S RESTAURANT. MANHATTAN. DAY. It is a grey but not dreary day, overcast however with the silverline clouds of an otherwise beautiful sunlit day. [—The Legend Returns] Tales of a Superstwr DJ It's shining like three seeds of pomegranate in my hand— A desolate desert beach amidst a sandstorm, the sun beams down through the barrage of inescapable flying white pellets of sand. FUCK! Dapper gentlemen, All I want to see if your body Make sand stone ground, Clasp to nothing but perhaps, Warm and clean, crisp and fresh linen And I, you, my need Free to your whole body, A feast for the starving; A quest for the wicked. Yes, I need you. Now and forever. I need you. Now and forever. If we made love in the library, Any open book would be of you thereafter— And to give me a guitar would mean, That every note would sing your name. Just then, the Peloton beckoned, or the cleats, anyway, although the bath I'd run just the night before was still full, stone cold by now and just as well the coffee in my tumbler was luke warm, but I had cried myself an entire river the night before, and I was sure the pouting might have even sent me to a seperate dimension. I was being such a baby—and I had never been so upset to have actually gotten what I wanted. The handsome man was a distraction— a welcome one. I didn't want to ask his age, but I knew he was older than me, and he was beautiful. I didn't want to scare him away, but to be honest with myself or anything else, this was the first one I might have wanted in a long time—the first real one, anyway, or, somewhat real. Closer to normal along the spectrum, not some famous celebrity or a delusion of grandeur, but seemingly normal, smart, and handsome. Remember my imaginary friend RiffRaff? Wasn't it a dragon I think so. Huh. Turns out it's a rapper. That's… interesting. Even more odd: look at this. Don't scroll anymore. That is…fantastic. {Enter The Multiverse} It fees too close to home; I took the scenic route. God knows I don't belong here— I don't want to harm you It hits too close to home I have to play the part You just don't know the half of it You just don't know the art “The Scorn of Lorne” LORNE MICHAELS WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. The Complex Collective © -Ū. Then I showed up on the south side Said I was retired but I still ride When I'm in the valley it's g5 Old school soul, it's a G vibe

They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.

They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.

They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.

In this episode, Ailee and Levi sit down with Alexander Lowie, a PhD student at the University of Florida who has dedicated his research to examining America's alt-right movements. We also discuss the role antisemitism plays in these movements. About Alexander Lowie Dearest Suzie Podcast Spotify Apple Podcasts YouTube Instagram X Follow us: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

There is an old adage, Three Jews - Five Opinions. There is no mystery what I think about the evil Fakestinian death cult that attacked Israel on 7 October 2023. Please have a listen to a great discussion with a woman who writes a Substack called The Liberal Jew. Enjoy our discussion across generations and political lines. I sure did! Don't forget to follow Messy Times on Spotify or whatever podcasting platform you enjoy! --- Support this podcast: https://podcasters.spotify.com/pod/show/messytimes/support

Ailee and Levi speak with Linzee Zalta, a writer and professional in the Jewish non-profit space. In our frank conversation, we discuss how antisemitism has transformed and exploded since the October 7 attacks almost one year ago. We talk about antisemitic theories, Macklemore, and more. A Resource List for Israel-Hamas War Linzee's work: Rapper Macklemore Releases Video to 5.2 Million People Slandering Israel Invoking inversion and its Soviet past What's the Matter With SUNY New Paltz? Follow Linzee: Instagram Follow us on social media: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

Send us a text"Which of these three do you think was neighbor to him who fell among the thieves?" Lk 10:36 NKJVJesus told the story of the Jewish traveler who was robbed, beaten, and left to die on the Jericho road. Two Jews, both in the ministry, walked past him without helping.Then a Samaritan rescued him. No race of people was more hated by the Jewish people than the Samaritans. They were openly cursed in the synagogue and were barred from temple worship. What this Samaritan does is nothing less than incredible. He utilizes all his resources--personal clothing, oil, wine, his time, animal, money, and energy-to attend to this Jewish man in the best way possible. Then he risks his life by taking the wounded man to lodging in a Jewish area. On top of it all, he pays the innkeeper for the man's food and room for many days and promises to return and pay for anything more the man owes. This was crucial because anyone who could not pay their bill could be sold as a slave by the innkeepers so that they could receive full payment for a debt. Jesus ends His story in these words: "Which of these three do you think was neighbor to him who fell among the thieves?" No law will ever cause you to be a good neighbor, but the love of Christ will. You see, a neighbor is not identified by color or creed; a neighbor is identified by the nearest need. So, here is a prayer for you to pray: "Lord, give me the courage to recognize and help a neighbor in need." That's a prayer He will answer!Support the showChanging Lives | Building Strong Family | Impacting Our Community For Jesus Christ!

