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Four cousins gather for a heartfelt discussion about family bonds, growing up, and the surprising ways we come to understand our parents. The conversation weaves through childhood nostalgia, adult responsibilities, and the healing revelation that our parents were just humans doing their best.• Reminiscing about Spanish TV shows like Sábado Gigante, Cristina, and Doce Corazones that shaped their childhoods• Discussing how family gatherings have evolved now that they're the adults responsible for creating memories• Sharing passionate recommendations for shows like House of Dragons, Game of Thrones, and The Last of Us• Exploring the unexpected joy of collecting Labubus and other figurines as a way to heal their inner child• Revealing the stories behind their names and the emotional significance of family naming traditions• Comparing experiences with strict parents and how it shaped them differently – some as rule-followers, others as secret-keepers• Reflecting on the transformative moment of seeing parents as humans with their own struggles and limitations• Celebrating how mother-daughter relationships have evolved from conflict to friendship through understanding and empathyCall your family today. They're also human, even when they don't act like it. Connect with the people who matter in your life.Follow us @ brokeboyz_ff on Instagram and TikTokIntro Music by Rockstar Turtle- Broke Boyz (999)Christmas Intro Song by Nico
Today, we're joined by the hilarious and cute-as-a-button Matthew Moy, who played Takayuki in one of The Middle's best episodes, 205, "Foreign Exchange." After sharing his jaw-dropping story of having a stroke during his time on 2 Broke Girls, Matthew breaks down the episode with us, recalling being stranded on a boat with Neil Flynn, trying not to laugh during Eden's lines, and the story behind unwrapping the burger.Want extended episodes and video? That's all happening at Patreon.com/MiddlingPod. You can subscribe monthly or purchase one off episodes!Wanna chat with us?! Click HERE to leave us a voicemail with your questions or comments. You could just hear it on the podcast...All that and much more, so let's get to Middling! Hosted on Acast. See acast.com/privacy for more information.
In this episode, host Monique Sorgen talks with showrunner and executive producer Michelle Nader(2 Broke Girls, The King of Queens, Dollface), about her two current comedy series, Shifting Gears and Deli Boys, how personal experience shapes her work, and more.
Episode Notes S6E9 -- Join us as we sit down with the one and only Rico Anderson. He'll be in the house telling tales from S.W.A.T to Get Gone and beyond. As an award winning actor, a sci fi nerd, the oldest of 11 children on his mothers side (6 biological / 5 adopted) and the 3rd of 4 children on his fathers side, Rico was born in Seaside/Monterey, CA and raised on the south side of Chicago as well as the San Francisco Bay Area. It was in Chicago where Rico's love for the arts began. As a little boy, his 3rd grade class went to a touring performance of The Wiz, starring Stephanie Mills. Even at that early age, Rico sat there mesmerized and amazed at the performances. Memories from that performance stuck in the back of his mind and would not surface until a few years later when his family moved to Berkeley, California. The bug bit again and Rico started performing in several plays and Independent films. Rico also majored in Theatre Arts at San Francisco State University. Eventually, Rico moved to Los Angeles and has been blessed to have many film, television, voice over and theatre credits to his name. NEWS FLASH: You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars ______ Follow our guest https://www.ricoanderson.com/ https://www.instagram.com/iamricoanderson/?hl=en https://en.wikipedia.org/wiki/Rico_E._Anderson https://www.imdb.com/name/nm1066970/ ______ Toking with the Dead: https://www.stilltoking.com/ https://www.facebook.com/TokingwiththeDead?tn=-]C-R https://www.instagram.com/stilltokingwith/?hl=en https://twitter.com/thetoking?lang=en https:/ /pinecast.com/feed/still-toking-with Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with ____ Our booking agent: https://www.facebook.com/AmyMakepeace https://www.facebook.com/groups/3770117099673924 ___ Sponsorship Opportunities: https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening More About he Guest: Known for playing a variety of humans....and aliens, Rico's selected film and television credits include S.W.A.T. on CBS, The Orville and Rosewood on FOX and Young & Hungry on Freeform. Other selected works include, The Mick, Grey's Anatomy, The Fosters, NCIS, Modern Family, Criminal Minds, K.C. Undercover, Two and a Half Men, Mike & Molly, 2 Broke Girls, Days of our Lives, The Bold and the Beautiful, Murder in the First, Sullivan & Son, Justified and The Shield. Rico was also tapped for the lead role in the feature, Get Gone opposite Lyn Shaye and Robert Miano. Rico's breakthrough role was in the 2005 Academy Award Winning short, "Mighty Times: The Children's March" portraying civil rights activist, Shelley "The Playboy" Stewart. This period piece was Narrated by Samuel L. Jackson (Marvel's The Avengers, Star Wars Trilogy) and Sam Elliott (The Hulk, The Big Lebowski) respectfully. Another breakthrough role was in Sci Fi where Rico was tapped to star in the TV pilot, Star Trek: Renegades, directed by Tim Russ (Tuvok in Star Trek: Voyager) and starring Walter Koenig (Star Trek, Babalon 5), Sean Young (Blade Runner) and Edward Furlong (John Connor in The Terminator). Rico was directed by Joss Whedon (Marvel's The Avengers, Agents of S.H.I.E.L.D.) in the pilot for Dollhouse w/ Eliza Dushku and played (The Color Purple) Danny Glover's son in in "The Harimaya Bridge" with Peter Coyote. As a member of the L.A. based Sketch Comedy Troupe, 'The Outpatients', Rico performed at The World Famous Comedy Store Main Room. Selected Commercial works includes: Kraft Macaroni & Cheese, Direct TV, UPS Store, Lending Tree, Bud Light, Honda, Sony, Jeep. Voice Over Commercial work includes: Mc Donalds, Bud Light, Sony, Jeep, The University of Maryland University College (UMUC) and National Rent a Car. As a Voice Over artist, Rico has recorded Loop Group / ADR work for Batman: Arkham Knight, #FreeRayshawn, Rebel and Being Mary Jane (BET), Geostorm, Power (Starz) and VH-1's Hit the Floor. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/624d631c-91b7-463c-afde-ad46efb50d6c
153: Broke Girls Wait, Rich Women Decide: The Law of Wealth What if your biggest breakthroughs come from the chaos?
153: Broke Girls Wait, Rich Women Decide: The Law of Wealth What if your biggest breakthroughs come from the chaos?
Michelle Nader is a veteran showrunner, writer, and executive producer known for her work in comedy. She serves as showrunner and executive producer of ABC's upcoming series SHIFTING GEARS, starring Tim Allen and Kat Dennings, marking her first project under an overall deal with 20th Television. Michelle is also the showrunner of DELI BOYS, a Hulu comedy debuting in Spring 2025. Previously, she led 2 BROKE GIRLS and DOLLFACE, making her the first sole female showrunner for a Tim Allen show. In this interview, we talk about the evolution of female roles in sitcoms, the changing trends in comedy, her current and upcoming projects, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!
Josh attempts to give Jimmy and the Joe the gift of liking a sitcom.., "2 Broke Girls" episodes watched for this F&L: *S1E1 - Pilot *S6E22 - And 2 Broke Girls: The Movie Make show suggestions or tell us when you were broke. WEBSITE: https://anchor.fm/fandlpodcast EMAIL: FandLpodcast@gmail.com TWITTER: https://twitter.com/FandLpodcast INSTAGRAM: https://www.instagram.com/fandlpodcast FACEBOOK: https://facebook.com/fandlpodcast
Bryan Callen is an actor, comedian, podcaster and writer. He is most well-known for the beloved-role of “Coach Mellor” on The Goldbergs and ABC's Schooled. He has appeared on such shows as Oz, NewsRadio, Kingdom, 2 Broke Girls, Sex and the City, MADTv, Frasier, Reba, NYPD Blue, The West Wing, Las Vegas, Fat Actress, The King Of Queens, How I Met Your Mother, CSI: Miami, Death Valley, In Plain Sight, CSI, Sullivan & Son, Entourage, Californication—and many more! Bryan has also appeared in such films as Joker, The Hangover, The Hangover Part II, Think Like A Dog, Ride Along, Flock Of Dudes, Dirty Lies, Old School, Bad Santa, Scary Movie 4, The Goods: Live Hard, Sell Hard, Warrior, About Last Night, Walk Of Shame, My Man Is A Loser, Planes: Fire & Rescue—and many more. As a veteran headliner, Bryan is known for his work in theaters and comedy clubs around the world—but most people know him as one of Los Angeles's favorite comics. He has 4 comedy specials with the latest Man Tears and has a new comedy special coming out soon, so keep your eyes open. In addition to co-hosting The Fighter & The Kid podcast, Bryan is known for being a regular guest on other popular podcasts like the Joe Rogan Experience and Fight Companion. Bryan also hosts the podcast, Off Limits. We chat about his thirst for knowledge and desire to grow, being the hero in your own story, masculinity, comedy, rejection, asking the tough internal questions and lying to yourself, The Goldbergs, his upcoming comedy special, being harsh on himself plus plenty more! The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Bryan out on: Instagram: https://www.instagram.com/bryancallen/ Twitter / X: https://x.com/bryancallen Youtube: https://www.youtube.com/@BryanCallenComedy Website + comedy shows: https://bryancallen.com/ Off Limits podcast on all the podcast apps or video here: https://www.youtube.com/playlist?list=PLmAhHQAKGAqrmn7PFCxLThEExNBGoRIPO ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan
DATE: October 25, 2024 SHOW: Prelude to Positivity Producer: Tommy Geraci HOST: Tommy Geraci GUEST: Chad Michael Collins Chad Michael Collins is best known for playing the franchise lead role 'Gunnery Sgt Brandon Beckett' across five successful Sony Pictures "Sniper" military action films. As the son of original star Tom Berenger's 'Master Gunnery Sgt Thomas Beckett', available on Netflix. Collins also stars in "Call of Duty: Modern Warfare" video game from Activision, playing a lead role Alex in the hugely popular military first-person-shooter franchise. He will also stars in AMC Shudder network's "Creepshow" television series and stared as the lead in the John Carpenter-esque action-horror-western film "High Moon" with co-star Sean Patrick Flanery this summer. He also recently starred on "MacGyver" for CBS. Sci-fi fans enjoyed Collins as the lead in the Orson Scott Card/Aaron Johnston-created television series "Extinct". Set 400 years in the future after the extermination of mankind by alien forces, "Extinct" follows several humans who find themselves "reborn" on planet Earth by a benevolent alien race. He has over 25 significant television and film credits in the past several years, starring in "Shooter", "Christmas Cupid's Arrow", "Once Upon a Time", "Freakish", "Company of Heroes", "NCIS", "NCIS: New Orleans", "Blue Bloods", "2 Broke Girls", "Castle", "Bones", "Lake Placid 2", and many more His recent short film, Edge of Space, has made quite an impact in the film festival circuit. Official IMDB Instagram Twitch Facebook Twitter Merch YouTube
Join us today as Jason welcomes comedian and impressionist Jonathan Kite to talk about his work on "2 Broke Girls," his Trump impression and being in actor in Hollywood in 2024. Plus, how to do a Vince Vaughn impression, Jonathan's upcoming standup special and Jonathan's auditions with SNL. Learn more about your ad choices. Visit megaphone.fm/adchoices
Finding the right doctor shouldn't be stressful, and with ZocDoc it's not! Find your next highly rated, in network doctor today by going to https://www.zocdoc.com/dropouts Fall is here which means it's time for pumpkin spice and raking in the winnings from Draft Kings Casino! New players can download the app today and use our code DROPOUTS to get $50 in Casino credits when you spend just $5. The crown is yours! Stop wasting money on expensive takeout and start making restaurant quality meals at home with HelloFresh! And now when you sign up at https://www.hellofresh.com/freedropouts you'll get free breakfast for life! Stop wasting money on subscriptions you don't use and sign up for Rocket Money today! Go to https://www.rocketmoney.com/dropouts and download the Rocket Money app. Get your money back! Your mental health is not something you have to manage alone. Try BetterHelp online therapy to be matched with a licensed therapist who can help take some weight off your shoulders. Visit https://www.betterhelp.com/dropouts for 10% off your first month! Hey everyone! Welcome back to another episode of Dropouts and this week we have a very special guest, Whitney Cummings! She is one of the biggest comedians working in the entertainment industry with 5 comedy specials across Comedy Central, Netflix, and HBO, co-creator of the Emmy award winning sitcom "2 Broke Girls," she has hosted and participated in several celebrity roasts, AND NOW is back on the road for her "Big Baby Tour." In this episode we learn how it feels to get professionally roasted, we explore her background, she explores our deepest insecurities, conspiracy theories end up in the mix somewhere, and we cap off the episode with an actual deep, and thought provoking conversation. This episode is a real mixed bag and you get it all! So sit back relax and enjoy :) Oh and if you want to see her live, check out her website here! https://whitneycumming.wpenginepowered.com/?page_id=81 SUB TO OUR PATREON FOR BONUS AND BEHIND THE SCENES CONTENT! https://www.patreon.com/dropoutspod BUY OUR SICK FREAKING MERCH! https://www.shopdropouts.com Keep up with us! Zach: https://www.instagram.com/zachjustice/ Jared: https://www.instagram.com/jarebearmusic/ Alyssa: https://www.instagram.com/alyssaaliberti/?hl=en Skyler: https://www.instagram.com/skylerhorne_/?hl=en DM us with your questions, ideas, and videos! https://www.instagram.com/dropoutspod/ or Email us! dropoutsadvice@gmail.com
Who is absolutely loving HULU's Only Murders in the Building? I am! On this episode of Dear Multi-Hyphenate, we have the loveable Michael Cyril Creighton who plays Howard Morris on Only Murders in the Building on HULU. We discuss how Michael was compelled to create his own work and how it created a domino effect of constant work in the industry. It's all about writing what you know, and Michael certainly proves that theory. How did he end up from working the box office to working on some of the most successful tv shows and films of all time? TELEVISION: Hulu's “Only Murders in the Building” (Series Regular), Amazon's “The Marvelous Mrs. Maisel” (recurring) Showtime's “Dexter: New Blood” (recurring), Netflix's “Dash & Lily” (recurring), HBO's "High Maintenance" (recurring), EPIX's "Graves" (recurring), Amazon's “A League of Their Own”, Netflix's “AJ & the Queen”, FOX's "Bob's Burgers," Showtime's "Billions," "Horace and Pete," FOX's “Bob's Burgers,” CBS's "The Good Fight," Adult Swim's "Neon Joe Werewolf Hunter," Showtime's "Nurse Jackie," Netflix's “Orange is the New Black,” NBC's “30 Rock,” FX's “Louie,” CBS's "2 Broke Girls," CBS's “Person of Interest," FX's "Sex&Drugs&Rock&Roll," LOGO's “Jeffery & Cole Casserole.” FILM: Cord Jeffereson's “American Fiction,” Steven Spielberg's "The Post," "Game Night," "Spotlight," "Can You Ever Forgive Me?," “Seneca,” "Home Again," "Coin Heist," "Sleeping With Other People," "Fits and Starts," "3rd Street Blackout," “Towheads,” “How To Follow Strangers,” “Paper Spiders” and “The Outside Story.” THEATRE: Jordan Harrison's The Amateurs (Vineyard Theatre), Sarah Ruhl's Stage Kiss (Playwrights Horizons), Blood Play, Buddy Cop 2, You're Welcome and Cape Disappointment (all with The Debate Society), Joshua Conkel's MilkMilkLemonade and more. I was a founding member of the New York Neo-Futurists and performed weekly in “Too Much Light Makes The Baby Go Blind.” WEB: Michael created a web series called “Jack in a Box,” which he starred in, produced, wrote and co-directed. The series ran from 2009-2012 and consisted of 31 episodes, dozens of cupcakes and a fair amount of funny-sad humor. It was written about in several publications and on several websites, including The New York Times, The Huffington Post, Time Out New York, Le Monde Paris, The New York Daily News, The AV Club and Michael was named a “Digital All Star” by Backstage. The series won Best Web Pilot at the 2010 New York Television Festival and was nominated for a Writers Guild of America Award for Outstanding Achievement in Original New Media two consecutive years in a row (2012 & won in 2013). Other work on the web includes "High Maintenance," "The Outs," "Very Mary-Kate," "Eat Our Feelings" and more. Proud member of SAG-AFTRA, Actors Equity and the Writers Guild. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you've ever wondered whether you should focus your efforts on one thing or pursuemultiple interests, today's show is for you! Deb interviews British film and TV actor,director, entrepreneur and host of the We Audition Show, Darren Darnborough, whosescreen work includes hit shows True Blood and 2 Broke Girls. No one knows the needto diversify income more than an actor, a career in which income can be sporadic.That's why Darren has always had a business that runs parallel to his acting career.Listen for Darren's tips on blending two passions to multiply your income and thevaluable lesson he learned over dinner with Richard Branson.Music question:If he could have 2 backstage passes to the concert of his choice, he'd choose TheBeatles.https://www.imdb.com/name/nm1570186/https://www.weaudition.com/https://instagram.com/darrendarnborough310-980-1851Vimeo: https://vimeo.com/1001856624/848e2e01b1?share=copy
Jonathan Kite (actor! 2 Broke Girls!) makes it weird! SUPPORT OUR SPONSORS Get a FREE sample pack Promo Code: WEIRD https://drinklmnt.com/weird HOSTAGE TAPE Get 6 month supply for $99 https://hostagetape.com/weird ONNIT For 10% OFF your order https://Onnit.com/Weird MODERN MAMMALS https://modernmammals.com/weird
Whitney Cummings (2 Broke Girls, The Female Brain) joins Rainn Wilson on Soul Boom for an insightful and raw conversation about self-respect, vulnerability, and the role of trauma in personal growth. Whitney shares her journey of learning to like herself, the power of naming fears, and the surprising ways animals have contributed to her healing process. They delve into the complexities of people-pleasing, the impact of childhood experiences, and how embracing vulnerability can lead to deeper connections. Join us for an inspiring discussion that challenges conventional wisdom and offers a fresh perspective on mental health and self-worth. See Whitney on tour! http://whitneycummings.com http://instagram.com/whitneycummings Thank you to our sponsors! Pique Tea (15% OFF!): https://piquelife.com/SOUL Hoka: https://bit.ly/HokaSoulBoom Waking Up app (1st month FREE!): https://wakingup.com/soulboom Fetzer Institute: https://fetzer.org/ Sign up for our newsletter! https://soulboom.substack.com SUBSCRIBE to Soul Boom!! https://bit.ly/Subscribe2SoulBoom Watch our Clips: https://bit.ly/SoulBoomCLIPS Watch WISDOM DUMP: https://bit.ly/WISDOMDUMP Follow us! Instagram: http://instagram.com/soulboom TikTok: http://tiktok.com/@soulboom Sponsor Soul Boom: partnerships@voicingchange.media Work with Soul Boom: business@soulboom.com Send Fan Creations, Questions, Comments: hello@soulboom.com Produced by: Kartik Chainani Executive Produced by: Ford Bowers, Samah Tokmachi Spring Green Films Production Supervisor: Mike O'Brien Voicing Change Media Theme Music by: Marcos Moscat
What's that? Do you hear that? Why... it's another episode of Long Time No See: The Podcast! This week, Jonathan Kite (2 Broke Girls, Raising Hope, American Dad) gets silly with Jason Cheny (The Improv, The Laugh Factory, Don't Tell Comedy). Listen now.After taking off their blindfolds, Cheny and Kite launch into a conversation that touches on everything from the funniest places to do the deed to the trials and tribulations of boat ownership to the wild world of drinking. Of course, hilarity ensues.Listen to Cheny and Kite's conversation, and make sure to follow Long Time No See wherever you get your podcasts. If you enjoy the show, please give us a review on Apple Music to keep the laughs coming!You can also check out Cheny's upcoming dates here, and keep up with Kite's here.
In this episode, Ajarae opens up about her journey through good girl conditioning and perfectionism and how they have impacted her career and life as a creative. She takes us through her experience growing up with a mother with substance abuse issues and the profound ways this impacted her independence, resilience, and confidence. We dive into good girl conditioning and its ties to perfectionism and invisibility, particularly in the creative industry, and Ajarae discusses the paradox of vulnerability and perfectionism in her career as an actor and producer and how receiving support has helped her tap into a well of creativity. Join us for this powerful conversation around perfectionism and vulnerability, and evolving into an artist who has the freedom to imagine and create what you desire. We dive into: Ajarae's experience with childhood trauma and developing resilience & confidence How good-girl conditioning can lead to invisibility for women in creative fields The importance of vulnerability in creative business and the value of receiving support Distinguishing between procrastination vs. creativity in your own life And more Ajarae Coleman is a Harvard-educated actress and producer with dozens of credits in film, TV, and commercials, including SCANDAL, NCIS: NEW ORLEANS, I'M SORRY, 2 BROKE GIRLS, REVENGE, DAYS OF OUR LIVES, and more. Ajarae is also a career coach for actors. Her membership, The Table, empowers actors to book more work by building communities of collaborators, building resilience in their nervous systems, and developing residual income streams that allow them to live in abundance while pursuing their creative dreams. She has created Agent Alchemy, a program that helps actors partner with the right agent or manager in 44 days, and Step Into Your Star Power, an acclaimed embodiment program that helps actors gain career momentum using mindfulness. Ajarae is based in Los Angeles, and works with fellow creators and clients around the world. Connect with Ajarae: Ajarae's Instagram: https://www.instagram.com/ajaraecoleman Ajarae Coleman on IMDb: https://www.imdb.com/name/nm2976368/ The Table Networking Community for Actors: https://ClaimASeat.com Self Tape Success Meditation (for actors): https://SelfTapeMeditation.com Connect with me and let's go deeper: Website: https://www.pohongyu.com IG: https://www.instagram.com/pohong.yu/ FB: https://www.facebook.com/pohong.yu/ LinkedIn: https://www.linkedin.com/in/pohongyu/
Episode 287: GARRETT MORRIS Keith Reza and Alan Lee interview SNL legend/actor Garrett Morris! Garrett is also best known for 2 Broke Girls. Support the show on https://patreon.com/rezarifts61 Follow Keith on all social media platforms! https://www.facebook.com/realkeithreza https://www.instagram.com/keithreza https://www.twitter.com/keithreza https://www.tiktok.com/keithreza Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/ Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter! #keithreza #garrettmorris #rezarifts #comedy
Fan and cast favorite guest Shulie Cowen (Mr. Mayor, Parks and Rec, 2 Broke GIrls, Opening Night: The Musical, and more) returns to the Super Legit not-a-stage to answer the question, “What part of your life would you be most happy to hand over to AI?” and boy does this question go up like a lead balloon when a group of creatives (and one IT guy) tear it apart. And amazingly, even this subject turns scatalogical way faster than anyone could have foreseen. Find out which Josh is the real Josh, who the unlikely new HR manager is, and what happens when some people don't take written policy as seriously as others! Cast: Sean Michael Boozer, Jen Burton, Chris Compton, Michael Heiman, Jarrett Lennon Kaufman, Josh Spence, Chris Sanders Special guest(s): Shulie Cowen Ads: Axe Grinder (improvised by Michael Heiman) Original release date: 5/22/24 Actual episode count: 111 Show references: https://bsky.app/profile/shuliecowen.bsky.social https://x.com/shuliecowen Intro and outro music credit to Matt Walker Various sound effects and music from https://freesfx.co.uk/ Additional music and sound credits: The Curtain Rises by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5007-the-curtain-rises License: https://filmmusic.io/standard-license Big Rock by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3436-big-rock License: https://filmmusic.io/standard-license
Brittany Ross, a Los Angeles-based actor and stand up comedian opens up with refreshing authenticity about her journey into motherhood. She candidly shares her experiences of feeling like she lost her identity during her first pregnancy, as others only saw her as a mom-to-be and, after giving birth, felt defined solely by motherhood. Now pregnant again, Brittany reflects on navigating this journey differently, realizing she can embrace her role as a caring mom and her identity as a professional and individual woman. Join us as Brittany shares her insights and experiences in this honest and relatable conversation. IN THIS EPISODE: [2:46] Brittany shares who she is and how she brings her family into her comedic act, and she describes the unpreferred parent and gives examples [10:59] Brittany discusses how she felt about being a mom from her identity standpoint and how people treat you differently [18:44] Brittany is dealing with her second pregnancy differently, and how she is navigating this process [29:00] Brittany's advice is to remember everyone is different and can exercise whatever emotion they are feeling, and she reveals she had a miscarriage before her current pregnancy [35:08] What triggered Brittany to decide to have a second child was what she wanted [40:39] Brittany reminds listeners that everyone has ideas about what is right for you, but do what you think is right and what family means to Brittany KEY TAKEAWAYS: Children possess an innate ability to push their parents' buttons, and the bond between a mother and daughter is distinct. At times, it's uniquely positive, while at other times, it is a button-pushing scenario. Getting pregnant represents a significant life change, and it is ok to deal with it however you want to. Don't be pressured by outside influences of how you should feel or cope. As a mom, you love your child but don't want to lose your identity. Some of the feelings you have are based on hormones. RESOURCE LINKS: Stork'd - Facebook Stork'd - Instagram Stork'd - YouTube Brittany Ross - Instagram Brittany Ross - Website BIOGRAPHY: Brittany Ross Brittany Ross is a Los Angeles-based Actor, Standup Comic, and writer. Originally from… well, she grew up moving around the world: Alaska, Scotland, Colombia, Venezuela, Texas, Chicago, & Hawaii. Being the “New Kid” is her special skill. Aside from the Choco Krispies commercial that not only starred a 5-year-old Brittany but probably changed ALL of your lives, you can catch her on Netflix's New Series Huge in France, ABC's The Rookie, and the Netflix film Like Father. Other notable credits include her long-running recurring role on ABCs The Middle, CBS's 2 Broke Girls, TBS's Clipped, Disney's Bizaardvark & more.