Ailee and Levi are back for Season Two of Two Jews, Opinions. They are joined by Gil Hoffman. He's the executive director of media watchdog Honest Reporting. They talk about bias in the media against Israel, journalism in Israel, and more. Resource list for Israel-Hamas War Honest Reporting Follow Gil Hoffman: Instagram, X Follow us: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

Welcome to show business Jews! This week we are joined by Adam Shor and Eyal Wartelsky, aka Two Jews. You can find them on Instagram @twojewscomedy. If you would like to support the podcast on Patreon, you can do so at the link below. Cheers x https://www.patreon.com/CHIEFCAST

https://www.torahrecordings.com/rebbe/igroskodesh/011/010/3626

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, and Thom Berkowitz, who discuss the ascension of Jesus, the hope we have in Christ, spend time interpreting Colossians 2:8, Colossians 4:6, and more. Faith Radio podcasts are made possible by your support. Give now: Click here

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who explain how God's relationship with Israel is not simple, that there was nothing Israel did to be chosen by God, and look at Romans 11 as they talk through where God is taking us today. Faith Radio podcasts are made possible by your support. Give now: Click here This conversation originally took place on May 29, 2024

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who explain how God's relationship with Israel is not simple, that there was nothing Israel did to be chosen by God, and look at Romans 11 as they talk through where God is taking us today. Faith Radio podcasts are made possible by your support. Give now: Click here

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who talk about the destruction of the temple in A.D. 70, if God gave the Israelites the Promised Land to keep forever, and the implications we see in our world today from the descendants of Abraham. Faith Radio podcasts are made possible by your support. Give now: Click here

For the last episode of the semester, Ailee and Levi discuss liberation zones on college campuses across America, Passover, and more. Resource List for Israel-Hamas War Follow us on social media: Ailee: X, Instagram Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who discuss the story of The Passover and why every Christian should eagerly celebrate it. Faith Radio podcasts are made possible by your support. Give now: Click here

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who discuss the current events in Israel and why they're happening, and then go through the Old Testament and talk about the foundational Covenants the Lord made with his people. Faith Radio podcasts are made possible by your support. Give now: Click here

On this week's episode of Two Jews, 10 Opinions, Ailee and Levi speak to Luc Bernard, a video game designer who has created video games teaching about the Holocaust and antisemitism. He has also created and designed a Holocaust museum in Fortnite. Resource List for Israel-Hamas War Fortnite Holocaust Museum The Light in the Darkness Luc Bernard on Social Media: X, Instagram Follow us on social media: Ailee: X, Instagram Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

On this week's episode, Ailee and Levi speak to Joe Gindi, a sophomore at Rutgers University, who recently testified before the United States Congress about antisemitism on college campuses. Resource Guide to the Israel-Hamas War Joe Gindi's testimony Follow Joe Gindi on social media: Instagram, X Follow us on social media: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

On this week's episode, Ailee and Levi speak to Dragan Kujundžić, a professor in the University of Florida Jewish Studies department who teaches courses on Jews in film and media. The three talk about prominent Jewish actors and directors as well as how Jews are portrayed in film and television. 13th Annual Gainesville Jewish Film Festival Follow us on social media: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

On this week's episode, Ailee and Levi are joined by Rom El-Hai, an Israeli who survived the Nova Festival, which was attacked by Hamas terrorists on October 7. He talks about how he escaped, survived and his hopes for Israelis to "dance again." Resource list for Israel-Hamas War Follow Rom on social media: Instagram Follow us: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, and Thom Berkowitz, who discuss the connection Gentiles have through the Messiah, share the importance of not misusing Scripture, and take a look at Matthew 19:1-11. Faith Radio podcasts are made possible by your support. Give now: Click here This conversation originally took place on November 15, 2023

On this week's episode, Ailee and Levi speak to Israeli tech expert and one of the world's biggest Israel advocates Hillel Fuld on the world's perception of Israel and the pressure being put on the state. Resource list for Israel-Hamas War Follow Hillel Fuld: X, Instagram Follow us: Ailee: X, Instagram Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