Arden Myrin, actress and comedian extraordinaire, steps Behind The Rope. She may be an actress and comedian who has starred in some of our favorite TV shows, Orange Is The New Black, Grey's Anatomy, Hot in Cleveland, 2 Broke Girls, Suburgatory and Teachers, but Arden is a Pop Culture Aficionado who loves Reality TV and Bravo. Arden covers it all - RHOC, RHOSLC is a blockbuster addition to the franchise, why Mary Cosby, Sonja Morgan and Jen Shah need a good hug, Below Deck, the classics like The Real World, Laguna Beach, Survivor, The Hills, The Simple Life, The Swan, Bachelor Nation and Love Island. Of course, we also chatted with Arden about her recurring role in Netflix's past mega-hit Insatiable, all the controversy surrounding the show as well as what it was like to star alongside Alyssa Milano. We figured today the perfect day to share this blast from the past chat with the one and only Arden Myrin. @ardenmyrin @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope BROUGHT TO YOU BY: PROLON - prolonlife.com/VELVET (Get 10% Off Their Five Day Nutrition Program) AIRDOCTOR - airdoctorpro.com (Use Code VELVET To Save Up To $300 Off Air Purifiers and a 3 Year Warranty On Any Unit, Which Is An Additional $84) MIRACLE MADE - trymiracle.com/VELVET (Save Over 40% and If You Use Code VELVET At Checkout You'll Get 3 Free Towels & Save An Extra 20%) 310 NUTRITION - 310nutrition.com (50% Off Up To $100 w/ Code Velvetrope on the Best Hydration, All-in-One Shakes & Refreshing Lemonade Mixes) INDEED - indeed.com/velvet (Seventy Five Dollar $75 Sponsored Job Credit To Get Your Jobs More Visibility) RAKUTEN - rakuten.com (Members Earn Cash Back On Everything They Buy Through Rakuten or The Rakuten App) ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we're joined by actor and comedian Jonathan Kite. From his experience guesting on Wizards to co-starring on 2 Broke Girls, to the emotional rollercoaster of auditions and working with icons like Jamie Foxx, Jonathan takes us through the highs and lows of a life in Hollywood. Jonathan is spilling ALL the tea today! What's it like auditioning for SNL? What advice did Whitney Cummings give him before he worked on 2 Broke Girls? What's it REALLY like working with Jaime Foxx? Tune in now! Follow Jonathan @jonathankite on Instagram and @thejonathankite on TikTok. Follow @WizardsPod on Instagram, TikTok, Facebook and YouTube! Want access to weekly bonus videos, exclusive behind-the-scenes content and more? Join our Patreon now at patreon.com/WizardsPod. Give all the moms in your life a unique, heartfelt gift you'll all cherish for years—StoryWorth! Right now, save $10 on your first purchase when you go to https://storyworth.com/wizards! Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today we're joined by actor and comedian Jonathan Kite. From his experience guesting on Wizards to co-starring on 2 Broke Girls, to the emotional rollercoaster of auditions and working with icons like Jamie Foxx, Jonathan takes us through the highs and lows of a life in Hollywood. Jonathan is spilling ALL the tea today! What's it like auditioning for SNL? What advice did Whitney Cummings give him before he worked on 2 Broke Girls? What's it REALLY like working with Jaime Foxx? Tune in now! Follow Jonathan @jonathankite on Instagram and @thejonathankite on TikTok. Follow @WizardsPod on Instagram, TikTok, Facebook and YouTube! Want access to weekly bonus videos, exclusive behind-the-scenes content and more? Join our Patreon now at patreon.com/WizardsPod. Give all the moms in your life a unique, heartfelt gift you'll all cherish for years—StoryWorth! Right now, save $10 on your first purchase when you go to https://storyworth.com/wizards! Learn more about your ad choices. Visit podcastchoices.com/adchoices See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Thank you to everyone who upgraded their max fun membership this year. We had more upgrades than last year and we're so grateful for all of you. You're support allows us to keep bringing you dead pilots. Our dead pilot this month is called Frenemies: The Journey Of Lewis & Clark written by Michael Lisbe & Nate Reger (Just Shoot Meet, Cougar Town, 2 Broke Girls). Their dead pilot is a comedic take on Lewis & Clark's epic journey of discovery through the American west. This pilot is hard funny and it's also NSFW. We warned you! It was a spec Mike & Nate wrote in the early days of Covid and they set it up at Sony. Our cast included Brandon Scott Jones (Ghosts), Drew Powell (Gotham), Tre Hale (Platonic), Michael Cassidy (People Of Earth), Haskiri Velazquez (Saved By The Bell), Carlos Aazraqui (Reno 911!), Greg Santos (Great News) and Andrew Reich with stage directions. There's still time to help support our podcast by becoming a maximum fun member for as little as $5 a month. Help us support what we do by going to maximumfun.org/join.For more Dead Pilots Society episodes and information about our live shows, please subscribe to the podcast!Make sure to like us on Facebook, follow us on Instagram, and Twitter, and visit our website at deadpilotssociety.com
Today's episode features the brilliant and talented Costume Designer Trayce Gigi Field! We talk about so many wonderful things from her roots at Western Costume to the difference in process between television and film. Other great topics include the value of costume design, the #creditcostumedesigners campaign, working with and highlighting diverse brands, the importance of the collaborations with costume illustrators, actors and directors, and the danger of AI. Trayce is also the co-chair of the CDG Diversity Committee and serves with me in the CDG Pay Equity Committee and we got to dig into the importance and impact and the work of both. — Costume Designer Trayce Gigi Field is known for her vibrant tastes in color and her quirky yet fun choices in style and texture. With over 30 credits to her name, her multicultural background helps her see the world from a broad perspective. | Currently, Trayce is costume designing Liz Feldman's No Good Deed for Netflix. In addition to Rian Johnson's POKER FACE for Peacock, her recent credits include BOOKIE on MAX, Amazon's A LEAGUE OF THEIR OWN, Apple TV+'s THE AFTER PARTY and Netflix's DEAD TO ME. In 2024, Trayce was a double nominee for the Costume Designers Guild Awards for POKER FACE and for Jack Harlow's Super Bowl Doritos Commercial, in 2023, Trayce was nominated for a NAACP Image Award for A LEAGUE OF THEIR OWN and in 2021, she was nominated for a Costume Designers Guild Award for LIONSGATE'S BARB AND STAR GO TO VISTA DEL MAR. She received acclaim early in her career for her iconic diner uniforms showcased on CBS's 2 BROKE GIRLS. A native of Los Angeles, Trayce graduated from the Fashion Institute of Design & Merchandising (FIDM). CDG Diversity Committee Chairperson | NAACP Image Awards Nomination Committee Member | CDG Comic-Con Committee Member --- Trayce Gigi Field Links: Website: traycegigifield.com Instagram: @traycegigifield TikTok: @traycegigi --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign Ko-Fi: @waacostumedesign --- Pay Equity Links: Pay Equity Now IG: @payequitynow Pay Equity Now TikTok: @payequitynow Costume Designers Guild IG: @cdglocal892 Local USA 829 Pay Equity Task Force IG: @usa829payequity United Scenic Artists Local 829 IG: @unitedscenicartists
Michael Cyril Creighton is currently seen as “Howard Morris" on Hulu's "Only Murders in the Building” opposite Steve Martin, Martin Short & Selena Gomez. Other TV credits include the final season of "The Marvelous Mrs. Maisel," "Dexter: New Blood,” “A League of Their Own,” "Dash & Lily," "High Maintenance," "Bob's Burgers,” "AJ & the Queen," "2 Broke Girls," "New Amsterdam," "Graves," "Blue Bloods," "Nurse Jackie," "Orange is the New Black," "30 Rock,” and more. Creighton played abuse survivor "Joe Crowley" in "Spotlight," the 2016 Academy Award Winner for Best Picture and won the Robert Altman Award at the Indie Spirit Awards as part of the film's ensemble. Other Film credits include Cord Jefferson's "American Fiction," Steven Spielberg's "The Post," "Game Night," "Paper Spiders," and "The Outside Story." On stage he has been seen in Sarah Ruhl's Stage Kiss (Playwrights Horizons), Jordan Harrison's The Amateurs (The Vineyard Theatre) and four World Premieres by The Debate Society (Cape Disappointment, You're Welcome, Buddy Cop 2 and Blood Play.) He wrote, created and starred in the WGA Award winning web series "Jack in a Box”, which was inspired by working in a theatre box office for 12+ years. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to the Instant Trivia podcast episode 1081, where we ask the best trivia on the Internet. Round 1. Category: Nyc 1: Trendy adjective applied to people who have homes in both NYC and L.A.. bicoastal. 2: Before she ran for VP, Geraldine Ferraro was a Congresswoman from this NYC borough. Queens. 3: Daily and Sunday, it has the largest circulation of any NYC newspaper. the Daily News. 4: The Cloisters, a replica of a medieval monastery, is part of this world-famous museum. the Metropolitan Museum of Art. 5: Alexander Hamilton and Robert Fulton are buried in this churchyard near Wall Street. Trinity Church. Round 2. Category: The Killers 1: Murderers are figuratively said to have the "mark" of this biblical man. Cain. 2: In Genesis 4 he becomes the first killer; God isn't happy. Cain. 3: In one of the few documented one-on-one Old West gunfights, this "Wild" man killed Davis Tutt in 1865. Wild Bill Hickok. 4: A tip following the publication of the manifesto of this long-distance killer led to his 1996 capture in Montana. the Unabomber. 5: Months after his wife Laci's disappearance, this man was caught with $15,000 in cash and his brother's I.D.. (Scott) Peterson. Round 3. Category: Tricky Numbers 1: Number of months with 28 days. 12. 2: The highest single-digit number that reads the same upside down and right side up. 8. 3: The number of stars on the U.S. flag divided by the number of U.S. states not in North America. 50 (50÷1 (Hawaii)). 4: Temperature in degrees Fahrenheit equal to -40 degrees Celsius. -40° Fahrenheit. 5: If you were to spell out the numbers, it's how far you'd have to go before using the letter A. one thousand. Round 4. Category: Stories Of The Saints 1: In a vision on the wall of her room, St. Clare witnessed a mass and so today is the patron saint of this modern invention. television. 2: This apostle and letter writer was a tent maker by trade, so he moved easily around the ancient world with tools and cloth. Paul. 3: The story of Martin de Porres, the 1st Black saint in the Americas, includes this skill, letting him hover before the altar. levitation. 4: Story goes the patron saint of Wales, St. David, lived on nothing but water and these onion relatives. leeks. 5: St. Francisco Marto, one of 3 children who saw the Virgin Mary in this Portuguese town in 1917, died in the flu pandemic in 1919. Fátima. Round 5. Category: Tv Animal Roundup 1: Itchy and Scratchy on "The Simpsons". a mouse and a cat. 2: Patrick on "SpongeBob SquarePants". a starfish. 3: Chestnut on "2 Broke Girls". a horse. 4: Stella on "Modern Family". a French bulldog. 5: Marcel on "Friends". a monkey. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
My old friend Lucas Hazlett (Ramy, Broad City, 2 Broke Girls, American Princess) joins Podcast Hell and we do everything possible to ruin his career! Check it out!
On this week's episode, I have actor Chris Gorham, (Out of Practice, The Lincoln Lawyer, NCIS: Los Angeles and many many more) and we dive into the origins of his career. We also discuss the work-life balance he has with his family and some of the things he wishes more actors were aware of while filming. There is so much more, so tune in.Show NotesChris Gorham on Instagram: https://www.instagram.com/chrisgorham/Chris Gorham IMDB: https://www.imdb.com/name/nm0330913/Chris Gorham on Wikipedia: https://en.wikipedia.org/wiki/Christopher_GorhamMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptChris Gorham:But in getting to know them and talking to them, Almost all of them had day jobs, like worked for the city, Worked, worked for construction crews. They had full-on-day Jobs. Some of them were Entrepreneurs, some of them worked in government. And that was a New idea to me because that hadn't been my experience here. But as the income and equality has increased so dramatically, It feels like that's where our business has been going, where everybody has to have another,Michael Jamin:You are listening to, what the hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity. I'm talking about writing, and I'm talking about reinventing yourself through the arts.Chris Gorham:Like my backdrop, this is my, oh, I love it. Official SAG after LA delegate backdrop that we used him during the convention.Michael Jamin:I know you're a big show. We're starting already. I'm here with Chris Gorham, and he is an actor I worked with many years ago on a show called Out of Practice. He's one of the stars that was a show with starting Henry Winkler, stocker Channing, Ty Burrell, Chris Gorham, and Paul Marshall. It was a great show on CBS and only lasted a season. But Chris, Chris is about as successful working actors as you can, short of being like someone like Brad Pitt, who's known across the world. You've done a ton of TV shows, and I'm going to blow through them real fast here.Chris Gorham:Okay. You can, I can't talk about them still, but your strike is over so you can,Michael Jamin:Yeah, right, because Chris is, I guess he's in sag and actually you're one of the members, you're one of the, what do you call yourself, the king? SoChris Gorham:I'm the king of SAG aftra. No, I was elected to be on the LA local board and also elected as a delegate. So that's what this background was. Our official LA delegate background forMichael Jamin:The research delegate for for the model. What does that meanChris Gorham:For the convention? Yeah. It's kind of reminiscent of Model un. So it's the convention that happens every two years where all the delegates get together and we elect the executive vice president, and there's certain offices that get elected by the delegate membership.Michael Jamin:I don't think we have that in the Writer's Guild. I think we have a direct democracy. You, I guess have a representative democracy.Chris Gorham:Yeah. Yeah. It's a much bigger union. How bigMichael Jamin:Is it? How big do you know? AboutChris Gorham:160,000 members.Michael Jamin:Wow. Okay. Members, but that's active members. And what do you have to be to be an active member?Chris Gorham:What do you have to be? DoMichael Jamin:You have to sell? You have to work a certain amount or something?Chris Gorham:No, once you're in, you can stay in as long as you pay your duesMichael Jamin:Every year. Oh, okay. But then that doesn't mean you get health. You have to qualify for health insurance and stuff like that. Correct.Chris Gorham:Well, it's a big part of the strike. It's one of our big talking points really is only about 13% and just under 13% earn enough to qualify for our healthcare plan. And I mean, that's only about $26,700 a year to qualify for healthcare.Michael Jamin:That's a big deal. I mean, healthcare, healthcare. So most people don't realize this, and it seems so naive to say this, but I get so many comments when on social media, all these actors are millionaires. Dude, what are you talking about? You can be a working actor and book two gig. You're lucky if you do two gigs a year. AndChris Gorham:Well listen, it goes to the heart of what this strike is about is that it's worse than people even think because just to what's the best way to talk about it? So a big part of our asked during this negotiation is a big increase in the contributions to our health and pension plan by the producers. And the reason is that they haven't increased it in a long, long, long, long time. So for instance, one person could work, let's say you got hired to do an episode and got paid very well, right? For one episode. Let's say you're getting it, it's an anthology show. They're paying the top two people like series regulars, and you're getting a hundred grand for one episode. So you would think a hundred thousand dollars. That is a lot of money for one episode. If I'm doing that, I am clear. Definitely qualify. You do not qualify for healthcare because you've only done one episode and the producers only have to contribute up to a certain amount. So even though you've made a hundred grand in one episode, you still have to book another job, at least one moreMichael Jamin:And clear,Chris Gorham:Not going to qualify for healthcare.Michael Jamin:I've produced a lot of shows. I don't recall ever paying a guest star anywhere close to a hundred thousand an episode. No, not even close.Chris Gorham:No, no. And the minimums have, right now, I think for a drama, the minimum's around $9,000, maybe a little more than that for an episode for top of Show guest start like the top paid guest shows on those shows. Yeah, you can't. And it's become almost impossible to negotiate a rate higher than the minimums.Michael Jamin:You can have a quote and they go, well, that's too bad. This is what we're paying you.Chris Gorham:Correct. This is what we're paying you.Michael Jamin:Let me just run through some of yours so people know who we're talking about because some people are listening to it. So Chris is, I'm going to blow some of his bigger parts, but he works so much. So let's start with Party of Five where you did four episodes, which I love that show. I just had to mention that, but of course, popular. You did a ton of those. Felicity, remember that? Odyssey five, Jake 2.0, which you started in medical investigation out of practice, which I mentioned Harper's Island Ugly Betty, Betty Laa, which I loved, of course, covert Affairs and what else? I'm going through your list here. Full Circle two Broke Girls. You worked with two of the broke girls and insatiable the Lincoln lawyer, and that doesn't include any of your guest chart. So you are incredibly successful actor and you've strung, actually, I want to hit on something. Sure. So this is a little embarrassing on my part. We had a technical, this is our second interview because I had technical errors on my point. I'm not that good with technology, even though I've done well over a hundred episodes of this, and Chris graciously allowed me to do this over. But one of the things that you said, the thing that struck me the most during our last talk, which I found incredibly interesting and humble, I said to you, Chris, how do you choose your roles? And do you remember what you said to me?Chris Gorham:Yeah, yeah, of course. Yeah. I said, I should be so lucky. Yeah. The reality is, it's like actors like me. I've had a lot of conversations with actors like me who star on television shows, multiple television shows, and we all joke about how many times we've been asked in interviews. The questionMichael Jamin:Really,Chris Gorham:Why did you choose this to be your next project?Michael Jamin:Right. Well, I wanted to eat. That's why.Chris Gorham:Yeah, yeah. Because I think journalists sometimes forget, and they think that we're all to use your example, Brad Pitt, and that we're being sent scripts and we get to choose what our next project is, but in reality, that is not at all. What happens, what happens for the vast majority of us is we are sent auditions. Sometimes we get the scripts, sometimes we don't. And we put ourselves now what used to be going to the casting office. Now we put ourselves on tape and we send it off into the void, and we hope that we get hired.Michael Jamin:And you'll work on a part. When you do get the script, how long will you spend preparing for that before you submit your tape?Chris Gorham:Oh, it depends mostly on two things. One, how many pages it is, and then it depends on how well written it's, to be honest. You've heard this before.Michael Jamin:Go ahead. Tell me.Chris Gorham:The better the writing, the easier it is to memorize.Michael Jamin:Right. And explain why that is.Chris Gorham:Well, the reason is is because it makes sense. If it's written like a human being talks, then the next sentence follows from the sentence before. If you understand the emotion of what's going on, then it just makes sense and the dialogue flows and it's just so much easier to memorize. The stuff that's always the hardest is when you're the character that's laying pipe and you're just spewing out exposition and it's not really coming. Listen, the good writers are always trying to tie it down to that emotional reality, but sometimes you got to lay pipe, and that's stuff's always the hardest, particularly if it's a bunch of medical jargon or legal jargon. That kind of stuff is crazy.Michael Jamin:And what people don't also realize, I think, is when you're starting out an actor, oh, I could play everything. I could play a villain. I could play a teacher, I could play a biker, I could play a doctor. That's fine when you're in your high school play, but in Hollywood, you're going to be cast the part that you are closest to because if not, we will cast someone who looks like a biker or who was a biker, and we'll cast someone who looks like a doctor. Right? Yeah. So you have to figure out who you are, basically.Chris Gorham:Yeah. Well, it's one of the, I went to theater school at UCLA and I was very lucky because during my freshman year, they decided to start a conservatory program within the theater program there. So we all auditioned and I got into this conservatory program. So for my last three years, it was conservatory training, and I still got my bachelor of arts degree from UCLA. It was the best of both worlds. One of the things that I felt like a few years out after having it is I wished they had spent a little bit more time helping us learn how to act like ourselves. You spend so much time in theater school, learning how to stretch your creativity, working on your voice, working on your body movement, body awareness, vocal awareness, and then learning how to play all these different kinds of parts and all the plays you're doing. All the parts are filled from college students. So sometimes you're playing an old man, sometimes you're playing a young woman who knows. But the second you start auditioning for roles professionally, you're only going to be seen for roles that you physically look like. And so it's really important to quickly learn if you haven't already, how to be you. Right. How do you do that version of you?Michael Jamin:Where do you begin with that?Chris Gorham:Well, it takes practice. We used to do an exercise. It was in one of the very beginning acting classes. In fact, I didn't even take this acting class. I was observing, I think my senior year, one of the grad students was teaching it. And it was just as simple as everybody got in circle and instead of being crazy and dancing like a tree or whatever, it was literally, it was just walk across. Just walk from point A to point B. Just you just don't do anything. Just walk from what, and you would be surprised how difficult that can be becauseMichael Jamin:You become self-conscious of what you'reChris Gorham:Exactly right. You become and you feel like you should do something mean. And especially for a bunch of theater kids who've kind of grown up in their theater school, all high schools and stuff all over, it's all about being big, and it's all about the jokes and getting attention and to let all of that go and just be in the market is a very difficult thing for a lot of people. But it's super, super important. And that carries through forever. Just being just be there. You don't have to do anything, particularly when you have a camera on you, and particularly when it's time for your closeup, you don't have to do a lot. You just have to be there and be present and alive in the scene.Michael Jamin:But so much, I think some people, they greatly underestimate how difficult acting is because it looks like make-believe and whatever. We're just, you're having fun on the camera, but to be in the moment, especially when the cameras are on you and everyone's watching in, go hurry up and go, because we've set up the scene for half hour and we want you to shoot it now. And it's so hard to stay in the moment, I think. So how do you stay in the moment when you become conscious that you're actingChris Gorham:Now? If I become conscious that I'm acting now, I'll just stop.Michael Jamin:You willChris Gorham:Often I'll just stop and say, can we start over? Can we just go back to the top because for whatever reason, and then go again. Because if I'm conscious, then I'm not in a scene, then it's not going to work and they're not going to be able to use it. So I would just stop and go back. I mean, it's the great advantage of film, right?Michael Jamin:But you do much theater anymore, because that's different when you're on stage.Chris Gorham:I only feel like benefits and things for years. We're rehearsing for one this weekend, we're doing the Girls Benefit to raise money for breast cancer research.Michael Jamin:So it's one show.Chris Gorham:It's one show. I mean, for me, I've been a single income family of five for almost 23 years. So with that, I haven't able to afford to go and do theater, but I miss it. I love it. I did two weeks, 14 years ago, I did two weeks in Spalding Gray Stories left to Tell in New York off Broadway.Michael Jamin:Really? So you were Spalding Gray, I mean, it's a one man show,Chris Gorham:Right? Yeah, yeah. Well, it's a one man show split into five different personalities. So it's different parts of him. And so the business part, they would swap out celebrities every two weeks. And so I came in and did that for two weeks, and it was the best.Michael Jamin:And this was in New York?Chris Gorham:Yeah.Michael Jamin:That's amazing. How did something like that come up? How do you get that?Chris Gorham:I don't know. I don't remember. I don't mean it must've come through my agents or my manager. I don't remember. I don't remember.Michael Jamin:Wow. How interesting.Chris Gorham:Because now, I was just going to say now, it's been so long since I've done, I've become, I'm so out of the loop of LA theater in particular, which is kind of more feasible for me at this point, just because it's close and easy. I don't even really know how to get back in. In fact, one of my youngest was doing a summer theater camp at Annoys Within, and it's close to where we are. So I was trying to figure out, I reached out to my manager, I was like, Hey, is really close. Is there, are they doing anything that would make sense for me to do something with them over there? They were like, yeah, that's a great idea. And they never heard anything. So I just emailed them my photo and resume with a letter, and I never heard anything back. So I literally, I don't even know how to approach getting cast in theater anymore,Michael Jamin:Because your agent, there's not enough money for your agent to work on it.Chris Gorham:They couldn't be less interested.Michael Jamin:I'm always curious how that works. We just saw a show at the Pasadena Playhouse and I was like, well, how do these actors, how do they, yeah, ifChris Gorham:You find out, let me know the Playhouse also write down the street. It'd be amazing.Michael Jamin:Yeah, there's always some, but then again, you would have to commit to something. And during that time period, let's say it was two months, you can't take other work you've committed and something big could come along, who knows? IChris Gorham:Mean, maybe. But also that is, you live with that fear all the time, no matter whatMichael Jamin:Do you mean even if you're on a show, you mean?Chris Gorham:Well, not if you're on a show, then you're working well, then you worry about the show being canceled and then that you're never going to work again. But when you're not working, well, this brings up two thoughts. One is there's a fear of taking something that's not the big thing, because you are afraid that if you do this smaller thing that it's going to conflict with the big thing that might be just around the court. And the other thought that it brings up is I talked with so many actors over the years who are not working and are really struggling and feel paralyzed about going to try and do anything else because there's this intense peer pressure that, well, you can't quit. You can't quit now that your moment, it might be just around the corner, it might be the next audition.Michael Jamin:You mean quit Hollywood and do something for a different career, youChris Gorham:Mean? Yeah, go do something else. You got to hang in. You got to hang in. And I feel like it's a really difficult balancing act because the truth is that this business is really, really hard to go back to the strike. It's gotten increasingly difficult to the point where it's almost impossible with an actor to make a living, to be able to raise a family, to be able to put your kids through college and those kind of life things that are important to so many of us.Michael Jamin:And I know, and that's why you fight and that's why you fight. And that's why it's so people think, well, so what for actors? But the problem is like you're saying, if actors can't make a living in between or you're starring in a show, that's great, but the show will probably get canceled up to one season. But you still need to keep a healthy talent pool of actors who can continue to keep a living, because if they can't, they're going to leave. And then how are you going to cast as writers and producers? How do you cast this part if there's not a healthy talent pool? That'sChris Gorham:It. That's it. We can't continue paying the stars these massive, massive, massive amounts of money and having everybody else working on these tiny minimums because it's unsustainable. The best and the brightest of us that haven't won the lottery are going to go do other things because there's more to life and life. You can be an actor without pursuing it as a career.Michael Jamin:But I haven't heard those notions come up at all. Maybe I'm not just tuned in, but the idea of, well, maybe we're paying the stars too much, or has that been a discussion at all?Chris Gorham:I mean, I have that discussion. Yeah. Oh, really? Well, yeah, because it's not that, well, certainly for me, and not so much from my personal experience, but just from my kind of bleeding heart observations of this business, when you see movies, it's why, like I've said for a long time, the only way now to make a living in this business is if you're a star or a series regular on a TV show.Michael Jamin:Yeah. Yes, I agree with that. It's theChris Gorham:Only way because all of the supporting cast, none of the supporting cast makes enough money to make a consistent living in this business because your stars get massive amounts of money. Everyone else is working scale, and the minimums have not risen nearly enough to make it enough. And the stars, well, this is the excuse the studios use, is that they're paying the stars so much. There's no money left to pay anybody else over scale, so no one else can negotiate over scale. And in tv it's a similar thing. So it just makes it very difficult.Michael Jamin:And not only that, LA has always been an expensive city to live, but now it's crazy. It's like crazy. I can't afford, if I hadn't bought my house when I did it, I couldn't even come close to affording this house and have a middle class house. It's something special about it. So these are the issues that actors are fighting over. Yeah, it's an important, it's so interesting when you hear your friends or colleagues thinking about leaving, do they tell you what they're going to do or what they want to do? It's such a hard thing when you're middle aged, what are you going to do?Chris Gorham:Right. No, it's true. It's true. No, I have some friends that have gone into teaching.Michael Jamin:Okay.Chris Gorham:Yeah. Most of my actor friends are still around. Have one friend who started the business ages ago and still runs that business while she's worked periodically as an actor throughout all of these years. And she still works frequently, but her main income is from this business that she created. Right.Michael Jamin:She's very, so you got to be entrepreneurial, basically. Yeah.Chris Gorham:Yeah. It's funny. I did a movie early in my career where we shot in Tonga and New Zealand, and we had a lot of New Zealand actors were working on this film and in talk, and some of them were quite famous in New Zealand. They were working on this famous New Zealand TV show, like legitimate celebrities. But in getting to know them and talking to them, almost all of them had day jobs, worked for the city, worked, worked in construction crews. They have full on day jobs. Some of them were entrepreneurs, some of them worked in government. And that was a new idea to me because that