ROBIN CARUS (Casting Director) has cast everything from iconic commercials to groundbreaking theatre to independent film and television. Upcoming & Current Projects: Windows (at Lincoln Center), This is Not a Time for Peace (Theatre Row). Selected Regional & Off-Broadway: Pay The Writer (Signature Theatre), Two Jews, Talking (starring Josh Mostel and Richard Masur at Theatre at St. Clement's), The Remarkable Mister Holmes (North Coast Rep), Chicken and Biscuits (Queens Theatre), Pip's Island Film: Urban Ed, The Thursday Night Club, Green Flake Television: Now Hear This (PBS). Robin won Webby, Hermes, Davey and Telly Awards for her contribution to Project Sing Out! Live/Virtual Events: Hadassah International, Governor Gretchen Whitmer of Michigan, Fair Fight and the Warnock/Ossoff campaigns in Georgia, the Hudson Guild, the New Works Virtual Festival for the Actors Fund, the World Union For Progressive Judaism. For almost 10 years she was the Casting Director for TheatreworksUSA, where she cast over 200 national tours and countless works in development, as well as, their Off-Broadway series at the Lucille Lortel Theatre - including the revival of Seussical. Robin is also an Adjunct Professor in the Department of Theatre and Speech at CCNY - the City College of New York. Member of the Casting Society of America. ▬▬▬▬▬▬▬▬ ROBIN CARUS ⌲ IMDb: https://www.imdb.com/name/nm3445839/ ⌲ IG: https://www.instagram.com/robincarus/?hl=en ⌲ Facebook: https://www.facebook.com/robincaruscasting/ ⌲ X: https://twitter.com/robincarus?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #RobinCarus #RobinCarusCasting #TerryBerland #TerryBerlandCasting #NewYork #NewYorkCasting #NYTheatre #Musical #OffBroadway #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://podcasters.spotify.com/pod/show/the-moving-spotlight/support

On this episode of Taste Buds with Deb, host Debra Eckerling speaks with Amy Steinhaus Kirwin and Rebecca Edana, hosts of “Two Jews Making Food” on ChaiFlicks. Amy and Rebecca love to cook, eat and share their joy of cooking with others! During the half-hour episodes, the duo shares recipes for food and drink, based on their weekly theme; they also have a loved one Zoom in to share the Yiddish Lesson of the Day.  “We're not kosher, but we love food and we love stories and we love to learn,” Rebecca says. “The show was created in an effort to find out what is out there.”  Adds Amy, “It's not just Jewish cuisine; that's why it's not ‘Two Jews Making Jewish Food.' It's food from our culture and sometimes it's somebody else's.  Amy and Rebecca talk about their - and the show's - backstory, their different cooking styles, their opinion on viral cooking trends (note: most of them are awful), and more. They also share Amy's recipe for vegetarian kishka. Get the recipe at JewishJournal.com/Podcasts. Follow @twojewsmakingfood on Instagram and learn more at TwoJewsMakingFood.com and ChaiFlicks.com. For more from Taste Buds, follow @TheDEBMethod on social media.  

Two Jews, how many opinions? The unique unity that Torah produces.

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, and Thom Berkowitz, who share their hearts for the on-going atrocities in the Middle East, the opportunity we have as Christians to stand with Israel, and how we can find God's grace. Faith Radio podcasts are made possible by your support. Give now: Click here This conversation originally took place on November 1, 2023

In this week's episode of Two Jews, 10 Opinions, Ailee and Levi are joined by Shlomi Kahana, an Israeli currently living in Gainesville, Florida. The two talk to him about his experience volunteering in Israel during the war. A resource list for the Israel-Hamas War Shlomi on Instagram Follow us on social media: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

Ailee and Levi are back after a winter break hiatus. The two are joined by UF political science student Eliza Greenwald. They talk about anti-Israel sentiments on college campuses, hypocrisy, genocide claims, and remembering those who are still taken hostage by Hamas in Gaza as the 100-day mark has passed. A resource list for the Israel-Hamas war HUMAN TRAGEDIES: THE MORE WHO DIE, THE LESS WE CARE - Ted Talk Reclaiming Israel's History: Roots, Rights, and the Struggle for Peace Guns, Germs, and Steel: The Fates of Human Societies Follow us on social media: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who discuss if you can become a Christian while remaining a Jew, give their thoughts on if a Gentile can transform into Judaism, and have a conversation on Romans 11. Faith Radio podcasts are made possible by your support. Give now: Click here This conversation originally took place on October 18, 2023

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz. They spend time discussing where antisemitism stemmed from and share that God will always protect Israel regardless of how much persecution the Jewish nation faces. Faith Radio podcasts are made possible by your support. Give now: Click here

Merry Christmas folks! Our gift to you is our wildest episode yet. This week the boys are joined by Adam Shor and Eyal Wartelsky, also known as Two Jews. Follow them on Instagram @twojewscomedy.