hadn't been my experience here. But as the income inequality has increased so dramatically, it feels like that's where our business has been going, where everybody has to have another gig.Michael Jamin:Yeah.Chris Gorham:It didn't used to be that way. And I don't think that it has to be that way.Michael Jamin:Yeah, I agree with you. Yeah. I mean, it's definitely, yeah, it seems very unfair. It doesn't seem, well, I mean, I guess all things is fair about being an actor. Being an actor has always been a pursuit of like, well, is there anything else you could do? Then choose that? But true, it seems like now it's like, I don't know. What do you do? What recommend then for people, young kids or kids, whatever, 20 year olds who considering getting into the business?Chris Gorham:Yeah, I mean, that advice I think is evergreen. That if you can go do something else as a career, absolutely do something else as a career. Oftentimes the advice I give is when you're young, spend a lot less time thinking about what you want to be when you grow up and spend a lot more time thinking about what kind of life you want to live when you grow up, what kind of things do you want to do? And then you can find career paths that will allow you to live the kind of life you want to live. And it becomes less obsessed with having a certain job.Michael Jamin:Well, that's something to consider. So for you as a working actor, sometimes you'll be on location, you might be in a different city. Is that something you away from your family, which is hard as you were raised in a family, is that something you considered? Is that something you would reconsider now?Chris Gorham:I had no idea. I grew up in Fresno, California. My mom was a school nurse. My dad was an accountant. They didn't know what to do with me, and I didn't know anything about the business. I wanted to be. Yeah, I didn't know. Yeah. I had no idea. And so my first, and I was very fortunate. I got out of school, I started, I got my union card in 1996, the year I got out of school was booking occasional guest stars on things. My first job was one scene in a movie with two big movie stars, big famous director. It was awesome. And then I booked my first series just three years after school. Cool. And it was shot at Disney. It was like 10 minutes away from our little place we were renting. And then it was canceled and it came out of nowhere. And then I was very fortunate again. I booked another series two weeks later, but that one shot until longMichael Jamin:AndChris Gorham:I had no idea what that meant. And I left to do that pilot six weeks after our first born son, our firstborn was born. So my wife, anal had no idea what no idea we were doing. Suddenly we had a newborn baby, six weeks old, and then I'm gone for five weeks. It was extraordinarily difficult.Michael Jamin:I apologize. Something must be open and I have to shut it down because someone's, I'm sorry.Chris Gorham:Oh, no worries. Okay.Michael Jamin:I thought everything shut. But yeah, so to continue, so that's heartbreaking. You have a brand new baby and you're out of town. You left here.Chris Gorham:Yeah. It was hard. And we didn't, because we didn't grow up here, so we had no experience. I don't know how to do this. And no one was really kind explaining to us, okay, this is how you get through this. These are the different ways you can do it. These are the options. You know what I mean? I didn't have anybody, I didn't have a mentor or somebody guiding me in how to do this thing.Michael Jamin:But at any point in your career, you must, because worked for so many actors, you must have at some point found someone a little older and wiser. Right?Chris Gorham:Well, the closest thing we had was Anelle had Stacey Winkler. It was really sweet. Anelle used to sit next to Stacey Winkler at every taping, and they would just talk and Stacey would give her advice, and it was great. One week, Anelle come to the taping, and the next week Stacey scolded her and was like, you have to be here every week and let everyone know that that is your husband.Michael Jamin:Interesting. I remember she came to, I think every out of practice,Chris Gorham:Everyone.Michael Jamin:So why is it about staking your territory? What was that? Or is this being supportive?Chris Gorham:What was it? No, I think it was both, but I think partly staking your territory. I was the young guy, the young handsome guy on this show, and it's a CVS show, and so she was like, you need to be here. But then it was also she said, but then he's the star here at work. You have to make sure that when you get home, the kids are the star, not him. You have to make it veryMichael Jamin:Clear. Was there a difficulty for you? Is it hard to go home and not be the star? What was that like?Chris Gorham:I had gotten pretty good at it, certainly by then. But I would imagine looking back in the beginning, it's kind of that power corrupt and absolute power. Corrupt absolutely. Of course can go to your head when you are getting a little famous and you're making some money. And when you're at work, you are catered to, you're one of the stars of the show. You're catered to a handed foot. Everything's taken care of. I've described it as series regulars are treated like fancyMichael Jamin:Babies on set.Chris Gorham:Don't upset the babies. You need to keep them safe at all times. You need to keep them comfortable at all times. You don't want them crying. You don't want them cranky. You need to keep them fully regulated because when everything's ready to roll, we need the fancy babies to be able to perform. And as soon as they're done, we want them to go back to their cribs slash trailers so that then the grownups can finish getting everything ready for the next shot.Michael Jamin:And imagine giving this kind of pressure to a child actor. I mean, have you worked with many child actors?Chris Gorham:Yeah, many over the years, and I can say almost all of it. Almost all of it's been a good experience. I haven't had any total nightmares with child doctors. That being said, every parent that's asked us about getting their kid into the business, we have always advised against it. And we didn't encourage any of our kids to get into it.Michael Jamin:It's rough. I haven't worked with many child, I just haven't been on shows with a lot of kids. And I am glad because I have a feeling I would when a kid is messing around on set in between takes or just not being professional because they're acting like children the way they are supposed to act. In my mind I would be thinking, stop fucking around. This is work. I know that's what I would be thinking, which is an awful thing to put on a child. But that's what you're paying them a lot of money to do. It's a hard position. I don't know. I just feel for those kids, I just feel like, yeah, I know. That's where Ill be thinking. Hopefully I wouldn't be saying it. Yeah,Chris Gorham:It's difficult. It's very, I mean, sets are, they're not for kids. They're an adult work environments, which by the way, some adult working actors need to be reminded occasionally that these are adult working environments. This is not your personal playground. But yeah, it's a difficult environment for kids. So I mean, you need them. So I'm grateful that they're there.Michael Jamin:I think that too sometimes. Sometimes I'll see an actor goofing around too much, and we're all, I'm like, dude, let's get out of here. All the crew wants to go home. They've been working 12 hour days for the past week and a half. They want to go home too.Chris Gorham:Well, let me tell you, this is one of the things where with every showrunner that I've become friendly with, I highly encourage them, if at all possible, to bring their series regulars behind the curtain and bring them to at least one production meeting that show them how the sausage really gets made, expose them to all of the other incredibly creative, intelligent, wonderful people who make up this team that makes the TV show or the film. Because then they get to see, because as cast, especially as the stars of the show or the film, you really are treated as if you are the most important cog in this machine. And it's really helpful, I think, and just the team morale, if actors understand that they are a very important cog in that machine, but just one of the cogs in the machine. YouMichael Jamin:Said you learned this, I think when you first were directing, you started directing episodes of the shows, you weren't, right?Chris Gorham:Yeah. I had think a basic actor's understanding of how things work on set. And I'm not to blow my own horn. I'm generally a nice person. So I'm kind to people. I'm nice to everybody on set. I learned people's names. I generally understood what people did, but only when I started directing did I really understand just how incredible the whole ensemble is and how much the rest of the team has to offer and is contributing to the show or the film. It was just a level of respect that I don't think I could really have until I was allowed behind the curtain to see how it was happening. So whatMichael Jamin:Would you recommend? Would you recommend that every week one actor attends a production meeting? Is that what you're saying?Chris Gorham:Listen, that's one way to do it. Right. However it works for that showrunner, for that production, I would just encourage them because I just feel like so often, and I think, I don't know if it's true now, but I've talked to showrunners in the past that have talked about the show and the training program and about the message they got was to keep the cast at arm's length. Really? Yeah. And there certainly can be good reasons for doing that. I can understand why that sometimes makes the job easier, certainly, and sometimes maybe makes it possible. But I just think there's more to gain by bringing them in to letting them see, really meet the whole team and get to know the whole team. And because there's just, I mean, truly, you see what the set designers do, and you see what the customers do, and you see, we get to understand how lighting works. You know what I mean? It's just how hard the ads work on putting together with the schedule and learn why the schedule gets put way put together the way it gets put together. And once you understand it, then maybe you're a little less mad about having to be last in on Friday, two weeks in a row.Michael Jamin:Yeah.Chris Gorham:You see, it's like they're not out to get you. They are trying to accommodate you, and you are not the only factor that is being accommodated.Michael Jamin:You're talking about the writers now?Chris Gorham:No, I was talking about the cast look, in regards to schedule casting,Michael Jamin:Very, very frustratedChris Gorham:About scheduling.Michael Jamin:Oh, I see. Yeah, that's always right. I can see why that would be frustrating. So what happens? You get a call sheet and you're told to come in whatever, 8:00 AM and they don't get to shoot your part until 1:00 PM and you're like, why did they call me in so early? And sometimes it just happens. It works out that wayChris Gorham:Sometimes. Yeah. They're trying. They're trying. And sometimes it just doesn't work out. And with the scripts, with writers, it's a similar kinds of thing. It's like once you understand how many chefs are in the kitchen of getting these scripts, these stories broken, and then these scripts written how many notes the writer has gotten about their script from the studio and then from the network before it ever gets to the cast.Michael Jamin:You're making me anxious just talking about it. No joke.Chris Gorham:Sorry. And then that's why as a cast member, when you then go to the writer and say, Hey, can I ask you about this? Your writer looks like they're dying a little inside.Michael Jamin:Yeah. No, no, I can't do that.Chris Gorham:And it's like, so the best writers that I've worked with have always been very organized about how actors give notes. They're like, if we're doing table reads on a show, they'll be like, look, we're going to do the table read. Everybody's got 24 hours to give whatever notes or feedback you've got about the script. And then after that, we're considering it locked. Please respect that once you're on. The idea being that you don't want to spend a lot of time on the day when you're there waiting to shoot, talking about suddenly having questions about the scene and asking it to be rewritten. That's not the term.Michael Jamin:Yeah, it's not. And because we have to get next week's script and next week's script is a disaster. I'm telling you, it's in terrible shape. That's how it always is.So you want to worry about this. What about the crashing plane out there? That's going to be, I remember, I have to show, I can't remember if I mentioned this last time we spoke, but one of my favorite experiences of working in Hollywood was when I was an out of practice, and I can't remember what I was doing. I think the showrunner, Chris, I think he had me deliver pages up to the actress. It was show night right before the show, and I don't know why it was made, but for some reason, I remember carrying a couple of scripts to the dressing room maybe an hour before the showtime, and you guys were all there, the whole cast, and you're holding hands. And Henry's like, come on, Michael, come on in, come on. And I'm like, what's going on right here? And you're all just holding hands. And he goes, and he invited me in. I'm like, but I'm a writer. What do you mean? No, grab some hands. So I remember taking who, who's hands? I don't know, but I'm in the middle. I'm with a circle. I'm holding hands. I'm like, what is going on here? And then you guys did, I don't know what you would call it, but it was some kind of, it'sChris Gorham:Like a little vocal warmup or something. No,Michael Jamin:It was almost like a blessing. It was like a blessing. It was almost like, what's it, we are here to, I am curious if you've done this since then. It was like, we are here to support each other. We're going to have a wonderful show. We're all together. We're a family. And it was almost spiritual. It was very, I guess you haven't done that. You don't remember this.Chris Gorham:I remember doing that. I don't remember that specific moment. But that was all Henry.Michael Jamin:But it wasn't every week that you guys didChris Gorham:That. Every week we did that.Michael Jamin:Yeah. Okay.Chris Gorham:Yeah. Every week it was our ritual, but Henry started as the ritual before we went down to start the show. We would have this time just with a cast or occasionally with a writer who'd come in.Michael Jamin:I thought it was a beautiful moment. I really did.Chris Gorham:It was really great on dramas. You don't do that because you don't have that moment where you're all together about to go start the show. That's already happened to me on sitcoms.Michael Jamin:So maybe it's a theater thing then. Do you thinkChris Gorham:For sure it's a theater thing. Yes. Yes.Michael Jamin:Yes. So tell me, this happens on other employees always before every show or before every night. Opening night every night. Yeah.Chris Gorham:I mean, of course it depends on the show, right? It depends on who's there and who's, but yeah, thinking back, even when I was a kid in Fresno doing local theater, they would always feed circle up right before Showtime.Michael Jamin:Is that what they call, is there a name for this circle up? What is it?Chris Gorham:No, no. That's just what I'mMichael Jamin:Using. So there's no nameChris Gorham:For you get in the huddle. You get in the huddle.Michael Jamin:But I really thought, I still remember it. I was touched by it that this is something that you guys did to support each other so that you could hold space and feel safe in front of a crowd and know it was a very team thing. And I was like, wow. I felt almost like I was invading it. I felt like I don't belong here because I'm not on stage with you guys. But that's what I remember. It struck me. Something else that always struck me was how well guest stars were greeted by the regular cast. That's a very, very position. You've been on both sides of that,Chris Gorham:Right? Yeah, for sure.Michael Jamin:For sure. What's that on both sides for you?Chris Gorham:I've worked on shows where I have, where series regulators never spoke to me. We were in a scene together, but outside of the scene never spoke to me.Michael Jamin:So action. And this is the first time you're talking to them.Chris Gorham:Correct.Michael Jamin:I suppose that could be good if your characters were just meeting for the first time, but is thereChris Gorham:Sure. I guess. I guessMichael Jamin:I guess.Chris Gorham:But we could, we're professionals. We could pretend. But that was pretty early in my career. Now I don't really have that experience anymore. But also, I took it with me and I made it a point, having had that happen once or twice early in my career, that once I was the series regular, I've always made it a point to never ever do that,Michael Jamin:To always welcome the guest star and just absolutely greet them. It's a hard thing to stay. I mean, think about it's the first day of school for them. Yeah. You're walking into, you don't know anybody. I,Chris Gorham:No, it's difficult enough. Like you said, this is a difficult job. And why make it harder on somebody who is coming in on the bottom of the rung of power at this show? Why would you use the very real power that you wieldMichael Jamin:Show it's It is real.Chris Gorham:Yeah. Why would you wield that to make someone who's on your team, right? Uncomfortable. Why you?Michael Jamin:But we know these actors. I'm the star. I want you. I want to remind you. It's like, dude, we know. We know.Chris Gorham:Yeah. There are people like that. I feel like that's the exception. It happens. Oh, really? But I feel like it's the exception.Michael Jamin:Interesting.Chris Gorham:Yeah.Michael Jamin:Hey, it's Michael Jamin. If you like my content, and I know you do because you're listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michaeljamin.com/watchlist. And now back to what the hell is Michael Jamin talking about?One thing we also spoke about, which was very interesting to me, was I don't know what they call now, I guess, what do they call? They call it sex coordinators. What is the role for those peopleChris Gorham:Who, oh, intimacyMichael Jamin:Coordinators. Intimacy coordinators. But you mentioned that they have other functions. It is not just when two people are lying in bed, half naked. It's also for,Chris Gorham:So the way that I describe it to people who've never heard of intimacy coordinators is everyone's familiar with stunt coordinators. So stunt coordinators are brought onto a set to keep actors physically safe. Intimacy coordinators are brought onto a set to keep actors emotionally safe.Michael Jamin:And this is relatively new thing. Maybe what, five or 10 years or something? Maybe less,Chris Gorham:Right? Yes. New. And we are pushing to make them required. But one of the hurdles before we can make them a requirement like a stunt coordinator is required. One of the hurdles is actually getting enough intimacy coordinators qualified, trained and qualified to do thisMichael Jamin:Job. Are most of them, are they therapists, counselors? What's their training, do you think? No,Chris Gorham:I think a lot of them come from the acting court. Really? Really? Yeah. Yeah. BecauseMichael Jamin:You mentioned it's not just that. It's also like if you have two characters yelling at each other in a scene, no sex, they're just yelling at each other that an intimacy record will talk to you afterwards, right?Chris Gorham:Yeah. So here's a couple things that we did. I'd worked on a show where we had a scene, it was a sexual assault scene, but there were no clothes, there was no nudity and things stopped before things progressed to the point where we were physically exposed. But that kind of scene, you're very emotionally exposed, right? And this was my first time interviewing with an intimacy coordinator. I didn't really know what to expect. So there was a part of the conversation was, okay, for instance, it's written in the script that the other character is going to reach down and grab your groin. And I talked to the in music coordinator saying, I talked to the director and the director wants to see that. He said, are you comfortable with that? Here's what we have to protect you. We have a piece that's going to go between your pants and your underwear to protect your groin.And so when she grabs you, that's all she's grabbing. It was like, okay, great. That's super helpful actually. Great. I've never had that before. And it seemed like that. And it's nice. It makes me feel more comfortable. Certainly makes her feel more comfortable. Who wants to do that? Nobody. But then after the physical parts of discussion, then the conversation shifted. And she said, another thing that I've done with a lot of actors who've done scenes this, I would recommend that you put together a self-care routine for the end of the day. I was like, well, what do you mean? Like it could be anything. Whatever is going to be comforting to you. Some people, you might make a put things together. So you can draw a bubble bath when you get home. You might put together a playlist of music that makes you feel good.It might be pictures of your kids, could be whatever it is that is going to give comfort if you need it at the end of the day, because you never know what scenes like that might trigger. And that's the thing is you write scenes like this and it's necessary for the story, and you works as appropriate for the characters, but you never know what the actors as people, what their life experience has been. And they may have in their real life, been through an experience like that. And so then reenacting it can be very triggering. And it's the thing about acting when you're doing these emotional scenes, be it anger or big crying emotion, your body doesn't know you're pretending.Michael Jamin:Exactly.Chris Gorham:Exactly. So you mentally, well, this is pretend none of this is real. We're on a set crew numbers and friends, but your body doesn't know the difference. Once you're experiencing those emotions, you are experiencing those emotions and you never know what it's going to bring up. So that kind of care, emotional care, I thought is really great.Michael Jamin:And it's like, you'll do this just so people are aware. If you have a scene where you're screaming and yelling or sexually assaulting someone or whatever, and your adrenaline's pumping and whatever, your, not hormones, but cortisol. Cortisol is racing, whatever. All this stuff is going through your head and your body doesn't know, and you're doing the scene a dozen times and it's very hard. I feel it's must be hard to wash that out of your system.Chris Gorham:Can be. It can be. I mean, that's the thing. And it's different for everybody. I ended up, I was okay at the end of the day. I was exhausted, but I felt okay. But I was glad that I'd put some thought into, if I'm not feeling okay, here's what I'm going to do, it's going to help me feel better. And just having thought about it, I think just helped.Michael Jamin:No, I don't think I've ever worked with an intimacy coordinator because in comedy we don't really do a lot of that. But is it always a sexually charged? Is that what the line is? It's not just drama. There always has to be some kind of sexual element when they're brought in. Is that what itChris Gorham:Is? That's certainly how it started. And I think now it's one of the things, it's still new. We're figuring out when it, certainly on the sexual stuff, I'm trying to think. It was interesting. There was a resolution. I think there was a resolution that's going to be coming up the convention. There's lots of conversation about intimacy coordinators. But there was some conversation that had never crossed my mind. But once I was talking to someone about it, I thought, yeah, you know what that makes a lot of sense is bringing in intimacy coordinators when you're physically with children. Physically with children. So for instance, you are playing a dad and you're working with kids and you're getting in bed and cuddling with the kids at bedtime, or you're putting your daughter on your lap to have, because they had a rough day and you're cuddling and you know what I mean? And you're having physical contact with kids to have an intimacy coordinator there just to make, because again, you don't know what people's experiences been to protect the kids so that there's a conversation and there's somebody there watching. And I thought, you know what? Smart, that's a great idea.Michael Jamin:That is a really smart idea. Because we don't know what these kids have been through. We don't know.Chris Gorham:And again, most actors, most people in the world are caring, kind, certainly empathetic. That's their wholeMichael Jamin:Job. That's the job.Chris Gorham:But just like any other profession, some people need help. Some people don't always have the best intentions, and some people don't always behave well. And so it's important. So yeah, I thought that was just such a good idea.Michael Jamin:I totally agree. We also spoke about how you handle it when you are working with an actor who maybe isn't as professional or prepared as you are in the scene and what you do. I thought it was interesting what you had to say.Chris Gorham:Okay, so huge pet peeve. For me. It's like, no, it really bugs me when you're working with someone who hasn't bothered to learn their dialogue. So that's a huge No-no. But then sometimes you are working with an actor who just isn't great, who just for whatever reason isn't great. So my strategy for dealing with that is I just basically start acting to an X. I just don't, whatever they're giving me is just bad. What I know is that the editor is going to cut around the bad performance and they're going to use me. So it's even more important for me to stay completely engaged in the scene. And it's an extra level of acting challenge because then you're acting. It's like, I don't know. It's working on one of the superhero movies or something where you just start treating them like a tennis ball and you do the scene regardless because you can't let them affect your performance. Your performanceMichael Jamin:PerformanceChris Gorham:Has to be there.Michael Jamin:But let's say you were working with a casting director. I've worked with many, obviously many, and some cast directors, they'll read with you, and some of them are not great actors. NoChris Gorham:Read bad.Michael Jamin:And then you have, as an actor, you were trained to react and to what they give you, but how do you deal with it when they're not giving youChris Gorham:Enough? It is. It's really hard. It's one of the nice things about this whole self take resolution is that's kind of taken out of it because you've got, hopefully you have someone working with you that's going to give you something. And if not, you can do multiple takes and send the best one. It was always one of the most difficult things about auditioning in the room is when you are, and I've heard so many horror stories, I've experienced just a couple, but when you're doing your audition and the person you're reading with is garbage, and so much of it becomes, it's not like how convincing their reading is. For me, it was always a rhythm thing. It was like they just aren't listening. And so the rhythm gets completely screwed up. And it's like,Michael Jamin:I always feel for actors when they have to do this, you have a crappy sketching director. It's like, well, what so hard.Chris Gorham:Or you look up and the casting director's like on the phone,Michael Jamin:That's even worse. EatingChris Gorham:Lunch and not this.Michael Jamin:If you prepared a scene and in this moment you're going to be hot, you're going to be yelling, and the casting director is not giving you enough for you to get angry at. So you're saying you just go ahead and do it the way you prepared, even though if the scene, but then it looks like you're almost looks like you're crazy. You're getting angry and the cast director's at the lunch. It's just something you got to deal withChris Gorham:Because that's the scene. And they're probably, even when you were in the office, usually they were recording it. Right. So all they're going to see is your side.Michael Jamin:Okay.Chris Gorham:So you have to doMichael Jamin:That's good advice.Chris Gorham:Yeah.Michael Jamin:I remember, this is years ago, we did a scene. We had this very famous actress. Actress. She was older, and we booked her and she came for the role and it was exciting to have her on set. She was very famous, but she should not be working. Her agent should not have booked her because I'veChris Gorham:Had an experienceMichael Jamin:Like that too. Really? So maybe she had dementia. I felt terrible because she clearly had dementia or early signs of dementia, so she literally couldn't remember one line. So you'd feed her the line, and even still, she couldn't remember it half a second later. And I just felt she, I didn't know what to do. I was like, she's struggling here. She's probably feels very embarrassed, very lost. Very, why did her agent send her out for this book? Maybe because she needed the insurance. I don't know. But it was a horrible situation. I felt bad all around.Chris Gorham:I've worked with an actress who a very similar situation, and they went to cue cards and they just did it line by line.Michael Jamin:Even with QI wanted to bring in cue cards. The director said, I don't want to bring q. I was like, what are you doing, dude? This is awful. I lost that fight. I thought we needed cue cards. They justChris Gorham:Shot her side line by line, and then I just did my side to an X.Michael Jamin:Yeah. Yeah. It's so interesting. That's one of the realities of being on a TV show.Chris Gorham:Totally. And it's one of the, but also why it's so important to not to get, just to do, at the end of the day, be responsible for your performance and make sure that you're giving the best performance that you can give and you can't control the other stuff that's happening. And then as an actor, then trust your director and your camera operators and your review that they're going to take care of you as best that they can and your editor. But it doesn't behoove anyone to make you look like an idiot unless you're supposed to look like an idiot. Right,Michael Jamin:Right.Chris Gorham:Everyone wants to make the show. Great.Michael Jamin:Are your kids getting into acting or have they expressed any No. You said with relief. No, not in the arts at all.Chris Gorham:No, no, no, not at all.Michael Jamin:Your wife was an actor. I mean, I'm, yeah, I'm surprised that there's not that pull.Chris Gorham:Well, my oldest son is autistic. He finished high school and now he's got a part-time job like pharmacy down the street. He's doing well, and his younger brother is studying business, wants to go into real estate. Oh, good. It's like, okay.Michael Jamin:Yeah, thank God.Chris Gorham:Yeah. And then our youngest loves to sing, has a beautiful singing voice. But yeah, no, he isn't really interestedMichael Jamin:GoingChris Gorham:Into the business, which is fine. We've never put any pressure onMichael Jamin:Them. Well, sure.Chris Gorham:And had they had a passion for it, we would be supportive, but it's just not, their heartsMichael Jamin:Taken them. It's funny. I'm sure they've come to set with you seen you do it. Yeah.Chris Gorham:Yeah. They think it's boring. They're like, this is so boring.Michael Jamin:It is boring. There's a lot of boring on a set. I don't know if,Chris Gorham:Yeah, it's super boring. They've never watching things with me in it because it's weird to see your dad not being your dad. Also, another thing, thinking about it, having just talked about Stacy Linker a little bit ago, I think part of the reason they don't like going to set is because it set. I am the star and not them. SoMichael Jamin:Oh, interesting.Chris Gorham:That doesn't feel great either. It's way better at home.Michael Jamin:What is it like for you though, when you're out in public? And fame to me is, so how do you experience fame when someone comes up to you and they think they know you and they want a piece of you? What does that do to you?Chris Gorham:Well, I've been really lucky, I feel like, because kind of been able to walk the line where I've experienced being famous enough to have the paparazzi jump out and want to take my picture and talk to me.Michael Jamin:That's a lot. That's a level of fame I don't think anybody would want to have,Chris Gorham:But never to the point where it really got in the way. It was just a few. There were some moments in my career where I was famous enough that the paparazzi knew who I was and would take my picture, but never famous enough that it reallyMichael