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz. They share the history and facts of Hannukah, misconceptions of the event, discuss how it compares to Christmas and if Christians should celebrate it. Faith Radio podcasts are made possible by your support. Give now: Click here

In this week's episode of Two Jews, 10 Opinions, Ailee and Levi are joined by IDF reservist Alon Cohen. The three talk about the tragedies of the October 7 massacre, the mental state of the Israeli people, and more. Also, Ailee and Levi discuss the UN's response to the war, Chanukah, and more. A resource list for the Israel-Hamas war Saturday Night Live Papyrus Skit "UN Teachers Call To Murder Jews, Reveals New Report" (UN Watch) "The Woman in the Hamas Video Is My Daughter" - An article written by the mother of hostage Naama Levy (The Free Press) Hamas is taking humanitarian aid for themselves. "Opinion: I'm an expert in urban warfare. Israel is upholding the laws of war." (CNN) Spittin Chiclets Follow us on social media: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

In this week's episode of Two Jews, 10 Opinions, Ailee and Levi are joined by actor, comedian, social media personality and host of the I AM RAPAPORT: STEREO PODCAST Michael Rapaport. The three talk about being Jewish, antisemitism, Israel and more. Also, Ailee and Levi discuss Thanksgiving, the hostage release, and more. A resource list for the Israel-Hamas war I AM RAPAPORT: STEREO PODCAST: Spotify, Apple Podcasts Jasmino Restaurant - A LEVI FAVORITE Riverside Park - "Underrated park." - Levi, Michael Rapaport Follow Michael Rapaport on Social Media: Instagram, X Follow us on social media: Ailee: Instagram, X Levi: Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/ailee-shanes/support

This is a free preview of a paid episode. To hear more, visit mikeyopp.substack.comSam and Mike talk about being raised “Jewish” by two meditating hippies in the San Francisco Bay Area in the 90s, and how that panned out as they enter their forties and raise families of their own. It's philosophical and silly, and we do not spend even one second on politics (this means it's fun). Enjoy!Thank you for being a premium subscriber to mikey…

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, and Thom Berkowitz, who discuss the connection Gentiles have through the Messiah, share the importance of not misusing Scripture, and take a look at Matthew 19:1-11. Faith Radio podcasts are made possible by your support. Give now: Click here

Two Jews, both named Zach. One a Zionist the other an Anti-Zionist. LFG!Support the show

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, and Thom Berkowitz, who share their hearts for the on-going atrocities in the Middle East, the opportunity we have as Christians to stand with Israel, and how we can find God's grace. Faith Radio podcasts are made possible by your support. Give now: Click here

Our hour of "at least two Jews and a Gentile" is back, where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who discuss if you can become a Christian while remaining a Jew, give their thoughts on if a Gentile can transform into Judaism, and have a conversation on Romans 11. Faith Radio podcasts are made possible by your support. Give now: Click here

It's been a non-stop barrage of propaganda from the corporate media, and if you follow alternative sources, it's been non-stop vital reporting of the horrifying facts from the ground.  Lee and Eleanor wade through this to contextualize what's going on, where the nuance lies and why we fundamentally support the Palestinian struggle for freedom.    leecamp.net artkillingapathy.com

We have a new hour called "at least two Jews and a Gentile", where one Gentile and at least two Messianic Jews give their perspective about Jewish traditions and faith. Bill is joined by Trevor Rubenstein, Pastor Aaron Braaten, Matt Frey, and Thom Berkowitz, who introduce themselves, review Jewish history, and discuss Romans 9:1-6. Faith Radio podcasts are made possible by your support. Give now: Click here

Likkutei Sichos Devarim: This is an in depth text based class on The Lubavitcher Rebbe's Siyum on MasechAvodah Zara presented by the Rebbe 19 Kislev, 5731, 1970. Published in Likkutei Sichos Vol. 19Devarim The class was presented by Rabbi YY Jacobson in Evergreen Estates in the Catskill Mountains, NY.

A daytime gunfight in Jenin, a deadly terror attack that left four dead and an outbreak of settler violence - this week has put the spotlight back on the West Bank. As Israel considers further action to bring calm, domestic politics are never far away - including the government's plan to transform the judiciary. Yonit and Jonathan discuss the security situation and Benjamin Netanyahu's renewed pledge to move ahead with the reform. Plus: a special conversation with theater legend Sir Nicholas Hytner, the award-winning director behind some of the most successful shows in stage history. The Tony Award winner shares insights from a decades-long career - and explains why the Broadway musical is an intensely Jewish art form.  And we have a chutzpah award to make the jaw drop - along with a mensch award to a university that took its time.  Follow us on Instagram and Facebook: Unholy PodcastSee omnystudio.com/listener for privacy information.

It has been five years since Scott Seidenberg, now a Sportsbetting host/Pro at Pregame.com joins the show. Back in 2018, the show was supposed to be posted on Christmas Day, and there was no episode ready to go. Enter Scott, as he and Seth and many other people who do not celebrate Christmas usually spend it eating Chinese food and watching sports and cartoons. That year, they got together and talked about the year in sports. Then, in 2019, they did it again. Now, as 2022 comes to a close, Scott rejoins the show to talk about a potpourri of sports topics, including the recent deal between the NFL and YouTube about the Sunday Ticket. They also discussed the early success of Seths hockey team, the New Jersey Devils, the 2022 World Cup, its impact on soccer in the US, player contracts in sports, and much more. Follow Scott on social media @Scottsonair.