Jamin:BotheredChris Gorham:You, caused problems. Never famous enough where I needed security. Never famous enough where it got really inconvenient.Michael Jamin:But let's just say you're at a restaurant and someone wants to come up, they want to talk to you, they autographed, they want to meet you.Chris Gorham:Most of the time people get it. I'm usually out with my kids and my wife, so they understand if they're coming up and I'm with my wife and kids, that it's a little awkward for them to ask me to stop dinner with my family to talk pictures or take. So that doesn't really happenMichael Jamin:Now. Oh, that's good. I mean, Brad, I could see your family being like, oh God, we're trying to have a night. We're trying to be together.Chris Gorham:There's been moments like that, especially for the kids. Anelle it, it's always been fun. Early in my career, it was weird because we were on a show and we couldn't go to malls because kids would chase us around malls in the very beginning. But then as you get older, that happens less and less. And then it's just been, sometimes it's surprising. My kids forget for a while. We'll go a while without getting recognized at all. And then weirdly, in Chicago, weirdly, I think the last show that I was on must have lots of people watched it in Chicago. And so suddenly, anytime I'm in Chicago, I'm recognized all the time. And so It's like my kids remember. Oh, right. Dad's on tv.Michael Jamin:That's soChris Gorham:Funny. Funny. When Ethan was starting high school was when a very popular show with the high school kids had just premiered. And that was actually really difficult for him. We've talked about it since. He didn't really reveal how hard it was for him, but last year we were talking about it and he was kind of opening up and said, yeah, no, it sucked. It wasn't great.Michael Jamin:Really?Chris Gorham:You were doing that show while I was starting high school and so everyone knew who I was and everyoneMichael Jamin:Knew who all his friends and all the kids. Yeah. It's hard for a kid and itChris Gorham:Was embarrassing.Michael Jamin:Yes, it was. They were embarrassed that you were their dad.Chris Gorham:Yeah. Really? It was super embarrassing. Yeah. Well, because of what that show, because of my character on the show for high school kids, just, it was a lot. I was physically quite exposed on that show and so yeah, it was a lot. It a lot.Michael Jamin:Oh wow. We did a show with these two guys link and these were big YouTubers and they were huge. And I hadn't heard of them. I didn't know them. And then remember we'd go for the meeting and one of them said to me, you wouldn't believe this, but I can't go to Disneyland without being swarmed. That was his crowd. He's like, I know you've never seen me before, but I can't go there without being swarmed.Chris Gorham:Yeah.Michael Jamin:It's so funny. Yeah,Chris Gorham:It's wild. Yeah. That was,Michael Jamin:It's interesting that this, go ahead, please.Chris Gorham:No, no, no, no. It was just a dumb Disneyland story. Go ahead.Michael Jamin:No.Chris Gorham:Well, the dumb Disneyland story was, there was a period in my career where working on a certain show where we could not only go to Disneyland for free, but also were given the guide and the behind we were taking care of at Disneyland, like a celebrity, which was funny because it was so, we did it a couple times, but I think even just the second time we went to Disney Disneyland, that way, it's too much. Honestly. It sounds great, and it's great the first time to be able to skip all the lines, you know what I mean? But after that, it's like, oh, there's actually way less to do at Disneyland than you think when you don't have to wait in line for anything.Michael Jamin:That's so funny. You kindChris Gorham:Of finish it all in four hours and then you're like, oh,Michael Jamin:Now what? Now what?Chris Gorham:Again?Michael Jamin:That's so funny. Yeah.Chris Gorham:Yeah.Michael Jamin:I'm always curious, I am always curious about how people experience I'm around you guys and how you guys experience fame and what is it like that parasocial relationship where people think they know you and they don't. They just know this part of you.Chris Gorham:It's different for everybody.Michael Jamin:Yeah. I always feel like it must be like, am I giving you what? When someone comes up to you, is there that thought in your head? Where am I giving you what you wanted? You just met me. Am I giving you what you wanted? Because I don't know what you wanted and am I who you wanted me to be for five minutes? Oh, that's funny.Chris Gorham:I don't think about it that way. I've just tried to be kind to people just, I just try to be kind. Just be kind. That's all. That's really all I'm thinking about is just because, listen, it could be worse. It's not terrible for people to be happy to see you generally.Michael Jamin:Right.Chris Gorham:That's not terrible. That's kind of nice. Can it be inconvenient? Sorry.Michael Jamin:Well, I saw a clip of Eve who played Jan Brady, right. And she was on the talk show. This clip was probably 30 years old or whatever, and someone in the audience said, can you just do it? Can you just say it? Can you say it right? And she's like, we knew what you wanted. We knew everyone knew. She wanted her to say, Marsha, Marsha, Marsha. And she was like, I'm not going to say it. I won't say it, and why not? And everyone was so disappointed, and I felt for her. I was like, because she doesn't want to be your performing monkey now. And that was when she was 10.Chris Gorham:Well, that's the thing too. It's like is a one you can be kind and say no.Michael Jamin:Yeah,Chris Gorham:Right. Just being kind doesn't mean you're going to say yes to every request,Michael Jamin:But that sounds like something you've maybe had a long conversation with a therapist to come to that conversation. Really? Yeah. That's something I would struggle with. Someone would say, you know, could be kind still say, no, am I allowed to? But you're saying you came to this realization on your own.Chris Gorham:I dunno. I don't know. Listen, I do see a therapist, and so maybe I don't remember having a breakthrough about that specifically, but certainly walking things through with a therapist can only help. Also, I think being a dad helps with that because in parenting, so much of the job is saying no. And that can be really hard sometimes, certainly for some people, but it's an important part of the job.Michael Jamin:Talk about how important do you think it is, and for you to either, okay. As a writer, I think it's very important to spend at least some amount of time in therapy because if you don't know yourself, how could you possibly know another character? And I wonder if you feel the same way. Same thing about acting.Chris Gorham:Oh, I've never thought about it that way.Michael Jamin:Really?Chris Gorham:Yeah. Yeah. No, I never thought about that way. But it certainly can be helpful. I mean, for the same reason. It just, it's spending that time thinking about, and sometimes it's taking that hour just thinking about the whys of things. You spend so much of your days reacting to everything and taking the time to go, okay, why did this lead to this? Why did I do that when this happened to me? And as a person, it's going to help you stay more regulated and be just healthier in life. But also, yeah, for sure. There's going to be moments when you're going to be able to understand a character brother, because you've maybe put some thought into why people doMichael Jamin:These things, why people do. Yeah.Chris Gorham:I been, one of the things I've
关注公众号【Albert英语研习社】，0元报名《周一到周六 英语思维风暴营》直播大课，Albert带你巧用英语思维，轻松突破听说读写译。 2 Broke Girls alum Kat Dennings tied the knot with musician Andrew W.K. on Nov. 27 in a backyard ceremony held at their Los Angeles home. The newlywed couple kept things low-key for their guest list, which only included about 15 people. Luckily, close friends Macaulay Culkin and Brenda Song made the cut. “I even handmade all of our wedding florals, aisle pieces and our ceremony arch, which took three entire days,” said Dennings. “I wanted to be hands-on with the entire experience and feel like we had built our moment together from scratch.” Kat's mother Ellen Litwack walked her down the aisle following the tragic death of her father Gerald less than two months before the big day.主播：周邦琴Albert●没有名牌大学背景，没有英语专业背景●没有国外留学经历，没有英语生活环境●22岁成为500强公司全球员工英文讲师●24岁自学成为同声传译●25岁为瑞士联邦总统翻译
Really fun episode. Jonathan talks about getting his big break on 2 Broke Girls, Meeting and working with Jamie Foxx, and kiling a ton of hilarious impressions. You will enjoy.
An anime cosplay brunch hit DC and the girls just HAVE to be there! Especially because they'll get the chance to meet actors from their favorite anime show, Last Night I Dreamed of a Milky Way Galaxy and Turned Into a Booger! But after some high-priced drinks and questionable decisions, while partying, it looks like those Milky Way dreams have turned into nightmares! Warning: This episode contains graphic language. ~~~~~~ TwentyOne 21: A Black AF Scripted Comedy was created by Uzo Chijioke and Courtney Marie Simpson Join the conversation on Instagram! @TwentyOne21Podcast Executive Producers: Uzo Chijioke, Courtney Marie Simpson, Donnell Robinson Associate Producers: Jozef Divit, Gayle Tuckett, Leerie Simpson ~~~~~~ This episode presented by: A Tale of Renown - A fantasy fiction graphic novel series written by Uzo Chijioke and illustrated by Lelo Alves. Published by Smashed Studios. Instagram: @SmashedStudios ~~~~~~ Sound editing is provided by Ninth Way Media, with effects sourced from Zapsplat and Pixabay. "Broke Girls" - Performed by Sara Crane, Courtney Marie Simpson and Tola Lawal (Songwriters: Uzo Chijioke) ~~~~~~ Cast: Courtney Marie Simpson - Cici, Nakai Tola Lawal - Funks Uzo Chijioke - The Manager / Insane Membrane Donnell Robinson - Restaurant Patron Dayana Byrnes - Xandra F. / CyclopSis Chris Sakyi - Eduardo G. / Violet Flame Rasheed Oridedi - Security Guard Production Assistance: Jasmine Whittington Justin Ferguson
This week on the Here's What We Know Podcast, our host Gary Scott Thomas had a fascinating conversation with Hollywood's comedy sensation, Fortune Feimster. For over two decades, Fortune has been crafting an innovative, inclusive, and unparalleled career. Whether she's on stage, in the radio studio, or on screen, her contagious and joyous comedy continues to touch lives and bring people together every day. Fortune shared her career journey, starting from humble beginnings in a small town to achieving success in Hollywood through sheer determination, hard work, humor, and a dash of luck. Her continued humility despite her growth is truly inspiring!Join us in this exciting episode and hear more of Fortune's story about her comedic techniques and future aspirations. With opportunities rolling in as quickly as punchlines, it's evident that this determined and unflinching comedian is just beginning her remarkable journey. Indeed, Fortune Feimster is making waves everywhere.Be sure to check her tour schedule to see if she's performing in a city near you and experience her extraordinary talent in person!In this Episode:Fotune's Humble BeginningsCareer ProgressionUpcoming EventsNetflix Special ProjectsActing TechniquesFuture GoalsThe Power of PodcastingThis episode is sponsored by:Beck's Shoes (Use my promo code "GST" on their website and enjoy an exclusive 10% discount on your favorite shoes!)A Flood of LoveAbout Fortune:Fortune Feimster, a stand-up comedian, writer, and actor known for her affable and charismatic presence, wields her unique brand of confessional comedy to unite people from all walks of life. You can catch Fortune across various media platforms, whether through radio broadcasts, appearances on both the big and small screens or during her nationwide stand-up comedy tours. Her first one-hour special, Sweet & Salty, is currently available for streaming on Netflix and earned a well-deserved nomination for Best Comedy Special at the Critics' Choice Awards. Prior to this, Netflix showcased her talents in a half-hour special as part of The Standups in 2018, which garnered enthusiastic reviews. Fortune has graced late-night television with memorable sets on Conan and Late Night with Seth Meyers. She also boasts another acclaimed half-hour special on Comedy Central. Starting her career in Los Angeles as a member of the esteemed Groundlings Sunday Company, Fortune first gained national recognition as a writer and panelist on E's popular show Chelsea Lately. This was followed by series regular roles on Hulu's The Mindy Project and NBC's Champions. Her versatile talent has led to numerous guest appearances and recurring roles on a variety of TV shows, including Ru Paul's Drag Race, Dear White People, Drunk History, Claws, 2 Broke Girls, Workaholics, Glee, Idiotsitter, Tales of the City, The L Word: Generation Q, Life in Pieces, and @Midnight.Website: https://www.fortunefeimster.com/Facebook: https://www.facebook.com/fortunefunny/Twitter: https://twitter.com/fortunefeimster/Instagram: https://www.instagram.com/fortunefeimster/Youtube: https://www.youtube.com/funnyfortuneTikTok: https://www.tiktok.com/@fortunefeimster/Merch Website: https://fortunefeimster.merchmadeeasy.com/www.GaryScottThomas.com
Isidora Goreshter is a talented and nuanced actress best known for her role as Svetlana Fisher in Showtime's Emmy nominated Shameless. She is also known for her work in The Petal Pushers and Happy Anniversary. She has previously guest starred in 2 Broke Girls and Ben & Kate. Isidora Goreshter teaches a masterclass at Anthony Meindl's Acting Studio. You can see Isidora in the latest season of Shameless and the upcoming Clara's Ghost, a Bridey Elliot film that recently debuted at Sundance. Always keeping it real, Isidora will walk you down a path that's included extra work, standing in for A-listers, going from student to teacher to student of her very own teaching, bringing a 9 day old human to the set of Shameless, and living that beautiful reality where a no-line audition becomes a series regular role. THAT ONE AUDITION'S LINKS: TNTT ACTING MEMBERSHIP: The New Triple Threat Membership PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse WRITER: Andrew OUTREACH: Elle Powell WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Imani Love
“30 Rock”, “Only Murders in the Building”, “2 Broke Girls”, “The West Wing”…this is a minuscule sampling of series directed by our guest, director/actor/producer Don Scardino, a rabid Marx Brothers fan since the 1960's. We explore Don's Marx backstory and how they've influenced his work. He talks in-depth about making comedy, with behind-the-scenes tales going back to his days as a performer in the original production of “Godspell”. Don gives his thoughts on what makes a good Marx Brothers director, and why he thinks their later career went the way it did. Don also details his latest film, the soon-to-be-released “Our (Almost Completely True) Love Story” which has a Marx Brothers fanatic at its center…and what it was like to work with thousands of worms in 1976's “Squirm”.
Whitney Cummings is a comedian, actor, writer, producer, director, and host of the popular podcast Good for You. In 2011, at the age of 29, Cummings created two sitcoms which were both picked up to series: Whitney, which she starred in as well, and the Emmy-nominated series 2 Broke Girls. She has since written and starred in numerous TV shows and films. Cummings regularly sells out her nationwide comedy tours, and she just released her fifth comedy special, Whitney Cummings: JOKES. In this episode, Whitney and Rick sit down to discuss the art of comedy, creativity, trauma, healing, and much more. Cummings shares her thoughts and questions after reading The Creative Act. ------- Thank you to the sponsors that fuel our podcast and our team: House of Macadamias https://www.houseofmacadamias.com/tetra Get a free box of Dry Roasted Namibian Sea Salt Macadamias + 20% off Your Order With Code TETRA Use code TETRA for 20% off at checkout. ------- LMNT Electrolytes https://drinklmnt.com/tetra Get a free LMNT Sample Pack with your order.
Whitney Cummings [2 Broke Girls, At Midnight, The Female Brain, Whitney, Undateable] joins Anna to discuss orgasms, topless baristas, comedy, murder and more. Anna and Whitney then give Unqualified advice to callers Donna and Rebekah. Hosted on Acast. See acast.com/privacy for more information.
Join the thousands of parents who trust Fabric to protect their family. Apply today in just minutes at https://www.MeetFabric.com/DUDES Follow Tim on Insta: @timchantarangsu Follow David on Insta: @davidsocomedy To watch Dudes Behind the Foods podcast videos on YouTube: www.youtube.com/timothy Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/DudesBehindtheFoodsPod... Learn more about your ad choices. Visit podcastchoices.com/adchoices
Actress Jennifer Elise Cox (The Brady Bunch Movie, A Very Brady Sequel, Will & Grace, 2 Broke Girls) joins Joss to talk about Season 3 Episode 5: Helen's Rendezvous! Together, they talk about how Chrissy Snow played an inspiration for Jennifer's iconic portrayal of Jan Brady in The Brady Bunch Movie, the undeniable chemistry between the cast, and who Jennifer would play in a reboot. Follow us on Instagram : @threescompanyrewatchpodFollow us on TikTok: @threescompanyrewatchpodFollow Joss: @joss.richardCouch Artwork: Morgan Gesell
Michael D. Cohen talks his love of TV and Carol Burnett, living an authentic life, playing the iconic Schwoz from Henry Danger, and the audition where casting was sure he had a sister! About Michael: Michael D. Cohen is a series regular on Nickelodeon's hit sit-coms Henry Danger and Danger Force playing "Schwoz", a genius of indiscernible foreign nationality. The show won the Kids' Choice Award for best show in 2017 and 2020 and was nominated in 2018, 2019, 2021 and 2022. Michael shared his trans history in Time Magazine making him the first series regular actor ever to publicly disclose, let alone while being on a kid's show. He has also appeared on shows such as Modern Family, The Real O'Neals, 2 Broke Girls, The Mindy Project, Angie Tribeca, Powerless, Austin & Ally, The Wizards of Waverly Place and many others. Film credits include the Coen Brothers comedy Suburbicon directed by George Clooney, the Oscar-nominated film Whiplash, as well as the Canadian Screen Award-nominated film It Was You Charlie, for which he was nominated for an ACTRA Award for Outstanding Lead Performance. Michael has dozens of commercial credits including the current Wendy's "Everything I Ever Wanted" campaign, Nespresso(working again with George Clooney), Mini Starburst, FedEx, Capital One, Boston Market, Honda with Patrick Warburton, and the Super Bowl Hulu Plus campaign with Will Arnett. As a teacher and coach, Michael served as Co-Chair of the SAG-AFTRA Hollywood Conservatory at the American Film Institute. He is a faculty lecturer for the University of Texas at Austin in Hollywood and has directed two highly successful industry showcases for UT Austin. He also teaches through his own studio the Michael D. Cohen Acting Studio in Los Angeles, and leads acting workshops regularly for SAG-AFTRA. He has a Bachelor of Science degree in Cell Biology and a Masters degree in Adult Education focusing on transformative education for performers. He is also an avid mountaineer and rock climber. Teaching website: www.mdcohenstudio.com or www.michaeldcohenstudio.com Facebook: @michaeldcohenstudio Follow the show on social media! Instagram: https://instagram.com/thanksforcominginpodcast/ Twitter: https://twitter.com/tfci_podcast Facebook: http://facebook.com/thanksforcominginpodcast/ Patreon: patreon.com/thanksforcomingin YouTube: https://www.youtube.com/channel/UCXj8Rb1bEmhufSBFSCyp4JQ Theme Music by Andrew Skrabutenas Producers: Jillian Clare & Susan Bernhardt Channel: Realm For more information, go to thanksforcominginpodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
“Introducing Billy Bradley" A veteran of commercials, movies and television while still only in his 30s, Michael Charles Roman is one of those timeless actors. He's got the punchline prowess of everyone from Michael J. Fox to Jason Bateman, the comedic instincts of Martin Short and the theatrical range that could find him doing period pieces to contemporary dramas. Roman was in films like Keeping The Faith with Ed Norton and Ben Stiller, Little Nicky with Adam Sandler and Rob Burnett's We Made This Movie. When it comes to TV, you've seen him on Bones, The Good Wife,Veronica Mars, Ground Floor, 2 Broke Girls, Evil, Frequency, and most recently, NetFlix's Grace and Frankie with Jane Fonda and Lily Tomlin.The guy can do it all. And just to test that idea, he decided to do it all on his first short film Introducing Billy Bradley. The film is a semi-autobiographical short written, directed and produced by Roman, who also stars alongside his former Grace and Frankie scene partner Martin Sheen (The West Wing, Apocalypse Now). Introducing Billy Bradley follows a down-on-his-luck actor who finds himself at a critical crossroads: save his life or salvage what's left of his floundering career. The movie also stars Alexandra Metz (CW's Frequency), Arjay Smith (ABC's The Rookie, TNT's Perception) and Garrett Morris (CBS's 2 Broke Girls, Saturday Night Live). Billy Bradley does what the best short films do—leave you both satisfied and wanting more. Not an easy balance, but in his directional debut, Roman does just that. It's a brilliant film that in just 14 minutes, manages to do what some films take hours to attempt to do. Introducing Billy Bradley: https://vimeo.com/762362781 Michael Charles Roman on IMDB: https://www.imdb.com/name/nm0738722/ www.bombshellradio.com www.stereoembersmagazine.com www.embersarts.com Stereo Embers The Podcast Twitter: @emberseditor IG: @emberspodcast EMAIL: editor@stereoembersmagazine.com
Jonathan Kite returns for an all new About Last Night Podcast with Adam Ray and brings some friends along with him like Donald Trump, Tom Cruise, Vince Vaughn, Christopher Walken, Jeff Bridges & more! This year, Jonathan Kite can be seen starring in Netflix's comedy series, "Dad Stop Embarrassing Me!" opposite Jamie Foxx. Kite may be best known for his starring role as the hilarious and lovable Ukrainian cook Oleg in CBS' long-running, award-winning comedy series "2 Broke Girls" opposite Kat Dennings and Beth Behrs. As a stand-up comedian, Kite has performed nationwide and internationally to sold-out audiences. He is an expert impressionist, boasting over 150 celebrity impressions that include Donald Trump, Vince Vaughn, Tom Hanks, Anthony Bourdain, Seth Rogen, Liam Neeson, Christian Bale, Jeff Bridges, Robert Downey Jr., and John Lithgow, to name a few. Follow Jonathan on Instagram and Twitter @JonathanKite and on TikTok @TheJonathanKite Learn more about your ad choices. Visit megaphone.fm/adchoices
“I was an economics major and I thought I was going to get into investment banking,” says Lee Sung Jin (who also goes by Sonny Lee). “Didn't feel right at any point of my entire college career,” jokes the screenwriter. “I was really flailing about, unemployed, temping a lot, and I had gotten into the NBC page program.” If you've ever seen 30 Rock, this is somewhat the same job Kenneth the Page had, giving studio tours for $10 an hour. “That was my first glimpse into the entertainment industry. I loved TV and movies, as we all do, and I thought, why not give it a go?” Lee taught himself screenwriting through reading books and blogs. “I started staying in most weekends. When you find your passion, you can't help but keep working at it. So, in my early twenties, I discovered this might be a career path.” Today, Lee has credits on It's Always Sunny in Philadelphia, Outsourced, 2 Broke Girls, Silicon Valley, and Dave. Most recently, he's the Creator of the Netflix dramedy series, Beef, that stars Ali Wong, Steven Yeun, Maria Bello, Andrew Santino, and David Chow. The simple plot reads, “Two people let a road rage incident burrow into their minds and slowly consume their every thought and action.” Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
Adam locked himself out of his cabin at a gig and had to walk through the resort in pajamas and bare feet. Actor, comedian and master impressionist Jonathan Kite stops by and tells us about 2 Broke Girls, his OCD and knowing he has an impression when he can improv like that person. Alex makes fun of Adam's use of the phrase “artistic danger” ADAM'S TICKET LINK https://linktr.ee/AdamFerrara ADAM'S TOUR SCHEDULE 4/1 Marconi Auto Museum Tustin CA 4/14-15 San Francisco CA 4/21-22 Escondido CA Learn more about your ad choices. Visit podcastchoices.com/adchoices
Adam locked himself out of his cabin at a gig and had to walk through the resort in pajamas and bare feet. Actor, comedian and master impressionist Jonathan Kite stops by and tells us about 2 Broke Girls, his OCD and knowing he has an impression when he can improv like that person. Alex makes fun of Adam's use of the phrase “artistic danger” ADAM'S TICKET LINK https://linktr.ee/AdamFerrara ADAM'S TOUR SCHEDULE 4/1 Marconi Auto Museum Tustin CA 4/14-15 San Francisco CA 4/21-22 Escondido CA Learn more about your ad choices. Visit podcastchoices.com/adchoices
If you've wandered around Los Angeles and you swear you've spotted Frau Farbissina from Austin Powers or Miss Francine Briggs from iCarly or Linda Schwartz from The Goldbergs then you may have experienced a genuine Mindy Sterling encounter!Mindy's IMDB is vast and deep and it includes The Grinch Who Stole Christmas, The Suite Life of Zack & Cody, A.N.T. Farm, Desperate Housewives, Captain Underpants, 2 Broke Girls and That's So Raven. Many millennials have accidentally called her Mom.Mindy shares her experiences growing up as a showbiz baby with a comedian dad and a showgirl mom, how she made her mark on the industry and how she then poured herself into raising a son on the Autism spectrum.Mindy is Groundlings royalty and she elaborates on the history, discipline and legacy of improv comedy. Plus, she has worked extensively in children's TV, including alongside Jennette McCurdy from iCarly whose best selling book, I'm Glad My Mom Died is a cautionary tale on the dangers of mixing kids with show business. Mindy shares her experiences working with Jennette and her fellow child actors.All this plus anticipation on the Austin Powers front. Will there be another sequel…? Mindy has clues.We're also joined by Journalist/Mental Health Advocate/Author Janeane Bernstein, EDd. Her books 'GET THE FUNK OUT! $%^& Happens, What to Do Next!' and the upcoming 'Better Humans: What The Mental Health Pandemic Teaches Us About Humanity' are changing the ways in which we look at mental and emotional health.Janeane joins us to talk about the inspiration behind her talk show and books which explore how setbacks can become successes and how we can all better handle the inevitable challenges we face in life. All this plus we are recommending Hollywood on Netflix and Fire of Love on Hulu and Disney.Path Points of Interest:Mindy Sterling - Groundlings Alumni PageGroundlings COOKIN' WITH GAS 30th ANNIVERSARYMindy Sterling on IMDBMindy Sterling on WikipediaJaneane Bernstein Get The Funk Out! $%^& Happens, What to Do Next!Better Humans: What The Mental Health Pandemic Teaches Us About HumanityGet The Funk Out on KUCIOutside The Box: Mental Health Initiative Hollywood series on NetflixFull Service: My Adventures In Hollywood And The Secret Sex Lives Of The Stars by Scotty BowersScotty and the Secret History of Hollywood on Hulu Scotty and the Secret History of Hollywood on PrimeFire of Love on Hulu Fire of Love on Disney Fire of Love on Prime
This round of The Sleepover Series has come to an end. We are back at TYSO Studios with a guy that Rick has wanted to come on the podcast for years... Actor/Cool Guy/Nice Dude/Family Man/Back Flipper, Ryan Hansen. In this episode they talk about stuff and Ryan pisses his pants. They also discuss his show, "Party Down," with co-stars Adam Scott, Ken Marino, Lizzy Caplan, Martin Star, Jane Lynch, Jennifer Coolidge, Megan Mullally, and Jennifer Garner. The new season is out now, episodes airing Fridays on Starz! Here's a list of credits from his Wikipedia: "Grounded for Life," "That's So Raven," and "Las Vegas." Here are some more: "Veronica Mars," "Friends with Benefits," BuddyTV ranked him #79 on its list of "TV's Sexiest Men of 2011", in 2012 he began as a recording role as Andy on "2 Broke Girls." The same year he had a supporting role in the film "Hit and Run" alongside Dax Shepard, Kristen Bell, and Bradley Cooper. "Ryan Hansen Solves Crimes on Television," "Like a Boss," and "Fantasy Island." Support TYSO by supporting our sponsors: Today's episode is brought to you by CHAMPIONS, a hilarious and heartwarming new comedy from iconic director Bobby Farrelly, starring Woody Harrelson, Kaitlin Olson, and Cheech Marin. CHAMPIONS is only in theaters March 10. CHAMPIONS is only in theaters March 10. Visit https://www.champions.movie to watch the trailer now! This episode is #sponosred by BetterHelp.If you're thinking of starting therapy, give BetterHelp a try. Visit https://www.betterhelp.com/tyso today to get 10% off your first month.
1. Fortune's life as a debutante without a couch and her first coming out party. 2. Fortune's 21st birthday, and her family's complicated relationship with Hooters. 3. The joys and perils of growing up as an 80s kid, and the shock of moving to LA from a small Southern town. 4. What Fortune was watching when she finally realized she was queer, and how she built community when she realized she was the only gay person she knew. 5. How she learned to let go of being someone she's not – and starting living to please herself. About Fortune: Fortune Feimster is a standup comedian, writer, and actor. Her first Netflix special, “Sweet & Salty,” was nominated for a Critics Choice Award, and her new comedy special – “Good Fortune” – is streaming now on Netflix. Fortune was a writer and panelist on the hit show “Chelsea Lately” and starred in “The Mindy Project”. She has also appeared in “2 Broke Girls,” “The L Word: Generation Q,” “Glee,” and “Life In Pieces”. TW: @FortuneFeimster IG: @fortunefeimster To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Whitney Cummings is a stand-up comedian, writer, actor, producer, and podcaster. You may know her from one of her five hilarious stand-up specials, her sitcom 'Whitney', as the co-creator of the CBS show '2 Broke Girls', or as host of the 'Good For You' podcast.Whitney's charm and wit is legendary. But underappreciated is her knowledge and experience with mental health and emotional well-being—qualities earned from working through anxiety and and codependency disorders. All of this and more is chronicled in her hilarious and vulnerable book, 'I'm Fine …And Other Lies.'This conversation centers on mental health. We discuss codependency at length—what it is and what it isn't—building self-esteem, creating confidence, navigating relationships, and healing from childhood trauma.We also talk about animal welfare, equestrian therapy, 12 step recovery, empathy, the importance of forgiveness, and tons more.Whitney is a blast. This episode is epic. I hope you enjoy it!Show notes + MOREWatch on YouTubeNewsletter Sign-UpToday's Sponsors:Levels: levels.link/RICHROLLCalm: calm.com/richroll.BetterHelp: BetterHelp.com/richroll.Athletic Greens: athleticgreens.com/richroll Peace + Plants,Rich Hosted on Acast. See acast.com/privacy for more information.
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